#altpop

[magrit-alessa]

My weekly chart (29 Jul 2024 - 11 Aug 2024)

That's what I like. That's what surrounds me. That's what creates my mood.

*Created by my preferences only*

Аll chart positions in 4 minutes here -> https://youtu.be/kqoVKHCM8HI

10. Miles Hardt - Hold Back

9. Pom Pom Squad - Spinning

8. SHEPIL - Я палю сигарету (feat. Lesfleures)

7. RY X - All I Have (Jan Blomqvist Remix)

6. Freaks & Geeks X Mila Falls - Savage

5. Sonny Fodera, Jazzy, D.O.D - Somedays

4. Little Simz - Broken

3. vioria - ти її любиш.

2. Roosevelt - In The Dark

1. Oscar and the Wolf - Oh Boy

If you want to support channel:

If someone wants to help or support Ukraine:

[dreamingofit]

Hi Tumblr!! My debut single is out on the 28th (sound on)

composed, produced and written by me

[youlovegus]

i was standing in the grass

[skymarines]

skymarines x living without the screen - TRAPEZE

[eseomo]

Bloodberry by Seo.

My new project.

Await patiently for 6th of February, 2025.

Listen to §eo 💿 now.

Watch the Bloodberry Album Trailer on the 31st of October.

Please pre-save my new single Paco Rabanne 💎 - releasing next week Thursday. 🎃

[clickyourradio]

Chayne Gray was born in 2007 in the UK but moved with her family to Southern France at the age of 5. She has lived ever since near the city of Perpignan. She is perfectly bilingual in French and English. She has been writing and recording music using her family's equipment since 2020. Number One" is about the "dumbing down" effect the "influencer" culture seems to have on us all - where the only aspirations are to look and live like a pornstar...for a lot of younger people anyway

[manysmallhands]

Top Albums of 2024: #30 - #21

Welcome to my albums of the year posts! This will come in four(ish) sections: firstly this one, followed by numbers #20 - #11 which will be in the same format. From there on in, #10 to #1 will all have a longer post of their own but i will post them in two rounds: from #10 - #6 and then #5 to #1. I put a lot of work into doing these but if you click on this and then find that you just don't want to read them (and who does? if you have a blog, i probably haven't read it) just use my randomly scribbled words to assess the situation in brief and maybe press play: you might find that you like something.

Before i start, i just wanted to throw in a bubbling under list, consisting of a few albums i've liked this year that haven't made the cut for various reasons which i'll list as i go:

Beyoncé - Cowboy Carter (Country, RnB) - too long and rambly but some points were made

Wallice - The Jester (Indie pop, singer-songwriter) - not listened to it enough to say much but i think it's good

FLO - Access All Areas (RnB) - ditto

Kendrick Lamar - GMX (Hip Hop) - not entirely sure that i enjoy it all that much but there are certainly some tunes here: it requires further listening

SZA - Lana (RnB) literally just put it on now and it's alright isn't it

With that, i'm just gonna get on with them

#30. Cosmorat - Evil Adjacent 

Indie, Altpop

There’s a certain glitchiness and sense of menace that reminds me of Jockstrap on Cosmorat's debut EP, with singer Taylor Pollock coming off like the kind of girl who used to pull the wings off of flies and has since moved onto bigger and nastier targets. Evil Adjacent is pretty genre fluid so that not only do you not know how the next song is going to sound but the one that yr listening to can become unpredictable at a moment's notice. "Backseat Baby" is a banger of a single but it was the creepy chamberpop of "No Sleep" that caught my ear and there’s enough indie and altpop experiments here to suggest that they’ve got plenty left in the tank. 

#29. Kenya Grace - The After Taste

Dance pop, Club music

Kenya Grace’s first EP is a sort of concept record, a sad girl drum n bass song cycle where the highs of the dancefloor are replaced (or augmented) with the melancholy of someone trying to cling onto love. Viral hit "Strangers" is an obvious pointer with its fleeting relationships that can vanish in a moment but there’s plenty of other strong material here too, with the warmer indieish vibes of "Someone Else" and banging closer “Only In My Mind” both fuelled by tearful fantasies of impossible romance. Nominally I guess she's looking towards the club scene but The After Taste feels more like the kind of record that you might put on when you’ve been dumped and need something to drunkenly sway around to in the kitchen.

