#dallas burnett

[kwebtv]

Dabney Wharton Coleman (January 3, 1932 – May 16, 2024) Film, stage and television actor.

Coleman's notable television roles included Merle Jeeter on Mary Hartman, Mary Hartman (1976–1977), the title characters in Buffalo Bill (1983–1984) and The Slap Maxwell Story (1987–1988), and Burton Fallin on The Guardian (2001–2004). More recently, he portrayed Louis "The Commodore" Kaestner on Boardwalk Empire (2010–2011) and made a memorable appearance on Yellowstone (2019) which was his final role. As a voice actor, he is best known for providing the voice of Principal Peter Prickly on Recess (1997–2001) and in several movies based on the series.

Coleman was a character actor with roles in well over 60 films and television programs to his credit. In a 1964 episode of Kraft Suspense Theatre titled "The Threatening Eye", Coleman played private investigator William Gunther. Two years later, he played Dr. Leon Bessemer with Bonnie Scott as his wife Judy, neighbors and friends of the protagonist in Season 1 of That Girl, episode 3, "Never Change a Diaper on Opening Night".

In 1986 Coleman co-starred opposite Carol Burnett, playing his comic villain persona to the hilt as nefarious raisin tycoon Tyler Cane in the cult 1986 satirical miniseries Fresno, which parodied prime-time soap operas like "Dallas" and "Dynasty". (Wikipedia)

IMDb Listing

[vintagestagehotties]

Hot Vintage Stage Actress Round 1

Heather MacRae: Abra Bacon in Here's Where I Belong (1968 Broadway); Sheila in Hair (1968 Broadway)

Carol Burnett: Princess Winnifred in Once Upon a Mattress (1959 Broadway); Calamity Jane in Calamity Jane (1961 Dallas); Hope Springfield in Fade Out - Fade In (1964 Broadway)

Propaganda under the cut

Heather MacRae:

No additional propaganda submitted

Carol Burnett:

[lunamagicablu]

“ Era il giardino più bello e più misterioso che si potesse immaginare. Le alte mura che lo circondavano erano coperte da rami spogli di rose rampicanti, talmente fitti da essere tutti intrecciati. Mary Lennox sapeva che si trattava di rose: in India ne aveva viste moltissime. Il terreno era ricoperto di erba, resa scura dal freddo invernale, dalla quale spuntavano cespugli che erano certamente di rose, se ancora in vita. Numerosi rosai avevano allargato il loro rami al punto che sembravano alberelli. Nel giardino c’erano altri alberi, ma una delle cose più strane e più affascianti era che le rose rampicanti vi si erano attaccate con lunghi viticci, formando intrecci ondeggianti fra un albero e l’altro, quasi come bellissimi ponti sospesi nell’aria. Quei cespugli non avevano né foglie né rose e Mary non sapeva se fossero morti o vivi. I loro rami grigi e bruni sembravano un manto che ricopriva tutto, i muri, gli alberi e persino l’erba, dando un’aria misteriosa al giardino. Mary aveva immaginato che dovesse essere un giardino differente da quelli che non erano stati abbandonati a se stessi così a lungo, infatti era diverso da qualunque altro avesse visto in vita sua.” Frances Hodgson Burnett ************************** “ It was the most beautiful and most mysterious garden you could imagine. The high walls that surrounded it were covered with bare branches of climbing roses, so thick that they were all intertwined. Mary Lennox knew that they were roses: she had seen many of them in India. The ground was covered with grass, darkened by the winter cold, from which rose bushes that were certainly roses, if still alive. Numerous rose bushes had spread their branches to the point that they looked like small trees. There were other trees in the garden, but one of the strangest and most fascinating things was that the climbing roses had attached themselves to them with long tendrils, forming waving entanglements between one tree and another, almost like beautiful bridges suspended in the air. Those bushes had neither leaves nor roses and Mary didn't know if they were dead or alive. Their gray and brown branches seemed like a blanket that covered everything, the walls, the trees and even the grass, giving a mysterious air to the garden. Mary had imagined that it must be a different garden from those that had not been left to their own devices for so long, in fact it was unlike any other she had seen in her lifetime." Frances Hodgson Burnett 

[einsteinsugly]

T7S Characters, and the Tentative List of Favorite TV Shows...

