#dan geraghty

[sining-ni-kad]

can i take you everywhere we've ever been? 🎶 ✨ 🍃 

 My entry for the #happybirthdaysai collab on Twitter!! This one was super fun to make; I've always loved Formidable and was really excited to make art of it. Huge thanks to @/SWlRLYEYES for hosting the collab :D

[warmglowofsurvival]

shot by dr. blum

[defensefilms]

Either Gaslit Is A Good Show, Or I’m Just Getting Old

*This Here Blog Post Contains Mad Spoilers*

Gaslit was not made for me.

Demographic-wise, theme-wise, and in as far as the contents of the show, and the period in history that they are talking about, this is not a show that was created to appeal to, or entertain, an early thirties, black, male, South African. 

And yet, for as old as the medium of television is, and for all the historically great entertainment it’s served up through the decades, you just know when a show has nailed it.

Gaslit is a non-fictional re-telling of Richard Nixon’s Attorney General, John Mitchell, and how his strained relationship with his wife served to exasperate Nixon’s problems during the public dissemination of Watergate scandal. 

That’s among the show’s first risky decisions.

The decision to tell one of the major stories at the heart of the Watergate scandal, in as historically accurate of a way as possible, was risky. Consider that these events took place more than 50 years ago, and for the most part, you know how it’s supposed to end, because you know how Nixon’s time as president ended. 

Keep in mind, Robert Redford and Dustin Hoffman have already made the film “All The President’s Men” in 1976, and that film’s release had the advantage of the Watergate scandal being fresh in the minds of the American public.

So this show has to sell the detail rather than the narrative itself. It has to sell process over outcome, and it has to sell the journey over the destination. An interesting challenge that I think the producers and artisans involved took to very well.  

The casting of Julia Roberts as Martha Mitchell, does wonders for the part of the show that gets the most narrative and thematic attention. Sean Penn plays her husband, John Mitchell, who gets himself in a bind when he undertakes and fails, an operation to bug and gather intelligence from the Watergate building.

Those are just the casting choices at the top of the marquee.

Craig Bauer is phenomenal in his performance as the incompetent, John McCord. Shea Whigham is awesome in his role as the acerbic Gordon Liddy, Dan Stevens is the show’s understated comic relief in his role as John Dean, and ofcourse Brian Geraghty finds a way to show his face, like he does every other crime drama show in North American television.

Thing of it is that, that’s just the casting, and as important as that is, and as well done as it was, it still doesn’t quite account for all of what we’re seeing. I simply cannot accept that as the sole reason for the show being what it is.

The focus on the relationship dynamics between the show’s power couple is interesting, well written, well layered, and well portrayed by the performers in question, however, if it was the only thing the show offered, it would be less impressive.

That, and the fact that marital dysfunction is not new to television drama.

The show also pulls off something that a lot of great shows will also do, by not being held to genre conventions. Instead opting for a kind of blending of genres that include historical drama, comedy/dark humor and political intrigue, to create a kind of thematic cocktail.

The core conflict at the center of the show is nicely ratcheted up when John Mitchell’s henchmen’s attempts at bugging the Watergate building are foiled by local police detectives, and in a kind of pre-emptive, paranoid and distrustful move, he opts to have his wife temporarily imprisoned, in fear that she might divulge both John and Richard Nixon’s involvement in Watergate to the media.

The best television drama shows have always relied on a strong paring like this.

Tony and Carmela Soprano quickly come to mind, Walter and Skyler White had a similar dynamic in Breaking Bad, and when the traumatic effects of Martha Mitchell’s 24 hour imprisonment at the hands of Peter (played by Brian Geraghty), are completely lost on John Mitchell, Martha realizes John is going to be the “fall guy” for Nixon’s scandal, and she resorts to subtly making herself more available to the media and publicly protesting his innocence on his behalf.

It was crucial that the show nail Martha and John’s marital tension, or risk the entire show falling on it’s head. However, something can be vitally important without being the biggest reason for success, especially in the medium of audio-visual storytelling.

No, what makes this show successful, is a commitment to absurdity.

Absurdity was what made Watergate the spectacle that it was.

The absurd idea that Richard Nixon thought he could get away with KGB-style intelligence tactics against his political opposition, and the idea that it almost worked because he won his re-election campaign.

The absurdity of the idea that they thought they would be able to keep the story quiet even after their henchmen were caught in the act.

The absurdity of a man with as much conviction as John Mitchell, having a cult-like devotion to Richard Nixon. A devotion no different to that which some Kremlin members had for Josef Stalin in the decade before, and all made more absurd by the fact that Mitchell is willing to take the fall for a crime he was instructed to commit.

In episode 4, a hungover Martha walks in to her living room after the Mitchell’s had just hosted a birthday party, and sees her husband seated on the floor like a child, watching Nixon address the American public with eyes entranced by his television screen, and at that point she realizes her husband does not have the will, the capability, nor does he see the need to defend himself from what’s going to happen to him next.

However, the most absurd of all, are the henchmen that were caught in the deed, and their belief that somehow, President Nixon would save, pardon, exonorate or bail them out, in any way, in the event that they were caught.

Moreover, Gaslit is a story about what happens when powerful people manage to surround themselves with only loyalists, and it’s a story about what happens when abuse of power becomes the norm.

In Episode 1, John Dean is walked into John Micthell’s office and offered the task of overseeing the bugging of the Watergate building. 

At first he balks at the obvious bad legal implications of such an idea. He is then challenged by the Attorney General, and has his capabilities, ambition and loyalty questioned, after which Dean begins to put forth ideas on the best way to go about the operation.

While the episode 1 interaction between Dean, A.G John Mitchell and Mitchell’s fixer, Jeb Macgruder is hilarious, it is also the kind of interaction that cannot happen in an atmosphere where abuse of power isn’t the norm.

At the heart of most of Gaslit’s dark humour is how this kind of belief in power and the ambivalence towards the injustices it commits, is it’s own kind of delusional, and even it’s own kind of mental illness.

This is best exemplified by the men that were caught in the act of actually bugging the building itself.

Gordon Liddy is a case study in how religious zealotry and belief in a higher purpose can go wrong, and how religious and cultural backgrounds that teach adherence to authority, are like breeding footsoldiers for corrupt leaders. Liddy proves this to the extent of using violence to maintain the silence of the others when they are tried and convicted for breaking and entering.

John Dean’s belief that he is somehow “close to the President”, shows the kind of benign dishonesty that a cult of personality like Nixon’s breeds because proximity to him is like it’s own social currency, and that can easily be corrupted when careerists like Dean decide to “play the game” and use that to thier advantage.

James McCord, is really the worst victim of this. He was a bad fit for the operation from the start and the realization that John Mitchell, whom he served personally, is not going to save him from a lengthy prison sentence, is the beginning of the end of the collective belief in Nixon.

Whether it’s John Mitchell, way up in the hierachy of Washington, or poor old James McCord down at the bottom, all the men in this show suffer from a belief in the cult and power of a President that, for all intents and purposes, only cared about being in power.

 Among the show’s sub-narratives is allowing you to revel in the shattering of the collective and unquestioning belief in their leader, but the biggest casualty of standing in that truth was Martha Mitchell.

[the-bitch-files]

Great LAW & ORDER: SVU Guest Stars (And Where Else You Might Have Seen Them)

As one of the longest-running prime-time crime procedural dramas on TV, which is currently entering its 26th season, Law & Order: Special Victims Unit has had its fair share of guest stars. From those actors appearing on the show before making it big, to big stars (including Oscar and Emmy winners!) popping in for a guest appearance, SVU has attracted a range of talent, just like its parent show, Law & Order.

Below is a list of various guest stars from Law & Order: SVU, split into different categories to tell you where you might have seen them before. The list is under the cut, since it's a pretty long list!

BOARDWALK EMPIRE

Michael Pitt (Jimmy Darmody) - S3xE13 "Prodigy" Paul Sparks (Mickey Doyle) - S2xE08 "Manhunt" Michael Shannon (Nelson Van Alden/George Mueller) - S6xE13 "Quarry" Christiane Seidel (Sigrid Mueller) - S12xE01 "Locum" Michael K. Williams (Chalky White) - S5xE11 "Escape" & S8xE07 "Underbelly" Paz De La Huerta (Lucy Danzinger) - S1xE18 "Chat Room" Bobby Cannavale (Gyp Rossetti) - S3xE11 "Monogamy" Patricia Arquette (Sally Wheet) - S14x09 "Dreams Deferred" Brian Geraghty (Agent Warren Knox/Jim Tolliver) - S11x11 "Quickie" & S16xE20 "Daydream Believer"

RIVERDALE

Lili Reinhart (Betty Cooper) - S13xE09 "Lost Traveler" Casey Cott (Kevin Keller) - S18xE19 "Conversion" Skeet Ulrich (FP Jones) - S12xE03 "Behave" Marisol Nichols (Hermione Lodge) - S05xE03 "Mother" Luke Perry (Fred Andrews) - S10x01 "Trials"

CHILD STARS

Abigail Breslin (Little Miss Sunshine) - S06xE01 "Birthright" Jennette McCurdy (iCarly) - S06xE11 "Contagious" Elle Fanning (Somewhere, Maleficent, Super 8) - S08xE08 "Cage" Anna Chlumsky (My Girl) - S13xE03 "Twenty-Five Acts"