#28. Kali Uchis - Orquídeas

Dance pop, Latin pop

Kali’s semi-Spanish language album is probably at its best the more Spanish it gets. There’s lots of fun dancepop bops at the beginning with a liquid summer vibe that the sweat just seems to pour off of, but tbh things starts to drag after the first few and really it’s when the more flamboyant material - like the trad latin "Te Mata" and battering reggaeton "No Hay Ley pt 2" - turns up that it all gets going properly. Tbh this is a tricky listen in deep winter - it’s a record that seems to require a Mediterranean beach as a necessity - but there’s still plenty of fun to be had if you can just match yr stride to the beat as you trudge thru the wind and rain.

#27. Tinashe - Quantum Baby

RnB

Tinashe's commercial revival was a slight mirage but certainly Quantum Baby (and it’s lead single "Nasty") did more to revive her fortunes than anything else had for a decade. I haven’t really enjoyed her a lot before - I tend to find her a bit gloomy - but the eight songs on this mini album feel much more engaging than whatever I’ve heard previously. The back and forth split between the catchier RnB bangers and the more minimal and experimental songs knits together well and, while the likes of "Nasty" obviously stole all the attention, the focus on subjects other than having lots of hot sex on tracks like "No Simulation" and "Cross the Line" give it an emotional dimension that she could probably stand to use a bit more of.

#26. Billie Eilish - Hit Me Hard And Soft

Pop/rock, Singer-songwriter

Billie’s third album has been one of the biggest of the year but, while I’ve found much to love in it, it’s also been a vast source of frustration. The run of songs thru the first side are some of her finest, especially the pulsing, jellylike “Chihiro” and gorgeous love song “Birds Of A Feather”, but the second half falls off quite badly by my reckoning, firstly with “The Diner”, which is simply rubbish, followed by two multipart songs which both start well before drifting off into not so much. Having listened back to it all the night before I wrote this, I am preparing to admit that closing track "Blue" might not be bad and further reassessment could also yet happen. But my feeling that such a lush, delicate and apparently well balanced record managed to drop off quite so far has annoyed me a lot over the course of this year and so i've marked it down a bit anyway.

#25. Nelly Furtado - 7

Dance pop, Latin pop

Nelly Furtado’s seventh album has been seven years in the making, a fact she apparently felt worth celebrating but sadly no one remembered to turn up for it. No matter tho! The world may not have moved on its release but that did not stop 7 being really very good. Nelly sounds happy reaching across the genres, as comfortable making club bangers with Tove Lo as she is singing warm dramatic soul ballads like "All Comes Back", as well as drifting off into other areas like folk and Latin pop with the kind of assurance that one expects from someone who’s already aced them all before. That changeability can leave the album feeling a bit indistinct as a project but there was quality enough here to keep me tuned in anyway, both in terms of the songs and the performer at the heart of them.

#24. Dua Lipa - Radical Optimism

Dance pop; Pop/rock

Dua’s third album was always struggling to get off the ground commercially but it sounds like a victim of poor marketing rather than anything else. The most commanding material here is in her classic dancepop vein, with "Training Season" and "Illusion" still going extremely hard, but pop rockers "Happy For You" and "Falling Forever" both have a wonderfully hypnotic momentum to them too and the psychedelic swirl of opener "End Of An Era" sets the pre-release hype into a more positive context. It’s probably not as good as Future Nostalgia overall but Radical Optimism is still a solid record which largely deserved better than its fate.

#23. Shakira - Las Mujeres Ya No Lloran 

Dance pop; Latin pop

Shakira’s latest Spanish language album is a rather broad affair, largely dealing in sunny latin influenced dance pop but with a strong side hustle of bombastic rockers, emotive ballads and some entertainingly flashy trad stuff as well. Ofc at the centre of it all is Shakira’s trademark quivering vocals and mastery of pop melodrama and, while I’ve only returned to Las Mujeres infrequently this year, I always tend to enjoy it when I do. One of its key wonders to me is how a gentle ballad like "Ultima" can feel like such an extraordinary tearjerker when I don't understand a word of what it’s about. Ofc imagination and the international language of pop manage to fill in the gaps here and there, but i haven't discounted the possibility that she’s communicating how sad she is about having to pay her tax bill, something that i think we can all relate to. 