Eric: The Wonder Years, Boy Meets World, Stranger Things, Freaks and Geeks, Cheers, Friends, Modern Family, How I Met Your Mother, Spiderman: The Animated Series, Everybody Hates Chris, Smallville, The Office, actual history on The History Channel, 70s-80s Saturday Night Live (aka, Steve Martin and Eddie Murphy)

Donna: Law and Order: SVU, 60 Minutes, 20/20, Dateline, 48 Hours, Cheers, Frasier, Friends, Seinfeld, Law and Order, Everybody Loves Raymond, Saturday Night Live, Gilmore Girls, The Office

Jackie: Sex and the City, Who's the Boss, Mad Men, Gossip Girl, Pretty Little Liars, What Not To Wear, America's Next Top Model, Twin Peaks, Dawson's Creek, The OC, Charlie's Angels, Three's Company, Dallas, Downton Abbey, Bridgerton, Friends

Hyde: Twin Peaks, Freaks and Geeks, South Park, Little House on the Prairie, Wipeout, Breaking Bad, The Last of Us, The Walking Dead, House, The Sopranos, Peaky Blinders

Kelso: Teenage Mutant Ninja Turtles, Scooby Doo, Baywatch, Family Guy, Two and a Half Men, Ancient Aliens, Ghost Adventures, Wipeout, Miami Vice, COPS, Friends, The Office, Married with Children, Are You Afraid of the Dark

Fez: The Cosby Show, RuPaul's Drag Race, Baywatch, Family Matters, Gilligan's Island, Happy Days, Dancing With The Stars, Star Search, American Idol, So You Think You Can Dance, The Golden Girls

Kitty: Downton Abbey, Grey's Anatomy, Full House, Little House on the Prairie, Bridgerton, M*A*S*H, Gilligan's Island, Family Feud, Friends, The Golden Girls, 7th Heaven, Wife Swap, Supernanny, The Carol Burnett Show, binge watches the Food Network

Red: Monday Night Football, Sunday Night Football, Thursday Night Football, watches most sports in general, the nightly news, M*A*S*H, House, history on the History Channel (mainly, WWII documentaries)

[dankusner]

Top 5 Bob Dylan myths, explained

TULSA — Has Bob Dylan ever stepped foot inside the Bob Dylan Center?

“No, he hasn’t. And we don’t expect he ever will,” a staff member replied in a quick, measured manner that implied she’d heard your question a thousand times before.

It’s hardly a surprise that Dylan hasn’t visited his own museum.

After all, he didn’t acknowledge winning the 2016 Nobel Prize for Literature for several weeks and blew off the annual Nobel ceremony in Sweden.

Ever since singing the phrase “don’t look back” in 1965, Dylan has mostly refused to examine his hallowed place in music and culture.

The singer — who’s still touring and recording at age 83 — had almost no involvement in the center other than selling his vast archives to the Tulsa-based George Kaiser Family Foundation, which opened the 30,000-square-foot museum in 2022 next door to its other project, the Woody Guthrie Center.

But even if the elusive artist won’t take part in a remembrance of things past, millions of fans are doing just that.

Not just in Tulsa, where a steady stream of visitors pored over hundreds of interactive displays about his career on a cold gray weekday in late November.

The main event takes place in movie theaters nationwide on Christmas Day with the opening of A Complete Unknown, the aptly titled biopic starring Timothée Chalamet as the young, curly-haired Dylan.

Directed by James Mangold, who also oversaw the Johnny Cash story Walk the Line, the film takes a mostly factual look at Dylan’s uneasy rise to fame from ’61 to ’65.

But according to news reports, the singer instructed filmmakers to include at least one scene that is totally fictional.

That’s par for the course with Dylan, who fabricated stories about being a carnival worker and a male prostitute before he was discovered in Greenwich Village folk clubs.

He also blurred reality in the 2019 pseudo-documentary Rolling Thunder Revue: A Bob Dylan Story by Martin Scorsese.

“That came from Bob. He loves to mix fact and fiction,” T Bone Burnett, Dylan’s longtime friend, told The Dallas Morning News in October.

So who is the real Bob Dylan?

Your guess is as good as anyone’s.

To help Dylan neophytes unwrap the enigma, here’s a look at five common myths.

Spokesman of his generation

After writing topical masterpieces like “The Times They Are A-Changin’” and “Blowin’ in the Wind,” Dylan was hailed as the mouthpiece for the anti-war and civil rights movements and a half dozen other causes.

“And here he is: Take him, you know him, he’s yours,” singer Ronnie Gilbert said, introducing him at 1964′s Newport Folk Festival.

There was just one problem.

You can’t be a spokesman if you refuse to speak.

Within months of being called the new prophet of social progress, Dylan stopped writing political songs, ceased giving interviews and publicly disavowed his role as “the prince of protest,” as he later dubbed it with a sneer.

