#cutor

[skelatomy]

Cutor

[cutor]

cutor is a term/suffix for people with skin details.

a term for [x] skin detail, people who have [x] skin detail, described as [x] and for the appreciation of such.

inclusive of system alters, non exclusive to the body.

non exclusive term for anyone to use related to skin types, textures and unnamed details.

etymology:

pronounced cute-ore

cutis = (latin) the skin

+ -or a variant of an old English suffix

[word-forming element making nouns of quality, state, or condition, from Middle English -our, from Old French -our (Modern French -eur), from Latin -orem (nominative -or), a suffix added to past participle verbal stems. Also in some cases from Latin -atorem (nominative -ator)]

No ids

Created with the help of @cuntryhuman

Divider by firefly-graphics

No set dni but will block if uncomfortable

Tagging: @gender-mailman

@delightfulweepingwillows

@decayednightmaremogai

@pogaimogai

@rwuffles

[sunnidear]

jfc i jave so much hair whattttt

[broken-dollhouse]

Full template yes!

I will apologize in advance if this is not exactly what you wanted ; I did need to pull from similar aesthetics just due to how little I could find for the one you wanted I pulled primarily from Yami-Kawaii / Menhera , Gurokawa , Morute & Macute / Pastel Gore as those were the most similar I know of / could find often tied to it ^^ I also used some more "vauge" stuff to leave it more open for changes as finding reference material text wise was also rather difficult [ie majority of the french words in this case]

This template includes ; Desc for main profile & members , Custom fields , folders & basic member templates CREDITS ; Dividers [Main profile] - schizsou [link] Dividers & some pixels [Custom fields] - schizsou [link] Dividers [Top Custom field] - ashi-kawaii [link] Bloodyplushic - muttsbite [link] Cutoric - idolki [link] Horrific Angel - cannispouse [link] MORE PIXELS ;

link link link link link link link link link link link NOTICE ; When it comes to the flags I am NOT saying they are explicitly related to the aesthetics in question ; they are terms we enjoy / use ourselves and thought fit in a very basic way due to what they revolve around. & if theres any weirdness on the profile temp ; that is my fault! I thought I had copied it when I hadn't so I needed to re-type it Everything below the cut is like that bc of darker themes being there! I wish to be safe over sorry so I chose to cut off the parts with the custom fields ; the song referenced there is by Nicole Dollanganger I did also include the icon made for this with the reference images TEMPLATES ; Profile ;

⠀⠀⠀⠀**system** name⠀⠀⠀⠀![icn]()⠀⠀⠀⠀[col]() name ⠀⠀⠀![icn]()⠀⠀⠀body age⠀⠀⠀⠀(:̲̅:̲̅:̲̅[̲̅:♡:]̲̅:̲̅:̲̅:̲̅)⠀⠀⠀⠀[link]() ⠀⠀⠀⠀[dividers]()⠀⠀⠀⠀✚𓈒⠀⠀⠀⠀[xtra]()⠀⠀⠀⠀![icn]

Folders ; ₀₀ le corps ₁ ┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈․° ☣ °․┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈ ₀₁ cerveaux ⒈ layer ₀₂ coeur ⒉ role 1 ₀₃ pummons ⒊ source ₀₄ os ⒋ miscellaneous ⒌ ┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈․° ☣ °․┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈ 〷 𓏴 Member ; ━━╋━  name ⨯ e　　┄　　prns  ❛⁠ 〷　terms ⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀ **lyric line one** ⠀⠀⠀⠀⠀⠀**lyric line two** ⸝⸝ ♪ 

Custom Fields ; 🧠 ― cerveaux 👁 ― yeux 🫀 ― coeur 🫁 ― pummons 🦴 ― os ~~⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀~~ ⠀⠀⠀⠀⠀ name⠀⠀⏖⠀⠀*name* ⠀⠀⠀age[yo]()⠀⠀⠀⠀✚𓈒⠀⠀⠀species ⠀⠀⠀any extras here like rel ⠀⠀[icon]()⠀⠀♰⠀⠀[xtra]()⠀⠀♰⠀⠀[plylst]() ~~⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀~~ ⠀⠀**you have my love** 

