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sixeyesonathiel · 7 days ago

Text

told the nerd to film it and he exported inside me instead!

pairing — tech nerd!gojo x fem reader

synopsis : you crushed on him for months, watched him dodge every advance like you were malware. so you dressed up a little, played a little dumber—and now he’s got you spread out in pixels and moaning in surround sound. worst part? you kinda want him to do it again.

tags/cw — masturbation, degradation, praise kink, dacryphilia, marking, overstimulation, explicit language, filming, voyeurism, fingering, oral (f receiving), unprotected sex, creampie, squirting, rough sex, dirty talk, power dynamics, obsession, lingerie, virgin weeb satoru, questionable but effective way of seducing ur crush. 13k wc, 18+ only, minors DNI.

a/n : plz don't nitpick about how a fashion vlog shouldn't be like that bc that's the point. toru doesn't know the difference because all he watches is 2d girls

the compressor’s peaking again.

satoru squints at the waveform, drags the threshold down two decibels, then listens back to the same three-second clip of voiceover for the tenth time. it’s a podcast intro, some wannabe influencer droning about mindfulness. he doesn’t care. he’s just here to make it sound less like it was recorded in a bathroom.

“sounds like shit,” he mutters, even though it’s clean. crisp. perfectly balanced.

it doesn’t feel right. nothing ever does. he tweaks the bitrate, checks the export codec, wonders if he should build a custom ffmpeg preset. maybe write a quick script to batch clean all future files—something to shave off a few milliseconds of his life. his fingers hover over the keyboard, itching for efficiency, for control.

ping.

discord overlay glows in the corner of his ultrawide monitor, a neon-green intrusion on his meticulously organized desktop. he freezes. the notification pulses like a heartbeat.

you.

he stares at it, lets it sit there like it’s radioactive. doesn’t even remember keeping you added. your username—something stupid with a heart emoji—feels like a splinter under his skin. he should’ve purged his contacts months ago, but here you are, slipping through the cracks of his digital fortress.

hey. remember when u edited our project? can u help me trim some vids pls…

his jaw tightens. of course you’d ask now, at 2 a.m., when he’s neck-deep in audio plugins and caffeine. his fingers hover over the keyboard, poised to dismiss you.

“no,” he types, then erases it.

“what kind of vids,” he tries, but deletes that too. too eager. too curious.

after a solid twenty-five seconds of overthinking, he finally sends:

i guess. send what you have.

he leans back in his chair, the leather creaking under his weight. his room is a cave of glowing screens and scattered energy drink cans, the hum of his overclocked pc the only sound besides his own shallow breathing. he shouldn’t care. you’re just another art student, another distraction. but his pulse betrays him, thudding a little too hard in his throat.

flashback.exe

he hated group projects. despised them. a bunch of useless art students in overpriced streetwear, trying to make films with no understanding of pacing or continuity.

they’d fumble with premiere pro like it was rocket science, leaving him to clean up their shaky cuts and mismatched audio tracks. he always ended up doing 90% of the work, and he preferred it that way. control was his god, and he worshipped it.

but you were different.

not better. just... a different kind of stupid.

you showed up late to the editing suite, glitter pens spilling out of your bag, heart stickers plastered on your water bottle like a middle schooler’s diary. you called the lav mic a “weird nipple thing” and giggled when he glared at you. once, you spilled your lip gloss on the soundboard, leaving a sticky pink smear he had to scrub off with isopropyl alcohol. another time, you asked if uploading to drive made your data heavier, and he almost threw you out.

but.

you let him do whatever he wanted.

you didn’t hover or micromanage. you just sat there, cross-legged on a swivel chair, watching him cut scenes like it was magic. you leaned over his shoulder, close enough that he could feel the warmth of your breath, your wide eyes reflecting the glow of the timeline.

“whoa... you made it feel like a real movie,” you whispered, like he’d just parted the red sea.

you smelled like something artificial. strawberries, maybe, or some overpriced body mist from a mall kiosk. your hair was always tied with a ribbon—pink, blue, sometimes yellow, always obnoxiously bright.

he didn’t care.

he told himself he didn’t.

but he remembered. every fucking detail.

the zip file lands in his downloads with an obnoxious ka-chunk, snapping him out of the memory. he doesn’t rush. just opens it like it’s any other favor, like his heart isn’t clawing at his ribcage. the folder name stares back at him: “pls help <3”

typical.

he clicks it open, expecting shaky iphone clips of cafes and shopping hauls. maybe some cringe tiktok dance you think is cute. he’s ready to hate it, to scoff at your lack of framing or shitty lighting.

but then—

you appear on screen.

not just appear. you perform.

you’re biting your lip, laughing into the lens like it’s your lover. wearing something stupidly short—a skirt that barely qualifies as fabric, hugging your thighs like it’s painted on. you spin around in front of your mirror, the camera catching every angle, every curve, like you’re being filmed for someone else. someone who’d appreciate it.

you pose. cock your head. giggle. the sound is loud, breathy, smiling when you speak. “do you think this is too short?” you ask, tugging the hem of your skirt, your fingers lingering just a second too long.

he blinks.

backs the video up three seconds.

watches again.

your laugh echoes through his headphones, a little distorted, a little too close. he pretends he’s checking the audio, tells himself it’s for sync, that he’s just doing his job. but his eyes are glued to the screen, to the way your skirt rides up as you twirl, to the flash of skin that makes his breath catch.

he watches again.

his mouth is dry, his tongue heavy against his teeth. your skirt flips up higher this time, and you gasp—like you’re surprised, like you didn’t mean to show that much. but you don’t stop filming. don’t cover up. just... laugh, a sound that curls around his spine and sinks into his gut.

he doesn’t even realize his hand is moving until it’s there, slipping under the waistband of his sweatpants. his fingers brush against himself, and he hisses, the contact sharp and sudden. he’s already half-hard, his body betraying him before his brain can catch up. the room feels too warm, the hum of his pc too loud, but he doesn’t care. he can’t care.

he rewinds the clip again, pauses on the frame where you’re mid-spin, your skirt flared just enough to show the curve of your ass. his hand wraps around his cock, slow at first, tentative, like he’s testing how far he’ll let himself go. the texture of his own skin is rough, familiar, but it’s not enough. not when it’s you on the screen, laughing like you know he’s watching, like you’re daring him to lose control.

he strokes himself, a tight, deliberate rhythm, his thumb brushing over the tip where he’s already leaking. the sensation jolts him, makes his hips twitch in the chair.

he imagines it’s your hand, your fingers—small, soft, probably clumsy, but eager. he pictures you kneeling between his legs, looking up at him with those wide eyes, your lips parted like they are in the video, glossy and pink and begging to be kissed. or more.

the video plays on. you’re bending over now, adjusting your hair in the mirror, your skirt riding up to expose the thin strip of your underwear. he groans, low and guttural, his hand moving faster.

the sound of your voice—teasing, playful—fills his headphones, and he closes his eyes for a moment, letting it wash over him. “do you think this is too short?” you say again, and he wants to answer, wants to growl that it’s perfect, that you’re perfect, that he’d rip it off you if he could.

his grip tightens, his strokes growing erratic. he’s not gentle with himself—never is. it’s all pressure and friction, chasing the edge as fast as he can.

his free hand fumbles with the mouse, scrubbing the timeline back to the moment you gasp, to the split-second flash of your thighs. he loops it, the clip stuttering in time with his breathing, with the slick sound of his hand working himself over. his cock throbs, hot and heavy, and he imagines it’s you—your warmth, your wetness, the way you’d probably whimper if he touched you like this.

he’s close. too close.

his vision blurs at the edges, his pulse hammering in his ears. he shouldn’t be doing this, shouldn’t be jerking off to your stupid video like some desperate creep, but the shame only makes it worse, makes it sharper.

he pictures you catching him, walking in right now, seeing him with his pants down and his hand on his dick. would you laugh? would you blush? would you get on your knees and—

he comes with a choked gasp, his hips bucking up into his hand. it’s messy, spilling over his fingers, onto the hem of his shirt. his chest heaves, his head tilting back against the chair as the aftershocks ripple through him. your laugh loops in his headphones, oblivious to the wreck he’s become.

it’s filthy. it’s desperate.

ten minutes later, he’s cleaned himself up, his hands steady again as he trims the file like a good little editor. he cuts out the shaky parts, stabilizes the footage, adjusts the audio so your voice doesn’t clip. it’s clinical now, professional, like he didn’t just fall apart to the sight of you. he names it something sterile: “vlog_cut_1.mov.”

he exports it twice. once normally, for you. once... not. the second version is raw, unedited, every twirl and giggle preserved in crisp 4k. it gets copied to a different folder, buried in a directory labeled “shader_study_2022.” he tells himself it’s in case you need a re-edit. a backup. that’s all.

when you text back:

thank u!! lol i owe uuu :3

he stares at the message, his thumb hovering over the keyboard. his heart’s still racing, a faint tremor in his fingers.

he types “anytime :)” and erases it. sends:

np.

what he doesn’t say: he rewatched the part where you bend over six times. he had his dick in his hand by the second loop. he renamed the close-up to “test_render_asscloseup.mov” and hid it behind three layers of subfolders.

he doesn’t even like tiktok girls.

he’s into 2d, girls with big swords and bigger tits, drawn in sharp lines and impossible proportions. he once bought a dakimakura because the shipping came with a free pin, and it’s still shoved in his closet, one corner stained from a late-night mistake. real girls are messy, unpredictable, too much work. but now?

he’s thinking about the way your laugh dipped when you turned around, the way it caught in your throat like you were nervous. the way you looked into the lens like you knew someone was watching.

someone like him.

next day, you walk in like a fucking weapon.

pink fuzzy shrug, low-rise jeans that sit dangerously low on your hips, a sliver of stomach peeking out like it’s 2004. your hair’s up in a ribbon—pink, of course, swaying as you move. you’re all glitter and confidence, a walking distraction in a lecture hall full of tired students and flickering projectors.

he scoffs under his breath. “tacky.”

but his heart’s pounding, a traitor in his chest. his fingers twitch against the edge of his laptop, betraying the calm he’s trying to project. you slide into the seat two rows ahead and twist around, grinning like a cat, like you know something he doesn’t.

your eyes catch his for a split second, bright and teasing, and he forces himself to look away.

he opens his laptop, types random garbage into a terminal window—some half-baked python script he doesn’t even care about. he runs a fake compile just to feel busy, to drown out the way his blood is rushing too fast.

you lean over to whisper to the girl next to you, your laugh spilling out, loud and careless. your hair tosses, and he swears he catches the scent of your perfume drifting past in invisible waves. saccharine, overwhelming, like strawberries dipped in sugar syrup.

his brain short-circuits. he snaps his headphones on, the cord tangling in his haste. not to listen to music. not to block you out.

to replay your giggle.

he’d isolated the audio last night, cleaned it up with a high-pass filter, boosted the mids to make it crystal clear. exported it as a high-quality .wav, tucked it into a folder labeled “audio_ref.” he tells himself it’s for study, just good reference for future projects. but he loops it now, the sound of your laugh layered over faint lo-fi static he added for texture. it’s you, distilled into a three-second clip, filling his skull.

he closes his eyes and pretends you’re saying his name. satoru, you giggle, breathy and soft, like you’re leaning over his shoulder again, watching him work. satoru, you made it feel so real.

the lecture drones on, but he’s not listening. he’s lost in the rhythm of your voice, the way it dips and rises, the way it makes his skin feel too tight. he shifts in his seat, adjusts his hoodie, tries to ignore the heat pooling in his gut. he’s not supposed to want this. not supposed to want you.

but he does.

the thing about addiction is that it never announces itself.

no dramatic thunderclap. no internal monologue screaming, ah yes, now i am a pervert. it’s quiet. insidious. it sinks in like static, crackling at the edges of satoru’s brain until he’s not sure where his old self ends and this new, wretched version begins.

it’s not like he’s not already a pervert who gets off from pixels. this simply wasn’t his brand of perversion.

that night, he stayed up longer than he should’ve. stared at code for so long his ide crashed, the screen flickering to black as if it knew he was wasting his time. not that he got anything done.

he just kept switching tabs—your final cut in vlc, some useless bash script in vscode he pretended to care about, then back to your video, the timeline frozen on that twirl, that gasp. his fingers shook when he closed the laptop, but sleep never came.

and now it’s the next day. mid-afternoon. the sun is doing that thing where it turns his apartment into a blinding box of heat and regret. his ac hums like an old man, wheezing against the sticky air. he’s sprawled in his chair, one leg slung over the armrest, staring at the ceiling fan like it might tell him how to stop.

ping.

another discord notification. he doesn’t even flinch this time. your username glows, and the filename attached makes his stomach do a weird little roll: “try-on2_raw.mov”. his eyes linger on the heart emoji you’ve tacked onto the message, like it’s a personal invitation.

hiii! ty for the last edit, ur a lifesaver <3 can u check and trim this one too? i’m trying smth new but idk if it works… lmk what u think pls!!

he clicks download. no hesitation. doesn’t even pretend to care anymore.

the file loads into his editing software like second nature, the premiere pro interface blooming across his screen. muscle memory. routine.

he’s done this a hundred times—except never like this, never with his pulse hammering in his throat and his mouth already dry.

the video starts the same way as the last—handheld, messy lighting, your voice trailing in from offscreen as you fiddle with the camera angle. no mic, of course not. just raw cam audio, unpolished, real, every breath and rustle amplified. he leans closer, like proximity to the screen will make it less dangerous.

“okay—wait, hold on,” you mutter, slightly out of breath. there’s a plastic rustle, fabric scraping skin, the light jingle of a zipper. he catches the sound of your nails tapping the digicam accidentally, a faint clack-clack that makes him picture your fingers, probably painted some ridiculous color, fumbling in that endearing way you do.

“ugh… come on…” your voice drops, a frustrated huff, low and throaty. “mm—sorry! this one’s hard to pull up.”

then—zipper slides. metal on fabric, slow and deliberate, like it’s teasing him on purpose. you let out a sigh, long, slow, just a little too satisfied, like you’re savoring the release of pressure. the sound coils in his gut, tight and hot.

he freezes.

his mouse stays hovering over the playhead, the cursor trembling slightly. blood is already rushing south, his sweatpants tightening in a way he can’t ignore. his breath catches, shallow and sharp, and the worst part?

you giggle.

“probably got the wrong size,” you say, tugging the dress up higher. the hem catches on your thighs, rising indecently, the fabric clinging to your skin like it’s reluctant to let go. “don’t tell anyone i didn’t try it on in-store first.”

he swallows nothing. jaw tight. the room suddenly feels suffocating, the ac’s hum drowned out by the thud of his own pulse. your lip catches between your teeth, a flash of white against pink gloss, and the camera catches that too, lingers on it like it knows what it’s doing.

you glance at the lens, eyes half-lidded, like you’re waiting for approval, like you’re asking him directly—do you like this?

satoru’s fingers twitch.

one hand stays on the mouse, scrubbing the timeline back three seconds to hear that sigh again. the other hand moves before he can stop it, slipping under his waistband, brushing against the heat of his skin. he’s already hard, achingly so, the kind of hard that makes his head swim.

he wraps his fingers around himself, slow at first, testing, like he’s not sure he’s really doing this again. but the sound of your voice—breathy, teasing—loops in his headphones, and he’s gone.

he strokes himself, deliberate and tight, his grip almost punishing. the video plays on, and you’re stepping into frame now, the dress half-zipped, hugging your curves in a way that makes his throat burn. your thighs shift as you adjust the hem, and he imagines them under his hands, soft and warm, parting just for him.

his thumb swipes over the tip of his cock, slick with precum, and he groans, low and broken, the sound swallowed by the hum of his pc. he pictures your fingers instead, clumsy but eager, your nails grazing his skin as you try to keep up with his rhythm.

he’d guide you, show you how he likes it—fast, rough, no mercy.

you sigh again, and he speeds up, his hand moving in time with the rise and fall of your voice. “this one’s kinda tight,” you murmur, tugging at the neckline, and the fabric stretches, exposing the swell of your chest.

he wants to rip it off, wants to hear you gasp for real, not for the camera but for him. his strokes grow erratic, desperate, the slick sound of his hand filling the room, obscene and unstoppable.

he scrubs the timeline back again, pauses on the frame where your dress slips, where your underwear peeks out—a thin, lacy thing that makes his vision blur. he imagines pulling it aside, imagines the heat of you, the way you’d whimper if he pressed himself inside.

he’s close, too close, his hips twitching up into his hand. the video loops your giggle, that satisfied sigh, and he’s drowning in it, in you.

he pictures you catching him like this, walking into his apartment right now, seeing him with his pants down and his cock in his hand, flushed and leaking. would you laugh? would you blush? would you drop to your knees and let him finish on your lips, glossy and perfect and—

he comes with a muted groan, his head tipping back, eyes screwed shut as his release spills over his fingers, hot and messy. his breath shakes, a ragged exhale that leaves him hollow. the aftershocks pulse through him, and he slumps in his chair, the video still playing, your voice oblivious to the wreckage you’ve caused.

he pauses the frame. your mouth is mid-word, forming the shape of “oops,” lips parted just enough to make his chest ache. he wipes his hand on a paper towel from his desk, crumpled and stained from earlier sins. doesn’t look at himself. doesn’t think.

exports the file without touching a thing. names it “final_edit.mov.” then saves another copy, the raw footage, every sigh and rustle preserved. he names it “jesusfuckingchrist.mp4” and buries it in a folder labeled “misc_ref.”

he tries to normalize it.

“it’s just grading,” he mutters the next time he opens the project, the lie sour on his tongue. “just adjusting white balance.” but the playback bar hasn’t moved from your thighs. he doesn’t touch the colors. not really.

he zooms in under the excuse of checking “grain smoothing,” but it’s just your lip, caught between your teeth, your breath clipped at the edges like you’re holding back.

he tells himself he’s just learning.

every artist has their muse, right? except now he edits to your audio. he used to play podcasts, background noise to keep his brain from spiraling.

now? your breathing is layered into the timeline, a track he’s labeled “vox_ref.” he loops your laugh in reverse, lets it pan from left to right like it’s some surround sound experience.