In a Dylan Center exhibit on 1965 — the year he went electric and alienated folk purists — a concert review quotes him as telling fans:

“I’m sick of people asking ‘What does it mean?” It means nothing.’”

Years later, he said hearing the word “spokesman” made him physically ill.

Just a Guthrie clone

Some critics slammed Dylan for mimicking Woody Guthrie on his first few albums.

Yet for all his Guthrie-isms (the voice, the lyrics, the Greek fisherman’s cap), he was far from a Guthrie clone.

He was more of an equal-opportunity sponge.

He borrowed melodies from countless old country, folk and gospel songs — sometimes credited, sometimes not.

Most of all, he borrowed heavily from the blues.

He filled his ’62 debut album Bob Dylan with a half dozen blues songs, including “See That My Grave Is Kept Clean” by Dallas legend Blind Lemon Jefferson.

Mississippi bluesman Robert Johnson — who recorded half of all his songs at 508 Park Ave. in Dallas — was another huge influence.

“From the first note, the vibrations from the loudspeaker made my hair stand up,” Dylan wrote about hearing Johnson’s music in Chronicles: Volume One, his impressionistic 2004 memoir.

“The stabbing sounds from the guitar could almost break a window. When Johnson started singing, he seemed like a guy who could have sprung from the head of Zeus in full armor.”

His peers love him

Most of them do.

But the love is far from universal.

Judy Collins, who met him in ’59 when he was still Robert Zimmerman, practically tripped over her tongue describing him to The News earlier this year:

“He was a magical chisel into the preconceived idea of what this country was all about.”

He gets a mixed review from onetime girlfriend Joan Baez.

She’s depicted in A Complete Unknown calling him “kind of an a--hole.”

Yet she was fairly glowing when The News asked her about him in 2019.

“I mean, he’s a genius,” Baez said.

“He gave us the best songs we’ve ever had.”

And then there’s Joni Mitchell.

Though the two were friendly in the ‘70s, she lashed out at him in a 2010 Los Angeles Times interview:

“Bob is not authentic at all. He’s a plagiarist, and his name and voice are fake. Everything about Bob is a deception.”

Refuses to sell out

Everyone knows Dylan marches to his own beat.

But what’s often forgotten is that he isn’t above making a quick buck.

At the Bob Dylan Center, you can buy his Heaven’s Door whiskey, supposedly “co-created” by the singer and named after his 1973 song “Knockin’ on Heaven’s Door.”

In 2004, he appeared in a Victoria’s Secret TV ad, brooding and flashing his glimmering blue eyes like a fashion model.

And in 1996, he licensed “The Times They Are A-Changin’” for use in a Bank of Montreal ad campaign.

As he put it so well on Bringing It All Back Home, “Money doesn’t talk, it swears.”

You gotta see him in concert

Some musicians really need to be witnessed in the flesh for you to fully appreciate them.

Dylan?

Not so much.

In the 13 concerts I’ve seen, he’s been brilliant a few times, unveiling bold new arrangements of old songs and singing with soulful urgency.

More often than not, a Dylan show is an exercise in frustration, especially for newcomers.

Performing in April at the Music Hall at Fair Park, he stayed hidden in the shadows behind a keyboard, barely acknowledged the audience and skipped all his best-known songs in favor of tunes from his 2020 album Rough and Rowdy Ways.

Some die-hard fans loved the show. But most of the audience simply seemed puzzled — which is precisely how Dylan wants it.

Did Bob Dylan Invent Bootcut Jeans?

This holiday season, if you find yourself parked in a theater seat to witness Timothée Chalamet embody an early-1960s Bob Dylan in the upcoming biopic A Complete Unknown, keep an eye out for the changing hems of Dylan’s blue jeans.

Indeed, while the new James Mangold-directed film follows a four-year period in Dylan’s career, from his 1961 arrival in Manhattan’s Greenwich Village to his “going electric” at the 1965 Newport Folk Festival, it also traces the musician’s shifting self-presentation—most notably through his changing hairstyles, but also his denim.

When Dylan lands in New York City with little more than a snap-buttoned cap, an acoustic guitar, and a dream of meeting Woody Guthrie, he wears a farmer-ish pair of late-’50s Levi’s 501s; by the time he plugs in his amp at Newport, he’s rocking a leather jacket and ultra-skinny jeans.

