#Lawrence Rothman

[americanahighways]

AmericanaFest 2024 “Must See”

AmericanaFest 2024 “Must See” @americanafest @mistergabelee @caitlincannonmusic @theswampdogg @lawrencerothman @hurrayfortheriffraff @sierraelizabethferrell @turnpiketroubadours @jobiriccio @joshuarilko @waxa_katie @mjlenderman @americana_andy_ @americanahighways #listenbetter #newmusic2024 #musiclists #americanafest2024

AmericanaFest 2024 “Must See” It’s time for AmericanaFest 2024! I’m highlighting some must-sees for anyone else who’s making the trek to Nashville, as well as sharing my choices for the Americana Awards (to be held Wednesday evening at the Ryman Auditorium). My ground rules for the musts – they have to be folks I haven’t seen play before, and they have to be playing at events open to all…

[nochoirliketheirsong]

Song #111

I tried to use the search function to add this song but it didn't work? And embed from the link I inserted looks a lot different than when I did the same yesterday. Tumblr is weird. Edit: below is a preview link, now it works again!

Anyway, Lawrence Rothman!

[subglistens-blog]

Classic

[mymelodic-chapel]

Bleached- For the Feel (Garage Rock, Indie Rock) Released: July 22, 2014 [Dead Oceans Records] Producer(s): Chris Woodhouse, Lawrence Rothman

[wikipediabot]

wikipedia fact

In 2010, Rothman scored The Runaways, a biopic film on the Joan Jett fronted female rock band The Runaways, starring Kristen Stewart and Dakota Fanning. In 2017, Rothman scored the News Emmy nominated New York Times Great Performers 2017 series short films starring Nicole Kidman, Timothy Chalamet, Saoirse Ronan, Jake Gyllenhaal and more. In 2018, Rothman scored a short film on the life of occult filmmaker Kenneth Anger for Gucci and Systems Magazine. Additionally, Rothman has scored short films for Levis, Prada, BMW, MAC Cosmetics and Alexander McQueen.

[gliklofhameln]

Elaina Rothman and Miri Lawrence preparing to be ordained at the Liberal Jewish Synagogue, St John’s Wood, London • Jewish History Association of South Wales

Miri was a rabbinic student at Leo Baeck College and was ordained in 1992. She gained a Masters in Jewish Studies the same year. Miri was Rabbi at Ealing Liberal Synagogue from 1992-1995 and subsequently part-time/visiting Rabbi for a number of congregations.

Elaina Rothman first served as a student Rabbi for two years at the Cardiff New Synagogue in 1990. She went on to become Minister of the Synagogue, later retiring in 2002. She was a rabbinic student at Leo Baeck College and was ordained in 1992.

[letterboxd-loggd]

The Student Nurses (1970) Stephanie Rothman

August 4th 2024

[aurora-daily]

AURORA hosting Tearjerker on BBC Sounds!

On the first episode called "The First Tear" she "shares a playlist of nostalgic songs from her younger years that have provided solace and comfort, from the first songs she cried to, to the music she still uses for support today. Featuring pieces from Chopin, The Chemical Brothers and Nick Drake." [link 1]

Tracklist of the episode 1:

Prélude in D Flat Major (Raindrop), Op. 28, No. 15 by Frédéric Chopin

The Brothel by Susanne Sundfør

Sofia (feat. AURORA & iris) by Askjell

Hanna's Theme by The Chemical Brothers

The World Spins by Julee Cruise

Adoration by Florence Price

Anthem for No State, Pt. I by Godspeed You! Black Emperor

This Woman's Work by Kate Bush

Lump Sum by Bon Iver

That Home by The Cinematic Orchestra

Après un rêve, Op. 7, No. 1 (Arr. for Cello and Piano) by Gabriel Fauré

Tchaikovsky: The Nutcracker, Op. 71, Act II: No. 14c, Pas de deux. Variation II Dance of the Sugar Plum Fairy

Landslide by Fleetwood Mac

Three Hours by Nick Drake

Suzanne by Leonard Cohen

The second episode called "Songs for the lonely" AURORA curates "a playlist to make you feel less alone. Featuring music from Erik Satie, Radiohead and Anna Clyne. Plus Aurora has a listener submission for the "Song That Saves Me"", as "It’s hard to be a human today. Somehow we can all feel lonely with the weight of the whole world on our shoulders, but music has the power to make us feel less alone." [link 2]

