#deb makes icons

[hotvintagepoll]

Propaganda

Deborah Kerr (Bonjour Tristesse, An Affair to Remember, The King and I)— For several decades she held the record for most Oscar nominations without a win (6 in total), and she was a prolific leading lady throughout the 40s and 50s. She's best known today for the romance An Affair to Remember with Cary Grant, and as the governess in The King and I. Many people have this erroneous perception of her as extremely prim, proper, and virginal, but this could not be further from the truth. When she first came to Hollywood under MGM she was typecast into boring decorative roles, but broke sexual boundaries for herself and Hollywood generally in From Here to Eternity, when she made out (horizontally!) with Burt Lancaster (on top of him!) in the famous Beach Scene. She went on to play many sexually conflicted women, a character type that would define most of her post- Eternity work. She continued to break Hays Code boundaries with Tea and Sympathy, which addresses homosexuality/homophobia head-on, and even did a topless scene in The Gypsy Moths 1969!! One of the only classic stars to do so. She deserves a more nuanced and frankly a hotter legacy than she currently has!!!

Ethel Merman (Anything Goes, Call Me Madam)— Possessed of a bold, brash voice, and an even bolder and brasher presence, Ethel Merman might be more well known for her stage roles, but she made several movies, and was bold and brash in them as well. Also I think if I don't submit her, she's going to come back and haunt me.

This is round 1 of the tournament. All other polls in this bracket can be found here. Please reblog with further support of your beloved hot sexy vintage woman.

[additional propaganda submitted under the cut]

Ethel Merman:

You've gotta love any woman who got typecast as lead-MILF

Deborah Kerr:

I think she was one of my first crushes before I realised I was bi in The King and I when I watched it as a kid honestly. The kissing scene in From Here to Eternity is iconic for a reason. Actually tried to learn the accents for the characters she was playing if they weren't English which is more than pretty much anyone else was doing then. Played very restrained characters who frequently seemed to be desperate not to be so restrained. Did horror movies without venturing into hagsploitation tropes. Gave Marni Nixon the credit she deserved for her share of the singing in The King and I.

Anne Larsen is a peak late 1950s bisexual with big MILF energy. Have you seen the behind the scenes pics of her wearing a suit?? Have you????? Vote Deb as Anne Larsen.

Nominated for an Oscar six (6) times and never won, but besides her having actual talent (hot), and besides her looking Like That (very hot, also beautiful), she was always playing women who are, like, crazy repressed. Which makes it fun and easy for me to read these characters as queer. Icon!!!! You know what's hot? Playing ambiguously gay in vintage Hollywood.

Her face and talent and body, yes, ofc, duh. But also!!! Her HANDS!!!! I may be but a simple lesbian, but she is the best hactor (hand actor) that ever lived and that's HOT! For propriety's sake I feel I must redact a large portion of my commentary on this subject. Anyway. She's hot in her most famous roles (mentioned above), and also some of her sexiest hacting is on display in An Affair to Remember (her hand on the bannister when Cary Grant kisses her off-screen??? HELLO???), Tea and Sympathy (when she's trying to persuade Tom not to go out and she keeps flexing her hands like she wants to reach out to him but can't??? ALLY BEHAVIOR! WE STAN!), and The Innocents (which opens and closes with extended shots of her hands bc director Jack Clayton was also an ally and he did that for ME). Much of her appeal also lies in the fact that she often played deeply repressed characters and you know what's hot? When those uptight characters finally unravel. It's sexy. It's cathartic. It's erotic. Plus, she's beautiful to look at in both black & white and technicolor, and the more of her films you see, the more you can't help but fall in love!

Literally is in thee most famously sexy scene of all time (or maybe just during the hays code era which is what we're talking about HELLO), which is the beach scene with Burt Lancaster in from here to eternity. To quote a tumblr post of a screen capture of a tweet of a video of joy behar on the view: "y'know, there used to be movies where they were kissing on the beach... From Here to Eternity. They're kissing-- Burt Lancaster and Deborah Kerr are Kissing on the Beach and then the WAVES crash!! You know exactly what they did!"

She might have a reputation of being chaste and virginal or whatever, but we all know it's the quiet ones who are certifiable FREAKS

[rjzimmerman]

Excerpt from this press release from the Department of the Interior:

Following an extensive public process, Secretary of the Interior Deb Haaland today finalized the decision to retain protections for 28 million acres of public lands across Alaska, which many Alaska Native Tribes, Native Corporations and Tribal entities have noted are vital to protecting important natural, cultural and subsistence resources. Today’s action comes in response to the previous Administration’s unlawful decision in its final days to end the longstanding protections (known as withdrawals) without sufficient analysis of the potential impacts of such a decision on subsistence and other important resources, appropriate Tribal consultation, and without compliance with other legal requirements. This sweeping action would have opened millions of acres of public lands to extractive development activities, such as mining and oil and gas drilling, and removed the federal subsistence priority from millions of acres.

The previous Administration’s decision was put on hold to ensure full consideration of the potential impacts and allow for engagement with the public and Alaska Native communities. The robust public process gathered input from Alaska Native Tribes and Native Corporations, rural and urban communities, and the public, including 19 community meetings. During the public comment period, the Bureau of Land Management (BLM) heard overwhelming support for retaining the withdrawals. In total, the BLM received approximately 15,000 public comments on the draft Environmental Impact Statement (EIS).

“Tribal consultation must be treated as a requirement – not an option – when the federal government is making decisions that could irrevocably affect Tribal communities. I am grateful to the team at the Bureau of Land Management for taking the time to ensure that we approached this decision with the benefit of feedback from Alaska Native communities, and to the Tribal leaders who shared with us the impact that a potential revocation of the withdrawals would have on their people,” said Secretary Deb Haaland. “Continuing these essential protections, which have been in place for decades, will ensure continued access and use of these public lands now and in the future.”

Today’s announcement builds on the Biden-Harris administration’s actions to conserve millions of acres of lands and waters in Alaska, including implementing maximum protections for more than 13 million acres of Special Areas in the western Arctic, protecting approximately 2.8 million acres of the Beaufort Sea to place the entire United States Arctic Ocean off limits to new oil and gas leasing, and preventing irrevocable harms to Tribal subsistence uses and permafrost at the base of the iconic Brooks Range by rejecting the Ambler Road proposal.

These withdrawals, established pursuant to Section 17(d)(1) of the Alaska Native Claims Settlement Act (ANCSA), stretch across BLM’s Bay, Bering Sea-Western Interior, East Alaska, Kobuk-Seward Peninsula and Ring of Fire planning areas.

Today’s decision does not impact acres already available for selection by eligible individuals under the Alaska Native Vietnam-era Veterans Land Allotment Program. Secretary Haaland has made these lands available to the approximately 1,900 Alaska Native Vietnam-era Veterans eligible to select their 160-acre land entitlement under the Dingell Act.

[afeelgoodblog]

The Best News of Last Week - June 6, 2023

1. Biden orders 20-year ban on oil, gas drilling around tribal site in New Mexico

Hundreds of square miles in New Mexico will be withdrawn from further oil and gas production for the next 20 years on the outskirts of Chaco Culture National Historical Park that tribal communities consider sacred, the Biden administration ordered Friday.

The new order from Secretary of the Interior Deb Haaland applies to public lands and associated mineral rights within a 10-mile (16-kilometer) radius of the park. It does not apply to entities that are privately, state- or tribal-owned. Existing leases won’t be impacted either.

2. Groundbreaking Israeli cancer treatment has 90% success rate

An experimental treatment developed at Israel's Hadassah-University Medical Center has a 90% success rate at bringing patients with multiple myeloma into remission.

The treatment is based on genetic engineering technology. They have used a genetic engineering technology called CAR-T, or Chimeric Antigen Receptor T-Cell Therapy, which boosts the patient’s own immune system to destroy the cancer. More than 90% of the 74 patients treated at Hadassah went into complete remission, the oncologists said.