⠀⠀⠀*name* ⨯ rel

~~⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀~~

⠀⠀**you have my heart** 

⠀⠀⠀*name* ⨯ rel

~~⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀~~

⠀⠀**you have my mind** 

⠀⠀⠀*name* ⨯ rel

⠀⠀**My bedroom smells like rotten food** ⠀⠀⠀*anyone may use* ⠀⠀⠀⠀⠀• name ⨯ [nay-me] ⠀⠀⠀⠀⠀• name ⨯ [nay-me] ⠀⠀⠀*close only* ⠀⠀⠀⠀⠀• name ⨯ [nay-me] ⠀⠀⠀⠀⠀• name ⨯ [nay-me]

~~⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀~~ ⠀⠀****And I guess so do I** ⠀⠀⠀*anyone may use* ⠀⠀⠀⠀⠀• prn ﹢ prn ⠀⠀⠀⠀⠀• prn ﹢ prn ⠀⠀⠀*close only* ⠀⠀⠀⠀⠀• prn ﹢ prn ⠀⠀⠀⠀⠀• prn ﹢ prn

~~⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀~~ ⠀⠀⠀**It's harder to be good in here** ⠀⠀⠀*anyone may use* ⠀⠀⠀⠀⠀• term ⠀⠀⠀⠀⠀• term ⠀⠀⠀*close only* ⠀⠀⠀⠀⠀• term ⠀⠀⠀⠀⠀• term

~~⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀~~ ⠀⠀**Than it is to starve and die** ⠀⠀⠀*anyone may use* ⠀⠀⠀⠀⠀• title ⠀⠀⠀⠀⠀• title ⠀⠀⠀*close only* ⠀⠀⠀⠀⠀• title ⠀⠀⠀⠀⠀• title [na](me) 𓏵𓏵  [na](me) 𓏵𓏵  [na](me) ~~⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀~~  𓏵𓏵  𓏵𓏵 

⠀⠀⠀⠀altr type⠀⠀—⠀⠀[source]()

⠀⠀⠀⠀species⠀⠀⑅⠀⠀x⠀⠀ ~~⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀~~ **primary role**⠀⠀⠀⠀**primary role**

⠀⠀**secondary role**⠀⠀✚⠀⠀**secondary role**

[selfdiagnosedeyemotif]

She Miles on my Edge till I worth

She pro on my se till I cutor

She Man on my fred till I von Karma

She Manfred on my von till I Karma

It's funny to me that the big bad evil guy of AA1 is German. Personally I'm a big fan of our southern neighbors because their landscape, food, traditional clothes and language but I sometimes forget non Europeans often only really see them as evil

germany is less Evil Land and more Young Lawyer Prodigy Heaven because no less than THREE SEPARATE CHARACTERS that play major roles got their degrees there AS TEENAGERS

[insecnetmadani]

Distributor Pusat Agen Grosir Plastik UV Insecnet Springklip Paranet Weedmat Lakban UV Gully Hidroponik Pot Tray Greenhouse Bengkulu Tengah 0856-4752-0664

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Paranet/Peneduh kualitas Import

Lakban/Solasi Khusus Plastik UV

Tali Penahan Plastik UV - Talang Gully Hidroponik Panjang 4 m dan aksesoris

Informasi Pemesanan, MADANI AGROFARM INDONESIA Jl.Ikan Tombro No.01 RT.05/RW.04, Kel. Tunjungsekar, Kec. Lowokwaru, Kota Malang HP/WA : 085647520664 Atau link WA https: https://wa.me/message/T25RFSFVPMWNN1 Toko Plastik Uv, Toko Plastik Uv Terdekat, Toko Plastik Uv Bandung, Toko Plastik Uv Di Malang, Toko Plastik Uv Surabaya, Toko Plastik Uv Jogja, Toko Penjual Plastik Uv, Toko Distributor Plastik Uv, Toko Penjual Plastik Uv Jakarta, Toko Plastik Aa, Plastik U, Toko+Plastik, Toko Plastik Uns, Toko Sinar Plastik, Toko Plastik Guna Agung, Isi Toko Plastik, Isi Plastik Opp, Toko Plastik Ujung, Toko Plastik Uni Len, Toko Plastik, Toko Ud, Ud Plastik, Toko Ud Utama Plastik, Toko Warna Plastik, Toko Plastik Wiyung, 1 Pack Plastik Tomat Isi Berapa, Toko Plastik 19, Toko Plastik Tiga Saudara, Uv 4, Toko.Plastik 40

