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shitpostingperidot · 8 months

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How old is Carol Danvers???

(Inspired by a post by @blindluck which was in turn inspired by a post by me and @marvelsassbutts )

So I just found out the official Captain Marvel wiki places Carol Danvers’s birth date in 1965. At first I thought “that’s ridiculous” for reasons that will become clear through this long ass post. But then I saw they cited drawings by the assistant art director on Captain Marvel, found on her portfolio! That’s pretty official!

Wait what’s that at the bottom…

1984???? For Carol’s USAFA basic training???? This is impossible, the movie is wrong, and here’s why.

(Excerpt from my future video essay incoming)

There are no dates in Higher, Further, Faster; the marketing text on Amazon, Liza Palmer’s website, etc just says “80s.” So, we need to do some detective work.

We know that the 2019 film Captain Marvel takes place in 1995. Since it takes place in Southern California and Louisiana, the warm weather doesn’t tell us much about the time of year. Personally, I believe it takes place on March 8, 1995, because that’s the exact day I was born, and my birthday is the day the movie was released on to coincide with International Women’s Day. Regardless, Monica Rambeau is eleven years old in the film, putting her birth in 1983 or 1984. So, Maria’s pregnancy must have begun in 1982 or 1983.

Here’s a “fun” fact about US military academies: until less than one year ago (summer 2023, a full three years after Captain Marvel came out), cadets at USAFA who became pregnant were required to either drop out, have an abortion, or relinquish their parental rights to their child.

Dropping out also means reimbursing the government for your tuition for all classes you’ve taken up to this point, and giving up your ability to be commissioned as a second lieutenant in the Air Force upon graduation. Definitely not an option someone as driven as Maria wants to consider. In fact, we know this isn’t what happened, because this news article Carol hung up in her spaceship in The Marvels says that Maria Rambeau is a USAFA graduate.

We also know that Maria didn’t have an abortion, because, well, Monica Rambeau herself is tangible evidence. Theoretically, it is possible for Maria to have given up parental rights and adopted back her own child after graduation. Before the policy change in 2023 that allowed cadets to be parents, many found this to be their best option (see the article I screenshotted above). However, this process is really expensive and takes a lot of work with a lawyer over a period of months or years. From the little we know of Carol and Maria’s life pre-crash, (it was busy, they lived in an expensive area, and Maria only had Carol for support), I think we can assume that it’s less likely that Maria was forced to adopt her own daughter than that Maria graduated USAFA before becoming pregnant in 1982 or 83.

That still doesn’t answer the question of when this book takes place, though. The exact year is important, as the military had some major differences under the Gerald Ford, Jimmy Carter, and Ronald Reagan administrations of the 70s and 80s, and one of the things I want to assess this book on is accuracy.

Oh wait, what’s that? Another discriminatory policy that helps us date this book? That’s right, USAFA didn’t enroll women as cadets until Public Law 94-106 went into effect in 1976.

What’s more, Carol and Maria cannot have been part of this first group of women cadets, because in the book, there is an upperclassman character who is a woman. Officer Cadet Chen is one of the leaders of Basic Training for Carol and Maria’s flight, a position cadets aren’t allowed to hold until their third or fourth year at the Academy.

So, Carol and Maria must enter USAFA no earlier than 1978 to be two or more years younger than Chen, and must graduate no later than 1983 for Monica to exist. To comply with the marketing blurb’s declaration that this book takes place “in the 80s”, let’s say that Carol and Maria’s first year is the 1979-1980 school year.

(End excerpt)

In conclusion, Maria and Carol were born in 1960 or 1961 (with pretty equal likelihood of which birthday makes them 18 at the start of the book, since USAFA basic happens the summer before the school year), not 1965. It would be impossible for them to have done basic training in 1984 as in the production drawing, because they would have to have already graduated and be well on their way to test pilot school which is a whole other policy can of worms before Monica’s birth in 1983 or 1984.

In conclusion conclusion, Carol is ~34 in Captain Marvel and ~64 in The Marvels, and the MCU should hire fans to fact check for them.

#thank u blindluck for bringing my attention to this wiki I had such a fun time on this rabbit hole #the marvels #captain marvel #carol danvers #maria rambeau #higher further faster book #carolmaria #danbeau #monica rambeau

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smokeybrandreviews · 1 year

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Please Stop, It's Already Dead

We’re almost a year into Zeb Wells’ run on Spider-Man and we finally got answer as to what the f*ck i going on. The mystery box has been opened and it’s full of f*cking stupid. Stupid, stupid, answers. Answers that just don’t work for the characters that we all know and love. Bro, like, i had a whole goddamn essay written about this, about how Zeb Wells has literally thrown out decades of growth and characterization for some half-hearted shock plot to basically troll the fandom but then i saw the leaks for issue twenty-six and what the f*ck? The death of Ms. Marvel? Really? You’re about to fridge Kamala Khan? Word? The most popular and visible Muslim character in f*cking comics, and you’re going to kill her off just to f*ck with Peter Parker even more than he’s already been f*cked over? What the f*ck is even going on anymore? What are you doing Marvel? How is this a good idea? How are these the optics you wan for your flagship comic book and most profitable hero? It’s like you hate money right now.

Listen, I'll be the first to admit that i didn’t care for Kamala when she was first introduced in the comics. Ma came about during the whole “All New, All Different” debacle and i just couldn’t stand any of that sh*t. It didn’t help that she was pushed so goddamn hard, to the point of sheer annoyance. I couldn’t pick up a Marvel comic without a f*cking Ms. Marvel mention for, like, two whole years. It was obnoxious how prominent this chick was in comics but, as time went on, i got over it. Kamala is a thing. I’m good with that. It helps that she is unapologetically Pakistani and Muslim. That sh*t is f*cking dope and we can always have more represenation like that. Then she got a show. Yo, Iman Vellani did the impossible and changed my opinion of Kamla altogether.That was top-tier, RDJ-as-Iron Man casing right there. I am still wildly indifferent to Kamala in the books but Ms. Marvel in the MCU is the sh*t. It’s a crime more people didn’t watch that show but i think she’ll steal all of her scenes in the upcoming Marvels flick. Which, coincidentally, is also written by Zeb f*cking Wells so that might end up being a sh*tshow, too. which brings me back to my point: Why the f*ck are we fridging Miss Marvel in the goddamn first place?

Ma is poised o be a breakout star of one of the most anticipated (some would also say infamous) MCU entries to date. What the f*ck is the motivation behind such an ill-advised comic book death? Now, unlike a lot of people out there in the blogsphere, i don’t think this is desperate and lazy “plot twist” is racist or sexist. I can definitely see why people would say that but this, to me, stinks of corporate mandate. This is the Marvel suits making the call, probably to get buzz going for the aforementioned Marvels film because, so far, word is that thing is a goddamn mess. Which isn’t surprising considering that Wells wrote that thing, too. I Just want to hammer that fact home: Zeb Wells wrote the Marvels and is now killing off Ms. Marvel in the comics, for reasons. You would think it be counter-intuitive to kill off a third of your leads in said flick just for hate clicks but you know the old adage; All publicity is good publicity. I don’t think Marvel as a whole, needs anymore bad publicity, though, and this sh*t is the worst kind.

Wells isn’t even killing her off in her own book, man. Kamala Khan’s death, as temporary as it will probably end up being, is just to give “development” to Peter Parker. Her death is a f*cking plot device, devoid of purpose or narrative weight, and that is the greatest crime being committed here. Bad writing aside, do you know how disrespectful this is to the character? How condescending it is to her fans? It’s wild to me that the higher ups gave the green light for this bullsh*t but, i mean, they did hand Wells the reins to the most popular superhero in the world. And continue to let him f*ck it up. Why not throw a little brown girl sacrifice on the dumpster fire, too? Like, it keeps getting worse and I don't know how that's even f*cking possible. How is this Spider-Man run so bad? How does Wells keep making the absolute wrong choices? I don't even understand how someone who calls themselves a professional writer, can craft such an abysmal narrative and put their name on it. Proudly. You should hear this asshole in interviews. HE rally thinks he’s doing something great with this book right now. The delusion and hubris is real. It’s sh*t like this that’s letting manga absolutely massacre the US comics industry.

#Amazing Spider-Man #Ms. Marvel #Death of Ms. Marvel #Zeb Wells #Marvel Comics #Some more bullsh*t

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smokeybrand · 1 year

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Please Stop, It's Already Dead

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themollyjay · 3 years

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The Myths of Forced Diversity and Virtue Signaling.

In my novel Mail Order Bride, the three main characters are a lesbian and two agendered aliens. In my novel Scatter, the main character is a lesbian, the love interest is a pansexual alien, and the major side characters include a half Cuban, half black Dominican lesbian, a Chinese Dragon, a New York born Jewish Dragon, and a Transgender Welsh Dragon. In my novel The Master of Puppets, the Main Characters are a lesbian shapeshifting reptilian alien cyborg and a half black, half Japanese lesbian. The major side characters include three gender fluid shapeshifting reptilian alien cyborgs, and a pansexual human. In my novel Transistor, the main character is a Trans Lesbian, the love interest is a Half human/Half Angel non-observant Ethiopian Jew, and the major side characters include a Transgender Welsh Dragon (the same one from Scatter), a Transgender woman, a Latino Lesbian, an autistic man, three Middle Eastern Arch Angels, and a hive mind AI with literally hundreds of genders. In my novel The Inevitable singularity, one of the main characters is a lesbian, another has a less clearly defined sexuality but she is definitely in love with the lesbian, and the third is functionally asexual due to a vow of chastity she takes very seriously. The major side characters include a straight guy from a social class similar to the Dalit (commonly known as untouchables) in India, a bisexual woman, a man who is from a race of genetically modified human/frog hybrids, and a woman from a race of genetically modified humans who are bred and sold as indentured sex workers.

Why am I bringing all of this up? Well, first, because it’s kind of cool to look at the list of different characters I’ve created, but mostly because it connects to what I want to talk about today, which should be obvious from the title of the essay. The concepts of ‘forced diversity’ and ‘virtue signaling’.

For those who aren’t familiar with these terms, they’re very closely related concepts. ‘Forced Diversity’ is the idea that characters who aren’t neurotypical cisgendered heterosexual white males are only ever included in a story because of outside pressure from some group (usually called Social Justice Warriors, or The Woke Brigade or something similar) to meet some nebulous political agenda. The caveat to this is, of course, that you can have a women/women present as long as they are hot, don’t make any major contributions to the resolution of the plot, and the hero/heroes get to fuck them before the end of the story. ‘Virtue Signaling’, according to Wikipedia, is a pejorative neologism for the expression of a disingenuous moral viewpoint with the intent of communicating good character.

The basic argument is that Forced Diversity is a form of virtue signaling. That no one would ever write characters who aren’t neurotypical cisgendered heterosexual white males because they want to. They only do it to please the evil SJW’s who are somehow both so powerful that they force everybody to conform to their desires, yet so irrelevant that catering to them dooms any creative project to financial failure via the infamous ‘go woke, go broke’ rule.

What the people who push this idea of Forced Diversity tend to forget is that we exist at a point in time when creators actually have more creative freedom than are any other people in history. Comic writers can throw up a website and publish their work as a webcomic without having to go through Marvel, DC or one of the other big names, or get a place in the dying realm of the news paper comics page. Novelists can self-publish with fairly little upfront costs, musicians can use places like YouTube and Soundcloud to get their work out without having to worry about music publishers. Artists can hock their work on twitter and tumblr and a dozen other places. Podcasts are relatively cheap to make, which has opened up a resurgence in audio dramas. Even the barrier to entry for live action drama is ridiculously low.

So, in a world where creators have more freedom than ever before, why would they choose to people their stories with characters they don’t want there? The answer, of course, is that they wouldn’t. Authors, comic creators, indie film creators and so on aren’t putting diverse characters into their stories because they are being forced to. They’re putting diverse characters into their stories because they want to. Creators want to tell stories about someone other than the generically handsome hypermasculine cisgendered heterosexual white males that have been the protagonists of so many stories over the years that we’ve choking on it. A lot of times, creators want to tell stories about people like themselves. Black creators want to tell stories about the black experience. Queer creators want to tell stories about the queer experience.