MODERN FAMILY

Julie Bowen (Claire Dunphy) - S10xE01 "Trials" Sarah Hyland (Haley Dunphy) - S03xE01 "Repression" & S10xE12 "Hothouse" Ty Burrell (Phil Dunphy) - S03xE15 "Execution" Ariel Winter (Alex Dunphy) - S21xE02 "The Darkest Journey Home"

ORANGE IS THE NEW BLACK

Natasha Lyonne (Nicky Nichols) - S13xE08 "Educated Guess" Samira Wiley (Poussey Washington) - S16xE21 "Perverted Justice" Pablo Schreiber (George 'Pornstache' Mendez) - S08xE15 "Haystack" as Dan Kozlowski), S14-15 (as William Lewis) Elizabeth Rodríguez (Aleida Diaz) - S13xE14 "Home Invasions" Laura Gómez (Blanca Flores) - S16 Laverne Cox (Sophia Burset) - S09xE16 "Closet" Taryn Manning (Tiffany 'Pennsatucky' Dogget) - S12xE12 "Possessed"

TEEN SHOW & MOVIE STARS

Melissa Joan Hart (Sabrina the Teenage Witch) - S9xE03 "Impulsive" Peter Gallagher (the OC) - S16, S17, S18, S19 & S20 James Van Der Beek (Dawson's Creek) - S13xE20 "Father Dearest" Sophia Bush (One Tree Hill) - S16xE07 "Chicago Crossover" & S16xE20 "Daydream Believer" Mischa Barton (the OC) - S11xE14 "Savior" Ian Somerhalder (the Vampire Diaries) - S4xE20 "Dominance" Paul Wesley (the Vampire Diaries) - S2xE01 "Wrong is Right" & S7xE04 "Ripped" Hayden Panettiere (Heroes, Scream 4, Ice Princess) - S02xE11 "Abuse" & S06xE15 "Hooked" Amanda Seyfried (Mean Girls, Jennifer's Body) - S06xE05 "Outcry" Brittany Snow (John Tucker Must Die, Pitch Perfect) - S07xE22 "Influence" Jennifer Love Hewitt (I Know What You Did Last Summer, Party of Five, Can't Hardly Wait) - S12xE03 "Behave" Matthew Lillard (Scream, She's All That) - S10xE16 "Ballerina" Mae Whitman (the Perks of Being a Wallflower, Tinker Bell, One Fine Day) - S09xE11 "Streetwise"

SITCOM STARS

Debra Messing (Will & Grace) - S12xE17 "Pursuit" Eric McCormack (Will & Grace) - S11x02 "Sugar" John Stamos (Full House) - S12xE22 "Bang" Bob Saget (Full House) - S8x09 "Choreographed" Jane Krakowski (30 Rock) - S05xE23 "Bound" Dreama Walker (Don't Trust the B- in Apartment 23) - S16xE10 "Forgiving Rollins" Rainn Wilson (The Office) - S04x08 "Waste" Brad Garrett (Everybody Loves Raymond) - S17E22 & E23 "Intersection Lives" & "Heartfelt Passages" Henry Winkler (Happy Days) - S03xE20 "Greed" Bebe Neuwirth (Cheers, Frasier) - S01xE03 "...Or Just Look Like One"

MCU STARS

Bradley Cooper (Rocket Raccoon) - S6xE20 "Night" Zoe Saldana (Gamora) - S5xE21 "Criminal" Alfred Molina (Otto Octavius/Doctor Octopus) - S6xE20 "Night" Emily VanCamp (Sharon Carter) - S08xE14 "Dependent"

TV STARS

Kyle Maclachan (Desperate Housewives, Twin Peaks, Sex and the City) - S06xE06 "Conscience" & S13xE03 "Blood Brothers" Cynthia Nixon (Sex and the City) - S9x01 "Alternate" Bradley Whitford (the West Wing, Studio 60 on the Sunset Strip) - S15xE22 "Reasonable Doubt" & S24xE15 "King of the Moon" Jennifer Love Hewitt (Ghost Whisperer, 9-1-1) - S12x03 "Behave" Pedro Pascal (Game of Thrones, the Mandolorian, the Last of Us) - S12xE24 "Smoked" Lynda Carter (Wonder Woman) - S07x02 "Design" Wentworth Miller (The Flash, Prison Break) - S11x01 "Unstable" (as Nate Kendall), S21xE06 "Murdered at a Bad Address" & S22x06 "the Long Arm of the Witness" (as Isaiah Holmes)

DISNEY STARS (both movie & channel)

Britt Robinson (Avalon High, Tomorrowland) - S10xE05 "Babes" Hilary Duff (Lizzie Maguire, Cadet Kelly) - S10xE19 "Selfish" Sabrina Carpenter (Girl Meets World) - S12E12 "Possessed" Peyton List (Jesse) - S12xE12 "Possessed" (also star of Cobra Kai!)

MOVIE STARS

Kate Mara (The Martian, Fantastic Four) - S02xE09 "Pixies" Rooney Mara (The Social Network, Carol) - S07xE20 "Fat" Sarah Paulson (Down With Love, Ocean's 8) - S11xE12 "Shadow" Lili Taylor (Mystic Pizza, Say Anything) - S16E15 "Undercover Mother" & S16E23 "Surrendering Noah" Martin Short (Father of the Bride, Three Amigos) - S06xE18 "Pure" Alec Baldwin (Beetlejuice, Glengarry Glen Ross) - S15x18 "Criminal Stories" Whoopi Goldberg (Sister Act, Ghost) - S17xE04 "Institutional Fail" Mahershala Ali (Moonlight, Leave the World Behind) - S11x01 "Unstable" Jeremy Irons (Die Hard With a Vengeance, the Lion King) - S12xE13 "Mask" & S12xE20 "Totem" Adam Driver (Star Wars, Marriage Story) - S13x11 "Theatre Tricks" Sharon Stone (Basic Instinct, Casino) - four episode arc as ADA Jo Marlowe in season 11 Patricia Arquette (Bringing Out the Dead, True Romance) - S14x09 "Dreams Deferred" Joan Cusack (Working Girl, Toy Story 2, Addams Family Values) - S12xE01 "Locum" Lea Thompson (Back to the Future, Red Dawn, Some Kind of Wonderful) - S06xE01 "Birthright"

DEAD POETS SOCIETY

Robin Williams (Mr. Keating) - S09xE117 "Authority" Robert Sean Leonard (Neil Perry) - S16xE21 "Perverted Justice," S17xE03 "Transgender Bridge" & S17xE10 "Catfishing Teacher" Josh Charles (Knox Overstreet) - S10x302 "Confession" James Waterson (Gerard Pitts) - S09xE14 "Inconceivable" & S18xE17 "Real Fake News"

BROADWAY / THEATRE STARS

Raúl Esparza - S14-19, Rafael Barba Andy Karl - S17, Mike Dodds Alex Brightman - S22xE05 "Turn Me On, Take Me Private" Eve Noblezada - S22xE05 "Turn Me On, Take Me Private" Roger Bart - S14xE03 "Twenty-Five Acts" Billy Porter - S15xE07 "Dissonant Voices" Patti LuPone - S16xE11 "Agent Provocateur" Daveed Diggs - S17xE05 "Community Policing" & S17xE13 "Forty-One Witnesses Leslie Odom Jr. - S17xE05 "Community Policing" Laura Benanti - S13-15, Maria Grazie (Nick Amaro's wife) Jefferson Mays - S16-17, Carl Rudnick Audra Macdonald - S01xE19 "Contact" & S01xE22 "Slaves" Aaron Tviet - S11xE10 "Beef" & S13xE02 "Personal Fouls"

HOUSE M.D.

Robert Sean Leonard (James Wilson) - S16xE21 "Perverted Justice," S17xE03 "Transgender Bridge" & S17xE10 "Catfishing Teacher" Kal Penn (Lawrence Kutner) - S08xE12 "Outsider" Peter Jacobson (Chris Taub) - S13xE23 "Rhodium Nights," S14xE01 "Lost Reputation," S14xE02 "Above Suspicion" (as Bart Ganzel), S19xE01 "Gone Fishin'" & S19xE13 "The Undiscovered Country" (as Randy Dworkin) Michael Weston (Lucas Douglas) - S08xE16 "Philadelphia," S08x19 "Florida," S08x22 "Screwed," S13xE16 "Child's Welfare," & S21xE06 "Murdered at a Bad Address" Zena Grey (Ruby) - S04xE15 "Pandora" Andre Braugher (Darryl Nolan) - 6 episodes across seasons 13, 14 & 16

DESPERATE HOUSEWIVES

Marcia Cross (Bree Van de Kamp) - S16xE16 "December Solstice" Kyle McLachlan (Orson Hodge) - S06xE06 "Conscience," S13xE03 "Blood Brothers" Mark Moses (Paul Young) - S09xE14 "Inconceivable," S18xE16 "The Newsroom" J.C. MacKenzie (Walter Bierlich) - S7-24 as Brian Ackerman in S7 & S12, and Counsellor Richard Price in S18 & S23-24 Cody Kasch (Zach Young) - S07xE06 "Raw" Richard Burgi (Karl Mayer) - S11xE15 "Confidential"

[ninaathompsonn]