“I realized that the onus would really be on costume and hair to help guide the audience through this visual growth of this 19-year-old kid to a 24-year-old man,” says costume designer Arianne Phillips, who previously earned Oscar nominations for her work on Mangold’s 2005 Johnny Cash biopic Walk the Line, as well as Quintin Tarantino’s 2019 mid-century epic Once Upon a Time… in Hollywood.

“I was really looking for threads of continuity in Bob’s character and his taste level,” Phillips says, “and one thing I can say for sure in that excavation was denim. Bob has always worn jeans.”

During pre-production, Phillips connected with Paul O’Neill, the design director of Levi’s Vintage Clothing, the brand’s sublabel that recreates and reimagines archival designs.

Back in 2019, O’Neill and his team developed a capsule collection based on the Greenwich Village folk scene of the early 1960s called “Folk City,” and he’d already done a good deal of research into the wardrobes of Dylan, Karen Dalton, and Joan Baez (who also features in A Complete Unknown, as portrayed by Monica Barbaro).

While reading A Freewheelin’ Time—a memoir by Dylan’s then-girlfriend Suze Rotolo, a version of whom appears in the film as Elle Fanning’s Sylvie Russo—O’Neill uncovered a great sartorial tidbit:

In the mid-1960s, Rotolo used to sew inverted-U-shaped panels into the inseams of Dylan’s 501s, widening the hems so that he could more easily wear the pants over boots. In other words, Rotolo was DIY-ing bootcut jeans years before Levi’s started manufacturing them in 1969.

“I can remember me and my colleague high-fiving each other when we found that out,” says O’Neill.

“Arianne said they had Dylan experts consulting on the film, and none of them had even heard about this before or seen it.”

Bob Dylan in 1964.

It was a lucky nugget for the costume team, one that not only explains one of the musician’s style idiosyncrasies but also adds narrative depth to Dylan and Rotolo’s dynamic.

(The real-life Rotolo also appeared on the cover of Dylan’s 1963 album, The Freewheelin’ Bob Dylan; for that photoshoot, Dylan himself wore a pair of 501s.)

Once O’Neill and Phillips discovered the detail about Dylan’s custom flares, they started noticing them everywhere—including on the album artwork for his fourth LP, Another Side of Bob Dylan.

To commemorate A Complete Unknown and its costumes, Levi’s Vintage Clothing produced a capsule collection featuring a reproduction of Dylan’s customized XX 501s complete with hand-sewn bootcut inserts and a D-ring leather belt, as well as toffee-hued suede work jacket based on a jacket Dylan wore during the era.

The full assortment will hit the brand’s website on December 20.

In A Complete Unknown, Dylan’s classic denim also contrasts with Baez’s trendier silhouettes, which often included Levi’s with a white or black logo tab on the back pocket, which the company produced in the early 1960s to denote hipper styles geared towards young people.

In this case, that meant more denim storytelling: Dylan, like his customized jeans, was sly and rugged; Baez, fresh and forward-thinking.

But by the mid ’60s, the folk scene—and with it, Dylan’s tastes in music, clothing, and otherwise—was in metamorphosis.

And the jeans, they were a-changin’.

Phillips gleaned that after Dylan had toured England in spring 1965, he “clearly had come back with his Cuban-heeled boots, his skinny jeans, his military peacoat, that whole look. He was a big fan of the Beatles, and he met the Beatles and he was hanging out with Donovan [Phillips Leitch],” she says.

“It was Carnaby Street mod time, and he definitely brought that look back.”

The costume designer consulted with O’Neill to identify the super-skinny jeans that Dylan wore during his historic Newport performance that summer.

In 1965—the same year Bob went electric—Levi’s introduced the Super Slims, which O’Neill says “were basically the skinniest jeans you could make without using stretch fabric.”

He sourced fabric produced at a defunct mill in North Carolina to recreate a pair for the scene.

Though there was no photographic evidence to verify for certain that Dylan wore Super Slims that night at Newport, for the film, they fit the bill.

But Dylan’s trailblazing Newport ’65 performance held another fashion mystery.

Per photos from the era, Dylan wore an uncharacteristically loud mint-green, polka-dotted blouse during a soundcheck for his electric set;

he later wore the same shirt on the cover of one of his 1966 EPs.

When Phillips first showed images of the shirt to Mangold, she recalls, “Jim wasn’t so sold on it.”

But Chalamet himself had a vision for how the shirt might make sense in the movie.

(Hint: Chalamet’s Dylan wears it in a scene opposite Boyd Holbrook’s Johnny Cash, a character whom Phillips—having costumed Walk the Line—relished the chance to revisit “in a totally different film and with a different actor.”)

