#Tim Allgood

[thesinglesjukebox]

BRITTANY HOWARD - "PROVE IT TO YOU"

We’re pretty convinced…

[7.89]

Alfred Soto: What the fuck. I expected pop for NPR-affiliate listeners everywhere, not this homage to Clinton-era deep house where the percussion rattles and Brittany Howard gives the kind of anonymous vocal performance of which those dance classics were made. I'm on an airplane dancing, knocking drinks over. [9]

Katherine St. Asaph: The frontwoman of Alabama Shakes making a throbbing, explosive, furiously sung dance track, kinda like the midpoint of Prince, Depeche Mode, and classic house, about an all-consuming crush — i.e., the most Katherinebait thing imaginable — is something I never expected. The extended edit is not extended enough. [10]

TA Inskeep: A slightly warped take on late '90s prime-era deep house — think Masters at Work-adjacent — is easily the last thing I expected from Brittany Howard's sophomore solo album. And she sells it, with smart, crisp production and a voice that really can seem to sing anything. I love when queer art is this good. [8]

Harlan Talib Ockey: Music journalism is simply finding a thousand ways of saying 'good and also catchy'. It’s Brittany Howard doing house, of all things, and the synth chirp sounds like my washing machine. I love it. [8]

Tim de Reuse: Out from the unremarkable feel-good beat grows a strange, growling sound-animal, lashing together every other element, supporting the echoing vocals from below while filling in the dead air between bursts of gasping, airy synths. Few house-revival efforts in this day and age reach this level of sonic cohesion, filling in every frequency like a jigsaw puzzle without letting anything cover up anything else. Tropical not as in "Tropical House" (touristy, antiseptic, manicured) but Tropical as in humid, dense vegetation, a buzz of color and sensation. [8]

Ian Mathers: As someone who's mostly hit the heights of "well, I wouldn't actively avoid it" with Howard's work before (solo or in a band), turns out I like her doing skronky, lovelorn dance music a lot more. Is the whole record like this? Do I need to actually seek it out? [8]

Nortey Dowuona: Zac Cockrell on bass, Brad Allen Williams on guitar, Lloyd Buchanan and Paul Horton on keys, Nate Smith on drums: It takes a village to execute a producer's vision. Brittany's vision of four-on-the-floor pop is a compelling idea, but everyone clashes against one another. She mixes alongside Shawn Everett, forcing mastering engineers Emily Lazar and Chris Allgood to compress the raging bass, the overly loud drums, the stubby keyboard stabs. The latter jabs and rips into a box to create holes so that loose, squelching sounds can slip inside. I don't know what was proven by this, other than that Brittany cannot execute her vision, nor abandon it to establish a community. [5]

Joshua Minsoo Kim: I have been in a number of relationships where I am the one more likely to express my affection verbally. It can be rough at first to navigate, if only because underneath my love for speech is a stark reminder that it needn’t have supremacy over other modes of expression. And Jesus Christ, here is a song that makes this clear: the beat rattles and the synths roar, and Howard makes sure you can feel her passion even before she sings. “Prove It to You” is a nice three-minute reminder that we can all grow a little more sensitive to the ways we receive, well, anything from anyone. [7]

Leah Isobel: "Prove It to You" isn't so much a dance song as it is a rock song in dance clothing — or the other way around. While its straightforward, aerodynamic thump is conversant with house, all of its instrumentation is given a physical, earthy touch: its bass is overdriven and gritty, its kicks booming and heavy. In other hands it could come across as irritating authenticity-bait. Here, though, the effect isn't vaguely patronizing but grand and kaleidoscopic, its momentum sourced from actual, felt urgency ("I will show you how I feel for you right now") instead of perceived external necessity. Howard meets dance halfway; it's kind of like love. [8]

[Read, comment and vote on The Singles Jukebox]

[starkiddreamcasting]

Starkid Noises Off!

Curtains up on Starkid dreamcast for Noises Off! I recently saw this show at my former high school and while I wasn't quite sure of the first act, the latter two absolutely blew me away. Its humor is right up my alley, and it's easy for me to see who would play who.

Lily Marks as Dottie Otley

Brian Holden as Lloyd Dallas

Davis Hamilton as Garry Lejeune

Alle-Faye Monka as Brooke Ashton

Jaime Lyn Beatty as Belinda Blair

Jon Matteson as Frederick Fellows

Nick Strauss as Selsdon Mowbray

Bryce Charles as Poppy Norton-Taylor

Richard Campbell as Tim Allgood

Understudies: Brant Cox (Frederick Fellows, Tim Allgood), Mariah Rose Faith (Brooke Ashton, Poppy Norton-Taylor), Nick Gage (Selsdon Mowbray), Curt Mega (Lloyd Dallas, Garry Lejeune), Meredith Stepien (Dottie Otley, Belinda Blair)

Make sure to leave any show suggestions or any questions on my casting choices so I can explain them.

[unlikelyfanhairdoalmond]

Tim in a western! 🤠 Who bets he’s gonna have that small beard? 🧔🏻‍♂️

Now, not sure about who is who.