Sources and Significance - Reader

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Saito, Satomi. “Beyond the Horizon of the Possible Worlds: A Historical Overview of Japanese Media Franchises.” Mechademia: Second Arc, vol. 10, 2015, pp. 143–61. JSTOR, https://doi.org/10.5749/mech.10.2015.0143. Accessed 7 Jan. 2024

The article "Beyond the Horizon of the Possible Worlds: A Historical Overview of Japanese Media Franchises", gives an view of an ancient evaluation of Japanese media franchises, that specialize in how they've superior in phrases of narrative and person development. The article starts off evolved with the resource of discussing the anime collection "Sword Art Online" through Kawahara Reki, this anime changed right into a big achievement outdoor of Japan and function in mainstream media recognition, the item use the anime as an case to examine and discover broader traits in a fable worldwide creation and pass-media franchising. The creator attempt to pass similarly into the nuances of ways characters are modified all through a couple of media systems and the manner this displays present day inclinations inside the media employer. The article then compares the "Sword Art Online" collection to other works, like the "Vampire Hunter D" anime, to showcase top notch methods to how the author build the arena and narrative growth in media franchises, this assessment consists of as nicely the "Haruhi Suzumiya" anime, in which the article examines the specific narrative techniques and purchaser participation in the franchise's international. The article discusses the forms of converting traits from a controlled surroundings of narrative to a more purchaser appealing model inside the digital age. This shift is exemplified within the transition from conventional media to novel based multimedia franchises, and says moreover about the evolution of media intake and advent within the context of Japanese anime and novel franchises. The overarching topic of the item is the exploration of the dynamic dating between narrative, character improvement, and media systems inside the context of Japanese media franchises. And of the manner those elements have advanced through the years, encouraged with the resource of technological upgrades and converting purchaser behaviors.

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Geraghty, Lincoln. “Transmedia Character Building: Textual Crossovers in the Star Wars Universe.” Star Wars and the History of Transmedia Storytelling, edited by Sean Guynes and Dan Hassler-Forest, Amsterdam University Press, 2018, pp. 117–28. JSTOR, https://doi.org/10.2307/j.ctt207g5dd.12. Accessed 5 Jan. 2024.

In the article "Transmedia Character Building: Textual Crossovers in the Star Wars Universe," by Lincoln Geraghty and featured in "Star Wars and the History of Transmedia Storytelling," the article talks about the examination of individual evolution inside the Star Wars franchise is supplied. The article focuses on how key characters had been intricately developed and utilized across diverse media structures, notably contributing to the expansive Star Wars narrative. And the article also make an point in the transformation of Boba Fett from an animated parent within the Holiday Special to a pivotal symbol within the franchise, illustrating his function as a transmedia signpost. The person of Darth Maul, in spite of his restricted display presence in "The Phantom Menace," is explored for his complicated development inside the Expanded Universe narratives and lively series "The Clone Wars" and "Rebels." Also, Grand Admiral Thrawn's journey from Timothy Zahn's novels to a valuable parent inside the Disney technology of Star Wars is analysed, showcasing the seamless integration of characters from the Expanded Universe into the legit canon. The article delves into the "media blend" concept in Star Wars, in which varying individual iterations build a cohesive narrative throughout multiple media forms, offering new storytelling opportunities and advertising and marketing strategies. The piece concludes by way of emphasizing the crucial roles of characters like Ahsoka Tano and Saw Gerrera in expanding the Star Wars narrative, underlining the franchise's dynamic and interconnected storytelling method.

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Williams, Wendy R. “Examining Studio Ghibli’s Animated Films: A Study of Students’ Viewing Paths and Creative Projects.” Journal of Adolescent & Adult Literacy, vol. 63, no. 6, 2020, pp. 639–50. JSTOR, https://www.jstor.org/stable/48573031. Accessed 4 Jan. 2024.

In the article "Examining Studio Ghibli's Animated Films: A Study of Students’ Viewing Paths and Creative Projects," shows intensity exploration of university students' engagement with and interpretation of Studio Ghibli's animated films. Williams meticulously outlines nine distinct viewing paths employed by means of students, highlighting the diverse methodologies followed in comprehending animation. The article provides an analysis of various aspects of those films, inclusive of narrative shape, multimodal composition, cultural and historic contexts, supply materials, directorial affects, and essential and personal perspectives. And also examines the function of intertextuality and crucial lenses in shaping students' understanding and appreciation of the films. Also, they have a look at delves into the creative tasks stimulated through Studio Ghibli movies, undertaken by college students. These initiatives, ranging from visible artwork to music, podcasts, cookbooks, and fanfiction, mirror the profound effect of the films on college students' artistic expressions.

The article also emphasizes the significance of these movies in literacy research and education, attributing their price to wealthy, multimodal narratives that captivate rookies of all ages. The research underscores the significance of animation as a effective device in literacy and studying, advocating for the integration of such works into instructional curricula to decorate students' multimodal literacy and innovative abilities. This look at gives valuable insights into the numerous approaches college students interact with and interpret lively films, thereby contributing to a complete know-how of the instructional capacity of animation in literacy and mastering contexts.­

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Denison, Rayna. “Franchising and Film in Japan: Transmedia Production and the Changing Roles of Film in Contemporary Japanese Media Cultures.” Cinema Journal, vol. 55, no. 2, 2016, pp. 67–88. JSTOR, http://www.jstor.org/stable/44072415. Accessed 7 Jan. 2024.

In "Franchising and Film in Japan: Transmedia Production and the Changing Roles of Film in Contemporary Japanese Media Cultures," Rayna Denison affords a comprehensive evaluation of the evolving dynamics of film manufacturing in Japan, especially inside the geographical regions of media franchising and transmedia storytelling. Published in Cinema Journal in 2016, the article criticize the impact on of collaborative efforts across diverse media industries on Japanese film production, main to the advent of sizeable transmedia intertexts. The examine commences with an exploration of the historical context of movie franchising in Japan, tracing the decline of traditional film studios and the emergence of recent business structures inside the Sixties and Seventies. This transition notably reshaped the connection among Japanese movies and their intertextual networks. A focal factor of the article is the role of production committees (seisaku iinkai), conglomerates that control a movie's lifecycle from production to distribution. The evolution of those committees is tested, emphasizes an effect on in creating a hit transmedia franchises.

The article also delves into how those practices have transformed the Japanese filmmaking landscape, fostering a commercial hit movie lifestyle and embedding cinema more firmly within domestic media markets. The paper presents case research of franchises, illustrating the modifications in movie production, wherein films often end up second-generation texts within a franchise. The idea of "media mix" in Japan is analysed, demonstrating the collaborative efforts throughout movies, television, publishing, and other media forms to build cohesive narratives.

The article shows vital insights into the jobs movies play inside cutting-edge Japanese transmedia franchises and their positioning on the subject of other media texts. In conclusion the article, paintings affords an in depth exam of the interplay among film production, transmedia storytelling, and media franchising, highlighting the transformation of Japanese cinema into a greater commercial and included factor of the broader media enterprise.

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ALLISON, ANNE. “The Japan Fad in Global Youth Culture and Millennial      Capitalism.” Mechademia, vol. 1, 2006, pp. 11–21. JSTOR, http://www.jstor.org/stable/41510875. Accessed 7 Jan. 2024.

In the article "The Japan Fad in Global Youth Culture and Millennial Capitalism," featured in Mechademia: Second Arc, Vol. 1, 2006, Anne Allison dives into how Japanese popular culture, like manga, anime, and video video games, has actually stuck on with younger people all over the international, mainly in the U.S. She talks approximately how this fashion commenced in East and Southeast Asia within the Eighties after which went worldwide within the 1990s, something the article calls Japan's "Gross National Cool." This indicates just how large a deal cultural exports have grown to be for Japan's financial system. The article looks at how Japanese subculture has become a massive part of American teens lifestyle. The article also show this within the reputation of Japanese TV indicates, how manga is now a staple in bookstores, and the way Japanese styles and storytelling are influencing American media. And uses examples like the "Power Rangers" TV show to reveal how Japanese stuff receives tweaked for American audiences, blending cool Japanese thoughts with American vibes. The article points out that Americans are starting to see Japanese lifestyle as a source of clean and various content material, that's a big change. Also makes the case that Japanese popular culture is supporting to form a global creativeness it really is not just about American stuff anymore. This marks a shift in how the sector sees cultural content material, with non-Western stuff getting more highlight and attractiveness.

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Rifa-Valls, Montserrat. “Postwar Princesses, Young Apprentices, and a Little Fish-Girl: Reading Subjectivities in Hayao Miyazaki’s Tales of Fantasy.” Visual Arts Research, vol. 37, no. 2, 2011, pp. 88–100. JSTOR, https://doi.org/10.5406/visuartsrese.37.2.0088. Accessed 2 Jan. 2024.

In "Postwar Princesses, Young Apprentices, and a Little Fish-Girl: Reading Subjectivities in Hayao Miyazaki's Tales of Fantasy," this article makes a speciality of the construction of subjectivity, showing how Miyazaki’s heroines undertaking conventional gender roles in Japanese anime. The article also discusses using "preposterous records" in these movies to blend fantasy factors with reviews of cutting-edge society, creating a feel of otherness and difference. The look at explores how myth and liminality in Miyazaki's work critique societal norms and provide opportunity views.

Also, the author of the article examines the impact of those movies on visual belief, target market engagement, and educational insights, particularly regarding the portrayal of girl characters and their societal roles. Through unique evaluation of particular scenes and characters, the paper sheds light on their have an impact on viewers' perceptions of gender, identification, and societal roles.