“this is practice,” he whispers, dragging eq curves around nonsense, boosting the highs until your voice is sharp and intimate. “i’m experimenting with filters.”

right. filters. filters until your voice sounds like it’s right by his ear, like you’re whispering in bed, your breath warm against his skin. he plays a clip of you saying “do you like this one?” over and over, the words detached from context.

he doesn’t even care what you’re referring to anymore. he’s got that part memorized, the way your voice dips, soft and unsure, like you’re asking him to love you.

the next class is worse.

you walk past him in that fuzzy pink shrug thing, one sleeve slipping off your shoulder, and it’s like a bomb goes off in his chest. the fabric clings to you, soft and teasing, and he wants to grab it, pull it down, see how much skin you’ll let him have.

you lean down to plug your charger in, your jeans riding low—too low, the kind of low that makes him wonder how they’re even allowed on campus. he catches a glimpse of your underwear, a flash of lace, and his brain whites out.

he glares at his laptop, scoffs under his breath. “that outfit’s… desperate.” the word feels like a blade, sharp and mean, but it’s all he’s got to keep you at a distance.

your head tilts, innocent, eyes wide like you’re genuinely curious. “you think so?” you say it like you mean it, like you don’t already know the answer, like you haven’t watched your own footage and seen what he’s seen.

he shrugs, keeps scowling, doesn’t look at you. his fingers grip the edge of his laptop too hard, knuckles white. behind the screen, he’s got a paused frame of you licking lip gloss off your thumb, minimized in the corner. it’s been open since he got here.

his file structure is disintegrating. he used to name things with logic—timestamps, project codes, version numbers. now his desktop looks like a manifesto, a digital shrine to his unraveling. “vlog_tryon_final.mov.” “edit_3alt.mp4.” “fuckmeagain_laughcut.mov.” there’s a folder called “NOT work (unless)” that he doesn’t even open anymore, too afraid of what he’ll find.

he tries to draw a line, but it’s blurry. always blurry. he doesn’t know where the edit ends and obsession begins. when he dreams, he dreams about zippers—except they’re not zipzers. they’re your legs, parting slow and deliberate, your breath hitching as he pulls you closer.

a new text lights up his screen:

hey! idk if the last one looks good… should i redo it? it felt kinda awkward lol sorry T_T

you sound insecure, unsure, your words dripping with that self-conscious charm that makes his chest hurt. he stares at the message, his thumb hovering over the keyboard, his mind spiraling.

you don’t know, do you? you don’t know what you’re doing to him, how your voice alone is enough to make him hard again.

he types:

looks clean. don’t worry about it.

satoru watches the word clean sit there like a fucking lie. his dick twitches, traitor that it is.

he hates himself.

but he opens the raw file again. scrubs through, frame by frame, until he finds that timestamp—where you moan, soft and accidental, like you didn’t mean to let it slip. he watches it, his headphones sealing him in with the sound of you. he exports that single second, names it “moan_finalgodhelpme.mp4,” and tucks it away like a secret he’ll never confess.

the timeline sits open, your frozen frame staring back at him. he doesn’t close it. doesn’t want to.

it starts with static in his skull.

not the loud, electric kind that chokes you up or begs to be noticed. it’s quiet. a whir, like an old fan that never shuts off, humming behind his thoughts. when satoru drags his mouse across the screen and sees your name still on the folder, it buzzes—faint, familiar, a sickness with your scent.

he changes the name from “NOT work (unless)” to “ARCHIVE_21,” moves it to a different directory, pretends it’s work, or dead, or both. but the static doesn’t stop. it clings, sticky and warm, like your laugh looping in his headphones.

it doesn’t help.

not when he dreams in highlighter gloss and those half-bitten whines you make when stretching, your body arching just so. not when he wakes up rutting into damp sheets, mouthing your name like a damn prayer, his hips jerking against nothing. the shame burns, but it’s not enough to make him stop.

satoru’s trying.

really.

he takes up freelance gigs, edits wedding footage for some guy he hasn’t spoken to since second year. overlays cheesy filters, mutes the groom’s ugly laugh, syncs the vows to some overused acoustic track. it’s clean. respectable. sterile enough to make him itch, like he’s wearing someone else’s skin. but the folder’s still there, buried in his drive like it knows he’ll come back.

2:03 a.m.

his inbox pings, a sharp sound that cuts through the drone of his pc fans. your name lights up the screen, and his chest tightens before he even reads the message.

hiii satoru!! sorry for the late send, been sooo busy <3 can u take a look at this haul vid? i tried smth spicy but idk if it’s too much… lmk what u think pretty pls!!

march haul (raw).mp4

he knows he shouldn’t. there’s no logical reason, no business context, just the weight of your words—spicy, pretty pls—sinking into his gut. but his hands move on their own, clicking download, the progress bar filling like a fuse burning down.

click.

of course he does.

the video starts soft, your bedroom light diffused to a golden haze, casting shadows that dance across rumpled sheets. it looks like you’ve been tossing in them all day, the fabric creased and inviting.

you’re in lace—barely. something soft pink and flimsy, a slip of fabric that clings to your curves like it’s begging to be torn off.

your thigh’s out, one leg bent just enough to draw his eye, and the camera’s angled low, too low, like you meant to frame it this way.

“god, i hope this one fits…” your voice is breathy, a little strained, like you’re fighting the fabric. you adjust a strap, your fingers lingering on the lace, and your lip catches between your teeth, glossy and pink, a casual gesture that’s anything but. his breath stutters, a sharp inhale that burns his throat.

“oops, sorry—too much cleavage?” you laugh, not to yourself but at him.

he knows it.

his cock knows it, twitching against the seam of his sweatpants. the screen shakes as you set the camera on something unsteady—a stack of books, maybe—and it rocks just as you turn around, hips swaying, your ass hugged by that tiny thong, the lace cutting into your skin like a claim. you glance back over your shoulder, smirk poised like a dagger, eyes glinting in the soft light.

“i bet you’d pause right here, wouldn’t you?”

he does.

the video cuts mid-breath, and he doesn’t hear the silence. he’s frozen, hand halfway down, brain wiped clean. the frame lingers on your ass, the curve of it framed by lace, and his mouth is dry, his pulse hammering so loud it drowns out the static.

ping.

march haul (real).mp4

oops. wrong send lol. this is the real one!

his screen is still painted with the freeze-frame of your ass. his dick’s straining so hard it aches, a dull throb that makes him shift in his chair. he doesn’t respond, doesn’t move for a full minute, just stares at the message, the word oops taunting him. then—

he saves both files. drags them into “ARCHIVE_21” with a trembling cursor, his fingers clumsy on the trackpad. he opens the raw one again, slower this time, one hand on his lap, the other fisting his sheets until the fabric creaks.

you’re back on screen, adjusting the strap again, your laugh curling through his headphones like smoke. his hand slips under his waistband, and he’s already leaking, the tip slick and sensitive as he grips himself.

he strokes slow, deliberate, savoring the friction, but his mind’s elsewhere—on the hentai he’s spent years jerking off to, the doujins with dog-eared pages and cum-stained corners.

he pictures you like those girls, bent over and begging, your lace thong pushed to the side as he fucks you from behind, your moans louder, needier, than anything you’ve let slip on camera.

he imagines pinning you to those rumpled sheets, your thighs trembling under his hands, your ass bouncing with every thrust. no teasing giggles, no coy glances—just you, fucked out and whimpering, his name on your lips as he buries himself deep, so deep you can’t think.

his hand speeds up, the slick sound obscene in the quiet of his room. he scrubs the timeline back, pauses on the moment you turn, your smirk sharp and knowing.

he wants to wipe it off, wants to fuck you until you’re too wrecked to smile, until you’re clawing at the sheets and sobbing his name. he imagines your cunt, tight and wet, gripping him as he pounds into you, the lace of your thong rubbing raw against his skin.

it’s not enough to watch you anymore, not enough to stroke himself to your voice—he wants to ruin you, wants to feel you break under him, wants to make you his in a way those 2d girls never could.

he cums with a low, breathy whisper of your name, his hips jerking up into his hand. it’s intense, almost painful, spilling over his fingers and onto the hem of his shirt.

his chest heaves, his vision blurring as he slumps back, the video still playing, your laugh oblivious to the mess he’s become. he opens it again, doesn’t touch himself this time—just watches, memorizes, eyes glassy and mouth parted.

at one point, he swears he moans with you, a soft sound that slips out unbidden, his body betraying him even when he’s spent. when he edits the “real” file, he’s a machine. no stutters, no slips, just sharp keystrokes and surgical cuts, trimming shaky frames and boosting your voice until it’s crisp.

the guilt claws at him, a dull ache in his chest, but it only makes the next orgasm worse—and better. he exports it, names it “haul_march_final.mov,” and saves the raw file to a new subfolder: “stills_ref.” he doesn’t name the second copy. doesn’t need to. it’s just for him.

he plays it cool in class. “wow. another fit straight outta your grandma’s closet,” he scoffs as you pass, voice dripping with mockery, lips curling into something lazy and mean.

but his gaze flickers—just once, low and quick, like he’s checking for danger. and there it is. a flash of soft pink lace against the curve of your thigh as you shift your bag higher up your shoulder. just a sliver. deliberate.

he knows that lace. knows it from the raw footage, from the way it hugged your skin under golden light. his smirk falters for half a second, a crack in his armor.

you turn your head, slow as syrup, and smile at him over your shoulder. it’s airy, innocent, ditzy enough to play dumb, poisonous enough to feel like a threat. “mm? that bad, huh?” your voice is light, but your eyes linger a moment too long, sharp and knowing, like you’re peeling him open.

you take your seat two rows away, crossing one leg over the other with careful grace. your skirt rides up, just enough to show the edge of that lace again, and your fingers toy absentmindedly with the hem, brushing the fabric like it’s a game.

he doesn’t blink.

he knows what’s under that skirt, knows the way that lace bites into your skin when you move just like that. he’s seen it in soft lighting, tangled with shadows and sighs. he knows, and you know, and neither of you say a word.

he can’t breathe.

his hand trembles as he grips his pen, scrawling nonsense on the corner of his notes—random numbers, jagged lines, anything to keep his fingers busy.

someone’s asking a question about identity and performance, something about how we present ourselves versus how we wish to be perceived, and satoru’s already halfway to standing.

“sorry. washroom.” his voice cracks halfway through the lie, too sharp, too rushed.

satoru stumbles into the men’s room like he’s escaping a crime scene, the door clicking shut behind him. palm flat against cold tile, forehead pressed to the inside of his wrist, he tries to breathe, tries to think of anything else—code, deadlines, the wedding edit he’s behind on.

but it’s you.

always you. your smile, your laugh, the lace peeking out like a taunt.

he’s already hard, already leaking, the front of his jeans tight and unforgiving. he fumbles with the button, shoves them down just enough, and grips himself, his hand shaking as he strokes.

he closes his eyes and sees you—not the you in class, not the you playing dumb, but the you from his fantasies, the you he’s built from hentai panels and late-night desperation. he imagines you on your knees, lace thong pulled down, your cunt glistening as he fucks you against the bathroom sink.

no giggles, no teasing—just raw, desperate need, your moans echoing off the tiles as he slams into you, his hands bruising your hips, your body arching to take him deeper.

he wants you messy, wants you marked, wants to fill you until you’re dripping, until you’re his in a way that’s permanent.

he strokes faster, his breath hitching, his teeth sinking into his knuckles to muffle the groan clawing up his throat. he cums hard, too fast, his knees buckling as it spills over his hand, hot and shameful. he shakes, gasping, his forehead slick against the tile, and thinks of lace. thinks of lip gloss. thinks of your voice saying “oops” like it’s a sin.

it doesn’t take long for his desktop to become an altar.

the background’s still you, a freeze-frame from the first video, your lip gloss shimmering and fingers caught mid-twist in your hair. he tells himself it’s temporary, just a visual reference.

it’s been three weeks.

folders on folders: “hauls > favs > zoom_ins > stills > pantyshots.” “audio_samples > moan_loop > breath_only.wav.” “color tests > gloss_ref > lips.png.”

some nights, he replays a single frame just to watch your mouth form the word “fuck,” slows it down, isolates the syllables, pretends you’re saying his name instead.

the worst part?

you’re still pretending nothing’s changed. still calling them “favors,” still sending content like it’s work, like it’s nothing.

but your outfits are shorter, your giggles stick to the air longer, your eyes linger like you’re testing something. and when you purr, “you’re sooo good at this, satoru,” with that saccharine lilt, your voice curling around his name like a caress, he bites the inside of his cheek just to keep quiet. fists the sheets at night and prays.

he moans your name in the dark, face hot with shame, and hates how much he wants you to hear it.

satoru’s become sleep-deprived, dark smudges nesting beneath his eyes like fingerprints left behind by guilt or obsession or both. he wears his glasses more lately, less out of need and more as a buffer between him and the world—between him and you.

the lenses catch the glow of his new triple-monitor setup, a sleek beast he told himself was for coding, for editing, for multitasking. not for keeping your videos looping on the side monitor while he pretends to work on the main one. not for that at all.

your folder’s pinned in quick access, a permanent fixture in his file explorer. he keeps it open in the background at all times, a digital pulse that hums alongside his pc fans. second nature now, like breathing or wanting. not unlike a shrine.

in class, he pretends to take notes, his stylus scratching nonsense on his tablet. he’s not. he’s watching a gif on his phone, hidden under the desk—a loop of your tongue dragging slow across lip gloss, eyes soft with focus like you’re painting yourself pretty just for him. the gif’s only three seconds, but he’s memorized every frame, every flicker of your lashes. his thumb swipes to replay it, again, again, until his vision blurs.

ctrl+shift+eject brain.exe.

three days pass, and you haven’t messaged. he checks your chat thread more than he breathes—opens, closes, re-opens, scrolling through your old texts like they’ll reveal something new. every flicker of hope is a false start, a phantom ping that makes his chest lurch. he’s pathetic, he knows it, but knowing doesn’t stop the itch.

then:

ping.

april haul (suits).mov

hii satoru!! new haul vid for u to check <3 tried some swimsuits this time, hope it’s not too boring to trim hehe. lmk what u think!!”

he nearly drops his phone, his thumb smudging the screen as he fumbles to download. his new setup hums to life, the main monitor flashing with code he hasn’t touched in hours, the side monitor already open to your folder.

he drags the file into premiere, the timeline blooming across the screen, but his eyes are on the raw video, already playing on the right monitor, your voice spilling through his headphones like honey.

the video’s different this time. the camera’s lower, like it’s been left on a desk or shelf, pointing slightly upward to frame you from your knees to just above your head. your bed makes a cozy blur in the background, sheets tangled like an invitation.

you’re in a bikini top that isn’t trying very hard to stay on, thin strings knotted loosely at your neck and back, the fabric barely containing you. “mmm. does this scream summer, or slut?” you giggle, feigned innocence like frosting over heat, your voice curling around the words like you know exactly what they’ll do to him.

you play with the strings at your chest, tugging, adjusting, your fingers brushing the swell of your breasts. then, softer, breathier, to the lens: “baby, help me pick…”

baby.

it breaks him all over again, a crack that runs straight through his chest. his cock twitches, already hard, straining against his boxers.

everything after that gets softer, lazier, dangerous in how intimate it feels. there’s no performative energy now—just casual, candid seduction, your movements slow, like you’re not hurrying for anyone. like you know exactly who’s watching and how long he’ll linger.

when you shrug a dress off your shoulders, you sigh, the sound catching in your throat. when you twist to adjust a strap, you hum, low and absentminded. and when you struggle with a clasp at your back, your fingers fumbling, you moan—soft, unintentional, a sound that slips out like it surprised even you.

satoru’s thumb slams the spacebar, pausing the video, rewinding three seconds to hear it again. he watches the way your lips part, the way your brows twitch, the way your body shifts like you’re chasing the sensation.

he’s already leaking, his boxers damp as he shoves them down, his hand wrapping around himself. the side monitor loops the raw footage, your moan playing over and over, while the main monitor holds the paused frame of your parted lips. he strokes slow at first, his grip tight, his thumb swiping over the tip where he’s slick and sensitive.

his mind slips to the doujins he’s hoarded, the hentai he’s spent years chasing—the girls with flushed cheeks and desperate eyes, fucked raw and begging for more. but now it’s you, not some inked fantasy, and it’s so much filthier.

he imagines you sprawled across your bed, that bikini top ripped off, your thighs spread wide as he fucks you deep, relentless, your cunt clenching around him as you sob his name. no teasing, no giggles—just you, wrecked and dripping, your nails clawing his back as he takes you again and again, each thrust harder, messier, until you’re nothing but his.

his hand speeds up, the slick sound loud in his room, mixing with your looped moan. he wants you pinned beneath him, wants to feel you squirm, wants to fuck you until the bed creaks and your voice breaks, until you’re begging like those hentai girls, your glossed lips trembling as you say his name—satoru, please, more.

he imagines filling you, his cum leaking down your thighs, your body marked by him in ways he can’t unsee. it’s not enough to watch, not enough to stroke—he wants to own you, wants to make you his in every way those 2d fantasies taught him to crave.

he cums hard, forehead pressed to his desk, a low groan tearing from his throat as it spills over his hand, his keyboard, the edge of his new setup. his breath is ragged, like he’s run a marathon, his glasses fogging slightly as he gasps.

the side monitor still plays, your voice oblivious, your moan looping like a hymn. he doesn’t stop the video, just slumps back, spent and shaking, and watches again, his hand twitching like it’s not done.

it doesn’t take long for his room to reek of sweat and sin.

he edits shirtless now, sometimes in boxers, always hard, always leaking. every file’s renamed with trembling hands: “wifey_take7.mov.” “wifey_raw.mp4.”

he syncs your sighs to his lo-fi playlist, turns it into a lullaby, falls asleep to the sound of your breath. sometimes he slows your voice just to hear “baby” dragged out into velvet, makes gifs of your hands skimming your hips, kisses the screen when he’s drunk enough to forget shame.

you, on the other hand, don’t break character.

in class, you chew your pen and lean forward, the arch of your spine exact, your cleavage subtle—barely a tease, just enough to make his throat tighten. he looks away with a clenched jaw, adjusts himself under the desk, twice, his jeans unforgiving.

you whisper to a friend and giggle, and he lipreads, thinks he sees the words “can’t wait,” but maybe he’s hallucinating, maybe not. it doesn’t matter.

he starts responding to the clips aloud.

“fuck yes, that one.” “spin again, baby.” sometimes he mumbles your name like a prayer, sometimes he chokes it into his pillow. every orgasm has your name carved into it, a brand he can’t erase.

one night, he opens a file to edit, drags it into premiere, but he doesn’t touch it. just watches, headphones in, barely breathing. not a content creator now, not a student, not even a man—just a creature of need, and you his ritual, his muse, his goddess.

the screen shows you adjusting the straps of a silky babydoll, the lighting warm, your thighs bare, half-tucked under you as you sit prettily at the edge of your bed.

“okay, so this one’s… like, totally giving ‘come to bed’ energy, right?” you giggle, voice light, teeth sinking into your glossed lip as you bounce once, soft and natural, the fabric barely covering your chest.

satoru groans low in his throat, not even trying to hide it. “it’s giving bend over,” he mutters, lips twitching, his side monitor looping the raw footage, his main screen frozen on your smile. “fuck, look at you…”

you reach behind you, struggle with the clasp, wiggle your shoulders like you’re teasing whoever’s behind the camera. “oof. that’s tight… should i size up?” a breathy laugh follows, your sigh melting into it.

he licks his lips, your audio crystal-clear in his headphones. you’re right there, talking to him. “nah, baby,” he croons, eyes fixed on the curve of your spine as you turn. “tight’s perfect. keeps the goods in place.”

you blow a kiss at the lens. “hope you’re not bored yet,” you say with a wink. “i saved the cutest for last…”

you bend off-frame, your ass peeking just above the edge of the bed, round and inviting in cotton panties with lace trim, and when you rise again, your hands hold something sheer and tiny. “tadaaa,” you whisper, eyes glinting with mischief. “this one’s for my favorite viewer.”

00:05:46—satoru slams the shortcut, timestamp saved. a second later, he screenshots, then again, then again, frame by frame, until he finds the exact one where your lip’s caught between your teeth and your ass is still halfway in the air.