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Toko Gully Trapesium, Gully Trapesium, Gully Trapesium 4 Meter, Gully Trapesium Hidroponik, Gully Trap, Trapesium Dengan Titik Sudutnya Di D 4 0) E(-2 4), Gambarkan Trapesium, Harga Gully Trapesium 4 Meter, Toko Zali Zali, Toko Gudang Topi

Toko Pot Tray Semai, Toko Pot Semarang, Toko Pot Bunga Semarang, Toko Tan Semarang, Toko Pot Surabaya, Jual Pot Tray Semai Terdekat, Toko Paket, Tray Sekat, Tray Bento Sekat 3, Harga Pot Tray Semai, Pot Tray Semai 128 Lubang, Toko Pak Camat, Toko Pak Eko, Toko Poti, Foto Toko Kecil, Toko H, Pot Tray Isi 200, Jual Tray, Toko L, Toko+Sembako, Toko Main, Toko N*N, Toko Q-Ta Grosir, Toko Q, Toko Rumah, Toko Roti, Toko Rb Semarang, Toko 39 Semarang, Toko Yati, Pot Tray Semai

[madaniirigasi]

Distributor Pusat Agen Grosir Plastik UV Insecnet Springklip Paranet Weedmat Lakban UV Hidroponik Pot Tray Greenhouse Kaur 0857-2546-5914

Distributor Pusat Agen Grosir Plastik UV Insecnet Springklip Paranet Weedmat Lakban UV Hidroponik Pot Tray Greenhouse Kaur 0857-2546-5914

Distributor Sarana Green House Madani Farm Kota Malang HP/WA 0857-2546-5914

Menyediakan Berbagai Sarana Material Pembangunan Green House dengan kualitas terbaik dan harga terjangkau, seperti:

Plastik UV Green House

Insecnet/Jaring dinding Green House

Springclip/Penjepit Plastik UV Import dan Lokal

Weedmat/Alas Green house

Paranet/Peneduh kualitas Import

Lakban/Solasi Khusus Plastik UV

Tali Penahan Plastik UV - Talang Gully Hidroponik Panjang 4 m dan aksesoris

Informasi Pemesanan, MADANI AGROFARM INDONESIA Jl.Ikan Tombro No.01 RT.05/RW.04, Kel. Tunjungsekar, Kec. Lowokwaru, Kota Malang HP/WA : 0857-2546-5914 Atau link WA

https: https://wa.me/message/XL7USDTCVIORF1

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· 4 Plastik, Toko Plastik 5758, Toko.Plastik 60, Toko Plastik 66, Toko Plastik Dan Kemasan 60, Toko Plastik 77, Toko Plastik Empat Puluh, Toko Plastik 88, Toko 8 Plastik

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· Toko Paranet, Toko Paranet Terdekat, Toko Paranet Terdekat Dari Lokasi Saya, Toko Paranet Surabaya, Toko Paranet Di Bandung, Toko Paranet Solo, Toko Paranet Sidoarjo, Toko Paranet Jogja, Toko Paranet Bandung, Toko Paranet Di Solo, Toko Paranet Makassar, Beli Paranet Di Toko Apa, Toko Para Para, Toko Paket, Toko Anda Parepare, Toko Paranet Bogor, Toko Paranet Bali, Toko Paranet Di Bekasi, Toko Jual Paranet, Toko Bintang Parepare, Toko Paranet Cibinong, Toko Paranet Semarang, Toko Paranet Di Malang, Toko Jual Paranet Terdekat, Toko Paranet Di Surabaya, Toko Paranet Di Mojokerto, Toko Paranet Di Tasikmalaya, Toko Paranet Di Jambi, Toko Paranet Di Klaten, Toko Paranet Di Kudus

· Toko Weedmate, Toko Wm, Toko Madu, Toko W, Toko Thc, Toko Toko Tiktok, Toko A A, Toko B, Toko.Berkat, Toko Widi, Toko Emas, E-Toko, Toko Elektronik, Toko F, Foto Toko Kecil, Toko Joko, Toko Jam Weker Terdekat, Waju Tokko, Toko J, Toko Mw, Toko M, Toko Man, Toko N*N, Toko N, O Toko, Toko Wetan, Toko Mas Weleri, Toko P, Toko Poti, Toko Q-Ta Grosir