In resume the article offers an insightful examination of Miyazaki's animated movies, showcasing how they use myth and storytelling to project conventional gender norms and foster a deeper understanding of subjectivity and identity in modern culture.

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Bedir, Selen Çalik. “(Re)Playing Anime: Building a Medium-Specific Approach to Gamelike Narratives.” Mechademia: Second Arc, vol. 12, no. 2, 2020, pp. 45–61. JSTOR, https://doi.org/10.5749/mech.12.2.0045. Accessed 5 Jan. 2024.

In "RePlaying Anime: Building a Medium-precise Approach to Gamelike Narratives" delves into the combination of gamelikeness in anime narratives, that specialize in how anime consists of gaming tropes and mechanics to craft specific storytelling reviews. The article examines the concept of gamelikeness in current media, especially its manifestation in anime thru game-like factors like repetitive interaction and the restart-and-repeat motif. The article also talks about the wonderful characteristics of anime as a medium, including its audio-visual elements and the combo of static and dynamic residences, and how these influence anime's narrative fashion, and explores character and narrative development inside anime, noting how characters frequently defy bodily and narrative constraints, reflecting gamelike characteristics.

A comparative evaluation between anime and different media forms, like manga and video games, is carried out, underscoring variations in narrative shape and man or woman improvement. The impact of digitalization on anime is also discussed, specially it’s have an effect on narrative strategies and storytelling tactics.

The article also considers the cultural and social contexts of these narratives, exploring their mirrored image and have an impact on current media tradition. In precis, "RePlaying Anime" affords a thorough analysis of the way anime as a medium has embraced gamelike elements, supplying a unique storytelling shape that resonates with present day audiences. The article sheds mild on the evolving nature of media narratives inside the digital age and changing audience expectations.

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Knighton, Mary A. “Down the Rabbit Hole: In Pursuit of Shōjo Alices, from Lewis Carroll to Kanai Mieko.” U.S.-Japan Women’s Journal, no. 40, 2011, pp. 49–89. JSTOR, http://www.jstor.org/stable/42772306. Accessed 7 Jan. 2024.

In "Down the Rabbit Hole: In Pursuit of Shōjo Alices from Lewis Carroll to Kanai Mieko," the article explores the reinterpretation of Lewis Carroll's Alice in Japanese literature and lifestyle, focusing on Kanai Mieko's works. The writer delves into how Kanai, a super Japanese writer, reimagines Alice, weaving in topics of sexuality, identity, and societal norms. It discusses Kanai's specific literary style and her use of Alice as a picture to project traditional narratives about femininity and girlhood in Japanese way of life. Employing psychoanalytic and feminist theories, the object analyzes the deeper implications of Kanai's use of the Alice person, particularly in relation to sexuality and repression. And also sheds light at the broader cultural context of those reinterpretations, reflecting Japan's shifting perspectives on gender and identification. Through precise case studies, like Kanai's tale "Rabbits," the article offers a nuanced evaluation of Alice's reimagination, mixing fable with societal reviews. In end the thing gives an insightful examination of Lewis Carroll's Alice's impact in Japanese literature, in particular through Kanai Mieko's lens, serving as a medium to talk about complex problems in the evolving Japanese cultural context.

9-

Wong Kin Yuen. “On the Edge of Spaces: ‘Blade Runner’, ‘Ghost in the Shell’, and Hong Kong’s Cityscape.” Science Fiction Studies, vol. 27, no. 1, 2000, pp. 1–21. JSTOR, http://www.jstor.org/stable/4240846. Accessed 6 Jan. 2024.

In the article "On the Edge of Spaces: Blade Runner, Ghost in the Shell, and Hong Kong's Cityscape” explores the interplay amongst technology fiction, town areas, and cultural example, specializing in "Blade Runner" and "Ghost inside the Shell." The article also examines how the ones films are stimulated through and reflect the city panorama and cultural dynamics of Asian towns, mainly Hong Kong.

The author discusses the have an effect on of Hong Kong's cityscape on these movies, noting how their portrayal of futuristic cities consists of elements of Asian urban structure, street scenes, and cultural milieu. The particular traits of Hong Kong's urban panorama, blending traditional and mixed element elements, extensively contribute to the cyberpunk aesthetic in those movies. The article delves into the cyberpunk style's themes of generation, dystopia, and cultural hybridity, as exemplified within the films' fusion of high-tech and conventional Asian affects. The article talks about the impact of those films on worldwide cultural narratives, shaping perceptions of Asian cities and contributing to discussions on city futures and generation. Through an scene analysis, it illustrates how Hong Kong's cityscape is integrated and reimagined in these cinematic worlds. In resume the object attempts to carry the precious insights into the have an effect on of Asian town environments on technological know-how fiction cinema, underscoring the location of cities like Hong Kong in shaping futuristic movie narratives.

10-

Chute, David. “ORGANIC MACHINE: The World of Hayao Miyazaki.” Film Comment, vol. 34, no. 6, 1998, pp. 62–65. JSTOR, http://www.jstor.org/stable/43454630. Accessed 6 Jan. 2024.

In "ORGANIC MACHINE: The World of Hayao Miyazaki,", the article offers an insightful exploration into the creative global and innovative technique of the famous Japanese filmmaker Hayao Miyazaki. The article specializes in Miyazaki's paintings in "Princess Mononoke," bring an focus on Miyazaki specific technique to animation and storytelling. The article also discusses Miyazaki's preference for hand-drawn animation, a terrific desire in an era more and more ruled by way of pc-generated imagery. This traditional method underscores Miyazaki's willpower to the craft. And develop into the environmental subject matters of "Princess Mononoke," set against the backdrop of a primeval forest within the Muromachi duration, exploring the war among technological development and nature.

The complexity of Miyazaki's characters is likewise examined, with a focus at the intensity and development of figures like the warrior princess Mononoke, raised through nature spirits, and emphasizes Miyazaki's super skill in global-constructing, evident in his meticulous design of landscapes, creatures, and equipment.

In summary, the article provides a comprehensive examine Miyazaki's inventive philosophy, underscoring the special characteristics that set his paintings aside inside the animation global, consisting of his dedication at hand-drawn artistry, profound thematic explorations, and modern approach to creating immersive worlds.

[turisiancom]

TURISIAN.com – Kementerian Pariwisata dan Ekonomi Kreatif (Kemenparekraf) bekerja sama dengan Air New Zealand. Dengan menggelar aktivitas wisata pengenalan kepada stakeholders terkait untuk manggaungkan pariwisata dan ekonomi kreatif Indonesia ke pasar Selandia Baru. Menparekraf Sandiaga Uno menyampaikan, program kolaborasi ini terjalin dalam rangka menyambut baik pengoperasian kembali rute Auckland - Denpasar oleh maskapai Air New Zealand. Setelah vakum selama tiga tahun karena pandemi COVID-19. "Kami menargetkan peningkatan jumlah dan kualitas wisatawan mancanegara, dengan tetap menghargai masyarakat lokal. Meningkatkan lama tinggal, mengeksplorasi destinasi, dan mendorong spending lebih banyak," tutur Sandiaga di Jakarta, Kamis (29/3/2023), dalam siaran pers Kemenparekraf. Pasar Selandia Baru sendiri memang potensial untuk pariwisata Indonesia. Data sebelum pandemi menunjukkan bahwa lenght of stay wisatawan Selandia Baru rata-rata sekitar 10,13 hari. Lalu average spending per arrival (ASPA) menyentuh angka 1.376 dolar AS. Angka ini setara dengan wisatawan Eropa yang terkenal royal berbelanja saat berwisata. Deputi Bidang Pemasaran Kemenparekraf, Ni Made Ayu Marthini berharap pada fase berikutnya wisatawan Selandia Baru tidak hanya berhenti sampai di Bali saja. "Melalui kampanye ‘Bali Add-on’ kami juga mengundang semua turis untuk menambah satu destinasi pulau lain pada kunjungan berikutnya. Seperti Labuan Bajo, Mandalika Lombok, dan Borobudur yang secara proximity tergolong dekat dengan Bali," ungkap Ni Made. Baca juga: Kemenparekraf Dukung Jakarta Muslim Fashion Week 2024 Hal tersebut sebagai bentuk tindak lanjut dari arahan Presiden Jokowi untuk mempromosikan 5 DSP (Destinasi Super Prioritas). Kepada fokus pasar wisatawan mancanegara dan wisatawan nusantara. Ni Made juga menekankan pentingnya aspek konektivitas untuk pemulihan sektor pariwisata. "Demand ke Indonesia makin meningkat dengan cepat. Dan kami bekerja dengan mitra maskapai udara asing seperti Air New Zealand. Agar membuka kembali rute serta mengisi kapasitas penumpang setidaknya sampai pada tingkat masa sebelum pandemi," ujarnya. Bali Rute Paling Populer Sementara, Air New Zealand’s Chief Customer and Sales Officer, Leanne Geraghty  menuturkan, Bali adalah destinasi yang sesuai untuk bermacam tipe turis. Baik yang mencari kehangatan pantai tropis, keluarga yang ingin berpetualang, atau pasangan yang mendambakan nuansa romantis dan damai. "Bali adalah salah satu rute paling populer, dengan lebih dari 17 ribu wisatawan terbang ke Denpasar pada 2019. Kami sangat senang bisa menghubungkan kembali para Kiwis (masyarakat Selandia Baru) dengan destinasi liburan teratas ini. Yang merupakan rute seasonal internasional terakhir yang kami operasikan kembali pascapandemi," papar Leanne. Program "Wellness & Sustainability"  Dalam program kolaboraksi Kemenparekraf dan Air New Zealand yang bertema "Wellness & Sustainability" tersebut, terdiri dari tiga media besar di Selandia Baru. Di antaranya New Zealand Herald, Stuff, Newshub, dan satu in house media maskapai Air New Zealand yaitu Kia Ora Magazine. Kegiatan yang berlangsung pada 29 Maret - 2 April 2023 ini, kemasannya dalam aktivitas wisata tematik. Untuk memberikan first hand experience dari destinasi Bali yang berbeda pascapandemi. Program wisata pengenalan ini mengajak para peserta dalam kegiatan waste tour dan awellness experience. Dari mulai kelas yoga, membuat jamu, hingga sound healing di Desa Potato Head. Baca juga: BI Tawarkan Tiga Strategi Ini Untuk Dorong Pertumbuhan Pariwisata Bali Di samping itu, dalam program kolaboraksi Kemenparekraf dan Air New Zealand ini, peserta juga menjelajah wilayah Bangli. Dengan mengunjungi Air Terjun Tukad Cepung yang terkenal sangat fotogenic sebagai destinasi utamanya. Kemudian, tidak lengkap rasanya mengunjungi Bali tanpa merasakan sentuhan budayanya. Oleh karena itu, mengajak para peserta menyusuri siklus hidup orang Bali sejak lahir hingga meninggal.