3. Federal Judge Makes History in Holding That Border Searches of Cell Phones Require a Warrant

With United States v. Smith, a district court judge in New York made history by being the first court to rule that a warrant is required for a cell phone search at the border, “absent exigent circumstances”. For a century, the Supreme Court has recognized a border search exception to the Fourth Amendment’s warrant requirement.

4. Indigenous-led bison repopulation projects are helping the animal thrive again in Alberta

Indigenous-led efforts are reintroducing bison to their ancestral lands in Alberta, bringing back an iconic species that was nearly extinct. These reintroduction projects, such as the one led by the Tsuut'ina Nation, have witnessed the positive impact on the bison population and the surrounding wildlife.

The historical decline of bison numbers was due to overhunting and government policies that forced Indigenous peoples onto reserves. These initiatives aim to restore ecological integrity while fostering spiritual and cultural connections with the land and animals. Successful results have been observed in projects like Banff National Park, where the bison population has grown from 16 to nearly 100, providing inspiration for future wilding efforts.

5. Breakthrough in disease affecting one in nine women

Sydney researchers have made a world-first leap forward that could change the treatment of endometriosis and improve the health of women living with the painful and debilitating disease. Researchers from Sydney's Royal Hospital for Women have grown tissue from every known type of endometriosis, observing changes and comparing how they respond to treatments.

It means researchers will be able to vary treatments from different types of endometriosis, determining whether a woman will need fertility treatments.

6. Latvia just elected the first openly gay head of state in Europe

The country’s parliament elected Edgars Rinkēvičs to be its next president, Reuters reported prime minister Krišjānis Kariņš saying.

Rinkēvičs publicly came out as gay in November 2014, posting on Twitter: “I proudly announce I am gay… Good luck all of you.” In a second tweet at the time, he spoke about improving the legal status of same-sex relationships, saying Latvia needed to create a legal framework for all kinds of partnerships.

7. France bans short haul flights

The introduction of France’s short-haul flight ban has renewed calls for Europe to cut down on journeys that could be made by train. Last week France officially introduced its ban on short-haul flights.

The final version of the law means that journeys which can be taken in under 2.5 hours by train can’t be taken by plane. There also needs to be enough trains throughout the day that travellers can spend at least eight hours at their destination.

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[musicalcastingideas]

Dropout Does The Guy Who Didn't Like Musicals

So my theory about overlap of Dropout and Team Starkid seems to be accurate, and people seemed to like my Dropout does Nerdy Prudes Must Die post, so I'm back for another. Same method and criteria as my previous post, you can go see that if you want to know what they are. Also, I have previously done a similar list with Internet Personalities that included a handful of Dropout people, but I'm gonna try to make this one different.

Also spoilers for potentially anything in the Hatchetfield verse

Paul: Ross Bryant

Ross is a great straight man (in the comedy sense, I don't know his sexuality) while being very funny in his own right, and I think, while Paul has a lot of his own funny moments, it's very important that his character is also the more normal guy reacting to the madness around him. Also, he would slay the Jekyll and Hyde homage that is Let it Out.

Emma : Siobhan Thompson

I think one of the essential parts of Emma's character is an underlying exhaustion with the world, and that is very Adaine Abernant and Ruby Rocks, so I think Siobhan would embody that very well.

Charlotte: Vic Michaelis

I don't think I've ever heard them do a transatlantic accent before, but I just have this gut feeling they'd be so good at it.

Ted: Ify Nwadiwe

While I do genuinely think Ify would be great in the part, if I'm being fully honest, this casting is because I (despite my better judgment) find Ted Spankoffski hot, so casting arguably the hottest man in Dropout in this part makes me seem less damaged for being attracted to the self-proclaimed sleazeball. Also him and Vic seem like they would be great playing off each other.

Bill: Brian "Murph" Murphy

He just has "refuses to drink during the apocalypse so he can be the DD" energy.

Mr Davidson: Brian David Gilbert

Since I'm splitting up all the parts, this basically turns Mr Davidson into a Princess Track where the actor just shows up, sings about desire and being choked while he jerks off, but laments how he can never achieve his dreams, and then pretty much leaves, and I don't know why, but that seems right up BDG's alley.

Melissa: Lisa Gilroy

Lisa Gilroy seems nice, but also kinda scares me, and those are the correct vibes for Melissa (#heymelissacore)

Sam: Jacob Wysoki

My only concern about this casting is that he'd go SO HARD in You Tied Up My Heart that he would keep breaking the handcuffs and/or chair, but that's fine, it would be worth it.

Nora: Katie Marovitch

The "Decaf?" parts of Cup of Roasted Coffee already sounds a bit like her TBH.

Zoey: Rehka Shankar

I feel like Zoey is such an underrated, funny side character in the show (I know she's a very small part, but like every line she has is a banger) and I feel like Rehka is a very underrated performer, so this is a good match.

Greenpeace Girl: Persephone Valentine

Making up the Save the Sea Turtles campaign is such a Sam Nightengale move, and also she would eat up Lah Dee Dah Dah Day.

Alice: Surena Marie

She's got a bit of a baby face (I thought she was like 25) and I think she would handle the change from Alice to Hivemind Alice really well.

Deb: Emily Axford

I'm definitely not just casting this because I want Emily to be my protective and caring girlfriend...

Professor Hidgens: Josh Ruben

I don't have an explanation for this one, this is vibes alone.

General MacNamara: Brennan Lee Mulligan

"Wear a Watch" and a song highlighting how the hivemind is essentially fascist and using the military to destroy any resistance to their regime is so Brennan core.

Homeless Man: Ally Beardlsey

I just feel like this is the part they'd want.

Dan Reynolds: Lou Wilson

Icons play Icons.

Donna: Aabria Iyengar

Icons play Icons

Hard Cuts:

Jacob Wysoki as Ted

Mike Trapp as Paul

Emily Axford as Emma

Jess Ross as Charlotte

Lily Du as Zoey

Grant O'Brien as Professor Hidgens

Grant O'Brien as Ted

Ally Beardlsey as Ted

[whichcouldmeanothing]

the writing on hacks season 3 (and the whole show) is so good okay and here's why.

the main theme of the show is older and younger generations learning from each other, which is demonstrated mainly through ava and deborah. it started off with ava learning to respect deb's work and her career and understand all the obstacles she faced. this leads to deborah learning from ava: she learns that her story matters, and that by sharing it, she can connect with people and elevate her comedy like never before, which shapes the main plot of the show.

of course, deb also learns from ava about how to treat others. ava is always bringing up social equity, saving the environment and other political issues. a lot of it is trivial and played for comedy -- but now in episode 8, it has become CRUCIAL to deb's career and ultimately has a fantastic payoff.

further credit to the writing, deb's growth is not a straightforward benefit. it realistically portrays the messy and uncertain process of learning and putting your beliefs into action. from what ava has taught her, deb gets frustrated and "blames" ava for making her want more for herself, because learning is an uncomfortable process and hacks has never shied away from that. also, deb abandons the party with her comedy icons because she chose to stand up for ava instead (which hasn't had an immediate material effect on her career, but shows a very realistic conflict between peers, deb making that difficult decision, and ultimately she is the one who achieves higher success and is rewarded for her growth).

of course deb has a lot of people around her who have similar influences on her. dj and marcus and jimmy all have their shining moments where they also push deborah to reflect on herself and help her to grow. another credit to the writing to include so many nuanced relationships that all contribute something special!

but throughout this season they've really demonstrated why ava is so essential to the show. they told us explicitly at the start of season 3 that no one else has a relationship with deb like ava does, and it extends far beyond fashion advice. ava is the central relationship that has the greatest effect on deb's career because they are peers, and they have both put in the work to understand each other and collaborate. and it's ava's gen z qualities, her brash, entitled, unfiltered personality that facilitates the all of the great fights, confrontations, and discussions that have led to deb's growth.