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· Harga Tray Semai 288 Lubang, Tray Semai 100 Lubang, 2 Tray, Toko 2, 3 Tray, Toko 6000, Toko 7, 8 Tray, Toko 9

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Toko Gully Trapesium, Gully Trapesium, Gully Trapesium 4 Meter, Gully Trapesium Hidroponik, Gully Trap, Trapesium Dengan Titik Sudutnya Di D 4 0) E(-2 4), Gambarkan Trapesium, Harga Gully Trapesium 4 Meter, Toko Zali Zali, Toko Gudang Topi,

[ulkaralakbarova]

Two cousins haven’t spoken for almost twenty years, thanks to the enmity that their fathers feel toward one another. But an accident suddenly brings the cousins back together and thrusts them deep into the heart of the mafia. Credits: TheMovieDb. Film Cast: Gaetano: Salvatore Ficarra Paolo: Valentino Picone Olga: Anna Safroncik Antonio: Claudio Gioè Ignazio, l’esattore: Domenico Centamore Il vecchio sposo: Tuccio Musumeci Don Gino: Pino Caruso don Mimí: Mario Pupella mamma di Paolo: Mariella Lo Giudice mamma di Gaetano: Rosa Pianeta Pietro: Giovanni Martorana commissario di Polizia: Gino Astorina agente Pappalardo: Gaetano Pappalardo Svetlana: Maria Di Biase cameriera: Marzia Cavallo amministratore dell’albergo: Angelo Pellegrino …: Antonio Pandolfo Film Crew: Set Decoration: Paola Bizzarri Conductor: Paolo Buonvino Story: Francesco Bruni Director of Photography: Roberto Forza Editor: Claudio Di Mauro Story: Salvatore Ficarra Story: Valentino Picone Story: Giambattista Avellino Assistant Camera: Federico Angelucci First Assistant Director: Gianni Costantino Story: Fabrizio Testini Production Manager: Gianluca Passone Assistant Editor: Simone Rosati Producer: Attilio De Razza Line Producer: Giulio Gallozzi Executive Producer: Tore Sansonetti Casting: Chiara Meloni Costume Design: Cristina Francioni Assistant Costume Designer: Olivia Cutore Makeup Department Head: Simona Castaldi Still Photographer: Maurilio Scaduto Production Coordinator: Barbara Busso Boom Operator: Corrado Azzariti Sound Editor: Gianluca Carbonelli Second Assistant Director: Giovanni Calvaruso Sound: Mario Iaquone Unit Production Manager: Francesco Startari Key Grip: Enrico Stella First Assistant Director: Manuel Carlucci Assistant Editor: Roberto Pelliccioni Location Manager: Pino Cori Unit Production Manager: Federico Cori Assistant Costume Designer: Elena Moncada Script Supervisor: Cinzia Liberati Camera Operator: Davide Sondelli Production Secretary: Gianni Enrico Cori Second Assistant Director: Davide Catania Assistant Camera: Flavia Califano Still Photographer: Dario Palermo Still Photographer: Maria Pina Mastropietro Set Designer: Marcello Fida Assistant Set Designer: Aldo Di Meo Assistant Costume Designer: Stefania Lo Russo Makeup Artist: Antonella Muzzetta Assistant Makeup Artist: Isabella Sturniolo Hair Department Head: Desirè Di Mattia Hairstylist: Alfredo Danese Assistant Hairstylist: Anna Maita Gaffer: Pino Meloni Gaffer: Alfredo Meloni Key Grip: Piero Bosi Movie Reviews:

[memory-laine]

Damien Hirst | About A Thousand Years, 1990

A Thousand Years is a vitrine created by artist Damien Hirst in 1990. The artwork consists of a glass box that is divided into two compartments separated by a glass sheet filled with tiny holes. The larger compartment contains maggots, flies, and other insects feeding on a headless cow’s head while the smaller one houses an Insect-O-Cutor electric insect killer.

What makes A Thousand Years an exceptional artwork is how it synthesizes two central forces in Hirst’s artistic approach: creating visually successful displays and exploring the profundities of life and death. The work showcases how life transforms into death and vice-versa via decomposition and rebirth through insect infestation. The pierced glass plane suggests the idea that death can happen at any moment, as shown by the possibility of insects entering either compartment randomly.

