#cyber glacier

[lolcatsaestheticdump]

[h2o-and-stuff]

H2O CHARACTERS AS FRUTIGER AERO AESTHETICS

Emma as 🧊Cyber Glacier🌊

[cybercel]

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

I wish there were different cities for different aesthetics anyone could live in. I feel so out of place in my environment. I’m just a bright blue dot in a sea of dirty gray.

[altromarnice]

It's reference for my main character, yeah This character is based on the Shirobon's song, Wii console, y2k stuff and my favorite aesthetics (main aestetics: Cyber Glacier and Aqua Aero).

just very tasty pieces of art

[cielxxphantomhive]

ᛝ CYBER GLACIER NPT ᛝ - Requests open

Names ;;

Florian , Digi , Pixel , Ira , Ren , Kaja , Lyne , Serene , Serenity , Odette , Pier , Azur , Lune , Alizée , Celeste , Ciel , Alice , Delphine , Sylvie , Claire , Harper

Pronouns ;;

thy/thym/thymself , cy/cyber/cybers , shine/shines/shineself , soft/softs/softself , byte/bytes/byteself , pix/pixel/pixels , ocean/oceans/oceanself , glacier/glacial/galcierself , arctic/arctics/arcticself , au/aqua/aquaself , wave/waves/waveself , click/clicks/clickself

Titles ;;

[ prn ] who loves the ice , [ prn ] who is linked , the auqa codes , [ prn ] who is online , your frozen server , [ prn ] who is glacial , [ prn ] who swims , [ prn ] is virtual

[rulerzreachf4n7]

Your month, your frutiger subgenre, part two

If you have stumbled upon this without seeing part one, don't worry, just go to my profile and it'll be the one under this

And of course I'll be randomly selecting a month to give a special subgenre based wallpaper to...yknow whoever was born in like fucking August idk

July - y'all get non lol, couldn't find any subgenre that just really gave off a July energy, but here's some wallpapers anyways

August - super flat pop

September - skeuomophoric (shit that's a lot...)

October - dorfic + wallpaper

November - frutiger aurora + wallpaper

December - cyber glacier

[wallpapedits-vvc]

Matching wallpapers #135

Like/reblog if you save ✨

None of this wallpapers/pictures belongs to me, I just do the matching.

[siryl]

A frigid dreamscape by Alkinoy Cyber.

[02zgooner]

Koldkill— p.sh

sypnosis: when boredom leads you to a mysterious online encounter, you meet a cryptic stranger. as the lines between virtual and reality blur, you discover his real, dark identity.

genre: romance (?), suspense

pairing: cyber!p.sh x female!reader

word count: 0.8k

warnings: mentions of obsession, stalking, hacking (?)

playlist: Лёд - WENARO, LXNER

a/n: hi again, i present to you a drabble from my stupid mind, man... i don't even know what am i writing atp. hope u like it, mwa! not proofread

It all started with boredom. Not the casual, “I have nothing to do” kind of boredom, but the soul-crushing, existential kind. You already scrolled through every social media feed, reorganized your desktop folders, and even considered learning to crochet before giving up and diving into the shadiest corners of the internet.

That’s when you stumbled across it: a sketchy flash game website with a gaudy black and neon blue banner reading, “Koldkill” It looked like malware wrapped in HTML, but you were desperate.

Intrigued, you clicked.

The screen went black, then flickered to life, revealing a grainy, snowy landscape. In the middle stood a lone player, their username in Russian: Лёд, google translate told you it meant ice.

A chat box popped up in the bottom corner.

Welcome! Say Hi to A Kolder!

[Лёд]: You’re late.

[You]: ???

[You]: late for what?

[Лёд]: The ghast doesn’t wait.

[You]: ok?? and that means?

[Лёд]: Means you’re bad at this already.

You squinted at the screen, already annoyed. The game had no instructions, just your tiny sprite bundled up in winter gear and Ice standing ominously still.

You fumbled with the arrow keys, making your character shuffle awkwardly through the snow. Ice’s sprite moved with practiced precision, like he’d been playing this game for years.

