#deep space nine paradise lost

[bagheerita]

Apparently some star fleet admiral is committing treason again and putting earth under military dictatorship for its own "safety" but all I remember about the past 2 episodes is that Odo says he learned how to hack classified star fleet files from Quark

[r0larens]

my fave game i imagine they play on ds9 is who’s gonna carry the odo bag this mission. do they draw straws? is it on rotation like a chore wheel? is it like an annoying punishment or does everyone lowkey want to be the one to carry their backpack buddy and throw him dramatically to reveal that it’s NOT a random satchel but in fact goo man

[purplespacekitty]

Three generations of Sisko men gathered close for a jambalaya dinner in Ben's ancient Bajoran lightship, as illustrated by celebrated science fiction writer, Benny Russell. Russell keeps a souvenir baseball on his desk, signed by the legendary Willie Hawkins. In the corner, Russell stashes the sketch that gave him the inspiration for this family's story: space station Deep Space Nine.

Deep Space Nine is my favorite Trek. It has nuanced, 3-dimensional characters who become part of the show's world over the course of 7 seasons. There are some off plot lines here and there but for the most part, the story seems to write itself. I've written at length on here about how much I love Captain Benjamin Sisko and I'd like to share a project of mine I did for a class (I have so far managed to fit Star Trek into three separate final projects for three separate classes, one of which I already posted about here).

Through the lens of Sisko's character, I wanted to examine Deep Space Nine's portrayal of Black masculinity, fatherhood and Afrofuturism with three episodes (although one's a two-parter): "Homefront" (Part I), "Paradise Lost" (Part II), "Explorers" (which I made a post about here) and "Far Beyond the Stars". Initially, the idea was to focus on Ben's fatherhood to Jake, how from the viewer's side of the screen, the two of them break down numerous racial stereotypes around Black men, an important thing to remember with DS9's debut not being far removed from the end of the Reagan Administration, from which sprung stereotypes of "absent Black fathers" and "welfare queens." As I continued with this project, I found I also wanted to analyze how Sisko's relationship with his own father informs his parenting of Jake and what it means to have three generations of Siskos in one room, on one planet. That was how I got "Explorers" and "Homefront" and "Paradise Lost" in there, as I wanted to showcase episodes that focus on these exact dynamics.

"Far Beyond the Stars" offers a window into Earth's history as a commentary on racism within creative circles and the systemic racism that shapes the world we live in today and the world of Deep Space Nine. It not only invites viewers into the life of Benny Russell, a Black science fiction writer from the 1950s, but also invites us to consider the link between the future he envisioned of the life that Sisko leads in the 24th century as a Black spaceship/space station captain, father, son, husband and cook who carries the weight of his ancestors' legacy on his shoulders and the reality Russell himself lives in day by day. "You are the dreamer and the dream" has a whole lot more gravity to it when you recognize it as less of an obvious observation of what we've known and been shown throughout the episode (Avery Brooks plays both Sisko and Russell) and more of a nod to the Black future that Sisko inhabits and that Russell dreams of. As a creation of Benny Russell, Sisko and his family are Afrofuturism in a nutshell, carrying on the cultures, stories and knowledge of their ancestors as they live their lives in a future those ancestors imagined and built. Furthermore, Benny Russell's Deep Space Nine is not only important because it features a Black space station captain but also because it encapsulates a fragment of Russell's drive to write his own stories for himself and his Black readers, to breathe life into his creations, to share his art in the ways that he wants to. To cherish his experiences and ideas and imagination and reality through the creative process of putting pen to paper, stamping ink to page, painting scenes to canvas.

The DS9 finale was originally going to see Benny Russell wistfully wandering the promenade alone and implicate him as the creator of not just the story of Deep Space Nine, but of the Star Trek franchise as a whole. Obviously, this concept did not make the cut, but Strange New Worlds' "Elysium Kingdom" follows another story written by Russell, solidifying him as a real person who lived in the 20th century within the Star Trek universe and who presumably continued to write stories that got published after the events of "Shadows and Symbols".

Comprised of screenshots from "Explorers", "Homefront", "Paradise Lost", "Far Beyond the Stars", "Shadows and Symbols" and "Civil Defense" - in which Dukat flicks Sisko's baseball off his desk - (and also a picture of a random coffee table taken by me because we see surprisingly very little of Benny's desk), the collage above is my humble attempt to honor Benny Russell and his creative vision.

[strwbrryklly]

new bechdel test: does odo go any episode without interacting with or mentioning quark

[writergeekrhw]

I know you've been asked a thousand times, and I arleady know the answer is along the lines of "we didn't think too much about it" but how did Admiral Leyton fake the blood test? Was he working with a changeling? Was he always a changeling? Were you and Ira Steven Behr cackling maniacally as you created a mystery that you then swept under the rug?

Additionally, if it's the 2nd, are there any clues we've missed for the last 30 years?

Leyton was only briefly impersonated by a changeling in "Homefront." The rest of the time, it was him. He was never in league with the changelings. He was a misguided/power hungry Starfleet officer who convinced himself that seizing power was in the best interest of the Federation*... which is exactly what the changelings were trying to manipulate him into doing.

If the impersonator ever needed to pass a blood test, Joseph Sisko explained one very plausible way he could have done it.

So, there's no mystery that we swept under the rug. Leyton was Leyton 99% of the time.

*It wasn't.