and now, deb has FINALLY gotten her late night show, and it happened because ava convinced her to apologize. it's because of the dynamic that has been building since s1e1--ava calling out deb's bigotry, the feedback loop of them understanding each other's perspectives and growing into better people and better comedians because of it. that dynamic is the direct catalyst of deb's lifelong dream coming true.

we have had similar victories every season, with ava convincing deb to change for herself. ava helped deb write her special, and transformed her career by convincing her to share her story, and listened when deb started opening up in the first place, and was there all along to cheer on the vast untapped potential of a wounded woman using comedy as a mask, to help her evolve, and learn to use to her work to reconcile and heal.

in season 3, things are a little different. deb has to answer to others. she must face up to some real mistakes she's made, and all the little moments of ava correcting deb's language and questioning her actions, that always seemed like a petty annoyance before--now these very issues are the final test that will decide deb's fate.

when the world starts attacking her jokes, of course deb's strongest instinct is to defend herself, as she's had to do now for years and years and years. she's spent all this time building her career all by herself, one joke after the next, and if she spent one second in weakness or second-guessing, she would've been crushed. for deb, defending her career is her deepest, longest-held conviction, and going against that is REAL change. the question is, can deb handle it at this level? can she drop that defense? can she put respect for other people before herself? can she humble herself, admit she was wrong, and apologize?

with ava's help, she can. and for that, she wins.

[prozac-shaped-urn]

Deborah Vance meta analysis (again)

Alright, it's time to read too much into shit but considering that JPL straight up said the whole opening sequence of season 3 with the Ceasar statue was foreshadowing... I feel like I can be forgiven for what's about to come out of my fingertips.

Anyway. I am once again putting my psych degree to use in dissecting fictional characters and story arcs. Enjoy x

So! We have the Margesson family with Fred, Martha, Deborah and Kathy. Fred and Martha were five years apart in age, as are Deborah and Kathy (considering there's a reference to Deb's age in 301 as being 70 – which was Jean's age at the time of filming – I can safely assume JPL are using J and Jean's real ages here). That's just enough of an age difference in siblings for there to be a firm power imbalance and hooboy. Hooooooo boyyyyyyyy that's an entirely different can of worms I analyzed a few years ago and turned into 98k... But before I get too into the weeds here, I should introduce my thesis:

Deborah Vance is a survivor, a provider, a mother, and an icon. She was forced to be the first three thanks to her childhood family dynamic and built an empire as a result.

What we've been given in terms of parental backstory is minimal. Deborah mentions her dad being a drinker (304). Based on DJ's addiction storyline, I can reasonably assume JPL are educated on addiction patterns and family trauma cycles. Kathy says their mom wouldn't have wanted there to be animosity between her and Deborah (307), and based on Deborah's isolation and decision to go no-contact with Kathy, I think JPL are leaning towards Deborah needing to distance herself in order to make sure she doesn't explode and cause bodily harm... more than she ends up inflicting.

There are elements of classical narcissism in Deborah's behavior – mainly the need to have zero contact with the narcissist in order to heal. While I don't think Kathy is a narcissist, I firmly believe Frank was. He was jealous, histrionic, selfish, and cunningly manipulative. These are all traits of Narcissistic Personality Disorder, and yeah, Deborah possesses these qualities too. The difference between her and Frank, though, is that Deborah is using these tools to ensure she succeeds. She doesn't use them to take someone else down. She lets Ava go so she won't get in the way of Ava's success. She doesn't want to take up all the space in the room. She wants Ava to learn from her and apply the lessons so she can also succeed. It would be very easy for someone to take a single look at Deborah and assume she's hollow – and I think the pilot did a very good job of showing just that! The only glimpse we get behind the curtain is when Deborah sees that Frank died. She doesn't react except to say, “I can't believe they used that photo,” which is classic avoidance and emotional detachment. It's a coping mechanism she developed in her childhood.

I have to interject here and mention Deborah's desire to keep DJ close when she was a child. When a narcissist has their hooks into someone, they don't let go. They will use every tactic known to mankind to ensure the safety blanket they have chosen doesn't leave. So when Frank blew everything up, Deborah left, and Frank went after Kathy because she was 19 and easily manipulated. I think Deborah witnessed what Frank was doing to her and Kathy and decided to protect DJ by pulling her onto the road in a tour bus so Frank couldn't get to her. Obviously this backfired and resulted in DJ having a healthy(ish) relationship with Kathy because Frank was a master manipulator. Deborah saw that toxic father/daughter bond and went, Nope, not trying to fix this one – I'll only make it worse. Not to mention Frank's smear campaign! I mean Jesus Christ, the guy just couldn't wait to sign divorce papers. He had to destroy everything so Deborah wouldn't get somewhere without his help. So she wouldn't succeed on her own. So he would get all the credit, much like Ira did (“He gets to take credit for me? Put my photo up on his fucking wall?” 108).

In terms of why Deborah is the way she is, that's layered and difficult to summarize. A lot of her behavior stems from childhood trauma and her early adulthood. I think if Deborah had never met Frank, things would have been very, very different between her and Kathy. I think they would have continued to support each other and openly communicate, and despite there being a power imbalance between them, as Kathy matured and Deborah witnessed her growth, I think that Deborah would have been proud of the woman Kathy turned out to be. I think she's still proud of the woman Kathy turned out to be, even if she “hates” her or whatever. The dynamic of older sister/younger sister is very fraught with a mix of caretaking and jealousy. It's a super complex relationship, which is only usurped by the mother/daughter dynamic. Judging by how deeply bonded Deborah and Kathy were before 1976, it's very clear why Deborah feels so extremely betrayed by Kathy for what Frank did to them both. And it's also very clear why Kathy's appearance triggers Deborah so harshly she vomits.

Kathy embodies all the trauma from Frank, and keeping her distanced for so long let Deborah fall into a false sense of security and assumption that she had healed from all the shit that happened (which is debunked in 206 – “I got over my husband, but I never got over [losing a late night show].”) She never did. And knowing how Deborah reacts to the possibility of failing, which is to say that she doesn't react well – insomnia, anxiety, obsessive behaviors, defensiveness, blackmail – for her to not only not be healed after 50 years but to also be so overcome by emotion that she has a physical reaction? That's unconscionable. Unacceptable. A weakness. A secret shame. She's failed and it's the end of the world. And in most cases in her childhood and marriage to Frank, it kinda was...

*big deep exhale*

Here's where the rubber meets the road when it comes to Deborah Vance's relationships. Any kind, any shape, any depth, anything. She's afraid to let someone down. She's afraid that she won't be good enough. She's afraid that she won't be strong enough. She's afraid that she won't have all the answers. She's afraid to not be able to provide the way she wants to and has been able to in the past. And it's all due to a number of factors:

Her mother died first

Her mother died when Deborah was 15 and Kathy was 10

Her father died when Deborah was 17 and Kathy was 12

Her father was an alcoholic

Her household wasn't big on rules

As I mentioned, the mother/daughter relationship is the most complicated relationship dynamic. Regardless of what gendered roles are, biologically speaking, the mother/child bond is unique in that the mother's womb is where the child literally grows. Mother and child are connected by blood and tissue for almost a whole year. There are certain things that are established at the time of conception which can never be established by the father and child. It's just that simple. Mother/child bonds are more intense as a result. Being the eldest daughter meant Deborah and Martha had that bond and it was uninterrupted for five years. As childhood psychology analysis can and will predict, having an only child status for any length of time will make the bond between mother and child more intense than that of succeeding siblings. Having multiple siblings doesn't detract from the mother/child bond, but the eldest will always have a little extra special bond with the mother. So Deborah losing that bond first was the biggest blow to her developing psyche. That was a loss she felt more acutely than Kathy.

Deborah became a mother at 15. When a parent dies, it's the eldest siblings – but specifically the eldest sisters – who immediately start parenting whoever is left, including anyone in the family unit – parents, grandparents, siblings, aunts, uncles, whoever. From what we know of Boomer culture and Greatest Generation morals, there's a very good chance Fred just delegated his parental duties to Deborah and checked the fuck out entirely after Martha died. From what I see Deborah doing when it comes to parenting, I wouldn't be surprised if this is a family pattern and learned behavior based in the fear of not measuring up.