#22. The Last Dinner Party - Prelude To Ecstasy

Indie rock

The title here gives a strong impression of the kind of flouncing around in the dress up box vibe that they’re well known for, but scratch the surface of The Last Dinner Party and luckily they’ve got talent to burn too. Channeling early Kate Bush, Queen and Abba into their theatrical artpop sound, things can occasionally feel a little overdone, especially on their gothier numbers. But songs like "Caesar On A TV Screen", "The Feminine Urge" and "Nothing Matters" are hugely impressive with their big choruses and high drama, as well as an understanding that being a bit ridiculous is a thing to be taken very seriously.

#21. Confidence Man - 3AM

Dance, Club music

Confidence Man’s third album carried on with their 90s dance obsession but shifted it more towards rave culture. The move suited them well: their goofy image is pretty much ideal to take on the glow sticks and finger popping vibe of the era and musically it was a cosy fit with their all bangers all the time approach too. 3AM is their best record yet for me: certainly it's more consistent than Tilt, less focused on lyrical gimmickry and more fully on top of its material, but also it doesn't just make empty retro references and brings a clear understanding of the joy inherent in the kind of music that they're making.

Back whenever i finish the next round

[halisuwu]

🧚🖤🧚🖤

jazmin bean's acoustic church set gives me life 😍😍😍🖤🖤🖤

https://youtu.be/7Q-3Gx-N8cs

[gabriellaraelyn]

My Original Character 'Nephele' and Her Narrative in My Music

Since beginning my 'Nephele' project earlier this year, I've taken it upon myself as an artist to not only release sonically unique music, but a meaningful, complex story to go along with it. This post will be a deep dive into my thought process while creating the storyline.

Who is 'Nephele'?

Art depicting Greek Goddess 'Nephele' by Francie Klopotic

Nephele is a Greek cloud nymph that among other things, represents duality as well as the dark, mistrustful side of men. She was originally created by Zeus in the image of his wife, Hera, as a test for Ixion, who lusted after Hera. Later on, she was abandoned by her husband for another woman.

She was a woman created by and disposed of by men.

As such, I decided to name my character after her. My Nephele represents the dichotomy between escapism vs. reality in a young woman’s mind, brought on by society’s failure to her and the crushing hardships brought on by living under the patriarchy.

She is a 21 year old stripper and her story takes place around 1987.

She was a rebellious, troubled teenager.

She is running from her feeling of constant misplacement, struggling with the power dynamics between herself and men around her.

She is critical of the imperfect world, and as such, wields a very artistic mind.

She dreams up stories impossible to come true. Stories where she feels loved above all else, stories where she’s the heroin and the world rearranges itself to suit her needs and desires. It’s medicine to her, to numb the pain of reality. 

She struggles with self-worth and self-criticism, social anxiety and depression.

Her ultimate goal is to become a star, a famous singer.

Key Inspirations for the Nephele Project

Nephele is a hopeless romantic at heart, but rather than an easy, happy love story, the ones that grip her are the tragic, heart-wrenching ones instead.

Dance of the Damned (1989) is a movie about a rather existential conversation that takes place between a suicidal stripper and an immortal vampire who wants her as his next meal. Through this movie, I was inspired by the themes of power dynamics and the idea that

Romeo and Juliet (1968) is one of my absolute favorite movies. The idea for inspiration here is that Nephele uses this movie as a basis for all of the daydreams she has about love--they are sad, dramatic, and full of passion that defies fate. Such a love is what she craves; to be wanted so badly that destiny itself is ignored in pursuit of her.

The Phantom of the Opera (2004) is another one of my all-time favorites. The inspiration taken from this movie has to do partly in the actual sound of my music as well as the characterization of Nephele's antagonist. Sonically, I really liked the dramatic string bass, the synths, and the organ used in the score for the movie, so I incorporate those elements into the songs for this project. The Phantom himself influneced the character design I created for Nephele's antagonist, a masked man named 'the Music Man', whom I will talk about in another post.

Sound Design of 'NEPHELE: Act I'

'NEPHELE: Act I' is the name of the first album in my Nephele project, which will be coming out on October 13th (a Friday for the extra spooky vibes), 2023.

I have always loved 80s music, and so that was the very foundation for the sound on this album.

In terms of specific musical inspirations, I have a mix of modern & 80s artists such as: a-ha, The Cure, Depeche Mode, Modern Talking, Lana Del Rey, The Neighbourhood, MARINA, and Billie Eilish to name a few.

Artists like The Cure and a-ha have influenced me the most in terms of sound, while Lana Del Rey (I grew up on 2013-2016 Tumblr, so of course she raised me) has inspired the way I write lyrics.