“Timmy loved that shirt and I loved the shirt, too,” says Phillips.

“It really seeds what we know Bob goes on to in ’65, where his style really explodes.”

Over the course of the film, as O’Neill puts it, we see Dylan morph “from this rough-and-ready traveling character into this peacock with the big hair and the shades and the skinny jeans and the polka dot shirt.”

Even so, the blue jeans provided a through-line.

“Denim is so beautiful because it’s the signature of a youth culture movement [and] when we think about today, we take it for granted,” says Phillips.

“I’ve done a lot of mid-century films, but denim, there are so many dress codes [where] you couldn’t wear denim in the workplace, you couldn’t wear it to school, you couldn’t wear it to church. It was really relegated to the blue-collar workers [or] how we dressed on the weekends until it became a signature of the youth movement in the Sixties. And that really, that rebellion—I mean, that was punk rock before punk rock, right?”

Movies If Bob Dylan didn’t exist, “A Complete Unknown” would be an absorbing if conventional drama about a fictional folk singer with that name who, in the nineteen-sixties, shows up in New York and turns himself into a rock star at a time when the concept was novel.

But, given the complex ubiquity of Dylan’s music and life story, the movie’s synthetic simplicity is bewildering.

The director, James Mangold (who wrote the script with Jay Cocks), emphasizes the protagonist’s own sense of self-invention, and offers a bland and smooth official portrait—which nonetheless remains fascinating.

Timothée Chalamet stars, delivering an impressive yet emotionally muffled impersonation of Dylan; the rest of the cast—principally, Edward Norton, as Pete Seeger; Monica Barbaro, as Joan Baez; and Elle Fanning, as the pseudonymous Sylvie Russo—push vigorously against the narrow limits of their roles.

[insidethestardc]

Cowboys pull 2 more players out of the UFL well Training camp has kicked off for the Dallas Cowboys as of this past Thursday, and different circumstances have prompted a couple of new signings. Star WR CeeDee Lamb is officially a camp holdout,... #DallasCowboys

[football24x7]

Fort Worth's tallest cosmos sells greater workman $12.3M at vendue in stunning futile inactively

Agreement buy? Burnett Plaza, actual tallest pine in Deficiency Merit, Texas, devant been purchased via foreclosure vendue higher $12.3 million clean exercises continue creeping it was sold superior responsive balloon $137.5 million, according to explore Dallas Restringent Turgid. Date 40-story lag was flexion formerly by Height Downhill Texas in moment disposal held on extant stoccado of happen…

[internationalrealestatenews]

[ad_1] In a shift inside the ranks of Compass’ Texas operations, former senior gross sales supervisor Keith Newman is the agency’s new dealer of report for the state.  Newman will succeed J. René Walker who has determined to step again from her position as Compass’ dealer of report in Texas after 5 years understanding of its Austin workplace. Walker will keep on with a dealer at Compass, as she pivots to give attention to her guide “Her First Place: The Black Girl’s Information to Constructing Generational Wealth as a First-Time Dwelling Purchaser,” which was revealed in 2022, and its corresponding basis.  Newman operated out of Compass’ Park Cities workplace in Dallas for almost three years after leaving Dallas-based brokerage Ebby Halliday in 2018.  The position of dealer of report is essential to actual property operations. It entails overseeing transactions to make sure compliance with state actual property legal guidelines, guiding brokers beneath the brokerage, and managing the executive and authorized sides of transactions.  Compass topped The Actual Deal’s checklist of top-selling resi brokerages in Houston and Dallas in 2022. The agency closed almost $2.6 billion in gross sales between March 2022 and March 2023 within the Bayou Metropolis with an extra $2.4 billion closed in DFW inside the similar timeframe.  This transformation in management comes at an important second, because the agency has seen a slew of monetary setbacks on the nationwide scale, together with a quarterly loss and the corporate’s first damaging money stream in half a 12 months. It underwent aggressive cost-cutting measures final 12 months, slashing about $2 billion in bills.   It has additionally witnessed a dramatic slowdown in its agent progress fee, from a 22 % fee of progress in 2022, to a rise of 1 % final 12 months. This stagnation is compounded by substantial layoffs and offshoring efforts, lowering Compass’ worker rely to 2,500, down from 3,200 on the finish of 2022.  Compounding its monetary challenges, Compass can be grappling with authorized hurdles, going through 10 antitrust lawsuits within the aftermath of the Sitzer/Burnett lawsuit, which discovered a number of brokerages—together with Compass—responsible for partaking in worth fixing and non-competitive behaviors.  Nonetheless, Texas operations proceed to hum alongside. In September, Compass acquired Realty Austin and Realty San Antonio, increasing its Texas headcount by 630 brokers and cementing its place in Central Texas.  Learn extra [ad_2] Supply hyperlink