Dengan berbagai ritual dan upacara adat di Samsara Living Museum, Karangasem. Suguhan budaya yang tidak kalah menarik tentu pengalaman menyaksikan Tari Kecak berlatar sunset di Uluwatu. Ada pula aktivitas kelas masak, sebagai upaya mendukung program Indonesia Spice Up The World. Harapannya lewat aktivitas ini exposure terhadap bumbu rempah dan gastronomi Indonesia mendapatkan highlight. Dalam tulisan, artikel, ataupun pemberitaan dari para peserta sebagai bentuk kontraprestasi keikutsertaan dalam program kolaboraksi Kemenparekraf dan Air New Zealand ini. Supaya kontraprestasi ini bisa optimal, Kemenparekraf berupaya memastikan agar semua peserta merasa nyaman. Dan mendapatkan pelayanan terbaik khas Indonesia khususnya Bali. Penutup perjalanan tersebut pun cukup sempurna melalui treatment spa terbaik. Serta pengalaman menginap di akomodasi berkelas, Alila Manggis Karangasem dengan panorama alam mempesona. Operasional Air New Zealand Untuk pengoperasian kembali rute Auckland - Denpasar (PP) ini sendiri akan menggunakan kode penerbangan NZ 64/NZ 65. Menggunakan armada pesawat wide body 787-9 Dreamliner berkapasitas 302 seats. Mulai beroperasi perdana pada 29 Maret 2023 hingga rute seasonal ini berakhir pada 27 Oktober 2023. Baca juga: 7 Destinasi Wisata di Pulau Dewata Bali Ini, Surganya Pantai Sementara itu, untuk frekuensi penerbangan Air New Zealand tersebut sebanyak tiga kali sepekan pada Rabu, Jumat, dan Minggu. Serta estimasi waktu ketibaan di Denpasar pada 16.20 WITA dan keberangkatan pada 17.30 WITA.*     Sumber & Foto: Kemenparekraf

[thepermanentrainpress]

New Lyric Video: “Black Out” - 7715

[shannonn5sos]

Hollywood Ending

9th August 2015, O2 Academy 2, Liverpool

[topweeklyupdate]

TØP Daily Update #143: Wow (5/22/21)

Now that was a show.

Plain and simple, the Scaled and Icy Livestream Experience represented the pinnacle of the band's technical and creative achievements. It achieved everything I have ever wanted out of a Twenty One Pilots show and then delivered even more than I could have dreamed of.

Even Tumblr eating the entire first draft of this recap will not deter me from raving about just how impressive everyone, but especially Tyler Joseph, was last night. Let's get into it.

The Livestream Experience, directed by Jason Zada, essentially summed up every part of the Twenty One Pilots canon in what was at once a tight one-hour concert and a sprawling Broadway narrative spectacle. It featured almost every song off Scaled and Icy (justice for "Formidable"), contextualizing and expanding on them in a way that won over even the band/album's haters, while also bringing into the fold all of the necessities for a TØP show (the Big Three Hits, "Car Radio", "HOTY", "Trees") and a few more favorites (after 2020, I needed to hear "Migraine" live again). It featured tons of familiar faces (Mutemath members Paul Meany and Todd Gummerman, Dr. Blum, and cameos from Debby and Jenna) and a whole bunch of exciting new talents (kickass bassist Skyler Acord, guitarist Dan Geraghty, backup vocalists Kenyon Dixon and Danielle Withers, an awesome ensemble of dancers and performers, and Mark Geiger and Jo Young as Good Day Dema hosts Dan Lisden and Sally Sacarver).

It's more clear than ever that all the theorists got a lot more right than wrong, as the set-hopping narrative of the show (and especially the deteriorating appearances of Bishops Lisden and Sacarver) made clear that Scaled and Icy is very much a part of the Dema narrative. It's still more than a little muddled exactly what role Tyler/Clancy/saturation plays in this whole thing, but it is clear that there is a direction that all this is heading, and I'm excited to see where it all goes.

I'm also excited to see if/when this gets released. FBR has been doing its best playing Whack-a-mole with YouTube uploads, but I can't help but feel like they're missing major revenue by not either putting this up for sale or getting it on a streaming platform. (Especially since they honestly didn't do the best job selling exactly what the show was going to be until Thursday, which probably cost them some tickets.) I'd absolutely buy a physical copy of this if it was available.

Another thing that may have undercut the financial performance of the show: the general reviews for Scaled and Icy have been rather mixed. NME was positive with a 4/5. Clash went for a 7/10. Kerrang gave a 3/5, as did The Guardian. This is not the near-universal praise of Trench, and the streaming numbers are not as high as the last release, likely not helped by it being so overshadowed by the same-day release of Olivia Rodrigo's Sour to much greater critical and commercial acclaim. The only thing that makes me sad about that is the worry that the band won't always be able to afford to put on spectacles like last night's stream, but so long as Tyler continues to explore and express his full creativity, I will be content.

Power to the local dreamer.

|-/

[tuseriesdetv]

Noticias de series de la semana

Renovaciones

Netflix ha renovado You por una cuarta temporada

Amazon ha renovado Jack Ryan por una cuarta temporada

Starz ha renovado Blindspotting por una segunda temporada

HBO Max ha renovado Doom Patrol por una cuarta temporada

HBO Max ha renovado Titans por una cuarta temporada

Pennyworth se muda de EPIX a HBO Max, que la renueva por una tercera temporada

Noticias cortas

CBS encarga temporada completa de NCIS: Hawaii y FBI: International.

Bosé será desarrollada por Paramount+.

Jennifer Coolidge (Tanya) volverá en la segunda temporada de The White Lotus.

Octavio Pisano (Joe Velasco) será regular en la vigesimotercera temporada de Law & Order: SVU.

Fichajes

Emma Corrin (The Crown) protagonizará Retreat. Será una joven detective.

Common (Never Have I Ever, Hell on Wheels) será Sims, el jefe de la seguridad judicial del silo, en Wool. Tim Robbins (Mystic River, Dead Man Walking), Rashida Jones (Parks and Recreation, The Office) y David Oyelowo (Selma, Nightingale) serán Bernard, jefe del departamento de informática; Allison, trabajadora del departamento de informática y esposa de Holston; y Holston, el sheriff del silo.

Harvey Keitel (Bugsy, Reservation Dogs), Laura Harrier (Hollywood, One Life to Live), Grace Zabriskie (Twin Peaks, Big Love), Olunike Adeliyi (Workin' Moms, Flashpoint) y T.J. Atoms (Wu-Tang: An American Saga) se unen a Iron Mike como recurrentes. Serán Cus D'Amato, el primer entrenador de Tyson (Trevante Rhodes); Robin Givens, la actriz y primera esposa de Tyson; Camile D'Amato, la esposa de Cus; Lorna Mae, la madre de Tyson; y Barkim, ladrón y amigo de Tyson.

Michael Peña (Narcos: Mexico, The Shield) se une a la cuarta temporada de Jack Ryan. Se desconocen detalles.

Melanie Lynskey (Castle Rock, Two and a Half Men) será Betty Gore, la amiga de Candy Montgomery (Jessica Biel) en Candy.