[Лёд]: Slower than a glacier. Nice.

[You]: Excuse me?

The game was bizarre. There were no clear objectives—just snow, ice, and the occasional death trap that Ice always seemed to anticipate.

[Лёд]: Don’t step there.

[You]: Why not?

You stepped there anyway. A massive icicle fell from the sky, crushing your character.

[Лёд]: Exactly.

Hours passed, but you couldn’t stop playing. Ice was infuriating, cryptic, sarcastic, and way too good at the game but his normally weird comments kept you entertained.

[You]: So, what’s the point of this game?

[Лёд]: Survival.

[You]: And if I survive?

[Лёд]: You won’t.

“Wow, motivational,” you muttered to yourself.

The internet flickered, and the screen froze. When it reloaded, Ice’s sprite was standing unusually close to yours.

[You]: Why are you so close?

[Лёд]: Making sure you don’t disappear.

Your stomach twisted. His cryptic responses were starting to feel somewhat… personal.

It got worse.

As you played, Ice started commenting on things he shouldn’t have known.

[Лёд]: Searching for answers already?

You froze. You had been googling the game in another tab.

[You]: How do you know that?

[Лёд]: I see you.

Your webcam light blinked on.

Panic surged through you. 

[Лёд]: Relax.

[You]: you're creeping me out.

[Лёд]: Interesting.

Right after the reply, the game crashed.

Your computer flickered, and the arctic wasteland returned. The chat box reappeared, but it’s different.

The screen stuttered, static crackling through your speakers. Slowly, pixel by pixel, an image formed—dark, grainy, and unmistakably human.

A man’s face emerged from the static. Pale skin, sharp features, dark eyes that stared directly at you. His black hair blended into the shadows, and though most of his face was obscured, his presence was undeniable.

Your heart stopped.

It couldn’t be.

You leaned closer to the screen, your breath catching. The face belonged to someone you knew. Someone who haunted your waking thoughts and dreams.

Him.

Sunghoon. Park Sunghoon.

The guy you’d been obsessing over for years. The guy whose Instagram posts you liked at 3 a.m. The guy whose photos you saved, whose playlists and home address you found, the guy whose every move you followed like a moth to a flame.

No, it wasn’t possible.

Your chest tightened. How?

His smirk flickered onto the screen, just as sharp and cruel as you remembered from every candid photo you’d seen of him.

[Лёд]: You think you’re the only one who’s been watching?

Your stomach dropped.

You froze in your chair, a cold sweat breaking out on your skin. Memories flashed through your mind—late nights scrolling through his tagged photos, creating burner accounts just to follow his private profiles. You’d thought you were invisible, just another faceless admirer in a sea of them.

Admirer is an understatement.

A stalker.

But he noticed.

And he’s been watching you back.

The screen glitched again, and his voice, smooth, low, and chilling crackled through your speakers for the first time.

You jumped, nearly toppling out of your chair. Hearing his voice made it all real.

Your breath hitched.

The webcam light blinked on. You felt his gaze pierce through you, even though he was just pixels on a screen.

“You think I didn’t see you staring at my photos? Clicking through my life like it was some open book?” he asked. “But I liked it. Knowing you were watching.”

Your hands trembled over the keyboard.

The realization hit you like a freight train. Sunghoon wasn’t just some random crush you’d stalked from afar. He’d been stalking you, too. Harder.

“You know what they say,” he murmured, his smirk now fully visible on the screen.

“Obsession breeds obsession.”