I’m an autistic, mentally ill trans feminine abuse survivor. Every day, I get up and I struggle with PTSD, with an eating disorder, with severe body dysmorphia, with anxiety and depression and just the reality of being autistic and transgender. I deal with the fact that the religious community I grew up in views me as an abomination, and genuinely believes I’m going to spend eternity burning in hell. I deal with the fact that people I’ve known for decades, even members of my own family, regularly vote for politician who publicly state that they want to strip me of my civil rights because I’m queer. I’m part of a community that experiences a disproportionately high murder and suicide rate. I’ve spent multiple years of my life deep in suicidal depression, and to this day, I still don’t trust myself around guns.

As a creator, I want to talk about those issues. I want to deal with my life experiences. I want to create characters that embody and express aspects of my lived experience and my day-to-day reality. No one is forcing me to put diversity into my books. I try to include Jewish characters as often as I can because there have been a number of important Jewish people in my life. I include queer people because I’m queer and the vast majority of friends I interact with on a regular basis are queer. I include people with mental illnesses and trauma because I am mentally ill and have trauma, and I know a lot of people with mental illnesses and trauma. My work may be full of fantastical elements, aliens and dragons and angels and superheroes and magic and ultra-high technology and AI’s and talking cats and robot dogs and shape shifters and telepaths and all sorts of other things, but at the core of the stories is my own lived experience, and neurotypical cisgendered heterosexual white males are vanishingly rare in that experience.

Now, I can hear the comments already. The ‘okay, maybe that’s true for individual creators, but what about corporate artwork?’. Maybe not in those exact words, but you get the idea.

The thought here is that corporations are bowing to social pressure to include characters who aren’t neurotypical cisgendered heterosexual white males, and that is somehow bad. But here’s the thing. Corporations are going to chase the dollars. They aren’t bowing to social pressure. There’s no one holding a gun to some executive’s head saying, “You must have this many diversity tokens in every script.” What is happening is that corporations are starting to clue into the fact that people who aren’t neurotypical cisgendered heterosexual white males have money. They are putting black characters in their shows and movies because black people watch shows and spend money on movies. They are putting queer people in shows and movies because queer people watch shows and spend money on movies. They are putting women in shows and movies because women watch shows and spend money on movies.

No one is forcing these companies to do this. They are choosing to do it, the same way individual creators are choosing to do it. In the companies’ cases the choices are made for different reasons. It’s not because they are necessarily passionate about telling stories about a particular experience, but because they want to create art to be consumed by the largest audience possible, which means that they have to expand their audience beyond the neurotypical cisgendered heterosexual white male by including characters from outside of that demographic.

And the reality is, the cries of ‘forced diversity’ and ‘virtue signaling’ almost always come from within that demographic. Note the almost. There are a scattering of individuals from outside that demographic which do subscribe to the ‘forced diversity’ and ‘virtue signaling’ myths, but that is a whole other essay. However, within that demographic, lot of the people who cry about ‘forced diversity’ see media and content as a Zero-Sum game. The more that’s created for other people, the less that is created for them.

In a way, they’re right. There are only so many slots for TV shows each week, there are only so many theaters, only so much space on comic bookshelves and so on. But at the end of the day, its literally impossible for them to consume all the content that’s being produced anyway. So, while there is, theoretically less content for them to consume, as a practical matter it’s a bit like someone who is a meat eater going to a buffet with two hundred items, and then throwing a tantrum because five of the items happen to be vegan.

The worst part is, if they could let go of how wound up they are about the ‘forced diversity’ and ‘virtue signaling’ they could probably enjoy the content that’s produced for people other than them. I mean, I’m a pasty ass white girl, and I loved Black Panther.

So, to wrap out, creators, make what you want to make, and ignore anyone who cries about forced diversity or virtue signaling. And to people who are complaining about forced diversity and virtue signaling, I want to go back to the buffet metaphor. You need to relax. Even if there are a few vegan options on the buffet, you can still get your medium rare steak, or your chicken teriyaki or whatever it is you want. Or, maybe, just maybe, you could give the falafel a try. That shit is delicious.

#writing #original fiction #media #representation #diversity #the war of souls #the hearts of heroes #The Master of Puppets #scatter #transistor #the inevitable singularity #mail order bride

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hellzyeahthewebwieldingavenger · 3 years

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U obviously don't understand the multi verse idea kiddo. its speculation on mephisto from a 3 min trailer which makes sense (IF U HAVE READ THE COMIC'S. OBVIOUSLY U DIDN'T) on top of that saying people a hyped about the billings from 20 years ago of course !!!! They grew up on them kid ITS A MULTI- VERSE they ! Can be different versions of the villians too so they won't destroy the characters from 17 years ago kid

First of all I’m thirty goddam years old so who the Hell are you calling a ‘kid’, son?

Second of all I’ve been a Spider-Man fan for at least 25 of those years and a comic book fan for about 20 of them.

During that time I even worked for a British publisher as an image researcher for officially licensed Marvel and DC guidebooks. Whilst working there the higher up editors on occasion came directly to me specifically to explain or proofread various confusing pieces of comic book lore to them (and on occasion write scant pieces of copy for the books). This included who various characters were in the Spider-Verse arc, a storyline constructed around the concept of the multiverse. My work also included communicating with representatives of DC who laid out for me their internal policy for defining when one version of one character ends and another begins because the nature of their own multiverse has included reboots.

So where the FLYING FUCK do you get off claiming I’ve not read the comics and don’t understand the multiverse? I’ve written a goddam 30K fanfic around the concept of a multiverse. I was introduced to the concept as a child in the very first piece of Spider-Man media I ever consumed, the 1994 Spider-Man cartoon. I’ve got a wardrobe full of Spider-Man trades and organized them by which universe the stories take place in and in what order those universes were first published. And I’ve got an entire side blog dedicated to ESSAYS about Spider-Man and know Spider-Man lore you’ve never even mother fucking thought of. I know Mary Jane’s canonical ringtone!*

Don’t you EVER test me on my fan credentials kiddo, I will goddam wreck you every time.

Moving on, yes it is speculation. It’s speculation that Mephisto, a character who’s introduction into the MCU has been discussed in fandom since early this year with WandaVision, who’s a villain who’d fit perfectly into the world of Doctor Strange, who Marvel now definitively have the rights to and who was the main villain of the storyline that is the direct inspiration for a major plot point in this movie.OH NO! How foolish of me for raising the idea they might include him! Marvel would never use a Spider-Man movie to introduce plot elements for the wider universe that aren’t directly connected to Spider-Man himself... like Skrull impersonators...

Next, if you bothered to read what I wrote, what I said was:

“P.S. It says far too much that the things getting people hyped the most for this movie is stuff that was in older Spider-Man movies from nearly 20 years ago…”

“P.S. It says far too much that the things getting people hyped THE MOST for this movie is stuff that was in older Spider-Man movies from nearly 20 years ago…”

“...THE MOST...”

As in, yes they are getting hyped for the other stuff but it says something derogatory about the other, newer, stuff that people are the most hyped about the OLD stuff from this entirely different version of Spider-Man. Almost like it’s cheap nostalgia bait on Disney’s part (just like the Star Wars Sequels) and that people actually liked those older Spider-Man movies more.

“They grew up on them kid ITS A MULTI- VERSE they ! Can be different versions of the villians too so they won't destroy the characters from 17 years ago kid”

You know how sentences work right? You were supposed to say: “They grew up on them kid ITS A MULTI- VERSE, they can be different versions of the villains too! so they won't destroy the characters from 17 years ago kid!”

So, for starters if you are referring to villainS in the plural, i.e. Green Goblin and Doc Ock, Green Goblin was from the first movie which was 20 years ago. But maybe you are too young to remember that, son.

More importantly, I fucking mentioned this in the original post you imbecile:

“I’ll settle if we learn that Doc Ock and the other Raimi villains are in fact from a universe merely similar to the Raimi movies (i.e. where Doc Ock never died) but I’m not hopeful for that.”

If you weren’t still learning how to read you might’ve noticed that I didn’t say they couldn’t be alternate versions of the original movie villains. I specifically raised that possibility but also said I wasn’t hopeful of that.

You can try and respond to me again junior if you want. I’d love to smack you down some more. But if you want to actually try and own me you are about 20 years too early and 100 IQ points short of doing that.

*It’s the musical cues from the film ‘Clone Encounters of the Third Kind’ as established in Amazing Spider-Man volume 2 #53, just in case you want to test me. Go ahead and check for yourself, it’s on the very first page of the issue.

To lazy or in experienced with the comics to do that? Okay, then let me pull up the page from my giant goddam digital archive of nearly every Spider-Man comic book ever:

#Spider-Man #Peter Parker #Spider-Man: No Way Home #Mephisto #mcu #marvel cinematic universe #Marvel Studios

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pulledpurplecurtains · 3 years

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all the odd ones for the fic questions pls and thank you pepster

all the odd ones, meaning 1, 3 etc right? oh BOY are we gonna be here for a while (and i love it 🥰)

it’s morning right now so let’s see how long throughout the day this is gonna take me sdfghjk let’s do it!!

1) what was the first fandom you got involved in?

hmmmm. i wanna say harry potter, more than a decade ago? specifically dramione and scorose

3) what is the best fandom you’ve been involved in?

for all that it has given me i have to say bechloe

5) which fandoms have you written fanfiction for?

so far just for bechloe

7) list your NoTPs from each fandom you’ve been in

i’m only gonna list pairs i have strong feelings against and from only the fandoms i’ve been most involved in

harry potter: snape and hermione

frozen: elsa and hans (no but for real. why)

pitch perfect: beca and jessie, chloe and chicago

marvel: hm hm surprisingly nothing comes to mind

the haunting of bly manor: same as for marvel

9) what are the best things about your current fandom?

having a space where i can fully be myself, expressing myself freely through my writing, meeting so many wonderful people, having a previously unexplored side of myself revealed to me, finding and delving into characters that make me feel less alone, and so much more. it’s been a real blessing, having this fandom in my life

11) who is your current OTP?

bechloe

(this was the point where tumblr lost me ALL MY ANSWERS FROM QUESTIONS 13 TO 33 so let’s do this again SHALL WE??? i’ll be saving each answer as we go dear god)

13) any NoTPs?

already answered!

15) is there an obscure ship which you love?

hmm i don’t think so? none that comes to mind at least

17) who was your first OTP and are they still your favorite?

my first OTP, before i even knew what an OTP was, was scorpius and rose from harry potter. it’s not still on top of my OTP list, but always has a special place in my heart

19) is there a ship which you wished you could get behind, but you just don’t feel them?

not really? i mean, there are popular ships that i don’t support, like hermione with bellatrix or natasha with wanda for example. i can see their appeal and i get why people like them. they’re just not for me and i’m okay with that

21) what was the first fanfic you ever wrote?

ah my accidental multi chap baby sdfghjkdfg

All is Fair in Love and War was posted as an one shot, and that was all it was supposed to be. it was my first finished written piece. and then a couple of people in the comments were really nice abt sharing thoughts of where the story could go next and what they’d like to see happen, and they were very enthusiastic abt wanting to see more of that story. so the second chapter was born

sooo one thing led to the other and before i knew it that fic had become an 8 chapter, over 60k words story sdfghjkdf i’m amused and grateful to this day

23) name a fic you’ve written that you’re especially fond of and explain why you like it

how can you ask a mother to pick her favorite of her kids HUH

no but for real, i love all of my stories equally. i’m a perfectionist, so nothing gets posted before it’s perfect in my eyes. plus, all my stories are my babies. each has its flaws and imperfections, each in their own ways. but they’re all beautiful and meaningful to me

what i will say is, i have a particular soft spot for (wondering if you knew) i was enchanted to meet you. i truly think my writing peaked in that story, in all the parallels and tiny but very important things that are in there

25) what’s your most popular fanfic?

based on views and kudos, it’s All is fair in Love and War

ofc that’s a multi chap, so maybe the numbers aren’t exactly equivalent to popularity

my most popular one shot, by a very large margin at that, is (i’ll let you in) and baby, that’s when

27) what do you hate more: coming up with titles or writing summaries?

i honestly love coming up with titles

writing summaries, on the other hand, is the bane of my existence

29) do you have a beta reader? why/why not?

i don’t, and it’s bc i’m literally incapable of taking any kind of critique over anything unfinished. once it’s posted and out in the world it’s fair game; but until then? that’s a big no for me

31) what’s the nicest thing anyone has ever said about your writing?

i honestly can’t answer this question bc every comment is so so special and important to me. i often go back and read them all. even right now while writing this there are so many different comments swirling around in my head. i appreciate and am grateful for all the kind words always 💜

33) do you write one shots, multi chapters, or huge epics?

sdfghjkk definitely not huge epics

i’ve written both of the other two. in the beginning i preferred and wanted to write multi chapters. however nowadays and for the past year or so, i lean more heavily towards one shots

35) do you write drabbles? if so, what do you normally write them about?

i am physically and mentally incapable of writing short things sdfghjkd so no, i don’t write drabbles

37) first person or third person? what do you write in and why?

always third person. idk the idea of first person narration always seemed weird to me. plus, i see my stories as me retelling the events the characters have confided in me. so third person makes sense and it’s also why i use past tense in my stories

39) what is your greatest strength as a writer?

describing and narrating emotions and using metaphors

41) list and link to five fanfics you’re currently reading

my reader’s block has been going strong, so i’m not reading anything currently unfortunately

43) is there anyone in your fandom who really inspires you?

my squirrels 💜

45) what is your all time favorite fanfic?

i have to say Experimentation i just have to

i also love Perdition, what an incredible piece of writing

47) ao3, ff.net or tumblr - where do you prefer to post and why?

definitely ao3, i just love its interface i guess?