[filmjunky-99]

s t a r t r e k d e e p s p a c e n i n e created by rick berman, michael piller [paradise lost, s4ep12] 'The USS Lakota Fires on the Defiant'

[sshbpodcast]

Character Spotlight: Nog

By Ames

After some great blogposts on Quark and Rom, we’ve got one Ferengi left to shine the spotlight on, and that’s another of our fan favorites: Nog! Similarly to his father, Nog’s character arc over the seasons of Deep Space Nine is captivating to watch, as he grows from a little punk ne’er-do-well into a fully realized, complex person full of nuance and opportunities to learn. Which is pretty much DS9 in a nutshell.

So get prepared for some character whiplash, as we’ve got both childish pranks and severe post-traumatic stress disorder to explore in our blogpost below as we applaud the impressive versatility and range of the late Aron Eisenberg. Check out what your A Star to Steer Her By hosts have assembled as some of the young Ferengi’s best and worst moments, and check out our discussion on this week’s podcast episode (jump to 1:15:10 for Nog!). And there’ll be no running on the promenade!

[Images © CBS/Paramount]

Best moments

Vulcans stole my homework As usual, we’re starting off with the good moments, and early on in “The Nagus” we see Nog get pulled from Keiko’s school out of Rom’s sheer racism. But what’s most commendable in the young Ferengi is that he sticks with it, secretly learning to read in the cargo bay with Jake and entirely subverting Sisko’s expectations and systematic racism against the Ferengi!

Maybe this isn’t a problem. Maybe it’s an opportunity. While we gripe about how the Ferengi can be cartoonishly one-dimensional at times, there are times when their obsession with profit makes for good character and plot moments. When Nog encourages Varis Sul, Tetrarch of the Paqu, to view her land-rights situation in “The Storyteller” as a business negotiation, she finds a compromise everyone enjoys!

Say that five times fast Speaking of Nog’s business acumen, he’s clearly still learning some of the basics in “Progress” but we still enjoy watching as he and Jake create their own Milo Minderbinder–like syndicate to sell yamok sauce and self-sealing stem bolts for what will turn out to be great running gags for years to come… not to mention tongue-twisters that frequently plague us on the podcast.

Because I don’t want to end up like my father From what we know about Nog by the midpoint of season three (including some of the bad moments you’ll see below), it seems entirely random for him to want to join Starfleet as he says in “Heart of Stone.” But when he exposes to Sisko that he has dreams outside of making profit, of being something greater than his father, you really root for the guy and know he’s really going to do it!

Best friends in subspace When old man Jake Sisko is ready to embark on some outlandish quest to find his father, lost in subspace for decades, in “The Visitor,” there is absolutely no surprise that Nog is right there at his side in the Defiant, ready to do whatever it takes for his old friend. Sure, it’s an alternate future version of Nog, but the connection he has with Jake is as real as ever.

On Wednesday we wear red Of course, Starfleet Academy is a challenge for Nog, who has set his sights on getting into the elite and extremely cliquey Red Squad to make a name for himself. But when it turns out that Red Squad is just a bunch of cadets being used by Admiral Leyton for his coup in “Paradise Lost,” Nog helps Sisko to find the truth of the matter, even if it is reluctantly at first.

Not quite a Vulcan Hello The B-plot in “Blaze of Glory” may not entirely gel with the A-plot of watching Eddington’s sacrifice, but it’s still some cute stuff for Nog. When he stands up to Martok after a whole episode of getting walked all over by the Klingons, you’ve got to respect the guy. As Martok says, “Courage comes in all sizes,” and it’s great to watch Nog tackle his problems head on.

Have a good day! There’s just something about “In the Cards” that makes you feel good. Nog, being the best friend a kid could ask for, agrees to help Jake win his dad a baseball card, going so far as to loan all his money to Jake (I can hear every Ferengi screaming at that). And then the rest of the episode is them going around the station, making everyone have a genuinely nice day. It’s so cute!

Boogie woogie woogie Okay, Nog might only have one line in all of “You Are Cordially Invited,” but I just find him dancing with Jadzia at her bachelorette party just so endearing that I had to include it. Aron Eisenberg came up with the little Ferengi frog dance himself, and when Terry Farrell joins in, I find myself smiling every time. Thank you, Aron, for creating this adorable moment.

Have faith in the Great Material Continuum So the whole Rube Goldberg device that is the chain events of schemes in “Treachery, Faith, and the Great River” may be kind of a repeat of the deals from “Progress” but it’s still very clever. After he joined Starfleet, you could almost forget that Nog is a Ferengi under the ensign uniform, but he pulls off deal after deal after deal to get the chief the stabilizer he needs.

We have a casino to build While it is painful to watch Nog struggle with PTSD in “It’s Only a Paper Moon,” the way he knuckles down to assist Vic with his finances and to work on expanding the lounge into a casino is simply fascinating. It’s helping him cope, so that by the end of a brilliantly acted episode, he doesn’t even realize that he’s put himself on the road to recovery that is right for him.

He’s not just a hologram, he’s my friend Speaking of Vic’s casino, Nog is quick to pay back his holographic crooner friend for helping him recover by participating in the big heist in “Badda-Bing, Badda-Bang.” Nog’s part is to crack the safe in the countroom, and when he learns that it has an auto-relock tumbler that no one was expecting, he keeps his cool, gets to work, and helps the whole crew save the day!

—

Worst moments

You never get a second chance to make a first impression The very first glimpse we get of Nog in “Emissary” is him stealing shit (almost certainly at Quark’s bidding) and getting locked in the brig by Odo. He has all of two lines in the episode – “Hurry up!” and “Now!” –  but he is immediately cemented as a bad seed under the thumb of his uncle. The show literally starts Nog off with such a bad reputation there’s nowhere to go but up!