“fucking perfect,” he mutters, breath uneven. he pulls the image up on his main screen, zooms in, sharpens it, runs it through noise reduction. the side monitor loops the raw video, your voice sweet and teasing, while the right monitor plays a gif of your earlier moan, your lips parted in that soft, accidental sound.

his hand’s already moving, shoving his boxers down, his cock springing free, hard and leaking like it’s been waiting for this.

he grips himself, rough and urgent, no pretense of patience. the new setup’s perfect—your video on the side, his code on the main screen like he’s working, but it’s all you, every pixel, every sound.

he strokes in time with your giggle, his eyes flicking between the gif of your moan and the screenshot of your ass, his mind spiraling into the filthiest corners of his hentai-soaked brain.

he imagines you on that bed, face down, ass up, the babydoll hiked to your waist as he fucks you so hard the headboard cracks. he wants you screaming, wants your cunt pulsing around him, wants to pull your hair and make you look at him as he fills you, over and over, until you’re a mess, until you’re his completely.

his strokes are frantic, his breath hitching, his hips bucking into his hand. he pictures you tied to the bed, like that one doujin he read last month, your wrists bound with those same bikini strings, your thighs trembling as he fucks you through one orgasm into the next.

he wants to cum inside you, wants to watch it drip out, wants to push it back in with his fingers and make you lick them clean. it’s not enough to jerk off anymore, not enough to dream—he wants to break you, wants to make you real, wants to fuck you until you’re as addicted to him as he is to you.

he cums with a choked growl, his head tipping back, glasses slipping down his nose as it spills over his hand, his desk, the sticky mess splattering his keyboard.

he’s shaking, gasping, his chest heaving as the side monitor loops your voice, your “baby” purring like a mantra. his wrist’s sticky, his room a haze of sweat and shame, but he doesn’t care. he’s not even really here.

you’re everywhere now—three monitors, three altars, your image burned into his retinas. he’d worship on his knees if you asked.

the next day, another file:

april haul (closeups).mp4

sorry! idk if this one’s helpful but i liked the shots hehe

he doesn’t unzip his pants. doesn’t need to. he’s already throbbing from the inside out, his body reacting to your name alone. he clicks, watches, kneels, and whispers your name like a benediction, the static in his skull louder than ever.

it starts with a ping.

innocuous. a single pixel shift on the main monitor mid-code, just as satoru’s debugging a script for a deadline he already missed. his side monitor hums with your last video, paused on that frame where your lip’s caught between your teeth, and the third monitor’s open to a half-finished render he hasn’t touched in days. he glances lazily at the notification, expecting another reminder from suguru to shower or eat—

but no. it’s you.

hey… do u do filming too?

his fingers freeze. heart jams, a dull thud in his chest. the cursor blinks, waiting, mocking. he doesn’t think. doesn’t breathe. his glasses slip down his nose, and he doesn’t fix them. the words burn into his retinas, and his cock twitches before he can process why.

yeah. totally. what kind of shoot?

he sends it, his thumb trembling over the enter key. no reply. not for five whole minutes. the wait is a crucifixion, each second stretching into eternity. he keeps opening and closing the chat, rereading your words like they might shift into something dirtier, something more.

his triple-monitor setup glows, your frozen frame on the side monitor staring at him, lips parted, eyes glinting. he’s already leaking in his pants, a damp spot spreading against his thigh.

then:

just a casual thing. home setup. come over?

he reads it twice. three times. his breath catches, sharp and shallow, like he’s been punched. come over. your dorm. your space. he’s hard, achingly so, his boxers tight and unforgiving. he doesn’t reply, just slams his laptop shut, grabs his camera bag, and stumbles out the door.

he shows up twenty minutes later, barely remembered to wear deodorant, definitely forgot his dignity. his high-end sony alpha mirrorless—loaded with a lens that costs more than most people’s rent—bounces against his chest as he knocks. his palms are slick, his glasses fogging slightly from the heat of his own nerves.

you open the door with a giggle, wrapped in a pastel pink robe that might as well be air. it clings to the curve of your waist, parts at the thigh, revealing soft skin that makes his throat burn. your hair’s still damp, sticking to your collarbones, and the scent of vanilla lotion hits him like a drug. “thanks for coming! i’m kinda nervous…”

he wants to bark out same, but his jaw locks. he swallows instead, the motion too loud in his ears. “no problem.” his voice is gravel, like he’s choking on his own want. he steps inside, and your dorm swallows him whole—warm, cutesy, a pastel fever dream of plush throw pillows, fairy lights, and a pink velvet couch that looks too soft, too inviting.

he’s already imagining you bent over it, your robe hiked up, your moans echoing off the walls. it smells like you sprayed your strawberry perfume over every surface, dizzying, suffocating. his glasses fog again.

he sets up the tripod with shaking hands, the sony’s weight grounding him just enough to keep from falling apart. you bounce around the living room, humming, fluffing pillows on the couch, fixing your gloss in a heart-shaped mirror propped against a shelf.

“does this lighting make me look washed out?” you ask, stepping back, tilting your head. then you bend to adjust a lamp, and your robe parts just enough to reveal the gentle curve of your ass, bare except for a sliver of lace.

he sees. pretends he didn’t. fumbles the lens cap, twice, the plastic clattering to the floor. his face burns, but he keeps his eyes on the camera, adjusting settings he doesn’t need to touch.

you brush past him again and again, your bare arm glancing his, silk whispering across his knuckles when you pass. he smells shampoo in the air, thick and sweet, and it’s you, all you, sinking into his lungs. “you nervous?” you tease, voice light, a giggle curling at the edges.

he scoffs, wiping his palm against his jeans, the denim rough against his slick skin. “pfft. nah. i’ve filmed worse.” a lie, bold and brittle, his voice too tight to sell it.

“worse than me?” you pout, stepping closer, close enough that he can feel the warmth of your breath. “ouch.”

“i didn’t say that.” his voice cracks, a hairline fracture. he’s too aware of you, of the way your robe slips an inch, of the way your eyes glint like you’re playing with him.

you tilt your head, wide-eyed, all fake innocence. “sooo… you have filmed pretty girls before?”

he falters, breath stuttering in his chest. he’s a virgin, hasn’t touched a girl in years, hasn’t wanted to—not when hentai’s been enough, when doujins have been his only lovers. but you’re real, and you’re here, and you’re breaking him.

“no one like you,” he says, unfiltered, raw, the words slipping out before he can stop them.

your lips curl, slow and sweet, a smile that says i know. “hm. figured.”

you disappear into your bedroom for a few minutes, the door clicking shut. he pretends to adjust the white balance, tweaking settings on the sony that are already perfect, but really he’s staring at the door like it owes him salvation.

his cock’s throbbing, a dull ache that won’t quit, and he shifts, trying to ease the pressure. the living room feels too small, the pink couch too soft, the fairy lights too intimate. he’s imagining you sprawled across that couch, your robe gone, your thighs spread, his camera capturing every gasp.

the door opens. you emerge. lingerie set, pale and sheer, a mini skirt that barely qualifies, lip gloss freshly reapplied. you look like a doll, saccharine and sinful, every curve a taunt. “can you help me zip this?” you turn, bare back exposed, the zipper halfway up, your spine a perfect line that begs to be touched.

he steps forward, too close, his exhale brushing your shoulder. his fingers graze your skin—soft, warm, real—and you shiver, a small, deliberate tremor. he pulls the zipper up with trembling hands, the metal catching once, his breathing uneven. the distance between you shatters into nothing, the air thick with static.

“you’re doing this on purpose,” he rasps, low in your ear, his voice rough with want.

“doing what?” you whisper, fake innocence thick as honey, your head tilting just enough to catch his eye.

you look back at him, lashes fluttering, lips parted, glossy and pink. he breaks.

“fuck.”

he grabs you, his hands rough on your hips, your mouths crashing together—teeth, tongue, gasps. your lip gloss smears against his cheek, sweet and sticky, and he groans into the kiss, devouring you.

you moan into his mouth, legs wrapping around his hips as he lifts you onto the counter, the edge biting into your thighs. you’re silk and heat and sin beneath his hands, and he’s forgotten everything else—his camera, his code, his shame. only you exist now.

you feel his hard-on through his jeans, pressed against your thighs, and he’s panting, his breath stuttering against your skin as he kisses down your jaw, your neck, the ridge of your spine. his mouth is everywhere, like he’s starved, like he’s trying to memorize you with his tongue.

his glasses slip down, and he grins against your collarbone. “need to get a better look,” he mutters, a flimsy excuse to lean closer, until the fog of his breath warms your skin. he bites your collarbone, hard, groaning when he leaves a mark. “wanna see that in playback.”

he drops to his knees without hesitation, a virgin’s worship, reverence born from years of hentai and nothing else. his fingers dig into your thighs, spreading them wide, and he groans like he’s just found salvation. he runs his tongue along the inner part first, slow and teasing, so close to the lace of your panties but not touching what you want.

you try to close your legs, but he forces them open, his grip bruising, his mouth finding the wet spot through the fabric. “fuck, you’re soaked,” he growls, voice muffled, his tongue dragging heavy and slow, the lace rough against your clit. “been wet for me this whole time, huh? fuckin’ tease.”

you whimper, hips bucking, and he moans into you, the vibration making you gasp. he licks through the panties, relentless, his glasses slipping halfway down his nose but he doesn’t care.

“you taste better than i dreamed,” he says, his voice hoarse, hentai dialogue spilling out like it’s natural. he sucks at the fabric, tongue pressing harder, and you’re trembling, your hands fisting his hair as you grind against his face. he’s messy, desperate, his moans louder than yours, like he’s the one about to cum. you do, hard, a cry tearing from your throat as you shudder against his mouth, and he doesn’t stop, lapping at the soaked lace like it’s his last meal.

he presses his cheek to your thigh, sticky and glistening, looking up at you with glassy eyes. “first one’s mine,” he says, grinding his hips into the floor, his jeans tight with his own need. you don’t think he even realizes he’s doing it. he spreads you open with his fingers, peeling the panties aside, watching your hole twitch with a hunger that makes his mouth water.

“look at that,” he murmurs, almost to himself, his voice dripping with awe. “fuckin’ perfect.” he slides two fingers in, slow at first, then deeper, curling them just right, like he’s memorized every doujin panel that showed him how. “shit—i’ve seen this in hentai but it’s better. fuck, it’s real.”

his fingers pump, slick and steady, and you’re moaning, head thrown back, the counter digging into your hips. he adds a third, stretching you, his free hand jerking himself through his jeans, matching the pace of his fingers inside you. “so tight, baby. you’re gonna feel so good around my cock.”

he spits on your pussy, a quick, filthy gesture, his eyes locked on yours as it drips down. “they never show that part right in hentai. had to test it myself.” you moan, loud and broken, and he moans louder, his fingers slipping out with a wet squelch. he licks them clean, slow, eyes fluttering shut like he’s savoring you. “fuck—want it all.”

he stands, trembling, his jeans tented painfully. “can i?” his voice is small, almost pleading, a crack in his bravado. you nod, and he fumbles with his belt, shoving his jeans down just enough. he lines himself up, his cock thick and leaking, the tip brushing your entrance. “you’re so warm—holy shit—you’re squeezing me—fuck—”

he slides in, slow at first, gasping as you take him, your cunt tight and slick around him. he’s a virgin, but he knows this, knows the rhythm from years of jerking off to scenes just like this. he freezes, trying not to cum, his glasses fogging as he pants. you clench down, deliberate, and he slaps your thigh, a quick, sharp sting that earns him a whine.

“don’t—fuck, don’t do that yet.”

he pulls out, just to slam back in, harder, the counter creaking under you. his rhythm’s sloppy, desperate, but he finds it, each thrust deeper, rougher. “look at you,” he growls, his voice pure filth, hentai dialogue spilling free. “taking my cock like a good little slut. you love this, don’t you? fuckin’ made for me.” he licks the tears running down your cheek, his tongue hot and greedy. “crying already? baby, i’m not even close to done.”

you moan his name, and he loses it, his thrusts turning frantic, messy, like he’s trying to ruin you. “film it. show me what you see,” you gasp, and he fumbles for his phone, almost dropping it with how hard he’s shaking.

the camera app opens in a blur of fingers, then steadies, the lens catching you spread wide beneath him, thighs trembling, pussy stuffed full of his cock. he holds it there, watching the way you flutter around him, his breath ragged. “watch this later and see how ruined you look, baby,” he pants, voice hoarse, wild.

he leans in, still recording, whispering filth against your ear. “that’s right. take it. cry for me. i want you loud.” his other hand drags the mic closer, the sony’s external recorder capturing every slick thrust, every broken sob, every wet squelch, loud and obscene.

he fucks you harder, the counter shaking, your tits bouncing with each thrust. “gonna fuck you on every piece of furniture in here,” he growls, his voice low, unhinged. “that couch? gonna bend you over it. that table? gonna spread you wide. your bed? gonna fill you till you’re screaming.”

you clench around him, and he groans, his hips stuttering. “fuck, you like that? you want me to wreck you everywhere, don’t you?” you nod, gasping, and he slaps your thigh again, harder, leaving a red mark. “say it, baby. tell me you want it.”

“i want it,” you whimper, voice breaking, and he grins, feral, his thrusts turning punishing. you cum again, a shuddering mess, your cry echoing in the mic as your cunt pulses around him, slick dripping down your thighs. he doesn’t stop, doesn’t slow, his cock throbbing as he fucks you through it.

“gonna fill you up,” he pants, his voice cracking, hentai fantasies spilling out. “gonna cum so deep you’ll feel me for days. you want that, don’t you? want my cum dripping out of you?”

you nod, moaning, and he loses it, slamming into you one last time as he cums, a guttural groan tearing from his throat. it’s hot, messy, spilling inside you, and he keeps thrusting, shallow and desperate, like he’s trying to push it deeper.

satoru doesn’t stop.

in fact, he lifts you, his arms wrapping under your thighs like you’re weightless, his cock still buried inside you, slick and pulsing. your head lolls against his shoulder, your breath hot against his neck, and he groans, low and guttural, as he carries you toward your bedroom.

the air shifts as he crosses the threshold, your perfume hitting him harder here—floral and sugary, the same scent that clings to your pillow, your wrist, your everything. it’s thicker in this room, curling around him like a trap, and he kicks the door shut behind him, the click loud in the quiet.

he pushes you toward the vanity, your back meeting the cool glass of the mirror with a soft thud. he bends you over it, slow and deliberate, his hands guiding your hips until your cheek presses against the surface, your breath fogging the reflection.

“look at you,” he groans, angling his phone to capture the scene—your flushed face, your glossed lips parted, your eyes half-lidded in the mirror as you whine in embarassment.

“pretty little thing, still trying to act innocent.” his voice is rough, edged with hunger, and he shifts his hips, thrusting shallowly, keeping you pinned, reaching for your lip gloss.

you mumble something, a weak protest or plea, but he shuts it up with a swipe of your lip gloss across your mouth, his hand trembling as he paints your lips pink, the applicator slick and messy.

“perfect,” he says, pulling back just enough to admire the shine, the way it catches the light. then he pushes in again, deeper, and you both moan, the sound mingling in the air, caught by the sony’s mic still recording from the tripod in the corner.

he kisses you messily—gloss smearing, lips hungry, teeth clashing as he grinds his hips, slow and torturous, never breaking the rhythm. the camera stays on, the phone propped against a perfume bottle, capturing every gasp, every shudder.

“taste so fuckin’ good,” he mutters against your mouth, his tongue chasing the sticky sweetness. “gonna kiss you till you’re dripping everywhere.”

satoru lays you on the bed next, gentle but urgent, his hands shaking as he props his phone against a stack of books on your nightstand, the camera app open, framing you perfectly—your body sprawled across the pastel sheets, thighs parted, lingerie barely clinging to your skin, the sheer fabric of your top stretched tight over your chest, the mini skirt hiked up to expose the lace of your panties.

he climbs over you, his glasses slipping down his nose, and pushes your legs up, hooking them over his shoulders, the angle forcing you open, vulnerable.

“fuck, you feel like heaven,” he says, voice cracking, almost reverent, as he slides back inside you, slow and deep, the heat of you pulling a groan from his throat. “i’m never gonna stop, baby.”

each thrust is deliberate, his hips rolling to hit that spot that makes you arch, your nails raking down his arms, leaving red trails he’ll stare at later.

he kisses you through it, his mouth sloppy and desperate, swallowing your moans like they’re his lifeline. the bed creaks under you, the fairy lights casting a soft glow over your tear-streaked face, and he’s lost in it, in the way you clench around him, so tight it’s like you’re made for him.

“so fuckin’ perfect,” he pants, his lips brushing your ear, his breath hot and uneven. “taking my cock like you were born for it.”

he tugs at the straps of your lingerie top, pulling it down until your tits spill free, the sheer fabric catching under them, and he groans, his mouth latching onto a nipple, sucking hard until you whimper, your hips bucking against him.

but it doesn’t last—he needs more, needs to see you break in ways he’s only imagined in the dark of his room, his hand on his cock and your videos on loop.

he pulls out, his dick slick and throbbing, and grabs your hips, flipping you with a low grunt. he drags you up by the waist, positioning you on your knees, your ass high, your face pressed into the sheets, the skirt still bunched around your hips. his hand slides up your spine, pushing your chest down, arching you just right, and he yanks the lace panties to the side, not bothering to take them off.

“this is what you get for teasing me all these days,” he growls, his voice unhinged, as he lines himself up and thrusts in, hard and deep, the slap of skin sharp in the quiet room.

you whimper, muffled against the pillow, and he fucks harder, each thrust rocking you forward, the bedframe rattling, your moans spilling free despite the fabric. his phone’s still recording, propped precariously, catching every angle—your arched back, your trembling thighs, the way his cock disappears into you with every brutal snap of his hips.

“look at that pussy,” he says, his free hand gripping your ass, spreading you open for the camera. “so greedy, swallowing me whole. you love this, don’t you?” he tugs your hair, pulling your head back, forcing your cries to echo. “louder, baby. let the whole fuckin’ dorm hear you.”

he slows, just to torment you, his hips grinding deep, making you squirm, your overstimulated body shaking under him. you’re teary, sobs catching in your throat, but he doesn’t care—he wants you loud, wants you broken. he leans down, his chest pressed to your back, and bites your shoulder, hard enough to leave a mark.

“cry for me,” he whispers, his voice rough, his hand slipping around to pinch your nipple, twisting until you gasp. “wanna hear you fall apart.” he pulls out, leaving you empty, and you whine, a desperate, keening sound that makes him smirk.

“patience, princess,” he mocks, slapping your ass lightly, the sting making you clench around nothing.

satoru guides you up, turning you to face him, and pushes you back onto the bed, climbing over you. “wanna see you ride me,” he says, lying back against the headboard, his hands gripping your hips as you straddle him. he tugs the skirt off completely, tossing it aside, leaving you in just the stretched-out lingerie top and soaked panties.

“bounce,” he growls, his eyes locked on where you sink down onto him, slow and deliberate, your cunt stretching around him as you take him inch by inch. “show the camera how you fuck me.”

his phone’s angled to catch it all—your tits bouncing, still half-caught in the sheer fabric, your thighs trembling, the way you gasp every time you drop down, taking him to the hilt.

you move, your hips rolling, your hands braced on his chest, and he’s sweating, his glasses slipping, his breath ragged. he doesn’t let you slow, his hands lifting you, slamming you back down, making you take him deeper. “that’s it,” he says, voice hoarse, his fingers digging into your ass, leaving bruises. “fuck yourself on my cock. show me how bad you need it.”

you’re sobbing now, tears streaming down your cheeks, but you keep going, your moans loud and broken, your body shaking from the overstimulation. he reaches up, ripping the lingerie top off completely, the fabric tearing with a sharp sound, and gropes your tits, squeezing hard, his thumbs brushing your nipples until you shudder.

“these are mine now,” he says, his voice pure filth. “gonna mark ‘em up so you can’t hide.”

he’s close, too close, but he’s not done.

he pushes you off, gentle but firm, and stands, pulling you with him toward the full-length mirror by your closet. he spins you, pressing your chest to the glass, your hands splaying against it, your tear-streaked reflection staring back.

he kicks your legs apart, his cock nudging your entrance, and slides in, slow and deep, his breath hot against your ear. “look at you,” he says, his lips brushing your neck, his hands caging you against the mirror. “look at my cock ruining your pussy.”

he thrusts, slow at first, watching your reflection—your tears, your drool, your gloss-smeared lips, the way your body shakes with every snap of his hips. “you wanted a nerd? this nerd’s gonna fuckin’ break you.”

he fucks you harder, the mirror rattling, your moans bouncing off the walls, loud enough to wake the neighbors. “so fuckin’ pretty,” he pants, one hand slipping to your clit, rubbing messy, relentless circles. “gonna cum all over my cock, aren’t you? gonna make a mess for me?”

you nod, sobbing, your body trembling, and he slaps your ass, the sting sharp, making you clench around him. “say it, baby. tell me you’re mine.”