49) do you care if people comment on/ reblog your writing? why/why not?

okay so here’s the deal. ofc i care. every artist who shares their work, every creator, cares; at least to a degree. it’s why we share. we want people to see and love and appreciate our work, we want it recognised and celebrated even. we want people to engage with it, show it to their friends, talk abt it, have thoughts abt it. it’s only natural and ofc i’m absolutely no exception

with that said. i’ve always tried to remind myself that kudos/likes are also engagement. that even just reading is engagement. that everyone’s limit or ability for engagement isn’t the same, and that ultimately it’s their choice how or if they’ll engage with my writing. i try to, and i do, value everyone who even just reads my stories. i share something with the world for free and it’s my choice to do and continue to do so. what happens after that isn’t up to me

so yes i do care a lot abt reblogs and comments. they make me very happy, they validate and encourage me. but people have no obligation, in my eyes at least, to engage with my works a specific way. just like i have no specific obligation to provide a certain type of content on set periods of time or with a set limit of words or to continue to provide stories; or literally any other obligation. no one can police my actions and choices up until i’ve posted a story and i can’t police anyone’s actions or choices after i’ve posted it. and that’s the beauty of fandom for me - we’re all here bc we want to and bc it makes us happy, with no expectations or obligations

ending this with an essay seems only suitable sdfghjkd thank you my egg for giving me the opportunity to talk abt myself in such length 😌💜

#ask #snowonebutyou #ask game #i don’t even know if i did this right sdfghj #but i loved it #btw it’s 6:30pm right now lmao

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sinagrace · 4 years

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Iceman’s been back on my mind lately. It started with the internet rumor that Shia Labeouf was being considered to play the role of Bobby Drake in a Marvel Cinematic Universe version of the X-Men. My DMs and @Mentions on social media were a mixture of intense reaction and then asking my take on who would make a great Bobby Drake (for the record: in my head I always saw him as a younger Antoni Porowski with a theater background, ‘cuz playing the funny guy with a vulnerable streak requires serious acting shops). My mind went back to the time of BC, when I was doing a lot of touring, and answering this very question because of my work on the Iceman book at Marvel. One thing led to another, and I decided to take a trip further down memory lane to look at my favorite volume of the series: Amazing Friends. Now, I know I’ve spent equal amounts of time publicly stating what a gift working on Iceman was, while also calling out the challenges that came with the experience, but the third volume really was a pure blessing. I was able to take every valuable lesson I learned as a writer, and apply it to telling a story that would be interesting to one person: Me. I’ve been a lifelong X-Men fan, I live and breathe comics, so my own expectations for a return to the series seemed like the only ones to really worry about meeting/ surpassing. The first two volumes had been so bogged down by rotating editors, complex continuity, company-wide events, multiple artists… The third volume was my chance to focus on what an Iceman series was outside of so much context. All that mattered was challenging myself to do an X-Men story that focused on the aspects of the franchise I felt were valuable and relevant, meaning: excuses to have Emma Frost be an asshole and finding an opportunity to make fun of Kitty Pryde’s haircut. Before moving on from Marvel, Axel Alonso made time to call me for a pep talk about the series. I wanted to get the series extended, and he wanted to help me succeed with the ten issues he could commit to. First, he offered an eleventh issue to give me more time on the stands. He took a look at everything I had planned, and basically told me to restructure with an eye for ramping up the pace. My writing background comes from prose and essays/ think pieces… both of which are methodical and provide some allowance from the reader to really take your time and set up the world before diving into the meat. That’s not the case with comics. You gotta work fast. Especially in today’s market, there is less and less room for a retailer to say, “give it two volumes, because shit starts really coming together by the third trade.” That was literally my speech for hooking people on such iconic series as Invincible, Fables, and Strangers in Paradise. Nowadays, every single issue is not a brick to be laid down as foundation so much as a bullet in your gun. Conflicting imagery, but that’s the point. Axel told me to think about the Big Moments in my life and sort out how to inject the mutant metaphor into it and make the most compelling comic book story I could. This was epic advice that I took with me into the new arc, but I struggled a bit with what could be bigger than the “coming out” storyline in volume one. Love was off the table because I wanted to keep Bobby single and ready to mingle. Death was off the table too, because my editor felt like we’d done enough with Bobby’s parents in the first two volumes. Upon looking at my own life, and considering the stuff me and my friends were dealing with, I landed on something a bit more reflective than LIFE or DEATH. I wanted to focus on that moment when a gay guy looks outside of himself and realizes the folks around him may not have it so easy. After everything we’ve been dealing with this summer, Iceman’s “big issue” of the arc feels oddly prescient. Bobby Drake had to reconcile his accidental complicit role in keeping the Morlocks down, and he has to investigate new approaches to being a better ally to those who don’t want to or can’t live under the protection of the X-Men. I used the Morlocks to allegorically speak to the issues that the trans/ NB community face today. Considering that trans folks are facing higher rates of homelessness and murder than other members of the LGBTQIA+ community, all I needed to do was find a perfect villain to treat the Morlocks as “lesser-than.” Cue Mister Sinister, who I wrote as particularly Darwinist with a major flair for interactive theater. While Amazing Friends definitely is the most fun I’ve had working on the book, it was also full of the heaviest shit I’ve written about. I’m so grateful that my editor let me use Emma Frost for a story about the trauma of gay conversion therapy with her brother Christian, but I’m still annoyed he wouldn’t let me put her in a sickening Givenchy outfit for her reveal. Similarly, creating the Madin character required that I chat with several mental healthcare professionals and members of the NB community to respectfully portray them as a resilient and fleshed out hero. I included personal lessons that I learned from years of the therapy (the sandcastle / sea image, a Jay Edidin fave moment). My editor and I weren’t always aligned, but we definitely were on each other’s side. He understood what I was trying to do and asked questions when something flew over his head, and he even had the good instincts to stop me from going too heavy handed with the ending. My original idea for the arc’s finale was to have Bobby become permanently scarred in his fight with Sinister, where he’d have a cool ice gash running across his face or something, a la Squall from Final Fantasy 8. The goal was to show Iceman stripping himself of his ability to pass as non-mutant to save the Morlocks, but the Mutant Pride fight scene being a stand-in for the Stonewall Riots kind of already made enough of a statement. Plus, no one in editorial wanted to deal with remembering to track his scar in other books. At first I tried to balk at his point of view, but when I looked over my original notes for the series, the point was to focus on optimism and hope. Giving Bobby a permanent scar and emphasizing the notion of sacrifice was too bleak a message for a series wherein the hero carbo-loads hoagies while riding an ice scooter and mutant drag queens emcee local festivals. Of course, the crowning achievement of the series… my mutant drag queen :) I’ve witnessed a lot when it comes to the world of pop culture and myth-making, and I 100% believe that you can’t plan the success of something. I’ve seen bands forced into breaking up because labels spend six figures failing at making listeners connect with an album. I witnessed firsthand how The Walking Dead was built from relatively humble beginnings as a buzzy cable drama into a literal international phenomenon over the course of its first three seasons. Everyone hopes for the best, but you never know how something will land with audiences. When the Shade character took off, I was truly astounded. Things I posted on Instagram while half-asleep became official quotes on major news sites. Queens and cosplayers were interpreting her like Margot Robbie had unveiled a new Harley Quinn lewk. The impact was so legit and immediate that we had to jump in and give Shade a proper Marvel hero alias, to truly welcome her into the X-Men canon. Hence the name change to Darkveil. (Funny story: I tried to fight hard for Madame X as an alias, but CB didn’t want another Agent X / “X-Name” character. Three months later, Madonna announced the Madame X album. Phew!) There was a time where I felt uncertain that the folks in charge at Marvel would bring Darkveil into any stories outside of the ones I wrote. My understanding was that Hickman was like the Cylons and had A Plan-- one that didn’t include her character. I made peace with my contribution to the Marvel Universe being contained, but then someone on social media pointed out that Darkveil showed up in an issue of Marvel Voices. After breaking down and reading Hickman’s House of X, I saw that his Plan was one of endless possibilities, and that he was moving EVERY character into new and dynamic places. I have hope now that he sees the possibilities with Darkveil, and takes advantage of her and all of her many body pouches. Amazing Friends really is my favorite thing I’ve done for the Big Two. I made a lifelong friend out of artist Nate Stockman (DC, please hire us for a Plasticman book), and I got to run a victory lap with the most encouraging and supportive readers out there. It was worth every dreadful conversation, every shitty thing a person said to me online, and all of the fun nonsense that goes into being creative for a living. Being stuck at home in quarantine has given me a lot of time to reflect on the gift that my career to date has been, and I feel so grateful to be where I am today. Other people may groan when they have to talk about something they’ve moved on from, but not me. I made people happier, I got to work with my favorite characters at Marvel, and and I'll say it again: it’s a frickin’ gift to make people move from your work. So, I will engage every tweet or message asking me my thoughts about who should play Bobby Drake in the Marvel Cinematic Universe… I’ll just never have a good answer.

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thesharondefenseleague · 3 years

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mlm imo werent sexualized to the degree that wlw were in most canon media mostly because of the male gaze. Gay and Lesbian relationships or moments got very limited representation. One was probably more sympathetic but also heart breaking like say brokeback mountain. One was explicit but depicted as grotesque or twisted or perverted or immoral in some way. And the last version was the titillating version. In western media because of the assumed straight male gaze lesbians making out to titlate guys was a common thing like say in Jennifer's body. The equivalent of that with guys wasnt really that common not in western media. Not that wlw couldn't like that content but it was made to be fanservice for men .

So thats what I kind of mean by wlw were sexualized at least in western media. This equivalent with mlm in fandom never really existed they never made out for girls to find hot in the same way. It was never marketed like oh look hot guys making out. Fandom did that but not canon.

As for comic book men being sexualized kind of. There is definitely the unrealistic beauty standards but theres that debate of was it for the purpose of titillating women? Or a result of toxic masculinity putting this unattainable unsustainable goal for men. Maybe both? But both in comics and the movies they are based on the posing and clothing and moments with women get made to clearly sexualize them . It especially ovbious with comics with them twisting their bodies so their boobs and butts are jutting out. Or like movie moments like Bruce landing in Natasha's clevage. Or angles where you are staring down a female character's shirt or she has a boob window for some contrived reason. Or just reasons to give full page spreads of them in skimpy clothing.

Its rare men get depicted like this or posed like this. And when they do it often stands out because its not the norm. It's something unique. Not true with men. Even in form fitting spandex they are often posed and framed to make to make them look powerful or intelligent or to reveal things about their character.

Again not that men never get sexualized or that fanservice is always bad. Or that its not a concern that men are having these terrible body image issues. But just that for women for the sexualization its so pervasive and constant was my point.

Its just as bad in wlw in canon as it is for women in relationships with men in canon when it comes to that sexualization but i hear so much more about the problems about the wlw ship than the mlw ship. Like to use DC as a example i hear so much about how people sexualized or mishandle harleyivy but compared to that i hear very little about batcat in comparison even though Catwoman is often just as sexualized in that ship.