What this place needs is a school Nog’s delinquent behavior doesn’t stop there. When he and Jake strike up a friendship in “A Man Alone,” it’s by sharing the experience of pranking a couple of civilians on the promenade with some Garanian bolites, which cause them to itch terribly and turn colors in a scene that legitimately looks like torture. It’s no wonder Keiko steps in by starting up her little school.

Buckets of fun! We see another of Nog’s juvenile pranks in “The Storyteller” when he fills Odo’s bucket with oatmeal and dumps it on Jake who, utterly mortified, believes for a second that they’ve somehow killed Odo. It’s a little funny in hindsight, but at the moment it just seems cruel. Jake’s reaction of terror certainly helps that along, cementing Nog’s station status as a nuisance.

No running on the promenade! There’s one more Nog prank to make the list! When he sprays some foul-smelling fluid on Tumak in “Sanctuary,” it causes a big fight to break out with the various Skrrean kids. Nog just can’t help himself. As if these refugee kids haven’t been through enough, they have this short, big-eared, froglike nuisance wreaking havoc for them. What a brat.

No one’s asking you to think, my dear As we’ve discussed in Quark’s and Rom’s respective spotlight posts before, Ferengi culture is garbage, especially how they treat females. We see some of that come through in Nog in “Life Support” when he goes on a double date with Jake and acts like a complete asshole to Riska. He’s demeaning to her, he requests she cuts his food for him, and somehow Jake’s the one apologizing!

I’ve been looking for it for two years Even when Nog has matured and joined Starfleet Academy, we get little reminders of the miscreant that he was from the start. At his coming-of-age yardsale, Kira discovers that Nog has had her lost springball racket all along and was attempting to sell it in “Little Green Men.” Sure, that was two-years-ago Nog, but he could have returned it in all that time!

Could you massage it some more? Across so many of these posts, every time oo-mox comes up it automatically makes the worst moments lists. So when Nog tricks Faith Garland into giving him oo-mox in “Little Green Men,” and not for the first time evidently, I find it abhorrent. Here’s hoping I don’t have to bring up such rapey behavior again for a while (at least until that one Ferengi episode of Enterprise).

Healthy body, healthy mind After a season or so at Starfleet Academy, Nog suddenly becomes a tightass. The conflict with Jake, now his roommate, in “The Ascent” is manufactured and trite – the kind of odd-couple antics of eponymous sitcoms. Nog is now a neatfreak. He constantly works out. He corrects Jake’s stories without permission. It’s like his character has been rewritten to fit a punchline, and an old one at that.

I won’t turn my back on you again This one’s just a little silly peeve. After the events of “Empok Nor” when Garak’s little murder spree on the titular station, Nog vows to never turn his back on Garak when they’re out searching for supplies in “Rocks and Shoals.” But then after they get hostage-handoff’ed, he immediately turns his back on Garak as they cross the levy. Dude! What did you just say?

Red Squad, Red Squad, Red Squad! Nog got tempted by the allure of the corrupt Red Squad in “Homefront” and “Paradise Lost,” but it’s in “Valiant” that he gets thoroughly taken in. Acting Captain Watters offers Nog everything he’s ever wanted: respect, rank, and some semblance of power, in exchange for his unquestioning obedience when the utterly impossible plan goes swiftly sideways. Gee, who’da thunk?

And you find that impressive? The Dominion War sure brings out the worst in a lot of people. Sisko commits some war crimes. O’Brien is typically racist about the Jem’Hadar. And Nog starts to fancy himself a soldier, bent on killing the enemy. In “The Siege of AR-558,” he blatantly admires the Ketracel-white tubes that Reese has collected as war trophies, and Quark is all of us, displaying utter disgust at this.

You don’t come into my club and start hitting customers While we totally get that recovery from the loss of his leg is a struggle, that’s no excuse for how Nog treats his friends in “It’s Only a Paper Moon.” Living in a holodeck starts off as a way to not only avoid the people he thinks are staring at him, but to avoid helping himself get better through therapy and rehabilitation. And when Jake visits, Nog is rude to Jake’s date, and then outright attacks Jake in the middle of Vic’s set. Pally!

— You’ve got a deal! That’s the end of the Ferengi spotlights (for now?), but we’ve got more great DS9 recurring characters to examine for the next couple weeks, so make sure you’re following along here. We’re also still plodding through the Xindi arc over on our watchthrough of Enterprise, so join us on SoundCloud or wherever you get your podcasts, and hail us over on Facebook and Twitter. Now say it with me: self-stealing stem– dammit!

[raurquiz]

#otd #startrek #deepspacenine #paradiselost #sisko #jakesisko #josephsisko #dax #kiranerys #odo #worf #bashir #obrian #quark #AdmiralLeyton #President #JareshInyo #CaptainErikaBenteen #Nog #RileyShepard #ds930 #startrek58 @TrekMovie @TrekCore @StarTrek @StarTrekOnPPlus

[mandatory-blog-stop-asking]

my favorite stand-alone star trek episodes

someone in bluesky asked around my sphere what are the best Star Trek stand alone episodes for each show and I thought it was a cool exercise. My list and specifications are below. Long post so click the button to check it out.

Rules: Can't be super dependent on other episodes of the show, can't be a two or multiple-parter, can't just be every season finale just because it made me cry or anything; it has to be something that showcases how the show works its own individual aspects in a relatively ideal stage. Think of it like the episode you could show someone to prime them to like any of these shows if they don't even know the show exists.

The Original Series - The Corbomite Manuever

It's one of the first times Star Trek talks about peacemaking and looking before shooting as something you're supposed to do even in a situation where an overwhelming power is bullying you. Kirk comes out of this as a genius who knew better than to take a situation at face value, and has one of my favorite lines in the show:

What's the mission of this vessel, Doctor? To seek out and contact alien life, and an opportunity to demonstrate what our high-sounding words mean.