The genres that this project falls under are Synthpop, New Romantic, New Wave, Alt-Pop, Dream Pop, and Darkwave predominantly

You can see these inspirations amalgamate yourself in some of the songs I have pre-released for this album here:

'DANCE of the DAMNED' is my most recent release, and it's the fifth full song off of the upcoming 'NEPHELE: Act I' album.

I'll explain in a future post what this song in particular is about!

My Hopes for Nephele

As an artist, part of the thrill is putting your work out there for everyone to perceive. It's a scary thing to do, because your creation isn't just your own as soon as it's out in the world, and it isn't up to you how others receive it. While this admittedly intimidates me, I also find it cool. You can relate to my music and art in ways that I didn't necessarily intend, but that fit you better.

With that being said, my intentions for Nephele are that she represents a desire for something more, something better, the deep-seeded need to be loved, and the sensation of missing something unidentifiable inside. 

She is a comfort character and a voice for any woman who feels incomplete, who is dissatisfied with life and who dreams of being more and being strong, who feels the weight of the world on her shoulders and want to make it a better place but feels powerless to do so. 

She is a representation of the journey of self-discovery and a journey of self-mastery.

She creates a space for maladaptive, daydreaming women

She opens the conversation for why we feel the need to self-soothe through fantastical creations of art and stories.

She is a voice for the quiet girl/woman with an overactive-imagination.

If you made it to the end of this post, I thank you sincerely for caring enough to read through it all! I hope it resonated with you in some way, and that if you do decide to check my music out, it does the same!

Keep in touch with me on other platforms:

Instagram

TikTok

YouTube

Facebook

Website

(Oh, and p.s., I do have a new song coming out on September 15th called 'the MUSIC MAN', if you would like to pre-save it! Post to come elaborating on the track :) )

[magrit-alessa]

My weekly chart (15 Jan 2024 - 21 Jan 2024)

That's what I like. That's what surrounds me. That's what creates my mood.

*Created by my preferences only*

Аll 10 chart positions in 4 minutes here -> https://youtu.be/9kbg2g9slhM

10. Fleur Electra - Dreams

9. Aidan Martin - Lonely People

8. Dennis Lloyd - Reasons

7. Nikow - кисті

6. Norah Jones - Running

5. PARIS - Only You Feat. Keepa

4. Manuel Riva X Eneli - Strangers to Lovers

3. David Kushner - Skin and Bones

2. BANSHEE - THE ANGEL IN THE SOUND

1. Victor Ray - Comfortable

If you want to support channel:

If someone wants to help or support Ukraine:

https://www.drukarmy.org.ua

[itsdarlingbitch]

One of the cool things about putting out a new track is discovering the work of other artists while checking the blogs and playlists that have featured my work. It’s been a while since I took such a deep dive into up-to-the-minute new music, and I’m excited to report back that it’s renewed my faith in contemporary production!! People (myself included) often complain about how hard it is to find new stuff to listen to, especially with big services like Spotify favoring “classic” tracks with their algorithm.

I made a playlist featuring my favorite new discoveries - if you’re looking for new things to listen to, maybe you want to check it out and give it a follow… I plan to update it every couple of weeks - and I have some new stuff of my own coming out soon that I’ll be adding on too so give the playlist a like/follow and keep checking back!

Shout out to the playlist artists, some of whom I know and many of whom I don’t

[badarchitectrecords]

Listen to this new track by artist benilamz!

[moochilatv]

Geepers! presents: Lavender

indie Pop 100%

Geepers! is the musical brainchild of Edison Roberts, a Long Beach-based alternative indie-pop artist raised in Ballston Lake, NY.

Known for crafting vibrant, self-produced tracks, Geepers! blends infectious grooves with introspective themes to create a kaleidoscopic soundscape filled with quirky charm, funky rhythms, and heartfelt storytelling. Over the past four years, Geepers! has independently written, recorded, and mixed every note, resulting in a distinctive sonic identity that feels both nostalgic and fresh.

From the shout-along energy of “Work!” to the dreamy introspection of “Fine Line,” Geepers! explores life’s highs, lows, and everything in between with a playful yet poignant touch.

View this post on Instagram

A post shared by Geepers! (@geepersmusic)

With a growing discography and an ever-evolving sound, Geepers! is here to soundtrack your day with songs that make you think, dance, and—above all—feel.