As for misogyny in shipping wars yes it definetly exists and is a problem as is racism and homophobia. But my issue is mostly that the problem isnt because the main popular ships are mlm. But so often I see the argument framed that way.

Like shipping wars existed between m/w ships and still do today. And they are still often pretty misogynistic towards the woman in the other ship. I don't even have to look at other fandoms I remember Steggy vs Starton getting real ugly.

Mysogny in fandom doesn't uniquely pop up when mlm are the more popular ship. Its often just as bad in fandoms where m/w is the popular ship. But people just bring it up alot more they make it bout valuing the men over the women .

Well i mean that goes both ways you could say its homophobic for valuing the straight ship as better than the gay one or liking it more. But either way its stupid they dont care bout sexism or homophobia only that their ship is more popular.

Thats the sentiment of all ship wars the gender dynamics and racial make up change nothing. Nothing except the bullshit you use for the ship war.

The problem is that people are being homophobic and mysogynistic and racist not just in regards to fictional characters but towards real people just to win a ship war. It comes out so easily. Thats the problem imo.

Mysogny for example i think isnt discussed as much when its a m/w vs m/w ship war or drama because as both ships have women it can't be used to slander the other ship. But when its drama between fans of a m/m and m/w it comes out alot again not because anyone really cares but because now because one ship lacks a woman it can be used as fodder for what people actually care about. Tearing down the other ship.

Again not that mlm fandom doesnt have mysogny. They definetly do. But they aren't mysogynistic because they ship two guys together. Thats not proof they hate women. Having a ship with women isnt proof that you aren't sexist towards women. There might be homophobia in fandoms of mlm ships and mysogny in fandoms of m/w ships.

But in the drama between a m/w and m/m ships that doesn't get brought up because no one cares if that problem can't be used to show that someone only doesn't ship your ship if they are bigoted against it. Who cares about misogyny if your ship is two guys? Who cares about homophobia if your ship is straight?

No one because they cared about the popularity of their ship not the actual issues.

Gonna under under the cut for length again.

This is a lot to read so I'm gonna respond paragraph by paragraph and hope for the best in terms of comprehension.

When it comes to media made about the LGBTQ+ community, you have to keep in mind when it was made, who made it, and who was it made for. And that it's been shown that straight women have had the same reactions to mlm content as straight men to wlw content. QaF was dumbfounded to find that the majority of their audience was straight women when the show's sex scenes were 95% between two or more men and yet that's what they ran with because hey, it got the views. The views of mlm and wlw content in the mainstream media before then was minimized, despite how fucked a lot of the other content could be. If by "most canon media" being directed at the male gaze being summer blockbusters, and more specifically comic book movies, then sure. If we step out of that box, then not really. The film examples you chose are interesting because BB is portrayed exactly how the author of the original short story wrote it which was meant to be heartbreaking since it was a tragic dramatic piece while JB has a woman who wrote and another woman who directed it while purposefully trying to allow to actress to have a level of sexuality without exploiting her as past directors have (also neither of the main characters are lesbians - one is bi, the other I think is straight but maybe questioning?).

The sexualization of wlw in modern western media is definitely a thing. I mean, the first Iron Man film has stewardesses on the private jet pole dancing if I remember correctly. It took until 2016 to stop sexualizing Scarlett in every movie: the changing scene in IM2, the lowered zipper in A1, the ass shot in Cap 2, the boob faceplant in AoU (in your third paragraph, but mentioning it here anyway). It's a joke that you know when a man directs a wlw indie film during the sex scenes. But the mlm equivalent did exist alongside it, and it's what kicked off the century.

Comics and their movies were always for men. The male bodies are male wish fulfilment for their physical appearance. The women are male wish fulfilment for their dream girls. Funnily enough, one of the least sexualized women in comics I've ever read is Sharon. She's rarely, if ever, drawn to be sexualized for the audience. I'm not even sure she's even been in those swimsuit issues Marvel did years ago. And it shows heavily that Marvel struggles to know how to appeal to women without being aggressively in your face about it. The best example of them appealing without pandering is WV, and the worst is the group shots the Russos did in IW and Endgame, especially the latter.

But the men get those poses in the movies too. Thor bathed shirtless for no reason in TDW. There's a scene in Endgame dedicated to talking about Steve's ass. Pratt in GotG. Rudd in Ant-Man. Most actors are expected to look good shirtless and put themselves through intense shit to look that way. So do the women, but they aren't doing it to have the glamor shots of their muscles. And the MCU is not the only film franchise like this. Most, if not all, franchises with majority or entirely male leads expects them all to look like bodybuilders. And I'm gonna take back that it's just for the male audience, because these bodies are meant to appeal to women who are intended to thirst for these actors too. They think these bodies is what will bring women to the theaters.

None of this will change, as you say, that women's sexualization is "constant and pervasive". The film industry is just a part of the larger whole of media. Television and advertising have a treatment of women that's beyond whatever you or I say because there are decades worth of shit to go through that would take dozens of essays worth of writing to fully divulge beyond "please stop it's gross".

Now DC is a whole other ballgame. They're pretty infamous for their artists' sexualization of heroines and villainesses. Harley, Ivy, and Selina are definitely pretty bad, but when I remember what I've seen drawn of Kara, Kori, or sometimes Barbara... But outside of one artist, I think Harley and Ivy as a couple have been drawn tamely. Can't say the same for Selina, because they just can't not draw every part of her body even when she's fully clothed.

I think it's hard not to talk about fandom misogyny outside of m/m ships because of how often popular m/m shippers have rooted their shipping into misogyny. And even with m/f ship wars, a lot of the time the "faulted" character is always the woman when majority of the time it's the man who sucks. I don't get why everyone is fighting for who should kiss Steve because Steve sucks and they'd be better off without him. But because Steve is the object of affection for our fave, we have to fight off everyone else.

Don't look at other fandoms for m/f ship wars. We don't appreciate how tame we were, even at our worst. I'm serious, I've seen so much worse.

I think why the topic of misogyny comes up more with m/m ships is because they follow a similar principle of the male characters being more developed in canon and fanon so it's who people gravitate towards.

There is definitely layers of homophobia in fandom, but there's many versions of how we see it. Homophobes who won't ship anything that's not m/f. Homophobes who ship m/m but won't support IRL rights. People who love m/m but abhor f/f, and vice-versa. The shippers who use them for personal fodder. But the sexism is more prevalent than the homophobia. And the racism way more than both combined.

And it does cause a lot of ammo, and much of it severely unjustified, in ship wars. Literally the bullshit I've seen pulled out of thin air to accuse Sharon of not being worthy because someone said she's a racist for [they literally had no reason just called her one because we said Sam and Sharon are friends because they are] and other nonsense.

The real world repercussions of the homophobia, the sexism, and the racism in fandom... there's just so much. Like we are all still people, and yet we decide because we hide behind screens to be antagonistic, and use homophobic, sexist, and racist shit to attack each other over ships just because we want to paint the other person as crazy, I guess? If you can't see that there are no enemies in ship wars and that the other side is still people, maybe you need to sit out and log off. It's baffling how often it still happens to people. Then it's no longer about ships, it's about who is an asshole.

I will say that Steve and Peggy vs Steve and Sharon is probably the only m/f ship war I've seen where misogyny is talked about. Is, not was, because it still is. Both sides call the others misogynistic. I don't think either side is, but you can see in individuals. Those who tweeted at a certain actress that she was a slut for kissing her costar certainly are though.

You are right that shipping m/m isn't inherently sexist. But tearing down women in those ships to prop up m/m has made me stop shipping certain characters altogether. People, seriously, we don't have to justify why we like them! We can just like them! And other characters can still exist! It's never been that deep.

And you're right, the popularity of the ship helps people ignore any deeper issues within them and this is a power used to silence valid criticism if it pops up.

(I hope I answered everything well for you.)

~Mod R

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anotheronechicagobog · 5 years

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Antonio Dawson x Reader Begin Again

written by @anotheronechicagobog

requested by: @lifesaclimb-buttheviewisgreat

(I hope you like this one too!)

When your ex left it was like someone hastily dropped an anvil on your chest. Your marriage fell apart and he didn’t even want to try to fix it. He just... left. When you were going through divorce proceedings he wouldn’t even look at you. He tried to get full custody of your kids. It wasn’t until you saw him getting picked up by his secretary that you understood everything. The way she cooed at your children and slid her hand down his arm while smirking at you made you sick.

The divorce proceedings were long and tedious and nearly broke you. Watching your ex and his secretary try and play house was hell. You had been so unaware that your husband didn’t love you anymore, that he had fallen in love with his big breasted blonde secretary, that you had been caught completely blindsided.

Your kids, however, had been your saving grace. They questioned their father and his new girlfriend. They didn’t like her, just said that they sensed something fake about her. In the end, it had been their testimonies to the judge that won you full custody with your husband only getting minimal visitation rights. Shockingly when the judge made the decision it was your ex’s girlfriend, or mistress, as the judge put it when they accidentally admitted to being together for a year, lost her damn mind.

Meeting Antonio was really something different. You’d been on the subway heading to med to for an appointment when you noticed a girl, probably about 10 or 11 being harassed by a forty-year-old man. Your mama bear instincts kicked in, you marched over and glared and seethed at him, calling him a pedophile a couple of times, and made sure he kept his hands to himself until he left. The girl, Eva Dawson, was grateful for you scaring him away, and when you figured out that neither of her parents knew where she was or where she was going, you called into your doctor’s office to say there’d been an emergency and you were going to be late, before escorting Eva to the 21st police district.

“Eva! What are you doing here?! Does your mom know?” He ranted and raved for several minutes before his eyes narrowed on you. “And who are you?”

“My name is Y/N Y/L/N, I found your daughter on the subway and she looked like she needed help, so I offered to make sure she got here okay.” He nodded. “Alright, Eva, wait here, I’ll tell your mom you’re here. I have to go follow a lead, stay within eyesight of Trudy.” He then turned around and marched out the door of the precinct mumbling under his breath in Spanish followed by a man wearing a fedora. You sighed and watched Eva crying and curling into herself for a minute before you decided to inervene. You sat down beside her. “Hey, He could have said it better, and let you say your piece, but he has a point and it’s because he loves you. Your dad is a detective, you are never going to understand everything about him and his job, and that’s probably a good thing. He sees all of the dark and twisty things about Chicago.”

You ran into Antonio again when you went to visit your uncle/father figure at firehouse 51 while he was visiting his sister. He seemed a little tense at first when he recognized you, but warmed up to you when Gabby threw him a glare. You became quick friends much to uncle Chris’s chagrin, and a few months later your kids were making kissey faces at you whenever Antonio was mentioned.

It ended up being your and Antonio’s kids that got the two of you together. You’d all been hanging out at a first responders picnic when the kids started playing matchmaker. It had been a little embarrassing at first but after the third time you tripped and fell into Antonio’s arms you both decided to humour them. While neither of you intended to go as well as it had you couldn’t be happier about it.

You’d been dating Antonio for eight months when you got a call from Gabby. “Hey, is it okay if I dropped Eva and Diego off at your place? Laura missed picking them up and Antonio couldn’t but I’m still on shift.”

“Uh, yeah. Sure.” Internally you were freaking out. You’d never been alone with them and your kids before. Twelve minutes later they’d been dropped off and you were nervously clenching and unclenching your hands. “So, do you guys want to play Mario cart?”

“That sounds great!” Eva, Diego, and your daughter Katrina, all sat very content selecting their characters and giggling. “I’ll make some snacks, before I forget does anyone have homework?”

Diego and Katrina shook their heads, they were in the same class and their teacher usually gave them twenty minutes at the end of the day to do homework. So it wasn’t really shocking that they didn’t have any. “Eva?”

“No, we’re learning about how to write essays right now so we do a lot of that in class. I’m really good at math so I’ve already done that, but if I could get your advice on a lab I did that would make me more confident in it.”

“Sure, how about after dinner?”

“Yeah, that would be awesome.”

“Mind if I join you guys for a few rounds before I have to start making dinner?”

Three wins and two losses later you got up and proceeded to start dinner. Just as you finished with a large Asian stir fry there was a knock on the door. “Alright guys, go wash up. Antonio should be here soon for dinner.” You hundred up your apron before making your way to the door and looking through the peephole. You smiled when you saw your boyfriend nervously standing outside your door with a bouquet of your favourite flowers. You swung the door open with a “hello handsome.”

“Hola mi amor.”