“i’m yours,” you gasp, voice breaking, tears streaming, and he cums with a raw groan, spilling inside you, hot and thick, his hips stuttering as he rides it out.

he doesn’t pull out, doesn’t stop, his cock still hard, still twitching as he fucks his cum deeper, the slick sound obscene. “not done,” he mutters, his glasses fogged, his voice wrecked. “gonna make you cum again.”

he keeps going, relentless, his thrusts slower but deeper, each one pushing his cum back inside, making you shake. his fingers on your clit are merciless, circling fast, and you’re oversensitive, your body convulsing, your moans turning to desperate cries. “satoru—fuck—too much—” you sob.

he only slaps your thigh, sharp and stinging, and leans in, his lips grazing your ear. “too much? nah, princess, you can take it. wanna feel you squirt for me.”

he angles his hips, hitting that spot that makes your vision blur, and you’re gone, your body locking up as you cum, a gush of wet heat soaking his cock, dripping down your thighs, pooling on the floor. he groans, loud and broken, his hips jerking as he cums again, another hot rush filling you, spilling out around him.

“fuck—look at that mess,” he pants, his hand smearing the slick between your legs, rubbing it into your skin. “all for me.”

but he’s not done. he pulls you back to the bed, laying you on your side, one leg hooked over his arm as he slides back in, his cock still hard, slick with your cum and his. “one more,” he begs, his voice cracking, his glasses crooked. “gimme one more, baby. need to feel you again.”

he thrusts slow, deep, his hand slipping between your legs to tease your oversensitive clit, and you’re crying, tears streaming, your body shaking from the intensity. he bites your neck, leaving marks, and whispers, “love it when you cry for me. so fuckin’ loud, just how i like it.”

he shifts, rolling you onto your stomach, keeping you pinned as he fucks you into the mattress, his hand pressing your face into the sheets. “gonna cum all over you,” he growls, his thrusts turning sloppy, desperate. “gonna fill you up till you’re leaking me for days.”

you cum again, a shuddering, broken mess, your sobs muffled against the pillow, your body convulsing as you squirt again, weaker but still enough to soak the sheets. he cums with you, a third time, his groan hoarse, his hips stuttering as he spills inside you, the mess dripping out, pooling under you.

“fuck—baby—” he gasps, his voice wrecked, his body shaking as he collapses against you, his glasses falling off completely, clattering to the floor.

“mine now,” he whispers, hoarse and ruined, his forehead pressed to your back, his breath hot and uneven. “you’re mine now.”

you nod, too spent to speak, your body limp, your reflection in the mirror a blur of tears and gloss and him, the phone still recording every ragged breath, every whispered “fuck” as he pulls you closer, not letting go.

but then silence swells, heavy and slow, filling the room like a fog. the air’s thick with the aftermath—sweat, cum, and the lingering sweetness of your perfume, still clinging to the sheets, to him.

satoru’s hands tremble where they hold you, one slipping down to fumble with his phone, stopping the recording with a clumsy tap, the other pressing flat against your stomach, grounding him, grounding you. your breaths are too loud, ragged and uneven, syncing in the quiet like a metronome.

he leans away slightly, just enough to grab a towel from the edge of your bed, awkward in the afterglow like he just realized he desecrated a temple. his glasses are gone, lost somewhere in the mess of sheets, and his hair’s a disaster, sticking to his forehead, damp with sweat.

“shit,” he mutters, voice barely above a whisper, too quiet for the boy who was growling filth ten minutes ago. “did i—i mean. that wasn’t too much, right?” there’s a crack in his tone, a flicker of panic, like he’s replaying every thrust, every slap, every sobbed moan he pulled from you.

you don’t answer at first, too dazed, too wrung out, your body still humming from the overstimulation, your thighs sticky and trembling.

your silence makes him spiral.

“fuck, i knew it. i pushed too hard. i got carried away—i was recording—fuck—i didn’t even ask—” his words tumble out, frantic, his hand raking through his hair as he sits up, eyes wide, searching your face for any sign of regret.

you turn to face him, slow and sore, your cheek pillowed against your arm, the motion making your body ache in the best way. your eyes are still wet, lashes clumped with tears, lips kiss-bruised and sticky with half-worn gloss, swollen from his teeth. you stare at him—this boy, this dork, with his mussed-up hair and the panicked look of someone who just lived out a lifelong fantasy and now doesn’t know what to do with it.

“i’m okay,” you say, your voice shredded, raw from screaming his name. “jesus, i’m so okay.”

he exhales, a shaky rush of air, like he’s been holding it in for hours. he collapses back against you, burying his face in your neck, his lips brushing the bite mark he left earlier. “fuck, you scared me,” he mumbles, his voice muffled, warm against your skin. then, quieter, almost unhinged: “we just speedran my entire hentai folder.”

you laugh, a weak, breathy sound that bubbles up despite the ache in your ribs. “i know.”

“i didn’t even know i could,” he says, his voice small, like he’s confessing a sin. “i haven’t even done that in vr.”

you snort, the sound catching in your throat. “nerd.”

he groans, but it’s not annoyed—it’s mortified, the kind of sound that comes from knowing he’s exposed himself completely. “i’m never gonna recover from this. i glossed you like a fuckin’ bratz doll. i glossed you.” his hand gestures vaguely at your lips, still shiny and smeared, and you laugh again, the sound softer now, your body too tired for anything more.

you roll over fully, tugging him down into the blankets with you, the pastel sheets tangling around your legs. he follows like a kicked puppy, his head resting on your chest, his breath warm against your skin. you can feel his heart still racing, his body still trembling from the high.

“i just,” you mumble, your voice barely audible, “wanted you to notice me. back during the group project, you never looked at me. just your laptop. even when i wore that stupid short skirt.”

he goes silent, his fingers pausing where they’re tracing lazy circles on your hip. then, in a voice so small it barely carries: “…you wore that for me?”

you nod, your cheek brushing his hair.

he lets out the tiniest, most violated gasp, like you’ve just rewritten his entire reality. “i thought you were just one of those girls who always looked hot. like, default setting.” his voice cracks on the last word, and you can’t help the teasing smile that tugs at your lips.

“no,” you say, your tone playful despite the exhaustion. “i was trying to seduce the dumbass with the mecha desktop background.”

he muffles a sob into your chest, half-laugh, half-groan, his arms tightening around you. “i love mecha…” he says, like it’s the most tragic thing in the world, and you hum, stroking his hair, your fingers catching in the sweaty strands.

“i know.”

a long pause settles over you, the kind that feels like it could stretch forever. the fairy lights twinkle softly, casting shadows across the room, and your perfume lingers, mixing with the musk of sex. his breathing slows, but he doesn’t let go, his body still pressed to yours like he’s afraid you’ll vanish.

then he lifts his head, his eyes serious, stripped of the wild edge they had before. “can i… hold you properly? not like—y’know—breeding press. like, real holding.” his cheeks flush, like he’s embarrassed to admit he wants something soft after all that.

“you already folded me in half like a love letter,” you whisper, but you shift into his arms anyway, letting him pull you close. he wraps around you, tight, needy, his hands trembling like he’s still processing you’re real, not just pixels on a screen. his hold is desperate, like he’s trying to memorize the shape of you, every curve, every soft inch, in case this never happens again.

“don’t make fun of me,” he says, his voice muffled against your shoulder. “i think my crush on you just speedran into obsession.” there’s a rawness to it, a confession that feels too big for the quiet, but it lands soft, like he’s finally letting it out.

“you’re the one who begged for one more while crying into my shoulder,” you tease, your voice barely above a whisper, your fingers tracing the line of his jaw.

“stop,” he groans, burying his face deeper, his arms tightening like he could squeeze the embarrassment out of himself. “i’m gonna die.”

you press a kiss to his forehead, slow and deliberate, your lips lingering on his sweaty skin. “you’re not gonna die,” you say, your tone soft but firm. “you’re gonna eat me out on friday and wear your glasses while you do it.”

he whimpers, a pathetic, needy sound, his hips twitching involuntarily against your thigh. “say less,” he mumbles, his voice wrecked, but there’s a spark in it, like you’ve just lit something in him again. you giggle, wrapping your leg around his waist, pulling him closer, your skin sticking to his in the humid air.

and in the quiet, as you’re both drifting off—sore, sticky, still catching your breath—he says it again. not ruined this time, not even possessive. just low. certain. like he’s already planning his next sin.

“mine.”

you don’t answer. just smile into the pillow, heart pounding. because maybe you are. and maybe you’ll let him prove it again.

especially once he finds out what cosplay you ordered last week.

friday’s going to be filthy.

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thistaleisabloodyone · 1 year ago

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Hm. Does anyone see a trend here?

#thistale rambles #thistale is a data nerd #i went through and found stats for like 5 different acrylic stand sets #but that's on the laptop #so i'll have to add that later #darker color = bigger number #the first five rows of numbers are in thousands #the sixth row is prices in yen #average numbers #(for the most part - only got one data point for insta followers rn)#kazuma -> hokuto -> riku itsuki and makoto #roughly #likiya takuma and rui chilling at the bottom #they're the people buried under the kazuma landslide

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felassan · 5 months ago

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Sylvia Feketekuty: "To celebrate DA day, I've made a bluesky account that I'll keep active for a few days to talk about my work on Inqusition or Veilguard! After a few days I'll lock the account, because I'm not a social media person. Happy to talk until then though. I want to say straight off: the reception to Emmrich, Manfred, the Mourn Watch, and the Grand Necropolis has been heartwarming for all of us who worked on those people and places. Thank you all very much!" [source, two]

Rest of post under cut due to length and spoilers. [Post Two, Post Three]

Sylvia Feketekuty: "In the meantime, I do want to talk about a couple of things I saw floating around regarding Emmrich: 1. Emmrich being 52 or 50. I think people got 50 from data mining a character file, but we can't do a ranges in those files. As in, I couldn't input 50-60, it had to be a whole number. I put down 50 as an early ballpark, then went more accurate in later audition scripts. 2. Fifty-two is a old number I threw into an early document before his art or character was totally final. (And which caused another developer a headache because they thought it was accurate, I never updated it. Sorry about that.) 3. "Wait, how old is Emmrich then?" Once I saw his final character art, I felt more mid to late 50s. MAYBE early 60s. But unless we specifically state a character's age in the game, it's all malleable. I honestly would just adjust it to your impressions unless stated otherwise. 4. I've also seen comments on how weird it is for Emmrich to act like there's an age-gap in the romance if your Rook is around his age. And you're right. 5. The reason is because Rook WAS younger when those scenes were written and worked on. I felt it'd be odd if I never addressed the May-December aspect, especially as it hooks into some of Emmrich's worries. 6. By the time that shifted, it was really too late to change without catastrophic repercussions to the excellent cinematics and music and other things that depend on line delivery and timing. 7. To be clear: you can feel how you want about the age gap coming up at all! But that's how the discrepancy came about. 8. "Is there a way to reconcile Emmrich acting like my Rook is way younger than him if they're not?" Great question! I have several suggestions: -Accept it's an error. (True, but unexciting) -Emmrich considers a gap of 3-5 years scandalous. (Funny, albeit a bit cartoonish.) -The Mourn Watch has perfected swapping out organs, and Emmrich is nervously hiding that he's way older than he looks out of vanity. (Untrue, but funny.)" [source thread]

User in reply to point 6. above: "I'm personally glad it was too late to change because their argument about it is genuinely my favorite scene in the entire game! 😭💕 It's such an important moment to me" / Sylvia: "Thanks! That one was one where I was all sweatily trying to balance things out, with tone, with pacing, etc. Really glad it came together for you. (Cine and the actors did heroic things there to get it feeling just so!)" [source]

More snippets:

Emmrich's favorite ice cream flavor? Rum raisin [source]

Lots of people on the dev team shared the vision of having a bunch of gothic weirdness in that pocket of Thedas [source] (Necropolis/Nevarra)

Sylvia "especially liked writing the Mourn Watch origin, it was fun to write a fellow nerd for Emmrich to chat with" [source]

Sylvia poured some personal worries and fears into writing Emmrich [source]

On Vorgoth and their nature: "I'm a little leery of saying anything, partly because I'm cowardly avoiding publicly defining anything more until/if I ever need to. And partly because I did want them to be a fresh unknown. Sorry!" [source] "I'm glad you like Vorgoth, but I'm afraid I don't have much for you that isn't in the game. I deliberately wrote them so as to leave room, if we ever revisited them, or for Vorgoth to remain mysterious, if we did not. I'm sorry if that's not a very satisfying answer!" [source] "I will say, it was fun to throw in a few lines about Vorgoth's art collection. Their passion for it is sincere and deep. (I wanted all the Watchers to have a little non-death related hobby or interest, because they can be so singularly focused.)" [source]

Dwarven Mourn Watcher is a rare origin combo for Rook so Sylvia wanted to call it out [source]

On the outcomes of Emmrich's quest: "I tried really hard to make the options equally viable, and more up to the player's interpretation or preferences of what it would mean for Emmrich in their view. It's been interesting seeing reactions to it, which hinge sometimes on various single lines pushing people one way or another!" [source]

"The Grand Necropolis is always eager and ready for a new member of the Mourn Watch to grace its ranks." [source]

User: "I loved Emmrich's view on death and what his personal quest ultimately went on to say about the nature of death itself, and how the beauty of mortality lies in its impermanence and unpredictability." / Sylvia: "I really wanted to dig into those themes, and everyone in cine and art and level design and editing and the whole team honed in exactly on the vibe. The floral stuff especially, I was so thrilled when I played through the Memorial Gardens' with the art and lighting in." [source]

User: "I experience thanatophobia and that first conversation w/ Emmrich was so affirming and helped me describe my own anxiety to others" / Sylvia: "Thanks, the thanatophobia was, as you may've guessed, a personal experience for me too. I'm glad it was something that helped a little." [source] "I suspect that phobia is way more common than people think, and part of the reason Emmrich talks about it was to express that sentiment out loud. I find it helps sometimes just to acknowledge it." [source]

What languages does Emmrich speak other than Trade? "I think he'd be familiar with Tevene, since there's surely many, many old texts about magic written in that language. Kind of like a doctor that knows latin through their work. I also named that MW alphabet "tomb-script", though I'm not sure if it has a spoken component or not since it never came up in-game. If it does, he'd be able to speak that for sure." [source, two]

User: "Playing as a Mourn Watch Rook has been an absolute delight!!!" / Sylvia: "Thank you so much, I really liked writing those branches of the dialogue. Since Emmrich's so focused on necromancy, it was fun having a Rook who could be both casual and knowledgeable about it." [source]

User: "In your opinion, what outcome do you prefer for a romanced Emmrich (lich/non lich)?" / Sylvia: "Interesting question! To be honest, I'm afraid to answer it properly in case anyone takes my answer to be a canonical one. I really wanted either path to feel equally interesting/correct for whatever you decide fits your Rook's relationship with Emmrich. (We're also in the strange waters of meta-reasoning. I GAVE Emmrich his fear of death-Sorry Emmrich!-which makes me feel a little culpable for that, even though he's entirely fictional. And that might prey on my mind when trying to decide. A very odd experience!)" [source, two]

What music genres would Emmrich be into? "Classical music is very much playing to type for Emmrich, but I feel it's also correct. He'd enjoy a nice concerto or an organ recital. Or, if he's feeling daring, a bold new Orlesian opera! But I don't think his tastes are too outré in that area. That said, I saw someone post something like "Leave Emmrich alone, let him attend the Depeche Mode concert" while listening to Depeche Mode's "Violator", for the first time, which made me laugh. (Great album. If he could get over the shock of synths, Emmrich might enjoy "Waiting for the Night".)" [source, two]

When writing Emmrich the devs wanted to try and hit the gothic romance vibe [source]

Does Emmrich mix his own fragrance/cologne? Does he ever vary it by the season? "I think Emmrich goes to some of the many perfumers that have set up shop in Nevarra City around the Necropolis, just because he trusts their judgement and expertise. I hadn't considered him varying it by season, but that's very fun! I certainly think he has more than one bottle of scent." [source]

User: "How does Lich Emmrich have sex?" / Sylvia: "I don't mind the question! But my answer's a bit boring: I generally stay at arm's length on the more explicit romance stuff, just because if it's not stated or shown in-game, I don't want to bring in a canonical answer that might affect what people imagined. My general preference for romantic scenes that get physical is to leave blank space somewhere, so players can imagine what happens next. It's not the ONLY way to do it, I think there's legitimate artistic reasons to go more explicit. But that's how I approached Emmrich (and before him Josephine.)" [source, two]

User: "The scene with the fade glow where he touches your hand haunts me in the best way" / Sylvia: "Aw thank you. Our animators and audio people made that scene way better than I could've hoped! They took such care with everything there. I want to say that little eye-peep from Rook was added in by one of them, which was the perfect touch." [source]

User on Emmrich: "i’m curious whether you think he’d prefer dogs or cats (or both, or neither)" / Sylvia: "I think he'd consider cats and dogs a little too noisy and messy for his tastes. Not like a nice, quiet plant or skeleton! (Weirdly, I actually had a scrap of banter going over this exact subject at one point. It got tightened down to the exchange with Harding about the pig he used to hug when he was a kid.)" [source, two]

Sylvia was trying to tease Nevarra with the Tevinter Nights story Down Among the Dead Men [source]. "It was really fun to tease the Necropolis, so to speak, in TN, and I'm grateful we got to actually let players through its gates at last." [source]

User: "if Rook chooses to save Manfred and keep Emmrich mortal, what would Emmrich wish to become of his body once he did pass on?" / Sylvia: "Good question. I think he'd want to remain active and useful in death. A guide for other Mourn Watchers, or posted as a mystic guide somewhere dangerous, or perhaps an oracle in the library." [source]

User: "when and how was it decided that Emmrich would be romanceable? I remember reading that he would not be a romance option." / Sylvia: "I'm not sure where that came from, because I pitched him and then shortly after that we decided the entire cast was romanceable. That was fairly early on in the development of Veilguard, as I recall it. (Could've been a crossed wire?)" [source]

Trick Weekes: "Sylvia wrote the fantastic Emmrich "the Vol-carnage" Volkarin and everything that happens in Nevarra while dealing with a lead writer whose attitudes about corpses and undead are... not dissimilar from Taash's." [source] / Sylvia: "I still remember when you gave the very accurate feedback "I think we need to give players whose Rooks aren't into corpses some roleplaying choices to express this" and I was all "Ohhh yeaaaaaah." (Thank u Trick, you were right)" [source] / Trick: "Specifically, being able to express this without locking themselves out of the content! (For non-Sylvia folks) Given my issues with corpses, Emmrich as a whole was SUPER Not For Me, so I gave one caveat and then said, "For the rest of my critique, I will be impersonating his target audience." [source]

Sylvia on the secret origins of Manfred: "After I pitched Emmrich, I started jotting down notes and thoughts on his plots, his quirks, all that kind of stuff. It was very early on Veilguard, anything was still possible. We were chatting in the writer's room about it one day, and I think we'd just seen some early concept art for Emmrich. And our lead writer Trick Weekes joked that Emmrich looked like a man who'd have a skeleton named Manfred. And I laughed and went "Yeah he does!" And then I thought about it. It's wild in retrospect, but that one comment spurred a train of thought that led to the core of Emmrich's arc. He may've ended up a very different character without it! tl;dr: I stole it from Trick." [source, two, three, four]

"I got to play with a pretty free palette when defining the way Emmrich and the necromancers view death and spirits. But I tried to keep it within the confines of existing lore. That's one reason why that scene where Emmrich talks about Manfred to Harding goes into "the eternal question" of whether a soul actually returns with the dead or not. Nevarra has distinct beliefs, but I thought it'd be interesting if its people argue over their interpretations of those beliefs." [source, two]

"the other writers also suggested a bit later on that the big choice dig more into Emmrich's philosophies. Initially, it was more personally focused on his fears, which made it 'relatable' but pettier. Without that correction, I think it would've been weaker, I totally needed the team push." [source]

"I have a few guides to graveyard symbology, and it's so packed with references and meaning." [source]