They say Brandon Lessard is Henry in the 2nd paragraph, then they say Lessard’s Isaac in the third one. 🤔 So if Tim is Henry, aka Isaac’s father, he probably won’t be there long or in flashbacks…

“Daly portrays Henry, the father of Lessard’s Isaac” but the they say that Isaac is Henry’s father 🙄

“the execution of Isaac Broadway, as he gives his estranged son, Henry (Lessard)”

Source : Deadline

“Tim Daly (Wings) and Veronica Ferres (Hector and the Search for Happiness) have been tapped for roles in Unholy Trinity, rounding out the ensemble for the Western helmed by Robert the Bruce‘s Richard Gray. The actors join an ensemble that also includes Pierce Brosnan, Samuel L. Jackson, Brandon Lessard, and Q’orianka Kilcher, as previously announced.

Currently shooting under an Interim Agreement, the film written by Lee Zachariah is set against the turbulent backdrop of 1870s Montana. It picks up in the moments before the execution of Isaac Broadway, as he gives his estranged son, Henry (Lessard), an impossible task: murder the man who framed him for a crime he didn’t commit. Intent on fulfilling his promise, Henry travels to the remote town of Trinity, where an unexpected turn of events traps him in town and leaves him caught between Gabriel Dove (Brosnan), the town’s upstanding new sheriff, and a mysterious figure named St. Christopher (Jackson).

Daly portrays Henry, the father of Lessard’s Isaac, with Ferres as Sarah, the midwife married to Sheriff Gabriel. Producers on the project include Carter Boehm, Richard Gray, Colin Floom, Michele Gray, Kellie Brooks and Jeanne Allgood. Amadeus Productions is exec producing.”

[blogdimitrikov]

On this Sunday August 11th, 2024 episode please join us to hear an interview with Wendy & DB and Eleyet McConnell, Cory M. Coons, Jaclyn Bradley,Tim Tye, Sarantos, Tyler Allgood, Tyler Allgood, Vento, Ziggy, Hawk & McCarthy, Amanda Abizaid ,  Kim Cameron! 

[slammerrocks]

TWO GREAT NIGHTS!

FRIDAY APRIL 26TH 8-11pm RIZE at Fraternal Order of Eagles 894 55 Park St. Framingham

SATURDAY APRIL 27TH 6:25-11pm The Big Gig III starring STAIND with Seether, Asking Alexandria, and Tim Montana at DCU Center 50 Foster St. Worcester

#GREATTUNES #JOINUS #ALLGOOD #MMM #ROCKINLIKEDOKKEN #EPIC #THISISHOWEDOIT #HUGE #BOOM #LFG #WAHHOO #YOUKNOWIT #WHATITIS

[actpei]

Meet the Cast ! MIKE MALLALEY (as Timothy Allgood)

Originally from Fredericton, New Brunswick, Mike moved to Charlottetown in 2016. Since coming to the Island Mike played Vadas in 'Shop Around the Corner' (ACT, 2017) and appeared in 'Raised on Television' 2 & 3. Mike has been acting since the ripe old age of 6, with his first role being a chorus member of 'The Ugly Duckling'. He has since moved onto over 50 roles on stage, including Brad in 'The Rocky Horror Picture Show', Lurch in 'The Addams Family Musical', Lawrence in 'Calendar Girls', and Antigonus in 'The Winter’s Tale'. Mike has had over 10 roles in film and television and has been nominated twice for Best Actor in a short comedy at The Silver Wave Film Festival, winning once for 'Super Geek Mathboy'.

ACT asked Mike some questions.... 

Who is your character? ...I play Tim, the over-worked and under-appreciated stage manager (as if there is any other kind) that seems to get caught in the middle of all the crazy shenanigans as he tries in vain to keep the company afloat. I’m often cast as zany or over the top characters, and I like the challenge of playing the sensible guy amongst all of the other colorful characters in this show.

Besides yourself, what celebrity would you like to see tackle this character? ....Steve Buschemi

Without giving anything away, what’s your favorite line of dialogue? ...This is getting Farcical!

Which actor in this production is going to blow people away? .....I think the audience is in for a special treat with the entire cast of Noises Off but I have especially enjoyed watching Brian Collins develop his character of Selsdon/The Burglar.

What do you enjoy most about doing a comedy? What’s challenging about bringing this show to life? ...I enjoy being able to make people laugh- and there should be lots of laughs in this show. The most challenging aspect is getting the entrances and exits just right…and all those doors!

What draws you to community theatre? ...The theatre community has always been my second home and where I always feel the most comfortable even when I’m doing something absurd on stage. 

Get tickets now at https://tproatlantic.ticketpro.ca/en/pages/HC_NoisesOff(photo by Landwash Studios)#act #actpei #communitytheatre #doorsandsardines #noisesoff #florencesimmonsperformancehallSee insights and adsBoost postAll reactions:2222

[musical-dreamcasts]

Hamilton - Rob McClure as King George III, requested by anon

Birthday: June 15, 1982 (age 38)

Birth Place: New Milford, New Jersey

Theatre credits include: Adam Maitland (Beetlejuice), Nick Bottom (Something Rotten!), Daniel Hillard/Mrs. Doubtfire (Mrs. Doubtfire), Jack Singer (Honeymoon in Vegas), Charlie Chaplin (Chaplin), Tim Allgood (Noises Off!)

(Pictured on the right is Rory O’Malley, who played the role in the Broadway and Philip tour productions)

[lesterplatt]

The Most Vicious Cycle | Music Video from Ben Smith on Vimeo.