The controversial artwork catalyzed Hirst’s career in the 1990s, earning him notoriety for his exploration of life’s darker themes such as decay, mortality, and violence. A Thousand Years has even caught Bacon’s attention before he died in 1992. Given Hirst’s growing fame throughout his career, this piece became one of his defining artworks that earned him many accolades in contemporary art history. Today, A Thousand Years remains to be one of the most powerful works from Hirst’s collection that has both fascinated and moved viewers over the years.

Artist, Damien Hirst ; Date, 1990 ; Medium, Steel, glass, flies, maggots, MDF, insect-o-cutor, cow's head, sugar, water ; Dimensions, 213 x 427 x 213 cm ; Art MovementConceptual ArtCurrent LocationCharles Saatchi

[if-you-fan-a-fire]

"Farmer Charged With 27-Year-Old Slaying," Montreal Star. July 28, 1943. Page 3 & 14. ---- Discovery of Bones In Cellar Held Sign Of Crime of Passion ---- THE turn of a shovel in the cellar of a St. Hubert house last week brought to light yesterday what may be a crime of passion committed 27 years ago.

The shovel, in the hands of a hired man, revealed a human skeleton-and from this grim revelation came a half-told story of the disappearance of a man - and hints of a murder.

With the help of modern science and painstaking checking and investigation by police - the case was built up - the skeleton was identified - the disappearance revealed and perhaps the proof of a crime shown.

Today, Luigi Stabile, 60- year-old Ville La Salle farmer, was arraigned on a charge of murder, after a coroner's jury yesterdray held him criminally responsible for the death in 1916 of his brother-in-law, Carmeno Festa.

Coroner Richard Duckett, in summing up the case hinted at jealousy as a possible motive. "It may have been some other motive," he stated, "but we have the testimony of two witnesses who say they saw their father in a room with their aunt."

Not Reported Missing The coroner summing up followed testimony by the dead man's son and two daughters about the events of the day in October, 1916, and a review of evidence gathered at the scene of the crime by provincial police.

A question asked of the victim's son by Coroner Duckett was why the dead man had never been reported missing. The son replied that his family had just arrived from Italy at the time of his father's disappearance and was not acquainted with the proper procedure to be followed.

The jurymen leaned forward in their chairs and listened with rapt attention as Mrs. Raphael Costello, of 970 Minto avenue, daughter of the victim, identified her father's shoes as those he wore on the day -she last saw him 27 years ago. She was 16 years old at the time.

Mrs. Costello spoke carefully as she informed Chief Crown Prose- -cutor Gerald Fauteux, K.C., that she had come to Canada from Italy in 1915 with her mother, sister and three brothers and went to live with the uncle, Luigi Stabile, at St. Hubert. The former Armella Festa said that her father, Carmeno Festa, had come to Canada earlier.

Mrs. Costello said that her family lived in the Stabile home for five months, after which her father rented a house on the opposite side of the railway tracks. Festa had been in the employ of Stabile during this time, she testified, and continued so after the family moved.

The witness described the wound over her father's left eye, corroborating the evidence given by Dr. Rosario Fontaine, medico- legal expert, concerning marks found on the skull. She identified the boots unearthed as those worn by her father the last day she saw him alive in October 1916, and also corroborated evidence given by Dr. Fontaine concerning the missing teeth.

Never Came Out of House Mrs. Costello, still under questioning by Mr. Fauteux, said she was working in a shed sorting onions on the fatal October day when her father, called to her brother Joseph, then 11 years old. to fetch some milk. The brother went about the errand and Festa, the father, entered Stabile's house. That was the last time she saw him alive, she testified.

When Joseph returned with the milk, the father could not be found and was never seen again, Mrs. Costello stated further. Following Festa's disappearance, Stabile did not speak to her, she stated.

Stabile, however, suggested the following night that the family search for Festa in the ditches alongside the road, in case he had fallen, the witness told the court.

A few days later, Stabile took the family to Montreal by wagon and placed them in an abandoned house which was later given up for another house on St. James street, Mrs. Costello said. The witness later stated that on one occasion she had seen her father alone with her aunt in one of the bedrooms of the Stabile home.

Sister Next to Testify Mrs. Costello was followed to the witness stand by her sister, Mrs. Julio Adamo, of 1347 Lapierre avenue, who identified a coat lapel found with the skeleton as that which formed part of a coat worn by her father when he was last seen.