User: "Did any of your own fears & experiences, make it into the writing of Emmrich? If yes, is it information you’re comfortable sharing with us? If it’s too personal to give any details, that’s fine as well. Also, across the other games, who do you think Emmrich will get along with best?" / Sylvia: "some of his fears are absolutely personal. The reflexive-compulsive panic over death is something I'm very familiar with, and I wanted to explore that through him. Because I suspected it was not uncommon, and worth examining. The question of who he'd get along with from the other games is surprisingly tough! Because without asking the other writers about their characters, I wouldn't know for sure. So I can only really speak to Josephine with surety. That said: -I think Josephine would be polite, and grow to like him, but would never entirely be over the ostentatious necromancy. -I think Emmrich meeting Sera would be the funniest match." [source, two, three]

"Peter Cushing was also one of my go-tos as an example of what I wanted Emmrich to be." [source]

"(Huge shout out to all the animators and level designers making Manfred run, quite literally. Like 95% of his personality lives in his movement, I think they nailed it.)" [source]

On Emmrich: "I tried to put a lot of passion and sincerity in his love for the dead, and I admit the Necropolis was THE big place I wanted to see in Thedas myself ever since reading about it in a codex." [source]

User: "Thank you for letting him have that cemetery dream date!" / Sylvia: "Having the date in the cemetery was one of the first things I wanted when thinking about the romance." [source]

"Josephine was the first time I was entrusted with a new character and a new romance at once, and that'll always be special to me." [source]

User: "How much input did you have in Emmrich's appearance in the podcast?" / Sylvia: "In the podcast, none myself. I believe it was handled by a third party but reviewed by a few people at BW, I don't know too much past that. (We did provide a descriptor and character rules. Stuff like "Emmrich never swears" and "always says amongst" and broader, more thematically useful things.)" [source]

User on Emmrich: "Are you planning any other external-media stories for him?" / Sylvia: "Thanks very much, The Flame Eternal has a special place in my heart for being the first time Emmrich got to be center stage in a story. (And very flattering to hear about the cross stitch. That's so cool!) I can't speak to any external-media plans, I'm afraid. That's not an implied hint about anything existing or not, it's just literally outside what I'm allowed to chat about. It'd be fun to do something like that again though!" [source, two]

"I must give full credit to Nick Borraine, Emmrich's voice actor. He got the compassion and tenderness the character needed right away." [source]

"And glad him being closer to your age resonated, I really wanted someone older out on an adventure. No reason that has to stop at any age IMO." [source]

User: "do the mourn watcher/nevarra in general raise their pets after they die to keep them around? like a dog skeleton with a whisp in it?" / Sylvia: "To be honest I hadn't thought out this one, but it's a very good question. I'm not sure how common that would be, or even if it's permitted to have pets running around the family crypt. (I definitely thing people would WANT to do it.) You know, I think I'm going to have to leave this one in the vague quantum foam of the future. I think I'd want to not only double check existing lore, but answer that in-game (or in a book or etc.) if we ever need to. (Hope that's not too much of a cop out. Sometimes I like to leave questions I'm not sure about alone, because until it's in an official game or story, it doesn't quite count.)" [source, two, three]

User: "as someone who shares emmrich's anxiety about mortality, getting to spend time with him, and in the grand necropolis and with the mourn watch, was genuinely soothing" / Sylvia: "Thank you, I'm glad he was a comfort. It's a familiar fear for me too, and I'd hoped he would connect that way with people very much." [source]

On the giant ribcage 'ceiling' in the Necropolis: "sadly, even I don't know all the mysteries of the Necropolis. (Which is to say it's a very cool bit of art but has no stated origin yet. Could be a large dragon, a giant...or something weirder!)" [source]

On TN story Luck in the Gardens: "It was nice change up, writing in first person and with someone so rascally. I've got an enduring affection for the Lords after writing Hollix, the scamp." [source]

User: "I just love his genuine enthusiasm for everything he does. If the other party members had fan clubs Emmrich would be the president of each and I love that for him" / Sylvia: "Thank you! I really wanted him to embody a kind of expansiveness and generosity of spirit, to stand in contrast to the eeriness of his abilities." [source]

User: "What was your inspiration for Josie?" / Sylvia: "My girl! When I came on to Inquisition, there'd already been work done on setting up the spine of the main plot, and figuring out the overall cast. But one of the advisors was a little murkier. It just said "Diplomat" on the white board. We knew we wanted someone in that position, but not who. So in a game where you were out exploring, killing demons, etc., but also had a big organization to run? I immediately wanted to make a Diplomat firmly there for you. Somebody you could hand the keys to the entire Inquisition to while you were out, and know it'd be in good hands. I also thought it'd be fun to have someone from Antiva, since that area wasn't covered yet by anyone in the cast. And I needed her to be polished, smooth, but heartfelt, because of that aforementioned trust. And that was the core of Josephine! Her voice actor, Allegra, brought her to life with such lovely charm, and hearing those early sessions also helped me further hone her tone." [source, two, three, four]

"Our music supervisor Ron Dazo hit it out of the park with Emmrich's music IMO. And so glad you liked Hezenkoss! Just very fun to write as a character." [source]

User: "Did any specific watcher raise MW Rook?" / Sylvia: "Good question! I kind of left that one alone because I wasn't sure if I wanted to let Rook define that themselves, or leave it open, and also I'd have wanted a full conversation on it. In the end that was a little out of scope so I left it unsaid. Which is to say that it COULD be Vorgoth who helped raise your Rook. And that stands until/unless we give a definitive answer (or let you choose from a range of answers) one day." [source, two]

"It was such a pleasure for all of us to finally get to explore the Necropolis, I am very glad we got to throw open the gates." [source]

User: "I was wondering if there were any Mourn Watch details you wished you had more time to explore? I was so struck by some of the ethical implications in your stories" / Sylvia: "Geeze, now that's a question. I mention it with Emmrich, but there's some resentment over the power the Watchers hold as THE mortalitasi of the Grand Necropolis, between them and the other orders. There's something to that situation I liked. There's also questions of how they select people for the order. What their standards are, how closely they work with benign spirits. And how they cultivate those relationships. How deep does that go? I also mentioned in a codex "the lives and bodies of those who tamper with the undead of the Necropolis are forfeit unto the Mourn Watch." which is pretty chilling. What's that punishment like, exactly? And in general, writing about anything weird or unexplained in the Necropolis brought me much enjoyment, and it would be fun to dig around how the Mourn Watch deals with (or what they want out of) all these mysteries and entities." [source, two, three, four]

"Geeking out with Emmrich about spooky stuff was a delight to write." [source]

"I liked writing someone older this time, it was something different for me and rewarding in some unexpectedly different ways. (And thanks especially for the nice words on DAtDM - I was very excited to introduce people to the Mourn Watch there!)" [source]

"Ah, tomb-script. I named it but it was our concept artists who went developed it with the hexagon shape-language of the Mourn Watch, which I loved. Conceptually: I think it's used purely an occult or sacred language. Something for the graves, or books on magic, but not everyday things." [source]

"Some trans people kindly offered their help with some feedback on some of the romance lines and others, which absolutely made them much better." [source]

"Trick Weekes actually wrote a ton of the banter where Emmrich inquires into qunari artifacts and customs, and Taash talks about what it was like to grow up under a scholar. I really dig the dynamic they unearthed between the two there." [source]

User: "Do you remember what was written in the script to describe ✨this✨ moment? [link]" // Sylvia: "Lol. I miiiiiight? Let me look at my notes. Ah hah, I do! My note says that Emmrich "takes a second, surprised." And then he's touched afterwards." [source, two]

Sylvia: ""i hope it's not too late, but were there any designs in mind for what Nevarra City looks like?" Not too late! We've got a few sketches in the World of Thedas books, but that's it. If the team ever went back to Nevarra City proper, I'd imagine the art team would want to do a deeper dive." [source]

Sylvia: "(Glad you liked Myrna in particular. My first Mourn Watcher everyone got to know!)" [source]

Sylvia: "I'm glad to hear getting to know Emmrich has been of some comfort." [source]

#dragon age: the veilguard #dragon age the veilguard spoilers #dragon age: dreadwolf #dragon age 4 #the dread wolf rises #da4 #dragon age #bioware #video games #long post #longpost #dragon age: tevinter nights #dragon age: vows & vengeance #lgbtq+

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tessasturns · 4 months ago

Text

nerd!matt giving brat!reader head

100 follower special !!

warnings… oral (f receiving), matt the munch, soft dom!matt, swearing, slight degrading, hair pulling?, edging, pet names

my first actual smut fic, mb if its ass but enjoy

(masterlist) (taglist)

“so if a dataset has a mean of 50 and a standard deviation of 5, what percentage of the data falls within one standard deviation of the mean?” matt asks.

you groan as you fling your head back. “matt c’mon, we’re not gettin’ anywhere with this”

“alright jus’ this one question.” matt says as he acknowledges your whines. matt was smart, like really smart, and it was noticeable to anybody who saw him.

the collared shirt, big glasses, and the awkward persona were enough to give it away.

“matt” you complain. “we’ve been at this for hours… can we just wrap it up? my brain isnt working anymore.”

“c’mon sweetheart…just a couple more questions, we’ve almost finished reviewing this unit.” he said, trying to get you to cram for your exam tomorrow.

“ugh fine. one more question” you say, only agreeing because, truly, how could you say no to him?

minutes pass and all you begin to think about is the growing heat between your legs.

you uncomfortably try to adjust your legs to make it stop, but nothing works. you start to zone out, your mind racing with all the things the man in front of you should be doing.

sure, you’ve noticed how stunning matt is, i mean you are “dating” him.

you look around his dorm to try and find anything else to focus on.

but his messy hair, shirt pulled up to see his veiny arms, and the raspy voice were enough to make a woman go wild.

“hellooo? y/n?” matt calls, causing you to snap out of your trance. “hey?” you respond.

“i asked you a question- you’re not listening are you.” he realizes.

“matt ‘m sorry, but i just don’t understand this and i’m so tired” you whine.

“sweetheart, you have your exams tomorrow. if you don’t revise and study you won’t do your best on it.” he warns.

he knew you weren’t the smartest person, well at least not compared to him, but he knew that it was probably your daddy’s money that got you a spot at a prestigious university.

“just two more-” he starts, but notices the pout on your face and your crossed legs and chuckles.

“oh sweetheart, you couldn’t even wait ten minutes for us to finish this?” he says, mumbling a small ‘pathetic’ before moving closer to you.

“please matt” you whine.

“please what?” he smiles, his hand on your knee.

“pl-please touch me” you pout, knowing he wasn’t going to give in that easily.

“oh, you poor thing” he coos with faux sympathy laced on his tongue.

he rubs a hand up and down your knee, your plaid skirt you wore to tease him now sliding up your thighs.

“fuck- matt don’t tease…” you mewl, your arousal now practically dripping in between your legs.

he smirked at you, loving the way you reacted to the slightest touch and the simplest of words.

“take this off f’me, yeah?” he basically whispers, running his hand over your skirt.

you do just that as he points over to the bed. “sit” he commands.

you’re now sitting at the edge of the bed in your baby blue lingerie, waiting for matt to touch you.

he gets down on his knees, slowly kissing your now slightly shaking thighs.

your pussy aches for this man, wanting him to just touch you.

he slowly takes off your panties, disregarding them on the floor as he softly spreads open your legs.

he wraps your thighs around his head, looking up at you with those submissive ass eyes.

“matt- please i need you” you beg, your fingers intertwined in his brown locks.

he smiles at the amount of power he has over you, kissing your pussy before slowly licking your clit.

you slightly moan at the sudden pleasure, your mouth agape.

he continues this subtle yet effective movement, earning more and more moans from you.

he begins to lap his tongue around your hole, causing you to grab his hair.

his tongue moves faster and faster as your hips buck against his tongue.

“y’like that sweetie?” matt asks, moving his tongue faster (if possible.)

“oh fuck- yes matt” you whine, your brain foggy. “m’gonna cum”

“ah ah ah” he tuts, stopping his movements. “i’ll tell you when you can come doll”

this only made you whine more, since you were used to getting your way.

“f-fuck matt… i can’t take it” “oh but yes you can doll. you practically begged for it, you’re gonna take it.” he commands.

you were a moaning mess on his bed. eyes rolled to the back of your head, legs shaking, and your hands gripping at matts hair in an attempt to make him go faster.

“h-holy shit” you moan. “please i need to cum”

“hmm… have you been good?” he asks.

“yes… please matt” you groan.

“atta girl, cum on my tongue babydoll” matt’s words, tongue, hands travelling your body, and piercing blue eyes were enough to send you over the edge.

you felt your body relax and the knot in your stomach snap as you released your arousal on his tongue.

“this gonna help you ace your exam tomorrow?” matt asks jokingly, as you playfully smack his shoulder.

tessa’s notes… THANK YOU ALL FOR 100 FOLLOWERS !!! i truly didn’t know how fast i could grow over the span of 3 months, but you all made it happen and i’m so grateful for every single one of you💋. guys i literally HATEEE writing smut so i do apologize if it’s terrible, js wanted to try smth different to express my gratitude for all of you !!!

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ckret2 · 3 months ago

Text

Chapter 82 of you can really tell the writer got a new art program this week and went apeshit with it instead of doing anything productive: the Mystery Shack is in terrible peril from the government and only one thing can save them:

Teaching Bill Cipher how to flirt with humans!!

####

The Stans explained the plan to Dipper and Mabel as briefly as possible—that Bill had to save them all by flirting with the head fed—and that was about as far as they got before Mabel started squealing. They wished her good luck with Bill, wished him good luck with Mabel, and beat a hasty retreat, with Dipper tagging along after Ford on the pretense of helping figure out how to get the flash drive out of Gompers.

"This is perfect!" Mabel slammed the door closed—and Bill had the sneaking suspicion she'd trapped him on purpose—then grabbed both his hands to drag him further into the room. "I can see it now! He'll fall in love with you, and then he'll realize that living in a small logging town is so much more emotionally fulfilling than his high-pressure fast-paced big city government job, and he'll see what a special, magical place Gravity Falls is and he won't wanna do anything that could change it, and Washington will call him like, 'Your report is late! Have you forgotten your mission?' And he'll go 'I have a new mission now: my WIFE!' And—"

"Hold on!" Bill pulled his hands back. "I think you skipped the part where you married me off to a government agent."

"No I didn't! Because he says that and everyone gasps and then he gets down on his knee in front of you and pulls out a ring and—"

"In your dreams, star girl." He dropped onto Mabel's bed and crossed his legs. "Think a little less cheesy Christmas romcom, and more noir spy movie with a double-crossing femme fatale."

Mabel measured that up against her limited spy movie knowledge, and asked dubiously, "You're gonna drop him in a tank of sharks?"

"Hey, if you have one...!" Bill laughed. "But, no. The plan is just for me to keep him distracted long enough for the nerd squad to get the flash drive, wipe any sensitive data, and leave it somewhere that'll make the agents think the goat dumped it naturally."

Mabel considered that. She inhaled deeply. "Okay," she said. "But. What if it's one of those movies where the evil girl spy has a change of heart because of the good guy's charm and you do fall in love."

"Do you remember who we're talking about?" Bill asked. "Fine! If we fall in love, you can be the ring bearer, best maid, and officiant—but don't start stapling together a white dress just yet."

Mabel completely skipped past his main point. She whispered, "You'd let me make your wedding dress?"

"I'd turn down every fashion designer in Milan, Paris, New York, and London combined."

Her eyes widened. "I've gotta start drawing wedding dresses." She rummaged around the floor for an unused piece of paper and the nearest crayon and/or marker box.

"Draw me as a triangle," Bill said automatically. "So there, you're caught up on the plan!" He slowly slid off Mabel's bed toward the door. "So if you'd let me out so I can prepare..."

"Ohh no. Grunkle Stan and Grunkle Ford brought you to me to learn how to flirt, and I'm going to teach you how to flirt."

He groaned, but plopped back down on Mabel's bed. "I don't need to be taught how to flirt! I'm a pro! While your universe was still gearing up for a Big Bang, I was fending off marriage proposals from lovelorn generation ships and sentient oceans."

"You're not seducing ships and oceans." Mabel had already flopped onto the floor and drawn a triangle with an eye, and was trying to figure out how to put a dress on it. "You're seducing a man."

"Which is even easier! You people barely last a century, you're desperate! Humans fling themselves at me left and right!"

"Then you'll have no trouble passing my love quiz."

Bill automatically frowned. There was a part of him that still tensed up at the word "quiz" even if he did know more about romance than the entire human race combined. "What, like the one you put the guys through on your dating show?"

"Yes, but with all new questions! So you can't just copy all of Soos's answers to get a perfect score!"

"Psh! Like I need to copy anyone's answers," said Bill, who had never taken a quiz in his life without copying someone else's answers and had been planning to do just that. "All right, hit me."

"Question one! Uh..." She tapped a crayon to her chin as she thought. "What's the best gift to give on a first date? Jewelry, chocolate, a wedding ring, or flowers?"

"Ooh, we're starting with bribery, huh?" When in doubt, the right answer was usually C; but "jewelry" and "wedding ring" seemed kinda redundant. Well—cheating had never failed him before, why stop now? "None of the above! I've got a better answer than all of them!"

Mabel lowered her crayon to give him a skeptical look. "Oh yeah? What?"

"Sneak into their dreams the night before, find out their heart's desire, and surprise 'em with that," Bill said. "That's not even a romantic move. It'll let you win over a human in any context! Birthday parties, baby showers, job interviews, criminal trials, hostage negotiations..."

"What if you don't know their heart's desire?"

"Then you're not me."

She set down her crayon, laced her hands under her chin, and said, "Okay, then. If you were trying to win me over, what's my dream birthday gift?"

"Replacing your bedroom with a bouncy castle with inflatable furniture."

"Ha! No it's n..." She trailed off. "Wait. Ohmigosh."

"Told ya."

"I've been dreaming too small," Mabel whispered. She shoved aside her first drawing and started drawing her fantasy bedroom.

Bill picked up one of Mabel's dolls—a floppy tiger—and started talking to it like he was lecturing it. Forget this whole "taking a quiz" thing; he was much more comfortable in the roll of the teacher than the student. "And if it's a blind date and I can't stalk 'em beforehand, nobody's ever disappointed by a solid gold brick," he told the doll. "It's both practical and pretty, and it appeals to humans' natural greed without making them feel sleazy about accepting a wad of hundreds from their date."

"What's Agent Powers's heart's desire?"

Heck. He didn't actually know. He'd ducked in on the guy's life a handful of times, but he'd never needed to pay that close attention to him. What did boring people like? "A really nice leather wallet," Bill said.

"Okay, you're off to a strong start," Mabel said. "Question two: what's the ideal location for a first date?"

"What are my options?"

"Fooey to the options! I wanna hear your thoughts."

"Then that's easy: anywhere they can't escape from until they love you," Bill said. "Even better if you can serenade 'em."

Mabel nodded in approval. "Perfect answer, full points! Every Inkwell princess movie and vampire novel on the market agrees! Question three: best first date outfit?"

"Sexy."

"Okay—yeah," Mabel said, "But specifically, what does that look like?"

"Tallest hat you can find," Bill said.

Mabel waited. Bill didn't say anything else. Mabel said, "What about the rest of the outfit?"

"Bow tie. Outfit complete."

"That's just what you wear."

"And it's always sexy!" Bill insisted.

"Maybe in Flatworld, but this is earth! If you go out dressed in nothing but a hat and a bow tie, you'll be having your date in the back of a police car!"

"Fine," Bill huffed. "Fifty pairs of gloves—and the more of them you have hands to fill, the better! A dress made out of blank checks! Two snakes! A fur coat made out of live kittens!" Bill shook the stuffed doll emphatically with each point. "Good enough?!"

Mabel squinted thoughtfully at him. "The kitten coat has potential."

"Damn me with faint praise, why don't you."

"What about more traditional romantic outfits? Like... a red velvet suit with a leopard print shirt? Or short shorts that say 'too hot' on the butt?" Mabel asked. "Or a t-shirt with your date's face on it in a heart! That shows your date 'I'm here to focus on you!'"

"What if my date's face is ugly, did you think about that?" Bill asked, mainly to cover up the fact that he was chagrined he hadn't thought of the velvet suit himself. "Forget about fashion. Next question!"