[crystaltoa]

Metru Nui Aesthetics

I’ve been thinking about how each metru is a slighly different flavour of sci-fi aesthetically speaking. (Heads up, the links go to a wiki unfortunately hosted on Fandom, don’t click if you wish to avoid that site) Ko-Metru: Cyber Glacier (fairly self explanatory)

Ga-Metru: Cyberprep x cybercore (with a slight Nautical influence in the lighthouse styled architecture)

Le-Metru: Retrofuturistic ( check out those mushroom towers)

Onu-Metru: Dark Aero x Hexatron ( lots of black tech with glowy bits)

Po-Metru: Post-Apocalyptic x Decopunk ( not literally post apocalyptic pre Great cataclysm, but evokes the aesthetic through the appearance of structures that are falling into disrepair or abandoned unfinished. But the art and architectural style seems to have an art deco influence)

Ta-Metru: Heatwave x Dieselpunk ( industrial factory looking structures combined with the glow of lava and furnaces)

The dieselpunk for Ta-Metru one’s not quite perfect, as I was looking for something that evokes factories and industry more than vehicles, and I feel like there’s maybe a missing component for Ga-metru as well ( it’s not quite solarpunk but perhaps something adjacent to it?)

[ninjagoshippingtourney]

Beginning of the tournament

Hello hello!! My name is Casey, your host on the ninjago shipping tournament!! Here, we'll find out through a series of votes which is the best ninjago ship!! We will have three tiers, the main tier (including all ships listed), the rare pair tier (includes all rare pairs) and the popular tier (includes all mainstream/popular ships) If I missed any ships in the list below that you'd like included, let me know! If you're ship isn't added in the final cut, please do not be frustrated. Here's our list of entries so far: Jaya (Jay x Nya) Pixane (Pixal x Zane) Lava (Kai x Cole Plasma (Jay x Kai) Tecno (Jay x Zane) Bruise (Jay x Cole) Opposite/peppermint (Kai x Zane) Glacier (Zane x Cole) Polyninja (Kai x Jay x Cole x Zane) Samurai (Nya x Pixal) Conia (Cole x Vania) Coleil (Cole x Seleil) Conya (Cole x Nya) Mudshock (Jay x Cole x Nya) Sunset (Vania x Skylar) Kailor (Kai x Skylar) Amber Pheonix (Nya x Skylar) Greenflower (Lloyd x Brad) Holly (Lloyd x Akita) Frosted flower (Lloyd x Akita x Brad) Think fast (Neuro x Griffin) Copycat/Mirror (Chamile x Skylar) Wusako (wu x Misako) Garmasako (Garmadon x Misako) destructive dragon (Series!Garmadon x Movie!koko) Hot wire (Kai x Pixal) Blue wire (Jay x Pixal) Braincell (Nya x Zane) Entombed (Pythor x Aspeheera) Ground wire (Cole x Pixal) Raincloud (Benthomaar x Vania) Techspin (Sora x Arin) Transformer (Ash x Chamile) Trident (Benthomaar x Nya) Eyepatch (Ronin x Clutch Powers) Garmaclouse (Garmadon x Clouse) Geode (Cole x Geo) Gemstone (Plundar x Cole) Scruff (Dareth x Ronin) Thunderwave (Jay x Benthomaar) Music Jade (Sally x Harumi) Nightshade (Tox x Chamile) Stolen data (Pixal x Skylar) Wind power (Sora x Euphrasia) Conductor (Jay x Kai x Zane) Cyber storm (Pixal x Jay x Nya) Dumbass (Jay x Kai x Cole) Heavy metal (Cole x Pixal x Zane) Ponytail (Skylar x Nya x Pixal)

[lolcatsaestheticdump]

[gumeyyy]

|| WELCOME TO THE (not so) COOLEST EVER HUMAN BEING ON TUMBLR'S INTRO ||

Name: Gumey, with how many Y's you feel like writing (i mean, if youre speaking of my actual name, i am actually called Raquel, thank you!!)

Status: there might be someone outside your window, but youll just, never know.