*** WARNING: Sensitive Content*** A film designed to inspire younger generations to get out and vote for representatives who advocate sensible gun control laws in the November ’18 midterms. Written by Kesha, Sage, Chika, Pebe Sebert, and Drew Pearson, the song was created as an artistic response to the mass shooting at Marjory Stoneman Douglas High School in Parkland, Florida. The film is a looping, metaphoric visualization of the predictable events that follow a mass shooting. Using the overly complicated and at times comical mechanics of a Rube Goldberg machine, the story takes place inside a school while a shooting is occurring. After every shooting, there’s outrage, prayers and false promises. Then it happens again. End #TheMostViciousCycle. Vote for candidates who support sensible gun laws and share the video. #VoteForOurLives on 11/6.

BTS movie here: vimeo.com/299095904

Case study article here: themill.com/millchannel/1810/breaking-the-most-vicious-cycle

CREDITS: Agency: McCann NY Creatives: André De Castro & Nick Larson Producer: Gaby Levy Chief Creative Officers: Sean Bryan, Tom Murphy Creative Advisor: Joyce King Thomas Chief Production Officer: Nathy Aviram Global Creative Chairman: Rob Reilly ECDs: Susan Young, Daniela Vojta President, McCann NY: Devika Bulchandani Chief Communications Officer: Jeremy Miller Senior Social Strategist: Jordan Berger

Production: Mill+ Director: Ben Smith Executive Producers: Ian Bearce & Christina Thompson Producer: Tia Perkins Production Coordinators: Andrew Hollingsworth & Danika Casas Shoot Supervisro: Kyle Cody

Editorial: The Mil Editor: Ryan McKenna Edit Assist: Matthew Campbell

VFX Production: The Mill Executive Producer: Christina Thompson Producer: Grace Tober Line Producer: Roshni Kakas Production Coordinator: Umesh Chand Chief Creative Officer: Angus Kneale Creative Director: Ben Smith Shoot Supervisor: Kyle Cody 2D Lead Artists: Kyle Cody, Venuprasath D 3D Lead Artist: Christian Nielsen 2D Artist: Molly Intersimone, Badarinath Chinimilli, Prasanna Bhatt, Rajeshkumar K 3D Artist: Tim Kim, Ryan Federman, Todd Akita, Tighe Rzankowski, Dave Barosin, Weicheih Yu, Sudakshina Sridharan, Vittal Kuntla, Fazal Khan, Giri Prasath S, Raj Kumar M, Sunil MM, Sendil Kumar J Animation: Scott McGinley, Alex Allain, John Wilson Design: Clemens den Exter Motion Graphics: Laura Nash and Wendy Eduarte Asset Supervisor: Anish Mohan Tracking Supervisor: Senthil Murugan Balasundaram Colourist: Mikey Rossiter

DP: Elisha Christian Steadicam Op: Grant Culwell Gaffer: Alex Gaynor Key Grip: Eddie Apodaca Prod Designer: Ron Beach Prop Master: Mark White FX Lead: Ron Matthews

Audio: Audio Post Production: Sound Lounge Sound Designer: Marshall Grupp Foley: Alchemy Post Sound Audio Mixer: Tom Jucarone Senior Producer, Audio: Becca Falborn

Music: Music supervised by Rob Kaplan and Aaron Mercer from Wool & Tusk

“Safe” Track: Produced and Engineered by Drew Pearson Mixed by Jon Castelli Engineer for Mix by Ingmar Carlson Mastered by Emily Lazar at The Lodge, NY Assisted by Chris Allgood Written by Kesha, Sage, Chika, Pebe Sebert, and Drew Pearson Chika vocals recorded by Mitch Davis at Pull Music Executive Produced by Lagan Sebert and Hampton Howerton for Vector Management Digital Marketing, Jon Romero for Vector Management. Kesha appears courtesy of Kemosabe Records/RCA Records

CLIENT (MFOL): Sarah Chadwick – March For Our Lives project strategist and coordinator Sofie Whitney – March For Our Lives project strategist and coordinator Ryan Deitsch- March For Our Lives Content Creator Jackie Corin- National Outreach Director Matt Deitsch- Chief Strategist

[jobinterviewghost]

Have a look at the Ararat councillor's profession in pictures|The Wimmera Mail-Times

aria-hidden =" true" > newsletters, weekly-wrap-list, VICTORIA'S longest serving female politician is commemorating 35 years of service in Ararat. Councillor Gwenda Allgood was elected to what was then the City of Ararat in 1982 after getting frustrated by the council's absence of action over some netball courts." We had an event at the high school with netball courts and all the councillors kept saying' we'll come and have a look at all the different lines and see if we need to do something'," she stated." Well I stood there night after night and nobody came and I got really mad and went to the next council conference. I stated' if you do not come and have an appearance at what I'm tolerating I'm going to choose for council.' They went ha ha ha. Learn more: Neighborhood providing back ahead of the Christmas season "So then I increased to the netball and was talking with a few of the mums about it, and they said yes, we need some more youthful individuals. I went house and informed (partner )Morris and he stated' no, you're not doing it '." So that night I got my pillow and went to (kid) Shane's space and Morris said 'what are you doing?' I said' I'm meaning council and if you do not like it this is where I sleep.' He stated' well, you much better come back to bed ', so he's been my biggest advocate considering that. "Besides the period in 1994-96 when Victoria's councils underwent amalgamation, Cr Allgood's service has actually been constant, something council president Tim Harrison called an "incredible accomplishment."" I think the level of esteem the neighborhood holds Gwenda in is pretty obvious, "he said. Cr Peter Beales, who himself has actually served nearly 30 years, stated Cr Allgood has held" every role you can think of in city government. "Find out more: First Code Red fire alerting provided since 2010 "Definitely her durability is incredible- I appreciate it a bit more than the majority of people, "he said." It's really hard to continue going and have the enthusiasm she does." Cr Allgood's social work is extensive, and she stated she likes being engaged with neighborhood. She is presently president of the Green Hill Lake Development Board, the Ararat Show Society, the Ararat Ladies Probus, the Ambulance Auxiliary, and the Mechanics Institute. It is unclear if Cr Allgood will continue her record-breaking service and choose in the 2020 election. "I'll provide it some thought and do some speaking about it," she said. While you're with us, you can now receive updates straight to your inbox each Friday morning from the Ararat Marketer. To make sure you're updated with all the news from Ararat and districts, register here.