"Okay, how would you prepare yourself for the perfect date? Aside from finding a tall hat and stalking your date's dreams."

"Hygiene's the most important thing," Bill said. "Humans are very attuned to pheromones. It's one of your base instincts."

A look of relief cross Mabel's face. "Yes! Good start. So we're talking a shower, or...?"

"Oh yeah, if you're going on a date in this country, you've gotta scrub that skin raw. There is no smell Americans hate more than the natural smell of other human beings."

Mabel nodded enthusiastically. "Right!"

"And once you've gotten rid of your real scent you've got to make sure you smell appealing. And that means making sure you smell the most! Cover up any competing suitors' scents with your own!"

Mabel made an uncertain hum. "Okaaay, sooo... what would you call an appropriate fragrance for a first date?"

He wasn't sure he liked the sound of the hum. "First date? You've got to make a strong impression, and set the mood for romance," he told the doll, so he didn't have to watch Mabel pass judgment. "So, I'm thinking... decaying salmon, deer pee, and ambergris."

Mabel was silent for an uncomfortably long time. Bill glanced at her. She immediately pulled her sweater up to hide her mouth. Voice strained with suppressed laughter, she said, "You don't think, maybe... floral scents...?"

Who did she think she was laughing at! He directed his attention back to Mabel's doll. The tiger didn't judge him. The tiger thought all his ideas were brilliant. "Is this guy looking for a garden or a girlfriend? I know ninety percent of the soaps and shampoos on the market are designed to make you smell like a fruit salad on the beach, but you humans don't know the first thing about what activates your own monkey-brained reproductive urges! Trust me: decaying salmon, deer pee, and ambergris! They reek of raw sex appeal!"

"What's ambergris?"

"It's a staple fragrance in the perfume industry! Some of the most popular scents in Hollywood have ambergris base notes!"

"Okay," Mabel said, "but what is it?"

"Okay so," Bill said, "when a sperm whale gets so constipated it kills 'em, the rest of its body rots off while the turd floats to the surface, and after it's bobbed around baking in the sun for a few decades—"

Mabel lay a hand on Bill's knee and gently said, "No."

"Hey, I'm not the one who invented ambergris, that's your species's idea!"

"Bill, I'm sorry. But you've got the best and worst romance ideas with no in between, and you don't know the difference," Mabel said. "But I promise you're in good hands! I'm the best matchmaker in Gravity Falls! I helped hook up Soos and Melody, Robbie and Tambry, Waddles and Gompers, the Hand Witch and that hunky hiker guy..."

He threw Mabel's doll down on the bed, slumped back against the wall, crossed his arms, and sulked. Then he muttered, "But I've got the best ideas?"

"Oh yeah. You're like an untrained romance prodigy! You just need a liiittle help filtering out the diamonds from the coal."

He grunted. Then he grudgingly admitted, "Getting Waddles and Gompers together is pretty impressive. They have complete opposite political opinions."

"See? I'll have you date ready in no time!"

Bill heaved a frustrated sigh. "Fine. But I'd better at least get a killer makeover out of this."

"Definitely! I'm getting an expert on the case!" She pulled out her phone to send a text. Plus, whatever you're wearing tomorrow? I'm bedazzling the crap out of it."

"Good!"

"But first," Mabel said, "Let's talk about your technique."

####

"Lesson one of Mabel's Guide to Flirting With Humans: pick-up lines! First impressions are super important!"

"Pick-up lines are easy," Bill said. "I know a million of them!"

"That's great! Then this should be easy." Mabel pointed at the picture of Creggy G in the middle of her Sev'ral Timez poster, whom she'd designated as their attractive human for Bill's flirting practice. "Try one out."

Bill sized up Creggy calculatingly, and said, "You know, your eyeballs are so beautiful."

"Yes!" Mabel cheered. "It's romantic! I love it!"

"—and they'd look even better in my mouth."

Mabel stared at Bill.

"What?" Bill asked. "Too forward? Should I save that for the second date?"

The flirting lesson quickly switched track from teaching Bill how to use a pick-up lines, to teaching Bill what pick-up lines not to use.

And from there, the conversation drifted to a list of subjects Bill wasn't allowed to discuss with the federal agent, which necessitated relocating to the living room so Mabel could set up an easel pad and record all the banned topics. Partway through, Stan drifted in and started throwing in his two cents.

The list of banned flirtation topics included: eyeballs; cannibalism; squid kings; dragonfly mating habits; mandibles; the time and method of living people's future deaths; the cold and lonely heat death of the universe ("Why?! It's a perfect excuse to suggest cuddling for warmth!"); fun get-to-know-you questions like "would you rather kill your mother or your father" or "which conspiracy theories would you most hate to be true"; which conspiracy theories were true; the agent's embarrassing middle school secrets that Bill shouldn't have known about but did; the agent's bald spot; cancer flavors; pending global disasters...

Bill flung his hands in the air. "So what does that leave to talk about?!"

"Anything else," Stan snapped.

"The Chuquicamata open pit copper mine."

"Anything normal."

Bill gave him a look akin to that of a vegetarian who'd just been asked to discuss his favorite cuts of beef. "Have you metme?"

"Try topics that get him in the right mindset for romance," Mabel said. "Like, 'what do you want your future wife's favorite color to be?' Or 'you look like dad material!'"

Bill nodded slowly. "So we're aggressively leading him on. I can work with that. I've never been a fan of subtlety."

"And call him charming," Stan said. "Guys love hearing they're charming. Oh, and tell him his jokes are funny."

"What if he doesn't tell jokes."

"All guys tell jokes when they're flirting! If he's not telling jokes, you're doing something wrong."

"It's true," Mabel said. "Watch any high school romance!" Bill gave them both a dubious look.

Stan glanced up as Ford and Dipper walked by the doorway with Gompers. "Tell 'im, Ford."

"What?"

"All men tell jokes when we're flirting! It's probably in our DNA or something."

Dipper thought about that, and nodded. "I tell jokes when I'm flirting."

Mabel shouted, "You try to tell jokes when you're flirting! Heyooo!"

"Hey."

Ford grimaced. "Usually when I'm flirting, I forget every joke I've ever heard and start asking as many questions as I can think of."

Bill said, "That's because you only flirt with things you want to add to your bestiary!"

"The point still stands."

Dipper had leaned into the room to read the banned topic list. "Why are conspiracy theories off-limits? He came to Gravity Falls in the first place because he was looking for a paranormal conspiracy."

"Dipper's right," Ford said, "he'd probably be interested in the topic."

Bill flung his hands in the air. "Thank you! That's what I was saying!"

Stan shook his head, "Too close to discussing politics. What if they believe in different conspiracies!"

"Plus, watch this," Mabel said. "Hey Bill, what do you think about Flat Earth theory."

Bill groaned. "I was drunk, those statements were taken out of context, and I can't be held responsible if some idiot with a boat misinterpreted me."

Mabel looked at Ford and Dipper.

Dipper grimaced. "Got it."

Ford nodded. "Conspiracy theories are off-limits."

"This is why you're all single," Bill said.

####

Stan said, "And if you're gonna lie about your job—"

"Which you always should," Bill cut in.

"Obviously! But make sure it's not something too easy to verify. Like, you can't claim to be the governor, what if your date actually voted and knows who the governor is?"

"That's a good point! Margaret was not impressed."

"You're telling me! My suit smelled like broccoli cheese soup for weeks!"

"You shoulda suggested she get the house salad."

"Yeah, I—" Stan cut off. "Wait. How do you know about Margaret? That was twenty years ago!"

Dipper and Ford were in the kitchen, looking for every ingredient they could find that might coax Gompers to release the flash drive the old-fashioned way and listening to the discussion in the living room. Gompers nibbled at a dish towel, oblivious to the fate awaiting him.

Mabel trotted in and patted him as she passed. "Hey, you! You're giving us major trouble, you rascal!"

He bleated at her.

Mabel pushed up to the open fridge next to Dipper, and when he stepped aside to make more room for her, she stepped into his personal space again and leaned into him with her shoulder. "Why are you in the way, bro, jeez!"

"You're in the way!" He leaned against her in turn. "What are you doing in here? Aren't you supposed to be training Bill?"

"Grunkle Stan's taking the lead right now," Mabel said. "My talent is helping people find true love! But his talent is suckering someone into liking you for a day. So I think he's better suited to the task at hand."

"Oh, yeah." Dipper chuckled wryly. "His advice will get you a first date, but not a second date."

Ford muttered, "His technique hasn't changed since high school, I see."

Dipper found the bottle of prune juice he'd been looking for, pulled it out, and stepped back. Mabel yelped when her counterweight disappeared and stumbled sideways into the fridge door.

As Dipper emptied the juice into a mixing bowl, he said, "I'm not sure about this plan. Even with both you and Stan helping. I know Bill's good at tricking people, but... he's so annoying. And not in a lovable way."

"Don't undersell him!" Mabel said. She'd retrieved a pitcher of Mabel Juice and was dumping a full bottle of sprinkles into it—hardcore romance training required high stamina. "He has the potential to be a dreamboat!"

Ford muttered, "He's a manipulative, murderous monster." He was searching through all the cans they'd moved to the kitchen counter for beans.

"Those don't have to be mutually exclusive," Mabel insisted. "Serial killers get girlfriends. Sometimes after they're arrested!"

"I'mmm not seeing a dreamboat," Dipper said. "More like a shipwreck. I mean, when you were trying to come up with a list of romantic date foods, he suggested blood licked off your date's teeth."

"And he was right!" Mabel said. "Vampires, bro-bro!"

"Okay, but I don't think he was talking about teeth that were still attached to his date's skull!"

"He didn't say they weren't attached," said Mabel, with flagging conviction that suggested she hadn't considered that and was realizing Dipper was probably right.

"And five minutes ago you and Stan told him he should pretend to be a princess, and he told you he'd be great at that because he started an Internet dating service that matches up lonely widows with overseas con artists pretending to be deposed princes."

"Well," Mabel said sheepishly.

"And then he tried to talk you two into investing in a pyramid scheme to fund his dating service."

"But we didn't invest!" Mabel said.

"Only because you looked it up on your phone and discovered he'd made it up!"

"I mean, until then, it sounded romantic!" Mabel flung her hands out in a wide shrug. (Something about the gesture looked strange to Ford.) "Finding a second chance at love with a mysterious foreign criminal with a glamorous false identity? That'd be great if it was real!"

"Mabel, it's a scam," Dipper said exasperatedly.

"And do scam artists not deserve love, too?!" Mabel pounded a fist on the table emphatically. "What about Grunkle Stan! He deserves love! A rich overseas widow would be perfect for him!"

"That's not— The point is, Bill's not romantic!" Dipper said. "This plan isn't going to work!"

Ford set half a dozen bean cans next to Dipper's mixing bowl. "He doesn't need to be romantic," he said. "He only needs to be charismatic. And for all his flaws, he's certainly that." Planets will orbit stars and black holes just the same—and not even realize the difference. "He doesn't have to actually win Agent Powers's heart. He only has to keep his attention for a few hours. By the time Bill stops dazzling Powers long enough for him to see the red flags, we'll have the flash drive." He nodded toward Gompers. "If we get it before the agents return with a warrant, we might not even need Bill to distract him."

Dipper sighed. "Then let's hope Gompers likes prunes."

"Come on! Show a little faith!" Mabel said.

Ford muttered, "The last time I put my faith in Bill..." Dipper gestured emphatically at Ford in agreement.

"Not in Bill! In me! Mark my words, Grunkle Ford—I'll get this Cinderella ready to meet his Prince Charming if I have to summon every mouse in Gravity Falls to help sew his ballgown!"

"Please don't summon the wildlife again," Dipper groaned. "The last time you did that, huge spiders kept appearing in our room for a week."

Mabel's pocket vibrated; she pulled out her phone and gasped. She chugged down the rest of her juice in three sickly sweet gulps and bolted from the room. "Biiill! Your personal style consultant texted back!"

"My who?"

She dragged him out of the living room by the wrist. "Come on!"

Ford watched them run up the stairs, then started searching through their cereal boxes for the high fiber one. Tentatively, he asked, "Mabel doesn't actually think we're trying to get Bill and the agent together, does she?" The Prince Charming comment was concerning.

"I don't know," Dipper sighed. "A few days ago she started talking about trying to get Bill a love life? Maybe she sees this as a practice round."

"Really? Why, did he say he wants to date people?" If he wanted to get out of the shack to emotionally prey on the locals one-on-one without supervision...

"I don't think she's even told him yet. It's part of her project to... reintegrate him into society? She probably thinks the power of love can rehabilitate him." Dipper sighed. "She's setting herself up for disappointment. He's been conning people into thinking he's a good guy for billions of years, right? If being loved could fix him, he'd be an angel by now."

"Instead, he's just gotten better at pretending to be an angel," Ford said ruefully. "I'm inclined to agree with you." He found the cereal he'd been looking for and set it on the table by Dipper. "But then... we let him live, didn't we? Because we all hope we're wrong. I suppose that doesn't make us that different from Mabel."

Dipper shook his head emphatically. "Not me." He dumped one of the cans of beans into the prune juice a little harder than necessary. "I let him live for two reasons: because of Mabel, and because of that prophecy. And he doesn't have to change to fulfill some prophecy to save us—when it comes, he might just be trying to save his own stupid butt, too."

"I suppose so." Right—of course, even if he'd agreed to spare Bill, Dipper still didn't have any real hope for him beyond his usefulness.

Over the past month, Ford hadn't seen anything more sympathetic out of Bill than Dipper had. He wondered at himself for even being willing to consider Bill might change. When had Ford changed enough to consider it? Or was he just more susceptible to Bill's same old tricks?

"You don't remember the whole prophecy yet, do you?" Ford asked. "What if this is what it was about? Saving our family from the government because he's the only person the lead agent finds attractive enough to distract him?"

Dipper pulled a face. "I hope not," he said. "After everything he put us through? He owes us a fight to the death with an interdimensional eldritch god."

"Now that's a sight I'd pay to see."

####

MABEL: Heyyy Paz, can I ask for a small favor. I have a friend that needs a MAJOR MAKEOVER!! 😿 Like the FULL PRINCESS TRANSFORMATION treatment!! Can you help him?

PACIFICA: Can't, I'm suuuper busy today. I have the lunch shift AND grooming day at the ranch.

PACIFICA: Plus, why would I help some total rando? 😒

MABEL: Because it's my friend with the beautiful golden hair.

PACIFICA: asldkfggh

PACIFICA: OK fine come by the ranch after work

PACIFICA: and send me a picture of his skin next to a white paper so I can grab some foundations to try out.

####

Bill took a piece of paper and a marker, wrote "Make me beautiful!" and dotted the I and the exclamation point with hearts, flopped the least sunburned part of his arm next to the paper for Mabel to take a picture, and leaned away to keep his face out of it.

As Mabel snapped a couple pictures, she said, "Okay, before we visit Pacifica, I have to warn you. She can be a liiittle bit mean when it comes to fashion. So don't get mad at her, okay? It's how she shows she cares!"

"No it's not," Bill said.

"No, it's not," Mabel conceded. "But it doesn't mean she doesn't care. That's just... how she relates to other people! By insulting their fashion, style, and body. And family. And finances."

"Don't worry, star girl. I can take it."

"But I mean, she might be really, really, super mean about your looks," Mabel said. "And you cannot curse her or threaten to turn her bones into flutes or do anything Bill-ish like that. Promise me."

"Hey, bone flutes! That sounds like a fun arts and crafts project, right?"

"Bill!"

"Re-lax, it'll be fine," Bill said. "She's just your garden-variety pageant girl with an overly-critical mom who tried to relive her glory years through her daughter! I can handle a teenage ex-beauty queen. I'm an expert on those types."

Skeptically, Mabel said, "Really?" She was slowly coming to realize that, in Bill's opinion, he was the expert on everything.

"Oh yeah. I spent years eyelid deep in the pageant scene."

"You did?" she said, surprised. "How come? Did you try to trick a beauty pageant into building your portal or something like that?"

Bill stared at Mabel.

####

Outside the flat hospital, it was a beautiful, peaceful morning. The air was clear, the unseen sun was shining brightly from some unknown dimension, and some 2D equivalent to a bird was chirping in some 2D equivalent to a tree.

And then the hospital doors crashed open with such force that passing shapes momentarily suspected that someone had set off a bomb.

"—don't give me that look, if you'd hustled your hypotenuse and had your birthday yesterday, we wouldn't be in such a rush! You're just lucky you came out so cute, or—" An exhausted, dull pinkish triangle charged out the doors with a very tiny, squishy yellow triangle in her trembling arm. She turned to shout behind her—"Hurry up! There's only two hours until the Best Baby Pageant and he is not going to miss it!"

—and was followed closely by a horrified blue triangle carrying a hat in one hand and a cane in the other. "But Scalene, the doctors still have to do those tests to check for—"

"They can test him later! If he's got some horrible birth defect, he'll still have it after he's won a trophy!" Without slowing, Scalene turned and held the baby out toward the other triangle. The squishy new shape gawked at him in mild befuddlement. "Look at this kid, Euclid! Most newborn brats look like cranky raisins, but he's less than an hour old and he's already bright-eyed and smooth-sided! He was born with the face of a pageant winner—"

Not looking where she was going, she ran into a tree. The bird flew off in a panic, Scalene lost her balance, and she nearly dropped the baby. Euclid caught him, caught her, and held her steady while she leaned dizzily against the tree. "Lene. You should be on bedrest right now. Maybe we should just, you know, take a moment to process..."

"Process what! We have our little angle. Am I supposed to sit in a hospital bed staring at the afterbirth?!"

While Euclid stared at her in shock, she snatched the child back, pushed him away, and wobbled back upright. "What kind of a lazy mother would I be if I was sleeping instead of making my child a winner! You want him to start off life on the right foot, don't you?"

Defeated, Euclid said, "All right. I'll take care of the... the paperwork. At least bring your cane."

"I don't need it. I'm fine."

"Fine?! You just..." He gestured at her, gestured at the brand-spanking-new baby, gestured at her again, then flung his hands up in defeat. "If you drop our baby, I'm divorcing you."

She sighed huffily. "You're so dramatic." But she snatched the cane out of his hand anyway and stormed away, declaring loudly enough that shapes on the other side of the street turned to stare: "If the mayor doesn't declare my Billy the greatest baby in the whole godforsaken world, I'm grabbing the biggest trophy in the room and bashing his eye in!"

####

Bill shrugged at Mabel. "Sure," he said. "Something like that."

####

Gompers stared down at the bowl set on the floor in front of him.

It contained black beans, broccoli, coffee grounds, fiber-enriched whole-grain cereal, oatmeal, and an avocado and half a sweet potato mashed together into an orange-green mush, all stewing in a prune juice soup.

Gompers looked up.

Dipper and Ford were crouched across from him, watching expectantly.

Gompers bleated balefully at them.

"Go on!" Ford nudged the bowl closer. "It's good for you."

Gompers knew a lie when he heard one. He turned his nose up at the mix.

"I don't get it," Dipper said. "He eats everything. What's wrong with this stuff?"

"I haven't a clue."

"Maybe it's the broccoli?"

Ford gave him a quizzical look. "Why broccoli?"

Dipper shrugged. "I don't like broccoli, I don't know why he would."

"Hmm." Mystified, Ford propped his chin in his hand and stared into Gompers's eyes. Gompers stared back. Gompers stared into his soul. Gompers didn't blink.

Ford was dragged from this session of nonconsensual soul-searching by the sound of footsteps and Mabel's voice drifting down the stairs: "Listen, you know I love your sense of fashion! All I'm saying is everyone loves kittens, but snakes? That's a pretty niche fashion market! You're not gonna get a lot of takers."

"No, hey, hear me out," Bill said. "I listened to your professional matchmaker advice, now you've got to listen to my professional heartbreaker advice. You'll thank me for this one day! This is my number one romance tip: if you wanna impress a date, strap cobras to your arms and call yourself 'Johnny Cobra-Arms.' It works every time. Guaranteed."