Losing both parents before the age of 18 steals away any remaining childhood. Orphaned children are immediately thrust into survival mode and will stoop to what seem like unwarranted extremes like manipulation, blackmail, histrionic behavior, and bullying simply because they have to survive. There is no real way for orphaned children to support and protect themselves unless there's also a built-in safety net of siblings. Eldest siblings obviously support and protect more than the younger siblings, but the reward of there being kind of a quid-pro-quo or IOU or something along those lines is usually enough motivation to take on the responsibility of caretaking. As supported by the text, Deborah did her job as big sister. She protected Kathy from bullies (206) and she kept Kathy close until Frank got in the way (104). She continued these patterns in other areas of her life: “I would love nothing more than to bury you in more debt than medical school ever could” (106), “I helped a lot of people. I wasn't perfect but I did what I could” (108), “You have no fucking idea how much I do for you” (104). The behavior orphaned children usually develop as a result of being thrust into survival mode looks exactly like narcissistic traits. But as is seen throughout the series, Deborah doesn't use these tactics to tear someone else down. She uses them to survive.

Having an alcoholic parent (and therefore an unreliable parent) leaves the job of parenting to the eldest children, and in Deborah's case, this most likely had the biggest effect on her choice not to parent DJ. (Yes, there could be family pattern/learned behaviors at play here, too, and it might be a mix of both.) Not only does Deborah hesitate to develop a relationship with DJ, she flat out runs away from the responsibilities on more than one occasion. She avoids supporting DJ at the trade show, she offers small comforts of hand-me-down clothes rather than healthy communication, she chides DJ for going to therapy, and she jokes about DJ's sobriety. DJ confronts her numerous times and asks for a relationship but it's all in vain. There will never be a healthy, communicative, supportive, guilt-free relationship there unless Deborah has extensive therapy. Addressing the alcoholism and addiction that runs in her family might be too painful, so she may never do it. I would like to think JPL will at least have Deborah try, because they're crafting a redemption arc with her. This is one area I would like to see developed and explored more.

Having no structure during childhood and adolescent years is very detrimental to the developing psyches of children. There is definitely a thing as too much regimen, but having no structure at all is like giving a child the keys to a car and saying, “Good fucking luck!” It's beyond the realm of unhealthy; it's destructive. The child will learn to adapt, though. Some resulting adaptive behaviors are adrenaline seeking, dangerous hobbies like extreme sports, attachment issues, Borderline Personality Disorder, and attention seeking behaviors. It seems counter-intuitive to develop traits that fit into a structure-free home, but the child is using these adaptations as a way to normalize a very destructive environment. They aren't running hog wild because they want to. They're running hog wild because there is no other way for them to get the attention and care they need. These learned behaviors continue into adulthood in the form of attachment issues, cluster B personality disorders (Narcissistic Personality Disorder, Borderline Personality Disorder, Histrionic Personality Disorder, and Anti-social Personality Disorder), commitment issues, detachment, emotional abuse and neglect.

Based on these five factors, if Deborah didn't take care of herself and Kathy when Martha died, if she didn't take care of her dad when he was drunk, if she didn't coddle to the needs of Frank's narcissism, if she didn't get a perfect score on being the strongest person in the room, then she was a failure and there were extensive repercussions resulting in her, DJ's and Kathy's safety and survival being threatened. The result of this constant need to always be right so she will survive extends into her adulthood, resulting in perfectionism, obsession, tunnel vision, stringent morals, and a lack of flexibility.

Again, I have to stress, the traits of classical narcissism that Deborah exhibits are a result of her need to survive as: the only child of an alcoholic, then the eldest daughter, then the mother figure to Kathy, then the caretaker of her father, then the sole supporter of Kathy, then the wife of a narcissist, then the rejected wife, then the emotionally wounded woman she is known as today. She's exhausted, and it's no wonder why. She's been the strongest person in the room since she was 15. She's had to be. There was no choice. She either stepped up and took initiative or she died. There was no in-between.

For Deborah, the holy grail of success is getting a late night show. It not only symbolizes an happy, intact family unit (because her dad only laughed during Johnny Carson – 304), but it also realistically equips Deborah to be able to provide for herself and her family. It gives her a tangible reward for surviving all the shit that's been thrown her way. It's a tenured career, it's status, it's reliable, it's sustainable (inasmuch as anything in the entertainment industry is). It's all the things her childhood never was. She's worked her whole life to keep her head above water, and even when she could take a day off she doesn't because she's afraid someone else will come along and take her spot – “You have to scratch and claw and it never fucking ends, and it doesn't get better; it just gets harder.” (102)

So... This is why Deborah is the way she is, and this is why I love her. I see myself in her and knowing that she and I share so many things in common is part of the reason why this show means so much to me. Yeah, it's just a fucking TV show. It's fake and all that junk, but to me it's representation. And that means the world.

I can't thank JPL enough for giving me the gift of Deborah Margesson Vance. I also wanna know when they snuck into my childhood bedroom because holy shit...

[loving-family-poll]

Ultimate Incest Tournament - Round 1

Homestuck art by Timeless-Knight on deviantart

Propaganda under the cut:

Debra/Dexter:

I'm sorry but you just HAVE to vote dexter/debra for the absolute insanity of it all. Debra not only unsuccessfully dates her brothers brother (serial killer btw), she also dates stand-in for her dead cop dad (gets murdered btw) before she, AFTER TWO THERAPY SESSIONS, comes to the conclusion that she was in love with her actual brother all along (also a serial killer btw). Similarly, dexter unsuccessfully dates a stand-in for his dead cop sister while simultaneously hallucinating her ghost. And the normal sibling award goes to.....

She made him stop killing, is there anything more romantic?

Debra killed to save Dexter even after she knew he was a serial killer!!

She's canonically in love with him and after she dies, her ghost haunts, torments and comforts him all at once

Even before the later more explicitly incesty seasons they're always really leaning into being siblings, calling each other brother and sister, but also SO touchy and coupley with each other

Dexter repeatedly hallucinates himself strapped naked to a table with Deb killing him by stabbing him (penetrating him hehe), which is how dexter kills his victims

They are in a love triangle made entirely of siblings can you say iconic...Deb gets engaged to Dexter's half-brother, Brian, but Brian is really just obsessed with Dexter and using Deb to get to him, and Dexter wants to go with Brian but knows he'll kill Deb and chooses Deb over Brian, killing Brian to save Deb

"She's the only person in the world who loves me. I think that's nice."

"You're all I've got." "Not such a great bargain for you."

"It's like I've always been looking for someone like Dexter, or someone who's the opposite of Dexter, as a way to avoid the fact that I'm in love with him."

"We'll always be together, right?" "Well it's not like we ever had a choice."

"Are you even capable of love?" "I love you."

Stridercest:

It's brothercest. It's dadson. It's both, as a result of ectobiological shenanigans! It's finding a kid in a meteor crater and molding him in your own image, and watching him take to that like a fish to water (and only realize much, much later how irrevocably that fucked him up). It's having REALLY complicated feelings about your adolescence spent dodging swords on rooftops

Its about the idolization! The pedestal that Dirk puts Dave upon!!

This ship used to have tumblr in a vise grip I remember I was there. Stridercest lives. Stridercest is so foundational to the height of Homestuck fandom. If you didn't have Dave/Bro cosplayers making out at conventions, were you even at a convention?

[simspaghetti]

Simblr Gratitude Day!

Hello! Sorry this is a day late because I was really busy with deadlines over the last few days - I didn't even know this event was going on until I was tagged! 😭😭

I still want to express my love for some wonderful simblrs, and hopefully give you some new recommendations on some great blogs you should be following!! 🥰🥰 rather than clogging up everyone's inboxes a day late, I thought I'd just tag you all here (in no particular order!) <3

@kevinvoncrastenburg - you're such a lovely positive light in this community, I also love your scenery posts, the architecture of your builds looks so realistic and is really inspiring to me!