Languages: Brazilian portuguese, English and currently learning spanish and a little bit of french

Pronouns + sexuality: she/her mainly but i really dont care what u use, neos, xenos, i dont really care what u call me!! Im a phlesbian 😽😽

About me simplified + hobbies: just another one of those emo nerds that tapes stuff to their wall ,'/ i like reading, drawing, painting, diy'ing (is that how its spelled??), I EFFIN LOVE COLOR THEORY, my favorite color is pink and thats why i am so cool, the most masculine people SHALL ENJOY PINK, totally fine if u like pink and you arent masculine BUT IF YOU WISH TO BE MASCULINE, THOU SHALL LIKE PINK (im not in the slightest close to masculine)

FANDOMS/INTERESTS:

Youtubers: Amazing Phil, Daniel Howell (obviously both of them are here, what'd you expect?), Markiplier, Pewdiepie, Saiko, Drama Kween, Louis McClung, FunkyFrogBait, Film Cooper, Jarvis Johnson, Chad Chad, Danny Gonzalez, Cyber Noop, Kurtin Conner, Drippy, Izzzyzzz, Tex Hs, Not Even Emily, Kurzgesagt, Vsauce, The Click, Manual do Mundo, Você Sabia, Ibibbishiboula, AcidMilk, etc

Series + films: Psych, Monk, Dexter, Scott Pilgrim, Gravity falls, Monster High, Ever After High, Garfield, House, Charlie the Unicorn, Salad Fingers, Inanimate Insanity, Animation vs Minecraft/Animator, Açafrão Bondoso, My Little Pony, Azumanga Daioh, Lucky Star, Invader Zim, Spongebob (i cant take myself seriously for this 😭), The Ring, Annabelle, The Nun, Heathers, Ride the Cyclone, Hamilton, Glitter Force, etc

Games: Undertale, Portal, Club Penguin, Steve's Parable, Fnaf, Animal Jam, Slenderman, Homestuck (does homestuck count as a game? I mean, it can be interacted but where would it fit in??), Sally Face, Pokemon, Minecraft, Papa's Pizzaria + other zipline studios Papa's games, Bad End Theater, Starry Flowers, etc

Music: My Chemical Romance, Mindless Self Indulgence, Never Shout Never, Hawthorne Heights, Taking Back Sunday, Sleeping with Sirens, Pierce the veil, Fall Out Boy, Panic! At the Disco, The All-American Rejects, Say Anything, Kittie, Paramore, Simple Plan, All Time Low, Green Day, Restart, Replace, Strike, Escape The Fate, Bikini Hill, Bratmobile, Mommy Long Legs, Red Aunts, Slutever, Avril Lavigne, Picture me Broken, The Offspring, Good Charlotte, Dance Gavin Dance, Blink-182, Evanescence, The Red Jumpsuit Apparatus, Mayday Parade, Bring Me The Horizon, Nx zero, Pitty, Falling In Reverse, Get Scared, Jimmy Eat World, Sugarcult, The Used, AFI, Underoath, The Academy Is... (WAS/ref), Story Of The Year, Sepultura, Siouxsie and the Banshees, Cine, Korn, Desalmado, Surra, Scary Bitches, Bury Me With You, Chomp Chomp Attack!, Vampires Everywhere!, Farewell My Love, Brokencyde, Muse, Isles & Glaciers, Weezer, Cobra Starship, A Day To Remember, Brand New, Saosin, Scary Kids Scaring Kids, Senses Fail, Chiodos, Motion City Soundtrack, 5 Seconds Summer, He is We, SayWeCanFly, Sounds Like Harmony, Radiohead, Nirvana, Rob Zombie, Chico Buarque, Sex Bob-Omb, Cute Is What We Aim For, Matchbook romance, Joyce Manor, From First To Last, Silverstein, Bayside, Armor For Sleep, Thrice, Box Car Racer, Alexisonfire, Dashboard Confessional, Head Automatica, BOYS LIKE GIRLS, Finch, We The Kings, Cartel, Sunny Day Real Estate, Mae, Lovehatehero, The Postal Service, Funeral For a Friend, Hit The Lights, Hidden in Plain View, Dead Poetic, There For Tomorrow, Forever the Sickest Kids, The Get Up Kids, The Spill Canvas, (can you tell i went to my spotify playlists jist to list half of the stuff i listen to?) Etc.