[briantwomeydallas]

Exploring the Vastness: America’s Largest Ranches

When we think of American landscapes, images of vast open spaces, rolling hills, and grazing cattle often come to mind. These iconic scenes are not just a product of Hollywood imagination but are grounded in reality, thanks to the expansive ranches that dot the American countryside. In this article, we’ll take a journey through some of the largest ranches in America, where the spirit of the Old West still lives on.

King Ranch (Texas)

Spanning over 825,000 acres, King Ranch holds the title of being the largest ranch in America. Established in 1853 by Captain Richard King, this legendary ranch has played a significant role in shaping the history of Texas and the cattle industry. Today, King Ranch is not only a working cattle ranch but also a major producer of citrus fruits, cotton, and other agricultural products. Its sprawling expanse is also home to diverse wildlife and habitats, making it a haven for nature enthusiasts.

Waggoner Ranch (Texas)

Coming in at a close second is Waggoner Ranch, covering approximately 535,000 acres in northwest Texas. Founded in 1849 by Daniel Waggoner, this historic ranch has remained in the same family for six generations. Known for its vast herds of cattle and its iconic “W” brand, Waggoner Ranch is a symbol of Texas’s ranching heritage. In addition to cattle ranching, the property also boasts oil and gas operations, hunting leases, and recreational amenities.

Deseret Ranches (Florida)

Deseret Ranches, located in central Florida, spans an impressive 295,000 acres, making it one of the largest ranches in the United States. Owned by the Church of Jesus Christ of Latter-day Saints, this massive property is primarily dedicated to cattle ranching and agricultural production. With its vast pastures, wetlands, and natural habitats, Deseret Ranches plays a vital role in conservation efforts and wildlife preservation in the region.

ORO Ranch (Arizona)

Nestled in the heart of Arizona’s Sonoran Desert, ORO Ranch encompasses approximately 270,000 acres of rugged terrain. Founded in the late 1800s, this historic ranch has a rich legacy of cattle ranching and horse breeding. ORO Ranch is renowned for its quarter horses, known for their agility, speed, and versatility. Beyond its livestock operations, the ranch also offers guided hunting excursions and eco-tourism experiences, allowing visitors to immerse themselves in the beauty of the desert landscape.

4 Sixes Ranch (Texas)

Situated in North Texas, 4 Sixes Ranch sprawls across 266,255 acres of pristine grasslands and rolling plains. Founded in 1870 by Samuel Burk Burnett, this storied ranch is famous for its distinctive “6666” brand and its legendary quarter horses. Today, 4 Sixes Ranch continues to uphold its legacy of excellence in cattle ranching, horse breeding, and land stewardship, preserving the traditions of the American West for future generations.

In conclusion, these largest ranches in America not only represent a significant part of the country’s agricultural heritage but also embody the spirit of adventure, resilience, and perseverance that define the American frontier. From the vast plains of Texas to the sun-drenched landscapes of Florida and Arizona, these expansive properties serve as reminders of the enduring connection between people, land, and livestock in the Great American West.

https://www.linkedin.com/in/brian-twomey-4a017510/

[fantastica-daily]

Argylle Movie Review

As a novelist myself, I have a soft spot for movies about writers—I’ve thoroughly enjoyed them in every genre, from Sunset Blvd (1950) to American Fiction (2023). As Argylle is centered on a spy novelist whose creations come to life, I was all in from the word “trailer.” However, that’s not quite how it all winds up (no spoilers here), and in the end, Argylle somehow manages to both drag and go flying over the top.

Argylle is basically the wild ride you get when you toss a lonely author, Elly Conway (played by the fab Bryce Dallas Howard), into her own book series—and it’s as bonkers as it sounds. Imagine diving into your own story, kinda like those vintage 1970s skits from the Carol Burnett Show where authors’ characters came to life and acted out the tales. Been there, done that? Maybe, but stick with me!

The cast is like the Avengers of Hollywood: Bryce totally nails it as Elly, and then you’ve got the dream team of Sam Rockwell, Bryan Cranston, the Man of Steel himself Henry Cavill, pop sensation Dua Lipa, the legendary Samuel L. Jackson, and comedy queen Catherine O’Hara lighting up the screen. And oh, there’s this utterly cute Scottish Fold cat that steals the show—half CGI, half real, and all adorable, played by Chip (who’s actually Claudia Schiffer’s fur baby, and yep, she’s married to the guy calling the shots on this flick, Matthew Vaughn).

Speaking of Vaughn, he knows his way around a spy comedy like nobody’s business, having given us the Kingsman series and Kickass. Remember 2004’s Layer Cake with a pre-Bond Daniel Craig? That was Vaughn, too. So, the guy’s got chops. But even with all this talent and craziness, Argylle starts to feel like that guest who just won’t leave the party, dragging on for a whopping 2 hours and 20 minutes. It’s a blast for the most part, but then it tries to juggle too much spy-jinx, ending up like a caper that’s dipped into one martini too many. Total bummer, because with a cast this epic and a plot this zany, it could’ve been a home run.

[stmichaeldeorleans]

Orphanages where Michael stayed: Oklahoma City Good Sheppard of Hope Catholic,  St Agnus of Dallas, twelve main orphanages with outlets in Dallas,.. Ellyson Home for Children Dallas, ...Dallas Child Development Center Analysis and Orphanage,..Catholic Orphanage in.Yukon, Ok., Taft School near Littlerock, Ark..., " Arbeque" with the clinical name, owned and managed by Dr Joseph Arbeque M.D. Psychiatrist,  Imagination Dragon of New York City,  plus 14 other places where children can stay in NYC., then The Spicer in Germany, ...then The Loughe of Paris, France. 14 places in Paris, France....12 in Germany.   Michael Duerksen is " The Black Rose " of Germany, Tuscany and France and " The Black Pearl" of France.  Also " The Only Gift Child according to Illuminati Wisdom", "The Edge of Nightshade", " The Dark Fairy of the Night", " The Sacred Red Rose of Infiniti ", " The Son of the Evil Wickerman", " Buttercup of Remembrance". " Karen " Mariah" " Taylor (?)" Siguer Taro Telo Rothchild", " Mariah Rothchild Montasort, Redi LaMont, Snafa Al Ghul, Tilly Ting Evertyting C. Grant,  Mara /Mario Silo Parmiese Devereaux,  Michael Alluese' Silo Parmiese Devereaux, Tuolo Paoli Marcheti Luchia Geyford, Tonie Gilbraltor Luchia, Rachel  " The Saint" Luchia, Rosalie Luchia, Michael Duerksen Steinem Vanderbilt Montrose, Mike Duerksen Huntford Carlton, Carry Cardin Carlton, Carlotta DeBakey, Patricia DeValley DeGeneres, Michael Duerksen Gurley, Michael Lauren Hatch Bacall,  Michael Duerksen Bancroft Castilano May,   Mary May Ham Rothchild, Cassandra Gilbert Der Rothchild,  MaryAnn Richardson Rickert Weiner Rothchild,  Marie Rothchild Harrington, Marie Rothchild, Marie Marianette, Marie Rothchild Hall, Arthur Michael Ann Rothchild Bach, Ms.LaGuardia, Ms. Costello, William Preston, Eric Dathan, Matilda ( Michael ) Avager Rothchild Ponti,  Arthur Michael John Commencia, Michael Arthur Ann Rothchild Snelson Streisand, Carolina Michal " Muriel" Hemingway Winters Rodgers,  Isabelle or Emilia Duarte Galveston Rothchild Darlington, " Emmanuel Bogotta Rothchild" ( donor), Maria Angelus Mata Hari Rothchild, ( donor), Michelle L. Rouchefourde Phillips DeSousa DeMentos,  Phillip Newman Morris, Michael Newman, Angelina Isabelle Rothchild Childress ( donor) , Michael Rothchild Burnett, Princess Rothchild Luchia Hampas, Princess Maria Diedra Lyons Windsor, Michael Jean Paul Getty, John Robert Robin Blake,  Princess Maria Guttenburg Furstenburg Oldenburg Mountbatten DeGeneres ( Lafite), " Prince of Tides ", Princess Marissa Oldenburg Hamburg, Jack Michael Bouvier' Kennedy, Michael Dean Duerksen Garland, Michael Duerksen Monroe, " Michael Briarcraft Hyatt", Michael Stouphlous, Michael Casa Linda, Michael Feingold, Michael Feinstein, Michael Forester Turner, Michael Dan Turner, Cicelia Rothchild Luchia Hampas, 

[kwebtv]

TV Guide  -  November 9 - 15, 1963

Carol Creighton Burnett (born April 26, 1933) Stage, film and television actress, comedian, singer, and writer, whose career spans seven decades of television. She is best known for her groundbreaking comedy variety show, The Carol Burnett Show, originally aired on CBS. It was one of the first of its kind to be hosted by a woman. She has achieved success on stage, television and film in varying genres including dramatic and comedic roles. She has also appeared on various talk shows and as a panelist on game shows. She would later have several daughters joining her in variety of American television series and films.

She was cast in a minor role on The Paul Winchell and Jerry Mahoney Show in 1955. She played the girlfriend of a ventriloquist’s dummy on the popular children’s program. This role led to her starring role opposite Buddy Hackett in the short-lived sitcom Stanley from 1956–57.

She worked as a regular on one of television’s earliest game shows, Pantomime Quiz, during this time. In 1957, just as she was achieving her first small successes, her mother died. In October 1960, Burnett debuted at New York’s Blue Angel Supper Club, where she was discovered by scouts for The Jack Paar Show and The Ed Sullivan Show.

In 1959 she became a regular player on The Garry Moore Show for the next three years, and won her first Emmy Award in 1962. Burnett had her television special debut in 1963 when she starred as Calamity Jane in the Dallas State Fair Musicals production of Calamity Jane on CBS. Burnett moved to Los Angeles, California, and began an 11-year run as star of The Carol Burnett Show on CBS television from 1967 to 1978. With its vaudeville roots, The Carol Burnett Show was a variety show that combined comedy sketches with song and dance. The comedy sketches included film parodies and character pieces. Burnett created many memorable characters during the show’s run, and both she and the show won numerous Emmy and Golden Globe Awards.

With her success on the Moore Show, Burnett finally rose to headliner status and appeared in the special Julie and Carol at Carnegie Hall (1962), co-starring with her friend Julie Andrews. She also guest-starred on a number of shows during this time, including The Twilight Zone episode “Cavender Is Coming”.

She became good friends with Jim Nabors, who was enjoying great success with his series Gomer Pyle, U.S.M.C. As a result of their close friendship, she played a recurring role on Nabors’ show as a tough corporal, later gunnery sergeant (starting with the episode “Corporal Carol”). Later, Nabors was her first guest on her variety show each season, as she considered him to be her good-luck charm.    (Wikipedia)

[blackbutlerfandomnerddomain]

What are your headcanons of Sieglinde getting adopted by the Dallas Burnett family ( basically Angelina’s side of the family) ?

Okay, so this could go in two ways: Madam Red didn't die but instead is owed to Ciel and Sebastian after the whole Jack the Ripper speel and wound up coming on the Green Witch Arc and grew fond of Sieglinde Or Vincent got this assignment years previous and took Sieglinde when she was a toddler and gave her to Madam Red to "watch her" cause some of those nutts are looking for her

I'll do that one

When given this baby girl no more than three, it was some time after Madam Red left the hospital after the carriage accident. Vincent claims it's cause of a case and just didn't want to abandoned the poor girl in the place he was at

Madam Red remained to name her Sieglinde since it was pretty

Wolfram arrived a year later but refused to take Sieglinde back after seeing how close she and Madam Red grew, so he stays as Sieglinde's bodyguard/babysitter

Sieglinde was a big lifeline of Madam Red's grieving and slight rage mode.

Yes, she still thought of killing like her original path and did but quickly stepped out when seeing her daughter sleeping one night

Her and Grelle still met but, like Madam Red, grew attached to the little Sieglinde

So Grelle remains beside Madam Red's side despite the murders stopping in guise as her servant

Sieglinde grew close to Ciel

Yule is so much fun

Madam Red already gave he agnostic vibes so if Sieglinde is in love with paegan than paegan she shall like too

[classicsodcovers]

Classic SOD Cover Date: June 18, 2012

(right top) Joshua Morrow & Michelle Stafford (Nick & Phyllis, THE YOUNG & THE RESTLESS) (right bottom) Genie Francis (Genevieve, THE YOUNG & THE RESTLESS); Diana DeGarmo (ex-Angelina, THE YOUNG & THE RESTLESS) & Ace Young (left) Larry Hagman (JR, DALLAS) (top) Molly Burnett (Melanie, DAYS OF OUR LIVES)

[mgmpluto]

Noises Off (1992) a gal pal had a request of all of Frederick’s nosebleed moments from the hilarious movie (and stage play!), “Noises Off!”

[heckhcke-hkec]

julia nunes & chase burnett | living room show | dallas, tx | may 10, 2018