Patton Oswalt (The Goldbergs, King of Queens), Nat Faxon (Ben & Kate, The Conners), Carlos Valdes (The Flash, Arrow), Erinn Hayes (Childrens Hospital, Kevin Can Wait), Patrick Walker, Raphael Sbarge (Once Upon a Time, Murder in the First), Chris Conner (Altered Carbon, The People v. O.J. Simpson: American Crime Story), Anne Dudek (Mad Men, House M.D.), Brian Geraghty (Big Sky, Chicago PD), Nelson Franklin (Black-ish, Veep), Reed Diamond (13 Reasons Why, Homicide: Life on the Street), Johnny Berchtold, Adam Ray (American Vandal) y Billy Smith (Homeland) serán Chuck Colson, consejero de Nixon (Danny Winn); Bob Haldeman, jefe de gabinete de la Casa Blanca; Paul Magallanes, agente del FBI; Peggy Ebbitt, amiga de los Mitchell; Frank Willis, guardia de seguridad; Charles N. Shaffer, abogado de John Dean (Dan Stevens); John Ehrlichman, la mano derecha de Nixon; Diana Oweiss, la secretaria de John Mitchell (Sean Penn); Peter, el guardia de seguridad de los Mitchell; Dick Moore, mano derecha de John Dean; Mark Felt, director asociado del FBI; Jay Jennings, hijo de Martha Mitchell (Julia Roberts); Ron Ziegler, secretario de prensa de la Casa Blanca; y Ken Ebbitt, amigo de John Mitchell; en Gaslit.

Celia Weston (Modern Family, American Horror Story), Michael O'Neill (Rectify, Scandal) y Gable Swanlund (The Shrink Next Door) se unen como regulares a Echoes. Tyner Rushing (The Terminal List), Hazel y Ginger Mason (The Blacklist, The Post), Alise Willis (Ruthless) y Madie Nichols (The Outsider) serán recurrentes.

Kathleen Robertson (Bates Motel; Beverly Hills, 90210) será Rosenfeld Guoliang, miembro importante del círculo de confianza de Marco Inaros (Keon Alexander),W en la sexta y última temporada de The Expanse.

Natasha O'Keeffe (Peaky Blinders, Misfits), Meera Syal (The Kumars, The Split) y Ceara Coveney se unen a la segunda temporada de The Wheel of Time.

Adam Korson (SurrealEstate, Imposters) será recurrente en Maggie como Daniel, un hombre dulce y autocrítico que ha abandonado el crossfit.

Bryana Salaz (Team Kaylie, Best Friends Whenever), Keyla Monterroso Mejia, Ciara Riley Wilson (L.A.'s Finest) y Shiv Pai (Iron Fist) protagonizarán Freeridge.

Melissa De Sousa (Valley of the Dolls, The Best Man) y McKinley Freeman (Hit the Floor, Queen Sugar) serán recurrentes en Our Kind of People como Alex Rivera, reportera financiera y exmujer de Raymond (Morris Chestnut); y el padre de Nikki (Alana Bright).

Lily Cardone (Bernie the Dolphin) y Lowrey Brown (The Gifted) serán las versiones jóvenes de Irene (Sissy Spacek) y Franklin (J.K. Simmons) en Lightyears.

Djouliet Amara (Guilty Party) será recurrente en la segunda temporada de Superman & Lois. Interpretará a una estudiante de Smallville High con un pasado lleno de secretos.

Kausar Mohammed (What Men Want), Wilder Yari y Theo Germaine (The Politician, Work in Progress) serán recurrentes en 4400 como Soraya, amiga de Jharrel (Joseph David-Jones) que trabaja en el departamento de informática; Jessica, agente de Seguridad Nacional y exnovia de Keisha (Ireon Roach); y Noah, uno de los aparecidos.

Kalyne Coleman será recurrente en Interview With the Vampire como Grace, hermana de Louis (Jacob Anderson).

Pósters

              Nuevas series

AMC encarga Tales of The Walking Dead, antología episódica en la que veremos a personajes nuevos y antiguos.

Apple TV+ ha encargado diez episodios de Shrinking, que sigue a un terapeuta en duelo (Jason Segel; How I Met Your Mother, Freaks and Geeks) que comienza a incumplir las normas y decir a sus clientes exactamente lo que piensa, ignorando su formación y la ética, originando así enormes cambios en las vidas de los demás y también en la suya. Escrita y producida por Segel junto a Bill Lawrence (Scrubs, Spin City) y Brett Goldstein, guionistas de Ted Lasso.

FX encarga The Bear, comedia sobre un joven chef (Jeremy Allen White; Shameless, Homecoming) que vuelve a Chicago para llevar el restaurante familiar. Con Ebon Moss-Bachrach (Girls, NOS4A2), Ayo Edebiri (Dickinson, Big Mouth), Lionel Boyce (Hap & Leonard), Abby Elliott (Odd Mom Out, How I Met Your Mother), Liza Colón-Zayas (In Treatment, David Makes Man), Edwin Lee Gibson (Fargo) y Matty Matheson (Workin' Moms). Creada y producida por Christopher Storer (Ramy, Dickinson), que dirigió el piloto.

Ryan Murphy y Jamie Lee Curtis quieren producir Outfielder, sobre el hombre que inventó el high five, para Netflix. Se trata de Glenn Burke, de Los Angeles Dodgers, que chocó esos cinco el 2 de octubre de 1977. Burke fue el primer jugador de las Grandes Ligas de Béisbol en salir del armario durante su carrera profesional. Escrita por Robert O'Hara (Slave Play, Insurrection), que también la dirigiría.

Patricia Clarkson (Sharp Objects, Six Feet Under) y Nathalie Emmanuel (Game of Thrones, Four Weddings and a Funeral) protagonizarán Gray, thriller de espionaje basado en una idea original del novelista David Baldacci, escrita por John McLaughlin (Black Swan, Carnivàle) y dirigida por Ruba Nadda (Frankie Drake Mysteries). Producen Baldacci y Clarkson, que interpretará a Cornelia Gray, una espía que lleva 20 años huyendo de los agentes del gobierno que sospechan que es una traidora y regresa a su antigua vida justo cuando se descubre que hay un nuevo topo dentro de su vieja red de espionaje poniéndola a ella y a su red en peligro.

Bess Wohl (Grand Horizons) escribirá para televisión la limited series The Children's Hour, adaptación de la obra de Lillian Hellman (1934) que tuvo versión cinematográfica en 1961 y que trata sobre dos mujeres que dirigen un internado de chicas y son acusadas falsamente de mantener una relación sentimental. La serie expandirá la historia para incluir detalles del caso legal en el que está basada la obra y profundizar en la comunidad que rodea a la escuela y en la mente de la joven acusadora. Produce Jon Robin Baitz (Brothers & Sisters, The Slap).

Fechas

La segunda temporada de Temple llega a Sky Max el 28 de octubre

La decimotercera temporada de Doctor Who se estrena en BBC One el 31 de octubre

Head of the Class llega a HBO Max el 4 de noviembre

La segunda temporada de Saved by the Bell se estrena en Peacock el 24 de noviembre

La tercera temporada de Hanna se estrena en Prime Video el 24 de noviembre

La segunda temporada de Alex Rider se estrena en IMDb TV el 3 de diciembre

La sexta y última temporada de The Expanse se estrena en Prime Video el 10 de diciembre

La segunda temporada de Crossing Swords se estrena en Hulu el 10 de diciembre

Stay Close llega a Netflix el 31 de diciembre

Peacemaker se estrena en HBO Max el 13 de enero

La segunda parte de la undécima y última temporada de The Walking Dead se estrena en AMC el 20 de febrero

Tráilers y promos

The Shrink Next Door

Temple - Temporada 2

Dickinson - Temporada 3 y última

La casa de papel - Últimos episodios

Doctor Who - Temporada 13

Colin in Black & White

Gentefied - Temporada 2

Narcos: Mexico - Temporada 3 y última

You - Temporada 4

The Sex Lives of College Girls

Curb Your Enthusiasm - Temporada 11

Saved by the Bell - Temporada 2

The Expanse - Temporada 6 y última

Hanna - Temporada 3

Alex Rider - Temporada 2

Mayor of Kingstown

Hawkeye

Swagger

Big Mouth - Temporada 5

Peacemaker

[theroseandcrown]

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“Let’s Kill Hitler.” Doctor Who, written by Steven Moffat, directed by Richard Senior, season 6, episode 8, BBC One, 27 August 2011.

“The Lie of the Land.” Doctor Who, written by Toby Whithouse, directed by Wayne Yip, season 10, episode 8, BBC One, 3 June 2017.

“Listen.” Doctor Who, written by Steven Moffat, directed by Douglas MacKinnon, season 8, episode 4, BBC One, 14 September 2014.

Martin, Philip. Vengeance on Varos. Target Books, W.H. Allen, book 106, 16 June 1988.

Rayner, Jacqueline. The Last Dodo. BBC Books, book 14, 19 April 2007.

Mortimore, Jim and Lane, Andy. Lucifer Rising. Virgin Books, book 14, 20 May 1993.

“Mummy on the Orient Express.” Doctor Who, written by Jamie Mathieson, directed by Paul Wilmshurst, season 8, episode 8, BBC One, 11 October 2014.

“The Name of the Doctor.” Doctor Who, written by Steven Moffat, directed by Saul Metzstein, season 7, special 13, BBC One, 18 May 2013.

“Nekromanteia.” Doctor Who Audio, written by Austen Atkinson, directed by John Ainsworth, number 41, Big Finish Productions, February 2003.

“The Parting of the Ways.” Doctor Who, written by Russell T Davies, directed by Joe Ahearne, season 1, episode 13, BBC One, 18 June 2005.

“Planet of the Ood.” Doctor Who, written by Keith Temple, directed by Graeme Harper, season 4, episode 3, BBC One, 19 April 2008.

Rayner, Jacqueline. Original Sin. BBC Books, The Missy Chronicles, 22 February 2018.