Banger idea, banger execution, iconic alien, cool shit all around, 10/10

Runner ups: Balance of Terror, Court Martial, The City at the Edge of Forever. Didn't make it because I like this one more.

The Animated Series - The Magicks of Megas-tu

I think it's probably the wildest episode in TAS? Kirk & Crew meet the devil and he's like, a swell guy you should be friends with. Spock learns magic. The devil tells the audience of mostly children to not have prejudices against those oppressors have deemed unworthy of attention. There's a magic duel at the center of the galaxy that is then tailored after the Salem Witch trials. If you haven't watched TAS, it goes fucking crazy.

Runner ups: Yesteryear, The Lorelei Signal, The Time Trap. Overall just think Megas-tu is more interesting and more incredibly fucking wild, how did that air in the 80s, oh my god.

The Next Generation - The Measure of a Man

While it is pretty early on, I think it's a very good example of what TNG does best: single-issue stories using its main cast as a vehicle for drama. This has a little bit of everything people love TNG for: Data's struggles as an android, Picard's struggles as a reinassance man occasionally having to face the dumbest motherfuckers in the entire Federation who would be burning witches at the stake if they could, a Badmiral, Riker vs Picard, Guinan taking Picard by the hand and gently reminding him the human condition includes some unpleasant elements, a farcical trial...

it's not perfect but I do think it holds up, and whenever I recommend Star Trek to people, this is always an easy case study to check if they're interested in the project.

Runner ups: Elementary Dear Data, Yesterday's Enterprise, Sarek, and honestly a lot of other episodes that just don't quite work if you don't have all the context of watching more of the show. Either that or they have weird characterizations that I don't think work super well for the episode.

Deep Space Nine - The Ship

I think Deep Space Nine has a ton of great episodes, but I do believe that show shines brightest when everyone involved is stuck in a bottle episode having to fight their way out of it. In TNG they would talk, in VOY they would trick people, in DS9 they use violence!

I think The Ship is the best version of a good DS9 episode that doesn't need so much preamble to understand. You have a tight cast, a very clear drama point, and the slow build up into a horrific ending where nobody is happy and everyone wishes war wasn't such bullshit.

While there's literally better episodes, I think this works really well for this "challenge."

Runner ups: This list literally had Homefront/Paradise Lost as my pick, but I ended up deciding two-parters don't count. Other than that, The Wire, The House of Quark, Badda-Bing Badda-Bang and my favorite episode of Star Trek of all time, It's Only a Paper Moon, that unfortunately only works if you've spent 7 seasons watching Nog go from the worst character in Star Trek to the best character in Star Trek.

Voyager - One Small Step

I think Voyager is very flawed and that season 4 is the highest peak the show comes to, but even then, I think One Small Step is my favorite episode. It has the BIG VOYAGER THINGS: Seven of Nine trying to wrap her head around human emotions, an old-timey feel (literally, it's about an old Mars mission), it has the Delta Flyer, and it ends with an absolute emotional gut punch that I haven't really recovered from to this day. It's a love letter to space exploration that really fits a show named god damn Voyager a lot more than it would any of the others. I really love this episode.

Runner ups: The 37s, Living Witness, Death Wish, and DISTANT ORIGINS, OH MY GOD, THE LIZARD PEOPLE ARE REAL; all episodes i like but that either don't quite get me where I want to go, or I just personally feel aren't as strong.

Enterprise - Dead Stop

So like, this list is awful for Enterprise, because every single episode of that series builds on the previous ones somehow. Season 3 is impossible to watch out of context so I can't use any of it, and my no-multiple-parters rule means Season 4 (which I don't even like anyway so I guess it doesn't matter ) is mostly out. But I really do think Dead Stop excels at what Enterprise is good at: making the galaxy look fucking weird again.

Dead Stop feels like a really good sidemission from a game you've played a lot but never did 100%. It proposes some things about the state of the galaxy that you never really consider and never comes back, and it acts like this really interesting bottle episode that, while relatively predictable (this is Enterprise), is also effective. I think everyone shines in this and I think the situation is very unique. Worth a shot if you've never seen Enterprise.

Runner ups: E², The Catwalk (lol), it... look, I'll be real, Enterprise is not made for this.

Discovery - Unification III

Speaking of shows that aren't made for this, Discovery wouldn't have made it if it didn't get a soft-reboot halfway through. I'm one of the people who likes the second half of Discovery, sometimes a lot even. And while I think it should have gone way crazier with its own stuff instead of wasting its time with references (season 4 is probably the moment I was happy saying I like Discovery), I think Unification III is the first time I actually liked Michael's character.

It still has Discovery's major problems of being overly melodramatic in the wrong places, wasting a little too much time with dramatic camera shots and monologues that don't always hit, but I think Unification III is Discovery deciding it can stand side by side with other shows: it fundamentally changes the Romulan/Vulcan dichotomy, it takes something old and makes it new again, and it for the first time in years doesn't feel embarrassed of itself.

I don't know if it would make a Disco hater become a Disco enjoyer, but hey, I enjoy the episode, and it's my list.

Runner ups: Forget Me Not, and.... that's it actually. Don't watch Discovery on random, it doesn't work. Picard isn't in this list.

Lower Decks - wej Duj

Lower Decks rules and wej Duj is the best episode of Star Trek released in the year it came out. It takes its premise and allows it to breathe, shows you parts of the universe you'd never see, introduces great characters you could make a mini series about if you were crazy, and it looks and sounds great. Lower Decks was too good for this world and cancelling it characterizes cruel and unusual mistreatment of an audience.