https://nnimgt-a.akamaihd.net/transform/v1/crop/frm/jessieanne.gartlan/3780b91f-d739-4ed7-909a-f43fe6b508cd.JPG/r0_280_3264_2124_w1200_h678_fmax.jpg November 21 2019- 3:00 PM Have a look at the Ararat councillor's career in images Gwenda Allgood honoured as longest serving female Victorian political leader|Pictures Cr Gwenda Allgood's image goes up in

Langi Morgala to honour her 35 years of contribution.

Cr Allgood campaigns to keep the Ararat Show running.Cr Allgood petitioning for Green Hill Lake.Being acknowledged for 30

years of service in 2014. Celebrating NAIDOC Week in 2018 at Lake Bolac.Supporting the Crowlands Wind Farm advancement in

2018. Supporting Challicum Hills wind farm in 2013. With

Victorian premier Daniel Andrews in 2018.

Supporting the advancement of the Bill Waterson

Skate Park in 2017.

VICTORIA'S longest serving female political leader is celebrating 35 years of service in Ararat.Councillor Gwenda Allgood was elected to what was then the City of Ararat in 1982 after getting irritated by the council's absence of action over some netball courts." We had an event at the high school with netball courts and all the councillors kept stating 'we'll come and have a look at all the different lines and see if we need to do something'," she said." Well I stood there night after night and nobody came and I got truly angry

and went to the next council meeting. I said' if you do not come and have an appearance at what I'm bearing with I'm going to nominate for council.' They went ha ha ha." So then I went up to the

netball and was talking to a few of the mums about it, and they stated yes, we require some more youthful individuals. I went house and told (hubby )Morris and he stated 'no, you're not doing it'. "So that night I selected up my pillow and

went to( son) Shane's room and Morris said 'what are you doing?' I stated' I'm standing for council and if you do not like it this is where I sleep.' He said' well, you better come back to bed', so he's been my biggest

advocate given that. "Besides the duration in 1994-96 when Victoria's councils went through amalgamation, Cr Allgood's service has actually been continuous, something council chief executive Tim Harrison called an" fantastic achievement."" I believe the level of esteem the neighborhood holds Gwenda in is pretty obvious, "he stated. Cr Peter Beales, who himself has actually served almost 30 years, stated Cr Allgood has held "every function you can envision in city government. "" Definitely her longevity boggles the mind- I

value it a bit more than many individuals, "he said." It's very hard to keep on going and have the enthusiasm she does." Cr Allgood's social work is extensive, and she said she enjoys being engaged with community.She is currently president of the Green Hill Lake Advancement Board, the Ararat Program Society, the Ararat Ladies

Probus, the Ambulance Auxiliary, and the Mechanics Institute.It is unclear if Cr Allgood will continue her record-breaking service and

choose in the 2020 election." I'll give it some idea and do some discussing it, "she said.While you're with us, you can now receive updates straight to your inbox each Friday

morning from the Ararat Advertiser. To ensure you're updated with all the news from Ararat and districts,

sign up here.

[un-enfant-immature]

Developers accuse Apple of anti-competitive behavior with its privacy changes in iOS 13

A group of app developers have penned a letter to Apple CEO Tim Cook, arguing that certain privacy-focused changes to Apple’s iOS 13 operating system will hurt their business. In a report by The Information, the developers were said to have accused Apple of anti-competitive behavior when it comes to how apps can access user location data.

With iOS 13, Apple aims to curtail apps’ abuse of its location-tracking features as part of its larger privacy focus as a company.

Today, many apps ask users upon first launch to give their app the “Always Allow” location-tracking permission. Users can confirm this with a tap, unwittingly giving apps far more access to their location data than is actually necessary, in many cases.

In iOS 13, however, Apple has tweaked the way apps can request location data.

There will now be a new option upon launch presented to users, “Allow Once,” which allows users to first explore the app to see if it fits their needs before granting the app developer the ability to continually access location data. This option will be presented alongside existing options, “Allow While Using App” and “Don’t Allow.”

The “Always” option is still available, but users will have to head to iOS Settings to manually enable it. (A periodic pop-up will also present the “Always” option, but not right away.)

The app developers argue that this change may confuse less technical users, who will assume the app isn’t functioning properly unless they figure out how to change their iOS Settings to ensure the app has the proper permissions.