Mrs. Adamo, whose maiden name was Assompta Festa, produced a certificate of baptism as evidence that the victim was 40 years of age.

Joseph Festa, of 605 Sixth street. Rochester, N.Y., a son of the victim, then testified that it was his habit to fetch milk for the family daily. He recalled the night in October, 1916, when he was told by his father to get milk. He was 11 at the time, and said he recalled the facial wound over his father's left eye.

Festa stated the family had visited Stabile only once in 10 years after the father's disappear- ance. When reference was made as to the whereabouts of the father, the question was dismissed. as being "just one of those things," the witness said.

Romeo Jacques, a St. Hubert farmer in the employ of Antonio Abandonetto, in whose home the skeleton was found, testified that the skeleton, when found by him last Tuesday, was in a reclining position with the face turned down. He identified the boots when shown them in court.

Dr. Rosario Fontaine, medico-legal expert, testified that the skeleton brought to the morgue was practically complete. It was that of a male and, under examination, indicated a former height of five feet 7 1/2 inches. Dr. Fontaine added that the scar over the d left eye had been caused some time before death and could have been inflicted by an axe or sabre.

The medico-legal expert said the man was not over 48 years of age, the age being ascertainable through study of the measurement and condition of the bones, which had been preserved by the dampness of the earth.

Dr. Fontaine informed the jury that no clothes had been found with the skeleton. The fact that the clothes had rotted away, he explained, indicated that the body had been buried for the past 15 or 20 years. He added that two teeth were missing and these had been out for some time previous to the man's death.

Chief of Detectives Jargaille testified that investigation showed Luigi Stabile, the uncle, continued to occupy the house for a year after the disappearance of Festa. He then moved to Montreal where he has lived ever since, the court was told.

/// "Philo Vance Thriller": Modern Methods of Analysis Tear Veil From Murder of 1916 --- Medico-Legal Expert's Research Spoils Almost "Perfect Crime" ---- "A PHILO VANCE thriller" exclaimed a spectator, as a noted criminologist related at an inquest yesterday how modern methods of analysis and unerring laboratory tests tore the veil from a 27-year-old murder.

Coroner, Jury and public listened with amazement as the criminologist, Dr. Rosario Fontaine, medico-legal expert of the Attorney-General's Department, took them step by step over the scientific course that it is hoped will solve the murder mystery.

Theories flew thick and fast when a skeleton was found about a week ago in the cellar of a farmhouse at St. Hubert, and within a few hours, due to his having lived in the place about 20 years ago, the prevailing theory was that the skeleton was that of Ciro Niegri and that he had been murdered by his former friends for "squealing" in the famous Hochelaga Bank hold-up of 1924.

Gang Murder Theory Quashed Dr. Fontaine and his assistants at the morgue laboratories, however, brought cold, scientific calculations to bear on the case, with startling results. Not only did he eliminate the hold-up gang murder idea, but he traced back the age and sex of the victim and the approximate date of the murder. The skeleton was that of a man, he testified, who was between 38 and 40 years of age and who was slain with a blow from an axe on the head 27 years ago.

More than a quarter of a century had made of it an almost "perfect crime," but not quite. The human bones remained, and Dr. Fontaine, with F. Pepin, chemist at the morgue laboratory, set to work to examine them minutely. The analysis showed the age and sex of the victim. The murderer also failed to destroy the clothing, leather boots and belt of the victim, so these also were subjected to scientific examination. This in turn established the approximate date of the murder and the placing of the body in the cellar, where it was discovered only by accident when a workman started on some excavation work under the house.

Evidence of Scar Found More positive identification was now the goal of the medico-legal expert and his helpers, and here their microscopic examination of the skeleton gave them their ace clue a slight indentation on the frontal bone of the skuli. The doctor's findings had sent the detectives off on a new trail of investigation, which resulted in the discovery that Carmino Frank Festa, then 40 years old, had disappeared at St. Hubert 27 yeas ago. "Did Festa have a scar on his forehead?", the doctor asked the detectives. At first, those questioned denied that the missing man had, but eventually it was admitted by some who knew him that Festa's forehead was so marked that strangers referred to him as "Scarface."

Identification was complete, but Dr. Fontaine and his assistants eleven checked the buttons, straps e and fasteners on a leather coat, found with the skeleton, to cinch the case.