Runner-ups: First First Contact, Empathological Fallacies, a couple more but Lower Decks is so referential in nature that it also makes it hard. But this wasn't really a contest. I wrote wej Duj without looking up other episodes.

Prodigy - Time Amok

Prodigy is a weird one because it's less "Star Trek" and more "Voyager 2". It has a different idea and execution for what it wants to do, so it doesn't really adhere to structures other shows have. That being said, I think Time Amok is the first time the crew really comes together and shows why they're a good cast, what their specialties are and why you should like them. I would probably not have continued the show without an episode like Time Amok, and genuinely, it goes great places. Season 2 is one of my favorite seasons of current Star Trek. It just, you know, isn't the same.

Runner-ups: Honestly for my specific rules, this is it. But I want you to know Prodigy fucking rules and you should watch it. "Now... go boldly" still gets to me every time I think about it.

Strange New Worlds - Ad Astra per Aspera

I like Season 1 of SNW a lot more than Season 2, but the S2 opener really is the show at its best. It doesn't pull any punches when exploring the subject of what's essentially Federation-approved apartheid, and it might have the best performances in the show so far. It would have probably interested me more if this wasn't another prequel that can't change things too much, but, still. If you've never seen SNW and don't want to just watch it from episode 1, give this one a try.

Runner-ups: Strange New Worlds the pilot! It's a very good pilot! Also "Tomorrow and Tomorrow and Tomorrow" and "Those Old Scientists", but like, a crossover wouldn't really fit here very well.

And there you go, that was a fun little exercise. How about you make your own? Add any of the shows you want, I just happen to be a freak who wanted to do it with all of them.

[canonmisogynyvictimstournament]

TOURNAMENT PARTICIPANTS

Greetings, everyone, our contestants have been finalized, and I want to provide a certain opportunity before the preliminaries begin. Namely, to provide additional propaganda for competitors in need of it. So, I have created a form to collect this new propaganda, and a list of both preliminary and non-preliminary participants under the cut. An asterisk next to a name indicates they have fewer than three pieces of propaganda, which is the amount that will be included in each poll. This form will be open for the duration of the tournament. You can make as many submissions you want for any character.

NOTE: The order of participants does not reflect the bracket matchups. Preliminary matchups will be announced next week, and the complete bracket will be announced after the preliminary round is finished.

UPDATE: Additional characters have been added in bold because I failed to fill out the bracket by counting incorrectly. One has been added to the preliminary round, and the others are regular competitors.

PRELIMINARY PARTICIPANTS

BUFFY THE VAMPIRE SLAYER/ANGEL

Cordelia Chase

Illyria*

Kendra Young*

Winifred "Fred" Burkle

DC COMICS

Alex DeWitt - AUTOMATIC ENTRY

Barbara Gordon

Cassandra Cain

Katma Tui*

Koriand’r aka Starfire*

Pantha*

Stephanie Brown

Talia al Ghul

Tara Markov*

JOJO'S BIZARRE ADVENTURE

Dragona Joestar (JoJo's Bizarre Adventure: The JOJOLands)*

Holy Kujo (JoJo's Bizarre Adventure: Stardust Crusaders)*

Lisa Lisa (JoJo’s Bizarre Adventure: Battle Tendency )

Lucy Steel (JoJo's Bizarre Adventure: Steel Ball Run)

KAMEN RIDER

Is (Kamen Rider 01)*

Kanon Fukami (Kamen Rider Ghost)*

Poppy Pipopapo (Kamen Rider Ex-Aid)*

Saki Momose (Kamen Rider Ex-Aid)*

MARVEL COMICS

Elektra Natchios (Marvel Comics)*

Elektra Natchios (NMCU)*

MY HERO ACADEMIA

Ochako Uraraka - AUTOMATIC ENTRY

Magne (My Hero Academia)*

Momo Yaoyorozu

Nemuri Kayama*

Toru Hagakure*

STAR TREK

Deanna Troi (Star Trek: The Next Generation)

Jadzia Dax (Star Trek: Deep Space Nine)*

Kes (Star Trek: Voyager)*

Seven of Nine (Star Trek: Voyager)

Tasha Yar (Star Trek: The Next Generation)

T'Pol (Star Trek: Enterprise)*

SUPERNATURAL

Bela Talbot

Charlie Bradbury

Eileen Leahy*

Mary Winchester*

THE LEGEND OF ZELDA

Tetra (The Legend of Zelda: Windwaker)*

Zelda (The Legend of Zelda: Breath of the Wild and The Legend of Zelda: Tears of the Kingdom)*

WARRIOR CATS

Bumble*

Leafpool

Spottedleaf

Squirrelflight

YU-GI-OH!

Aki Izayoi/Akiza Izinski (Yu-Gi-Oh! 5D's)*

Aoi Zaizen/Skye Zaizen (Yu-Gi-Oh! VRAINS)*

Kotori Mizuki (Yu-Gi-Oh! ZEXAL)*

Mai Valentine (Yu-Gi-Oh!)