Stream Lavender:

[clickyourradio]

⚡️NEW ON 🫵 CLICK YOUR RADIO – HITS!🍁

🎉Carla Conrad - 🎶Forget To Breathe

South African alt-pop sensation Carla Conrad unveils her latest single, Forget to Breathe. With retro threads, synth wave vibes, and hauntingly dreamy melodies, this track is a true alt-pop masterpiece. Conrad’s angelic voice breathes life into a heartfelt narrative, capturing the raw aftermath of hurting someone in the heat of an

argument. It delves into the pain of realizing the impact of one’s words but also explores the beauty of repair and the journey to reconciliation. Forget to Breathe is a moving reminder of love’s resilience and the power of mending relationships.

[manysmallhands]

FearOfMu21c Index Page

It never occurred to me before I started that it might be handy to have a place where you could access all the #FearOfMu21c pieces individually. But given how confusing it's been in terms of bringing back posts from last year (which ofc are now incorrectly labelled), i thought it would be a good idea to have everything in one post, where anyone interested can find whatever they might want to look at. So:

Introductory notes

Day one: Lana Del Rey - Mariners Apartment Complex

Day two: MGMT - Flash Delirium

Day three: The Killers - When You Were Young

Day four: Tullycraft - Lost In Light Rotation

Day five: Lady Gaga - Bad Romance (11 pts)

Day six: Deerhunter - Memory Boy

Day seven: Trust Fund/Joanna Gruesome - Split 12" EP

Day eight: Dua Lipa - Don't Start Now

Day nine: The Soundcarriers - Boiling Point

Day ten: Magdalena Bay - Chaeri (11 pts)

Day eleven: Grouper - Holding

Day twelve: Little Mix - Black Magic

Day thirteen: The Mountain Goats - This Year (from Dilaudid EP)

Day fourteen: Kendrick Lamar - King Kunta (11 pts)

Day fifteen: The Strokes - Juicebox

Day sixteen: Estelle ft Kanye West - American Boy

Day seventeen: The Juan Maclean - A Simple Design

Day eighteen: The Ophelias - Lunar Rover

Day nineteen: Solange - Cranes In the Sky

Day twenty: Yeah Yeah Yeahs - Zero

Day twenty one: Rina Sawayama - Catch Me In the Air

Day twenty two: Electrelane - To The East

Day twenty three: Self Esteem - You Forever

Day twenty four: Warpaint - Undertow

Day twenty five: Mercury Girls - Ariana

Day twenty six: Sleater-Kinney - You're No Rock n Roll Fun

Day twenty seven: Shunkan - Our Names

Day twenty eight: Amerie - 1 Thing

Day twenty nine: Julia Holter - Feel You (11 pts)

Day thirty: The Go! Team - Doing It Right

Day thirty one: Kero Kero Bonito - Time Today

Day thirty two : Mattiel - Keep The Change

Day thirty three: Fred Thomas - Voiceover

Day thirty four: Cate Le Bon - Puts Me To Work

Day thirty five: Scott Walker - Epizootics!

Day thirty six: U.S. Girls - 4 American Dollars

Day thirty seven: Florence + The Machine - Dog Days Are Over

Day thirty eight: The Orielles - Come Down On Jupiter

Day thirty nine: Jeanines - Things Change EP

Day forty: Janelle Monáe - Make Me Feel

Day forty one: The Hidden Cameras - The Day I Left Home

Day forty two: The Clientele - On A Summer Trail

Day forty three: St Vincent - Digital Witness

Day forty four: Faith Healer - Again

Day forty five: Grimes - REALiTi

Day forty six: Juniore - Difficile

Day forty seven: Public Enemy - Harder Than You Think

Day forty eight: Olivia Rodrigo - Vampire

Day forty nine: Muna - I Know A Place (12 points)

Day fifty: Weyes Blood - It's Not Just Me, It's Everybody

[officialdeadman]

DEADM💀N - Andy Warhol is Dead (Official Music Videos)

🚨 IT’S HERE! 🚨

The moment has arrived! "ANDY WARHOL is DEAD" is officially out now! 🎶🖤 This is the track you've been waiting for—pushing boundaries, blending pop art with electronic, ambient, and experimental vibes. If you're into trip-hop and deep, thought-provoking tunes, this one’s for you.

🔊 Hit play now and let the truth unfold.

🎧 Stream it now: Link

Let’s make some noise! 🔥 #AndyWarholIsDead #Deadman #NewMusic #PopArt #ExperimentalMusic #Electronic #EDM #NowPlaying #FreshRelease