Tracklist of the episode 2:

Where Life and Death May Dwell (Icelandic Folk Song) - Upright Piano by Snorri Sigfús Birgisson

Gnossienne No.1: Lent by Erik Satie

Lover, Where Do You Live? by Highasakite

To Speak Of Solitude by Brambles

Hymn for Khadija by Anna Yarbrough

Exit Music (For A Film) by Radiohead

The Armed Man - A Mass For Peace: XII. Benedictus by Karl Jenkins

Fólk fær andlit by Hildur Guðnadóttir

Spiegel im spiegel by Arvo Pärt

It's Hard to Be Human (feat. Marissa Nadler) by Lawrence Rothman

Streymir (Voiceless) by Gabríel Ólafs

Tell Me About It by Thea Wang

Hoppípolla by Sigur Rós

The third episode "Beautiful sounds for human connection" celebrates the power of music that connects and brings us together: "Humans have always sung. Music is a natural part of us, and it has always been. Since the first sorrows, we sang to release the pain. And from the first births, we sang to celebrate. Music connects us. And when we sing together, and experience music together, we truly reconnect to a part of ourselves we were dangerously close to forgetting. In this week's episode of Tearjerker, Aurora celebrates the music that brings us together with pieces from The Staves, Clara Schumann and Astrid Sonne. Plus, Aurora has a listener submission for the 'Song That Saves Me'." [link 3]

Tracklist of the episode 3:

Journey to the End of the Night by Lisa Morgenstern

Down To The River To Pray by Alison Krauss

Love Is Colder Than Death by Questo Mostrarsi

momentary - choir version by Ólafur Arnalds & VOCES8

Whitacre: Lux Aurumque by Eric Whitacre

No Me, No You, No More by The Staves

happiness by Taylor Swift

cellophane by FKA twigs

Boadicea by Enya

Kiuá by Andréa Daltro

Io by Miyako Koda

Hide and Seek by Imogen Heap

Soirées musicales, Op. 6: II. Notturno. Andante con moto (Version for Harp) by Clara Schumann

Strong, Calm, Slow by Astrid Sonne

[simder-talia-blog]

Music that gives me extreme Autumn vibes (warning I am an alternative binch who loves to dance)

🗝️ 1. Turn My Way by New Order 🍂 2. Caring Is Creepy by The Shins 🥣 3. Cornflake Girl by Tori Amos 💜 4. Kate's Not Here (Day Wave & Lawrence Rothman Remix) 🐺 5. Wolf Like Me by TV On The Radio 🍰 6. Sweet jane by Cowboy Junkies 🌒 7. Fade Into You by Mazzy Star 🌴 8. Lounge by Esthero 🔮 9. Touched by VAST 🧬 10. Inner Pattern by Beloved NC 🌃 11. Blvd Nights by Team Sleep ✨ 12. S*icide Machine by HUM 💀 13. Skeleton Boy by Friendly Fires 🌄 14. Daylight by Aesop Rock 🌿 15. Omaha by Counting Crows 🏙 16. Black & White Town by Doves ⛔️ 17. Ostacle 1 by Interpol (cool-ass video. euphoria moment at 2:43) 🥴 18. Uneasy by Sheer 🎻 19. La valse d'Amélie 🍨 20. 32 Flavors by Alana Davis 🌧 21. Tom's Diner by Suzanne Vega ♎ 22. 3 Libras by A Perfect Circle (completely gorgeous video) ⚡️ 23. Roscoe by Midlake

[americanahighways]

Americana Highways 45 RPM 2024 (Reasons to Purchase Music)

Americana Highways 45 RPMs 2024 (Reasons to Purchase Music) @americana_andy_ #listenbetter @sarajarosz @lawrencerothman @sarahshookdisarmers @liv_greene_ @sierraelizabethferrell @adriannelenker #sturgillsimpson @waxa_katie @hurrayfortheriffraff @mjlenderman @futurebirds @madidiaz @silverada @gillianwelchofficial @magoogie @julienrbaker @japandroids @caitlincannonmusic @wonderwomenofcountry @dwightyoakam @kevingordon @katiepruittmusic @pearljam @lindi_ortega @aaronleetasjan @theavettbrothers @thenational @americanahighways #americanahighways #favoritealbumsof2024 #favoritesongsof2024 @drivebytruckers @neilyoung @aplaceforowls 3ceres #Listenbetter #americanamusic