“Revenge of the Cyberman.” Doctor Who, written by Gerry Davis, directed by Michael Briant, season 12, serial 5, BBC1, 19 April-10 May 1975.

Richards, Justin. Silhouette. BBC Books, book 55, 11 September 2014.

Shark Bait. By Bill Mevin, Polystyle Publications, Ltd, TV Comic, issue 728-731, 27 November-18 December 1965.

“Silver the Trouble.” The New York World (03 March, 1893), volume 33, issue number 11,518: 1 page. Print. Retrieved from https://newspaperarchive.com/new-york-world-mar-03-1893-p-1/

“The Snowmen.” Doctor Who, written by Steven Moffat, directed by Saul Metzstein, season 7, special 11, BBC One, 25 December 2012.

“The Sontaran Stratagem.” Doctor Who, written by Helen Raynor, directed by Douglas Mackinnon, season 4, episode 4, BBC One, 26 April 2008.

“The Sound of Drums.” Doctor Who, written by Russell T Davies, directed by Colin Teague, season 3, episode 12, BBC One, 23 June 2007.

“The Sun Makers.” Doctor Who, written by Robert Holmes, directed by Pennant Roberts, season 15, serial 4, BBC1, 26 November-17 December 1977.

“Sword of Orion.” Doctor Who Audio, written and directed by Nicholas Briggs, number 17, Big Finish Productions, 26 February 2001.

“Terminus.” Doctor Who, written by Steve Gallagher, directed by Mary Ridge, season 20, serial 4, BBC1, 15-23 February 1983.

Time Bomb. By Jamie Delano, illustrated by John Ridgway, Marvel Comics, Doctor Who Magazine, issue 114-116, 12 June-14 August 1986.

“Time Heist.” Doctor Who, written by Steve Thompson and Steven Moffat, directed by Douglas Mackinnon, season 8, episode 5, BBC One, 20 September 2014.

“The Time of the Doctor.” Doctor Who, written by Steven Moffat, directed by Jamie Payne, season 7, episode 7, BBC One, 25 December 2013.

Tucker, Mike. Diamond Dogs. BBC Books, book 61, 20 April 2017.

“Twice Upon A Time.” Doctor Who, written by Steven Moffat, directed by Kit Pedler and Gerry Davis and Chris Chibnall, season 10, special 19, BBC One, 25 December 2017.

“Under the Lake.” Doctor Who, written by Toby Whithouse, directed by Daniel O’Hara, season 9, episode 3, BBC One, 3 October 2015.

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[manualstogo]

For just $3.99 Danger Lights Released on August 21, 1930: A railroad thriller including historic footage of old steam railroads, with lovely Jean Arthur as the center of attraction between two tough railroad men. Directed by: George B. Seitz Written by: William LeBaron The Actors: Louis Wolheim Dan Thorn, Robert Armstrong Larry Doyle, Jean ArthurMary Ryan, Hugh Herbert Professor, hobo, Frank Sheridan Ed Ryan, Robert EdesonEngineer Tom Johnson, Alan Roscoe Jim, General Manager, William P. Burt chief dispatcher, Jim Farley Joe Geraghty, James Donlan picnic barker, Frank Mills hobo, Lee Phelps railroad worker Runtime: 1h 13 minutes *** This item will be supplied on a quality disc and will be sent in a sleeve that is designed for posting CD's DVDs *** This item will be sent by 1st class post for quick delivery. Should you not receive your item within 12 working days of making payment, please contact us as it is unusual for any item to take this long to be delivered. Note: All my products are either my own work, licensed to me directly or supplied to me under a GPL/GNU License. No Trademarks, copyrights or rules have been violated by this item. This product complies withs rules on compilations, international media and downloadable media. All items are supplied on CD or DVD.

[the-hindu-times]

January 2019 reviews roundup

Before I knew his backstory, I handed rock-wordsmith, Neil McCormick, one of my own demo CDs at a charity event he was hosting at Islington Assembly Hall, which included performances from Gabriella Cilmi, Bo Bruce, The Magic Numbers and fellow underachieving musician, David Ford. He gave me a look of ‘thanks but no thanks’; gritting his teeth through a previously care-free, joyous smile which immediately swayed to the upset expression of someone taking the most offense possible. After hearing him talk on stage of how he tracked down the evening’s headliner, David Gray, for an interview, I thought he might entertain my similar-styled efforts for a potential leg up. His expression seemed to suggest that he should be the one doing the approaching – maybe that was just what he was used to as he first came over to London from Dublin in time for the early 1980s to chase record labels. Either that, or me handing him the CD had dragged up his unsuccessful past to the surface. Fast forward a couple of years. ‘Later with Jools Holland’ is on the TV, and there he is - Neil McCormick, promoting the new film based on his life (and book ‘I Was Bono’s Doppelganger’) ‘Killing Bono’. Suddenly, his unanticipated mannerisms began to make sense. Fast forward another few years to tonight. We were at the Soho Theatre for ‘Chasing Bono’ - the latest adaption of the tale, in the form of a play. Most of the 1.5 month run (+ matinees) had limited availability but tonight, there are a few extra seats that could have been taken. Sat directly in the row in front of us, though, was nonother than Neil McCormick, himself – awaiting the accuracy of his fantastic fable. As soon as we entered the theatre, the stage-set suggested that this was not the typical, low-budget production expected to be housed here. This was already as mainstream and ‘West End’ as the credits would suggest; billed as a new comedy by Dick Clement and Ian La Frenais - creators of acclaimed television programmes and films including ‘Whatever Happened to the Likely Lads?’, ‘Porridge’, Auf Wiedersehen, Pet’, ‘Lovejoy’, ‘The Commitments’, and ‘Still Crazy’, whilst directed by Gordon Anderson (‘The Catherine Tate Show’, ‘The Inbetweeners’, ‘Shameless’ and ‘Fresh Meat’). The attention to detail on design was a spot on as the delivery of the dialect in the best play we have seen since ‘The Edge Of The Pier’. 

The irony is that Neil and Ivan McCormick’s band, Shook UP!, achieved the kind of success that most new bands would love but will never achieve. Not many groups could still be continuing their success now, since the mid ‘70s though. However, we headed north straight from the theatre to see a group that fitted that exact description.  Taking their name from Arabic for the meaning of "black", Asward continued to add R&B and Soul to their Reggae sound tonight at Camden's Jazz Cafe. Although they are descendants from the Carabien, they pointed out that they are from Ladbroke Grove. With at least one song played from all their previous LPs, it was setlist closer 'Shine' that had first brought me to the attention of the band in 1994.

After Enter Shikari the following evening at Brixton Academy, we learned how both Ricky Gervais and Ben Howard had made their shows for named ticket holders only, with fans not even able to give their spare tickets away; losing out on money whilst those, willing to take them off their hands, missed out on the show altogether.

The following week saw 2 nights from Irish national treasures, Bell X1, at the Union Chapel in Islington. Starting out life as Juniper, lead singer Damien Rice soon left the band to pursue a solo career, forcing Paul Noonan to make the transition from behind the kit to lead vocals. Tonight, he was still switching between the two, rotating roles with David Geraghty after the band scaled down to a three-piece since the departure of film composer, David Crosby. The numbers were made up by the addition of the ‘Dowry Strings’ section, who created a delicate subtlety, impossible to have been attempted at Bell X1’s high energy, 2006 arena performance at the Dublin Point for their live DVD. I had only witnessed the band live once before – and that was just in soundcheck when they played at the Kings Cross Scala; having left to go to Soho for Ed Sheeran at the Borderline, before he later announced his own headline Scala show at that larger, 800 capacity club.   The second half of tonight’s show was opened by just the three band members huddled around one microphone, otherwise playing purely acoustic – certainly not breaking the sound barrier - but similar to Norah Jones’ encore when we saw her at the Palladium. Their songs performed this way felt better than on record, and the intimacy gave them a stronger meaning, if not forgiving of some literal lyrics and some often, Frames-styled, cheesiness.

After Dan Skinner’s character, Angelos Epithemiou, headlined Outside The Box at the Fighting Cocks in Kingston, we went to see Stephen K Amos’ new show ‘Bouquets & Brickbats’ at Epsom Playhouse a couple of days later. Ever since leaving his role as the interlude, in-between the booked comics, at the Big Fish Company clubs in South London in 2001, he has been travelling to Edinburgh to perform a new show every year. Tonight, rather than just leaving it at one hour, he calls back to material from previous tours when necessary. He covered thought provoking ideas on race, sexuality and political correctness, before revealing some true tragedies that have struck him and reasons why we need to laugh. Maybe that’s why he is at the best he’s ever been, reflecting on the turnout; having nearly doubled since the last time he was there, making the show close to a sellout.

The following evening saw a disappointing show from Gruff Rhys at the Roundhouse. After seeing an impressive solo instore from him at Rough Trade East, I went along to the Barbican Centre to see him and his band brilliantly perform his fantastic new album with an orchestra. Remembering how good Lisa Hannigan was at an all-seated Roundhouse, having also seen her with an orchestra at the Barbican, I was hoping for a repeat experience. However, this evening’s sound and lighting were in battle to see which one could give you a headache first whilst the songs were not coming across as strong at all, with little dynamic.