(Dipper snorted.)

"Whaaat? No way," Mabel said. "Seriously, what?"

"It's true! I workshopped this! I've experimented across parallel timelines! It works."

"Quit messing with me, Bill."

"You think I would ever mislead you? No. Picture this." As the pair turned the corner on the stairs, Bill was spreading his hands in front of himself as though gesturing to the scene he wanted Mabel to imagine. "You see a guy, maybe a year older than you, kinda cute but nothing to write home about, maybe a 6/10. Got him in your mind's eye?"

A look of intense concentration crossed Mabel's face as she engaged her Imagination. "Yeah?"

"Okay, now imagine he—" Bill reached the bottom of the stairs and looked around. "Where are my shoes." He raised his voice, "Who moved my fisshoes! I left them right— oh, there they are." He disappeared into the living room. "Imagine your 6/10 has two big snakes wrapped around his arms. And he catches your eye from across the club, comes up to you, and says..." Bill's voice dropped to a pitch that was nearly in the range of an average adult human male, "'Hey. Name's Johnny Cobra-Arms. What's yours?'"

Mabel thought about it. Her eyes slowly widened in amazement. "Oh my god, it would totally work on me."

Bill re-emerged into the entryway, fish shoes donned. "See?"

"It made him hot! What the heck, how did that happen!"

"See?! It works every time!" He shouted toward the kitchen, "Hey, we're leaving for Alpaca's! I'm taking the car!"

"No you're not," Ford said.

Bill spread his hands in a shrug. "Worth a shot!" He grabbed his umbrella and the magic friendship bracelets from the coat rack and waited for Mabel to open the door. "See, it's the best possible first impression. It shows he's got a sense of humor, he's quirky, he's a little bit dangerous, he's got a great sense of fashion, he's a world traveler, he's good with animals..." The door swung shut behind them.

The way Bill had shrugged stuck in Ford's mind.

In his true form, Bill didn't have shoulders. His arms extended out of his sides like the trunks of saplings extending from the surface of flood waters, and they glided around his perimeter in a way that defied conventional physical biology. No joints.

When he shrugged in his human body, sometimes he'd bob his shoulders up and down in a deliberate mimicry of how humans performed the gesture; and lately, as Bill got used to moving his new body, Ford had seen him sluggishly raise a shoulder when he was too exhausted to gesture more expressively. But most of the time, he shrugged like he still didn't have shoulders. He'd spread his arms, bend his elbows, usually forming a W shape but sometimes when he was particularly emphatic forming a shape like football goalposts, and if he really wanted to make his meaning clear he'd twitch his upturned palms up the way a human would twitch their shoulders.

He did it all the time. He'd done it just now. The gesture was so natural on Bill that Ford had never realized how unnaturalit was on a human—until he'd seen Mabel make the exact same gesture earlier.

She was copying Bill's body language. He wondered if she knew.

He'd have to keep an eye on that.

"Hope Agent Powers is into snakes," Dipper muttered.

Ford laughed—then wondered whether someone pulling the Johnny Cobra-Arms trick would've worked on him. If by now nothing had made him take an interest in a basic, garden-variety human being, he doubted anything could... but, admittedly, he'd at least consider hanging out with Johnny. He sounded like an intriguing character. "If that's the worst thing Bill subjects him to, he'll be getting off light."

With a twinge of guilt, Ford realized just how true that was. Ford was no stranger to having to turn down the volume on his conscience for the greater good—and there were few greater goods than protecting his family—but...

He might not know Powers, but he did know that, whether Bill succeeded in seducing him or not, the man didn't deserve what he was about to be subjected to.

####

(Now that this chapter's finally out, may there be no further delays for a good long while, ugh.

Here's your "what was changed in the wake of TBOB" update: obviously, since we got five whole pages on Bill's beliefs about romance, a lot of that got incorporated into this chapter—the first and last scenes were basically written entirely in response to TBOB.

The scene with Scalene & Euclid, obviously, got their names & descriptions from TBOB & TINAWDC (and yeah, yeah, i'm eventually gonna go back to earlier chapters and edit out Bill's mom being a line so it matches up with canon), and it's obvious what the "best baby pageant" is a reference to (so you can guess whether Bill won)—but Bill being a pageant kid due to his mom was already part of the plans long before TBOB, so I just stuck a couple canon details into the story I was already writing. We were already gonna get into Bill's childhood this chapter & next (as you'll see next week).

Beyond that, most of the chapter was already in its present form before TBOB—up to & including Bill having a list of topics he thinks are acceptable for dates that no rational human would agree with—and all TBOB added was a couple tiny details (like... "mandibles".)

The fact that the list of things that were influenced by TBOB is so much longer than usual is part of the reason this chapter's two whole weeks late lmao.

Anyway, hope y'all enjoyed, happy new year, and I'm looking forward to (finally) hearing your thoughts on the first fresh chapter of 2025!

#bill cipher #scalene cipher #euclid cipher #mabel pines #human bill cipher #gravity falls #gravity falls fic #gravity falls fanart #fanart #my art #my writing #bill goldilocks cipher #(tbh i'm still not 100% on euclid's design. He looks too plain without the brick stripes but they aren't quite doing it for me)#(he's got a brother he's gotta be matchy with—maybe i'll toss up some concept art later—which is why i'm tilting toward green)#(but THAT shade of green? and the stripes? not convinced)#(but it's good enough for now)#(also as u can see i decided yes i do wanna give Mabel sweaters without collars to indicate she's 6% older now)#(i'll prob be editing art in earlier chapters at some point to reflect that)

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sunarryn · 3 days ago

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DP X Marvel #27

Danny wasn’t trying to become a supervillain’s protégé. Honestly, he was just trying to survive another semester at MIT without spontaneously combusting from stress. At nineteen, between triple-majoring in Astrophysics, Mechanical Engineering, and Paranormal Biochemistry—and moonlighting as the occasionally-glowy, occasionally-exploding, semi-competent vigilante known to the public as Phantom—Danny was hanging on by a thread. A very frayed, very caffeine-soaked thread. So when one of his professors suggested a special “independent study project” with a visiting Latverian dignitary-slash-scientist, Danny said yes without thinking. He needed the credits. He needed the money. He needed the free lunch vouchers. What he did not need, apparently, was to accidentally apprentice himself to Doctor Fucking’ Doom.

At first, he didn’t know. To Danny, “Victor” was just this weird, intense European dude with a crazy sense of fashion (who the hell wore a green cape in broad daylight?) and a laugh that definitely belonged in a villain origin story. But Victor paid well, never judged him for falling asleep mid-sentence, and always had the best coffee imported from who-knows-where. Danny figured he was just some rich old nerd with a lot of quirks. Maybe a little murder-y, but hey, Danny was from Amity Park. His standards for “dangerous mentor figure” were catastrophically low.

“Daniel,” Victor intoned one day, standing over a schematic that looked suspiciously like a laser death satellite. “Tell me: what improvements would you make to a mobile interdimensional particle cannon capable of vaporizing Manhattan?”

Danny, who hadn’t slept in three days and thought this was just a theoretical design, squinted at the blueprints and muttered, “Uh… you forgot the phase stabilizer. Without it, the cannon would rip itself apart before you could fire. Also, your aim’s gonna suck unless you recalibrate the gyroscopic system.”

Victor went unnaturally still. “Explain.”

Danny yawned so hard his jaw cracked. “M’kay, so if you adjust the vibrational harmonics here”—he drew all over the deadly weapon diagram with a crayon—“and rework the mana-infused crystal lattice to resonate at a higher frequency… boom. Stable, precise, terrifying. A+ on your murder machine, Professor Von Evilcape.”

Victor stared at him for a long time. Then he laughed. Not just any laugh. A full, villainous, booming laugh that echoed through the lab and set off three alarms in the next building over. Danny didn’t even blink. He just kept doodling tiny ghosts on the margins of the schematic.

From that moment onward, Victor—Doctor Doom, actual dictator of Latveria, sorcerer supreme wannabe, world-class narcissist—decided Danny was his heir apparent. His secret weapon. His beautiful chaotic son who understood him better than any of the clowns in Latveria ever had. He didn’t ask Danny if he wanted the role. He just started sending Danny increasingly absurd “assignments” that Danny, running on Monster Energy and bad life choices, completed without registering how criminally insane they were.

Case in point: one evening, Danny stumbled into the lab with a Red Bull in one hand and a half-eaten burrito in the other. Victor handed him a device.

“Install this at Stark Tower.”

Danny blinked at the tiny, harmless-looking black box. “Uh, what is it?”

“A signal booster for quantum research purposes.”

Danny, who trusted absolutely no one and also didn’t care because he had a paper due at midnight, shrugged. “Okay, cool.”

He broke into Stark Tower that night with the ease of a sleepwalking raccoon, installed the “signal booster” inside one of Tony Stark’s servers, and left. The next morning, the news was screaming about a massive data breach that almost triggered World War III. Danny was too busy trying to finish his midterm essay on quantum entanglement to notice.

“Good work, Daniel,” Victor said approvingly during their next meeting, clapping him on the back so hard he almost faceplanted into a dimensional rift. “You have the soul of a conqueror.”

“Thanks, man,” Danny mumbled, chugging coffee straight from the pot.

Victor took it a step further. He started introducing Danny at fancy functions. “This is Daniel. He is my most promising apprentice. One day he will inherit my empire.”

Danny, half-dead from exams and not paying attention, just nodded absently and said, “Yup. Love the Empire Strikes Back. Great movie. Big fan.”

Victor beamed.

It wasn’t until six months later, after the “Study Abroad” paperwork (actually an all-expenses-paid trip to Latveria) and the suspiciously grand laboratory gifted to him “for his brilliance,” that Danny realized something was deeply wrong.

He was skimming through some documents on Victor’s encrypted network—because of course Doom had an encrypted network called “DoomNet”—when he found it.

Last Will and Testament of Victor Von Doom: In the event of my death, all of Latveria, my scientific research, all proprietary technology, magical artifacts, nuclear launch codes, hidden doomsday devices, and the title of Supreme Monarch will pass to my chosen heir: Daniel Fenton, aka “Phantom,” aka “My Beautiful Disaster Child.”

Danny read it three times.

“Wait. Wait, wait, wait,” he whispered, voice cracking. “Am I—AM I A VILLAIN PRINCE?!”

Cue the world’s most pathetic breakdown.

“NO NO NO NO NO. I JUST WANTED A DAMN SCHOLARSHIP!” He hurled a coffee mug at the wall. It phased through because he lost control of his intangibility again. “THIS IS WHAT I GET FOR TRUSTING ANYONE IN A CAPE.”

Danny spent the next two hours panic-researching Victor Von Doom. It was bad. It was really bad. It was, like, world-endingly bad. Murder records. Wars. Kidnapping Reed Richards’ kids. Banning Beyoncé from Latveria because she rejected his dinner invitation. BAD.

And it was too late. Doom had gone on international television that morning and announced Danny’s name as his successor.

“I have chosen my heir,” Doom declared, standing proudly atop his gold-plated balcony while cameras flashed below. “The boy shall inherit everything I have built. Bow before your future king, Daniel Fenton!”

Meanwhile, in his MIT dorm room, Danny choked on his cereal.

“Oh my God,” Tucker screamed over Facetime. “YOU’RE DOOM JUNIOR!”

Jazz was furiously typing. “Danny, that’s treason. Like, actual treason.”

Sam just stared at him with unholy glee. “So… when are you conquering America?”

“NEVER,” Danny screeched.

Too late. The Avengers showed up at MIT the next day. It was not subtle.

Tony Stark crashed into Danny’s quantum physics lecture, kicked open the door, and pointed dramatically at him. “YOU!”

Danny, hunched over his notes and running on negative hours of sleep, blinked. “Me?”

“Yeah, you, Doom Boy,” Tony said, stomping down the aisle while half the class screamed and ducked for cover. “You hacked my servers, hijacked my satellites, and installed a literal doom-signal into my mainframe. Care to explain, junior dictator?”

Danny held up his hands. “Okay, look. In my defense, I thought it was a Wi-Fi booster.”

Steve Rogers leaned in. “Are you actively trying to destroy America?”

Danny’s eye twitched. “Sir, I am actively trying to pass Organic Chemistry.”

Natasha Romanoff clicked a pen menacingly. “Are you or are you not plotting to overthrow the world?”

Danny hesitated. “I mean… define ‘plotting’?”

There was a long, painful silence.

Tony sighed, dragging a hand down his face. “Kid. You’re on, like, several different international watchlists. Half of SHIELD thinks you’re planning to nuke New York.”

Danny’s voice cracked. “I didn’t even know how to do laundry until last month.”

And thus began the most chaotic custody battle in history: Doom versus the Avengers versus Danny versus himself.

Victor, naturally, was thrilled. He sent Danny monogrammed armor. A custom throne. A letter that read “My son, all great rulers are hated before they are loved. However feat not. Seize your destiny.”

Danny sent it back with a post-it note that said “pls stop.”

Tony tried to recruit him instead. “Work for me. You like tech, you like coffee, you’re already better at hacking than Peter—”

“HEY,” Peter Parker shouted from across the hall.

Danny groaned into his hands. “I don’t want to work for anyone! I just want a nap!”

Sam Wilson patted him on the back sympathetically. “Welcome to adulthood, kid.”

Things escalated horrifyingly fast. Latverian officials tried to smuggle Danny out of Massachusetts under the cover of night. Doom built a life-sized gold statue of him in Latveria’s capital square. The Avengers started putting “Phantom Threat Level: High” on their briefing files. Nick Fury cornered him in a diner and deadpanned, “Son, you’re one bad day away from becoming an international incident.”

Danny, shoving pancakes in his mouth, muffled, “I don’t wanna.”

Of course, life didn’t let him off that easy.

When Doom inevitably “died”—allegedly vaporized by a malfunctioning time machine because of course he did—Danny woke up to find a legal team at his dorm room.

“Congratulations, Your Majesty,” the lead lawyer said with an evil smile. “You are now King of Latveria.”

Danny fainted on the spot.

He woke up fifteen minutes later to find Sam fanning him with a Doom flag and Tucker wearing a Latverian general’s hat he stole from one of the lawyers.

“So…” Tucker grinned. “Wanna invade Canada first?”

Danny screamed into his pillow.

And somewhere, deep in the void between worlds, Doom—very much alive and sipping espresso—chuckled darkly.

“Atta boy, Daniel,” he whispered. “Atta boy.”

#danny fenton #danny phantom #dp x marvel #danny phantom fanfiction #marvel #marvel mcu #mcu #mcu fandom #crossover #danny phantom fandom #marvel fandom #marvel fanfic #mcu fanfiction #dr doom #victor von doom

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iwillstabyou · 2 months ago

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TMAGP 31 - A Computer Nerd’s Breakdown Of The Error Logs

It’s round 3, bitches! (tumblr crashed twice when I was writing this so I’ve had to start again multiple times. I do in fact see the irony, considering the subject matter)

I was listening to TMAGP 31 and as a computer nerd, oh my god those error messages just HIT DIFFERENT. There are so many subtle details hiding in those lines that a typical non-computery person would probably miss, so I feel it is my duty to explain them and their possible implications. So that’s why I’ve decided to fully break down each part of the error report, complete with what they could potentially suggest — think of this as “the TMAGP theorist’s guide to deciphering Chester’s yapping”

So without further ado, let’s get this party started…

(NOTE: lines from the transcript are in red, ‘translations’ are in purple, jmj specific stuff is is green, explanations are in black)

Starting off with Category: fatal programmer error, notice it says programmer, not program. There is nothing wrong with the code - the user has truly fucked up. Uh oh, Colin has made a big mistake…

Also, clever double meaning here with the word fatal. Obviously we know it was fatal to Colin (RIP king 🥲), but error logs also typically have a criticality level describing if immediate action needs to be taken. There are 6 commonly used levels, with the most critical being, yep you guessed it, ‘fatal’ - this means that whatever Colin was doing was a critical threat to the system. In other words, Colin had figured out the problem and was dangerously close to fixing it so Freddie just went “oh shit, we need to deal with this guy quickly or we are in serious trouble.”

Then we’ve got the next line, attempted host compromise (the Errno611 isn’t significant - error codes vary from system to system). When it comes to network terminology, a host is basically just any device on the network, so in full this line basically means “somebody’s tried to damage part of the network.” Importantly, “host” seems to suggest that the computers aren’t the source of this evil but merely a vessel for it. Freddie is just the mouthpiece for these supernatural forces - a bit like a non-sentient (as far as we know…) avatar. Whatever these forces are, they didn’t come from within/they weren’t created by Freddie.

(NOTE: I will come back to jmj=null in a bit)

The program traceback, Traceback <module> by extension BECHER, is rather interesting. A network extension is a way of providing network access to remote users (think along the lines of a VPN) by creating a personal direct ‘route’ to the network. Therefore if it’s the subject of an error report, it means there’s been an issue with data transmission along that path. So this bit means “there’s a problem with this specific network route that’s allocated to Colin.” However, the darker implication here is that Colin is an extension of Freddie. Although he wasn’t initially a part of all of this, he’s become tangled in the web (no pun intended) to the point that he and Freddie are inseparably intertwined. The OIAR employees may be able to quit their jobs, but they’ll still be a part of Freddie…

There isn’t much to say about Host=self.host in this context. It’s just convention when it comes to object oriented programming. Not important here.

Extension BECHER compromised isn’t just saying “there’s an issue here.” It’s saying “there’s an issue here that is a serious threat to network operation.” In other words, Freddie’s going “uh oh. Colin needs to be dealt with.”

The next bit is pretty self explanatory. I really don’t think I need to explain what <hardware damage_crowbar> means for you guys to understand. This bit made me laugh so hard. One thing that’s interesting though is that it gave it a DPHW, so Freddie processed this like it was an incident… Perhaps this fully confirms that the ‘thing’ controlling Freddie is of the same origin as the cases - it’s not something else entirely?

And now onto Administrator privilege revoked. This was the moment when I fully realised “oh no. Colin is fucked,” because any control that Colin may have had over the situation is now gone for good. Freddie’s basically just said “fuck you Colin. You’re not in charge anymore. I am.”

As you can probably guess, Unexpected data isolated/resolved just means that the crowbar’s been dealt with and the program can run as usual. Similarly, the Colin threat is fixed now he’s not an administrator i.e. he can no longer control the system. However, it then gets weird with Independent operation permissions revoked… It’s not saying Colin can’t use the network independently, it’s saying that Colin can’t be used independently of the network. Remember what I was saying earlier about Colin being a part of Freddie? Yeah, well now he purely is a part of Freddie. They’re turning our boy into data!

NOTE: I know in the audio it said everything was discarded but I’m going by the transcript. Idk why they’re different

You know it’s a bad sign when you hear Re config: self.host - Freddie’s evolving. The network is literally reconfiguring itself to now include Colin. And then Freddie goes through each of his alchemical elements one by one and fucking deletes them! How rude. You go and eat this man only to spit everything out!? I guess he’s feeling generous though, because he decides to keep the sulphur, which in alchemy, refers to the soul… If this isn’t just a coincidence, then that means Colin’s actual soul has been uploaded to Freddie. That could be really cool. And messed up. But mostly cool.

Starting with the final line, everyone knows what New administrator permissions assigned means, but we don’t know yet who they’ve been assigned to. Maybe it’s Gwen? Maybe it’s a new character? Maybe there is no system administrator anymore? It’s a mystery.