@erasabledinosaur - you always have such beautiful screenshots, I'm so inspired by your gameplay! Thank you for the work you do on creating reshade presets as well they're always so gorgeous!

@llamaheart - I love how alive your sims feel, they all have really in-depth personalities, I recently read through the Halen lepacy from start to finish and it made me want to start my own!! I'm so inspired by the way that you play :)

@sushiikinsss - you're always so supportive of my blog, if you ever post simblr content i know i would love it, you're so creative!! love you lots 💞💞

@appellosimae - i love the style of your gameplay! it feels so cosy and cute, and i've been reading your lepacy recently and loving it! I really like the fact that you include the premades in your gameplay, it leads to so much drama which is so entertaining!

@hiddengnomes - I'm so so inspired by your gameplay and screenshots, your interior design skills specifically are so on point I'm always striving to make my interiors as good as yours! The way you take screenshots could be an ad for sims 3 honestly, reading through the Maldanos makes me want to play my own game!

@twinsimming - thank you for your hard work making mods they're always such great additions to my game!! I specifically really really loved the acne mod, it's a feature that I'd always wanted in sims 3, I used to roll the chance it would occur and manually place it on my sims before your mod came along, so it really revolutionised the way that I play in such a good way! haha

@thesweetsimmer111 - you have created some of my favourite mods for sims 3, I'm so grateful for the work that you do and I use all of them in my game!! I specifically love how fluid the animations are and how they all feel like a really natural addition to the base game <3

@horusmenhosetix - there's not many cc creators like you making maxis-match content for sims 3 anymore, and I use so much of your cc in my game because I LOVE the way it looks! I really appreciate the work that you do for the community!! thank you for your hard work and your beautiful creations <3

@nectar-cellar - thank you for your beautiful cc and tutorials, i've learned so much from your tutorials on how to take good looking screenshots and set up amazing looking lighting, I also love the way that you create sims! They always look like real people because of how unique and detailed their faces are, I'm so inspired by your style!

@faeriefrolic - your sims are SO cute omg, i'm loving reading the jam legacy and the way that you create so much drama with your sims, it's something I'm trying to incorporate more of in my gameplay because I feel like I stray away from having any conflict, but I love how there's deaths, romance and so many emotions flying around in your gameplay! It makes it feel so much more real, dynamic and entertaining to read! <3

@obscurus-noctem - every time a post of yours pops up it looks like a totally different game than sims 3, I'm so in awe of the way that you're able to create sims to be so detailed and compose screenshots to be so beautiful - i LOVE deb belinski as well she's such an icon

@sim-songs - thank you for your gorgeous maxis-match cc, i also love your gameplay style, the composition of colours on your screenshots makes them feel like a cosy warm hug and i love that your sims have such unique faces, it makes them feel like real people!

@magiclabs - i love the way that you take screenshots, they're always so colourful and cosy - I love the Fitch legacy, your gameplay is so maxis match and cute it always makes me wanna go on a cc shopping spree and then go play my own game! The way that you decorate lots is also so detailed and inspiring <3

@papermint-airplane - your scenery screenshots are just so incredibly beautiful, i also love the dialogue on your gameplay posts it feels so realistic and is always so funny! you're such a warm light in the community <3

@mosneakers - the Darling legacy will always be such a big inspiration behind my gameplay - the way that your sims look so eccentric and your screenshots feeling so magical has always been something that i strive for in my own gameplay - your incredible storytelling abilities are also unmatched, whenever i read through your stories they always manage to pull at every different emotion in me! <3

@frostedshore - i LOVE your sims style and your gameplay screenshots are always so well composed, i also really like how when you makeover sims you keep their original personalities shining through, your version of Bella Goth specifically is probably my favourite makeover I've ever seen of her - I love how you captured her essence as a femme fatale which is what I've always imagined her as!

@thepettymachine - your gameplay inspires me so much, the trout legacy and the day legacy are some of my favourite gameplays on simblr to sit and read through! Your sims are also always GORGEOUS and I love love love your sims style!

I'm really sorry if I left anyone out, I'm bad at remembering names! But I just wanted to say a really big thank you and send lots of love to anyone who has interacted with my blog at all this year, even though the sims 3 community is small, it has the support and love of so many people it feels so full of joy, I'm sending hugs to all the people who are a part of this wonderful community and am grateful for anyone who enjoys my gameplay / blog in whatever form that takes 💞💞💞

[debbeh]

can u give me a guide to the six idiots :33 like maybe with a picture of them n their names n who they play in the Big Three shows :33 pwetty peesse :33

UM YES!?

ok, you saw me earlier trying to format all the images so it's gonna be mostly my (ehhhh) descriptions of the characters and you gotta guess what they look like 😈

Ben Willbond

Yonderland:

Elder Vex (above): the one who says Deb-beh and has the coziest looking outfit I NEED IT RN PLZ and the Tom Cardy- esque hair and earring

Nick: the stick. Grumpy all the time cuz he's a stick >:(. Is also a portal between dimensions but whatevs

Horrible Histories

Mike Peabody :historical news reporter that wishes he were anywhere but here rn

King Henry, Alexander the Great: SkINy MaNdRiA, excellent hair, sniffed a guy

Ghosts

The captain: AKA James, makes a lotta noises, if you ever hear me going weeeahhhhhuuuueeeaaaaaahhhh, I'm referencing him, the gay one<3

Martha Howe-Douglas!

Yonderland!!

Debbie.

Debbie's evil twin sister (bossy boobs)

I just googled it: Rita, the Negatus simp AKA us, the demon that looks like how female animals are protrayed in Barbie movies

Horrible Histories!!!

Boudica (look up the song, it's rlly good), Cleopatra, every female historical figure

Pirate lady....<33333

Ghosts!

Lady Button (present day): Old disgruntled lady that pouts all the time and falls out of windows

Lady Button (flashback)

Mathew Baynton!!!

Yonderland!!!

Oracle: weird blue blob guy, Nigel, Darling

Nanny la roo: NUM NUMS!!!! - nanny that is also a kangaroo

Admiral Anous: Voldemort mf I hate him bc he hates Negatus>:(

Elder Choop: Croissant hair mf, says, "IDK WHY DON'T WE ASK UR MUM??"

Le Fox: French

THE BIRRDDDDD: AKA Thomas Payne, Batman but cooler

Oh yeah, and Elf: the elf shaped one, full name: Grintallin Gobscrew Crotell Fashanu F’naw Goplatz Holla-Holla, has multiple wives apparently and is in debt to the mob

Horible Histories (look all of them up, they are all hot)

Dick Turpin: play the song >:333, shot not one but two men dead!

D.I. Bones: the whakkus bonkkused

King Charles II: absolute party-er

Ghosts

Thomas Thorne, shot, dead! Absolute poetic simp for Allison, drowned himself in the lake ;( -cannot drown-

Jim Howik!!!

Yonderland

Elder Pressley: looks like Elvis, eats christmas tree ornaments

Crone: A sLaPper *wink wink*, has apparently gotten with everyone, goes eeeerrrrrrrrrrr all the time- sounds like a doorhinge, she is amazing

Neil: lhe most normal of the demons probably

Horrible Histories

A SHOUTY MAN!!! :does all the infomercials, will try to sell you piss

King George VI (above) : "oh yesss, dad's dead, I'm king..."