Americana Highways 45 RPM 2025 (Reasons to Purchase Music) 2024 was a fantastic year for music and a shit year for pretty much everything else (November 5 still stings). Music, as it so dependably does, helped explain how we were feeling during the darkest of days, and knowing that you’ll be going to a show that night can be the best reason to get out of bed in the morning. Our favorite artists…

[ozu-teapot]

Films Watched in the Interim (August - October 2023)

Memento | Christopher Nolan | 2000

Whip It | Drew Barrymore | 2009

Go West | Buster Keaton | 1925

Dungeons & Dragons: Honor Among Thieves | John Francis Daley / Jonathan Goldstein | 2023

Turning Red | Domee Shi | 2022

Barbie | Greta Gerwig | 2023

Gothic | Ken Russell | 1986

The Fall of the Louse of Usher: A Gothic Tale for the 21st Century| Ken Russell | 2002

Bottoms | Emma Seligman | 2023

Pink Hill | Robert Flanagan | 2019

4 O'Clock | Robert Flanagan | 2021

Amelia and the Angel (Short) | Ken Russell | 1959

The Black Cat | Edgar G. Ulmer | 1934

The Black Cat | Harold Hoffman | 1966

The Owl Service | Peter Plummer | 1969

Seddok, l'erede di Satana (AKA Atom Age Vampire) | Anton Giulio Majano | 1960

Saint Maud | Rose Glass | 2019

The Babadook | Jennifer Kent | 2014

The Maze | William Cameron Menzies | 1953

Blood Bath | Jack Hill / Stephanie Rothman | 1966

Les yeux sans visage (Eyes Without a Face) | Georges Franju | 1960

Mumsy, Nanny, Sonny and Girly (AKA Girly) | Freddie Francis | 1970

The Velvet Vampire | Stephanie Rothman | 1971

Coco | Lee Unkrich / Adrian Molina | 2017

Blue Sunshine | Jeff Lieberman | 1977

A Candle for the Devil | Eugenio Martín | 1973

Lost Hearts | Lawrence Gordon Clark | 1973

Guest House Paradiso | Adrian Edmondson | 1999

Flesh and Fantasy | Julien Duvivier | 1943

The Ghost Train | Walter Forde | 1941

BOLD = Top Ten

Some notes: So at the end of July I was off film and off tumblr and not sure if I'd be back but I guess now I am, to some extent at least. The very start of this list is a bit innacurate. I probably watched a few more films than I've listed and maybe in a different order but from Gothic onwards it's correct - not that it really matters! I really must try to get back into having a themed Halloween watch list, which I haven't done since the japanese one in 2019, it's more fun. Am I doing Noirvember? I don't know.

[eudociacovert]

@cate-deriana, thanks for tagging me!!

Rules: answer & tag 9 people you want to get to know better and/or catch up with!

Favorite color: That Indigo/blue/gray color a clear sky turns at dusk, the one that happens right before you feel like it's properly night. That color, lol.

Last song I listened to: Kate's not here by girl in red (the Day Wave & Lawrence Rothman remix). Listening right now, as I write this!

Last film I watched: I watched the Kill Bill films a couple weeks ago. More of a TV watcher/book reader generally

Currently reading: A Psalm for the Wild Built, by Becky Chambers, highly recommend

Currently craving: Hmm... those Little Debbie oatmeal creme cookies

Currently watching: Last new thing I watched was Dead Boy Detectives, last things I rewatched were Columbo and of course Lockwood & Co :)

Coffee or tea? Tea. I drink a lot more tea than coffee, but if I'm being honest I drink a lot more hot chocolate than tea, lol

Alright, no pressure everyone... @themascot3000 @transfivehargreeves @waiting-for-my-hogwarts-letter @wishingmyhairred @boookfreeak @needles-and-witches @necromycologist @epicgryffindorwolf @hisnamesdylan

[cantsayidont]

Hateration holleration, oddball selections:

MOTHERS' INSTINCT (2024): Peculiar drama-cum-thriller, set in 1960, starring Jessica Chastain and Anne Hathaway as suburban neighbors Alice and Celine, whose friendship is disrupted when Celine's young son Max (Baylen D. Bielitz) is killed in an accident. Afterward, Celine becomes unusually attached to Alice's son Theo (Eamon O'Connell), who was Max's best friend, which begins to make Alice very nervous. Does Celine mean Theo harm, or is Alice's guilt (she was watching Max at the time of his accident) making her paranoid? The way the plot plays out offers little tension and few surprises — it feels a little twist-deficient as a thriller, attempting to compensate with a surprisingly dark finale — and it doesn't offer a lot of motive for the eventual drastic escalations beyond "sometimes motherhood makes women crazy." Also, while one can see why Chastain and Hathaway were interested in these parts as actors, they both seem a little too old for their characters, and Anders Anielsen Lie and Josh Charles are both wasted as their respective husbands. CONTAINS LESBIANS? Early on, it seems like there's something between Alice and Celine, but the movie isn't interested in exploring or even acknowledging that. VERDICT: Grim and gloomy, but never very exciting, and it keeps flirting with the idea of making some kind of point about the sexual politics of its time that never gels.

THE POKER HOUSE (2008): Lori Petty made her directorial debut with this semi-autobiographical drama, scripted by David Alan Grier from Petty's story about an eventful and upsetting day in the life of a 14-year-old girl named Agnes (Jennifer Lawrence), growing up dirt poor in a rough, mostly Black neighborhood, where her mother Sarah (Selma Blair) turns tricks when her boyfriend/pimp Duval (Bokeem Woodbine) isn't running illegal poker games, leaving Agnes in loco parentis for her younger sisters (Chloë Grace Moretz and Sophi Bairley), who hang out at the local bar while Agnes is at school. The story takes some dark turns — it centers on Agnes being sexually assaulted by Duval — but because it's based on Petty's own life, it's never indulgently sordid, and, with the notable exception of Sarah, it has a lot of compassion for the people in Agnes' neighborhood, who are doing the best they can with almost nothing to work with. As a result, the film is heartfelt if not particularly polished. (Curiously, it was produced by prolific TV writer-producer Stephen J. Cannell, best known for detective and action shows including THE ROCKFORD FILES, THE A-TEAM, HUNTER, and SILK STALKINGS, with a score by TV perennial Mike Post.) CONTAINS LESBIANS? Nope. VERDICT: If you like Lori Petty and can handle the subject matter (CWs apply for sexual violence), it's worth a look.

THE RAINBOW (1989): Earnest but somewhat awkward Ken Russell dramatization of the last section of the 1915 D.H. Lawrence novel, set around the end of the 19th century, about a young woman from Derbyshire, Ursula Brangwen (Sammi Davis), who has affairs with both her swimming instructor Winifred (Amanda Donohue) and a young soldier named Anton (Paul McGann), while striving for financial, intellectual, and romantic freedom that her era doesn't offer or encourage, especially for women. It's sort of a prequel to Russell's 1969 adaptation of Lawrence's WOMEN IN LOVE, which follows Ursula and her sister Gudrun 20 years later. I have not read either novel, so I can't say how Russell's versions compare, but taken strictly on its own terms, THE RAINBOW feels like something director Stephanie Rothman might have made for Roger Corman in the '70s, with dollops of Second Wave feminist idealism in what often plays like an exploitation movie. The uneasiness of that mixture leaves no space to interrogate some troubling aspects of the plot, like Ursula's racist ideas about moving to India with Anton, or her violent outburst at a student in the school where she becomes a teacher. CONTAINS LESBIANS? Ursula is bisexual, and part of the plot deals with her relationship with Winifred. VERDICT: At the risk of undermining my literary bona fides, I thought it worked far better as an exploitation movie than a feminist drama.

[dio-without-an-s]

@slettebak tagged me to post my top 10 songs of the last 6 months on spotify

I will tag: @sirdanjin @evilwizardclub @peanusenthusiast @zelmoe @stahrmie @chaoticallydanny @aureumlignum @queersamus @bravato @killerkoalaz @yougetsoclose

[sharkrocket]

Got tagged by @excalibutt and @farrenlux! Thanks for it, much appreciated :D

Rules: shuffle your on repeat playlist and post the first 10 tracks, then tag 10 people.

Air Tight - Sweet Valley

Justice Stress - Dizbelief

If I Was A Folkstar - The Avalanches

There Should Be Unicorns - The Flaming Lips

Wordy Rappinghood - Tom Tom Club

Disco Night (Real Trap Shit) - SwuM

December (Chad Valley Remix) - Yumi Zouma

Dreamcast - Blank Banshee

New Gold - Gorillaz

Wolves Still Cry - Lawrence Rothman