“Dinners ready, the kids are just washing up. I’m gonna go find a vase for these. Thank you, honey.”

“Dinner smells great. Don’t you guys think so?”

“Yeah, mom used my favourite rice noodles and she made it spicy so I’m really excited.”

“YES! I LOVE SPICY FOOD!”

“Calm down Diego, use your inside voice please.”

“Thanks for dinner, Y/N, it’s really good.”

“No problem Eva, I love having you guys over.” Diego went for his second helping as Eva and Katrina were talking about Captain Marvel when Antonio’s phone rang. All of your heads snapped to look at him, the image of him leaving to go to work popping into your heads. He sighed when he saw the caller ID. “It’s Laura. I should probably take this.” You looked at Eva and Diego, both of their heads were bowed and while Diego looked like he was about to burst into tears Eva looked like she wanted to punch something while shouting every swear word she isn’t supposed to know. He stood up from the table and answered the phone as he walked to the entryway, out of earshot. “I made coffee cake the other day and we have vanilla ice cream in the freezer, so we could do that for dessert if you guys are up to it. Diego and Kat nodded while silently and solemnly eating their food. “That sounds really good Y/N. Thank you.”

“It’s no problem, sweetie.”

“Y/N?”

“Yeah, Diego?”

“The swim team is having a bake sale on Friday, would you mind making something? Mom forgot to make something for Eva’s cross country team bake sale, and she, you know, forgot us today.”

“Sure thing, what did you have in mind?”

“Your lemon squares are really good, can you make those?”

“Yes, absolutely, I’ll make some extra so that we can all have some too.”

“Thanks.” The kids started to smile again and the mood was lifting when Antonio came back. He was tense but started to loosen up when he heard the kids debating about who was cooler, Batman or Ironman. “Personally,” Antonio drawled out, “I prefer Batman.”

“What? Why?”

“Batmobile. Enough said.” You laughed, “fair enough.” You kissed him on the cheek, he looked at you tenderly, his face close to yours. He didn’t have to lean in far to kiss you soundly on the lips.

Antonio and the kids were cleaning up fro dinner while you were looking over Eva’s lab report. It was well-formatted, and while she did use some contractions her report was definitely worthy of a high mark. She beamed when you told her that her only mistake was using the word “couldn’t” instead of “could not”. She skipped back to the kitchen and back to her cake and ice cream. Antonio chuckled as he wrapped his arms around your waist from behind. “I talked to Laura, if you’re okay with it I’d like to list you as one of Eva and Diego’s guardians with the school and med. If you’re okay with it. You don’t have to-“

“Yes. That sounds great. You know I love them, I’ll do anything to help them.”

“Te amo mi amor.”

#One Chicago #Chicago PD #antonio dawson #antonio dawson x reader #gabby dawson #one chicago imagines

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phantomwitch16 · 4 years

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Humberto Lopez is a goldmine of a character

I haven't posted anything that was my content for a long time now, and I decided to change that with an essay about my favorite character from Marvel. With the new development that has happened, I decided to celebrate this Marvel character's return which has been in a limbo state for over half a decade. I will be going into spoiler territory, so if you want to read the comics to learn more about this character, go and read the comics and have your adventure experiencing his journey along with his friends. If you are interested in the character but don't want to read the comics (or go to the wiki), there will be a quick synopsis of his character later on down in the post, but I won't be putting down the necessary details so that this post won't get too long.

He first appeared in the comics was in Avengers Initiative: Featuring Reptil #1 in 2009 and reappeared in Avengers Academy comics that went on from 2010 to 2012. He was also part of the Avengers Arena comic series as one of the game participants and lasted from late 2012 to 2013. However, most people may recognize him from his animated appearance on the Super Hero Squad Show from 2009 to 2011, voiced by Anthony Del Rio. He was also in Avengers Assemble: Frost Fight, made in 2015 with Del Rio returning to voice the character. With these recent developments, in May of 2021, Reptil will be getting his mini-comic series by Terry Blas, and Enid Balám called Reptil...on the Brink of Extinction.

The main reason why I am making this post is that I believe Reptil is a severely underrated character within the Marvel universe. At the time of first writing this, he had not appeared in much since 2013 in the comics or 2015 in an animated setting. I began writing this over a year or so ago after glancing through the Marvel wiki to see anything new that happened since I lost interest in the comics after his supposed 'death' in Avengers Arena. Since then, there have been no new developments to his story until a while ago when there was an announcement on Twitter about his comics' return with his comic series and an appearance in a one-shot Spider Man comic.

To start this rant about him, I'm going to recount his origin story to bring people up to speed to explain who he is, what powers he has, what kind of person he is, his journey and my personal feelings about him before going into the possible story lines Marvel could do for after this short series. On the other hand, pray that they decide to take him out of the creative limbo within the next few years again, straight after this when his journey is getting better. And if you're wondering, yes, I'm still salty that he's been pretty much dead for nearly a decade.

Who is he?

Humberto Lopez is a Marvel character who is a Mexican-American teenage superhero known by the code name Reptil. Like many young kids, he wanted to be a superhero, mainly an Avenger. His parents, however, mainly wanted him to follow in their footsteps and become a paleontologist as they did.

In his first appearance, he was about sixteen years old when he joined the Initiative after his powers appeared to locate his missing parents. When they were declared dead, he went to live with his grandfather in Nevada. Not long after his arrival, he almost gets caught in a landslide that almost kills him when the amulet turns his legs into those of a dinosaur.

What are his Powers?

Humberto's powers are directly tied into the amulet he found in the dig with his parents. With it, Humberto can turn his body parts into those of a dinosaur or any prehistoric animal. If he wanted to, he could turn his entire body into that of the dinosaur. With this power, he runs, flies and becomes as strong as any dinosaur he desires. The major drawbacks of this power are that when he transforms into a dinosaur, he loses control over his instincts and becomes a threat to others. This would make him similar to the Lizard almost when you think about it in that way.

His origin story

His origin story is told in Avengers Initiative, where he made his first appearance. There, we learn that Humberto found his amulet during one of his parent's archaeological digs. During another dig, his parents disappeared without a trace, leaving Humberto to be placed into the care of his grandfather.

After nearly getting killed during a rock slide, he finds out that the amulet transforms his body parts into those of a prehistoric animal and only seems to be reactive to him specifically. He registers with the Initiative during the Skrull invasion. Still, it isn't until a year later, after his parents go on missions when Stregon starts attacking SHIELD bases, that he is quickly trained and joined a small squad led by Tigra to track him down.

However, they later learn that the attacks were Stregon's attempts to locate and rescue Moon Boy, captured by SHIELD scientists. Humberto sacrificed his place among the Initiative to bring Moon Boy back to the Savage Lands and meet Ka-Zar, who swears to help him find his parents.

His Journey as a Superhero

Months after his time with the Initiative, he is kidnapped by Norman Osborn and several other kids to push their powers to the limits. These kids include Hazmat, Finesse, Striker, Mettle and Veil, most of whom were kidnapped or captured against their will and were pretty much tortured to gain results. Soon enough, the Avengers come in to rescue them just before Osborn's HAMMER agents attempt to destroy all evidence of their crimes, which included the Reptil and the other kids and offer them a place to join Avengers Academy.

At the Academy, it isn't long before the kids find out why they are there. While they are led to believe that they were brought in to become the Next Avengers, they were brought in to prevent them from becoming rogue. While Pym and the others know that Humberto is a good kid who wants to help the others with Tigra even telling Pym about him, the major threat with him, as stated previously, is that transforming into a dinosaur will make him lose control over his instincts.

Anyway, Humberto begins to learn more about himself, his powers begin to develop, more students come to the Academy, and relationships develop with the team, primarily a romantic relationship with Finesse. However, the relationship gets strained after he switches bodies with his future self so that the future Reptil will become a definite one. There he learns of the possible future that he has Finesse and their daughter Maria, which strains his relationship with Finesse in the present. He eventually starts to distance himself from her and eventually develops a close relationship with White Tiger due to their similar powers following a fight with Jeremy Briggs.

During Christmas, he, along with several other teens, get kidnapped by Arcade to be part of a game where he and the teens would have to kill each other until one remains to walk away. He, Hazmat, Mettle, X-23 and Juston were just some of these kids kidnapped by Arcade.

On the first day, several of the kids died, with one of them being Mettle, who chose to sacrifice himself to protect his girlfriend, Hazmat. It's a downward spiral from there where it leads to the Hazmat and X-23 fighting to the death after X-23 got affected by a trigger scent, several of the kids dead and Humberto's fate is left ambiguous for several years.

My feelings for his journey and the new solo series

Overall, I am excited to see Reptil coming back to the comics. He was one of the characters that got me interested in the Marvel Universe when I started watching the Super Hero Squad and other animated shows made at the time. Shows like Wolverine & the X-Men (Nightcrawler), Avengers: Earth's Mightiest Heroes (Wasp & Ant Man) and Spectacular Spider Man (Spider Man).

This series and an appearance in another comic is a big step for Reptil, and I hope he gets the recognition he deserves and hopefully has more story lines in the future.

Possible story lines

I'm excited about this series is the possible story routes that the writers could go in for the series and afterwards.

For me, I hope that we get a better look at his mental state and the struggles that he had to face since. Given what he had been since the disappearance of his parents and what had happened at the end of Avengers Arena, it made me wonder if the writers will mention the difference between the person he was and the person he is now. I kind of hope he isn't entirely the same person after that. The experience that he and the other kids went through was very traumatic, and I want there to be some acknowledgement of it like there was with Hazmat and the other kids in Avengers Undercover.

Before this, I considered making a fan-fiction about Humberto just leaving the Academy, trying to overcome the mental hurdles that are likely PTSD, depression and anxiety. I wanted it to be kind of angsty while showing a bit of truth of someone who is battling those hurdles, feeling alone and showing a bit of self-hatred over his inability to help his friends. Being the leader of his group of heroes in the Academy, a big piece of responsibility that's placed on a sixteen to a seventeen-year-old kid, then being put in a situation where your teammate and one of your best friends died in front of your eyes, I think would lead to Humberto also developing an inferiority complex. It wouldn't surprise me if he felt partially responsible for Mettle and Juston's deaths or even some of the other deaths that happened in the Arena.

And with that, I will be listing nearly everything that has happened to him since he had the amulet. His parents going missing at fifteen, he gets kidnapped a total of three times (first by Osborn and the second and third being by Arcade), having trouble controlling his powers. He is scared to do so, being the leader of his team of Academy students, getting mind-swapped with his future self and seeing the possible future he could have with Finesse and their daughter Maria, having his powers briefly ripped out of his chest (yeah, that happened), losing his friends in Avengers Arena and almost dying from getting nuked by Hazmat.

I hope that we get to see the extent of his injuries because I feel like it would tie in well with the first point above. I mean, you can't say that Humberto isn't resilient. He survived Hazmat having a meltdown and almost got blown to bits. Traumatic experiences can leave a devastating blow on a person. One such injury that might profoundly affect him because it has a tie in his possible future with Finesse. A part which may not exist anymore… Yeah, this sounds dark, but it is plausible.

I hope that Reptil will appear in other Marvel story lines as the main character or make brief appearances here or there. Maybe even join the Champions since we saw him staring at the news looking at Miss Marvels, and maybe even other heroes his age. Maybe interacting with Moon Girl due to their connection to Devil Dinosaur as a partner, hell, maybe even going back into his roots at the Super Hero Squad and maybe developing a mentor-student relationship with Wolverine...if he's still alive, that is...I don't know; it's been a while since I've been keeping up with the comics.

#marvel #reptil #avengers academy #humberto lopez

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bayrut · 4 years

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SO since you’re the marvel expert here, which marvel movies are good in your opinion? I want a TED talk, please explain yourself with full detail bc ily when you talk about thing you like 💖 (I’m preparing myself to hear some bad takes tho)

ok so hi camila I am currently during a lab meeting so i will be able to finish this essay, but be warned this is,,,, extremely long i hope tumblr even lets me post this. but here are my favorite mcu movies in no particular order. like they’re all good, then i have a tiny section for honorable mentions of some movies that have a certain few good elements but overall are not Good TM. then i have a special mention for The Movie that shaped superhero movies forever (even though it is not my fave).