NON-PRELIMINARY PARTICIPANTS

Abbie Mills (Sleepy Hollow)*

Ada Vessalius (Pandora Hearts)*

Agent Texas (Red vs Blue)*

Alex DeWitt (DC Comics)

Allura (Voltron: Legendary Defender)

Alys Brangwin (Phantasy Star IV)*

Amber Volakis (House MD)*

Amy Amanda Allen (The A-Team (TV))*

Amy Pond (Doctor Who)*

Amy Rose (Sonic the Hedgehog)

Ann Takamaki (Persona 5)

April O'Neil (Teenage Mutant Ninja Turtles (2012))

Arcee (Transformers)

Asuna (Sword Art Online)*

Athena Cykes (Ace Attorney)

Azula (Avatar the Last Airbender)

Britta Perry (Community)*

Brunhilda aka Mym (Dragalia Lost)*

Carmelita Montoya Fox (Sly Cooper )*

Casca (Berserk)

Celica (Fire Emblem Echoes: Shadows of Valentia)

Chi-Chi (Dragon Ball)*

Chloe Bourgeois (Miraculous Ladybug)

Chloe von Einzbern (Fate/kaleid liner PRISMA ILLYA)*

Clarke Griffin (The 100)*

Daenerys Targaryen (Game of Thrones)*

Dahlia Hawthorne (Ace Attorney)

Elya Musayeva (Топи/The Swamps (2021))*

Eve (Paradise Lost)*

Flora Reinhold (Professor Layton)

Gamora (Marvel Cinematic Universe)*

Grelle Sutcliff (Black Butler)*

Gwen (BBC Merlin)*

Gwen Stacy (Marvel Comics)*

Hélène Kuragina (War and Peace)

Hinata Hyuuga (Naruto)*

Irene Adler (BBC Sherlock)*

Iris Sagan (AI: the Somnium Files)*

Jade (Dragon Quest 11)*

Jade Harley (Homestuck)

Jane Crocker (Homestuck)

Jennifer Lopez (John Dies At The End)*

Jiang Yanli (Mo Dao Zu Shi)

Julia (Hellraiser)*

Julia Wicker (The Magicians)*

Juvia Lockser (Fairy Tail)*

Kaede Akamatsu (Danganronpa V3)

Kairi (Kingdom Hearts)

Kallen Kouzuki (Code Geass)

Kamala Khan (Marvel Comics)*

Katara (Avatar the Last Airbender)

Katherina Minola (The Taming of the Shrew)*

Katherine Pierce (The Vampire Diaires)*

Konan (Naruto)*

Laurel Lance (Arrow (CW)*

Leia Organa (Star Wars)*

Lisa Cuddy (House MD)

Lucy Heartfilia (Fairy Tail)

Madison Paige (Heavy Rain)*

Malty S Melromarc (Rising of the Shield Hero)*

Margaret Houlihan (MASH (Movie 1970) )*

Marinette Dupain-Cheng (Miraculous Ladybug)

Marwa (What We Do In The Shadows (TV series))*

Megaera (Hades)*

Mikaela Banes (Transformers)*

Mikan Tsumiki (Danganronpa 2: Goodbye Despair)

Mikoko Sakazaki (Kaiji)*

Mikuru Asahina (The Melancholy of Haruhi Suzumiya)*

Mildred "Millie" Knolastname (Helluva Boss)

Milla Maxwell (Tales of Xillia)*

Misa Amane (Death Note)

Misaki Unasaka (Buddy Daddies)*

Nami (One Piece)*

Naomi Misora (Death Note)

Natasha Romanoff (Marvel Cinematic Universe)

Natasha Rostova (War and Peace)

Nemu Kurotsuchi (Bleach)*

Nezuko Kamado (Demon Slayer)*

Nya Smith (Lego Ninjago)

Ochette (Octopath Traveler 2)*

Ophelia (Hamlet)*

Ophiuchus Shaina (Saint Seiya)*

Orihime Inoue (Bleach)

Padmé Amidala (Star Wars)

Pussy Galore (Goldeneye)*

Pyrrha Nikos (RWBY)

Quiet (Metal Gear Solid: The Phantom Pain)*

Ran Mouri (Detective Conan)*

Rey (Star Wars)

River Tam (Firefly)*

Sakura Haruno (Naruto)

Sansa Stark (Game of Thrones)*

Skye (Lost in Blue)*

Sonia Hedgehog (Sonic Underground)*

South Dakota (Red vs Blue)*

Stephanie “Steph” Nocanonlastname (EverymanHYBRID)

Susan Pevensie (Chronicles of Narnia)*

Sweet-P (The Caligula Effect)*

Sylvanas Windrunner (Warcraft)*

Sylvia (Two Gentlemen of Verona)*

Teresa (Maze Runner series)*

Throné Anguis (Octopath Traveler 2)*

Yan Hui (Back From the Brink)*

[singthesongsofsin]

@themosthatedbeingg, as stated! Below the cut are some of the passages describing Hell from book 1 of Paradise Lost by John Milton. Text taken from the John Milton Reading Room.

TLDR: Hell is dark, and somehow on fire, smells like sulphur, and there's nothing there as it was untouched by God! When the demons arise, they create things, but it's nothing original, so much as an inverted form of what was lost to them in Heaven.

With hideous ruine and combustion down To bottomless perdition, there to dwell In Adamantine Chains and penal Fire, Who durst defie th' Omnipotent to Arms. Nine times the Space that measures Day and Night To mortal men, he with his horrid crew Lay vanquisht, rowling in the fiery Gulfe Confounded though immortal: But his doom Reserv'd him to more wrath; for now the thought Both of lost happiness and lasting pain Torments him; round he throws his baleful eyes That witness'd huge affliction and dismay Mixt with obdurate pride and stedfast hate: At once as far as Angels kenn he views The dismal Situation waste and wilde, A Dungeon horrible, on all sides round As one great Furnace flam'd, yet from those flames No light, but rather darkness visible Serv'd onely to discover sights of woe, Regions of sorrow, doleful shades, where peace And rest can never dwell, hope never comes That comes to all; but torture without end Still urges, and a fiery Deluge, fed With ever-burning Sulphur unconsum'd: Such place Eternal Justice had prepar'd For those rebellious, here thir Prison ordain'd In utter darkness, and thir portion set As far remov'd from God and light of Heav'n As from the Center thrice to th' utmost Pole. O how unlike the place from whence they fell! There the companions of his fall, o'rewhelm'd With Floods and Whirlwinds of tempestuous fire, He soon discerns, and weltring by his side One next himself in power, and next in crime, Long after known in Palestine, and nam'd Beelzebub. To whom th' Arch-Enemy, And thence in Heav'n call'd Satan, with bold words Breaking the horrid silence thus began.