The developers’ argument is a valid assessment of user behavior and how such a change could impact their apps. The added friction of having to go to Settings in order to toggle a switch so an app to function can cause users to abandon apps. It’s also, in part, why apps like Safari ad blockers and iOS replacement keyboards never really went mainstream, as they require extra steps involving the iOS Settings.

That said, the changes Apple is rolling out with iOS 13 don’t actually break these apps entirely. They just require the apps to refine their onboarding instructions to users. Instead of asking for the “Always Allow” permission, they will need to point users to the iOS Settings screen, or limit the apps’ functionality until it’s granted the “Always Allow” permission.

In addition, the developers’ letter pointed out that Apple’s own built-in apps (like Find My) aren’t treated like this, which raises anti-competitive concerns.

The letter also noted that Apple in iOS 13 would not allow developers to use PushKit for any other purpose beyond internet voice calls — again, due to the fact that some developers abused this toolkit to collect private user data.

“We understand that there were certain developers, specifically messaging apps, that were using this as a backdoor to collect user data,” the email said, according to the report. “While we agree loopholes like this should be closed, the current Apple plan to remove [access to the internet voice feature] will have unintended consequences: it will effectively shut down apps that have a valid need for real-time location.”

The letter was signed by Tile CEO CJ Prober; Arity (Allstate) President Gary Hallgren; CEO of Life360 Chris Hullsan; CEO of dating app Happn Didier Rappaport; CEO of Zenly (Snap), Antoine Martin; , CEO of Zendrive, Jonathan Matus which; and chief strategy officer of social networking app Twenty, Jared Allgood.

Apple responded to The Information by saying that any changes it makes to the operating system are “in service to the user” and to their privacy. It also noted that any apps it distributes from the App Store have to abide by the same procedures.

It’s another example of how erring on the side of increased user privacy can lead to complications and friction for end users. One possible solution could be allowing apps to present their own in-app Settings screen where users could toggle the app’s full set of permissions directly — including everything from location data to push notifications to the app’s use of cellular data or Bluetooth sharing.

The news comes at a time when the U.S. Dept. of Justice is considering investigating Apple for anti-competitive behavior. Apple told The Information it was working with some of the impacted developers using PushKit on alternate solutions.

[whileiamdying]

*** WARNING: Sensitive Content*** A film designed to inspire younger generations to get out and vote for representatives who advocate sensible gun control laws in the November ’18 midterms. Written by Kesha, Sage, Chika, Pebe Sebert, and Drew Pearson, the song was created as an artistic response to the mass shooting at Marjory Stoneman Douglas High School in Parkland, Florida. The film is a looping, metaphoric visualization of the predictable events that follow a mass shooting. Using the overly complicated and at times comical mechanics of a Rube Goldberg machine, the story takes place inside a school while a shooting is occurring. After every shooting, there’s outrage, prayers and false promises. Then it happens again. End #TheMostViciousCycle. Vote for candidates who support sensible gun laws and share the video. #VoteForOurLives on 11/6. The film is a looping, metaphoric visualization of the predictable events that follow a mass shooting. Using the overly complicated and comical mechanics of a Rube Goldberg machine, the story takes place inside a school while a shooting is taking place. CREDITS: Agency: McCann NY Creatives: André De Castro & Nick Larson Producer: Gaby Levy Chief Creative Officers: Sean Bryan, Tom Murphy Creative Advisor: Joyce King Thomas Chief Production Officer: Nathy Aviram Global Creative Chairman: Rob Reilly ECDs: Susan Young, Daniela Vojta President, McCann NY: Devika Bulchandani Chief Communications Officer: Jeremy Miller Senior Social Strategist: Jordan Berger Production: Mill+ Director: Ben Smith Executive Producers: Ian Bearce & Christina Thompson Producer: Tia Perkins Production Coordinators: Andrew Hollingsworth & Danika Casas Shoot Supervisro: Kyle Cody Editorial: The Mil Editor: Ryan McKenna Edit Assist: Matthew Campbell VFX Production: The Mill Executive Producer: Christina Thompson Producer: Grace Tober Line Producer: Roshni Kakas Production Coordinator: Umesh Chand Chief Creative Officer: Angus Kneale Creative Director: Ben Smith Shoot Supervisor: Kyle Cody 2D Lead Artists: Kyle Cody, Venuprasath D 3D Lead Artist: Christian Nielsen 2D Artist: Molly Intersimone, Badarinath Chinimilli, Prasanna Bhatt, Rajeshkumar K 3D Artist: Tim Kim, Ryan Federman, Todd Akita, Tighe Rzankowski, Dave Barosin, Weicheih Yu, Sudakshina Sridharan, Vittal Kuntla, Fazal Khan, Giri Prasath S, Raj Kumar M, Sunil MM, Sendil Kumar J Animation: Scott McGinley, Alex Allain, John Wilson Design: Clemens den Exter Motion Graphics: Laura Nash and Wendy Eduarte Asset Supervisor: Anish Mohan Tracking Supervisor: Senthil Murugan Balasundaram Colourist: Mikey Rossiter DP: Elisha Christian Steadicam Op: Grant Culwell Gaffer: Alex Gaynor Key Grip: Eddie Apodaca Prod Designer: Ron Beach Prop Master: Mark White FX Lead: Ron Matthews Audio: Audio Post Production: Sound Lounge Sound Designer: Marshall Grupp Foley: Alchemy Post Sound Audio Mixer: Tom Jucarone Senior Producer, Audio: Becca Falborn Music: Music supervised by Rob Kaplan and Aaron Mercer from Wool & Tusk “Safe” Track: Produced and Engineered by Drew Pearson Mixed by Jon Castelli Engineer for Mix by Ingmar Carlson Mastered by Emily Lazar at The Lodge, NY Assisted by Chris Allgood Written by Kesha, Sage, Chika, Pebe Sebert, and Drew Pearson Chika vocals recorded by Mitch Davis at Pull Music Executive Produced by Lagan Sebert and Hampton Howerton for Vector Management Digital Marketing, Jon Romero for Vector Management. Kesha appears courtesy of Kemosabe Records/RCA Records CLIENT (MFOL): Sarah Chadwick – March For Our Lives project strategist and coordinator Sofie Whitney – March For Our Lives project strategist and coordinator Ryan Deitsch- March For Our Lives Content Creator Jackie Corin- National Outreach Director Matt Deitsch- Chief Strategist