Now that’s out the way, let’s get on to the real juicy stuff…

The top few lines are pretty simple - it’s Freddie’s way of saying “Colin was a problem. We ate him. Now he’s not a problem anymore.” The next line, however, is a reminder that none of this is simple” - .jmj error not resolved. There it is again. The infamous jmj error. What does it mean? Jon? Martin? Jonah? Is that you???? Nobody knows. One thing we do know though is that jmj=null (from the start of the error log). Now when it comes to interpreting values, null is weird. It’s not zero, it’s not empty, it’s sort of nothing but it’s not nothing. It’s just null. It means no value, but it doesn’t mean that the variable doesn’t have a value (if that makes any sense to you guys???). Ooh I think I know how to explain it?? Imagine you’re Jonathan Sims, head archivist of the Magnus Institute and you’re digitising some archived ID photos when you find one without a name. The recorded name in the database would be null - you can’t put anything in particular, but that doesn’t mean the person in the photo doesn’t have a name. I guess null means unknown or missing here. So basically, what jmj=null means is that the jmj is unknown and that is a problem because it can’t get ignored/it is important. So what it’s basically saying is that jmj is a mystery not only to us, but also to Freddie.

Take a look at Data integration cycle ongoing <0.02%> - Data integration is the process of combining data from multiple sources into a single source of truth. There are 4 stages: data ingestion, cleaning, transformation, and unification. Thanks to the whole Colin ordeal, I’m sure you are all quite familiar with these stages by now (and that, students, is what we call a case study!). The peculiar thing here though is that we’ve just witnessed most of the data integration cycle - surely it should be higher than 0.02%? Yes, that’s correct. It should be far higher than that. It makes no sense. UNLESS this isn’t about Colin. Most of Colin’s data has probably already integrated. This is something else entirely - something so much bigger and foreign than these computers were designed for (the only comparison I can think of is trying to run the sims 4 with all expansion packs on a 15 year old laptop. It really shouldn’t work, and it probably won’t, but it’s gonna try regardless). This seems to follow on nicely from the jmj=null comments above, because Freddie is clearly struggling to integrate something (hence System function margins down to 82%), and when you try to read data that hasn’t been fully integrated with the system, you end up with a lot of missing & unknown values. Sound familiar? Yep, that’s right - until more data is synchronised, many values will be null, like our good friend jmj. Why is it taking so long to integrate jmj? We don’t know. Perhaps its origins are so supernatural and otherworldly that it’s simply not tangible enough for Freddie to process it? That’s what I think at the moment, at least.

So yeah, that’s my line by line analysis done! Hope you found that helpful/interesting. This podcast is so well written I’m actually going insane! Jonny and Alex, you are the guys of all time! As I’ve already said, feel free to expand on any of this - I’d love to hear your theories

Signed, your friendly neighbourhood computer nerd who is very autistic about TMAGP :)

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saltymarshmall0w · 10 months ago

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So, Pre-robin Tim definitely wrote self-insert fanfiction about being Robin.

Like, a full story 400k plot starting with Jason graduating from being Robin and onto something bigger and better to the next Robin's journey, which ends up being modeled after Tim's life.

At first, some of Tim's most compelling plots are ripped straight from real missions, mostly using info the public doesn't know about.

Then, after YEARS of constantly updating this fic and being known as THE Batman Fanfic due to it's length and constant uploads, Tim is in the middle of writing a new chapter and just. stops.

"What am I even doing?"

Because at this point he's been Robin for almost a year and he's still fantasizing about being a part of a family he is already a part of.

(is he though? It's been a year and they barely acknowledge each other out of the suit, and at the end of the day he still goes home to an empty mansion)

EVEN BETTER

Five years later, one of the bats dredges the fic up from the deep dark corners of the web.

The others endlessly tease Tim for his writing as a 9-13 year-old

(they keep reading and discover between the analytical jargon and awkward dialogue a lot of worrying details that give a better peak into the traumas of his childhood. The littlest of scenes explains why Tim treats himself the way he does.)

Jason, despite initially being one of the biggest teasers, unironically loves it because little Tim's portrayal of the second Robin grew up to be eerily similar to how Jason is now. He would never say it to Tim's face, but despite (or maybe because of) being a literary nerd, he reads every chapter up until it was abandoned.

The B plot of this all is, of course, Bruce finds the fic and thinks TIM is the one with a stalker and gets really concerned about the data released in the fic.

#tim drake #dc comics #tim drake and jason todd #batfam #batman #batfamily #Tim Drake writes fanfic and you can pry this fact out of my cold dead hands

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beezelarts · 5 months ago

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Jake "Hangman" Seresin headcanon

Okay, okay, imagine:

Jake's first word is jet. Not Momma, not Daddy. JET!

By the time he's two, he can name every US navy fighter jet/plane by looking at pictures and the only toys he has are realistic looking but very fragile models of jets and planes that are probably not appropriate for a toddler. Jake still has them at 32. He was very careful.

When he's seven, he can recite basic data about the navy jets: max. speed, G-force, weight, wingspan, etc.

He's in middle school when he's able to calculate speed, acceleration, pressure, centrifugal force, etc. He might be dyslexic but when it comes to numbers, he's a BEAST.

He's a damn nerd when it comes to physics and fighter jets, knows more about it than all of his peers at the academy, perhaps even Bradley.

And people think he just wants to be the best to impress the higher-ups, and partially, it's true. But rarely anyone sees that fighter jets and everything around that topic genuinely interests Jake to a point that could be considered unhealthy.

#jake seresin #jake hangman seresin #top gun maverick #hangster fanfiction #hangman x rooster #sereshaw #rooster x hangman #hangster

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mariacallous · 3 months ago

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A short note here on what I’m covering and why. The political changes we’re seeing across the world are underpinned by technological ones that are now accelerating. For more than a decade, I’ve been trying to investigate and expose these forces. Since 2016 that’s included following a thread that led from Brexit to Trump via a shady data company called Cambridge Analytica and the revelation of a profound threat exploit at the heart of our democracies. But what’s happening now in the US is a paradigm shift: this is Broligarchy, a concept I coined last summer when I warned that what we were seeing was the proposed merger of Silicon Valley with state power. That has now happened. Writing about this from the UK, it’s clear we have a choice: we help lead the fight back against it. Or it comes for us next. Please share this with family and friends if you feel it’s of value. Thank you, as ever, Carole

Let me say this more clearly: what is happening right now, in America, in real time, is a coup.

This is an information war and this is what a coup now looks like.

Musk didn’t need a tank, guns, soldiers. He had a small crack cyber unit that he sent into the Treasury department last weekend. He now has unknown quantities of the entire US nation’s most sensitive data and potential backdoors into the system going forward. Treasury officials denied that he had access but it then turned out that he did. If it ended there, it would be catastrophic. But that unit - whose personnel include a 19-year-old called “Big Balls” - is now raiding and scorching the federal government, department by department, scraping its digital assets, stealing its data, taking control of the code and blowing up its administrative apparatus as it goes.

This is what an unlawful attack on democracy in the digital age looks like. It didn’t take armed men, just Musk’s taskforce of boy-men who may be dweebs and nerds but all the better to plunder the country’s digital resources. This was an organised, systematic, jailbreak on one of the United States’ most precious and sensitive resources: the private data of its citizens.

In 2019, I appeared in a Netflix documentary, The Great Hack. That’s a good place to start to understand what is going on now, but it wasn’t the great hack. It was among the first wave of major tech exploits of global elections. It was an exemplar of what was possible: the theft and weaponization of 87 million people’s personal data. But this now is the Great Hack. This week is when the operating system of the US was wrenched open and is now controlled by a private citizen under the protection of the President.

If you think I’ve completely lost it, please be advised that I’m far from alone in saying this. The small pools of light in the darkness of this week has been stumbling across individual commentators saying this for the last week. Just because these words are not on the front page in banner headlines of any newspaper doesn’t mean this isn’t not happening. It is.

In fact, there has been relentless, assiduous, detailed reporting in all outlets across America. There are journalists who aren’t eating or sleeping and doing amazing work tracking what’s happening. There is fact after fact after fact about Musk’s illegal pillaging of the federal government. But news organisation leaders are either falling for the distraction story - the most obviously insane one this week being rebuilding Gaza as a luxury resort, a story that dominated headlines and political oxygen for days. Or…what? Being unable to actually believe that this is what an authoritarian takeover looks like? Being unsure of whether you put the headline about the illegal coup d’etat next to a spring season fashion report? Above or below the round-up of best rice cookers? The fact is the front pages look like it’s business as normal when it’s anything but.

This was Ruth Ben-Ghiat on Tuesday. She’s a historian of fascism and authoritarianism at New York University and she said this even before some of this week’s most extreme events had taken place. (A transcript of the rest of her words here.)

“It’s very unusual. In my study of authoritarian states, it's only really after a coup that you see such a speed, such obsessive haste to purge bureaucracy so quickly. Or when somebody is defending themselves, like Erdogan after the coup attempt against him, massive purge immediately. So that's unusual. I don't have another reference point for a private individual coming in, infiltrating, trying to turn government to the benefit of his businesses and locking out and federal employees. It is a coup. I'm a historian of coups, and I would also use that word. So we're in a real emergency situation for our democracy.”

A day later, this was Tim Snyder, Yale, a Yale professor and another great historian of authoritarianism, here: “Of course it’s a coup.”

History was made this week and while reporters are doing incredible work, to understand it our guides are historians, those who’ve lived in authoritarian states and Silicon Valley watchers. They are saying it. What I’ve learned from investigating and reporting on Silicon Valley’s system-level hack of our democracy for eight long years and seeing up close the breathtaking impunity and entitlement of the men who control these companies is that they break laws and they get away with it. And then lie about it afterwards. That’s the model here.

Everything that I’ve ever warned about is happening now. This is it. It’s just happening faster than anyone could have imagined.

It’s not that what’s happening is simply unlawful. This is what David Super, an administrative law professor at Georgetown Law School told the Washington Post.

“So many of these things are so wildly illegal that I think they’re playing a quantity game and assuming the system can’t react to all this illegality at once.”

And he’s right. The system can’t and isn’t. Legal challenges are being made and even upheld but there’s no guarantee or even sign that Musk is going to honour them. That’s one of the most chilling points my friend, Mark Bergman, made to me over the weekend.

Last week, I included a voice note from my friend, tech investor turned tech campaigner, Roger McNamee, so you could hear direct from an expert about the latest developments in AI. This week I’ve asked Mark to do the honours.

He’s a lawyer, Washington political insider, and since last summer, he’s been participating in ‘War Game’ exercises with Defense Department officials, three-star generals, former Cabinet Secretaries and governors. In five exercises involving 175 people, they situation-tested possible scenarios of a Trump win. But they didn’t see this. It’s even worse than they feared.

“Those challenges have been in respect of shutting down agencies, firing federal employees and engaging in the most egregious hack of government. It all at the hand hands of DOGE, Musk and his band of tech engineers. DC right now is shell-shocked. It is a government town, USA, ID, the FBI, the Department of Justice, Department of Homeland Security, CIA, no federal agency will be spared the revenge and retribution tours in full swing, and huge numbers have been put on administrative leave, reassigned or fired, and the private sector is as much at risk, particularly NGOs and civil society organizations. The more high-profile violate the law, which is why the courts have been quick to enjoin actions. “So yes, we've experienced a coup, not the old fashioned kind, no tanks or mobs, but an undemocratic and hostile takeover of government. It is cruel, it is petty. It can be brutal. It is at once chaotic and surgical. We said the institutions held in 2020 but behind institutions or people, and the extent to which all manner of power structures have preemptively obeyed is hugely worrying. There are legions ready to carry out the Trump agenda. The question is, will the rule of law hold?”

Last Tuesday, Musk tried to lay off the entire CIA. That’s the government body with the slogan ‘We are the nation’s first line of defense’. Every single employee has been offered an unlawful ‘buyout’ - what we call redundancy in the UK - or what 200 former employees - spies - have said is blatant attempt to rebuild it as a political enforcement unit. Over the weekend, the Washington Post reports that new appointees are being presented with “loyalty tests”.

Musk’s troops - because that’s what they are, mercenaries - are acting in criminal, unlawful, unconstitutional ways. Organisations are acting quickly, taking lawsuits, and for now the courts are holding. But the key essential question is whether their rulings can be enforced with a political weaponized Department of Justice and FBI. What Mark Bergman told me (and is in the extended note below) is that they’ve known since the summer that there would be almost no way of pushing back against Trump. This politicisation of all branches of law enforcement creates a vacuum at the heart of the state. As he says in that note, the ramifications of this are little understood outside the people inside Washington who study this for a living.

And at least some of what DOGE is doing can never be undone. Musk, a private citizen, now has vast clouds of citizens’ data, their personal information and it seems likely, classified material. When data is out there, it’s out there. That genie can never be put back into the bottle.

Itt’s what it’s possible to do with that data, that the real nightmare begins. What machine learning algorithms and highly personalised targeting can do. It’s a digital coup. An information coup. And we have to understand what that means. Our fleshy bodies still inhabit earthly spaces but we are all, also, digital beings too. We live in a hybrid reality. And for more than a decade we have been targets of hybrid warfare, waged by hostile nation states whose methodology has been aped and used against us by political parties in a series of disrupted elections marked by illegal behaviour and a lack of any enforcement. But this now takes it to the next level.

It facilitates a concentration of wealth and power - because data is power - of a kind the world has never seen before.

Facebook’s actual corporate motto until 2014 taken from words Mark Zuckerberg spoke was “Move fast and break things”. That phrase has passed into commonplace: we know it, we quote it, we also fail to understand what that means. It means: act illegally and get away with it.

And that is the history of Silicon Valley. Its development and cancerous growth is marked by series of larcenous acts each more grotesque than the last. And Musk’s career is an exemplar of that, a career that has involved rampant criminality, gross invasions of privacy, stock market manipulation. And lies. The Securities and Exchange Commission is currently suing Musk for failing to disclose his ownership stock before he bought Twitter. The biggest mistake right now is to believe anything he says.

Every time, these companies have broken the law, they have simply gotten away with it. I know I’m repeating this, but it’s central to understanding both the mindset and what’s happening on the ground. And no-one exemplifies that more than Musk. The worst that has happened to him is a fine. A slap on the wrist. An insignificant line on a balance sheet. The “cost of doing business”.

On Friday, Robert Reich, the former United States Secretary of Labor, who’s been an essential voice this week, told the readers of his Substack to act now and call their representatives.

“Friends, we are in a national emergency. This is a coup d’etat. Elon Musk was never authorized by Congress to do anything that he’s doing, he was never even confirmed by Congress, his so-called Department of Government Efficiency was never authorized by Congress. Your representatives, your senators and Congressmen have never given him authority to do what he is doing, to take over government departments, to take over entire government agencies, to take over government payments system itself to determine for himself what is an appropriate payment. To arrogate to himself the authority to have your social security number, your private information? Please. Listen, call Congress now.”

It’s a coup

I found myself completely poleaxed on Wednesday. I read this piece on the New York Times website first thing in the morning, a thorough and alarming analysis of headlined “Trump Brazenly Defies Laws in Escalating Executive Power Grab”. It quoted Peter M. Shane, who is a legal scholar in residence at New York University, “programmatic sabotage and rampant lawlessness.” It was displayed prominently on the front page of the New York Times but it was also just one piece among many, a small weak signal amid the overpowering noise.

There’s another word for an “Executive Power Grab”, it’s a coup. And newspapers need to actually write that in big black letters on their front pages and tell their tired, busy, overwhelmed, distracted, scared readers what is happening. That none of this is “business as usual.”

Over on the Guardian’s UK website on Wednesday, there was not a single mention on the front page of what was happening. Trump’s Gaza spectacular diversion strategy drowned out its quotient of American news. We just weren’t seeing what’s happening in the seat of government of our closest ally. As a private citizen mounted a takeover of the cornerstone superpower of the international rules-based order, our crucial NATO ally, our biggest single trading partner, the UK government didn’t even apparently notice.

The downstream potential international consequences of what is happening in America are profound and terrifying. That our government and much of the media is asleep at the wheel is a reason to be more not less terrified. Musk has made his intentions towards our democracy and national security quite clear. What he hasn’t yet had is the backing of the US state. That is shortly going to change. One of the first major stand-offs will be UK and EU tech regulation. I hope I’m wrong but it seems pretty obvious that’s what Musk’s Starmer-aimed tweets are all about. There seems no world in which the EU and the UK aren’t headed for the mother of all trade wars.

And that’s before we even consider the national security ramifications. The prime minister should be convening Cobra now. The Five Eyes - the intelligence sharing network of the US, UK, New Zealand, Australia and Canada - is already likely breached. Trump is going to do individual deals with all major trading partners that’s going to involve preposterous but real threats, including likely dangling the US’s membership of NATO over our heads all while Russia watches, waits and knows that we’ve done almost nothing to prepare. Plans to increase our defence spending have been made but not yet implemented. Our intelligence agencies do understand the precipice we’re on but there’s no indication the government is paying any attention to them. The risks are profound. The international order as we know it is collapsing in real time.

It’s a coup

We all know that the the first thing that happens when a dictator seizes power is that he (it’s always a he) takes control of the radio station. Musk did that months ago. It wasn’t that Elon Musk buying Twitter pre-ordained what is now happening but it made it possible. And it was the moment, minutes after Trump was shot and he went full-in on his campaign that signalled the first shot fired in his digital takeover.

It’s both a mass propaganda machine and also the equivalent of an information drone with a deadly payload. It’s a weapon that’s already been turned on journalists and news organisations this week. There’s much more to come.

On Friday, Musk started following Wikileaks on Twitter. Hours later, twisted, weaponized leaks from USAID began.

This is going to get so much worse. Musk and MAGA will see this as the opening of the Stasi archive. It’s not. It’s rocketfuel for a witchhunt. It’s hybrid warfare against the enemies of the state. It’s going to be ugly and cruel and its targets are going to need help and support. Hands across the water to my friends at OCCRP, the Overseas Crime and Corruption Reporting Project, an investigative journalism organisation that uncovers transnational crime, that’s been in Musk’s sights this weekend, one of hundreds of media organisations around the world whose funding has been slashed overnight.

It’s a coup

By now you may feel scared and helpless. It’s how I felt this week. I had the same sick feeling I had watching UK political coverage before the pandemic. The government was just going to ignore the wave of deaths rippling from China to Italy and pretend it wasn’t happening? Really? That’s the plan?

This is another pandemic. Or a Chernobyl. It’s a bomb at the heart of the international order whose toxic fallout is going to inevitably drift our way.

My internal alarm bell, a sense of urgency and anxiety goes even further back. To early 2017, when I uncovered information about Cambridge Analytica’s illegal hack of data from Facebook while the company’s VP, Steve Bannon, was then on the National Security Council. That concept of highly personalised data in the control of a ruthless and political operator was what tripped my emergency wires. That is a reality now.

The point is that the shock and awe is meant to make us feel helpless. So I’m telling a bit of my own personal story here. Because part of what temporarily paralyzed me last week was that this is all happening while my own small corner of the mainstream media is collapsing in on itself too. The event that I’ve spent the last eight years warning about has come to pass and in a month, 100+ of my colleagues at the Guardian will be out of the door and my employment will be terminated. I will no longer have the platform of the news organisation where I’ve done my entire body of work to date and was able to communicate to a global audience.

But then, it’s all connected. We are living through an information crisis. It’s what underpins everything. In some ways, this happening now is not surprising at all. Moreover, many of the people who I see as essential voices during this crisis (including those above) are doing that effectively and independently from Substack as I will try to continue to do.

And, the key thing that the last eight years has given me is information. The lawsuit I fought for four years as a result of doing this work very almost floored me. But it didn’t. And I’ve learned essential skills during those years. It was part of what powered me to fight for the rights of Guardian journalists during our strike this December.

The next fightback against Musk and the Broligarchy has to draw from the long, long fight for workers rights which in turn influenced the fight for civil rights that must now power us on as we face the great unknown. What comes next has to be a fight for our data rights, our human rights.

This was former Guardian journalist Gary Younge on our picket line and I’ve thought about these words a lot. You have to fight even if you won’t necessarily win. Power is almost never given up freely.

If you value any of this and want me to be able to continue, I’d be really grateful if you signed up, free, or even better, paid subscription. And I’d also urge you to sign up also for the Citizen Dispatch, that’s the newsletter from the non-profit I founded that campaigns around these issues. There is much more it can and needs to do.

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