The next day, I was in Angel for Star Shaped club at Islington Academy 2 – a one off evening that felt like how every evening was in the ‘90s but everyone there tonight was much, much older than back then. Maybe it’s strange to have a club that isn’t for the young, and mainly for larger-drinking men but who else would want the non-challenging musical playlist of Shed 7 and The Bluetones? Tonight had the guitar and percussion wizardry of Aziz Ibrahim and Inder Goldfinger performing the songs they made with Ian Brown for his solo albums. Taking on the additional roles of singing and operating a drum machine, Aziz demonstrated how important his riffs were. The small room, still with plenty more space to fill, made it possible to appreciate the techniques involved in producing these sounds and grooves, with the whole show benefiting from bringing these two masterful players to the forefront. January ended with Josh Widdicombe at Outside The Box comedy club and Nina Nessbitt at Banquet Records. Nic Bennett

[warmglowofsurvival]

[brisbanemusic]

May 10-16

Hey folks! Sory for the break in your regularly scheduled programming, April was super hectic for our team. But we’re back! This week features the Fish Lane Festival, which looks really cool.

We’re powered by love, good tunes and your encouragement on Facebook, twitter and instagram. And you can submit gigs through any of those places or though our FORM or via email! Hit us up at brisbaneliveguide@gmail.com. Don’t forget you can get the whole Guide on Monday every week, help guarantee the guide comes out every week and choose our feature gigs if you support us on PATREON!

For Brisbane City Council event listings see HERE, and for JAZZ listings go to our new affiliate gig guide at the JMI Jazz Gig Guide: They have their finger on the pulse of jazz music in Brisbane and will cover everything we were listing and much, much more! 

Wednesday 10

Danielle-J and JMC Students at the Old Museum Brisbane: Tickets $5, from 6:30pm. More info on FB

John Chantler (Sweden), Primitive Motion and Cloud Tangle at the Milk Factory: $10 entry, from 7pm. More info on FB

Zed Butel at the Triffid: Free, from 6pm. More info on FB

Colt Seavers Band at the Brooklyn Standard: Free entry, from 7:30pm. More info on FB

[JAZZ] Re:Bop at Rics Bar: Free entry, from 8:30pm. More info on FB

Azukar Ensemble at Zuri Bar: Free entry, from 8pm. More info on FB

[JAZZ] I Mean Blues at Greaser: Free entry, from 9pm. More info on FB

Father Sin at the Bearded Lady: Free entry, from 8pm. More info on FB

Thursday 11

Matthew Engelbrecht at Beach Burrito Fortitude Valley: Free entry, ALL AGES, from 7pm. More info on FB

Banter Club, Common Deers and Salmon & The Peaches at the Brightside: $10 entry, from 8pm. More info on FB

SEAGULL (VIC) and Tom Cooney at the Junk Bar: $12 entry, from 7:30pm. More info on FB

Ben Shock, Charlie Williams and Glennzy at the Milk Factory: $5 entry, from 8pm. More info on FB

Bossa Nova Thursdays at Lock’n’Load: Free entry, from 7:30pm. More info on FB

Drawn From Bees at Menagerie: Free entry, ALL AGES, from 7pm. More info on FB

That Red Head (NSW) at Greaser: Free entry, from 7pm. More info on FB

Byron Short at the Brat Cave: Free entry, from 7pm. More info on FB

Sonny Ingledew of DEADWEIGHT EXPRESS and Zed Charles of The Royal Artillery at Crowbar: Free entry, from 8pm. More info on FB

[JAZZ] Lachlan McKenzie Quartet at JMI Live: $10 entry, Licensed ALL AGES, jams from 6pm, band from 8pm. More info at JMI, FB

Jamie Hogg and Shannon & Henry at Rics Bar: Free entry, from 9:30pm. More info on FB

Friday 12

Lyre at Paper Moon: Free, Licensed BYO, from 5pm. More info on FB

Deadbeat Society, The Spaces, ROO and TOWNmusic at the New Globe Theatre: $10 entry, from 7pm. More info on FB

ÆTHER sessions: Balloons Kill Babies, Post-Dusk, Tall Pines and Xana Chambers at the Woolly Mammoth: Tickets $13.30, $15 on the door, from 8pm. More info on FB

[JAZZ] Andrew Butt Trio + at JMI Live: $10 entry, licensed ALL AGES, jams from 6pm, band from 8pm. More info at JMI, FB

Chakra Efendi, Pink Matter and Felivand at Bloodhound: $5 entry, from 8pm. Set times and More on FB

Beneb and House Hounds at HeYa Bar: Free entry, from 8:30pm. More info on FB

Zumpa, Lizzie Flynn and Dan Acfield at Retro Bar: $15 entry, from 7:30pm. More info on FB

Deadbeat Society, The Spaces, ROO and TOWNmusic at the New Globe Theatre: $10 entry, from 7pm. More info on FB

Novus Wild, Ages of Earth, BUZZkillers, Iansking and Playboimillionaire at the Greenslopes Bowls Club: Free entry, from 7pm. More info on FB

This Way North and Tullara at the Milk Factory: Tickets $16.35, from 8:30pm. More info on FB

Accomplice Collective at Lock’n’Load: Free entry, from 10pm. More info on FB

Rowan Russell at Saint Lucy: Free entry, ALL AGES, from 5pm. More info at V

Ronwyn Walker at Harlequin Jack: Free entry, from 7pm. More info on FB

Nick Fillod and Jordan J. Leigh at the Waterloo: From 7pm. More info on FB

Cheyne Starkie at the Sasquatch Bar: Free entry, from 8pm. More info on FB

Jordan Wearne, Hannah McLeod and Harris at Audrey’s Music Shop: $5 entry, from 4pm. More info on FB

Kahl Wallis at the QPAC Green Jam Stage: Free entry, ALL AGES, from 5:30pm. More info at V FB

Saturday 13

Fish Lane Festival: Kerbside Collection, Mark Lowndes, Dave Orr Band, Tiani Khasi and Ella Haber at Fish Lane: Free, ALL AGES, from 12pm. Set times and more on FB

The Demon Drink, Mode Atlanta, Pin That Puppy and Empanic at the Triffid: Free entry, from 7pm. More info on FB

Dappled Cities (NSW) at Jet Black Cat Music: Free entry, ALL AGES, from 3pm. More info on FB

[JAZZ] Kayleigh Pincott at Metro Arts: $15/$20 entry, from 8pm. More info on FB

Oliver Tank (NSW) and Guests at the Foundry: Tickets $17.85, doors at 8pm. More info on FB

Beast Machine, Whiskey & Speed, The_MOLOTOV, Adriatic and Massic at the Back Room: $10 entry, from 7pm. More info on FB

Tracks Band, The Demon Drink, Mode Atlanta, Pin That Puppy and Empanic at the Triffid: Free entry, from 7pm. More info on FB

Stinkbugs, Dangermen, Extrafoxx, EyesNinety and BusyMen at the Stones Corner Hotel: $10 entry, doors at 7pm, music from 8:30pm. Set times and more info on FB

That Red Head (NSW), Little Billie and PC & the Biffs at Lefty’s Old Time Music Hall: From 7pm, more info on FB

Benny Mayhem, Flangipanis and Jud Campbell Music at Fat Louie’s: Free entry, from 8pm. More info on FB

Band of Frequencies and Andrea Kirwin at the Boundary Hotel: Free entry, from 8pm. More info on FB

Jordan Merrick, Amela and Aidan Geraghty at Sonny’s House of Blues: $10 entry, from 8pm. More info on FB

Punktilious, Goatzilla , Fat and Eat City at the New Globe Theatre: Tickets $8, from 8pm. More info on FB

Electric Zebra and Die For Mushies at Rics Bar: Free entry, from 8pm. More info on FB

[JAZZ] Cigany Weaver at Lock’n’Load: free entry, from 10pm. More info on FB

Port Royal, Belrose and Roadhouse at the Woolly Mammoth: Tickets $13.30, doors at 8:30pm. More info on FB

Sunday 14

Nonsemble [EP launch] with Lucy Star Satellite at the Brisbane Powerhouse: Free entry, from 3:30pm. More info on FB

Mousseline, McKisko and St Augustus at the Junk Bar: $10 entry, doors at 6pm. More info on FB

Transvaal Diamond Syndicate, Byron Short & The Sunset Junkies, Spook Hill and Scotty Regan at the Haunt: $10 entry, $5 if you’re a 4zZz subscriber, from 1pm. More info on FB

Cliff Draper  at Can You Keep a Secret: From 5pm. More info on FB

Planet Clare and Shane Fell at Salisbury Community Sports Club: From 12:30pm, more info on FB

Lucky Lips at Lefty’s Old Time Music Hall: Free entry, from 3:30pm. More info on FB

The Stiltskins at Lock’n’Load: Free entry, from 3pm. More info on FB

Matty James and Cheyne Starkie at the Milk Factory: $15 entry, from 4pm. More info on FB

Cody Jones and The Lost Company , The Songs of Tom Smith, Gutter Birds and Planet Clare at the Foundry: Free entry, from 4pm. More info on FB

Gary Shepherd and 3 Miles from Texas  at Magda Community Arts: $20, 6:30-10pm. More info on website

Monday 15

The Elliotts (VIC) at Rics Bar: Free entry, from 8:30pm. More info on FB

Tuesday 16

Cloudstreet and Angela Toohey Trio at New Farm Bowls Club: $10, blackboard from 7:30pm, main acts from 8:15pm. More info on website

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