#dead oceans records

[stevenvenn]

Mitski - My Love Mine All Mine (from The Land Is Inhospitable and So Are We) Happy Mitski release day! Her new album The Land Is Inhospitable and So Are We drops today! Looking forward to listening!

[megdocx]

Had the amazing opportunity to listen to Mitski’s latest album, “The Land is Inhospitable and So Are We” at Rough Trade NYC earlier this week.

If you haven’t listened yet - Mitski’s latest album has all the aspects I treasure from her work plus new essences of instrument experimentation. You can sense that a lot of appreciation for art and curation went into the production of this album.

[mymelodic-chapel]

Bleached- For the Feel (Garage Rock, Indie Rock) Released: July 22, 2014 [Dead Oceans Records] Producer(s): Chris Woodhouse, Lawrence Rothman

[iamtryingtobelieve]

When she turns 'round halfway down the aisle

With that 'you're on camera' smile

Like she wants to try me on

[memecatwings]

honestly the one piece worldbuilding lore is so so so fascinating but the problem is that you only ever get crumbs of it for 1070 episodes you get nothing but crumbs 1070 episodes in and there's still only like one slice of breads worth of crumbs forget the whole loaf this is maddening im opperating on theories and assumptions here im in platos cave looking at shadows you cant do this to meeeeeeeee

[bandcampsnoop]

4/16/24.

Dead Oceans just announced "Into The Blue" the new full-length album from Aaron Frazer - a solo soul artist who also serves as the drummer for Durand Jones.

"Introducing" has been worn out around my house since 2021. We just can't get enough. In fact, Aaron Frazer (Brooklyn, New York) opened the door to Holy Hive and various Big Crown Records artists.

But it has also made me open to listening to a lot of older soul. For example, last December Vampisoul reissued Marie Queenie Lyons "Soul Fever" - originally on James Brown's Deluxe label.

[kavehater]

Nahida <3

[glompcat]

Yikes but people really do not understand how little we know about the ocean, huh?

[akaanuar]

Top 20: Best Albums of 2023

A escasas horas de terminar el 2023 les presento por undécimo año consecutivo mi top 20 de los mejores y favoritos álbumes del año. Música nueva de todas partes del mundo que me acompañó durante este año en los mejores y no tan mejores momentos. Pero antes, les comparto mi top 5 de los mejores conciertos que asistí durante el 2023: 1. Depeche Mode y Kelly Lee Owens @ Foro Sol, CDMX 2. Kraftwerk @…

[trevlad-sounds]

Friday 21 July Mixtape 341 “No One is Finishing”

2023-07-21 Downtempo electronic lounge Wednesdays, Fridays & Sundays. Support the artists and labels. Don't forget to tip so future shows can bloom.

Falk & Klou-Finishing Line-00:00

David Boulter-This Is Where It Began - Instrumental-05:10

Matthew Halsall-Song For Charlie-07:14

Mingu-John's Blues-13:40

Jo Johnson-Transience-17:30

Sébastien Tellier-Adieu-23:44

TITLE-Memories-26:15

Guitar-Naoki-29:48

Jimi Tenor-Sleep-32:47

Khruangbin-Father Father-37:52

Arcane-Pathfinder-43:18

Skalpel-Sound Garden-48:17

There Is Another System-No One Is Coming For Us (ft. The Analog Girl)-52:24

Rain Dog-The Halfway Place-54:57

[lightnersdream]

you know i forgot about the thalassophobia until now

[gabelesimp]

Hehehe.....Say bye bye to Papa-seidon!

I also have a child for Hades! But for now, It's only Poseidon, Azra and Sei!

(yes, Sei is the baby that Azra is holding if it's low quality, my camera is shit-)

I'll also do more Information on them, and more drawings of them with Poseidon!!

Sei, is more on Revenge while Azra is the opposite!

[mymelodic-chapel]

Slowdive- Slowdive (Dream pop, Shoegaze) Released: May 5, 2017 [Dead Oceans Records] Producer(s): Neil Halstead

[overthinkingtaleblr]

Bad news I’m thinking about the League of Legends au I started again.

I’m probably giving Gavin a pirate story.

[onereallygoodlambonastick]

(taps sign) you're right. It is kill or be killed. You will be killed because you refuse to participate in the social & political & cultural reality where people can not only exist but do more than survive. I will do the killing

a couple months ago i watched a video of a palestinian boy get crushed as a bulldozer ran over his body and the sight still haunts me today. and you expect me not to wish death upon those who are supporting this kind of horror on the palestinian people? zionists deserve to die and i won't apologize for saying it.

[mywifeleftme]

187: Phosphorescent // Muchacho

Muchacho Phosphorescent 2013, Dead Oceans (Bandcamp)

I thought Muchacho was a masterpiece when I first heard it ten years ago, and it’s never really slipped in my estimation. We’re far enough now from the early ‘10s to have our own personal senses of what has and has not lasted—the water level has risen and the mountaintops have become islands. Muchacho is the soundtrack to the wanderings of a mystic with decidedly clay feet, someone whose eyes have been burned from staring too long at the sun in search of God, brimming with sweetness and a fearful need who’ll nonetheless disappear on you without notice for months at a time. A terrible man to date (circa 2010 anyway), in other words, but one with the magnetism that comes from living intensely, as though music, love, bacchanalia, and the soul are matters with real stakes.

According to singer-songwriter Matthew Houck, the songs arose after returning from a tour and finding his personal life in ruins: “lost the place, lost the girl, lost my mind.” And while depicting yourself on an album sleeve surrounded by multiple women in various states of undress isn’t the greatest mea culpa I’ve ever come across, as an evocation of the state of freedom and fragility that comes when the bottom drops out, Muchacho is captivating. Houck uses ‘Hej’ (sounds like ‘hey’) as his own pet name for God, and borrows the old mystical poetry trick of couching his lyrics as simultaneous addresses to an absent lover and to the divine. There’s a sense of surrender throughout, whether to the thrill of the drive (“Ride On/Right On”), dissolution (“Terror in the Canyons”), or the whirlwind (“A New Anhedonia”). A lot of the language has the taste of Bible leather, but at bottom, Muchacho’s weary vibe can be summed up in the words of its lurching title track:

“I found some fortune, found some fame I found they cauterized my veins Hej, I've been fucked up. And I've been a fool But like the shepherd to the lamb Like the wave unto the sand I'll fix myself up. To come and be with you.”

Houck’s plaintive moan and a shimmering fiddle loop that makes time feel simultaneously like it’s hurtling forward and suspended in place have given Muchacho’s best known track, “Song for Zula,” a long afterlife in soundtrack licensing, but there’s something (inadvertently, I think) subversive about a song with “Zula”’s caged, vehement grief turning up on a show like Superstore. What to make of a nostalgic sitcom montage on the importance of finding moments of reprieve at your workaday job being set to a piece that concludes with the words, “And I could kill you with my bare hands if I was free”? That’s what happens when you let a song out into the world—but with any luck a few have followed its silver line back to Muchacho, and found themselves a shade more debauched and enlightened for the trip.

187/365