[...]

Back to the Gates of Heav'n: The Sulphurous Hail Shot after us in storm, oreblown hath laid The fiery Surge, that from the Precipice Of Heav'n receiv'd us falling, and the Thunder, Wing'd with red Lightning and impetuous rage, Perhaps hath spent his shafts, and ceases now To bellow through the vast and boundless Deep. Let us not slip th' occasion, whether scorn, Or satiate fury yield it from our Foe. Seest thou yon dreary Plain, forlorn and wilde, The seat of desolation, voyd of light, Save what the glimmering of these livid flames Casts pale and dreadful? Thither let us tend From off the tossing of these fiery waves, There rest, if any rest can harbour there, And reassembling our afflicted Powers, Consult how we may henceforth most offend Our Enemy, our own loss how repair, How overcome this dire Calamity, What reinforcement we may gain from Hope, If not what resolution from despare.

[...]

Is this the Region, this the Soil, the Clime, Said then the lost Arch-Angel, this the seat That we must change for Heav'n, this mournful gloom For that celestial light? Be it so, since he Who now is Sovran can dispose and bid What shall be right: fardest from him is best Whom reason hath equald, force hath made supream Above his equals. Farewel happy Fields Where Joy for ever dwells: Hail horrours, hail Infernal world, and thou profoundest Hell Receive thy new Possessor: One who brings A mind not to be chang'd by Place or Time. The mind is its own place, and in it self Can make a Heav'n of Hell, a Hell of Heav'n. What matter where, if I be still the same, And what I should be, all but less then he Whom Thunder hath made greater? Here at least We shall be free; th' Almighty hath not built Here for his envy, will not drive us hence: Here we may reign secure, and in my choyce To reign is worth ambition though in Hell: Better to reign in Hell, then serve in Heav'n. But wherefore let we then our faithful friends, Th' associates and copartners of our loss Lye thus astonisht on th' oblivious Pool, And call them not to share with us their part In this unhappy Mansion, or once more With rallied Arms to try what may be yet Regaind in Heav'n, or what more lost in Hell?

[...]

At which the universal Host upsent A shout that tore Hells Concave, and beyond Frighted the Reign of Chaos and old Night. All in a moment through the gloom were seen Ten thousand Banners rise into the Air With Orient Colours waving: with them rose A Forest huge of Spears: and thronging Helms Appear'd, and serried shields in thick array Of depth immeasurable: Anon they move In perfect Phalanx to the Dorian mood Of Flutes and soft Recorders; such as rais'd To hight of noblest temper Hero's old Arming to Battel, and in stead of rage Deliberate valour breath'd, firm and unmov'd With dread of death to flight or foul retreat, Nor wanting power to mitigate and swage With solemn touches, troubl'd thoughts, and chase Anguish and doubt and fear and sorrow and pain From mortal or immortal minds. Thus they Breathing united force with fixed thought Mov'd on in silence to soft Pipes that charm'd Thir painful steps o're the burnt soyle; and now Advanc't in view, they stand, a horrid Front Of dreadful length and dazling Arms, in guise Of Warriers old with order'd Spear and Shield, Awaiting what command thir mighty Chief Had to impose: He through the armed Files Darts his experienc't eye, and soon traverse The whole Battalion views, thir order due, Thir visages and stature as of Gods, Thir number last he summs. And now his heart Distends with pride, and hardning in his strength Glories: For never since created man, Met such imbodied force, as nam'd with these Could merit more then that small infantry

[...]

Less then Arch Angel ruind, and th' excess Of Glory obscur'd: As when the Sun new ris'n Looks through the Horizontal misty Air  Shorn of his Beams, or from behind the Moon In dim Eclips disastrous twilight sheds On half the Nations, and with fear of change Perplexes Monarchs. Dark'n'd so, yet shon Above them all th' Arch Angel: but his face Deep scars of Thunder had intrencht, and care Sat on his faded cheek, but under Browes Of dauntless courage, and considerate Pride Waiting revenge: cruel his eye, but cast Signs of remorse and passion to behold  The fellows of his crime, the followers rather (Far other once beheld in bliss) condemn'd For ever now to have thir lot in pain, Millions of Spirits for his fault amerc't Of Heav'n, and from Eternal Splendors flung For his revolt, yet faithfull how they stood, Thir Glory witherd. As when Heavens Fire Hath scath'd the Forrest Oaks, or Mountain Pines, With singed top thir stately growth though bare Stands on the blasted Heath. He now prepar'd To speak; whereat thir doubl'd Ranks they bend From wing to wing, and half enclose him round With all his Peers: attention held them mute. Thrice he assayd, and thrice in spight of scorn, Tears such as Angels weep, burst forth: at last Words interwove with sighs found out thir way.

[...]

There stood a Hill not far whose griesly top Belch'd fire and rowling smoak; the rest entire Shon with a glossie scurff, undoubted sign That in his womb was hid metallic Ore, The work of Sulphur. Thither wing'd with speed A numerous Brigad hasten'd. 