If you find this too long and decide to not read that it okay!!! i totally get it. but if you don’t read my reply at least read this:

comic books are like a story and art/visuals right? but the two things that movie makers forget about when adapting a comic book to the screen are exactly that!!! the story and the visuals. they thing that they can make a movie where everyone punches everyone and throw in a few jokes and people will be please (and they are, look at how much money they are making...) but i am not pleased. there is no story, they don’t care about character arc. and the visuals are ugly, the art in comics is supposed to help the story, to help the plot flow, like the fights should tell stories in the way that they’re organized, and the visuals should be breathtaking and serve the plot. and this all is not hard to do like: just hired a good choreographer for the fights and learn how to shoot shots properly and that’s... it. and it has been done before in some of the movies i mentioned and some shows *cough cough* watch daredevil *cough cough* so yeah it is doable but the directors dont care and would prefer to make mindless action movies with jokes and label them as ‘superhero movies’ because they know people will eat that up.

anyway, rant over, these are the best marvel movies: (open at your own risk this is extremely detailed, 4 word pages long and i did not proof read it, it took me over two hours to write)

the best marvel movie of all time must spider-man: into the spider-verse but that’s probably because they spent so many time on it to get it right. also, it’s probably cheating to consider it the best movie, since it’s animated so it does get the whole comic book vibe best automatically. but really the movie is funny, like a spider-man movie should be, the art is beautiful it is Art and honestly anyone that doesn’t think the same can unfollow me. i tried the first time i saw the trailer and also when i watched it in the cinema. Art. although the dialogue is a bit poor, and they did my girls gwen and peni dirty. but john mulaney is in it so!!! definitely one of the superior movies. the art is so beautiful i write and cry about it all the day but the fact that each character is done in a different style, and that the background and scenery is so,,, detailed,,, like it’s beautiful. even besides being a good superhero movie, it’s an amazing animated movie when compared to the trash kids get these days, where all characters look the same in a movie but also from a movie to the next. also the soundtrack was kinda amazing for the movie. tl;dr: i want my spider-verse 2 now please and thank you, the 10 second teaser was enough for me to tear up

black panther is one of the best marvel movie. i know a lot of people have focused on the diversity aspect of it and how we need black superheros so i won’t focus on it too much, you already know that. but. the costumes. are so beautiful. they spent so much time designing costumes. the plot was interesting, which honestly,,, i can’t say the same for most superhero movies these days. the movie encapsulates the magically tehcnological vibe that wakanda gives off in the comics, and honestly all the actors did a great job. also, the casino fight scene... like help that was too beautiful. superhero movies fight scenes should feel like a well-organized and elegant choreography, and honestly i’m so upset that a lot of movies decide to be like whatever they can throw in punches and that will. like in comics the punches and kicks serve to fight a narrative, to help the flow of the images move. it’s not an action movie or one of those war movies where whoever punches whoever else and that’s done. those are comic book adaptations. i need to see the flow of images. the art. where is it. anyway. black panther has that in probably all fight scenes, and i would like to say thanks to everyone who worked on that aspect. like for real fight scences looking pretty is a big part of why i like or don’t like a superhero comic book, movie, or tv show (on that note, go watch daredevil). also, the movie was funny enough but not a joke. like a comic book should be. loved it

logan: ok idk if this is an unpopular opinion and idc, but the xmen movies are far more superior than the other movies. they just get the vibe right. logan was a beautiful movie. it was different than all other movies in the superhero genre, it is violent but not violent for the sake of violent, it was violent to portray how violent life it. it wasn’t showing blood just to show blood. it captures so many emotions like intense grief and regret correctly, it is an actually Good Content movie, like many adults treat the superhero genre as a joke, and i think logan shows that it should not be treated as a joke. also, i think the characterisation of logan (like i mean the character himself) was much better in this movie compared to the xmen movies. like there he is just brooding and rude, but in logan i think he stopped being a 2-dimensional character. anyway, love it, teared up at the end, we should get more xmen movies and in general, superhero movies like this

ok i might be biased because i know the script by heart by now, but guardians of the galaxy is also one of the greatest movies based on a comic book. idk how much you know about gotg, but the comics were not doing great before the movie, but after it like marvel started making new runs and they all became popular. anyway my point is: the story was beautiful, the images and background were Beautiful, it was funny, it was a movie about not belonging anywhere but finding people to call home, about finding a reason to live. all the characters were like whatever i just exist i don’t matter and!! they found home. a lot of people treat the movie as a joke because of how light it is and how the characters are all different stereotypes of ‘funny sarcastic character’, but it really is beautiful. and the soundtrack.... can i just say... genius, superior, amazing, fantastic, i could go on for days. that opening scene where star-lord is alone and singing??? the way it is filmed??? the choreography of it all?? like idk it’s just too good. i have lots of feelings about gotg. the second one wasn’t as good, i didn’t like the main plot it was a bit Too Much but i liked the continuing theme of finding home with Yondu (who deserved better imo) but yes gotg is a superior movie

iron man, like how do i even describe this movie without insulting it... it launched the MCU. it is iconic. RDJ is amazing but not only him, everyone in that movie is great. and honestly all the iron man movies are great. (if you compare with how tony stark is portrayed in the avengers movies, like he’s way more shallow there). the movies make sense, the fight scence have that dramatic and elegant element about them. the second wasn’t my fave, but still was extremely good. the third was amazing too, like the ending of it with the suits and all that... the portrayal of mental illness, like panic attacks and anxiety,,, like this is truly what the movie genre should be about. not just mindless fights, it is about stories, and that is why most superhero movies are not good. normal people go and like them but i can’t enjoy them. and not just me (and comic book readers), like people who enjoy them are usually the people who are okay to go watch a random movie with good jokes (because that’s what most superhero movies are these days, bad plot but good enough jokes for people to go pay 15$ and see them). i mean i am ok with those movies too, but since i read comics i don’t and can’t really enjoy those movies. i think when people tell me they don’t like marvel, it is most often because they are people that read (not just comics) like they read books and care about plot and what is the movie really trying to say so when they’re asked why they dont like the movie they’re like oh it’s a dumb superhero movie... and i can’t argue with that because most superhero movies are like that right now... they profit off the fact that some superhero movies (like iron man) were huge hits that revived the genre, and profit off the fact that people think they will automatically enjoy the movie and wil go watch it, so they don’t care about actually writing a story...

xmen days of the future past this is,,, such a good movie,,, i’m a sucker for time-travel when it’s done right, and the slow-motion quicksilver scene with the music,, can i just say,,, poetic cinema,,, beautiful,, my only complaint is that there are not enough relevant female characters but like,,, it looks how a comic book movie should look like,,, anytime i’m on a plane i have to watch it... also,,, i discovered 2 years ago that a lot of scenes were filmed at my university so like,, it holds an extremely special place in my heart, i can’t believe i’ve been in the same buildings where they filmed it, it’s crazy..

doctor strange: ok ok dont @ me yet please listen. i know story-wise it is meh, they didn’t do it well (but i have real high hopes for the sequel, but that’s a talk for another day) but the visuals!!!! the visuals!!!! the fights!!! the way that they morph like reality during the fights,,, it’s just,, so beautiful, one could get drunk just by looking at it,,, also,, the sanctum sancotrum looks so pretty. the fights flow amazingly well (kudos to the cape). the dormammu scence!!!! oscar-worthy!! like i know the plot wasn’t great and the movie is zelma-erasure but!!! it looks like a superhero movie should look like and look i’m an arts kid that’s why i like comics because they’re pretty and the pictures tell a story. like of course i read books i read a lot but the visuals are so important for comic books and they should be for comic book to movie adaptations and they’re often not but doctor strange had it

ok one of my faves it ant-man and also the sequel but let’s focus on ant-man for a second, it is goofy but has lots of emphasis on the family subplot and that’s beautiful. this movie should have gotten an award just for when Luis tells stories like that scene is iconic. a lot of people think it’s a dumb movie because it focuses a lot on being funny but actually like the themes!!! aborded. like being in jail then not being able to find a job, then trying to steal again just because you need money because you wanna see your kid, like the power of showing this!! people treat it as a joke like ha ha look he is an engineer and he is working in an ice cream store, but here again no it’s an important story and comic books are books like @ movie directors where is my story??? why are you making a movie but forgetting the story??? how and why?? anyway ant-man had a story!! and also the scott/cassie father/daughter relationship.... like.. my heart. also the visual when ant-man becomes too tiny... very pretty

ok now for some movies that arent the best but have some really good elements that have to be mentioned

thor ok so a lot of people think it is not good but loki in it... i swear tom hiddleston is a great actor and just like,,, the way he portrays despair and like sadness and grief (over himself! about losing himself) is really beautiful... like even in the dark world his performance was really good,,, the Dramaticism of it all.... amazing,,, but his character was done so dirty in the MCU, like loki and wanda and strange are supposed to be the 3 most powerful sorcerers in the marvel world and the MCU was like there you get a small knife, as a treat (like don’t get me wrong i want loki to have a knife but...) also his character deserves more depth than that... like the comic books are breathtaking i’m so sad they did loki so bad... they erased the fact that loki is genderfluid, that he has complex morals, that loki is the god/goddess of stories not just whatever he is supposed to be in those movies... anyway i’m hoping for better characterization in the show, especially that they also hired a female actress to also play loki so we might get genderfluid loki,,, but also i dont wanna have hope and clown

big hero 6 (yes it counts do not fight me): although the animation was very similar to the animation these days, like it was not Special like into the spider-verse, the story is cute, it tackles important topics like grief and how do deal with grief, which is good considering that most kids movies these days just rehash the same topics and don’t care about the plot lines or what is learned

ok i hate and i really mean absolutely hate the new spider-man movies because the are bad but far from home has to be acknowledged for jake gyllenhaal as mysterio but not just about jake, in the end he is just an actor. you know that scene where he is doing his ‘illusions’ towards the end of the movie and it never ends and everytime you think the scene is over and we’re back to reality it turns out we’re still in the ‘illusion’??? just this scene and i really mean just this one scence did it right. like it’s like a comic book. when i watched it i was breathless i is beautiful. anything else in that movie i don’t care at all

i like venom but not because it’s great, the plot is very weak and it doesn’t look great but tom hardy is really good in it... like him losing it over having a symbiote in himself, being like Stressed and Anxious and A Disaster TM is really good... like when he goes to the restaurant and eats that lobster alive and sits in the tank... like amazing and superb love it

and finally, i can’t make this list without mentioning the movie that really made the difference:

avengers ok so avengers was not the best because it really did not care about black widow or hawkeye or hulk at all (their characterization is horrible and butchered in all the movies), and i don’t even like captain america, and thor is annoying, so basically tony stark, loki, and our buddies at shield carry the whole movie, but this movie is so important in terms of like, it’s the first movie that really like started the crossover movies for superheros, the ‘let’s put it all together and hope people don’t get confused’. without it like really the MCU (and DCU, even though idc much about it sorry) would be nothing like they are today!! but yeah like it did so many characters dirty like the characterization sucks, the plot is rushed,,, but like it’s okay. oh and the fight scenes are good! like you still have the whole elegant choreography element of it, which exists in the first few crossover marvel movies like this one and age of ultron (that movie was dissapointing i was so hyped for ultron as a villain and then they made him out to be a tuna can) but then for like civil war and endgame and all that it’s just huge fights and everyone hitting anyone and i don’t care for that like you get lost the only info you can take out is like: oh, there is punching happening. you don’t get to enjoy elements of it and how all the characters are interacting and collaborating together to make a visually pleasing scene simply because those fights are. not. visually. pleasing. anyway. also the shawarma scene was superior.

#camila if you actually read this all #or if anyone else actually reads this all....#like rip idk you guys are true friends #like truly idk no one cares about what i talk about and i know i talk a lot #like if you do read this i literally dont know how to repay you #maybe i'll read all of your larry fics #anyway if you dont i really wont be sad dont worry about it i went overboard #ily camila #asks #my mcu rant #pinkpoppunk #thechampagnelovers

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luninosity · 5 years

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2019 writing round-up post!

It's been an interesting year!

Once again, I suspect I wrote more overall than last year - but much more heavily original, and even less fanfic (but still some!) again. But a couple of those have been stories people really love, or seem to, from the AO3 comments etc. I didn't finish one thing I'd really meant to finish, but I did write a 254k novel, which, what even.

So...let's see what all those things are!