[artwalktv]

*** WARNING: Sensitive Content*** A film designed to inspire younger generations to get out and vote for representatives who advocate sensible gun control laws in the November ’18 midterms. Written by Kesha, Sage, Chika, Pebe Sebert, and Drew Pearson, the song was created as an artistic response to the mass shooting at Marjory Stoneman Douglas High School in Parkland, Florida. The film is a looping, metaphoric visualization of the predictable events that follow a mass shooting. Using the overly complicated and at times comical mechanics of a Rube Goldberg machine, the story takes place inside a school while a shooting is occurring. After every shooting, there’s outrage, prayers and false promises. Then it happens again. End #TheMostViciousCycle. Vote for candidates who support sensible gun laws and share the video. #VoteForOurLives on 11/6. The film is a looping, metaphoric visualization of the predictable events that follow a mass shooting. Using the overly complicated and comical mechanics of a Rube Goldberg machine, the story takes place inside a school while a shooting is taking place. CREDITS: Agency: McCann NY Creatives: André De Castro & Nick Larson Producer: Gaby Levy Chief Creative Officers: Sean Bryan, Tom Murphy Creative Advisor: Joyce King Thomas Chief Production Officer: Nathy Aviram Global Creative Chairman: Rob Reilly ECDs: Susan Young, Daniela Vojta President, McCann NY: Devika Bulchandani Chief Communications Officer: Jeremy Miller Senior Social Strategist: Jordan Berger Production: Mill+ Director: Ben Smith Executive Producers: Ian Bearce & Christina Thompson Producer: Tia Perkins Production Coordinators: Andrew Hollingsworth & Danika Casas Shoot Supervisro: Kyle Cody Editorial: The Mil Editor: Ryan McKenna Edit Assist: Matthew Campbell VFX Production: The Mill Executive Producer: Christina Thompson Producer: Grace Tober Line Producer: Roshni Kakas Production Coordinator: Umesh Chand Chief Creative Officer: Angus Kneale Creative Director: Ben Smith Shoot Supervisor: Kyle Cody 2D Lead Artists: Kyle Cody, Venuprasath D 3D Lead Artist: Christian Nielsen 2D Artist: Molly Intersimone, Badarinath Chinimilli, Prasanna Bhatt, Rajeshkumar K 3D Artist: Tim Kim, Ryan Federman, Todd Akita, Tighe Rzankowski, Dave Barosin, Weicheih Yu, Sudakshina Sridharan, Vittal Kuntla, Fazal Khan, Giri Prasath S, Raj Kumar M, Sunil MM, Sendil Kumar J Animation: Scott McGinley, Alex Allain, John Wilson Design: Clemens den Exter Motion Graphics: Laura Nash and Wendy Eduarte Asset Supervisor: Anish Mohan Tracking Supervisor: Senthil Murugan Balasundaram Colourist: Mikey Rossiter DP: Elisha Christian Steadicam Op: Grant Culwell Gaffer: Alex Gaynor Key Grip: Eddie Apodaca Prod Designer: Ron Beach Prop Master: Mark White FX Lead: Ron Matthews Audio: Audio Post Production: Sound Lounge Sound Designer: Marshall Grupp Foley: Alchemy Post Sound Audio Mixer: Tom Jucarone Senior Producer, Audio: Becca Falborn Music: Music supervised by Rob Kaplan and Aaron Mercer from Wool & Tusk “Safe” Track: Produced and Engineered by Drew Pearson Mixed by Jon Castelli Engineer for Mix by Ingmar Carlson Mastered by Emily Lazar at The Lodge, NY Assisted by Chris Allgood Written by Kesha, Sage, Chika, Pebe Sebert, and Drew Pearson Chika vocals recorded by Mitch Davis at Pull Music Executive Produced by Lagan Sebert and Hampton Howerton for Vector Management Digital Marketing, Jon Romero for Vector Management. Kesha appears courtesy of Kemosabe Records/RCA Records CLIENT (MFOL): Sarah Chadwick – March For Our Lives project strategist and coordinator Sofie Whitney – March For Our Lives project strategist and coordinator Ryan Deitsch- March For Our Lives Content Creator Jackie Corin- National Outreach Director Matt Deitsch- Chief Strategist

[kebee-s]

The Most Vicious Cycle | Music Video from Ben Smith on Vimeo.