[...]

And Strength and Art are easily out-done By Spirits reprobate, and in an hour What in an age they with incessant toyle And hands innumerable scarce perform. Nigh on the Plain in many cells prepar'd, That underneath had veins of liquid fire Sluc'd from the Lake, a second multitude With wondrous Art found out the massie Ore, Severing each kind, and scum'd the Bullion dross: A third as soon had form'd within the ground A various mould, and from the boyling cells By strange conveyance fill'd each hollow nook, As in an Organ from one blast of wind To many a row of Pipes the sound-board breaths. Anon out of the earth a Fabrick huge Rose like an Exhalation, with the sound Of Dulcet Symphonies and voices sweet, Built like a Temple, where Pilasters round Were set, and Doric pillars overlaid With Golden Architrave; nor did there want Cornice or Freeze, with bossy Sculptures grav'n, The Roof was fretted Gold. Not Babilon, Nor great Alcairo such magnificence Equal'd in all thir glories, to inshrine Belus or Serapis thir Gods, or seat Thir Kings, when Ægypt with Assyria strove In wealth and luxurie. Th' ascending pile Stood fixt her stately highth, and strait the dores Op'ning thir brazen foulds discover wide Within, her ample spaces, o're the smooth And level pavement: from the arched roof Pendant by suttle Magic many a row Of Starry Lamps and blazing Cressets fed With Naphtha and Asphaltus yeilded light As from a sky. The hasty multitude  Admiring enter'd, and the work some praise And some the Architect: his hand was known In Heav'n by many a Towred structure high, Where Scepter'd Angels held thir residence, And sat as Princes, whom the supreme King  Exalted to such power, and gave to rule, Each in his Hierarchie, the Orders bright. Nor was his name unheard or unador'd

[...]

A solemn Councel forthwith to be held At Pandæmonium, the high Capital Of Satan and his Peers: thir summons call'd From every Band and squared Regiment By place or choice the worthiest; they anon With hunderds and with thousands trooping came Attended: all access was throng'd, the Gates And Porches wide, but chief the spacious Hall (Though like a cover'd field, where Champions bold Wont ride in arm'd, and at the Soldans chair Defi'd the best of Paynim chivalry  To mortal combat or carreer with Lance) Thick swarm'd, both on the ground and in the air, Brusht with the hiss of russling wings. As Bees In spring time, when the Sun with Taurus rides, Pour forth thir populous youth about the Hive In clusters; they among fresh dews and flowers Flie to and fro, or on the smoothed Plank, The suburb of thir Straw-built Cittadel, New rub'd with Baum, expatiate and confer Thir State affairs. So thick the aerie crowd Swarm'd and were straitn'd; till the Signal giv'n. Behold a wonder! they but now who seemd In bigness to surpass Earths Giant Sons Now less then smallest Dwarfs, in narrow room Throng numberless, like that Pigmean Race Beyond the Indian Mount, or Faerie Elves, Whose midnight Revels, by a Forrest side Or Fountain some belated Peasant sees, Or dreams he sees, while over-head the Moon Sits Arbitress, and neerer to the Earth Wheels her pale course, they on thir mirth and dance Intent, with jocond Music charm his ear; At once with joy and fear his heart rebounds. Thus incorporeal Spirits to smallest forms Reduc'd thir shapes immense, and were at large, Though without number still amidst the Hall Of that infernal Court. But far within And in thir own dimensions like themselves The great Seraphic Lords and Cherubim In close recess and secret conclave sat A thousand Demy-Gods on golden seats, Frequent and full. After short silence then And summons read, the great consult began.

[all-the-trek]

Star Trek: Deep Space Nine S4E12 "Paradise Lost" (2372)

I really just don't understand the motives, it's not power, it truly seems like the guy wants to protect earth and all but the cost is insane, and it's more insane that this was pre 9-11 TV?

[queenclaudiabrown]

queenclaudiabrown's fandom list

Primeval (+ Primeval: New World)

Tolkien + Tolkien-based works (primarily The Hobbit trilogy, The Lord of The Rings trilogy, and The Lord of The Rings: The Rings of Power series on Amazon Prime)

Whoniverse (Doctor Who + Torchwood)

Supernatural

Detroit: Become Human

Sherlock BBC

Marvel (including X-Men movies and Daredevil)

DC + DCEU

Sherlock Holmes (Downey movies)

Fringe

Jericho (CBS)

Scream

Stargate (movies, SG-1, and Atlantis)

Stranger Things

The Hunger Games (movies)

The Maze Runner (movies)

Divergent (movies)

Lost (ABC / J.J. Abrams)

Wayward Pines (Season 1 only because Season 2 was T R A S H)

Star Wars

Star Trek (mostly Deep Space Nine + J. J. Abrams movies)

Alias

Shetland

Bad Sisters

Home Before Dark

Buffy The Vampire Slayer

Poldark (PBS series)

The Paradise (PBS series)

Downton Abbey

[animeengineer]

“Don’t honk off the writer.”

— J. Michael Straczynski, after Robert Foxworth turned down a reprise of his General Hague character for the Babylon 5 episode “Severed Dreams”, instead playing Admiral Leyton in the Star Trek: Deep Space Nine episodes “Homefront” and “Paradise Lost” that were shooting around the same time.

General Hague was unceremoniously killed off with an offhand comment, and “Severed Dreams” went on to win the Hugo.

There is no "forgive and forget" when you are a writer. Everyone who has wronged a writer is a fragment of their story, like shards of glass from a mirror.

[therearefourhosts]

I just watched Star Trek: Deep Space Nine 4x12 "Paradise Lost (2)"