King Richard III: a sweet little guy<3 -according to the song, get's attacked by whasp

Ghosts

Pat Butcher: Greatest DJ in the AAARRREEEEEUHHHHH, killed by a child, AKA Pete in the American version

Larry Rickard

Yonderland

Detective Mounteback: very dumb detective with very large hat

Elder Ho Tan: trans Icon, doesn't like loud noises, absolute baby<3

Sue: above, the lady with the gun from the episode I showed you

Horrible Histories

Bob Hale: weather report, needs a hellicopter and a nice cup of tea, basically Bill Wurtz

Lol knight with shit on head, Aztec guy, George III friend who slays so hard; "ConGRatu-VerY-LaTiOns your... *MAgEsTy*"

Ghosts

Humphrey: keeps getting left on roofs and shelves, does NOT know French smh

Robin: 5,000 yo ghosts, once saw a cool butterfly, KNOWS FRENCH! Got stuck by lightning and now he can turn on lights

and finally... the moment you've been waiting for...

Simon Farnaby!!!

Yonderland!!!

Negatus<333: Silly guy try to take over Yonderland but is just a lil guy, has an evil lair, uses The Font of Orris (cauldron thing that lets you see everything) as a hot tub, get's bullied by all the other overlords, wears pjs with houses on them.

Elder Flowers!!!: Long hair and lack of shirt, vegetarian hippie of the group, wants his clothes to be veGONE, "all you need is love, brothers... oh, and food"

Horrible Histories

Emperor Caligula: the wakkus bonkkus guy

Marcus Licinius Crassus: Knockoff Bassline Junkie song

Ghosts:

Jullian!!!: Died conducting an affair with his secretary!!!, is eternally sorta drunk, does the hand thing, only ghost that can interact with stuff, makes silly EEERREREEEEE noise when he's trying to move something, his name is Trevor in the American version, sad when there's no porn on da TV ;(, has no pants BTW

Thanks for coming to my TEDTALK!!!

Lemme know if I missed anything!

[genderless-crimes]

chara bingo!!! tgwdlm alice, hidgens, bill, mcnamara? any or all of these

AAAAAAAA TYSM!!

okey I'm gonna answer all of these but it's gonna be obvious I have a Favorite

Alice Woodward:

GIRL "NOT YOUR SEED" IS STILL PLAYING ON LOOP IN MY HEAD SINCE I FIRST HEARD IT 5 YEARS AGO I CANNOT GET OVER HER

Alice is such a well-written character. Every time she shows up I giggle and kick my feet. The ways that she tries to distance herself from her father are heartbreaking and yet vaguely relatable. And the fact that, despite that, she still loves him, still yearns for that connection despite neither of them having the ability to communicate properly-- UGH IT'S SO GOOD

Also I'm not 100% certain Deb's right for her, just based on Watcher World, but it makes sense why she would be trying so hard to keep the relationship alive (the fact that she's trying to escape her dad yet is falling into the same patterns--) WHICH BRINGS ME TO

Bill Woodward:

AHAHDHAJSHEHAGGSHSHAHSHSHQHSJDHAHAVWB

Call me Bliklotep the way I wanna watch this man. I love him sm I want to send him to the shadow realm to see what he does I want to give him a fresh baked pie I want to stare at him

He so clearly loves Alice and is so utterly devoted to her, to being a good father, to succeeding at one thing in his life, in making one person happy. He sacrifices everything he has for her and it's not enough because you can't just sacrifice for someone all the time and expect things to be okay. He's so dedicated to making her happy that he ignores the things he dislikes or her obvious discomfort/annoyance. He's kind-hearted but also selfish. His best friend is the "rudest" guy in the office bc Bill can't help but see the good in people and work towards the best. THE MAN STAYED SOBER DURING AN APOCALYPSE BC HE THOUGHT THEY'D NEED A DESIGNATED DRIVER

I love Bill Woodward so much and it's unfair the way that he gets glossed over by the fanbase. Look, okay, I'm saying this as a certified Paul Enjoyer: this fanbase does not need more Paul content when Bill is right there not being used to his full potential

Professor Henry Hidgens:

The man the myth the legend himself!!! I love Hidgens, but I don't think I'm as crazy about him as other people in the fanbase. Obviously, he's iconic, and I love the bits of lore we know about him. Man is unhinged, desperately clinging to writing a musical about his ex boyfriends as a way of coping with their tragic deaths, and spends his entire life (when he isn't preparing for the apocalypse) working on it and looking for funding only to immediately snap the moment it actually gets produced bc it doesn't live up to his expectations...

Actually, maybe I am feral about him.

He's a bastard with a tragic backstory but is still a bastard. Love that kooky man

General John Macnamara:

My feels about Macnamara are kinda complicated. I really like his vibe, and every time he shows up I get excited bc he's fucking badass and also a bit deranged but in a cool and based way. On the other hand, military and cop characters always feel a bit ick to me just bc of real life stuff. He's the American of all time, tho, and I love his dynamic with Lex and Hannah. 8/10 wish I could like him more

[blackacre13]

Could you do a prompt/au where Lou is an actress who is an openly lesbian icon flirts with the journalist/interviewer Debbie😁

Hi anon! Loving this prompt, but afraid it would be uber similar to a few of the others I have brewing, so want to point you in that direction!

Lou and Debbie are both actresses (Lou is out and proud; Deb is a confused baby bi/pan who's been treated like shit a la one Claude Becker) [multi-part]

Notting Hill AU (Lou is a famous musician; Deb runs a bookshop. While Deb is not a journalist, she is mistaken for one in an attempt to meet up with Lou at her hotel and must pose as one giving the world's most awkward, but cute and rambly interview) [multi-part]

The 7 Husbands of Evelyn Hugo AU (Lou is our Celia St. James and Deb is our Evelyn Hugo) [eventual multi-part]

[hotvintagepoll]

This is a three-way poll. Only one of these women will continue to the next round of the bracket.

Propaganda

Deborah Kerr (Bonjour Tristesse, An Affair to Remember, The King and I)— For several decades she held the record for most Oscar nominations without a win (6 in total), and she was a prolific leading lady throughout the 40s and 50s. She's best known today for the romance An Affair to Remember with Cary Grant, and as the governess in The King and I. Many people have this erroneous perception of her as extremely prim, proper, and virginal, but this could not be further from the truth. When she first came to Hollywood under MGM she was typecast into boring decorative roles, but broke sexual boundaries for herself and Hollywood generally in From Here to Eternity, when she made out (horizontally!) with Burt Lancaster (on top of him!) in the famous Beach Scene. She went on to play many sexually conflicted women, a character type that would define most of her post- Eternity work. She continued to break Hays Code boundaries with Tea and Sympathy, which addresses homosexuality/homophobia head-on, and even did a topless scene in The Gypsy Moths 1969!! One of the only classic stars to do so. She deserves a more nuanced and frankly a hotter legacy than she currently has!!!

Keiko Awaji (Stray Dog, A Japanese Tragedy, When a Woman Ascends the Stairs)— Her role as Harumi— a dancer who lives with her mom and will go to incredible lengths for one nice dress— is so fucking killer. she more than holds her own against Toshiro Mifune, the incredible sense of dread and foreboding in their scenes has really stuck with me

Hazel Scott (Broadway Rhythm, Rhapsody in Blue)—ok ok let me tell you about Hazel Scott. She was a Trinidadian piano genius. By the age of 3 she could play the piano by ear. She would play jazzed-up versions of classics in nightclubs and could sing too! She appeared in five movies, and used her influence as a piano prodigy to improve Black representation in film—she turned down offensive parts, demanded equal pay, and always wore her own costumes to ensure she was portrayed as glamorous and beautiful. She was the first African-American woman to host her own television show, The Hazel Scott Show. She stood up for civil rights and was an overall icon! If you want to watch her being a genius, here she is playing two pianos at once. And here's this one that shows off her consummate glamor! [videos beneath the cut]

This is round 4 of the tournament. All other polls in this bracket can be found here. Please reblog with further support of your beloved hot sexy vintage woman.

[additional propaganda submitted under the cut.]

Deborah Kerr:

I think she was one of my first crushes before I realised I was bi in The King and I when I watched it as a kid honestly. The kissing scene in From Here to Eternity is iconic for a reason. Actually tried to learn the accents for the characters she was playing if they weren't English which is more than pretty much anyone else was doing then. Played very restrained characters who frequently seemed to be desperate not to be so restrained. Did horror movies without venturing into hagsploitation tropes. Gave Marni Nixon the credit she deserved for her share of the singing in The King and I.