*** WARNING: Sensitive Content*** A film designed to inspire younger generations to get out and vote for representatives who advocate sensible gun control laws in the November ’18 midterms. Written by Kesha, Sage, Chika, Pebe Sebert, and Drew Pearson, the song was created as an artistic response to the mass shooting at Marjory Stoneman Douglas High School in Parkland, Florida. The film is a looping, metaphoric visualization of the predictable events that follow a mass shooting. Using the overly complicated and at times comical mechanics of a Rube Goldberg machine, the story takes place inside a school while a shooting is occurring. After every shooting, there’s outrage, prayers and false promises. Then it happens again. End #TheMostViciousCycle. Vote for candidates who support sensible gun laws and share the video. #VoteForOurLives on 11/6.

BTS movie here: vimeo.com/299095904

Case study article here: themill.com/millchannel/1810/breaking-the-most-vicious-cycle

CREDITS: Agency: McCann NY Creatives: André De Castro & Nick Larson Producer: Gaby Levy Chief Creative Officers: Sean Bryan, Tom Murphy Creative Advisor: Joyce King Thomas Chief Production Officer: Nathy Aviram Global Creative Chairman: Rob Reilly ECDs: Susan Young, Daniela Vojta President, McCann NY: Devika Bulchandani Chief Communications Officer: Jeremy Miller Senior Social Strategist: Jordan Berger

Production: Mill+ Director: Ben Smith Executive Producers: Ian Bearce & Christina Thompson Producer: Tia Perkins Production Coordinators: Andrew Hollingsworth & Danika Casas Shoot Supervisro: Kyle Cody

Editorial: The Mil Editor: Ryan McKenna Edit Assist: Matthew Campbell

VFX Production: The Mill Executive Producer: Christina Thompson Producer: Grace Tober Line Producer: Roshni Kakas Production Coordinator: Umesh Chand Chief Creative Officer: Angus Kneale Creative Director: Ben Smith Shoot Supervisor: Kyle Cody 2D Lead Artists: Kyle Cody, Venuprasath D 3D Lead Artist: Christian Nielsen 2D Artist: Molly Intersimone, Badarinath Chinimilli, Prasanna Bhatt, Rajeshkumar K 3D Artist: Tim Kim, Ryan Federman, Todd Akita, Tighe Rzankowski, Dave Barosin, Weicheih Yu, Sudakshina Sridharan, Vittal Kuntla, Fazal Khan, Giri Prasath S, Raj Kumar M, Sunil MM, Sendil Kumar J Animation: Scott McGinley, Alex Allain, John Wilson Design: Clemens den Exter Motion Graphics: Laura Nash and Wendy Eduarte Asset Supervisor: Anish Mohan Tracking Supervisor: Senthil Murugan Balasundaram Colourist: Mikey Rossiter

DP: Elisha Christian Steadicam Op: Grant Culwell Gaffer: Alex Gaynor Key Grip: Eddie Apodaca Prod Designer: Ron Beach Prop Master: Mark White FX Lead: Ron Matthews

Audio: Audio Post Production: Sound Lounge Sound Designer: Marshall Grupp Foley: Alchemy Post Sound Audio Mixer: Tom Jucarone Senior Producer, Audio: Becca Falborn

Music: Music supervised by Rob Kaplan and Aaron Mercer from Wool & Tusk

“Safe” Track: Produced and Engineered by Drew Pearson Mixed by Jon Castelli Engineer for Mix by Ingmar Carlson Mastered by Emily Lazar at The Lodge, NY Assisted by Chris Allgood Written by Kesha, Sage, Chika, Pebe Sebert, and Drew Pearson Chika vocals recorded by Mitch Davis at Pull Music Executive Produced by Lagan Sebert and Hampton Howerton for Vector Management Digital Marketing, Jon Romero for Vector Management. Kesha appears courtesy of Kemosabe Records/RCA Records

CLIENT (MFOL): Sarah Chadwick – March For Our Lives project strategist and coordinator Sofie Whitney – March For Our Lives project strategist and coordinator Ryan Deitsch- March For Our Lives Content Creator Jackie Corin- National Outreach Director Matt Deitsch- Chief Strategist

[slammerrocks]

At Bill's Pizzeria in #Hopkinton Tim Pacific Trio, Broccoli Cheese Bites, and Sweet Potato Fries. #ALLGOOD #MMM #ROCKINLIKEDOKKEN #THISISHOWWEDOIT #HUGE #BOOM #LFG

[actpei]

Meet the Cast - Mike Mallaley

Meet the Cast ! MIKE MALLALEY (as Timothy Allgood) - Originally from Fredericton, New Brunswick, Mike moved to Charlottetown in 2016. Since coming to the Island Mike played Vadas in 'Shop Around the Corner' (ACT, 2017) and appeared in 'Raised on Television' 2 & 3. Mike has been acting since the ripe old age of 6, with his first role being a chorus member of 'The Ugly Duckling'. He has since moved onto over 50 roles on stage, including Brad in 'The Rocky Horror Picture Show', Lurch in 'The Addams Family Musical', Lawrence in 'Calendar Girls', and Antigonus in 'The Winter’s Tale'. Mike has had over 10 roles in film and television and has been nominated twice for Best Actor in a short comedy at The Silver Wave Film Festival, winning once for 'Super Geek Mathboy'.