Photo caption:

Witnesses and accused are pictured above as they took part in a two-hour inquest which resulted in a coroner's jury finding Luigi Stabile, 60-year-old Ville LaSalle farmer, criminally responsible for the death in 1916 of his brother-in-law. Left to right above are Mrs. Julio Adamo, of 1347 Lapierre street, daughter of the victim; Frank Festa, of Buffalo, N.Y., the eldest son; Mrs. Raphael Costello, of 978 Minto avenue, another daughter: Romeo Jacques, of St. Hubert, who discovered the bones; Joseph Festa, of Rochester, N.Y., another son of the victim; and Sgt. Det. Rolland Jargaille. In front of the bar may be seen the accused, Stabile, and Albert Oggier, provincial detective.

[skelatomy]

Wip pinned

A coing blog for all things anatomy or biology related.

Specifically my gender system Anatomic, demitomic and -cutor terms

Requests are open, send bones

Mod + tags

Sparrow, sys host, they/them.

#sparrow posting

#archived reblogs <- archiving/reblogging other peoples coins

#sparrow coins

#anatomic

#demitomic

#cutor

#bone pile <- answers

will block if uncomfortable, (pro) Endo, radqueers and trans id please dni

Divider by .firefly-graphics

To be updated

[uvmadani]

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[cyclonesyndicate]

When there's nowhere else to run || Trial 5.3 || NULL || RE: many,

After Satoshi confesses, NULL helplessly tries to keep up with what ensues. While yes, he agrees that it wouldn't be fair for someone else to be punished in Satoshi's place, he also finds himself agreeing with Aleister-- if they could get help, maybe nobody else would have to die. And while he can't fault Beowulf for feeling so strongly about the choice they're faced with, he can't hold it against Niflheim for wanting to protect the people he cares about, either. Just like many of those in the room, he'd do the same. 

NULL looks thoughtfully at his cyphone on the table as he prepares to speak once more.

"...I only came here 'cause I didn't want to keep running. Not for the notoriety or money or whatever other shit Tempest promised-- I just... I wanted to be somewhere that wouldn't keep me lookin' over my damn shoulder all the time. I wanted to be around people-- no, friends that I felt safe putting my trust in, and... That felt safe puttin' their trust in me."

NULL remembers what his life was like before he came. Despite having literally grown up around WINTERGREEN's members, he never trusted any of them beyond a surface level-- not even his own father after a while, either. But he didn't have anyone else to trust. Outside of them, he was alone, and he would have remained that way had Tempest's invite not come when it did. It was a gamble to accept, but he felt safer among strangers than by himself. After all, that's what he was told. 

"All this shit we've been forced to do by Bologna Boy and whoever else's pulling strings, it's the complete opposite of the invite, huh? 'Strength in numbers', yet there's only half of us left now. Everyone else's dead and stuck in some kinda fucked-up purgatory, if that's even what it is. What's the strength in that?"

"I... I don't want anyone here to die for something they didn't do. But, I also don't want to keep doing this-- nervously waitin' for every day to pass, poking around corpses, acting like some kinda fucked-up court of clown pros- pro-se-cutors, or whatever...  I'm sick of it. I don't want to be here anymore. Hell, with everything that's happened, I don't even think I..."

As his voice gets audibly hoarser, NULL trails off before he can finish. With all that's been said, though, it wouldn't be too hard to guess what's implied.

I don't even think I want to be a 'villain' anymore.

[emotoothtiger]

2.5kW electro baby-cutor. (And dodgy bucket warmer.)

[soppsop]

Eustace Winner - horrible. a crime. i will however make a lot of Winner puns on top of the Debeste puns i was making before. its horrible but i think im already getting used to it lmao

Eddie Fender - the name itself is not that bad i think he looks like an Eddie but the pun is wayyy too obvious for a main character you cannot just call him A Defender. like i've said before it's like naming Maya Fey Mey Dium 😭 this is my lawyer Matt Torney and his rival Percy Cutor

Verity Gàvelle - its cute i like this one. i did however have to look it up because i keep forgetting it dbdkfk

Came here to see if @soppsop has seen the Nintendo Direct.

*opens their page*

*~50 posts in the last hours*

Yeah :D

I'll finally be able to play those games too! :D

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