Anne Larsen is a peak late 1950s bisexual with big MILF energy. Have you seen the behind the scenes pics of her wearing a suit?? Have you????? Vote Deb as Anne Larsen.

Nominated for an Oscar six (6) times and never won, but besides her having actual talent (hot), and besides her looking Like That (very hot, also beautiful), she was always playing women who are, like, crazy repressed. Which makes it fun and easy for me to read these characters as queer. Icon!!!! You know what's hot? Playing ambiguously gay in vintage Hollywood.

Her face and talent and body, yes, ofc, duh. But also!!! Her HANDS!!!! I may be but a simple lesbian, but she is the best hactor (hand actor) that ever lived and that's HOT! For propriety's sake I feel I must redact a large portion of my commentary on this subject. Anyway. She's hot in her most famous roles (mentioned above), and also some of her sexiest hacting is on display in An Affair to Remember (her hand on the bannister when Cary Grant kisses her off-screen??? HELLO???), Tea and Sympathy (when she's trying to persuade Tom not to go out and she keeps flexing her hands like she wants to reach out to him but can't??? ALLY BEHAVIOR! WE STAN!), and The Innocents (which opens and closes with extended shots of her hands bc director Jack Clayton was also an ally and he did that for ME). Much of her appeal also lies in the fact that she often played deeply repressed characters and you know what's hot? When those uptight characters finally unravel. It's sexy. It's cathartic. It's erotic. Plus, she's beautiful to look at in both black & white and technicolor, and the more of her films you see, the more you can't help but fall in love!

Literally is in thee most famously sexy scene of all time (or maybe just during the hays code era which is what we're talking about HELLO), which is the beach scene with Burt Lancaster in from here to eternity. To quote a tumblr post of a screen capture of a tweet of a video of joy behar on the view: "y'know, there used to be movies where they were kissing on the beach... From Here to Eternity. They're kissing-- Burt Lancaster and Deborah Kerr are Kissing on the Beach and then the WAVES crash!! You know exactly what they did!"

She might have a reputation of being chaste and virginal or whatever, but we all know it's the quiet ones who are certifiable FREAKS

Keiko Awaji:

Hazel Scott:

[pynkhues]

I recently watched The Newsreader because I saw some mutuals on another site posting about it and really enjoyed it! Was wondering (a) if you've seen it/the most recent series and (b) whether you had any other Australian tv recs? I just realized I've seen very very few Australian shows and am looking to check out some more.

Yes! The Newsreader's so good! I actually haven't gotten around to watching a2 yet, so I am a bit behind, but I loved s1 a lot. Sam Reid and Anna Torv are always great, but I have a big soft spot for William McInnes - he's lowkey an Australian TV icon.

And yeah! Look, Australian TV's a mixed bag - it's criminally underfunded and operates in a really different way to American and UK TV (funnily enough, a lot of what the WGA strike was fighting against - in particular mini rooms, writers not being on set and the lack of a showrunner - are industry standard here), so I do think a lot of Australian shows tend to be undercooked.

But! Let's focus on the good, because there is still a lot of good. I wasn't sure what you fancied, especially since The Newsreader touches on so many genres, so I've tried to breakdown genres and rec that way. Hopefully there's something here that piques your interest :-)

Drama

I've spruiked Safe Home on here a few times before, but it really is just such a great little series. It's about a women's community legal centre who poaches a publicist from a major lawfirm when they discover they're at risk of being defunded by the government. They mean to use her to try and raise the profile of the non-profit legal centre, but end up throwing her in the deep end when it comes to stories of family violence which make up the majority of the centre's clients. It's harrowing in parts, but also emotionally rich, full of interesting relationships and feels pretty tragically true to life. It's only a miniseries, which is a bit of a bummer, because I really feel it could've kept going.

Other dramas:

Total Control - an Aboriginal woman is recruited as a senator by the prime minister after she has a heroic moment facing off against a gunman outside a courthouse. The premise sounds a little soapy, but Total Control is a really compelling political drama that explores the complexity of being a First Nations woman and a First Nations politician in a colonial state. Deb Mailman is it as an actress too, quite frankly.

Love Me - a relationship drama, Love Me focuses on three different generations within one extended family as they pursue romance. The show steers clear of schmaltz though as its particularly about the desire for intimacy and the complexity of being vulnerable with a new person, and I think it lands to mixed effect throughout the series, but man, when it lands, it really lands. Fair warning, there's pretty explicit sex in this (although very tenderly done! And I went to an amazing panel with the intimacy coordinator on it who was so interesting talking about it all). Also: Hugo Weaving in his best role in a minute.

The Lost Flowers of Alice Hart - full disclaimer, I haven't finished watching this one yet, but I've enjoyed what I've seen so far! Plus they somehow managed to get Sigourney Weaver in it?? Wild. It's about a girl who's reunited with her estranged grandmother on a flower farm after her parents die in a mysterious housefire. CW though for incest and family violence (although that's before Alice ends up with her grandmother).

Dramedy

Offspring is proooobably my favourite Australian show ever? Or at least it will forever rank top five. It's part romantic-comedy, part family-drama, part medical procedural, and part ever growing portrait of birth and death as it follows Nina, who's both obstetrician and chronic sufferer of Middle Child Syndrome, her older sister and little brother, and their divorced-sometimes-still-hooking-up parents. It's funny and charming, but has also made me sob like no other show on TV, so if you're ever in the mood for something like that, this is your pick.

Other dramedies:

Deadloch - I've posted a million gifsets of this show, haha, which actually seems to have picked up tumblr traction (unheard of for an Australian show!) but it's both a hilarious spoof of nordic crime mysteries, and a genuinely great crime series. Plus it is the most sapphic show you'll watch in a minute.

The Let Down - a really sweet, funny dramedy about new parents navigating life with a baby, while also looking pretty keenly at postpartum depression. Just watching the trailer made me want to watch it again, haha, but also my sister worked on it, so I might be a little biased.

Bump - okay, I'm just realising how many dramedies Australia makes about having kids, haha, but this is just a cute little YA show about a teenage girl who doesn't realise she's pregnant suddenly having a baby. It's a lot about parenthood, particularly about her own relationship with her mother, but it also leans into so many

Comedy

I've actually only just watched Fisk with a friend, but am enjoying it so so much. It's got Kitty Flanagan, a beloved Australian comedian in it, and features her as a newly divorced, freshly fired contract lawyer who ends up back in Melbourne at a wills and estates law firm having to deal with people (and grieving people!) for the first time in a hot minute. It's very funny, but also just totally charming, and the cast of characters feels pretty fresh for this sort of fish-out-of-water sitcom.

Other comedies:

Utopia - imagine The Office, The Thick of It and Veep had a baby! Part office-drama, part bureaucracy political hellscape! It's set in a fictional government department called the National Building Authority that manages infrastructure and it's very funny. If you're in the Succession fandom too, Sarah Snook's husband's a lead in it!

Upper Middle Bogan - okay, the trailer for this one isn't very good, but I love this show a lot. The premise is a woman in an upper middle class family discovers suddenly that she was adopted, and her biological parents were teenagers when they had her and are - - well, bogans, which is basically the Australian equivalent of a hillbilly. It's funny, but also genuinely just has a really big heart.

Black Comedy - I do find this pretty hit or miss, but its a sketch show, so I feel like that comes with the territory. But! This is an Indigenous sketch comedy show! And man, when it's good, it's really, really good.

Period drama

Okay, this is kind of a cheat, because it's not really a period drama, but it's designed to feel like one. Plus! It has Sam Reid and Essie Davis in it! Three nuns who've been living isolated on an island together are faced with the modern world when a priest from the mainland arrives hoping to sell the island for redevelopment. Things get! Out of hand!