ACT asked Mike some questions.... Who is your character? ...I play Tim, the over-worked and under-appreciated stage manager (as if there is any other kind) that seems to get caught in the middle of all the crazy shenanigans as he tries in vain to keep the company afloat. I’m often cast as zany or over the top characters, and I like the challenge of playing the sensible guy amongst all of the other colorful characters in this show.

Besides yourself, what celebrity would you like to see tackle this character? ....Steve Buschemi

Without giving anything away, what’s your favorite line of dialogue? ...This is getting Farcical!

Which actor in this production is going to blow people away? .....I think the audience is in for a special treat with the entire cast of Noises Off but I have especially enjoyed watching Brian Collins develop his character of Selsdon/The Burglar.

What do you enjoy most about doing a comedy? What’s challenging about bringing this show to life? ...I enjoy being able to make people laugh- and there should be lots of laughs in this show. The most challenging aspect is getting the entrances and exits just right…and all those doors!

What draws you to community theatre? ...The theatre community has always been my second home and where I always feel the most comfortable even when I’m doing something absurd on stage.

[andreusdwm]

The Most Vicious Cycle | Music Video from Ben Smith on Vimeo.

*** WARNING: Sensitive Content*** A film designed to inspire younger generations to get out and vote for representatives who advocate sensible gun control laws in the November ’18 midterms. Written by Kesha, Sage, Chika, Pebe Sebert, and Drew Pearson, the song was created as an artistic response to the mass shooting at Marjory Stoneman Douglas High School in Parkland, Florida. The film is a looping, metaphoric visualization of the predictable events that follow a mass shooting. Using the overly complicated and at times comical mechanics of a Rube Goldberg machine, the story takes place inside a school while a shooting is occurring. After every shooting, there’s outrage, prayers and false promises. Then it happens again. End #TheMostViciousCycle. Vote for candidates who support sensible gun laws and share the video. #VoteForOurLives on 11/6.

The film is a looping, metaphoric visualization of the predictable events that follow a mass shooting. Using the overly complicated and comical mechanics of a Rube Goldberg machine, the story takes place inside a school while a shooting is taking place.

BTS movie here: vimeo.com/299095904

CREDITS: Agency: McCann NY Creatives: André De Castro & Nick Larson Producer: Gaby Levy Chief Creative Officers: Sean Bryan, Tom Murphy Creative Advisor: Joyce King Thomas Chief Production Officer: Nathy Aviram Global Creative Chairman: Rob Reilly ECDs: Susan Young, Daniela Vojta President, McCann NY: Devika Bulchandani Chief Communications Officer: Jeremy Miller Senior Social Strategist: Jordan Berger

Production: Mill+ Director: Ben Smith Executive Producers: Ian Bearce & Christina Thompson Producer: Tia Perkins Production Coordinators: Andrew Hollingsworth & Danika Casas Shoot Supervisro: Kyle Cody

Editorial: The Mil Editor: Ryan McKenna Edit Assist: Matthew Campbell

VFX Production: The Mill Executive Producer: Christina Thompson Producer: Grace Tober Line Producer: Roshni Kakas Production Coordinator: Umesh Chand Chief Creative Officer: Angus Kneale Creative Director: Ben Smith Shoot Supervisor: Kyle Cody 2D Lead Artists: Kyle Cody, Venuprasath D 3D Lead Artist: Christian Nielsen 2D Artist: Molly Intersimone, Badarinath Chinimilli, Prasanna Bhatt, Rajeshkumar K 3D Artist: Tim Kim, Ryan Federman, Todd Akita, Tighe Rzankowski, Dave Barosin, Weicheih Yu, Sudakshina Sridharan, Vittal Kuntla, Fazal Khan, Giri Prasath S, Raj Kumar M, Sunil MM, Sendil Kumar J Animation: Scott McGinley, Alex Allain, John Wilson Design: Clemens den Exter Motion Graphics: Laura Nash and Wendy Eduarte Asset Supervisor: Anish Mohan Tracking Supervisor: Senthil Murugan Balasundaram Colourist: Mikey Rossiter

DP: Elisha Christian Steadicam Op: Grant Culwell Gaffer: Alex Gaynor Key Grip: Eddie Apodaca Prod Designer: Ron Beach Prop Master: Mark White FX Lead: Ron Matthews

Audio: Audio Post Production: Sound Lounge Sound Designer: Marshall Grupp Foley: Alchemy Post Sound Audio Mixer: Tom Jucarone Senior Producer, Audio: Becca Falborn

Music: Music supervised by Rob Kaplan and Aaron Mercer from Wool & Tusk

“Safe” Track: Produced and Engineered by Drew Pearson Mixed by Jon Castelli Engineer for Mix by Ingmar Carlson Mastered by Emily Lazar at The Lodge, NY Assisted by Chris Allgood Written by Kesha, Sage, Chika, Pebe Sebert, and Drew Pearson Chika vocals recorded by Mitch Davis at Pull Music Executive Produced by Lagan Sebert and Hampton Howerton for Vector Management Digital Marketing, Jon Romero for Vector Management. Kesha appears courtesy of Kemosabe Records/RCA Records

CLIENT (MFOL): Sarah Chadwick – March For Our Lives project strategist and coordinator Sofie Whitney – March For Our Lives project strategist and coordinator Ryan Deitsch- March For Our Lives Content Creator Jackie Corin- National Outreach Director Matt Deitsch- Chief Strategist