Academic (just to get this out of the way first) ~A book chapter on Disney's Robin Hood for an edited collection on Disney & pop culture (my chapter's around 5,000 words) ~The intro/my chapter/overall editorial work/bibliography for the Terry Pratchett book, coming 2020 (collectively, probably around 15k words of my own writing, plus comments on contributor essays) ~The book proposal for the Star Trek book (~3,000 words) ~The in-progress Neil Gaiman and Batman book chapter - currently around 2k, needs to be around 6k including references ~Plus one more successful grant application! Not listing all the conference/unpublished papers, but those too. Fanfic Stucky straight from your heart, E, 10,516 words - ah, yes, my contribution to the Bottom Bucky Fest! It was such a marvelous prompt, about Steve guiltily having a kinky fantasy about essentially rescuing and caring for the Winter Soldier (which also includes teaching him all about pleasure), and Bucky finding out about this, and them then negotiating ways to make this fantasy come true. I hadn't been writing as much Stucky, but this one flowed really well and felt really good, and people seem to like it! Evanstan (hmm - way less Evanstan this year! still some, at least...) Evanstan Round Robin 2019, T, 12,497 words overall, but my chapters total 2,528 words. The annual holiday collaborative masterpiece! So soft and fluffy this year - such a delight sharing this love and creation and fandom with everyone! Extra Sugar - My Evanstan epic fic-baby! I added chapters 30 & 31 in 2019, which brings the total to 107,533 words - which means, doing some math, that's + 4,000 words exactly, apparently! There'll be one more chapter. I know what it is, I just haven't had the time to write it. 2020 goal: finish off this series, completely, entirely, at the end. I'm still so amazed by this whole universe that I somehow made, and by the fandom response to it. *hugs you all* Cherik When It's Time, T, 2852 words - this one's not up on AO3 yet, though I think I can do that now, if it's okay with the @cherikzine people! This was my story for the Bookends Cherik 'zine, and it's an AU with magicians in a sort of present-day fantasy setting version of the ending of Dark Phoenix, and it was fun to get back to one of my first real fandom loves, and I'm glad I wrote it. we are electric hearts, T, 2,732 words - fluffy little fun universe-crossover in which Erik and Charles meet Kris and Justin, my original Demon for Midwinter characters, written for @kernezelda <3 Original Fic (written and published in 2019) Gingerbread Dreams, M, 23,662 words - holiday m/m gingerbread competition baking fluff! A cranky judge! A cheerful ugly-sweater-wearing baker! The Grumpy One Is Soft For The Adorable One! The story I looked up medieval gingerbread recipes for, for a contestant challenge! Also contains a couple of familiar characters from "October Spice" in supporting roles... This story is also available as part of the Most Wonderful Time of the Year Trio Collection from JMS Books - three novellas bundled together, at a discount! October Spice, E, 3,130 words - the story that briefly made it to #1 Best Seller on Amazon in the LGBTQ Short Reads category! My super-short flash fiction romance for JMS Books, priced at only 99 cents! (Or even less, when on sale!) A first meeting, instant attraction (and some orgasms!), a Halloween-loving baker, and an adorable firefighter. (Evan and Matt (well, Matt in baked-goods artistic tribute) get a supporting role in Gingerbread Dreams, as mentioned above, if you want to know what they're up to...) (Also, Evan's last name is 100% an Ace of Cakes reference.) Bisclavret, T, 11,756 words - technically I had about 5k of this written YEARS ago, back when I first read Marie de France's 12th-century lai in grad school and immediately had to write an adaptation of it. But this version has extensive revisions, and ended up over twice as long. If you like stories about a medieval bisexual werewolf and the demisexual king he falls in love with, and a love of books and cuddling...well, that's basically what this one is! A Leather and Tea Morning, E,6,993 words - the first of the Leather and Tea sequels! (There'll be at least one more, about which more below.) Ben and Simon, a lazy morning, and some emotional comfort sex in the wake of Simon having been in a car accident. He's all recovered and everything - but there're some emotions that need to be dealt with, about Ben and protectiveness and tenderness and care and getting back to a very cautious-but-satisfying kinky scene. Sound the Fairy-Call, E, 5,545 words - the heavily rewritten (like, nearly twice as long, new original characters, world-building, all of that) original-fic version of my old Evanstan fic Glow, and it's basically the medieval fantasy healing-sex-in-a-forest story, with a fairy and a tired mercenary and Eastern European folklore references! Plus I've managed to quote Robert Graves in the epigraph! (To be precise, I wrote the first draft of this at the very very end of 2018 - I had literally just signed the contract before last year's writing round-up post. But then there was editing, revisions, etc, in 2019. So it counts!) This story is also available as part of the JMS Books 2019 Top Ten Gay Romance collection! Come pick up a copy and discover all the bestselling gay romance authors! The Ninepenny Element, M, 12,274 words - my first published lesbian romance! With a lawyer, a witch, some hexed earrings, a psychic younger brother, and a ghost puppy! This is essentially the sequel to Elemental (m/m, E, 12,776 words), since Verity's the older sister of Sterling from that story, but you don't necessarily have to've read that one first. There'll likely be one more - I have a vague idea about weather magic, and there's more to explore in this universe. The Pooka's Share, E, 20,205 words - a weary magical cop, an unruly faerie horse shapeshifter, and some creative punishments for apple-theft! More fun with folklore and sex and two people finding each other and turning out to be exactly what they both need, full of magic and compassion. This story is also available as part of the Legendary Loves Trio collection from JMS Books - three novellas bundled together, at a discount! Original Fic (written in 2019, publication contracts signed but stories not yet published) A Demon for Forever, E, 13,752 words - surprise! I thought I was done with the Demon for Midwinter universe - but JMS did a submissions call for stories celebrating LGBTQ marriage, and, well - I'd written the proposal story for Kris and Justin, so...we should get to see the wedding, right? This one'll be out in February. Justin may or may not wear a wedding dress. A sparkly one. :D Leather and Tea in London, E, 20,909 words - the third of the Leather and Tea stories! Written for the JMS Books BDSM collection call. Simon's brother needs a favor. So Ben and Simon head to London, bringing Ben's retired-spy skill set and also some fun toys for enjoying themselves... Original Fic (written in 2019, not yet under contract or published other than on AO3) Character Bleed, E, 254,099 words. Which means...since last year I had 40,371 words done...that's +213,728 words. In a year. Not even counting the Bonus Scenes (see below) or the sequel-in-progress. THIS STORY, YOU GUYS. I love it and these characters so much. It's the most ambitious thing I've ever tried to write, that whole story-within-a-story, being about actors filming a Regency-era gay love story, and falling in love themselves. I'm just looking at it all...and I'm in awe...and the response to this, oh wow. I've been so amazed and so grateful and so thrilled - the art, the trailer, the comments, the people thinking about these characters and loving them along with me - I'm so lucky to have all of you. *hugs everyone* And now I have to figure out what to do with it, and how and where one even publishes this behemoth, and how to cut it into manageable book-length divisions...! Character Bleed Bonus Scenes, E, 25,697 words currently - there'll be one more chapter, of which I have about a sentence written. I know exactly what that is, too - Colby getting to top, albeit still with Jason giving some directions. :D The untitled Character Bleed sequel, which is Leo's story - not up on AO3 yet, though I might start that with at least the prologue, later today or tomorrow. But it's already up to 15,511 words, plus my outline... Ember and Serenity, E, 20,752 words currently - I added chapter 4 in 2019, so about +5k words in 2019, I think? I do have plans for this one. Oh yes. My librarian-magician and his book-thief...yes. And if you're wondering who hired Serenity, well, there already has been a clue... :D

A few little scenes, odds and ends, plot bunnies like that necromancer/prince opening...not sure what the word count is there, probably a couple thousand. ~~ Okay, I THINK that's everything! Which is...a lot of words. Character Bleed alone...wow. Just...wow. It's definitely tilted even more toward original fic this year, and I didn't finish 'rain on tin,' which means it's been over a year since I've touched that one, so I'll have to get back to it!

But I did get to go back and write a couple things for my old Cherik loves, plus at least some Stucky & Evanstan, so that felt good, and I'm super-excited about lots of those original fic accomplishments - Amazon sales rank, sheer length, fun with medievalism, Top Ten achievements, my first lesbian romance, and of course everything about Character Bleed, which is, I think, my favorite thing I've written - it's so real in my head, and it was so weirdly easy to write, despite the length! Thanks for reading! I hope your year is starting off splendidly. <3

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smokeybrand · 3 years

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Smokey brand Postmortem: You Suck

I don’t really talk about my love for Mortal Kombat near as much as i do for Marvel, Fate, Star Wars, or Batman, but i adore that bloody franchise. Seriously, the vast majority of this blog is just Marvel and Star Wars content but, i mean, I'm an Eighties baby. That was a massive chunk of our childhoods. See? Even in an essay bout Mortal Kombat, Marvel and Star Wars found it’s way into the conversation. I have a problem but that’s not the problem i want to address in this essay. The problem i have with this one, is the f*cking Mortal Kombat release that just dropped. F*ck did they get so much wrong! I haven’t felt this frustrated with a movie since The Old Guard. I wanted this to be a Comparison but, as i tried to coalesce my thoughts about both films, it became mad apparent to me that the Nineties version of this movie would runaway with it. How is it possible that a film which came out twenty-six years ago, sh*ts all over one with modern shooting techniques and effects? How can a PG-13 movie, saturated with tongue-in-cheek camp and constant nods to the camera, do the Enter the Dragon knock-off franchise more justice that the blockbuster, R-rated, third attempt? Yeah, so this is a postmortem now.

Issue: Cole Young

Why? F*cking why? Listen, I'm all for reimaginings. I love when people can take an established work, recontextualize it, and present something new but familiar. That’s why i keep seeing Batman movies. You can only tell that dude’s story so many times but it’s how you present that story which grabs me. I like the idea of Cole. A fresh face for the audience to view these fantastical circumstances through? Good idea. I hate the execution of Cole. Punk ass weenie who literally develops powers by getting his ass kicked, portrayed by an actor who can’t act, but brought in because of his stunt background, only to nerf the physicality of the role, relegating dude’s greatest strength to his greatest weakness? F*cking, why?

Fix 1: Drop Cole Young, Start Liu Kang

Look, Liu Kang IS Mortal Kombat. He’s their Ryu. He’s their Link. He’s their guy. Drop the family. Drop the Scorpion stuff. Drop the professional fight thrower shtick Build him up as a dude who learned all of this in the Buddhist orphanage he grew up in, denying all of it as just legend and storytelling, until he’s attacked by Sub-Zero. Force him to fight Subby-boy, only to get his ass beat without his Arcana, but have Jax save him just in time. Basically follow Cole’s plot going forward with an emphasis on Liu’s training.

Issue: Shang Tsung

Listen, Ng Chin Han is a get. Dude is a decent actor and i enjoyed he take on the shapeshifter but come on? If you’re not trying to do a Cary-Hiroyuki Tagawa, you’re doing it wrong. Shang Tsung should be snarky, quippy, and overconfident. This dude has won nine straight Mortal Kombat tournaments. It’s fine for him to be conniving and deceitful, Deadly Alliance, but this version of Shang is just too flaccid for the title. Hell, when Tagawa came back for the game, he STILL exuded that same smarmy energy and it was perfect.

Fix 2: Give Shang Tsung more agency

I, personally, love smarmy Shang Tsung but if you want to go different, go brutal. Make Shang the spear head of the offense. Give him a seen where he is just mowing down jobber monks in Raiden’s temple before getting real intimate with Hung Lao. Have Tsung absolutely brutalized Lao as Liu watches, breaking his neck before sucking the sole out of his limp body. You got an R, Lean into that sh*t. You gotta give Liu that Chan moment. Lao’s death not only establishes Shang as a straight up force, but activates Liu’s Arcana, fulfilling the prophecy.

Issue: The f*cking prophecy

Bro, you gotta get rid of all the Scorpion prophecy sh*t. That doesn’t fit. It doesn’t make any sense. The prophecy is supposed to be a foreshadowing of Outworld’s downfall. Tying everything to Scorpion and Sub-Zero just because Ed Boon loves the character is kind of ridiculous. And that’s coming from me, a guy who uses Scorpion as his main since MKI. I love Scorpion, Dude is my favorite character in the entire franchise but giving him such a prominent role in this first film was a mistake.