[cybercel]

@brwnsgrcinnamon , one of my best friends, and I did a mood board challenge! Go check her out she’s a very cozy human 🩵 //-0

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

[religion-is-a-mental-illness]

By: Colin Wright

Published: Dec 2, 2024

In the annals of academic absurdity, there are moments that make even seasoned critics pause in awe. “Loving the Brine Shrimp: Exploring Queer Feminist Blue Posthumanities to Reimagine the ‘America’s Dead Sea’” is one such moment. This is not a parody—though it reads like one—but a “serious” paper, or so the author insists. In what is best described as a surrealist love letter to brine shrimp, the author, Ewelina Jarosz (she/they), wades through a soup of critical theory, environmental activism, and performance art, asking the reader to reconsider their relationship with brine shrimp—not as mere crustaceans but as symbols of queer resilience, ecological ethics, and, somehow, hydrosexual love.

This paper is part of a growing tradition of postmodern scholarship that prioritizes ideological signaling over intellectual rigor. Following in the footsteps of infamous works like the 2016 “Feminist Glaciology” paper—which posited that glaciers are gendered—“Loving the Brine Shrimp” sets a new standard for academic ridiculousness. Its culmination in a cyber wedding to augmented reality brine shrimp makes feminist glaciers seem like a grounded scientific pursuit by comparison. But before we arrive at the nuptial climax, let’s examine how this spectacle unfolds.

Love at First Shrimp

The article begins innocuously enough, discussing the ecological crisis facing Utah’s Great Salt Lake. However, it doesn’t take long before it veers into woke lunacy with concepts like “hydrosexuality,” which refers to a “more-than-human sensuality and sexuality emphasizing fluidity and relationality” that “offers a cultural understanding of water as a non-binary substance connecting all bodies of water on the planetary scale.” Hydrosexuality, she argues, challenges the “hegemonic notion of the autonomous and bounded human subject” by embracing “watery thinking.”

If you’re struggling to imagine what any of this means, join the club. The author’s language is a masterclass in obfuscation, using terms like “hydrophilic logic” and “multispecies ethics” to mask the fact that she’s anthropomorphizing liquid.

The absurdity intensifies when she links hydrosexuality to the brine shrimp, praising these creatures for their “swirly sexuality” and reproductive versatility. Apparently, the shrimp’s ability to reproduce via live birth or parthenogenesis (which the author incorrectly calls “pathogenesis” throughout the paper) is a triumph over binary thinking, making them paragons of queer resilience that subvert the oppressive structures of settler-colonial science. Yes, really.

Settler Science and Capitalist Cysts

The paper is rife with accusations against “settler science,” a term the author uses to describe any scientific practice associated with Western colonialism. She argues that early studies of the Great Salt Lake objectified its ecosystem, reducing the brine shrimp to mere commodities. Even the shrimp’s Latin name, Artemia franciscana, is critiqued as a tool of imperial domination. Naming a species, she asserts, reflects a “biology of empire” that erases Indigenous ways of knowing. By this logic, taxonomy itself is a colonial plot.

The author also condemns the commercialization of brine shrimp, particularly their use as fish food and their reinvention as the whimsical “Sea-Monkeys” pet marketed to children. This, they say, constitutes “environmental violence,” a term that appears to mean anything they dislike about human interaction with water-based ecosystems.

Drawing from perspectives offered by queer death studies (Radomska et al. 2021, p. 2), the brine shrimp’s ambiguous status and reproductive agentiality, hovering between the “living” and “non-living” in a state scientifically referred to as cryptobiosis, were reinvented for entertainment, concealing environmental violence.

To support their critique, the author invokes “low-trophic theory,” a concept they describe as prioritizing the ethical interdependence of organisms in an ecosystem. While the principle itself might have some use, the author’s application of it veers into parody. She laments the capitalist exploitation of the shrimp’s reproductive system, framing the harvesting of brine shrimp cycts as a form of ecological oppression. This is all delivered in the impenetrable prose of critical theory, with phrases like “queer ethical field studies” and “feminist blue posthumanities” sprinkled heavily throughout.