Other period dramas:

ANZAC Girls - World War I drama about ANZAC (Australia New Zealand Army Corps) nurses in the Gallipoli peninsula, which is largely regarded as the battle that made Australia 'come of age' through the tragedy of the loss.

New Gold Mountain - miniseries set within the Chinese community during Australia's Gold Rush. It loses its way a bit towards the end, but it's also a really thrilling little miniseries that provides a compelling insight into the culture clashes and interests of this early chapter in Australian history.

Crime

Miss Fisher's Murder Mysteries is such a cult hit, and it's for good reason! Set in the 1920s in Melbourne, Phryne Fisher becomes a private investigator following her sister's disappeaarance. It's equal parts camp and dramatic, romantic and personal, and it just really scratches the itch of an oldschool murder mystery series. It's perfect.

Other crime series:

The Principal - a miniseries set in a rough highschool in Sydney where the faculty is left to deal with the fallout when a student's murder reignites racial tensions among the school community. It's heavy and harrowing, but also an insightful look at the broader fallout of a crime.

Wentworth - imagine a darker, grittier Orange is the New Black. Australian shows so rarely get more than three seasons because they no longer get government funding at that point which often makes them untenable, so its a testament to the quality and the audience of Wentworth that it lasted eight. If you want a show about dangerous women, you can't really get much better than this.

Science fiction / fantasy

Australia unfortunately doesn't make a lot of science fiction, which always bums me out, but Cleverman was such an exciting series when it came out, and I think still has a real legacy in terms of entwining Indigenous cultures with genre storytelling. It's was created by Aboriginal writers and directors, and pulls Dreaming myths into a dystopian future in a way that's just so compelling. It's a pretty great series with a unique take on the genre.

Other science fiction / fantasy series:

Glitch - I mean, technically its a zombie series, but it really feels like so much more than that. A bunch of people come back from the dead in a small town in regional Australia, only they have no memories of their life before they died. It's a deeply felt series about grief, but also identity and relationships, and if you're into genre shows, this is definitely one to watch.

[sophieswundergarten]

uno reverse! do you have any favorite fun facts/infodumps you would like to share? :D

Hoo boy, an open invitation to ramble about something that gets my brain excited? I hope you won't regret this. (Also, thank you, Milk :>)

Today we're going to be talking about Deb Cook!!!

Deborah Cook, as she is usually credited in films, is the head of LAIKA's costume department. She has worked on every LAIKA film that has been made, from Coraline (2009) to the upcoming Wildwood (2025).

The thing about stop-motion animation is that there is a massive amount of planning that needs to be worked out before the actual filming process even starts. Part of this is the costume designs for all the puppets, so that they fit into the world and can be used as vessels for a cohesive story.

Cook does a lot of research into historical elements that can be used in costumes, as well as using computers and collaborating with other people in the art department to create her own version of textiles that are perfect for the character. She takes her job very seriously, and works to consider what each character's personality is so she can create a fitting look for them.

But, the!! The thing is, these puppets are generally about eight to twelve inches tall!! So you can't just go to a craft store and buy any old fabric, because the weave might be too rough, or when a camera is focussed on a piece of clothing so small the colors are distorted. So there is a necessary level of detail that must be adhered to, otherwise the final product will be kind of disastrous. You can't just make tiny jeans out of regular denim, you have to find a fabric that looks like denim, but is light enough that it'll be flexible when placed on a tiny puppet.

Now, there are a lot of insanely talented people who create all sorts of miniatures and have come up with ingenious solutions to this that can be pointed out. HOWEVER, a great deal of these are because of how much work LAIKA has put into that field of art in the last seventeen years.

In Coraline, some of the costumes were made out of a child's sock. A sock. And it worked because Deb Cook is a fantastic and dedicated artist who works really hard to do her best in literally everything. But, now that LAIKA has had over a decade of experience and accolades and new highly clever artists joining them, they have come up with many new ways to use technology to help.

But Deb Cook is an artist and she will go out of her way to make something look as authentic as possible. For the iconic beetle crest on Kubo's clothing in Kubo and the Two Strings (2016), she dyed rice paste, painted the fabric, and then carefully washed it off to leave the image.

So, after all of that, and the meticulous attention given to every thread, you must remember that they have to animate all this. That means rigging in skirts and weighted sleeves and armature in capes. Each and every piece of clothing, in addition to needing to be replicated or else durable enough to be used for the two or so years required to make a stop-motion film, must be controlled down to the tiniest motion. In addition, the costume department she manages has to be able to make repairs or tiny alterations when something is damaged or an animator needs to get at the inner workings of a puppet.

There are so many more things that need to be considered in stop-motion versus live action, since the majority of the materials and designs are made from scratch in the studio.

And yet, despite all this, the woman hasn't won any awards

SO. That was my insane, unpolished rant about how much I love Deb Cook. Sorry and/or thank you if you made it this far, and if you want to learn more here are some resources:

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[onedepressoespresso]

ok so

tonight we finally did a full run of tgwdlm... we open tmrw night... our sam is sick (they missed rehearsal and looked like death).

the show is supposed to be a one-act length, which means i had to cut a lot of iconic parts :(... its down to about an hour and fifteen min

i am... so stressed. i was machine sewing last-minute props on the floor today (first time ive used a sewing machine since 2019...) ive done so many new things for this show, like ofc directing but also choreography and prop making and set design. not to mention teaching lighting (since i cant do it), helping with sound, costumes, hair and makeup. oh yeah i also have a line in the show ("Thats not how it works Deb youre either in the smoke club or youre out")

this is in addition to my full course load. did i mention its finals week?

i want to share some pics etc here from the performances... ill check with my cast to make sure but yeah

[yappg]

First dev blog

Hi! I can't believe this is the first dev blog for yappg (or rather, this iteration of yappg. There are dev blogs for the previous attempts that can be found on youtube or gamejolt).

I wanted to wait until I had an icon, but turns out I found something to talk about.

yappg is made with gamemaker. Partially because it's a nice engine, partially because it's one I am familiar with, but mostly because it's the same project I keep trying to make in that engine for around 5+ years. I really want to do my best to finish it this time, hence the tumblr blog. But how I used my computer was very different 5 years ago. Today, I am on Arch Linux (let's get this out of the way : i use arch btw). Arch is not a supported operating system for the GameMaker engine. I think the issue is pretty easy to figure out.

Up until now, I have been using distrobox to manage a podman container based on Ubuntu 23.10. While solutions like debtap exists in order to convert .deb packages into Arch Linux compatible packages, it doesn't really work with GM. The container approach gives me a near native experience. It's not perfect. Either due to configurations issues or just container issues, the GM debugger doesn't work, the game itself seems to run at a very low fps when ran from inside the container (like, for example, when testing) and any attempt at making an executable fails around 1/8th of the times (but don't quote me on the number tho). Good enough to develop, but there are some time lost dealing with bugs. Plus, I have to run the Beta version of the GameMaker IDE.

But this isn't what made me write this post. Oh no. GameMaker has 2 different ways to create an executable file. You can either use the VM or the YYC. The VM option runs the game in a virtual machine (a bit like Java), while the yyc option compiles the game. This compilation comes with a performance boost, but it takes alot longer to build and features like the debugger are disabled. And as it turns out, something breaks in my container setup when trying to compile an executable using yyc. But at least, that's better than what happens when I try to do a remote build from the container to an ubuntu vm. Because the build doesn't fail... but the engine forgets how the room order works or something.

This object is in the first room of the game. Every build has that specific object, and the alarm event was left untouched since it's creation. Why is this an issue now???

Honestly, HOW??? And I can confirm that the issue is with the container, because after having installed the beta ide on the same virtual machine and compiling the game there, the room order works again, and the game is compiled without any issues.

The tl;dr here is to not run the GameMaker beta IDE inside of a container, but that's too late for me. Fortunately, I can keep developing for vm until I am close to being done, at which point I can switch to yyc and fix whatever bug might pop up