Fix 3: Make it the Shaolin Prophecy

Have Shang Tsung send Sub-Zero into the Shaolin Temple with a team of Jobbers, probably Tarkatan or other Lin Kuei, and murder everyone. It is whispered that a great champion, kin to Master Kung Lao, would defeat the armies of Outworld, sealing Earthrealm off from the Emperor's grasp. baby Liu and Kung are saved, sent off to an orphanage in the US where they grow up in an orphanage run by a weird old man who tells stories. Eventually, the two separate, Kung returns to their homeland, Liu stays in the states, and they live their lives. Fast forward a bit and Shang gets wind that there are two survivors and he dispatches Sub-Zero to go after Liu. Fast forward to the temple, Liu reconnects with his cousin, Kung, who explains his powers activated during a battle against, let’s say... Baraka? Raiden feels it, recruits Kung Lao, who has been training in the temple ever since. He spars with Liu, teaching him the secrets her learned from Master Bo Rai Cho, until Raiden’s Temple is singed. Everything lays out like it did in the film except Liu watched Lao die at the hand of Shang, his Dragon Arcana activates, and the Sorcerer knows he dun goof’d.

Issue: Fights

The fighting sucked in this, man. It was shot like none of the principal actors were physical enough to pull off the fight scenes, which is ridiculous, because that opening scene was exceptional and those dues are old as f*ck. The dude who plays Scorpion, Hiroyuki Sanada, is f*cking sixty, man. You’re telling me these youngsters with actual stunt backgrounds, can’t give me a scrap as entertaining as a sixty year old man? Word?

Fix 4: Oh, there’s a lot here, bud

First, shoot the scraps better. Holy sh*t, that Taken editing was stupid. We live in an age of John Wick, The Raid, and Jason Bourne films, but you chose to shoot these scenes like this? Really? Bro, no. Hell, the fights in Enter the Dragon are some of the best I've eve seen and that motherf*cker dropped forty-eight years ago. Just do whatever he f*ck they did, just do it with a modern twist. Two, cast motherf*ckers that can believable execute the choreography. The chick that played Sonya in the first one, had to learn her fighting n set during the downtime of production because she as late to the shoot. THAT chick was a more believable fighter than the dude who played Cole and that was his f*cking job before he was an actor! F*cking, how?? Three, hire better stunt coordinators. These fights needed to be plotted out much better. Sure, fatalities are cool and special moves are awesome but they aren’t necessary. Liu Kang through one fireball in the first MK film and it was ll the better for it. I don’t need giant flame dragons and head claps and sh*t, i just need brutal, intense, violence inflicted upon a person. These people are in the fight for their lives. I need to feel that. Four, hire more jobbers. Too many actual named characters died in this movie. Too many actual named characters appeared in this movie. Why the f*ck was Nitara in this?

Look, there’s still SO much i would change about this flick. The costumes, the tone, the choice in music, the writing; All need to be adjusted. I would hold Scorpion back until sequel. Have him breaking out of the Netherrealm as a post credit stinger or something. This movie is broken and i think that’s because WB just made this thing to secure rights or a a backdoor pilot for HBO max content. Either way, this movie is bad, man and it didn’t have to be. You can make dope ass, martial arts films, on the cheap, especially when you “ground them in reality.” Why the f*ck didn’t that happen here? How the f*ck is the budget so high, and the film so cheap looking? I miss the ingenuity of the Eighties. Cats had to figure out how to make sh*t work because CG was too expensive. Now, that sh*t is everywhere and it’s a detriment to film. That sh*t takes casualties out of practical films and Mortal Kombat is definitely one of those.

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sarriane · 4 years

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it's interesting to see so much meta about 'the timeless children,' still, and considering all of the reviews, kneejerk reactions, criticism, love, hate, anger... it just makes me come back to the idea of how it's an attempt to restructure and recenter the show. whether it's a bad or good attempt is one fandom is never going to agree on (fandom never agrees on anything). but every little piece i see about it, every reaction kind of brings to light how it both suceeded and failed.

there's so much in the racial + gender dynamics to pull apart, places where they failed, places where they did well. i think it's the problem with a show that is still so white and so dominated by men, that while they're making an effort towards diversity, there's so many fatal missteps. things in the script that seemed innoculous in another circumstance are entirely changed when you add in identity factors.

(why would you cast a south asian actor and then put him in a nazi uniform? while it's great they cast an actor of color in a classic role, one who was clearly the perfect choice, it's also an unfortunate consequence that we now see the familiar racist image of a man of color "menacing" a white woman. thanks.)

it's not a problem limited to dr who, either -- i remember when kelly sue deconnick finished her run on her first volume of captain marvel, the villain was a genius scientist, and a woman of color. one fan commented (paraphrased): 'hey, i finally saw myself in your comic book - and i was the bad guy.' i remember KSD said something like "i thought all representation was good representation?" and she noted it, and i did too. again and again, we see this: creators in positions of privilege trying to provide representation, but falling short because of the racism, and misogyny, and bigotry they haven't unlearned.

and it's not easy. i certainly don't know how to write a story about a villain of color and a white woman and avoid any pitfalls -- perhaps the solution is to leave those stories to people who are actually from those racial backgrounds, or have those identities. but how to do that when the people in power making casting + writing decisions are white men? obviously, dr who needs more people of color working in it. it needs more women's voices, more queer voices. but even that's not a solution. RTD and JNT definitely didn't have eras free of homophibia and transphobia.

(we get this shit with queer-coding, too, which is why i've never advocated for doctor/master to become canon. i will happily read a million fics exploring the relationship, but i don't want to see the master portrayed as a predatory gay, thanks. and i don't want to see the doctor portrayed as a man caught in an abusive relationship, eventually ending with him literally keeping his romantic interest locked up and isolated while he tries to reform/brainwash her. i'm not into warden/prisoner porn, thx.)

i'm still working on my ideas about how/why doctor who has been irrevocably changed by 'the timeless children,' because the reviews aren't all bad. there are very much people who feel seen. in my opinion, it's very very difficult to take a show that's centered around england and turn it into a post-colonial narrative. dr who has hosted a variety of political opinions over the years, and so has the doctor (don't fucking @ me about kill the moon). in 2020, it's hard to continue to write the story of the doctor as a voice for the repressed when he's an old white man from a planet of "lords," that are a bunch of other old white men. at some point, it's another goddamn white savior narrative with a mansplainer at the center. (note that whittaker's casting does not solve this, but at least it's a start, i suppose? ugh, give us more jo martin!!)

so, the doctor is a woman now, and she has a history where she has been victimized, but she's overcome that. the knowledge of that does not victimize or martyr her, it allows the doctor to recenter herself in the narrative as a voice for the oppressed because she's been there.

i wish i could say that the show treated the jo martin incarnation with the respect she deserved, but even then, she's once again the Wise Old Black Woman trope. she goes from her character in 'fugitive of the judoon,' a doctor in her own adventure who refuses to let another co-opt her story, to a literal support character, the good angel on the doctor's shoulder reminding her who she is. and while it's nice to see a black woman doctor affirm who the doctor is -- she's affirming it to a white doctor. she's a prop. it's such a devastating waste of the character.

'the timeless children' reminds me a lot of captain marvel, and i think some of its failures are in that thirteen is not a Big Damn Hero. it's difficult to suddenly turn the privileged renegade into the timeless child, but also push the classic idea of: "should we trust the doctor?" because we shouldn't! she isn't a superhero. she isn't carol danvers, she has never had a history of fighting for everything she has - everything was handed to the doctor, including when he took the TARDIS and ran away. there's a note in an essay someone wrote in the 70's about 'the deadly assassin,' that showing us gallifrey takes the "who" out of "doctor who." for as much as the 'timeless children' tried to reclaim that, some of the questions it leaves us about the doctor are not pretty. especially when she lets an old, kind man die in her place (and grandpa joe from derry girls, for shame).

(on a wider note, in 50 yrs, will media criticism talk about the period of third/arguably fourth wave feminism in scifi? where white blonde women were treated like science experiments so empires could be built on their backs? but they refused victimhood and became heroines, standing up for those who canmt protect theirselves? which is great, except for the "white, blonde" element and the fact that this narrative, if it becomes a trend, is literally coopting parts of african american history.)

i hate that i have to settle for what we have, because i think media can always be better, and we deserve better, and they should try better. i've seen it said before that doctor who can't break down barriers, since it's a kids' show that airs before 8pm and has to be centrist enough to appeal to a wide audience. i think that sentiment is a little naive of what science fiction actually is and does. whatever the case, it seems clear to me that the next season of doctor who needs to involve more people of color in the cast + crew, and more women, and more queer folks. and it makes me aware of something much more in my control - that i've seen very few responses to the episode from fans of color. and i'm really not sure how to find these voices and amplify them, other than to follow and reblog, and listen.

i hope one day to reform these thoughts into something resembling proper media criticism, but i think it will take time, and revisiting old and new who, and probably seeing how the next special treats the reveals from 'the timeless children.' i've got so many thoughts about s12 and gender and race and the writing's almost "colorblind" approach to it all, and i never expected this to get longer than a paragraph long rant. there's just too much to talk about.

#dw #sarah has thoughts

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wheresanne · 5 years

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Five Questions about Korea on Quora by the Korea-Curious

Welcome to the Quora Questions Series, where I answer five random, recent questions related to South Korea from Quora, the Q&A forum website.

In last week’s post, I answered questions about if Korea has milk, how did South Korea become so rich, GFriend idol group, if you need vaccines in Korea, and how women tourists should dress.

This week, I found five more questions about Korean holiday Chuseok, opinions of English language, Disney in Korea, and Korean translations of “Have a good day!” and “Korea.”

Below are five questions from Quora in December 2019. (You can click on the questions respectively to see what other Quorans had to say.)

The first question from Quora is about one of the biggest holidays of South Korea, called Chuseok.

Question 1: What’s Chuseok in South Korea?

Chuseok (추석) is the traditional Korean holiday similar to “Fall Harvest” or “Thanksgiving” on the 15th day of the 8th month of the lunar calendar on the full moon, or usually at the end of September. Chuseok is a family holiday when Koreans will eat many traditional foods and play traditional games with their family members. This year Chuseok will be observed from Wednesday, September 30 to Friday, October 2, 2020.

(My source: Public Holidays, December 2019)

The second question is about the English language in Korea.

Q2: Is English viewed as a “cool” language by Korean in South Korea?

Did you know that many Koreans learn Chinese and English? I think knowing English is viewed as “essential” for getting a good job in the future and one of the best ways to connect with the Western world’s economies and cultures.

Many Koreans listen to American pop music, watch western movies on Netflix, and wear English brands.

Students in South Korea must take an English exam on advanced vocabulary, grammar rules, and essays before they graduate. Because of this big English exam, many parents enroll their children into English after-school private “hagwons” academies to learn more vocabulary and grammar rules.

In my personal opinion, I think many Koreans wish to know French, Spanish, Chinese, or Russian languages; however, English seems to be much more common and has the sentence forms as those languages.

The third question is about Disney’s popularity in Korea.

Q3: Is Disney popular in Korea?

Yes, Disney is popular. Koreans mostly love Disney movies, characters, princesses, merchandise, and of course, Disney Land is well-known too. However, there is no Disney amusement park or Disney Plus in Korea as of 2019.

Koreans love the Marvel movies, especially the Avengers: Endgame was super popular in 2019.

This week, many Korean children, elderlies, and families will definitely go watch Frozen 2 when it releases in movie theaters this week, and then sing all the songs.

The last questions are about Korean language translations.

Q4: How do you say “have a nice day” in South Korea?

The most popular way to say “have a nice day” in Korean is “좋은 하루 보내세요.”

좋은 (joh-eun) means good/nice

하루 (hah-roo) means a/one day

보내세요 (bo-nae-se-yo) means to send/have

좋은 하루 보내세요!

(My Source: Talk to Me in Korean, December 2019)

Q5. What is the English translation of the word “Korea”?

I love answering this question.

Koreans call their country as 대한민국. A simpler and conversational form would be 한국 Hangook, which means the nation of Korea.

국 at the end of the country usually means “nation” or “country” so USA would be 미국, England is 영국, Thailand is 태국.

And 한국어 means the Korean nation language.

Hope this information was useful! 좋은 하루 보내세요!

What questions or comments do you have about South Korea?

You can read previous posts from the Quora Questions Series here. If you found any mistakes in this, please contact me! Thank you for reading!

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