The Cyber Wedding to the Brine Shrimp

The paper reached peak woke in a section titled “Loving the Brine Shrimp,” which recounts a performance art piece called Cyber Wedding to the Brine Shrimp. This event, staged on the receding shores of the Great Salt Lake, involved artists, scientists, and augmented reality brine shrimp. Participants made vows to the crustaceans, marched in a procession, and capped it off with a communal bath in the lake. The author describes this as “making love to the lake,” a phrase that may haunt frequent swimmers of the Great Salt Lake for the rest of their lives.

The wedding was not merely symbolic; it was, according to the author, an act of environmental advocacy. By expressing love and commitment to the brine shrimp, the participants hoped to challenge capitalist commodification and foster “multispecies solidarity.” The participants even asked the brine shrimp for their consent to marry, which the shrimp apparently gave telepathically to some participants, while the author seemed content in problematically assuming their consent after proclaiming, “I didn’t hear a no.”

The use of augmented reality (AR) technology added another layer of surrealism. Instead of interacting with real brine shrimp, participants directed their vows toward a giant AR projection of the creatures.

The author describes the procession and bath as transformative, blurring the boundaries between human and non-human bodies. For most readers, however, this spectacle is less an example of profound ecological insight and more a testament to the unchecked excesses of woke performance art masquerading as legitimate scholarship.

I am not sure if you’re sufficiently prepared for this, but below I present to you Cyber Wedding to the Brine Shrimp in its entirety, which has been appropriately overlaid with Mystery Science Theater 3000 silhouettes by my good friend Dr. Rollergator.

[ Watch: "Cyber Wedding to the Brine Shrimp" ]

A Crisis of Peer Review

While the paper’s content is laughable, its publication raises serious questions about the state of academic peer review. How did this article, brimming with jargon and palpably absurd, make it through the editorial process? Are journals so desperate to appear progressive that they’ll publish anything cloaked in the language of decolonization and queerness? The answer appears to be “yes.”

However, one thing is certain: the academic community must reckon with the consequences of allowing such work to proliferate. At a time when public trust in science is already dismal, papers like this undermine the credibility of legitimate scholarship. When even the most basic standards of coherence and relevance are abandoned in favor of ideological grandstanding, the credibility of academia itself is at stake.

* * *

As we reflect on the surreal spectacle of Cyber Wedding to the Brine Shrimp and its academic context, one thing becomes clear: we need a term to capture the moment when scholarly work crosses the line from odd to outright ludicrous. I propose “marrying the shrimp” as the academic world’s answer to “jumping the shark.” From now on, this phrase will signify a project so absurd, so detached from reality, that it becomes a parody of itself.

Let’s explore how this term might find its place in academic vernacular:

“Oh Steve? Yeah, he really married the shrimp with his last research project.”

“Yeah Sally, your thesis wasn’t groundbreaking, but at least you didn’t marry the shrimp.”

“That journal used to have standards, but now they’re marrying the shrimp left and right.”

The phrase could also be used preemptively, as a warning to those teetering on the edge: “Careful, Karen. Your proposal on the patriarchal dynamics of Tupperware parties is dangerously close to marrying the shrimp.” Or, as a compliment when someone narrowly avoids absurdity: “I thought your case study on the history of medieval cheese wheels was going to marry the shrimp, but you really pulled it together!”

In an era where intellectual rigor often takes a backseat to performative absurdity, it’s important to keep a sense of humor about the bizarre trajectory of academic publishing. After all, what else can we do when purportedly serious scholars convene weddings for brine shrimp or ascribe nonbinary identities to water?

Alas, these are the times we live in.

--

==

How did we ever let these mentally ill retards gain institutional and societal-wide power?

[chanelmango4]

ᑕYᗷᗴᖇ ᘜᒪᗩᑕIᗴᖇ

Cyber Glacier is a sub genre of fruitiger areo and y2k futurism. But this focuses more on the winter element while still having some tech elements, there's usually no greenery involved. The movies Happy Feet and Ice Age have cyber glacier elements.

I found these pictures on Pinterest, if you want to check out mine click here: