#cut number seven that is topical but didn’t fit:

[jackalopegothic]

City Theses

1. there is no such thing as architecture without people.

2. no towers are built without people. no towers are called towers if they are not seen.

3. even if architecture is not lived in, it is inhabited.

4. absence is a habitation too

5. a building defined by the absence of people then defines the people that are absent. we imagine how the cities shaped them, instead of how they shaped the cities.

6. to live in a city is to adapt to its shape, but it is also to contribute to it.

7. who lives in the city that no one has made?

[watchmegetobsessed]

Never Have I Ever - Harry Styles (part 4)

i hope yall enjoyed the last part, we took a sudden and quite dirty turn ther,e but we are heading down romantic street and its all sweet and cute with a little hotness. let me know what you thought about the part!

pairing: Harry x actress!reader

word count: 4.7k

SERIES MASTERPOST

masterlist

Harry Styles managed to leave quite the impression in you following his late night visit after the Emmys. He surely surprised you with not only the unbelievable orgasm he gave you with his talented fingers, but also with how big of a gentleman he really was, so keen on taking you out on a date first before he would kiss you. The timeline got a little messed up and he did apologize before he left at two in the morning for getting too carried away, but you assured him he didn’t do anything you didn’t want him to. To be honest, you wouldn’t have had a word against him kissing you right away, but you liked the respect he had for you, not something you’ve had plenty of lately. The men you dealt with in the past year were eager to get into your pants without the respect part, only hungry to earn fame through you, trying to blind you with sex so you wouldn’t realize their ugly motives.

This was not a threat when it came to Harry, he was just as famous as you, maybe even more. He had his own career, his own money, his own life apart from yours and he clearly wasn’t trying to use you and it was quite a refreshing change for you.

He stayed and the two of you talked so much, just sharing crazy stories from your life before and after fame, enjoying that you had someone who shared more or less the same background as you. Apart from Florence, you pretty much kept your old friends when your career took off, afraid to make new ones, always feeling a little paranoid that new people would have unholy motives when they try to befriend you.

Though you truly love your friends, they don’t really see behind the life you are living, while Harry completely does. His company is the best you’ve had in a long time, he is able to make you completely forget about everything outside the room you two are in.

You tried your best to hide your disappointment when he left that night. After offering him to stay in one of your guest bedrooms, he politely turned it down, and even though you could tell he wanted to stay, the urge to be a gentleman was greater in him, something you admire him for.

He left with the promise to see you soon on a real date and he got you as excited as a little school girl on the day of a fieldtrip.

However, given the lifestyles you two were living, finding a suitable evening for the both of you turns out to be a bigger struggle than you expected. Harry reaches out right the next day after his little visit. A good morning text waits for you by the time you open your eyes in the noon and by the evening he asks you out, however you have to realize the date has to wait a little.

You have two trip outside the city upcoming in the next two weeks and he is also planning to fly back to London for a while, the trips totally crashing in the timeline, not even having just the smallest window that would fit the both of you.

Accepting the fact that it would have to wait a little longer, you keep in close touch, eager to find the date that would finally be suitable for you and him as well. Endless texts, sweet calls and sneaky FaceTimes scatter through the days you spend apart and you find it hard to think of a time when he wasn’t hitting you up all the time.

On a Thursday evening, after a long day of fittings for upcoming events, you find yourself sitting on your couch with a sweet glass of wine, scrolling through your social media feeds when something catches your eyes.

Harry has been away in Los Angeles in the past few days and he mentioned having an interview the other day, but you didn’t think it would be out so soon, but here it was, a short video clip cut out by some random page that had a rather interesting title.

“Harry Styles talks about next album and mystery girl in his life.”

Your curiosity is way too strong not to click on it and have a look at it, so taking a sip from your wine you tap on the link and let the video load.

“It’s been some time since your last album came out, have you been working on new music lately?” the interviewer asked from behind the camera as Harry sat on a lilac sofa, wearing black high-waisted pants with a pink and white floral printed shirt tugged into it, his suspenders topping the look perfectly. His green eyes are fixed on the person asking him as he nods.

“Yeah, I think I never really stop making new music. I do have sessions when I’m trying to put a new album together, but I also write in the meantime as well, whenever I have an idea or inspiration. I don’t hold back,” he adds with a cheeky smile.

“Have you found any inspiration lately?” the question is heard and Harry nods once again.

“I have, actually,” he answers shortly, but his smirk gives it away that there’s a lot more behind his words and you feel your heart flutter in your chest. Is he talking about you?

“Has it been a person?” the reporter inquires, making Harry’s smile grow wider.

“A lot of things and people inspire me.”

“Alright, and is your latest inspiration something or someone new in your life?” the guy tries again, even though it’s well known that Harry likes to give vague answers instead of straight yeses and nos.

“Kind of new,” he simply answers and the reporter realizes he won’t be sharing more about the topic so he moves on with the next question and the video cuts out right there.

Though it wasn’t mentioned that he was talking about someone in particular, his fans drew the assumption that he is definitely seeing someone who has been his inspiration behind his new music. Feeling bold and a little flirty, you open up your messages and send him a quick text.

“A kind of new inspiration, huh?”

His reply comes almost right away, as always.

“Have you been stalking fanpages about me?”

“Would it be weird?”

“From you? It’s flattering. Little scary, but in a good way.”

You can’t help but chuckle reading his words. He never fails to make you laugh, you find his humor your favorite kind, never hurtful, but a little spicy, if you could say that, a lot of irony laced into it.

“Back to the topic: what’s your inspiration? Or should I ask… who is your inspiration?”

“Not gonna beat around the bush and just admit it…”

You wait and wait… and wait, but nothing comes afterwards and you are dying to have him admit that it’s been you, but not even the three dots appear at the bottom, so you take the lead again.

“Well, do it. Admit it, Styles!”

The fucker likes your message right away, meaning he has been in the thread all along, waiting for you to write something.

“Alright, but don’t tell anyone, because she is kinda famous and I don’t want the media to find out about it.”

“You have my silence.”

You watch the three dots dance at the bottom, holding your breath while you sink your teeth into your bottom lip, trying to contain your wide grin that’s been plastered across your face this whole time.

When the text finally arrives you snort loudly, almost spilling your wine, laughing so hard you are happy you don’t like in a tiny apartment anymore with paper walls, because your neighbor would have definitely heard your laughter all the way down the hallway.

“It’s Betty White. Fuck, she is all I can think about.”

You need a minute to stop the laughter and type your reply.

“She is hot, gotta give you that.”

“Right?? I hope she is not afraid to date younger guys though.”

“I’m sure she would make an exception for you.”

“I hope so too.”

There’s a short pause, where you just read back his lines, chuckling to yourself some more. He always has a witty comment or comeback, no matter what you’re talking about and not once has he made you laugh madly on a set, at a meeting or just lying in bed before going to sleep.

“Joke aside, would it scare you away if I said I have definitely written about you?”

“Is this another theoretical question? Like the one you asked me on Ellen?”

You smile to yourself thinking back at the conversation the two of you had on the show when he was trying to figure out if you’d be up to give him your number.

“Maybe. So theoretically, would that be weird to you?”

“No,” you write, but quickly send another text. “But you know, it’s just theory. You’d have to tell me for real to find out.”

“Should have saw that coming…”

“Yeah, you really should have,” you muse to yourself, finishing up your glass and you carefully put it to your coffee table before sliding further down on the couch to get back to the conversation with Harry. You see that he hasn’t sent anything after his last one, so you decide to actually answer his question.

“Joke aside from my part, I wouldn’t find it weird. I think it’s flattering.”

“Okay, because I was ready to burn all my notes if you said it would be too much.”

“What if you’d be burning a Grammy worthy song though?”

“Would be a shame. But I would still burn it for you.”

“You are such a flirt…”

“Can’t help it! Or should I not be?”

“I like it. So don’t change.”

“Noted.”

Your little conversation has to come to an end since he is about to go into a meeting, but when you say your goodbyes and decide it’s time to head to bed, you already know a text will be waiting for you when you wake up in the morning.

Days and even weeks go by and you start to have a little too much on your plate. No matter how much you love your job and that it has always been your dream, sometimes you just need a breather. In the past week you’ve been in and out of auditions for a movie they keep top secret, you didn’t even get a script, just a few pages you had to memorize and they’ve been asking for more and more tapes from you with kind of absurd requests, but your agent told you it’s something major, that’s why they are so secretive. However, when they ask you to come in for another reading for the fifth time in seven days and you still don’t know what you are really auditioning for, you are kind of starting to have enough with all your other projects running at the same time. Your days start at six in the morning and rarely end before eleven in the night.

An entire month after the night Harry came over to your place, you kind of lose patience. The frustration that’s been building up inside you just simply bursts when your agent texts you on your way home that you’d have to go in for another casting in the morning for the same mystery movie.

“Have they not seen my face enough?” you snap, hands meeting the wheel as you keep your eyes on the road ahead of you.

“I’m sorry, Hun. I know it’s annoying, but they requested you, that means you are still an option for them.” Mona’s voice comes through the speakers of the car since your phone is connected to it.

“Do they need me to read the whole fucking Bible in front of a camera or what?” you growl.

“I have a good feeling about this last one, alright? And if they still can’t decide after that, we can always just say that we want out.”

“Then I would be labelled as the problematic little princess,” you sigh, knowing well how this industry works. Just one mistake and you can easily end up in a theoretical ditch.

“Just hold on a little longer, okay? I’ll send you the details in email and we’ll talk more tomorrow.”

“Yeah, thanks.”

“Bye, girl.”

Mona is an angel. She’s been your agent for about five years now, she is the one who gets you into castings, well, at least that’s what she was doing before you managed to reach your breakthrough. She got your name on lists you couldn’t even dare to dream of and she is the reason why you are here today. Now she mostly handles requests for you to go in for castings, creators started to reach out to you a while ago, though Mona still works her magic sometimes to get you into castings that are still out of your league.

By the time you get home, you are desperate to do something. Anything. You’ve been nonstop working these past weeks and you just need to get out of this loop that sucked you in. Before you could even think through what you’re doing, you dial Harry’s number.

He is back in the city, that you know of because he texted even before he got home. You both ditched the idea of having your date today, because you just knew it would be a long day for you, and it’s the truth, it’s past ten, so not quite ideal for a date, but you ran out of fucks to give.

“Y/N? Everything alright?” he asks, noticing that you called, which is not what you usually do, or at least not without checking in if he is free to talk.

“Yeah, sorry I called so randomly. Are you busy?” you ask, feeling a little out of breath, even though you definitely didn’t do anything physically hard. You just can’t help but feel anxious since you are about to ask him out on a spontaneous date.

“No, just… packing and all that. What’s up?”

“So you don’t have anything to do right now?” you clear up.

“No,” he chuckles.

“Alright, so then… what do you say we have that date now?”

Even with him always being so blunt and open about how interested he is in you, it still makes you perfect to ask him out. The silence that comes from his side doesn’t necessarily help either and you are already preparing yourself to get rejected.

“You know it’s ten pm, right?” he then asks, a little unsure if you really thought it through.

“I am aware, yes.”

“Don’t you have work in the morning? I know you always start your days so early, I don’t want to be the reason why yo—“

“Harry,” you stop him midsentence. “I do not give a fuck about what I’m doing in the morning,” you bluntly tell him and you can tell he is smiling on the other end of the call. “So the question is still the same. Do you want to have that date now?”

He doesn’t ask anything else, just simply say the following: “I’ll pick you up in thirty.”

“Make it twenty,” you tell him and end the call before he could protest.

Ignoring the adrenaline rush you that just washed over your body you quickly make your way to the bathroom to take the quickest cold shower before putting on some clean clothes. You really don’t want to overdo it, knowing well since it’s so abrupt he wouldn’t be taking you anywhere that would require you look spotless. You choose not to put on any makeup, not just because you don’t have the time, but also because you feel a weird urge to just be bare, be yourself around him. The same goes for your outfit. You put aside all designer clothes and opt for a simple pair of jeans, a black tank top and a bright yellow knitted jumper over it, looking awfully casual, but feeling rather comfortable.

It takes Harry 22 minutes to get to your place, but you choose not to comment on those two extra minutes when you get into his car. Luckily, he isn’t dressed to impress either, wearing a simple pair of jeans with some kind of washed out, vintage printed tee shirt with his Bode Jacket he has worn in his famous SNL episode. His hair looks a little mess and even wet, making you wonder if your call caught him in the middle of a shower or he showered after you agreed to meet up.

“Long time no see,” he smiles at you, his boyish smirk making your heart flutter so easily as he eyes you while you buckle yourself up.

“You had plenty of paparazzi photos to look at in the meantime, Mr. Styles,” you smirk at him teasingly as he starts the car and leaves from in front of your complex.

“My favorite was the ones of you where you were walking out of a restaurant wearing that silk dress and the coat.”

“So you did see pap pictures?” you ask chuckling, you didn’t mean it entirely, but you find it funny that he actually saw pictures of you.

“You know, it’s been hard to avoid you online, especially because I keep liking all your posts so my phone thinks I’m interested in you. Which is true, and I’m not complaining about the content I’ve been seeing about you lately,” he admits chuckling and your eyes wander down to his ring clad fingers on the wheel. Your thoughts take you back to when they were touching you at places you haven’t been touched in a while. How they felt inside you and how desperate he could make you with just his hands.

You force yourself to look away from his hands and focus on the present time before your arousal becomes way too evident.

“Sorry I’m everywhere,” you smirk at him, enjoying the situation maybe a little too much.

“Don’t be,” he chuckles, glancing in your way for a moment, his green eyes meeting your gaze. “I don’t mind it,” he adds and those damn butterflies as quick to act up again in your stomach.

You don’t try to get him to tell where you are headed, wanting it to be a surprise yourself, so you just stare out at the night city as it runs past you, still quite a lot of people walking on the streets even though it’s now nearing eleven.

What you know is that you’re still in Manhattan and it seems like you won’t leave it either. Harry navigates his way through the city easily, he is not even using GPS, something you could never do. No matter how long you’ve been living here, you’ll always get lost in this jungle some call New York City. About fifteen minutes after leaving your complex, Harry parks the car down in a spot he found along the road, and looking out the window you’re trying to figure out where you are, but it doesn’t ring a bell. Seems just like a usual part of the Upper West Side, so now he has you curious about his plans.

“Where did you bring me, Mr. Styles?” you ask him as the two of you meet on the sidewalk and he glances at your with a sly smirk.

“Since you gave me such a short notice about our date, I thought I would show you one of my favorite places in the city and I hope you haven’t it.” “Well, I can assure you I don’t know it, because I have no idea what could be here,” you admit.

Harry nods at you to follow him and you walk side by side until the next corner.

“I think you already know that I’m English,” he starts off, making you chuckle.

“Yeah, it’s pretty evident,” you nod.

“So, in the past decade I haven’t spent as much time in the UK as I wanted, and a few years ago I discovered a little piece of my home in the city.”

Trying to figure out what he meant by that you don’t even realize where you just took a turn to. Harry stops and you snap out of your thoughts, looking up and seeing a charming little street ahead you, looking totally out of place in the city’s fashion. The townhouses all the way down look like they’ve been placed here straight from England, the Tudor style complex is a refreshing change in the fast paced, busy streets of Manhattan.

You can’t help but gasp at the sight in front of you, taking in every tiny detail with your eager eyes as the feeling of being in a fairytale takes over your mind. If only it weren’t for the busy noises of the streets around the micro-neighborhood, you would completely believe that you’ve been magically teleported to England.

“It’s called the Pomander Walk. Always makes me feel like I’m home away from home whenever I miss my family and my hometown.”

Harry starts walking down the narrow pavement that runs between the houses, lined with quite some greenery, something you noticed right away. There are just so many plants and flowers down the street, it’s pretty clear the residents keep them in good care.

You catch up with Harry, eyes still taking in the pleasant contrast Pomander Walk has to offer for any visitors.

“I feel like we are invaders,” you tell him. It looks so secluded, makes you feel like you weren’t even supposed to be here.

“Don’t worry, it’s totally public. The people who live here are pretty nice too. Love it when someone comes around.”

“How did you find this place?”

“A friend told me about it and just came to see it for myself one day,” he tells you as the two of you slowly make your way down the street, slow enough so you could see everything. “There are 61 units and they were built in 1921 by Thomas J. Healy. He originally wanted to build a hotel here, but didn’t have the money to just yet, so he built these instead to make some cash for the hotel. He never got to do that though, died a few years later, so Pomander Walk stayed.” You listen to him, soaking in every word that leaves his lips, finding his oddly specific knowledge about this place quite exciting and… kinda hot. You could listen to him talk about historical facts for days without getting bored.

“The whole complex was renovated in 2009, they restored a bunch of architectural details that lost through the years.”

“Looks fantastic. I wonder what they look like on the inside,” you muse, your eyes wandering over the colorfully painted old school window blinds on most of the townhouses.

Walking down the pavement you realize there’s not a single soul around here, something you don’t get to experience too often in the city.

“It’s not too well-known, right? I don’t see any tourists and all that.”

Harry shakes his head, eyes ahead of him as he hides his hands in his pockets.

“No, ‘s quite hidden, not often listed in sights to be seen in the city. That’s why I like to come here so much.”

“Easy to stay unnoticed,” you add with a smile as your eyes meet his gaze and he nods, returning the smile.

You walk back and forth on the street at least five times, just talking and sharing and laughing, finally falling out of the misery of your everydays. He still amazes you with how good of a company he is, with his broad view of life and many experiences, you can truly connect with him on a level you haven’t been able to reach with anyone in a long time.

It’s way over midnight when you head back to his car, holding hands that happened at a point earlier, but you can’t tell who reached for who. It was kind of mutual, but now you didn’t want to let go of him… ever. You let your fingers play with his S ring on his pinky while he keeps running his thumb over the back of your hand whenever he has the chance. It’s a little disappointing when you have to let go of each other when you climb back into his car and head back home.

“I know this date wasn’t much, but I hope you liked it,” he smiles at you shyly before his eyes snap back at the road ahead of him.

“Shut up, this was literally the best date I’ve had,” you tell him making him chuckle. “Thank you for showing it to me.”

“Now it’s your secret place too. Maybe we’ll run into each other here one day.”

“I’ll definitely come back,” you admit smirking.

The city lights pass by you faster than you want them to, and you arrive to your complex way too early. Well, not according to the time, because it’s way past half past midnight now, but you just don’t want the night to end. However, you know Harry would not come up if you asked. He is way too big of a gentleman and he wouldn’t want to make you miss your appointment in the morning, but you are definitely collecting that kiss he promised a month or so ago.

“Walk me up, will you?” you ask him softly when he parks down in front of your building. He nods and follows you inside without a second thought.

You both know it’s about to happen, the air thickens between you two in the elevator and neither of you can hold back the small smiles on your lips. Harry walks next to you until you reach your front door and you turn to face him, his green eyes already examining your every move.

“I’m happy we finally got to do this,” you tell him, feeling a blush warming your cheeks from the way he looks at you now.

“I’m glad you called. Was starting to think we would never meet again,” he chuckles making you laugh as well. It really did feel like the universe was plotting against you, but you bet it didn’t expect your sudden move tonight.

There’s a longer pause where neither of you knows what to say or do next and your patience is running low, especially when you see him run his tongue over his pink lips. You just can’t wait any longer to taste them.

“Harry,” you breathe out, the frustration and desire at an all-time high now in your system. Never in your life did it take this long for you to get to a kiss with a guy you were clearly interested in and who returned the feeling as well.

“Yeah?”

“Swear to my lost Emmy Award if you don’t kiss me right now I’ll—“

You don’t get to finish, you don’t even know what you’d have said, but it’s all forgotten when Harry kisses you hard, hands cupping your jaw on both sides, angling your head to grant him the best access to your lips. You return the kiss without a second thought, hungrily tugging and pulling on his lips, your tongues meeting in the middle and fuck! He really knows how to make your toes curl with just a kiss. You grab a fistful of his t-shirt at his stomach, pulling him close and the cold touch of his rings on your skin makes you shudder. Everything about him makes your legs turn into jelly and you are willingly offering yourself to him without a doubt.

He pushes you against your front door, one of his hands wanders down to your waist and he gives it a gentle squeeze that makes you open your mouth more for him. You are a mess and so is he. You have no idea how long you make out, but when you eventually pull back, your chest is heaving and your lips feel swollen. Harry pecks your lips two more times before forcing himself to let go of you.

“Good night, Y/N,” he murmurs in a low voice as he starts to back towards the elevator.

“Good night, Harry,” you say a little out of breath. He smirks at you one last time before walking into the elevator and the doors close, officially ending your first date.

 PREVIOUS PART

NEXT PART

[palmett-hoes]

per your post "every single one of the monsters is autistic and/or adhd" will you elaborate on that?, if you do i will love you forever (not that i wont if you dont do it)

oh boy i would love to!!! unironically nothing brings me more joy than writing long, convoluted character analysis posts

---

okay so i’ve written several posts before about why andrew is autistic. his moral code, the roundabout way he communicates, his body language, his stimulation-seeking behavior, his strict adherence to transactional deals, the emphasis on honesty, and a dozen other details. at this point i just take andrew being autistic as fact, not just an interpretation

h o w e v e r  i also hc that andrew is dyslexic, which is also a neurodiverse condition

- - -

similarly, i’ve seen more than one person interpret kevin as autistic, and i absolutely agree that it fits. not just the hyperfocus on exy but mostly the way he communicates. he’s very indirect, especially in his affection but very direct with his opinions. he tries to be helpful in a material way to the people he cares about, even if he comes off as negative. he wants the people he cares about to be safe and successful so he pushes them to work hard and reminds them in measurable ways how to stay healthy. he doesn’t factor in a lot of room for emotions, so instead he focuses on quantifiable things that he can improve. i personally act very similarly. approaching someone emotionally is hard for me, so when the people i care about have problems all i can think to do is try offering solutions, check up on their well-being, etc. practicality instead of conventional sentiment is extremely common with asd

- - -

so now let’s talk about neil. i had to think on this one for a WHILE but ultimately came to the conclusion that neil is adhd, probably hyperactive type. 

like obviously neil is high energy. i would say he probably does the most exercise of anyone on the team. morning run, morning practice, afternoon practice, night practice with kevin and andrew, plus he doesn’t have a car so he runs to class (on a BIG ass campus), and goes for an extra run when he feels stressed. that’s... insane, honestly.

neil reminds me SO MUCH of this post that goes:

“Was just informed by my mom that I do in fact have ADHD and the reason I thought I didn’t was because ever since I was seven whenever I got super energetic my mom would have me go chop wood so now when I’m feeling The ADHD I go chop wood”

(phenomenal post) and that’s neil to a t. tell me this isn’t exactly how neil handles his problems and also exactly what mary would have had to do to keep her unmedicated and very energetic son focused on the task of staying alive

neil also definitely has that ADHD on/off switch with his interest. the obvious being exy which is like the definition of a hyperfixation, but you can see it in other things: the way he runs totally hot or totally cold with people, his complete disinterest in his schoolwork, the way he can’t seem to sit still long enough to follow movies. but then there’s also the hyperfocus. doing the same drill for hours on end. watching exy game after exy game. staring at andrew until time falls away

what’s more, neil on many occasions shows racing thoughts, both in an anxiety way (and anxiety often goes hand-and-hand with adhd) but also as a way to quickly and accurately take in details about people to build a character profile of them. this is what allows him to connect with the foxes, how he manages to get through andrew’s puzzles, and even how he knows what to say in order to knock riko down a peg. his brain just works so fast and it takes in a lot of very specific details and disparate information to make connections.

but also like,, neil has a HUGE problem with time blindness. like the instant he didn’t have his mother around to manage and direct him anymore he lost all sense of time. he stayed in Millport for a YEAR. and what did he keep telling himself during that time? basically “i really need to move on, but not just yet.” for a YEAR! then he gets to palmetto and he’s like “i’ll cut and run in a month or two” then he doesn’t “i’ll be gone by halloween” wrong again “i’ll leave by the raven’s game” nope. like,, the boy just has NO sense of time and he can’t seem to make himself DO anything outside of an externally enforced schedule. and even then,,, HE HAD 48 FUCKING DAYS TO FIGURE OUT SOMETHING TO DO TO NOT GET MURDERED! 48 WHOLE DAYS. he didn’t make a plan, he didn’t write down any letters with goodbyes, he didn’t GO TO THE FBI LIKE HE’D INTENDED TO THE WHOLE TIME! nah he just made out with andrew and when he finally got to zero he was just like “ah shit, that was fast. oh well guess i’ll die” and that’s time blindness, babey!

---

let’s move on to nicky. 

now i think it would be really easy to say nicky is just adhd because he’s high energy and forgetful but tbh,, i don’t think that’s all of it. like if you really look at nicky’s character and especially at his problems, he has asd problems just as much as he has adhd problems.

so nicky is dual diagnosis asd and adhd. also nicky reminds me a lot of a girl i used to know who was autistic/adhd

so, adhd:

very generally speaking, ppl with adhd will struggle with sitting still, listening to and following instructions, planning/organization, following a schedule, and some social boundaries like “appropriate” times and topics of conversation

i would say you see hints of this with nicky. he’s definitely a rambunctious personality, constantly on the move, constantly stimulation seeking. he’s very tactile. he likes to dance, he likes to party, he complains about it but he’s an elite-level athlete. he’s also decidedly very chatty, and doesn’t seem to really pay attention to what he’s saying. he distracts himself and the people around him have to keep him on track. he has some trouble with boundaries. he’s a little all over the place. he’s almost a bit of an adhd stereotype

also one thing i find interesting is that when neil sees him in the library doing work neil is surprised to see he’s capable of that, especially bc when we see the upperclassmen doing work they generally do it in their dorms or on the bus and/or with other people around. that hyper-social nicky would be alone in a quiet place is weird. but this is like the most common tip for dealing with adhd. don’t do it in a familiar space. have a designated space and time to do work. limit distractions. just a lil detail

so now, asd:

in all honesty, most of nicky’s actual problems in the narrative could be viewed as stemming from asd symptoms. his number one issue being that he has a lot of trouble with nonverbal cues (and tbh, verbal ones too). the twins are mostly quiet. andrew especially (when he’s sober) communicates primarily nonverbally, and nicky seems to have a lot of trouble with this. despite knowing them for the longest on the team, nicky honestly seems to have the least insight into the way either of the twins actually thinks or processes things. he loves them, and he’s very forgiving of them, but he fundamentally doesn’t understand them. 

the twins, andrew especially, put up a LOT of nonverbal boundaries, and nicky sort of inadvertently keeps trampling all over them. he’s touchy in a way they don’t like. he talks a lot about their personal lives to other people. he treats them like they’re joking when they’re serious. etc. and like,,, you kind of get the sense that the upperclassmen feel similarly about him. beyond the homophobia, beyond the fact that he’s loyal to andrew, the upperclassmen still treat him with this sense of,, bafflement, i suppose? it’s clear that they don’t really understand him and he doesn’t really understand them. although, nicky IS curious about the upperclassmen, while the upperclassmen are pretty dismissive of him. it reminds me of when my sweet, floppy dog tries to play with my cat. their body language is different; they’re each receiving different signals than they believe they’re sending out

only,, nicky loves people!! he likes being around them, he likes talking to them. he’s interested in their lives and stories, but it’s very clear that he can’t read between the lines on people. he has an incredibly hard time with people who expect their actions to speak for them, which is most people, but is especially his cousins.

actually this is very much also an issue that i have: things need to be spelled out for me. the way i deal with it is i ask a lot of questions. ‘how do you want me to react to this potential situation?’ ‘what are specific things that make you most comfortable?’ ‘please explain to me exactly how you feel and what has prompted those feelings?’ and i’m always communicating vice versa like that with other people. a lot of specifics in both questions and answers

and the interesting thing is, when i was skimming through the books reviewing dialogue styles for another ask, i noticed that, actually, nicky DOES do this. with neil and the upperclassmen, nicky asks a LOT of quick, clarifying questions. things that ask after tone, that ask after intent. it’s kinda sad that he does this for communicating with acquaintances, but with the twins, the people he’s closest to, he makes a lot more assumptions. and i’m really proud of nicky for having this coping skill, because i can’t imagine it’s something he grew up doing. there’s no way he was raised in an environment that fostered this kind of open communication so it must have been something he learned about much later, probably in germany with the kloses, which would also explain why he’s a lil imperfect about it

---

now last but not least, aaron

this is another one i had to think through for a long time before it felt like it fit

much like how i felt that it would be easy to read nicky as simply adhd rather than also asd, i think it would be easy to say aaron is autistic simply because he is quieter, less rambunctious. however, i actually think he’s adhd, likely primarily inattentive type

in all honesty, aaron’s #1 character trait for the first two books is basically that he’s disconnected. detached. separated both from his family and his team. not in the same forcefully apathetic way that andrew is, more,, spaced out. he’s just kind,, there. not really paying attention to what’s going on, tuning in every once in a while only if something really catches his eye/ear then tuning right back out again. just sits in his corner and plays on his phone. and the thing is, from the moments when he does tune in, you can tell that he actually does care. he backs nicky when seth insults him in tfc, and we know he cares deeply about andrew even if he’s become disillusioned with their fraught relationship. he even hangs with his family, doesn’t seem to really try and slip away to other friends besides katelyn, he’s fine spending his leisure time with the monsters. so it’s not totally apathy, he’s just,,, tuned out most of the time

and, yea, that sounds like adhd. it’s not the type that most people are familiar with, and for a lot of people this causes it to slip under the radar. it can make it hard to get help or a dx because it doesn’t fit with how adhd “should” look or how someone “should” act, but difficulty focusing your thoughts and staying in tune with the current moment is absolutely part of adhd

addiction is also a huge problem for people with adhd. a lot of stimulants affect people with adhd very differently than neurotypicals, especially in small doses, and an adhd kid who’s struggled their whole lives with the disorder might try speed or god-forbid meth or fuck even coffee and suddenly find that things are a lot easier for them. they start to self-medicate, they don’t actually know what they’re doing, and then they’re addicted, and everything spirals out of control. we don’t know too many details about aaron’s addiction other than that his mother enabled him, but wouldn’t this fit? it’s also an explanation for aaron still taking drugs at eden’s, given that cracker dust seems to be a mild amphetamine. (aaron talk to betsy about the neurocog and get an actual prescription please)

(total throw away but aaron plays videogames and videogames are like,, adhd culture)

[midzelink]

What’s Going On with the Ears in Hyrule?

(Or: A Needlessly Comprehensive Deep-Dive into the Myst-EAR-ious Duality of Round-Eared Humans and Long-Eared Hylians, a Very S-EAR-ious Write-Up)

As some of you may remember from a few months back, I made an off-hand comment about my ideas surrounding the disparities between the different types of ears we see in Hyrule’s human citizens, and my desire to further expand on that at a later date.  No, that was not a joke, and yes, I am finally Doing the Dang Thing.  So!  Let’s get started.

Long-time fans of the series will know that Hylians are a race of humans in the world of The Legend of Zelda with long, elf-like ears.  Hylians most always dominate the land of Hyrule in nearly every installment in the series, with round-eared humans only making their first appearance in Link’s Awakening, a game that - spoiler alert - was all a dream in the first place.  And though plain old humans again appear in the lands of Holodrum and Labrynna in the follow-up Oracle games, it is very in keeping with the theme of this blog that their most notable appearance happens to be in Twilight Princess.

Though it is never remarked upon in-game, Link is the only Hylian in a village filled with humans, such as Ilia and Rusl, leading the player to assume that he was not Ordon-born.  Other notable examples include Ashei, who hails from the mountains, and even the inhabitants of (New) Kakariko (though only three in number) are all mere humans.  The Hylians of this game seem to be centralized around Castle Town, with notable members including Telma, Shad, and Auru of the Resistance, and naturally, Zelda herself.  Yet as I’ve already stated, the fact that there are two different sets of ears among the humans is never even a topic of conversation; it makes you wonder why the developers bothered to make the distinction at all, and indeed, plenty of fans have never even noticed that such a disparity exists. I certainly didn’t notice when I was ten years old, playing through Twilight Princess for the very first time - but we’ve come a long way since then, and I am delighted to finally be able to tell everyone why I think this disparity exists, and how it has bled into other aspects of the series.  Let’s back away from Twilight Princess for a moment; all good theories have a beginning, and this one is no different.  To understand where this all began, we must look thousands of years into the past, to Skyward Sword.  More specifically, this all started...

...with this guy.

Yes, Beedle.  That Beedle.  But before we can even jump into how he relates to any of this, we must travel further back still, to the very opening cutscene of Skyward Sword.  

In this cutscene, we hear a very dumbed-down tale of how Demise invaded the surface world that was ruled over by the Goddess Hylia; to protect the sacred relic placed into her care by the Golden Goddesses, Hylia rends a piece of land from the earth and sends it skyward, leaving the Goddess Sword and the Triforce with it.  Together with the remaining peoples of the Surface, she seals Demise away, and millennia later the events of Skyward Sword transpire.  The entirety of this cutscene is not in and of itself very important, but I would like to draw everyone’s attention to one particular line uttered by the narrator during this sequence:

“To prevent this great power from falling into the hands of the evil swarming the lands… The goddess gathered the surviving humans on an outcropping of earth.”

It is worth noting here that - though the word “Hylian” itself only appears in reference to the shield which bears its name - Skyloft is comprised entirely of people with long ears.  Keeping these things in mind, let’s go back to Beedle.

Beedle is, by all intents and purposes, a fairly unremarkable character in Skyward Sword.  That is to say, outside of providing Link with goods throughout his adventure, he bears no significance on the plot in any capacity, having only a single sidequest that involves retrieving a pet beetle (snickers) of his, for which the player’s reward is a small sum of Gratitude Crystals.  But there is one, throwaway line of completely optional dialogue you can trigger towards the beginning of this sidequest, and it is upon this line that the entire basis for this theory has been built.  When meeting Beedle on his home island apart from Skyloft for the very first time, the player is given the option...

...to comment on his accent.

[after selecting “Your accent!”] “Hmmm? The mellifluous timbre of my voice sounds different to you?

...Perhaps a touch, I suppose... But pray, what does it matter, hmm?”

What’s important to understand about accents is how they come about to begin with: namely, slight differences in pronunciation and rhythm of speech evolve over time as the language (in this case, some form of ancient Hylian) spreads to different locations.  And of course, everyone who uses spoken language has an accent, but Link’s remarking upon Beedle’s is an indication that his pattern of speech is different from his own.  In most other games, this would be unextraordinary - but in the context of Skyward Sword, where humanity has been isolated to a (relatively speaking) small outcropping of earth in the sky, it becomes extremely noteworthy.  No one in Skyloft should have “an accent,” because theirs is a society and culture so small in scale that they should all have the same accent.  Beedle having an accent makes sense if, and only if...

...he’s not from Skyloft.

And if he’s not from Skyloft, the logical conclusion would be that he must be from the Surface.  In almost any other circumstance, this assertion would be smashed to smithereens by the sheer fact that getting to Skyloft without a Loftwing - companions blessed only to those who live in the sky - should be an unattainable feat. And yet, of all the people in Skyloft, Beedle is the only one who could have achieved such a thing... 

...because his shop - which conveniently doubles as his house - is an electricity-powered flying machine.  Within the context of the game, such a contraption seems almost nonsensical; if he were from Skyloft, why would he not just set up shop in a permanent location?  Even if he wanted to live on a smaller island by himself, the people of Skyloft could simply use their Loftwings to reach him (which they still need to do, anyway!).  Indeed, the existence of Beedle’s Shop makes far more sense...if it already existed by the time he arrived there.

Which brings us back to that introductory cutscene.  The narrator states that Hylia gathered up all of the surviving humans (notice the use of the word humans here) onto an outcropping of earth and sent them skyward, and on a surface level, this seems straight-forward enough - but with the revelation that Beedle is very likely from the Surface himself, it’s very obvious that this is nothing more than a bold-faced lie.  Some humans were left behind - they couldn’t all possibly have fit on such a small piece of land - and those humans were the ancestors of Beedle, in some way, shape, or form.  What became of those humans is another matter altogether (one I will address briefly), as the Surface we explore in Skyward Sword is perfectly devoid of human life, barring Impa.

Now, let’s bring it back home: remember how I said that all Skyloftians have long ears?  That was a bit of a white lie, though only if you count Beedle among that number.  In truth, Beedle’s ears are obscured by the bowl cut of his hair - but this is true for every game he appears in, and the general consensus is that they’re round.  This would make Beedle the only round-eared human in the entire game...and he, coincidentally, happens to be from the Surface.

Before I go any further, I’d like to establish a very base reasoning for the existence of long-eared qualities in the human races of Hyrule.  Hylians are far from the only ones to bear long ears, what with the trait also presenting themselves in the likes of the Sheikah and, by the era of Breath of the Wild, even the Gerudo - though it is exceptionally notable that in Ocarina of Time, the Gerudo have round ears, and Ganondorf is no exception...at least, at first.

Y’see, what’s especially notable about Ganondorf is that he is the same exact character is each title he appears in, and in The Wind Waker and Twilight Princess, his ears are long.  This was actually something I only noticed quite recently, upon which I then fervently began scouring for information about his appearance in Ocarina of Time to try and make sense of it all, and the results are...very intriguing, to say the least.  Below is a comparison of Ganondorf pre-timeskip vs. post-timeskip from the original Nintendo 64 version of the game:

As you can see, his model has changed in a number of ways, but... Well, I’m sure you can see where I’m going with this.

Amazingly, his ears got longer, which is...an interesting choice from a design perspective.  Of course, it leads one to wonder why - and far and above the most significant thing to happen to him in the seven years between these two appearances is his procuring of the Triforce of Power from the Sacred Realm, a relic of the old gods.  Evil or no, Ganondorf had forged a bond with a god unlike any had before him, and for some reason, this elongated his ears - so much so that by the time of Twilight Princess and The Wind Waker, they are indistinguishable from your typical Hylian’s.  It is notable, too, that the Sheikah (who have always had long ears) also bear a special connection to the gods, living to serve Hylia and, later, her reincarnation as the princess in the Royal Family of Hyrule.  

“They say we Hylians have big ears in order to hear the voices of the gods.”

So now, keeping everything I’ve talked about here in mind, I think it appropriate to go over the series of events that likely transpired, beginning from Demise’s invasion of the surface world:

In a bid to keep the Triforce out of evil’s grasp, Hylia formulates a plan to send both it and the Goddess Sword out of harm’s way.  She selects - perhaps by chance, perhaps by choice - a not insignificant number of humans to live on this skyward isle, but naturally not all of them can make the cut.  These chosen humans would go on to found Skyloft, a land whose culture revolves heavily around the reverence of the very goddess who saved them and enabled them to live in prosperity (the existence of the Wing Ceremony, the Statue of the Goddess, etc.), while the humans who remained on the surface, left in a world scarred by war and ravaged by monsters, sought new lands, becoming the ancestors of people who would found Holodrum and Labrynna, to name a couple.  In their reverence of Hylia, the people of Skyloft would develop long ears, as even the Sheikah had - but the humans left on the surface world...would not.

That is to say, the Hylians we see in almost every major installment of the series are the direct descendants of the people of Skyloft, and round-eared humans are the descendants of the people Hylia left behind.

Of course, not all humans fled from their homeland - though we see none in-game, it’s important to remember that we also see no Sheikah aside from Impa, though we know they are great in number.  Beedle was, undoubtedly, one of these very few stragglers, and with stories of a land beyond the clouds on his mind - legends that have been passed down over countless generations - he sought to find this paradise by any means, through sheer blood, sweat, and tears (but mostly sweat, if that cycling is any indication) if necessary. In the end, he was successful, and he lives among the people of Skyloft fairly unassumingly - yet he also lives apart from them, on his own island because, at his core, he is not one of them, and never will be.  He doesn’t get all of this Hylia stuff, and frankly, he doesn’t care - so long as he can chill on his own little crop of land with a full belly, a full wallet, and his pet beetle, that’s really all that matters.

And speaking of Hylia - the reason they are called Hylians is because they are the descendants of those chosen by Hylia, even if the knowledge of Hylia’s existence has largely been lost to history by the events of Ocarina of Time and beyond.  (In a very similar vein, it is my belief that Lake Hylia also gets its name from her because the crater that would later become that very lake was formed...when she lifted a gargantuan outcropping of earth into the sky.)   Hylians largely dominate Hyrule for so much of its history because the people of Skyloft were the ones who founded it - yet by the era of Twilight Princess, we see that a great many of the humans who had moved onto different lands have slowly but surely made their way back towards the place they once called home.  

But I would be remiss to neglect to go back to Breath of the Wild; this game is a much more peculiar case, taking place in an era many millennia after any game that came before it, where reverence for Hylia is once again commonplace - so much so that statues bearing her resemblance have been erected in every town, village, and city across the country.  Humans are once again practically nowhere to be seen (except, again, perhaps for Beedle), and even the Gerudo, who have now long intermingled with Hylians for the sake of having children, have inherited the trait (perhaps in part due to the fact that some of their own may worship Hylia, if the statue in Gerudo Town is any indication).  In every single instance, no matter where you turn, these long ears seem to be a direct correlation to the people’s connection to the gods of Hyrule - but rather than their ears being a predetermined factor in how strong this connection may be, it seems that their faith is what influences this trait to rise to the surface, over how ever many generations or centuries that just might take.  (Ganondorf Dragmire, who lives in a castle and inherited a relic of pure godly power, is an outlier and should not be counted.)  As Shad so eloquently states in Twilight Princess:

“Hyrule was made by the Hylians, who, as we all know, are the closest race to the gods.”

And as long as we’re talking about Shad, I’d love to begin wrapping up this post by bringing things round to Twilight Princess once more - specifically the context in which Shad says the above quote, which is far and away one of the most peculiar instances of casual lore-dumping in the entire series.  The quote in its entirety from the North American version of the game reads thusly:

“At the moment I'm absolutely entranced by the sky beings known as the Oocca. Yes, according to legend, Hyrule was made by the Hylians [...] But also according to legend, long ago there was a race even closer to the gods, and some say these creatures made the Hylians. When they created the people of Hylia, they simultaneously created a new capital, a city that floated in the heavens.”

What Shad is saying here is extremely farfetched, particularly for those of us who are familiar with the Oocca.  But in truth, this was a minor mistranslation on Nintendo of America’s part; the original text from the Japanese version of the game clears actually reads much more like this, when translated correctly:

“The common opinion is that Hyrule was created by the Hylia people, the race closest to the gods, but...truth be told, there's also a theory saying that in ancient times, there was a race even closer to the gods than the Hylia people, and THEY created it [Hyrule]. And they, simultaneously with the birth of the Hylia people, created a new capital, a capital that floated in the heavens.”

So the Oocca - the bizarre, Cucco-like creatures who inhabit the City in the Sky - did not create the Hylians, but rather established the kingdom of Hyrule itself in the world that the goddesses created.  But even with this mistranslation squared away, that still sounds incredibly odd, especially taking the events of Skyward Sword into account; we know that the people of Skyloft are the ones who inevitably found Hyrule, because we see the beginnings of this happening at the end of the game.  Funnily enough, it seems that the very line that was mistranslated in the North American version of the game...was the result of mistranslation itself.

In-universe mistranslation, that is.  Millennia of history being told, written, lost, and found, translated again and again and again, until it barely resembles its original state.  What likely happened was that the Oocca, who live in the sky, were wrongly credited with the creation of Hyrule because the Hylian people who would go on the found Hyrule also came from the sky, as they were the people of Skyloft.  Shad’s claim that the Oocca were “a race even closer to the gods" than the Hylians may not be entirely unfounded, however, as it is incredibly likely like the City in the Sky we see in Twilight Princess is what remained of Skyloft after its human inhabitants abandoned it; the Loftwings that the people of Skyloft had for so long relied on would go on to evolve into more sentient beings, suspending the city above the clouds long after Hylia’s magic had worn off - and Loftwings were, as the people of Skyloft believed, beings bestowed upon them as a symbol of the goddess’s divine blessing.  In this sense, it is somewhat true that the City in the Sky and the Hylians were created at the same time; when the Skyloftians abandoned their home to live in a new land where they were not long after christened the Hylians, the skyward isle that they had left behind found a new purpose, and a new “city” was born.

Of course, maybe Shad was off his marbles (even if the Oocca are evolved Loftwings, there is still much about them and their connection to the Sheikah that remains shrouded in mystery), but the crux of this entire narrative is that the people of Hylia, the Hylians - at least, up until Breath of the Wild is concerned - were the descendants of the people of Skyloft, and Beedle’s eccentricities in the context of Skyward Sword are rather convincing pieces of evidence that this did not comprise all people of the formerly-known-as “Land of Hylia.”  It is therefore only natural that a conclusion could be drawn about where the distinction between the two peoples comes from.

But in the end, even if this can answer the question of why there are round-eared humans alongside long-eared ones, it does not answer the ultimate question of what this distinction means.  Why does a connection with and a faith in the gods elongate the ears of the people it touches?  The Zelda Encyclopedia states that “in the past, Hylians were able to wield magic of considerable might,” a trait that could possibly distinguish them from your typical human being - but the canon nature of the Encyclopedia is...shaky*, at best, and downright disrespectful at worst.  Link and Zelda are two Hylians we see wielding abnormal abilities, but their power can be explained with their respective pieces of the Triforce, not to mention the countless magic users in Hyrule and beyond who aren’t Hylian.  Even if there was a time when the Hylians had special abilities, those abilities have long since faded. They are no no taller, no smaller, live no longer than their round-eared counterparts; they are, in every aspect aside from the length of their ears, in every way identical.  To finish the quote by the unnamed Hylian man who speaks to a young Link in the Castle Town Market in Ocarina of Time:

“They say we Hylians have big ears in order to hear the voices of the gods...but I've never heard them!”

So...there you have it.  I must admit that it is entirely possible that the people of Skyloft had developed long ears before their ancestors had been sent to the heavens - after all, the Sealed Temple was, in millennia past, a temple erected in her honor.  Yet this would also make the story of Hylia gathering the “surviving humans” in order to save them all the more grim; could the gods be so callous as to save only those who respect their divine might? One cannot help but think of the Great Sea in The Wind Waker - for in a world populated by the descendants of those who were chosen by the gods to survive the coming floods, it is difficult not to notice that ears of the round variety are once again nowhere to be found.

And yet, when you get right down to it - though some Hylians seem to rely on their lineage as “the closest race to the gods” to maintain an image of self-importance - the difference between a long-eared Hylian and a round-eared human appears to be, ultimately...only that.  And unless we see our round-eared friends return in a potentially future title, and the difference remarked upon, that will likely be how things remain.

Until that time, I will continue to do my best to fill the gaps with which we have been left - even if, at the end of the day, I’ve written nothing more than a meaningless, nine-page word jumble...about ears.

EDIT (5/9/2020): It has been brought to my attention (courtesy of @heartenvy​​) that there is a mild inconsistency with the narrative that Beedle could be from the Surface: namely, the “unbreachable” Cloud Barrier, something Hylia herself created to divide Skyloft from the Surface and keep its inhabitants and the Triforce safe.  However, I would argue that the Cloud Barrier is not a physical barrier so much as it is a mystical one, meant to both keep its location secret (the barrier itself is completely invisible from the Surface) and to ensure the people of Skyloft remain complacent in their isolation (believing Skyloft is all there is, they remain there, and in so doing their long-forgotten secrets are kept safe). Zelda is pulled through it long before any proper portals are actually opened, and I would argue that the portals (that is, the pillars of light that appear when we place the corresponding tablets) are largely a gameplay mechanic meant to keep the story linear, as in a real setting Link would have simply ridden his Loftwing to and from the Surface and would have been able to fly anywhere he chose.  It’s possible the barrier acts to keep out evildoers, specifically (which would explain why Ghirahim had to summon a vortex to pull Zelda through it, where he could reach her), or, not unlike the Isla de Muerta in Pirates of the Caribbean, Skyloft could very well be “an island that cannot be found except by those who already know where it is” - which, to me, makes the narrative of Beedle finding his way there all the more entertaining (the dude must have been, like, super determined).  In any case, I stand by what I’ve stated before: that Beedle is from the Surface, as his accent and the peculiarities of his shop make too strong a case to ignore.

*              *              *              *              *

*The Zelda Encyclopedia states that Termina is a Dream World, despite Link’s Awakening having already done this and in a much more satisfying way.  I can’t take anything it says seriously.

(Special thanks to @ghiirahiims​​ for the high-res screenshot of Beedle, and shoutout to @gaybellatrix​​ for in no small part convincing me to finally sit down and write this all up.)

[writemydaydreams]

Work In Progress Wednesday 

So! I’m releasing the first chapter of a new fic tomorrow so how about a preview? The first 4 and a half of 6 (or possibly 7) chapters are written so I’ll do a chapter a week. I’ll put the preview below the cut.

Rating: M

Chapters: 6 or 7

Title: In This Lifetime or the Next

Pairing: InuKag

Summary: The dreams have started. Inuyasha knows what it means, knows what comes next. His soulmate is alive and she’s ready to be found; but this time, he is not ready to find her. Because he is cursed. Because every time he finds her, she dies. Because she’s never lived more than a year after the first dream.

It shouldn’t be possible to get a demon this drunk.

“What do you mean you’re not going to look for her?” Koga asked, leaning over the bar and eyeing the woman serving drinks, again. His speech wasn’t slurred but he had no volume control and he was swaying dangerously on the flimsy barstool.

“Will you keep your eyes in your fucking skull for five minutes?” Inuyasha asked, snapping his fingers in Koga’s face to draw his attention. “Aren’t you seeing someone?”

Koga scowled and turned back to his friend, swatting at the offending hand. “She kicked me to the curb. Said I wasn’t spending enough time with her or some shit. Whatever, you didn’t answer my question.”

The bartender came over to check on them and gave Koga the stink-eye when he tried to wiggle his eyebrows at her. When she walked away, Inuyasha said, “No wonder you dragged me out tonight. And seriously, the bartender isn’t interested. She can probably spot an asshole a mile away and you’re a giant flashing sign that just screams ‘asshole.’”

Koga scowled. “Fuck off and answer my question. You’ve done this, what, like five times now?”

He sighed, trying not to think about the specifics and failing. “Seven and I can’t fucking do it again. I’d rather be alone than-”

“Oh, cry me a fuckin’ river,” Koga growled and downed the rest of his drink in a single gulp. He slammed his glass back on the bar, drawing a few angry looks from other bar goers and the bartender. “What if this time is different?” He swayed dangerously on his stool and Inuyasha tensed, waiting to see if he’d have to play catch.

“You’re really fucking drunk,” Inuyasha pointed out. “Which is amazing for a full demon. And what if it isn’t? Why the fuck would it be any different this time around?” He put a hand up for the bartender to settle their tab. The wolf had had enough.

“You think...fuck. I should call her,” Koga mused, his mind jumping topics at a speed only achievable when shit-faced.

Inuyasha rolled his eyes, knowing where this was going and asking anyway. “Call who?”

“My woman.” Koga started to tilt and Inuyasha shot a hand out to steady him. He should have just let the asshole fall. Luckily, the bartender was already there, taking Inuyasha’s credit card.

“Fucking hell, wolf shit. You’re not drunk calling your god damn ex.” One hand on his drunk friend’s shoulder, Inuyasha fished two 20s out of his wallet to throw to the bartender. She earned it dealing with Koga the last few hours. She took it with a grateful smile, handing his card back.

“Good luck with him,” she said, pointing at Koga without taking her eyes off Inuyasha. “Be safe and enjoy the rest of your night.” She shot one more look at him before sauntering off to wait on other customers. He was used to the looks his silver hair and gold eyes earned him. Even among demons he was exotic, an attractive novelty with fluffy fucking ears.

“Let’s get out of here.” Inuyasha stood and dragged Koga out of the bar.

When they were safely outside, he pulled out his phone to call for a ride. Carrying an inebriated demon halfway across the city was not high on his list of things he wanted to do on a Friday night. He debated who his best option would be. Miroku was spending the night with his girlfriend, probably being gross, so that was a no-go. Jinenji would be up but the guy was way too nice to put him through drunk-Koga hell and his wife would give Inuyasha an earful for dragging him out. Ginta or Hakaku would be ignoring calls, knowing how Koga got after a break-up. Shiori would do it but he didn’t want a woman for Koga to focus his attention on. Fuck.

He was gonna have to call the fox.

He popped in his custom-made earpiece (because it’s impossible to find earbuds that fit when you have dog ears) and scrolled through his contacts until he found who he was looking for. Shippo answered and it was clear he had been informed of things that Inuyasha had not. “Yo. Lemme guess: Koga’s break-up hammered and you need a ride?”

“How am I the last to hear about him getting dumped?” He growled and scowled at Koga. It was definitely a conspiracy.

“Someone had to deal with it and you seemed like the best option.” He could practically hear the fucker smirking. Yep, they’d set him up.

“Just get your ass down here.” He gave Shippo the address, keeping one eye and ear focused on Koga. At least Shippo was close by.

Turning his full attention back to Koga, he noticed the phone in his hand a little too late.

"Listen, I’m not even mad about that anymore. How about I come over there now and we can make up. I learned this new trick with my tongue and-" Koga didn't get to finish his sentence because Inuyasha snatched his phone away.

"First, gross. Second, what'd I fucking tell you? No drunk calls to your fucking ex." He glared at Koga, contemplating murder and the best place to dump a body, until a quiet voice distracted him. The ex was still on the phone.

"Hey, anyone still there?"

Shit. 

“Hey,” Inuyasha said, holding the phone so they could hear each other more clearly. It was awkward at best with his ears on top of his head but his half-dog-demon hearing made up for it. “Sorry about the asshat, I wasn’t paying enough attention.”

“Oh, it’s alright. I was kinda expecting it anyway,” she said and sighed. “I shouldn’t have answered my phone in the first place so it’s partially my fault.”

Inuyasha growled, fighting the urge to punch Koga in the throat. The woman’s voice was soft and sweet, gently caressing his sensitive ears. The thought of Koga getting anywhere near someone who sounded so...so pure made Inuyasha’s blood boil. “Keh, not your fault he’s an asshole.” Said asshole was making grabbing motions for his phone but Inuyasha swept a leg out casually, Koga’s ass meeting the ground hard enough that Inuyasha heard his teeth clack together. “Don’t worry, I’m not giving him his phone back until he’s sobered up a bit.”

“How much has he had to drink? It takes a lot to get a demon that drunk,” she commented.

“Too much, clearly. I can’t promise he won’t try to call you again when I’m done babysitting his ass. Want me to delete your number from his phone?”

“Hmm, it’s tempting but no.” She sniffled and he wondered briefly if she’d been crying. Just because she was the one doing the dumping didn’t mean she couldn’t be upset about it. “Is he...well, really upset? It wasn’t a...a nice breakup. I kind of...um...well, I accidentally shocked him with my reiki when he wouldn’t leave and I uh, I feel kinda bad.”

Inuyasha couldn’t stop the bark of laughter that escaped his throat. “You what? I mean, I’m sure he deserved it.” Koga grumbled from the ground beside him but Inuyasha ignored him.

“Don’t laugh,” she said but he could hear the amusement in her voice and the poorly stifled giggle. “I never trained beyond keeping it in so sometimes it just...escapes.”

He shook his head and chuckled but reigned in his mirth quickly. “You, uh...are you alright?” he asked, genuinely concerned for the woman even though he’d never met her.

“Oh, yeah.” She sighed and sniffled again. “I mean, I’m as good as I can be after something like that. Thank you though, for asking. Um...what was your name?”

“Oh, uh Inuyasha.” Should he have been on the phone this long with his friend’s ex? Absolutely not. Did he care at the moment? Also absolutely not. His brain was scrambling for a way to keep her talking so he could hear more of her melodic voice. His instincts were shouting at him to comfort and protect the woman on the other end of the phone. He needed to put a stop to that and soon.

“Well uh Inuyasha, my name’s Kagome. Thank you and, um...it was nice to meet you, kind of. Oh, I mean, it was nice to meet you but we only kind of met. Not ‘it was kind of nice to meet you’...um, shit. I’m rambling, sorry.” She giggled and he could feel his ears twitching at the sound. It was fucking adorable.

The awkwardness of it all made him chuckle. “I get it. You too, Kagome.” He liked how it felt saying her name. “And if asshat bothers you again, just let me know and I’ll deal with him for you.”

She giggled again and it just wasn’t fair what it was doing to him. “Will do. I...um, I gotta go. Bye, Inuyasha.” 

“Bye, Kagome.” He was sure he was grinning like an idiot by the time he hit the end call button. Hopefully, Koga was too drunk to notice.

“Gimme my phone back, shit-breath.” Koga had managed to get himself back to his feet at some point and was making a more focused grab for his phone. His scowl was a good indicator that he’d heard a good bit of the conversion. Inuyasha didn’t miss the way his eyes narrowed when Inuyasha finally let the smile fall.

“Here, fuckface.” He tossed the phone in the air, Koga catching it with ease despite his drunkenness; he was already starting to sober up.

The blare of a car horn made them both jump. “You two assholes call for a ride?” Shippo yelled out the window. “Hope you know, I charge by the minute.”

Inuyasha pushed Koga into the car, trying and failing to not think of Kagome, thoughts of his soulmate forgotten for the time being.

[faraway-in-headspace]

I?? I searched Chicken Choice Judy on google out of curiosity because it sounds oddly familiar like there’s a similar-sounding name and I found 4 websites selling the shirt design. But the descriptions on these pages are BUCK WILD??

Written version of the descriptions under the cut (very long).

[Begin ID

First image states:  Long ago, when I had hair, I was an undergrad living in a house with nine other men. Near as I can tell, three of them (not sure which three) never bought food, just lived off what they stole from the Chicken Choice Judy shirt But I will love this other seven. We had several house meetings about it, but nothing changed. One day, I came in from grocery shopping. By coincidence, all 10 of us were in the kitchen. I started putting my stuff away. 1st thing I pulled out of the bag was my half-gallon of milk. I opened the carton, took a couple of drinks from the carton, then gargled some of it, and spit it back in. I opened my tub of margarine and licked the whole surface. By now, the room chatter had stopped because the other nine jaws had dropped open.) To your original question, those specific topics would take several years to build, as they depend on several layers of pre-requisites, which would require either that more advanced topics such as algebraic topology to be taught in elementary school, or that the buildup process happened blazingly fast during high school – both of which probably stretch the biological limits of what pre-teens and teenagers can reasonably be expected to accomplish. I spit on all my veggies, took the bread out of the package, and licked and spit on it, then carefully put it all back in the plastic bag. Remind teenage daughters to look through them before going on date with the boyfriend, in case they want to use one. I labeled it all and put it away. None of it was stolen. I never said a word, but I made it a point to repeat the performance anytime anyone was around to see it. Others began to emulate my approach and food theft stopped. Even I found it revolting, but it solved the problem. Works even better if you are sick or can at least make your thieving roommates think you are. While some cities are starting to reopen in the wake of the COVID-19 pandemic, people around the country are continuing to wear masks in public and practice social distancing. Vogue is committed to staying safe, and offering hopeful, optimistic content that highlights moments of camaraderie and exceptional acts of heroism from around the world. We are all looking for a little comfort too—be it a soothing Instagram account or a stylish creator on TikTok. It reminds us of the power of little things.

Second image states:  A couple of guests informed me my office was too minimalist and that they expected more things to be hanging on my wall the Chicken Choice Judy shirt besides I will buy this next time they visited my wife’s and my home. I kinda hope they held their breath while they were waiting for our next invitation. They both went on to backstab me and my wife pretty bad a few years later. Another set of guests tried to squat. I had driven them all the way from Florida to Massachusetts under the impression that they had jobs and a place to live lined up. They offered no money for gas, hotels on the three-day trip, or compensation for the inconvenience and effort. He even tried to weasel out of the dinner he offered as a thank you by forgetting his wallet. The dude got me off the streets years ago and I wanted to pay him back in some way, but my wife and I were in no position to have extra residents in our home. We just don’t have the room or money. I made all of this VERY clear and told my old buddy that we could only house them for a couple of days max. There are MANY other details, but the disrespectful thing my former friend said was wordless. As I was kicking them out and they were angrily loading stuff into my car to bring them anywhere but here, my buddy left his gigantic knife right in the center of my wife’s desk. Like that was supposed to make us change our minds and let them stay? In the days of dial-up, I had a family call and not be able to get through because we were online. They decided to show up unannounced. They literally caught me in my underwear as they were let into the apartment before I could even react to being rudely surprised. Some of my family members have a history of abuse, violence, and stalking, something at least one of the visitors, my mother, was quite aware of since she lived through it with me. Her tagalong friend decided to put in her two cents and tell me I should get a call waiting or a second line because they were trying to call me. That did it! I suddenly forgot I was just wearing underwear and angrily asked my mother’s friend if she was paying my phone bill. My mother-in-law, stepfather and mom’s friend beat a hasty retreat and NEVER did the pop-in ever again.

Third image states:  That was why when we did get to reality shows, Etro and then Dolce & Gabbana plus Jacquemus later in France, it was wonderful. Clothes are all about contact: As a wearer, you feel them on your skin, and as a watcher, you process them with your eye. The watching part can be done secondhand, but the Chicken Choice Judy shirt in contrast I will get this impact will always be second to the real thing. I read some commentators in the U.S. saying, “Too soon” or “Wear a damn mask!” which I always did, but these opinions while valid enough lack perspective. Milan and its surrounding region Lombardy went through what New York did but earlier. Through sagacious governmental management much more effective than that of the U.S., Italy has managed dramatically to flatten the curve across the rest of its territory. These shows just like the reopening of flights, stores, factories, and restaurants were symptomatic of recovery that, far from being taken for granted, is being tended to with vigilance and cherished with gratitude. The digital Fashion Weeks were better than no Fashion Weeks at all, but as an upgrade on the real thing? Nah. Like everyone, I missed the shows in the experiential sense this season. But for the first time since I began covering the collections several years ago, I didn’t miss a single brand or designer’s contribution to Paris Fashion Week. Which is to say, thanks to the Fédération’s online platform, I was able to watch every name on the haute couture and men’s calendars. This brand on-demand convenience not to mention being spared the logistical headaches of zigzagging across the city was pretty great. Also, everything was on time, from the films to the manner in which we filed our reviews. While efficiency can be satisfying, it’s not necessarily exciting. Ultimately, we had to accept that the focus this season wasn’t going to be the clothes but rather the brands conveying some combination of identity, process, and values. And in the absence of standardized criteria as in, showing a minimum number of looks, specifying a time range, it was interesting to observe how heterogeneous these experiments proved to be quasi–ad campaigns versus short films, conceptual or fantastical visions versus raw and documentary style. A proper kimono takes nearly an hour to put on – I’m sure most Japanese girls would much rather spend a few seconds and slip on a dress. Get survey responses from targeted consumers today.

Fourth image states:  Around a decade ago, not long after he started his own label, Massimo Alba made a great mistake. A batch of shirts and T-shirts he was working on that had already been garment-dyed one color were mistakenly exposed to another. Speaking at his showroom presentation this weekend, Alba said: “It’s very interesting to me that so many good things start out as mistakes like this.” That accident was to Alba what the Chicken Choice Judy shirt moreover I will buy this mold-infected petri dish was to Alexander Fleming: a stumbled-upon eureka that led to a career-defining course of the investigation. This collection featured a series of softly tailored jackets, corduroy pants, and shorts, plus light cashmere sweaters that were hand-overdyed two, and sometimes three colors. It’s a process that led to variations in tone that included acid-trip floods of purple on purple to subtle bleeding of magenta across mustard yellow. Like most of Alba’s garments, these dyed pieces appeared at first glance conventionally prosaic. The more attention you gave them, however, the more their exceptional qualities became evident. Take a pale blue jacket, for instance, which at that first glance seemed passingly related to a surgeon’s scrubs. To the hand it was light and almost textureless in its softness: The fabric was a cotton mousseline developed for Alba by Albini. Long-sleeved, in a delicately mottled finish of washed-out sky blue, it made for an ideal mid-summer shake in pink, sleeveless, it was an impactful shirting second skin. Other interesting developments this season included a cotton pant named the Myles with acutely kinking stitched gather at knee-level on both legs and another handsome pant, baggy in white poplin, with patch pockets. A blue tropical weight jacket named the Lenny, after Bernstein, was Alba’s interpretation of a bohemian creative’s ideal piece of workwear. Collarless shirts in ripstop linen and button-up short-sleeves in terry were further finely effective coups de théâtre. Alba is a self-deprecating yet dangerous designer: Try just one carefully chosen piece and that’s it, you’re spoiled for good because nobody else quite compares. The museum in Prague where this portrait is held describes the ring on her first finger as the ring given to her at her wedding. It’s not comfortable. Maybe a lot of girls think that a see-through blouse can attract the attention of boys or they think that it will make her look much smarter. Meghan has no dress sense: no knowledge of fabrics, fit, styles that flatter, proper tailoring, Her father raised her in L.A. Enough said. Her idea of dressing for an event is “dress up” like a little girl dressing up as a princess. Shiny! Tight! Celebrity “fashion” not elegant, just flashy.

/end ID]

[yuzukult]

city lights || chanyeol & reader

title: city lights  pairing: chanyeol x reader (ft. x junmyeon)  genre: soulmate!au  words: 8.2k prompt: i’ve waited for years to find my soulmate, but when i finally meet him, he’s completely different from what i expected him to be, and he doesn’t want to be with me. warnings: there’s no smut, but there may be some mature topics & cursing. note: i know that city lights is baekhyun’s album title, but i thought this title it fit this story well :).... also this is my first fic in a while so... hopefully this isn’t too bad...  5/9/20: i’ve reviewed for typos....... lets hope 5th time is the charm....

I’m twenty-two when I meet my soulmate.

Once you turn the ripe age of twenty-one, a unique tattoo appears on your body that replicates the one your soulmate has.

Everyone dreams about meeting their soulmate, falling in love, getting married, having kids and growing old together—but those aspirations are only attainable for the population that get to even meet “the one”. There are people who defy the odds and develop relationships with those who aren’t bounded as their mate, some successful and some not, but if you knew you had someone who was made for you out there, wouldn’t you want to find them as well?

This guy was attractive and he knew it. He would stride his tall frame into every room with confidence radiating from his body with a beaming smile plastered on his face. His laugh was the remedy to a bad day, and if his happiness were an infectious disease, it would be considered contagious. Just being in his proximity gifted you a fragment of his elation but it was enough to feel the major aftereffects. It didn’t feel fair that he was a whole package. Bubblegum pink wavy curls brushing his forehead, doe-like eyes and ears that his friends would make fun of for being big— but was a cute addition to his looks. There had to have been a switch on and off button on him somewhere, because he knew when to suddenly flip from a sweet, charming guy into this sexy man. There wasn’t anything wrong with him, but his mentality was to ‘fuck around’ as much as he could. He had the traits to swoon any girl, easily fishing them into his lap before stringing them along and dropping them in mere moments. It was easy anyway, these girls knew that he wasn’t their soulmate, but he was the closest they could get to one. Maybe he’d be the one they could change and make him fall in love with them, they’d all say.

But he was mine.

Well, at least, he’s supposed to be.

I met him through a mutual friend – well, more of a co-worker really. I lived in Busan for majority of my life, so moving to Seoul for work meant that I lost contact with a lot of my friends back home. Plus, the hours at the office were draining…

So when Minseok approached me at my desk on a Friday morning with a suspicious smile spread across his face, I leaned back on my swivel chair as he invites himself to sit on the pile of paperwork that lay across my workspace. He is always welcomed here, after all, he’s one out of the few friends I have here in the city. 

“Yes? You want something from me?”

“Why do you say it like that?” His mischievous grin was now formed into a pout. “I don’t only come here when I need something from you. We’re friends, aren’t we?” Minseok was the opposite of what a stereotypical 29-year-old would look like – he’s cute, but baby cute. He’s got great features, with his bushy brows and well-sculpted face, but it was more of an “I want to squish his cheeks” kind of reaction he emitted from me. Either way, it didn’t stop the girls in my office from gushing over his looks, constantly trying to get his number.

I hum while twiddling with the pen between my fingers, pursing my lips in suit with his. “Maybe. But you’re definitely here because you need something from me. Cut to the chase—what’s up?”

“Okay, okay,” Minseok is admitting defeat now, slouching in his position as guilt washes over his face. “I noticed the music note on your arm. Is that your soulmate marking?”

“Oh,” I pull my sweater sleeve up just barely on my left arm, pushing my watch down just enough to see the tattoo. “Yeah, it’s a 16th note. I learned how to play the saxophone when I was younger, so I knew what it was when I saw it.”

“About that…” What’s wrong with him? Why does he keep pausing? “I think I know who your soulmate is.”

Minseok is the reason I find myself out-of-place at a club, seated at a bright red booth tucked in a corner that he claims is his friends’, and that I should hang around until I get a glimpse of this guy who he thinks is my soulmate. I’m pulling my blue jeans up that doesn’t quite fit right and opting for a black bodysuit with lace 3/4 sleeves. My hair is let loose with soft curls, one side tucked behind my ear. Honestly, I’m not here to look sexy at a club, but I wanted to look decent enough to meet someone who potentially was ‘the one’. 

But this isn’t exactly where I found myself wanting to meet him.

I’m sitting next to a guy named Kyungsoo, or so he introduces himself as, and I hope that I get his name right because the volume of the speakers are so loud, I can barely hear myself think. It has me wondering if all of Minseok’s friends are just as attractive as he is, because Kyungsoo reeked of beauty. Dressed in all black – including the rims of his glasses were black – he was effortlessly gorgeous. He seemed equally as awkward as I am here, but it’s confirmed that he’s not my soulmate, and that he’s only here because it’s a friend of both his and Minseok’s birthday – another guy named Jongin… who also is not my soulmate.

“How old are you?” Kyungsoo is leaning over behind my ear, hoping that I can hear him. The veins on his neck are bulging from his attempt.

“Twenty-two,” I holler back.

“Oh wow, you’re very young.” He’s pushing his frames up from slipping on his nose before continuing. “Chanyeol is twenty-eight. I’m twenty-seven.”

“Chanyeol?”

“Minseok didn’t tell you his name?” Kyungsoo seems like a well-reserved guy, but his smile at the moment illuminates with impish. “If he’s right, your soulmate is Chanyeol. Tall guy, you won’t miss him.”

“Could you tell me more about him?” He shakes his head in response before using his chin to point over behind me toward a figure walking in the direction of the table.

That’s the first time I meet Chanyeol.

I remember my heart skipping a beat once my eyes laid on him, because almost immediately, I felt the sparks that the stories said there would be. There were always these posts on forums about how people met their soulmate – how everything around them seemed to change. The way they perceived color and taste were different because now it was enhanced and that they were on a high that couldn’t be described in any other way. Words didn’t do the emotions justice. It was just pure elation.

Even well renounced authors couldn’t even put to words what it felt like. Bliss, maybe? No, it was better than that.

Plus—it was troublesome to compare my experience with theirs when I’m inside a club where it’s dark and the lights are flashing and flickering.

His hair looked fluffy. I wanted to run my fingers through those luscious locks, and the shade of pink in his hair made him look more adorable than sexy, despite his outfit. Black leather jacket, with matching black jeans, and a white t-shirt were his get-up, and as he was approaching the table, his hands were stuffed into the front pockets of his pants before he changes his route and strides toward Jongin who stands by the booth. Jongin’s cheeks were already flushed on his bronzed skin when I first meet him entering in the club, but he’s more than happy to have a stranger join in on his party shenanigans. However, the change of emotions on his face expressed the evident adoration he had for the taller male, because moments later, he has his arms wrapped around him with laughter that could be heard throughout the club.

“Chanyeol!” Jongin exclaims, and my claimed-to-be soulmate ruffles the birthday boy’s hair with a smile on his face. My heart clenched at that moment and I swore for a second I had a heart attack. “Happy Birthday, Jongin. Party the night away, bro.”

He slides into the booth across from Kyungsoo and I, exchanging handshakes with the other male before offering one to me. He’s using his right hand to greet me, so I don’t get a glimpse of his supposedly tattooed wrist.

“I’m Chanyeol,” He says, and I take his hand with a firm grip, and I feel that spark between the two of us again. He must have felt the something too, because he abruptly escapes from the grasp with a soft chuckle. “Sorry, I might have shocked you. I rub my socks on carpets in my free time.” He jokes.

Kyungsoo introduces me as Minseok’s friend, and it’s like a light bulb goes off on top of Chanyeol’s head. “Ah, the soulmate. He’s really trying to get me to settle down, isn’t he?” His face looks like he’s going to play along, quickly locking eyes with Minseok in the crowd before gesturing the older male over.

“Hey, I see you’ve met my friend, your soulmate.” Minseok is grinning from ear to ear, and I can’t tell if it’s him playing around with his friend that’s bringing him the overwhelming excitement or the alcohol in his system.

“She has a name, hyung, and it’s not ‘your soulmate.’ I’m about to ask her if I can see her marking to compare, and since you’re so damn adamant about us meeting, I figured you should witness it yourself.”

“Okay, well shoot. Do it.” Minseok is looking at me as I slip off the watch on my wrist, dropping it on the table while Chanyeol tugs down the sleeve of his jacket before resting his arm beside my watch. I place my own next to his, and Minseok is already clapping in awe.

It’s a match.

“Fuck, what—fuck. What?” He’s grabbing my wrist now, moving out of his side of the booth before slipping in next to me, pushing me into Kyungsoo. Chanyeol’s in disbelief, and I can hear the snickering coming from the other side of me. “But I’m only twenty-eight!”

“Dude, you shouldn’t be at a bar on a Tuesday night trying to pick up girls at your age. This is a good thing.” Minseok is in Chanyeol’s previous seat now, and his face is glimmering with excitement. “You can finally chill out and stop acting like a college student.”

“This is a joke right?” He’s scoffing, dropping my hand in the process and I wince at the abrupt action because I hit my hand on the edge of the table. “This is a temporary tattoo or something, because there’s no way.”

“You’re twenty-eight, Chanyeol, did you think you were never going to meet your soulmate?” Kyungsoo chimes in, swirling the beer in the cup in his hand. “Jongin is already married, and he’s one of the babies in the group.” Jongin has a wife? He didn’t seem like it… but I guess don’t judge a book by its cover, right?

“I’m sorry,” Chanyeol’s standing now, looking down at me and I feel small. “I thought I would be lucky enough to not meet my soulmate. There are so many people who haven’t. Yeah, I’m not doing this. Sorry, you’re going to have to find someone else.” Before I could even let a word out of my mouth, he’s already lost in the crowd.

“Sorry about that,” Minseok looks like a sad kitten when he’s talking to me, pity spewing with each word that he says. “I honestly thought he was going to drop the act and actually try getting to know you.”

I want to say that it’s fine, but I’m not. Chanyeol only knew my name and that I was his soulmate, and in the matter of seconds, he concluded that he didn’t want this. My face is frozen, and I’m completely dumbfounded.

My soulmate doesn’t fucking want me. My soulmate, the person who was supposed to love me. The person I was supposed to love. I have waited twenty-two years to meet a man who ends up crafted as everything that I wasn’t, but was the person who was supposed to fit into me like a missing puzzle piece.

“Hey, are you okay?” Another guy – great, another one—comes to the table and he looks perturbed. “I’m sorry about Chanyeol, I was watching from the side because I thought I could witness him meeting his soulmate but it didn’t seem to turn out the way I assumed…” He’s distorted with worry, the same expression that’s drawn on both Minseok and Kyungsoo’s faces. “I can get you an Uber or something if you want to go home. I don’t think you’d want to stay here after that, right? Ah, I’m Junmyeon, by the way. Part of the group.”

“He’s the mom of the group if that makes you feel any better. He’s always the sober one, you’ll be safe with him.” Contrition clouds Minseok’s expression.

Junmyeon doesn’t look like a mom; in fact, he looks far from a mom. I don’t know where Minseok finds his friends because Junmyeon looks like a piece of artwork that belongs at a museum. He’s wearing two loose dress shirts layered that aren’t buttoned-up all the way, exposing a bit of his bare chest. It’s a questionable choice of fashion, I admit, but he makes it work.

I can’t even bring myself to speak, so I just nod. I type in my address into Junmyeon’s phone before he takes it away, tracking the driver. My soulmate doesn’t want me. That’s all I could think about.

“Don’t feel bad,” Kyungsoo interrupts my thoughts as he slides an unopened beer bottle toward my direction, implying that I should drink just a bit to forget my issues as Junmyeon is tracking the whereabouts of the driver. “Chanyeol… he likes to live his life differently. We only come to these places during special occasions—like Jongin’s birthday, or Minseok’s bachelor party. But Chanyeol… this is like a ritual for him to come every weekend.”

I take up on Kyungsoo’s offer and open myself the beer, taking a couple gulps before letting out a sigh. “It’s… It’s not fine, but I guess I will be fine. I want to try to convince him, so maybe I can meet him in a different place another time?” I suggest, and it seems that both Kyungsoo and Minseok like that idea because their faces brighten a bit.

I finish the beer coincidentally at the same time that Junmyeon tells me the Uber is here and that he’ll walk me out. We exchange numbers because he wants to make sure that I get home safe, and I comply – he’s attractive, the mom of the group, so I figured I could trust him.

But then we’re outside of the club, and I’m cold without a jacket, and I’m doubtful that I’m just exaggerating, but I feel like my heart was being pulled out of my chest, thrown onto the floor, and stomped on.

I didn’t mean to stare, and I probably have been standing here watching this whole thing unfold for about 5 minutes now. Chanyeol’s in the alleyway with some girl he probably just met, her back against the red brick wall where the streetlight barely brushes them but it’s like my senses were heighted to see the actions clearly. Her arms were wrapped around his neck, and although his head was tilted in my direction, attempting to hide the explicit actions between the two, any idiot would know what they were doing.

It hurt. My chest was in so much pain, twisting and turning like someone’s grasp was on it, but before it could get any worse, Junmyeon steps in front of me, pulling me into his arms. “Why are you watching? Don’t you know it physically hurts when you see your soulmate do… things like that with someone else?” I’m muttering ‘no’ in his shirt, and I feel the fabric hanging on him was damp – oh. It was because of me. I was crying. I didn’t know who Chanyeol was until today yet he has me bursting with tears in the arms of a stranger.

Chanyeol doesn’t even know me, and he’s already dismissed me from his life. He doesn’t know what my favorite color is, what I enjoy in my pastime, what my most watched show is, and what foods I enjoy. He doesn’t know my personality, what makes me as a person, my biggest fears, my dreams and aspirations but just one look, he knew he didn’t want me anymore.

He pulls away from the woman when he hears footsteps descending in the background, and sees that it’s me with Junmyeon walking away from the scene. What I later learned was that in that brief moment, he felt a stinging pain in his chest too.

After texting Junmyeon that night that I got home safely and reassuring that I was going to be okay (eventually, at least), we exchanged texts daily. I learned a lot about him, like how he enjoyed composing music in his spare time, which I found out later that Chanyeol does the same thing, except as a profession. I don’t tell him that I had known this about Chanyeol because of a previous dream. He works in a stereotypical office setting, something about trade management, but he claims that it’s just a job that pays the bills, and his passions are elsewhere.

We don’t meet, but we text frequently. I also see Minseok everyday at work, and he treats me as he did before, which I appreciate because it’s distasteful to talk about the circumstances of Jongin’s birthday party.

“What are you doing this weekend?” Minseok again is inviting himself to the little office space I have that is bombarded with rolls of architectural drawings and stacks of paperwork that needed reviewing. He skims through the documents that splatter, but he has absolutely no clue what he’s looking at for someone being in the financial department.

“Uh, probably catching up on work,” That question always strung along with a proposal to hang out, and I had prepared an excuse why I didn’t want – I mean, couldn’t go.

“My friends and I are going to the beach. We have a whole beach house that we rented out for the entire weekend, and seeing that you’re clicking well with Junmyeon, I think you should come along. Plus, you get to meet my soulmate!”

“Hayoung, right?”

“Yes, Hayoung. I think you’d like her; she has the same tolerance for spicy food like you do. And... It’s been months since you’ve actually hung out with me on a weekend.” He’s talking about the incident and I feel something churning in the pit of my stomach. But, he’s right. I don’t have any friends here, and I would have Junmyeon to hang out with when Minseok is occupied.

“Mm, alright fine, but just this once. No more funny business like last time right?”

His face falls into a frown, and he’s still remorseful about the fated night, but I’ve told him multiple times that he’s all forgiven, and it wasn’t his fault for what occurred.

It’s been almost 6 months since I last saw Chanyeol. I note this because the seasons have changed, and the harsh, brisk wind that slaps my face in the days aren’t present, but replaced with the blistering heat of the sun that June brings.

I chose to drive myself to the location that Minseok sends me instead of carpooling… just in case I needed to quickly escape any distressing social situations.

The house is seemly huge—there looks like there could be 10 rooms (eventually I find out that there isn’t even enough for all of us), and it’s by the water with multiple cars parked out in the front of it, which I can only assume, belong to Minseok’s friends. The roof shingles are blue with accents throughout the home that match the sea, seashells and decor splattered across the surfaces. I park my old, beat up Lexus sedan that belonged to my grandfather previously behind one of vehicles, and I’m surprised that I even make it here in one piece.

The salty ocean aroma fills the air and it mixes in with the charcoal burning from the backyard as I enter into the threshold of the home. I drag my duffle bag beside me, dropping it by the other suitcases and backpacks that sit in the living room of the home before making my way back to where everyone was grouped outside.

There are a couple new people that I haven’t seen before (who supposedly were at the club) since the last encounter with Minseok’s friends when I get to the back porch – Jongdae, Baekhyun, Sehun, and Yixing are their names. Hayoung is helping Minseok carry in additional groceries from the car, but she still says her greetings as she’s carrying one side of a cooler. A woman is standing beside Jongdae, who I believe is his wife, gifts him a peck on his cheek before briskly walking by me with a baby resting on her shoulder, whispering a quick ‘hello!’ to me before going into the house to set the little one down. Kyungsoo is manning the grill before I even arrive, and he’s gesturing me to come over with his cooking tongs to help him out. Junmyeon is standing beside him with a knife in his hand, and he looks lost after Kyungsoo gives him direction.

“Come help, hyung is useless,” He hisses, glaring at the older male through his glasses.

“I’m sorry,” Junmyeon is pouting playfully before he places down the knife. “I’m trying!”

“Sure, sure,” I find myself mimicking the tender smile Junmyeon has on his face when he locks his eyes with mine. “I’ll replace Junmyeon here.”

There are bell peppers, onions, and pre-cut cubed of beef lying by the grill beside the naked skewers sticks. I chop the vegetables before guiding Junmyeon to replicate my actions, sliding the pieces onto the stick before Kyungsoo cooks it.

“Do you know how to cook?” Junmyeon asks, but his eyes don’t leave his hands because he’s too preoccupied with his work.

“A bit, I live alone, so I kind of have to.”

“Ah, I live with Kyungsoo and Chanyeol so… Kyungsoo pretty much cooks every night.” I see from my peripheral vision that Kyungsoo has a proud grin on his face as he’s flipping the skewers on the grill. “So much for being their hyung and taking care of them, right? Chanyeol and I can’t even cook rice, we just get the instant ones when Soo isn’t around.”

“That’s nice though,” I stuff a piece of cubed beef to complete his skewer stick before trading it with my empty one. “You never have to cook. I always have to find new recipes because I get bored of the food I make.”

“Maybe you can teach me sometime. Learn new recipes and teach a beginner.” He’s gleaming with happiness, which can only be from the fact that the people surround him are the ones he loves the most. We’ve become friends over time, in spite of the fact that we haven’t met in person since Jongin’s birthday.

“Sure, I’d be more than happy to.”

“In exchange, I’ll bring the groceries. That’s my payment to you for being my teacher,” He winks, and my cheeks grow pink. There’s a slight possibility that Junmyeon is growing on me, and I might have a crush on him.

“I thought you weren’t coming,” I heard a voice from behind me, and I know it belongs to Chanyeol because I get chills down my spine. I’m filling up my cup from the tap with water while leaning against the kitchen sink.

“Minseok suggested that I come.”

“These places aren’t really your thing though, you’d rather be at home working.” Chanyeol is opening the fridge, grabbing himself a beer can. He opens it and brings the cold beverage to his lips, my eyes wandering to his neck as his adam’s apple bobs as he drinks, but I pause and refrain myself from letting my imagination run wild. Either way, I’m left questioning how he would know what my preferences are.

“How would you know? We don’t even talk.”

“I’m your soulmate, I know everything about you.” He wipes his upper lip with his sleeve, and there’s something erotic about it. I quickly shake my head again from these inappropriate thoughts and furrow my brows in confusion.

“What do you mean?”

“You haven’t gotten the dreams yet?” He pushes the can toward my direction, gesturing that I take a sip and I decline.

“No… what dreams are you talking about?” I’m not playing dumb, I really didn’t know what he was talking about, but his expression conveyed otherwise.

“All my dreams are of you, and you’re never doing anything interesting in it. I saw you visit your family a couple times, maybe had some dinners or lunches with friends back in Busan, but nothing else. Do you have any hobbies?” 

No, but I wasn’t going to tell him that.

“Well, if you’re fucking around all the time, it’s not going to show up in her dreams, you idiot.” Another voice enters in the conversation and room. It’s Hayoung coming in with Jongdae’s wife, who I still haven’t learned the name of, but I’m a bit embarrassed to ask her.

“Dreams?” I’m still perplexed by the situation, because if I’m being honest, I don’t quite understand this whole ‘soulmate’ thing other than you’re meant to be with them. I’ve never met anyone in the same situation as me, so I never learned the side effects of the rejection.

“You get dreams about your soulmate if you meet and choose to not be together. It’s a punishment, but it’s not brutal, so it’s not going to show you a scene of him hooking up with someone else. It’ll just make you regret.” Jongdae’s wife is talking now, shoving Chanyeol away from the fridge to grab the carton of milk to fill up the small bottles she has lined up on the counter.

Chanyeol chuckles at the comment, taking another sip of his beer. “So, I should regret not sitting by her while she’s working on some project? What are you even building by the way? Pipes?”

“It’s a mechanical system of a building,” I utter, and I’m dissatisfied immediately at my own response. Why would I even tell him that? Why would he even care? It makes me sound even more boring than I already am.

“Ah, there it goes. Another reason why I’m not feeling that regret you’re talking about.”

Hayoung is shaking her head in disapproval, arms crossed against her chest as she watches Jongdae’s wife finishing up the bottles of milk for the baby. “Maybe not right now, but it’ll build up. Before you know it, you’re going to be the one wishing that’s it’s you holding up the light instead of a lamp above her work just so you could do something to be next to her.”

When Chanyeol is with his friends, the best qualities of him come out when they’re around. He might be avoiding the real version of himself when he’s with me, but I get a glimpse into his world when I’m at these outings that Minseok and Junmyeon insist that I attend.

Chanyeol is playing the “attendance” game with the guys, and his competitiveness brings out a different side of him, but he’s determined to win, even if the prize is just being able to slap the loser on the back.

Baekhyun loses—again, and they’re all crowded around, not even taking turns, but in unison smacking his back as he grimaces in pain.

And when we’re out at the beach, sinking our toes into the sand and absorbing in the warmth of the sun, he makes a game out of out nowhere to play with his friends, laughter filling the air. He’s not laughing with me, but I still find myself feeling whole at the sound. 

I’ve come to realize how easy it is for someone to fall in love with Chanyeol. He cared for no one more than his friends and family, and I start to see this when he’s talking fondly about his older sister and her kids when he sees Jongdae’s baby. His expression resembled child-like wonder when he’s playing with the girl, and it makes me ponder what he’d be like as a father—ah fuck, scratch that. He said doesn’t want to be with me.

There are moments where I’m convinced that I’ve gone insane, because when I’m eating a burger at the dinner table, he reaches out with a napkin in his hand to wipe the smear of ketchup off my cheek. Or the time when they ran out of water bottles at the beach and it was scorching hot, and he drinks a bit from his bottle before giving me the rest because I didn’t have one. Not quite sure what brings him to be so affectionate, so it feels odd. 

The weekend sooner or later reaches to an end, and I had to resume back to work.

I’m attacked from behind at the office with more tasks than ever. It feels like there are at least 5 more folders that are added to the stack daily, and the mountains of paperwork overwhelm me. Minseok visits from time to time, dropping off snacks majority of the time because I don’t take up on his offers to have lunch together simply due to the fact that I didn’t have any time.

Despite all of that, Junmyeon still makes the effort to see me. He comes by several times a week, and just as promised, he’s providing the groceries and I’m teaching him how to cook. He entertains and keeps me company in my quiet apartment, but continues to be a wonderful distraction to the stress that I receive from work.

We’re cooking kimchi jjigae, and albeit that we both have aprons on, I still manage to get some on my t-shirt. I grumble in repulsion of how I could be so unladylike in front of a guy I’m trying to impress.

“It’s okay,” He comforts, and that signature smile makes an appearance yet again tonight. “It’s cute, it’s the style now.”

“What? Kimchi splatter?” I’m stirring the beef at the bottom of the pot, motioning him to monitor my actions. “You should let the meat cook, occasionally moving it around so it doesn’t burn. Cut the onions and mushrooms in the meantime.” 

He abides by instruction, making his way to the cutting board and begins to chop the vegetables ardently. “You look good in anything, even kimchi splatter.” I let out a laugh of disbelief in return, but his expression proved that his compliment was authentic. 

Everything about Junmyeon is art. His laugh is like the melody to your favorite song, and his smile shone brighter than the sunlight that peeks through the curtains of a Sunday morning. Listening to him speak about his aspirations, his interests in artwork, and his times with his friends remind me of a character in the novel that only spewed out perfections without a single flaw in their body. Junmyeon was selfless, elegant, and intelligent. A whole package, as someone would say, but a completely different package from Chanyeol. 

So when Junmyeon confesses that he might have some feelings for me, I don’t hesitate in telling him that I might feel something for him in return.

“Listen,” He begins, tapping his fingers against the lid of his iced Americano anxiously. We’re sitting in a coffee shop on a Thursday, after having lunch together at a ramen place he suggests. “This is a bit different from how I would normally date. You actually met your soulmate, you know who he is.”

“But he doesn’t want me,” I interject, and I don’t want him to continue with more reasons as to why we shouldn’t be together. “He doesn’t want me so it makes the decision not to be with him easier. I’m ready to move on, Junmyeon. At least let me try to do that with you.”

The expression on his face suggests how uneasy he’s feeling, and he’s hesitating before speaking again. “I… we can try, but I really don’t want to put a label on this yet. Let’s date, hangout, and see how it goes, okay? I don’t want to get hurt.”

I agree to his terms. I understand why he’s feeling that way; it’s even harder when my soulmate is one of his best friends.

He takes me out on dates, mostly to museums to show me his favorite artworks and his personal interpretation of the pieces. Junmyeon is passionate about things like this, and hearing his thoughts and views had become my favorite pastime. He asks me what my interests are, and I’m a bit flustered because my work is my passion. I wasn’t sure how else to show him, so I take him to the Gangnam District one night, and he’s confused.

“Why did you pick here specifically?” It’s a cold night, and he’s wearing a black turtleneck with khakis, and a light brown trench coat with matching dark backpack that’s slung over his shoulder.

“You know what Minseok does for a living, right?” He hums in thought at my question for a moment before responding. 

“He said he works in the financial department of an architecture firm. Am I right?”

“Correct, but do you have any idea of what I do?” Junmyeon pauses for a moment, and he raises a brow.

“Honestly, now that I think of it, I kind of always assumed you did the same thing. But I don’t quite think numbers were your passion,” He chuckles.

“Nope,” I click my tongue, jokingly disappointed as we’re walking down the streets, the lights illuminating from the buildings surrounding us but we don’t see stars in the sky in a city like this. “I’m an architect. I design buildings. I haven’t gotten the chance to design a building myself, just systems within it, but one day, I’d like to change the Seoul skyline. Create something of my own, build something bigger than me. I know you specifically like the works of artists that focuses more on the nature of things, but… something about the city is beautiful to me.”

Junmyeon is watching me as I spill my thoughts, and I physically feel the love radiating from him. Maybe I can learn to love him too.

At this same moment, I later find out that Chanyeol is dreaming of my date with Junmyeon, and his heart aches. He suddenly wishes that he were the one listening to my passions, and holding my hand while he shares his own.

I’ve been meeting Junmyeon weekly now, so frequently that he even has the passcode to my apartment. In addition, he’s been great at occupying my thoughts from these dreams I’ve been having. Almost every night, these scenarios of a typical relationship with Chanyeol would appear—doing laundry, cooking, movie dates… there was even a sex dream. It made me a little uncomfortable waking up from that nap, because my head was rested on Junmyeon’s shoulder on the couch. I must have fallen asleep in the midst of the movie.

“Finally awake? If I knew documentaries weren’t your thing, I wouldn’t have forced you to watch it.” He has a Cheshire’s grin that spreads from ear to ear and a chuckle the escapes from his lips. “Sorry, work has just been exhausting lately. I haven’t been getting much sleep.” I concede, and a bit guilty for sleeping through the movie but also dreaming about another man right next to him. Regardless, he’s interlocking our fingers together at this point, giving me a forgiving gaze.

“Don’t worry, I like having you next to me.” His words melt my heart, and I hate that I’m comparing him to Chanyeol because it’s not the same way that Chanyeol makes me feel.

Work had been exhausting, but not exhausting enough to find myself standing outside of a flower shop, beside Chanyeol who is equally as bewildered as I am. I couldn’t remember how I got there, uncertain how Chanyeol did either, and how long we’ve been standing here.

“I—did we agree to meet here or something?” He questions. Chanyeol looks different. His hair isn’t pink anymore, but it’s a dirty blonde. It didn’t matter what shade his hair was, what outfit he wore, he just pulled off any look he wanted effortlessly. He’s dressed casually, probably coming from the recording studio.

“I… I’m not sure.” I’m scratching my head, looking at the reflection of myself in the shop’s window before I realize how I look. My hair is greasy, tied up in a messy bun, and I’m wearing a t-shirt that’s stained with kimchi that splattered on me from my cooking lessons with Junmyeon whilst in the baggiest sweatpants. I was working from home that week because my new project didn’t have an office space set up for me yet, so I took advantage of the opportunity to dress like a bum in the comfort of my home. But… I’m not home; I’m very much out in public with Chanyeol.

He shrugs off the bizareness of the situation before facing me completely. “Anyway, since I have you here, can you stop having those moments with hyung?”

“What?”

“I keep seeing your dates with him every time I sleep. I see when you hold hands, when you sleep together—I see everything. I thought that these dreams weren’t supposed to be brutal.”

“How am I supposed to control that?” I feel my neck getting hot, and I’m furious with his words, but I don’t want him to have that leverage over me.

“I don’t know, just stop or something.” He dismisses me before walking away toward the opposite direction.

This happens a couple more times, and there’s no real explanation for it. I can’t manipulate my dreams and it becomes difficult to distinguish what’s a dream and reality anymore.

There’s a knock on my door but I’m too tired to get up.

It’s been 3 days since Junmyeon left on his business trip, and with my luck, I got sick the day after he departed. It’s probably due to the rainstorm that hit the other day, and I forget my umbrella at the office so I’m drenched by the time I’m home. I’m now alone in my small apartment, trying to convince myself I’m okay by occasionally heating up the leftover delivery of Soondubu I ordered a couple days prior. However, I’m currently prioritizing slumber.

The knock gets louder. The person is adamant about getting my attention; if it was a telemarketer, they would’ve left already. I grab my phone that lies right beside my face to see if there’s any new missed phone call notifications—none. If it were one of my friends, they’d call after the first attempt right?

Then I hear the beeping from the keypad on the door. Someone’s pressing in the passcode into my apartment. The lock dings in confirmation and clicks—whomever it is… they’ve successfully gotten into my apartment. Is this when I die?

“Dude, where are you?” The door shuts behind the footsteps, and it’s a familiar deep baritone voice that calls out for me, but I’m glued to the mattress, wrapped in my blankets like a burrito. He’s just going to have to kill me like this. I’m probably the easiest victim this killer is ever going to encounter.

There’s a tall figure that reaches to my bed, and despite my horrible eyesight, I squint enough to make out the features of his face. He has a facemask on, but it’s tucked below his chin, and he has a beanie on that matches his hoodie’s shade of grey. It’s Chanyeol. Am I dreaming? Is this another one of those hallucinations?

He kneels down beside me, utilizing the back of his hand to test the temperature of my forehead, then wipes the sweat off it with his fingers which feel like ice against my skin. I could almost hear myself sizzle from the impact. “Where’s Junmyeon? He called me saying that you haven’t responded to any of his texts. He can’t call for some reason. He’s worried.”

“Oh, away. I saw he texted earlier. I must have drift off midway through typing.”

Chanyeol sighs, clicking his tongue before getting up from the bed and snatching my phone from my side. “Password? It’s not going to recognize your face when you’re looking like that.” Ouch. “1616,” I respond before shuffling back into hiding position within my blankets. Maybe my cheeks are flushed from the fact that my passcode is 1616, like the 16th note on our wrists—but I’m going to blame it on the fever. I’m hot yet cold at the same time, and I can’t even gather the energy to argue with him about my appearance right now.

“Hey,” He’s talking to someone on the other line as he paces around the room with a hand on his hip and brows furrowed in slight frustration. “She’s home, she’s been sick. Not sure how long, but she’s looking like a wreck.” Chanyeol lets out a sigh, tapping his feet against the hardwood floors of my room, and it occurs to me that he’s never been in my house before. It’s also been a while since I’ve cleaned. 

He’s tightening his lips into a straight line as he listens to who I assume is Junmyeon on the other line. “It’s fine hyung, you don’t need to come back. Just finish your work there; I’ll get Minseok to come check in every once in a while. I’ll give you another call before I leave.”

After hanging up, he diverts his attention back to me before letting out another exasperated sigh. “Did you eat anything yet? Take any medicine?”

“No,” I mutter under my breath. Honestly, I wasn’t in the mood to talk, and his attitude wasn’t convincing me to try to uphold the conversation either. “It’s not time for me to get up yet.”

“It’s already 1pm, what do you mean you’re not ready to get up yet?” He’s in the process of taking off his facemask and beanie now, throwing it on the chair by my desk before rolling up his sleeves and making his way out the room. He’s gone for what feels like eternity because my eyelids are slowly drooping shut when I hear his loud steps coming from the hall with a bucket in one hand, and a towel in another.

“I’m going to clean you up,” He announces, placing the bucket on the nightstand by my bed. “I bet you haven’t showered in days, and I can already tell you reek.”

“You can tell or smell?” That’s all the comebacks I can get out of me, because Chanyeol is already inviting himself to pull the covers off my weak frame tugging on the hem of my hoodie, gesturing me to take it off. “Let me wipe you down.”

“I’m not stripping in front of you, Chanyeol.” I may be on the last portion of my human battery level, but I’m not stupid. “I’m naked under this. I don’t have a bra on.”

“Okay, but I’m your soulmate. I’ve seen you naked countless of times in my dreams. So please, take it off so I can clean you up.” So… he has seen me naked too? Does he have those sex dreams too? Should I be working to get abs if he’s dreaming about how I look under this too? Because in comparison to him—

My thoughts are interrupted when he helps himself by pulling the hoodie off my body instead of waiting for my response. I don’t even have the chance to feel insecure when he begins wiping my arms and underneath with the wet rag. I know the water is warm, but my body temperature is too hot to be able to tell the difference. It’s silent when he does this, and when he’s done with the upper half of my body, he dresses me before tugging on my pants gently. “I’m going to do your lower half now.”

I must have fallen asleep briefly from his delicate touches because once my eyes flutter open, he’s already done and my sweats are on. I couldn’t even remember being embarrassed of him seeing my bare body, because he’s already tucking me back under the covers, checking my body heat once again with the back of his hand before throwing the rag back into the bucket.

He’s leaving the room and I still can’t translate the expression on his face. I thought that meeting your soulmate was supposed to make things easier, not harder.

I think I doze off yet again, because this time when I’m stirring awake and Chanyeol is sitting in a chair beside my bed with a tray full of things. There’s a mug, medicine, and a bowl in front of him, and this is where I get to finally see his features a lot more clearly.

His hair is brown now—I’m unsure when he dyed it, but makes him look tamed compared to how he actually is. The black circles under his eyes were like a trophy to his exhaustion, probably from the endless cycles of staying up all night, working on his composition pieces at the recording studio. I haven’t talked to him much, but my dreams update me with what he was up to, more than he would ever tell me.

“Here,” He’s holding a couple of pills in his palm with a cup of water in the other hand. “Take this, and eat some of the soup I made you. You need to actually have something in your system to feel better.” I feel like a 7-year-old child being lectured by her father, but to be fair… I’m acting like one. For once, I decide not to start a fight and comply, taking the pills into my mouth and drinking from the glass he’s holding before handing it back. The size of it makes it tough to swallow, and I can feel it sitting in my throat.

“Open.” His face is making it hard to read any of his emotions, but he has the spoonful of what I assume is chicken soup near my face, I stare at him for a moment before opening my mouth questioningly as he feeds me. If he’s poisoning me right now, I think I’d be okay with it because the soup surprisingly tastes delicious.

Honestly… after meeting Chanyeol, I never thought I could possibly even imagine this scenario. He’s actually… feeding me. He’s taking care of me while I’m sick. His face is distorted from the worry he has for me, but there’s hints of anger because I obviously couldn’t manage myself. I let him look after me while my thoughts run in circles, thinking what if Junmyeon had been here. I would’ve never been able to see Chanyeol in this light.

How many times have I fallen asleep with him here?

I feel something heavy on my midriff, and a warm body pressed from behind that has me turning around curiously to face the suspect, only to bump noses with the one and only—Chanyeol. Nose scrunched up from the impact, he has his one arm wrapped around me, my head resting on the other, and his body spooning my own. He looks peaceful like this, quiet – not a word coming from his mouth that strings along insults toward me, and his brows aren’t wrinkled in frustration like it always is when he’s looking at me. His mouth is slightly agape, and I can’t help but stare at his plump lips. My heart is fluttering just at the sight of him, stomach boiling from anxiety that it reminds me of my encounters with my first crush in middle school. He spent the whole day taking care of me, and he’s probably exhausted, knocking out right next to me, potentially infected with this fever I have.

I despise myself being in this position. I should tell him to move – I’m trying to convince Junmyeon that I didn’t have feelings for Chanyeol, and Chanyeol didn’t feel anything for me either, despite being soulmates, but right now… I like the feeling of being in his arms, I like that I can feel his chest moving against my back with his soft patterned breathing, and I like that he’s snuggling in just to feel closer to me.

Chanyeol is stirred awake, shuffling in his position as he rubs his face with the arm that once draped over me. I quickly turn myself back to face away from him and pretended to sleep before I feel his nose nuzzling into the crook of my neck as he hums quietly, and I’m not sure if he recognizes I’m awake or not with this action.

He’s muttering against my skin, and I’m unable to tell the difference between the warmth of his breath as he speaks, or if it’s my fever acting up again. “Is it too late to tell you that I want you to be mine? Am I the first person to lose their soulmate by making the mistake of telling her I didn’t want to be with her?” Chanyeol pauses for a moment, before he takes in a deep breath. “I care about hyung, and I know he’s developing feelings for you… but I really want to steal you away. I think I’m in love with you.”

Okay—I’m steaming hot. I can feel my face and ears flushing crimson, and I can’t say anything because I’m supposed to be sleeping, and I wouldn’t even know how to respond anyway.

I felt his lips pressed against my neck, and chills go down my spine before he releases me from his hold, getting up from the bed before making his way out of the room and possibly into the kitchen. I’m kicking off the sheets from my body, sitting against the bed frame, and my heart is beating so fast and hard that I can’t keep up.  

This is everything I asked for. Just to be with my soulmate – but then Junmyeon is running laps through my mind every time I get closer to Chanyeol, and vice versa. Before today, I was okay with knowing that Junmyeon might be it, he might be my end game and although we weren’t bounded together, his feelings for me were genuine… plus not everyone ends up with their soulmate, right?

“I’m the stars, and you’re the city. You can’t see the stars in the city because of all the lights surrounding it, and I’ve already come to terms that Chanyeol is that light for you. I know that you’re going to try to convince me otherwise, but it’s a natural instinct for you to go to him, and it’s okay.” Poetic, even when he’s breaking my heart.

Junmyeon is leaning on the railing that perimeters the Han River, hair tucked in his black beanie that contrasts with his primary multi-color Northface jacket that compliments him so well. His cheeks are tinted pink from the crisp winter air and it reminds me that another year has passed since I’ve met him.

“I’m happy that I got to be with you, even if it was just for a moment. But I knew that I didn’t have you completely; there was still a part of you that resided with Chanyeol.”

“Please don’t do this,” I blurted. “I don’t understand why you’re doing this if you’re happy with me.”

He turns to face me, and his lips tug into an apologetic smile. His hands are rested on my shoulders in reassurance, knowing that this isn’t something he wants to do, but Junmyeon is altruistic. This is something Chanyeol needs, and he’d do anything to make his friend happy. It’s who Junmyeon is, and I can’t help but admire him for it.

“He’ll be here for you this time. He learned from his mistakes, and he’s willing to try. Why don’t you give him a chance?”

“He didn’t give me a chance when we met.” Tears are brimming in my eyes because the one person I thought wasn’t going to go is leaving me. “I thought you said you were going to stay.”

“I’m not going anywhere.” His thumb is pressed against my cheek, swiping away the stream coming from my eyes. “But Chanyeol is made for you. You’re never going to be able to love me like him. Your dreams are eventually going to take over, and whenever you see him with someone else, and when he sees me with you, it’s going to hurt the both of you physically.”

“We don’t have to see him—“

“You know I can’t do that. He’s like a brother to me.” He bites his bottom lip for a brief moment in thought before what it feels like forever, he speaks again. “When I left that week, I felt uneasy asking him to come check in on you. I knew that he wasn’t going to be able to hold back. He told me that after spending some time with you, despite the fact he’s met up with all these girls that only made him feel empty inside, he finally felt whole seeing you. He didn’t want to be with you because he wanted to option to choose you, he didn’t want someone, or something like fate to decide for him.”

I’m left without words, and I turn my head because it’s proven difficult to gather the courage to look at his face.

“I need you to be strong, and let me go. You won’t be as happy with me as you are with him. It’s how the universe works, love.”

I’ve been crying for days, and Junmyeon still hasn’t responded to any of my texts or calls. Eyes swollen that my face has become indistinguishable, my phone’s facial recognition just tells me to punch in the code now. I couldn’t even bring myself to leave my apartment anymore, so I’ve taken personal days off from work – I usually never did this since my emotions never truly got to the best of me, but it might have been the heartbreak and the constant overworking that finally broke me down.

I’m wrapped in my blanket once again, this time I’m not sick with a fever, but diagnosed with a broken heart. Bob’s Burgers is playing on the television screen in front of me; the show that once easily brought me light laughter from the stupidity of the jokes, suddenly doesn’t. I feel numb. 

There’s a knock at the door, and there’s nothing in me that wants to get up to see the unwelcomed visitor, but my legs beat my thoughts to it because I’m already opening the door.

“Sorry, I know I’m probably the last person you want to see.” Bags of groceries occupy his hands, and he lifts an arm up to show. Chanyeol is wearing a baseball cap, a black t-shirt that hangs loose from his body and blue jeans. How’s he still so handsome like this? Wait. No, I’m pissed at him. “Let me at least take care of you while you’re grieving.”

“I’m grieving because of you,” I spat. “If you just agreed to be with me in the first place, I wouldn’t have been with Junmyeon, and we could have been fine. If you just continued to fuck around, Junmyeon would’ve just stayed. You had to tell him that you wanted this?”

“You know he wouldn’t have stayed if he knew you felt something for me.” And for the first time, I agreed with him. I have been shoving my emotions down my throat, refraining myself from being completely honest with Junmyeon because the dreams had been eating me up inside. I was running out of energy, day by day, because I was denying the possibility of there being a Chanyeol and I, and I was being punished for it.

I remained quiet before stepping aside, letting him into my apartment. 

He makes his way into the kitchen from being familiar with the layout the last time he’s been here. Sitting back in the living room to resume my show, I peek over occasionally to watch. He had ingredients to make pasta, and his face is scrunched in diligence. We didn’t exchange words, we didn’t argue but continued to enjoyed the company of each other after that. 

The silence ultimately shatters when Nam Joohyuk is standing naked in a scene of ‘the Bride of Habaek’ because Chanyeol bursts into laughter. From that moment on, my apartment felt livelier with him in it. 

These nights eventually became recurrent. His clothes residing in a designated drawer in my dresser and space is made in my closet that has his name invisibly written over it.

Slowly, I’ve noticed that I’m not as tired as I was before. I felt refreshed, and skeptical that it’s because of Chanyeol’s evident presence that’s more frequent. After a while, I’m starting to believe that the debilitation between the two of us was due to the lack of each other’s company.

We schedule a dinner date at my place at 7, but he calls then tells me that he’s going to be leaving the studio late, and the instant a dubious sensation agitates my stomach, he’s at my house at 11 with soft pink tulips in his hand that reminds me back to when his hair was bubblegum.

“I’m late,” He states the obvious, but he’s bouncing on the tips of his toes anxiously as he observes the look on my face. “But I made Baekhyun run out to grab these for you while I was stuck. Forgive me?”

I think that moment was when I began to forgive Chanyeol for letting me go in the beginning.

Months later, I’m coming back from another rough day at work, tapping my fingertips on the keypad into my apartment before the door flings open just a moment before I’ve finished typing. “Oh?”

There he is, standing before me with a smile that’s brighter than the sun and warms me like not just any Sunday morning, but every morning. The chuckle that escapes from his lips at my startled expression isn’t like the melody to my favorite song, but becomes my favorite song. His voice when he says my name is as smooth and sweet as honey, deep enough to bring goosebumps to my skin.

“Happy birthday,” Chanyeol sings, pulling me into his embrace, my face is deep into his chest from the height difference. I’ve never felt more home than in his arms.

Between now and when I finally agreed to be with him, Chanyeol had completely turned around. We live together now, but other of that, we were taking the relationship slow. He was proving himself worthy, taking place of what used to be Junmyeon’s shoes and attempting his best to fill them, bringing us out on weekly dates, attentively listening to my opinion on shows, cooking with me at night, and even sharing his prized works with me. He says that his music used to reflect on the “me-shaped” hole in his heart, but he felt whole now, and I was the muse to the happiness in his pieces. A bit cringey, I admit—but it was his way of showing his love, and I liked that. He wasn’t usually like this. 

“Everyone is already inside, hurry in.” His hands wrap around my wrist, where my marking appeared to glow these days, tugging me into the living room where his friends are seated and gathered around the coffee table with a lit birthday cake in the middle. His friends had become my own, and grew to be a family of choice that shared and celebrated milestones together.

I see Junmyeon squished between Baekhyun and Kyungsoo, bickering at each other before he shoves them out the way, getting up and lifting the cake up to me with the saccharine grin on his face. “Happy birthday, love. Make a wish.”

I didn’t have any wishes for myself this time around. What I learned from Junmyeon was to be a little more selfless—and I wished for him to meet someone who loved him as much as I did when I was with him. I wanted him to be as happy as I am now, sacrificing his own happiness so that both of his best friends could be happy too.

fin.

continued ending, though from junmyeon’s standpoint. 

[putschki1969]

KEIKO SPICE Interview ~ English Translation

Note: Once again this is a very long and icredibly insightful interview, so please enjoy it! As always, take everything you read with a grain of salt, my Japanese is by no means perfect. If you want to use this translation or parts of it, be sure to CREDIT me and LINK to this post.

KEIKO ~ Looking beyond Kalafina and finding her music as a solo newcomer, “With everyone’s help I will be able to know what kind of music I seek”

Former Kalafina member KEIKO has released her first solo album "Lantana" on December 2nd. With this work you can fully enjoy high-quality pop-music and additionally it is packed to the brink with KEIKO’s ideas and thoughts in her role as solo vocalist. KEIKO has taken the first step into her future career as a solo artist, we have asked her to share what kind of thoughts went into the making of her album. Here are her insights accompanied by some exclusive stills from the interview.

Everything that has happened this year inspired the lyrics I wrote for “Nanairo no Finale”, the song which Kajiura-san composed for me

―― On the occasion of your 1st album "Lantana" having been released on December 2nd,  I would like to ask you a few questions. 

Please go ahead. 

―― First of all, the album title "Lantana" is the name of a flower, right? May I ask why you chose this particular title? 

This album took about a year to produce, we worked without having a concept, I just chose the songs based on whether I liked them and wanted to give them a try. Additionally I received many suggestions during discussions with my staff members. So rather than focussing on the overall concept of the album we would like everyone to pay attention to the individual tracks. In Japanese the name of the flower "Lantana" literally means "Seven Changes". As the name suggests, this album represents many changes. So on the one hand the title reflects those changes and on the other hand, I just really like flowers so the name seemed fitting. Also, I wonder if we chose the name  because it has a pleasant ring to it? These are pretty much the reasons why "Lantana" became our album title, it was a very quick decision actually. 

―― I thought that there was a connection between all the songs of the album, the flow felt really beautiful but now that you have explained all of this to me I find the album even more interesting because there is truly so much variety, each song is completely different. is. In addition to the songs you picked to include in the album, were there many other pieces you liked among all the options you got to choose from?

Well ... This year, partly because of coronavirus, the album production was quite flexible. After it was decided that we would be doing a live-stream concert, we reconsidered a few things since we thought it might be better to increase the number of up-beat songs suitable for a live performance. Since the album production and the live performance were happening pretty much simultaneously, we made some big changes to the album to accommodate our needs for the live performance. As a result, I think it became a very well-balanced album. 

―― During the MC of the live stream you mentioned something like "ff it weren't for Corona, it might have been an album with a lot of darker songs" *laughs*. 

"Dark" is maybe a bit misleading *laughs*. I guess a little “more mature” is the word I was looking for? 

―― But with a darker vibe? 

Yeah, that’s what I had in mind but it turned into something completely different. 

―― Considering all of that, has your approach to and understanding of music changed at all due to coronavirus? 

I think the biggest change for me was that I could no longer sing my songs live in front of everyone ... I can't meet my fans. Not being able to meet the fans...it’s not only difficult for the fans but also for all the artists, after all this connection is very motivating and inspiring. So to have all the fans waiting but not being able to go out there and perform for them is very discouraging, you are just cut off...that was definitely the biggest change.  

―― But you did get the opportunity to do a live stream. How was it? There were a few fans at the venue, right? 

It was a lot of fun! When I first heard that there was a limited capacity of around 72 people due to coronavirus, I was wondering what kind of live concert it would be, but I was very happy to have at least a few people there because the feeling is completely different if you have someone actually there right in front of you listening to your singing. When I was in my early twenties I would sometimes perform in front of Cinema ROSA in Ikebukuro, back then we had like 5 fans coming to see us. I was reminded of  that feeling. 

―― Was there something burning inside of you, yearning to be released? 

Yes ... At the day of the live I realised how many strong feelings I had suppressed before, when I was finally standing in front of the audience, all those feelings were overflowing. I truly experienced a welling up of feelings and sensation on that day. I felt excited and inspired from the early morning onwards. 

―― Returning to our original topic, your album, as you said, there is a lot of variety.  You once mentioned, "it's like ... like a box of my favourite chocolates." 

Hahaha, that's right, I said that *laughs*. 

―― I think there were many challenges in terms of song variety, but are there any songs that were particularly challenging for you? 

I saw all of it as a big challenge for me. That's why I was so adamant to try as many new things as possible. With all songs I felt like I wanted to try and sing them and then later I was deciding how to use my voice in each song. 

―― Did you have any difficulties regarding your singing technique? 

I think the most difficult must have been “Nanairo no Finale”, I don’t even know how many takes I did until the final result. After all, this is Kajiura-san's song. It's only natural that it would feel completely different to me compared to all the other songs. 

―― Well ... yes. 

I have been singing Kajiura-san's songs consistently for about 12 years now, ever since I got to sing “Kaze no Machi he” for her as solo singer FictionJunction KEIKO  I have been determined to do my very best, I felt like I had to give even more than before, I wanted to provide the best singing possible, I guess I was just very frustrated.  “Please let me try and sing it again?” I was really stubborn like that when it came to “Nanairo no Finale”. 

―― You know, I was really surprised to see “Nanairo no Finale” as the second track on the album. 

Oh *laughs*. Really? 

―― Didn’t you sing it as an ecore during your live performance? 

Oh, that's right. 

―― When I listened to the album without paying too much attention to the track order, I thought that having “Inochi no Hana” at the end was quite fitting. But to have “Nanairo no FInale” as the second track?! What? I was completely taken aback by that, it had a really strong impact on me in that particular position. 

Hooray! I am happy to hear that *laughs*. 

―― Regarding the song order, you mentioned earlier that you didn’t make this album with a particular concept in mind, the flow wasn’t as important to you, instead you wanted people to listen carefully to each individual song. 

But I do think there is a flow when it comes to the track order. I came up with a draft first and then consulted with everyone else. Everyone agreed that we would start with "Be Yourself" but we wondered how to continue. 

―― Indeed, "Be Yourself" definitely feels right as the leading track. 

I had this idea of putting a very uplifting song right in the beginning, I wanted everyone to feel positive energy right from the get-go. I chose these three songs up till "Hajimari wa" as an introduction to my album because I thought they would make the listeners feel a sense of lightness and brightness. 

――  “Nanairo no Finale” was composed by Kajiura-san and written by you, it has a very strong Kajiura-feel to it, even a sort of Kalafina vibe if you listen closely but it’s also very reminiscent of many of the up-tempo FictionJunction songs. It really seems to have been custom-made for you. How was it to write the lyrics for this song? 

At first, I was a little surprised when I was told that I should be writing the lyrics. 

―― Was that a suggestion from Kajiura-san? 

Yes, the suggestion came from her. This song was a team effort, first of all I discussed it with my producer Yoda-san, then it was eventually decided that Kajiura-san would be in charge of the composition and she suggested that it would be interesting if the arrangements and lyrics were done by someone else. When I first heard of that idea I was quite shocked. 

―― The pressure was intense? 

Yes, definitely. When she told me I was like, “eh?” and literally froze. 

―― So did she send you the song and then you wrote the lyrics for it? 

Pretty much, yes. To start with, Kajiura-san sent me a song sample, at that point nothing much had been set into stone yet, the key and such still had to be decided but I really wanted to sing it as soon as possible. So I tried all kinds of singing and then suggested a few arrangement ideas to the arranger Nobuyuki Shimizu, we really thought carefully about every little detail. The arrangement changed steadily, the final result is very different from the song I originally received from Kajiura-san at the beginning, we changed the tempo and key quite a bit. 

―― I see. 

It was a challenge indeed but Kajiura-san told me it was very interesting to see the changes this song had gone through. As we kept changing the arrangement, the lyrics naturally changed a bit too. However, when I initially received the song from Kajiura-san I was immediately envisioning the protagonist looking ahead at a very positive and bright future, so that aspect of the lyrics hasn't changed at all. From the beginning, I had that particular image in mind, I hoped to write lyrics that would portray a positive outlook towards the future.

―― When I listened to this song live, I felt like so many things were put into motion. It's a song that feels bright but it’s also filled with determination. 

That’s to be expected since the Olympics influenced me strongly. I wrote this song in the summer when coronavirus was ever present. Seeing all those athletes in the media made me very emotional. They are all so very determined to strive for next year’s Olympics even though it is still uncertain if they will even take place. I wrote my lyrics with the hope of providing a positive message for those who are working hard right now. 

―― It really touches the heart. 

If it hadn’t been for all those things happening this year, I don’t think these lyrics would have been written.

―― They really reflect the state our world is in right now. 

Yes. Our current situation is something that cannot be ignored, it's hard to write a song that’s all fun and “yay” in times like this *laughs*. You hesitate to make something too lighthearted. But I also didn't want it to be too negative, so I wrote hopeful lyrics like this. 

―― Starting to write your own lyrics with a song like that, putting all those feelings into words, I guess one could say you created something that can be left to posterity? 

Yes, I felt very grateful for that opportunity.

During my time in Kalafina, my role was very clear

―― You also wrote the lyrics for the song “Yugao” in this album so I would like to hear what you have to say about this. 

This is the last song we recorded. At the beginning of the album production, I knew I wanted to include something short, a minimalistic song, like a short story but then we had the live performance to think about and all of a sudden the entire tracklist had already been decided ... But I still chose this song because I was adamant about having something like this on the album. 

―― I see. 

For the most part the songs on my album have a pretty nice standard melody, nothing out of the ordinary so I felt like singing a sad and transient melody. It was an obvious choice that felt natural because that sort of music resonates with me. I looked at all kinds of songs for this album and in particular I wanted something calm, something you could fall asleep to while listening to the melody, vocals and lyrics. 

―― Since it is in the latter half of the album, before "End Roll" and "Change The World's Color", I thought it was a very beautiful sort of overture. It’s a nice transition to two up-beat songs. Absorbing energy in a relaxed manner right before speeding up. 

I thought it would be nice little surprise to have “Yugao” lead right into  "End Roll" *laughs*. 

―― As for "End Roll" and "Change The World's Color", I feel like your infamous strong physical presence is back with these two songs *laughs*. 

Everyone, get up! *Laughs* Yes, you really feel a sense of waking-up. 

―― In the middle part of the album there is a section of songs with beautiful melodies such as "Akane", "Tameiki no Kieru Machi" and "Ray". I got the impression that you really challenged yourself with quieter songs like this.

I agree. That may be the case. 

―― Is that reflected in all of your music? 

Yes. I have faced many challenges because this was my 1st album, I just wanted to try a lot of things. I'm sure in the future I will have a clearer vision of what I want to do. But this particular album is filled with all the things I am currently capable of doing. 

―― Do you feel like you are experimenting? 

Yes. I won’t know what kind of things I like and what I'm looking for without piling up experiences ... I've been doing Kalafina for 10 years, and I've been doing FictionJunction for about 12 years so I am confident in myself when it comes to these activities but as a solo artist I am basically a first-grader *laughs*. 

―― So it’s like you are starting from scratch learning the alphabet all over again? 

Yes exactly.  But of course technically speaking I am not a newcomer when it comes to singing and being a vocalist. As for the kind of music I want to sing in the future, first and foremost this album was about trying new things and finding out how everyone around me reacts to it, ultimately I would like to make something that makes everyone happy.

―― You have obviously had a big career so far. So of course the image from that time is still in people’s minds even now that you are a solo artist. Without trying to make it sound bad but  I think there are many fans out there who look at things from a biased point of view, they have these preconceived notions of what exactly the solo careers of each Kalafina member should look like. 

That's right. 

―― I guess there are two types of ways to handle these sorts of expectations, either you are the type that just goes ahead in a determined manner regardless of what everyone else thinks, along the lines of, “I am going to do exactly this and that. Period!” Or one can find a different approach along the lines of, “I want to try various things, how do you feel about this?" Before you went solo I actually had the impression that you would be the first type, thinking, "okay, this is the music I made and because I made it everyone should listen to it!" However, I was surprised to find out  that you are actually more like the second type.  

Yes. I am definitely the second type. I have zero idea what I want and I am not at all scared to admit that. I think it’s best to ask everyone around me for assistance to work through all the things that I do not know at this point in time. 

―― It's simple, isn't it? 

Yes it is. During my time in Kalafina, my role and my duties were very clear, we had wishes and aspirations lined up, once we had reached a certain goal and seen the results we just moved to the next step. But right now I am at a starting point and I have not seen any results yet so I think it's natural for me to go take this route. 

―― I see. 

Going around and asking everyone for their opinion is something we also did in the early days of Kalafina. So I thought I would start at that point once again . It's different from Kalafina though. That's why it's interesting, and the feeling of creating something together is a lot of fun. Creating sounds, creating harmonies. 

―― Harmonies? 

As in chorus arrangement. You can enhance the chorus pretty flexibly on the spot if you want. While working on my singing I consulted a lot with my producer Yoda-san and my assistant Asami-chan, together we added a lot more oomph to many of the choruses, I sang some parts and we also tried mixing and subtracting...I was really absorbed in the whole process of creating something together.  

―― It seems to be very interesting to make so many changes on the spot. 

I felt a strong desire to create spontaneous music like that. If everyone involved feels inspired while working together, then I think it’s best to go with the ideas that are born during these sessions. 

―― And you will wait till the very end to share your opinion. 

Yes, I am the last one. I am literally just watching everyone all the time wondering about how we should do all of this  *laughs*.

I will approach the challenge of a big venue at a slow pace

―― Hearing you talk about all of this, it seems like you are having fun with your solo activities. 

It is a lot of fun. 

―― We as fans are also incredibly happy to see you enjoying yourself while making music. So your album contains a total of 10 songs, and at the end there is a bonus track, an acoustic version of "Akane". May I ask you why you decided to include this? 

During the production, I listened to a take with just my voice and the guitar. At one point, Yoda-san had edited "Akane" in such a way that all rhythmic sections were gone. I suggested that it would be nice to hear an arrangement with only the strings, since I thought it would be very calming. Then Kosuke Oshima, who composed the strings part, dramatically changed the melody of the strings so that's why I wanted to include this version as well. 

―― So once again this idea was born spontaneously in the midst of production rather than having been planned from the get-go. 

Yes. We just all agreed that the melody of “Akane” was beautiful with a simple arrangement like that and the strings are perfectly complementing it. 

―― When you compare the two versions, the acoustic one definitely sounds more dramatic. 

The strings are pretty intense and the melody lines are dramatic so I really like it! I love the final result! 

―― That’s really amazing. You pretty much did that song on a whim. A song born out of a spontaneous session.

I think we have created an album that feels like a real team effort. 

―― I think you had a similar working environment during your activities as Kalafina but it's the first time for you as a solo artist to bring up ideas such as, "why don’t we try to include this song?" 

No, not at all. We didn’t really have that with Kalafina. This is truly the first time for me because during our time in Kalafina we only ever received a finished song which we were then asked to bring to life. But we were never involved in the recording of musical instruments or anything like that.

―― To celebrate the release of “Lantana” a live performance is scheduled for December 16 at Zepp DiverCity TOKYO. How hyped are you about that? 

To say I am not hyped at all would be a lie *laughs*. But I am honestly not that hyped. However, it is an opportunity to meet everyone which is a great thing so I want to do my very best performing live. Everyone has worked really hard this year, it’s been a tough year for sure so I want to convey all those feelings through my singing.

―― It's that time of the year where everyone is busy and needs to get all of their work done. 

Instead of being super hyped or nervous I want my audience at the venue and all the live stream viewers to feel a sense of relief, “ah yes, the year is almost over”. My fans should be able to relax and detox, hopefully my live will be a source of energy for them to survive the last few remaining days of 2020, I guess I just want everyone to try and escape from busy reality. Hopefully I can make everyone laugh *laughs*. 

―― Sounds great. 

Since I am doing my live so soon after the album release I thought it would be fitting to use a hugelive house like Zepp as my venue, I wanted to invite as many people as possible and have them sprinkled all across the hall to keep everyone safe.

―― You are pretty much standing alone and separated from everyone else. The same was done for your previous live. Of course you have the band members on stage but still... During your Kalafina days you always had the other two members next to you and in FictionJunction you stand on stage as one singer among many. How is it to stand in the middle of the stage all by yourself? 

Even before Kalafina I was part of a unit so this is truly the first time for me being all alone on stage. But I always feel like I am making music together with all the musicians, so I never really felt lonely. 

―― Yes of course, the band members. 

If I just had a backing track. Or if I hadn’t known the musicians behind me on stage, then yes, I might have felt alone. But we all worked together during my first live to create my solo music with as much care as possible. It was like having a session with my musician, so I really didn't feel alone. 

―― I think you may try to perform at bigger venues in the future. 

I think it’s okay to go step by step, slowly *laughs*. It’s totally fine to take very small steps. 

―― So you are not eager to perform in bigger venues? 

No. If anything, I want to have fun, this is my highest priority at the moment. How do I best enjoy music with my audience? This is what I feel strongly about. 

―― I think that’s great. 

Rather than thinking about producing a big live I just want to create a simple place where everyone can enjoy music together.

―― When I was listening to you album I got a strong jazz vibe from your song “Tameiki no Kieru Machi”. 

Oh yes, it definitely has that sort of vibe. 

―― Listening to you explaining all of your ideas, this song immediately came to mind when you mentioned  the “session feeling”. You kept saying in this interview how very much you enjoyed the exchange between yourself and everyone around you, how everything has become some sort of team project, was everything like that? 

Before recording my songs, especially in the early days before I had recorded "Hajimari wa" and "Ray", I wasn't used to recording with a new singing style so I was incredibly scared ... I vividly remember that feeling *laughs*. 

―― So there were some terrifying parts as well? 

To be honest, I was really scared. It was my first time using such a voice. It was unlike anything I had done in the past.  Rather than just blindly providing my vocals we created my voice together, I would constantly be asking, “should I sing like this or maybe like that?” 

―― I feel like it is very worthwhile to listen to this album, no matter how many times you listen you will always experience a new special flavour. Last but not least I would like you to say a few words to everyone who has been supporting you for a long time.

I've been working as a vocalist for Kalafina for 10 years but this time for the very first time I have created an album that’s made up of songs that I really wanted to sing. I would be happy if I could touch your hearts and find a way to connect with everyone through this album. Let’s end this year with a live concert! There is also a live stream available so please, let's spend some time together, I will be awaiting you ♪ Thank you for reading this interview.

[canyouhearthelight]

The Miys, Ch. 102

Okay, trying to queue this again after it apparently got eaten along with chapter 101.

Y’all pray for me to whatever higher powers you believe in or can make up on the spot. Thanks.

Thanks for this chapter goes to the fabulous anon who sent me an ask about Jedis. I really, really hope you are seeing this chapter and I hope you like it. I also want to thank @baelpenrose​ as my resident Star Wars expert, who checked, double checked, and triple checked my writing to make sure everything was as entertaining/accurate as possible.

Before you all cringe at some comments Sophia makes, she is deliberately downplaying her knowledge of Star Wars in an attempt to see if she can give some of the other characters a twitchy eye.

After an extraordinarily bizarre situation regarding my former foe and who I assumed was his partner, I was profoundly relieved to find myself in a very boring, very normal situation a couple of weeks later. Even the regular family dinner was pretty normal: grilled cheese on a very good sourdough, with a tomato soup so garlicky that even I had no objections to it. I made a point to puree it, so Derek was very happy with the texture and I was happy with the flavor. Arthur shot me odd looks once in a while, but it was a happy, calm dinner.

And things were going… so well… I thought as Maverick dragged everyone into his quiet argument with Sam.

“Sam,” He stated emphatically as he dunked his sandwich and ripped a tomato-soaked piece from it. “We all want it to be real but… humans don’t exist outside of Earth and the Ark.”

“Yoda is not human,” Sam insisted loudly, grinning the entire time.

I choked on my soup. “Yoda? You two have been arguing Star Wars this whole time?”

“Maverick insists they are not real,” Sam enunciated carefully. When he got excited about a topic he loved, he had a tendency to rush everything and drop syllables, making his words nearly impossible to understand.

“They meaning Jedi?” Arthur asked, eyeballing the pile of sandwiches on the table. Finally he snagged his third half-sandwich and dunked it without ceremony. “As much as I wish they were real, I have my doubts.”

So did I. “Human beings who can use telepathy, telekinesis, and distance-empathy?” I scrunched my nose. “I think that’s a bit far-fetched.”

“But extraterrestrials exist,” Sam pointed out.

Conor nodded. “They do, obviously. Otherwise, Noah would be a bloody big figment of our imagination.” Shaking his head, he smiled. “If we didn’t make Santa real as children, I doubt we could make up someone like Noah, right?”

Sam only got more serious. “I was always taught that aliens don’t exist. My teachers told me that the only life off of Earth were bacteria. But, even if Else is bacteria, Noah isn’t. So, maybe other things we thought were pretend are real.”

The table was silent for a moment, shattered only by Derek dusting bread crumbs from his hands as ceremoniously and loudly as humanly possible. “Sam has a point,” he signed. “Fabricators exist, aliens exist.. Hell, telepathy exists - “

“Not telepathy,” Miys interjected from above.

“Neuro-pheremonal communication exists,” Derek finger-spelled, making a point of how cumbersome the term was in a way none of the rest of us really could. Seven minutes later, he took a slurp of soup and continued. “Unicorns exist, even if they are chubby. Why not Jedi?”

I opened my mouth to refute, then realized I couldn’t: we had the genetic code for both narwhals and rhinoceros in the gene bank. Good effing luck convincing anyone unicorns don’t exist, I guess. Instead, I grasped on my one last leg of logic. “But humans, like Luke Starkiller and Obi-whatsit Kenoshi don’t actually exist.”

Maverick looked absolutely revolted by something, which confused me. He liked tomato soup, and actually chose the cheese for the sandwiches himself. “Sophia. Have you even seen those movies?” He was absolutely aghast as he posed his question, and I suddenly understood what he was revolted by.

“Of course I did,” I sighed, rolling my eyes. “In college, in Intro to Adolescent Literature.”

Soup abruptly coated everything on the table as both Arthur and Conor spat violently at my clarification. Arthur scrubbed his chin the fastest, so had the honor of levelling his incredulity at me. “Sophia Reid. Do you mean to tell me that you have only seen Star Wars ONE TIME?”

I shook my head, confused. “No. I’ve seen all three.”

“ELEVEN,” Sam corrected me loudly. “There are eleven movies.”

“Please, please tell me you at least saw Rogue One,” Maverick begged. “You may not have known it was a Star Wars movie?”

“Is that the one where the robot hits the guy and says he has another fresh one?” I asked carefully.

Maverick nodded. Arthur, however, looked like he was about to start breathing fire. “I am going to force you to consume every bit of Star Wars media worth consuming if I have to get Charly and Derek to program the audio versions to play in every room you enter.”

“I can do that,” Derek signed, unhelpfully.

Arthur just nodded. “See? I can make this happen. Your quarters will feel like Hoth, all digital communications will sound like C-3PO, and many Bothans will die before your datapad functions.”

Alarmingly, Miys interjected. “Wisdom, Bothans are an endangered species. Please do not encourage Educator Farro to commit atrocities.”

I was still gasping in confusion when Arthur recovered from his choking. “Oh shit. Bothans are real? They were a very back-stabby race of dog-type people who fought against fascists in Terran media. I thought, at least. I wouldn’t actually kill a real one… I am far more high functioning of a sociopath than that, thank you.”

“Noah,” I choked out. “Are you serious? Are Bothans real?”

“Affirmative,” they responded, setting off an entirely new round of choking and sputtering. I would need to have something done about my floors if this kept up. “And while they do resemble Terran canines on a very superficial level, they are genetically more closely related to a Terran fern.”

Arthur looked like his heart had been ripped out of his chest. “That is the least back-stabbing and least threatening plant I can possibly think of.”

Conor, not to be outdone, was still curious. “Boston or Fiddlehead?”

“Asparagus fern, Human Conor,” was the reply that set off a thousand coughs.

Sam recovered first. “That does not mean Jedi don’t exist,” he insisted.

“Of course Jedi exist,” Miys answered in a tone that was as close to being confused as I had ever heard.

Almost immediately, Arthur, Maverick, and Sam started cheering and high-fiving. Conor looked confused, while I spat my soup out again.

“WHAT?” I choked out between attempts at keeping tomatoes and garlic out of my lungs.

“They are as real as any member of any other Terran religion.”

Silence ruled the room for a split second, broken first by Arthur throwing his fork in the air behind him.  Like a signal, it led to Sam and Maverick dropping their head to their forearms with a groan.

I managed to recover enough to slide my food away, lest I risk death over an absurd conversation. “Are there anything like Jedi in the known galaxy?” I asked, receiving a thumbs up from Arthur, who was still trying not to choke on his soup.

“Only in small measures.”

That seemed like the magic phrase to snap Arthur out of whatever coughing fit he was having. “Are there any species in the galaxy that have Jedi abilities?”

“You will need to be more specific.”

Conor, laughter out of his system, joined gamely. “Is there anything that can move physical objects without touching them directly?” he started.

“Several species can,” Miys conceded. “Those who only experience what you consider ‘sight’ as changes in air currents can, in fifty-four percent of cases so far, also change the air currents in a sufficient way as to move physical objects.”

“Wait,” I interrupted. “They can stare at something hard enough to move it?”

“Wisdom, if I experienced physical pain, I am certain that your oversimplification just now would have caused such a sensation.”

Without rebutting, I waved for Miys to continue and ignored the laughter caused by the comment.

“Similarly, there are species more limited than Hujylsogox, who can perceive the physical world strictly through sound,” they continued. “In such cases, it is not uncommon for these species to also alter their surroundings by vibrating physical objects at a frequency that causes them to move within physical space.” A brief pause before, “And no, Wisdom, that does not mean they scream at objects until such objects move. I would also like to point out, Educator Farro, that the same species can cause internal organs to vibrate as a sufficient frequency as to cut off air flow.”

“Force choke is real,” Arthur whisper-shouted, mildly horrified. Clearing his throat, he spoke more clearly for his next question. “What about ‘there is a disturbance in the Force, as if many voices cried out’ etc?”

Miys buzzed thoughtfully for a moment before replying more clearly. “There are number of species who are able to perceive and interpret with great accuracy any changes in interstellar radiation, no matter how small. Should, say, a star go nova or collapse into a black hole, they are very reliable in providing information to cartographers. Should such a species state with certainty that a planet ceased to exist, I would need to see the planet from orbit in order to disbelieve them.”

Maverick let loose a low whistle, but it was Sam who spoke next. “But what about living beings, on an individual level. I know you can do that, but can any other species?”

“It is, perhaps, the most common trait in the known galaxy,” Miys admitted. “Even humans can do this, to a degree, although you tend to ignore it against all logic.”

“Okay. What about force lightning, though?”

I actually started to respond to that, having an answer finally, but Miys beat me to the draw. “Species who communicate through electrical currents are more numerous in the galaxy than those who can see. In the same way, they need to be able to manipulate such currents. Their young are frequently sequestered on their home worlds in order to prevent electrocution of species whose neural organs can be disrupted by uncontrolled communication. The same species are capable of using those same currents to increase their own synaptic response and reflexes.”

I almost wanted to laugh at Maverick’s face. He looked frustrated and ashamed in a way that I could not figure out. Maybe because these abilities existed, but not in humans? Regardless, his tone was frustrated when he asked his next question. “What about force ghosts? Please tell me those are real?”

“Very much so,” Miys confirmed. “Though likely not in the way you think. What you consider ‘Force Ghosts’ are, in the galaxy as it is, the result of technological advancement combined with spiritual beliefs.” A few groans surrounded the table, but Maverick perked up slightly. “Many species believe, as a result of their evolution, that their predecessors’ life energy persists after death. In these cultures, it is so common as to be unremarkable for a person to have a synaptic recording chip installed shortly after birth, to record their entire lives. They, then, pass their chip on to their successor in  position.” Wait a minute… I thought, but Miys continued before I could put everything together. “In such circumstances, many species’s neural organs will manifest a… personality, separate from the original, in order to preserve mental stability. Such manifestations are very similar to what Terran media considers a ‘Force ghost’.”

“Hang on,” I ventured, holding my hand up emphatically to cut off any other questions from the table. “That. Stop there.” Taking a deep breath, I thought back through everything I had read in the past. “I thought the idea of deliberately having multiple, distinct identities was… a story, honestly.”

“Even in your own past, it was discovered that the human brain can host two distinct personalities with no difficulty, Wisdom,” Miys admonished. “These species, however, are uniquely adapted so that, along with the memory implant, they suffer no actual combination or confusion of experiences. What their ancestor experienced is their ancestor’s memory, and what the person experiences is the person's memory. A person cannot overwrite an ancestral core. Only speak to it.”

“Can humans do that?” Sam asked, dazed in wonder at this new revelation.

“Not yet,” Miys responded. “But I do insist on the word ‘yet’, as you were never meant to do many of the things you do now.”

<< Prev   Masterlist  Next >>

[queennicoleinboots]

Chrissy And All Of Her Glorious Titles Have Spoken

A/N: Sequel to "Bears, Eat Your Heart Out, Chrissy, The Baby Girl with Many Glorious Titles Is Trying To Arrive. Apparently, So Is Everyone Else.

"Lights! Sound! Costumes! Make-up! Camera! Action!" Chrissy with all of her glorious titles spoke with her distinct English voice.

The cameras turned on to reveal seven speakers sitting at the purple Planetary Broadcasting Corporation's newsdesk sitting seven inches apart wearing seven different colors, seven different style shirts, and seven different collars having seven different personalities and representing seven different cities.

Blinky blinked seven times and wore a light teal long-sleeved button-down shirt with a gold chain collar. He wore round-framed glasses. He represented Ocala, Florgia, United Emirates of Chinta.

Count Vanilla growled 63 times and wore an off-white polo shirt with a pocket on the left side of his chest with a silver chain around his neck. He wore square-framed glasses. He represented The Fountain of Youth City of Georgia.

Banana Ice rolled his eyes fully in the back of his head before he spoke, "I'm Banana Ice, the submissive husband of Abigail Ice and son of Gloria Balalalalalalalalalas, the beautiful lady sitting next to me. I'm truly honored to be next to her and in front of you broadcasting, and... translating Count Vanilla's growls that translate Blinky's blinks. My mother will speak French." He removed his lip piercings to make it easier for us to understand him. He still had that same mohawk and wore the same black collar with the bananas hanging off of it, a sleek black long-sleeved button-down shirt with a banana yellow collar. He represented Graytown, Georgia, United States of America that is still America.

"WHAT?! YOU'RE MARRIED TO MY DAUGHTER?!" Bruce Ice shouted as he turned toward Banana Ice. "Nobody fuckin' informed me!" He was wearing a silver and blue tye dye blazer with a white button-down shirt, a pale blue tie, and a thick gold chain down his neck. He represented Athenia, Glorgia, United Emirates of Chinta.

"Oh yeah. That's going to be discussed in a later broadcast," Banana Ice said as he looked at Bruce Ice.

"Well, we should have prepared that AHEAD of time! How the hell am I going to concentrate? I have questions goddammit!" Bruce Ice shouted as he hammer fisted the desk with his right paw.

"Ay, merci, Bruce Ice, ay. Some of us would like to introduce ourselves. You sort of cut me off, as you say. Do you mind?!" Gloria Balalalalalalalalalas asked in her heavy French accent as she narrowed her brownish hazel eyes that had heavy mascara on the lashes at him. When wasn't that woman picture-perfect? She wore a pure white pearl necklace, a blue blouse with brownish gold speckles on it, and her sapphire wedding ring on the ring finger of her left paw. Her fur was brushed to perfection. She represented France.

"ABSOLUTELY! BUT THE SHOW MUST GO ON! Back to you, Gloria Balalalala-lalalalalas," Bruce Ice tried to say.

"Lala lala lala lalalas," Gloria Balalalalalalalalalas corrected him. "Ay. You English-speaking bears drive me crazy, I swear. But yes, I am Gloria Balalalalalalalalalas, wife of Skipper Balalalalalalalalalas and mother of Francesca Asiago Cheese, Victoria Filetmignon, and... Banana Ice? When did my son change his name to that monstrosity? This is news to me, Banana Ice," she said as she yanked a few of his ear rings with her right paw and stared at the camera.

"Yeeeeeooooooooow! That's in a later story as well, Mother Dearest," Banana Ice said as he winced in pain. "Ooooowwwww!!!" He gently rubbed his left paw to gently ease her paw off of his ear.

"THAT SHOULD HAVE BEEN DISCUSSED AHEAD OF TIME!" Gloria Balalalalalalalalalas and Bruce Ice yelled as they stared daggers at Banana Ice.

"Sorry! We didn't have time until now! I'm sorry. I'm sorry," Banana Ice said to them with wide eyes before he turned back to the camera. "Besides, there are much more pressing matters to discuss than my existence right now."

"Very true," Bruce Ice said before he cleared his throat. "Hello, PBC viewers, I am Bruce Ice, husband of Megara Ice, daughter of Abigail Ice and three other female cubs that shall not be named because they are minors. This is a no-minor broadcast!"

Blinky, Count Vanilla, Banana Ice, Gloria Balalalalalalalalalas, Prince Oliver: Werewolf of the United Planets, and a new golden bear named Penn made growls and nods of agreement.

"I COULD NOT AGREE MORE! NO MINORS SHALL EVER PARTICIPATE IN THE PLANETARY BROADCASTING CORPORATION NEWS REPORTS EVER. IT WILL BE RARE THAT THEY ARE EVEN FEATURED, MUCH LESS TELLING NEWS ON THIS ESTEEMED NETWORK. THANK YOU VERY MUCH. NOW WITHOUT FURTHER ADO, I FINALLY GET TO SAY MY PEACE. It only took a DAY. The hell is wrong with this planet?! I'm Prince Oliver, Werewolf of the United Planets formerly known as Prince. Ahahahaha! No really. "Purple Rain" was my song. Some asshole from America stole my song. Bastard." Prince Oliver: Werewolf of the United Planets was wearing only a black tie and a black spiked color. He represented the Greek region of Hades.

Blinky, Count Vanilla, Banana Ice, Gloria Balalalalalalalalalas, Bruce Ice, Penn, Chrissy, and all of her glorious titles chuckled.

"Ahem. I was formerly known as Prince Oliver, Werewolf of London, but as you all know, if you watch this network AT ALL, London is literally burning in Hell right now. That's why a bunch of my crew and I, no seriously, I stuffed over 10,000 of us on that spaceship. When we all exited the ship, it looked like a multitude of clowns coming out of a car. It was RIDICULOUS!" His greenish gray eyes and mouth were wide as he spoke.

"I can vogue for that," Chrissy, babybaby said on a separate green screen as she wore a black and white maid outfit, a black collar with a gold bell in the front, black fishnet stockings, and black high heels. Her black and gray fur was brushed perfectly.

The green screen showed the footage of her, 44 wolf puppies, Master wearing a black and silver fox fur, EliEli: Mistress of the United Planets, Catman, Stan Doe, the entire cast of the PeeWee Herman show, 300 assorted cats, 400 dalmatians, 500 other assorted dogs, 600 goats, 700 sheep, the Chinaman from the pranking soundboard, the Vietman from the pranking soundboard, an android popularly known as Mark Fuckerberg, Max Headroom, 209 fat bears of all colors, and countless clowns, including Ronald McDonald and Pennywise the Dancing Clown, burst from that ship. How did they fit?

"Excuse me. I normally wear a black wig to further accentuate my head, but it's entirely too fucking hot on this planet for that shit right now. Summer everywhere in the last few galaxies has been ABSOLUTELY BARBARIC!" Chrissy, babydoll with all glorious titles spoke as she stared directly at the camera with her kaleidoscopic greenish yellowish hazel eyes.

Blinky, Count Vanilla, Banana Ice, Gloria Balalalalalalalalalas, Bruce Ice, and Penn laughed and nodded with agreement.

"Hahahahahaha!!!! All right. Hello Everybody, as if the news isn't crazy enough without the first bit of news we heard today, I'm Penn with Off Grid Desert Farming with Penn and Alexia doing a GUEST appearance on the Planetary Broadcasting Corporation news network to explain what is actually going on behind the jab, mandates, checkpoints, and why these space ass... aliens are pushing it so hard among all the planets," Penn spoke with his southern accent. He was a golden bear with serious blue eyes. His fur was brushed perfectly as well. He looked to be the same age as Gloria Balalalalalalalalalas, but in reality, she was much older. (She looked much younger than she was and gave that trait to all of her children.) He was wearing a navy blue shirt and his platinum wedding ring.

Penn continued to speak, "Sorry about delaying our news report on August 11, 2021 until now. The powers that be were downloading contact-tracing software to everyone's electrical devices. They are used to track and control jabbed people. They are also used as weapons against you if they decide to make it self-destruct in T minus five seconds. The jabbed are automatically being downloaded into. The patent number that has been downloaded into their brains is 060606. The jabbed are now (encrypted voice done by Chrissy, Encrypting Genius saying Five GEEGEEGEE) repeater towers. They are the temples made without hands. But SO ARE YOU. The Creator made the unjabbed without hands. More news will come on this topic. Please watch my news broadcasts on the 900 Club, Stumble.cahm, BiteChew.cahm, and Facefail.cahm. Thank you for listening."

"Yes. Thank you for sharing, Penn. Finally, some useful stuff this morning," Prince Oliver: Werewolf of the United Planets.

Blinky blinked. Count Vanilla growled Penn's message in his own words and spoke Penn's references verbatim in bear growl language to the bears.

"You have the choice on which side you take. I, personally, like to watch sports for hours, sing the American National Anthem, drive Captain America's speedboat, fly in my Batbearmobile, read books about everything including religious texts... from all sides. I personally like to debunk the arguments of all pastors on TV.... except Penn. Penn is solid. He is speaking correctly on the Federal Emergency Medical Assimilations news and what they are doing to us PATRIOTS!" Banana Ice grabbed the desk tightly with his paws and leaned forward for a moment before he sat back down and began to speak calmly. "Also, Austria Australia have cracked down on the unjabbed and stripping their rights away as they speak."

Gloria Balalalalalalalalalas translated Banana Ice's message in French. She added more, and Bruce and Banana Ice worked together to translate her message.

"In France, they are looking for the unjabbed and are trying to silence them with blowdarts," Bruce Ice said.

"League of Legends is a true story. Teemo, Trastana, and Lala are among us. They are shooting the (encrypted voice done by Chrissy, Encrypting Genius saying PLAGUE MEDICINE) and I mean that in the most sarcastic way. They are inhuman. They are (encrypted voice done by Chrissy, Encrypting Genius saying Communal Toilets)," Banana Ice said.

"No one wants to hear the Truth," Penn said. "People are talking about the CDPCP Captain Planet American shielding that separates the jabbed from the unjabbed. They're real. They're coming and coming fast! This is not a joke. This is real. I repeat. This is real. Banana Ice said correctly that Austria Australia has started to crack down on us unjabbed. They have come door-to-door asking for papers just like the Germans did to the (encrypted voice by Chrissy, Encrypting Genius saying JuJubes) back in the 1940s on Earth and God Knows Where Else. Then if you don't have papers, they take you away to some throwaway galaxy where no one can find you."

"IT'S UNAMERICAN! IT'S UNCONSTITUTIONAL! PATRIOTS MUST RESIST!" Blinky, Count Vanilla, Banana Ice, and Bruce Ice shouted.

Bears shouted in the background.

Gloria Balalalalalalalalalas spoke wildly in French. She spoke in English. "I'm just a messenger! I did not write these news!"

Penn spoke, "Read John 3:16. Read Psalm 91! That's what will save you! Stay strong. Do not get jabbed. Humble yourself. You know better than to take the (encrypted voice done by Chrissy, Encrypting Genius saying PLAGUE MEDICINE)! Amen!"

The screen switched to Chrissy and her glorious titles. A screen was scrolling with her titles. "Thank you, Penn, Banana and Bruce Ice, Gloria Balalalalalalalalalas, whoa! That name should be a title! Count Vanilla, Blinky, and last but not least, Prince Oliver, Werewolf of the United Planets for your news today. More will come after this short break."

--------------------------------------------------------------------

A video of Chrissy, her glorious titles, and her 46 wolf pups playing played for five minutes as an intermission. It was still entirely too fucking hot for her to wear the wig.

--------------------------------------------------------------------

The camera then showed Chrissy, submissively and dutifully our reporter standing in front of a photo of Mars still without her wig.

"Hello Everybody, as I am forced to say on every broadcast in case you aren't informed, I'm Chrissy, babybaby, baby baby hit me baby one more time, not Aguilera. Ugh. My glorious title changes every minute, I swear. My Dom is a cruel jokester. But," Chrissy.... spoke before she started. "Let us get on with our next broadcast. Jaybird, a floating head on Mars-"

Banana Ice was beginning to crack up. Gloria Balalalalalalalalalas elbowed him hard with her right elbow.

"Ahem, yes," Chrissy, babybaby space reporter on live television said before she was trying not to laugh. "Jayhead from Mars would like to tell us about a new and upcoming screenplay author who is a lot like me, not he or it but maybe something in between. Jayhead! Excuse me Jaybird, how are you doing?"

Jaybird's bald floating face with thin brown eyebrows, hazel eyes, a distinct nose, and small lips was staring at us in front of a giant intergalactic "solar system" green screen. "I'm great. Thank you, Chrissy-," Jaybird said with a Cleveland, Ohio accent.

At this point, Bruce Ice busted up laughing. Banana Ice had completely lost it and started to hyperventilate while laughing. He was falling out of his chair. Count Vanilla stared at the camera and looked disturbed. Blinky looked confused and wanted to know what happened to the rest of Jaybird's body. Penn was smiling and suppressing laughter.

"Excuse me. What's so funny? I haven't even told the story yet," Jaybird asked.

Chrissy, baby master of laughter suppression said with a grin, "Excuse me, Banana and Bruce Ice! Do you MIND? Some of us..." she said as she involuntarily giggled. "Would like to hear the news today. Could you please be quiet?"

Banana Ice was rolling on the floor while his chest heaved as he laughed. He was wearing black dress pants and those godawful ridiculous banana rocket shoes. It's dangerous to only spend a minute shopping for new shoes. The shoes were firing off and making him scoot across the floor. Bruce Ice was falling out of his chair laughing. Penn was throwing his head back and laughing. Blinky and Count Vanilla were laughing hysterically as they watched Banana Ice jet across the floor as he laughed. Prince Oliver, Werewolf of the United Planets was laughing sheerly out of disbelief.

Gloria Balalalalalalalalalas was trying to talk over the laughter. "This is why you don't wear rocket shoes in a news broadcast. What a mockery of news journalism. Or was that his point?" Even she was trying not to laugh.

"I have no idea," Chrissy, baby giggles said as she was giggling. "I think that clip's going viral."

Jaybird's floating head was hysterically laughing. "Wow! That's the embodiment of space right there! Sci-Fi, eat your heart out. And here I thought robots writing movie scripts was hilarious. Shoot, the best form of entertainment is buying your children rocket shoes and making them laugh hysterically to see what happens."

Chrissy, baby mama giggles stickles crackalacka cracked up. "Yes. Wolf pups with rocket shoes flying around would be something," she said with more laughter. "Whoever he bought those shoes from is going to have a massive increase in sales."

Banana Ice was trying to calm down and turn his shoes off. "Sorry! I just don't understand what's going on right now."

"Does anybody?" Chrissy, babybaby with more questions than answers asked.

"I doubt it, but this upcoming AI script-" Jaybird was trying to say before he was rudely interrupted by Banana Ice's continued laughter and scooting across the floor with rocket shoes.

Seriously, why the fuck did he buy those?

"I need to mute that screen. I can't report like this," Chrissy baby drama queen said as she walked off the set for a second. "Zachary Girrafinakis, mute screen 1 please!"

Zachary Giraffinakis, my newly hired slave who happened to be good at working cameras, looked exactly like the American actor Zach Gallifinakis. But he was behind the scenes and was born and raised on the Green Planet. We really do live in an alternate reality. I allowed Chrissy, babywolfgirl bitch mama news reporter with 46 hungry pups to borrow him for this breaking news report. Zachary Giraffinakis kindly muted the screen.

But Banana Ice was mute laughing and trying to shut off his shoes with not much success. Bruce Ice was beating the desk and heaving with mute laughter. Blinky was crying as he blink-laughed. Count Vanilla was mute growling and mute laughing. Penn was wiping his eyes while mute laughing.

Gloria Balalalalalalalalalas was mute speaking. The closed caption said, "You have to excuse my son. His brain is malfunctioning. I don't know why it happened. He got that faulty brain mechanic from his papa."

Prince Oliver, Werewolf of the United Planets was mute laughing and wiping his eyes with his tie.

"Thank you, Zachary Giraffinakis, now we can continue this news broadcast. I'm telling you. Today's broadcast alone has been one big news blooper. It goes to show that the events of the multiverse truly have begun to mock the multiverse itself. Perplexing," Chrissy, amused babygirl newscaster spoke.

"Yes. Truly. And the AI movie script writer actually touches on that," Jaybird said with a chuckle. "Excuse me. I'm still trying to get over a ridiculous-looking bear scooting... hahaha across the floor with rocket shoes. I mean, who wears rocket shoes to a press conference? That's a great screenplay idea for the AI script writer! Haha! I have no idea if he wrote one like that yet."

"No idea," Chrissy, babygirl Wolf Mama still in disbelief said. "I don't think I'm ever going to get over this traumatic experience." She was giggling.

"Me neither. Someone has GOT to make a Sci-Fi movie with malfunctioning rocket shoes during a news broadcast. If you're watching this Bouregard, you need to calibrate the transcripts from this broadcast and MAKE THAT INTO A MOVIE!" Jaybird said with laughter.

"How would he do that?" Chrissy, perplexed babywolfmama asked.

"Well, it all started with Ross Godwing, who collaborated with Oscar the Grouch to come up with this Artifical Intelligence Unit, sort of like Spock from Star Trek, that could write scripts using an algorithm that pools lines from all Sci-Fi scripts that have ever even been thought of. One day, they sat near a computer, the AI unit was computing a script by putting its head through the computer screen. After about five minutes, the AI unit took its head out of the screen and spat out a script for an hour and a half long Sci-Fi movie. The movie was called Moonfall," Jaybird answered.

The screen then showed a poster with a space background with a large white moon in the center and rainbow-colored 1960s style font saying "Moonfall." Two brown bears were on either side of a small female red bear. They all wore white space helmets and gray spacesuits.

"Moonfall is about a... very strange space station that has three bears in it who are trying to survive. They are in a disjointed love triangle. The first male bear is named B, and he has green eyes that are crossed the whole time. He is the leader of the group. The female bear is named X, and she has gray dead eyes. She spends all of her title in front of a computer that talks to her in gibberish. The other male bear is slightly smaller and is named Ib, and his eyes are all black. He speaks mostly in gibberish. His favorite line is 'I want to stick my head in a telephone socket.'," Jaybird continued.

Chrissy, curious babywolfmama, nodded and spoke, "That sounds advanced for an AI unit. And that is very eye-opening to see the result of years of Sci-Fi script writing. And a lot of the best stuff comes from 60 years ago. I'll be daaaamned."

"Yes. When the Sesame street crew got together and read the script, they pissed themselves laughing," Jaybird said.

"I can imagine. Would you like to play some clips from the movie?" Chrissy, curious babywolfmamallama asked.

"Why sure!" Jaybird said before he spat out some film.

--------------------------------------------------------------------

Moonfall (2021), Act 2 - Holy TIHS, bro!!!!

Some Sci-Fi rap music was playing in the background, and the main computer was spitting out lyrics.

"I don't give a fuck. I'm rich, bitch.

Three pods and a ship. I'm rich bitch.

Hit the bar and blow it up. I'm slick, bitch.

I don't give a fuck."

Then the song "Intergalactic Fanatic Scholastic" by Peter Whitey Parker and the Floating Clowns started to play. (It sounds like "Intergalactic" by Beastie Boys.)

While the computer spit out these lyrics,

"Intergalactic, planetary, planetary, intergalactic

Intergalactic, planetary, planetary, intergalactic

Intergalactic, planetary, planetary, intergalactic

Intergalactic, planetary, planetary, intergalactic

A new born dimension, a new born dimension

A new born dimension, a new born dimension

A new born dimension, a new born dimension

A new born dimension, a new born dimension

A new born dimension, a new born dimension

A new born dimension"

"COMMA!" B shouted in a high-pitched nasally voice.

B and Ib started to dance wildly while shaking their fat bear asses on camera. B kept sticking his tongue in and out and poking himself in the stomach. There was text above B's head that said, "Yes. These are stage directions. I told this mother f%$#^@ to do it."

Ib started shaking wildly and yelled in a deep baritone voice similar to yoitssteve on Twitch.TV, "Radio Mania! Radio Mania!"

Then the computer imitated Peter Whitey Parker's voice verbatim. It sang while it showed Peter's face on the screen.

"Don't you tell me now to well smile

I'll make you stick it around worth your while

Beyond my numbers what you can dial

It's because maybe we're so versatile

Style, profile, I say

It back brings always me when I hear, "ooh, child!"

From Savannah River out to the Nile

I grind the marathon to the very last mile

Well, if you fondle me I feel reviled

People always sayin' my body is wild

Got you gall, got you guile

Walk with me I'm a grape-o-phile."

Clowns, Ib, B, X, and Peter danced.

Then the signal got interrupted.

--------------------------------------------------------------------

"Whoa! What the hell?!" Jaybird shouted.

"The transmission's been interrupted. What in the world is going on?!" Babywolfgirl Chrissy asked dramatically.

Banana Ice was mute-screaming. Count Vanilla was straightening his fur rapidly. Blinky was squirting eyedrops in his eyes. Gloria Balalalalalalalalalas was quickly redoing her make-up. Prince Oliver: Werewolf of the United Planets was gulping and staring at the camera as though he had seen a ghost. Penn was reading the King James Version of the Bible.

And Bruce Ice was mute-speaking and smiling. His closed caption said, "Thank Whoever interrupted that transmission. That was the worst movie I ever had the displeasure of seeing in my life."

Master then appeared on a screen by himself. He was dressed to the nines in fox furs and wolf tails. His aquamarine eyes, strong nose, full lips, and strong chin showed through his layers. Then he spoke in his deep voice, "Excuse the interruption, Chrissy, sub of many glorious titles. If I didn't know better, I would ask if you were a switch instead. But my point is, I need to announce that the Florida News Agency is no longer trendy."

"You are absolutely correct, Master. Thank you for the interruption," Chrissy, sub of many glorious titles said. "I'm as submissive as it gets, Master. I guarantee you that."

"I am well aware. Also, a fur gathering is occurring tomorrow at midnight. Be there, or be the Florida News Agency!" Master said with a chuckle.

Bruce Ice nodded, mute-laughed, and mute-spoke. His closed caption was, "Will do. I have thousands of dollars worth of furs to present at the event."

"Zachary Giraffinakis, please unmute that screen," Chrissy, sub of many glorious titles said.

"Yes ma'am," he said as he unmuted the screen.

"Only thousands, Bruce Ice? Really? I have like a whole case worth of furs. I have spent tens of thousands on furs. You don't know brown bear privilege," Banana Ice said.

"He is correct. Banana Ice... I can't with this *ridiculous* name, my dear son, is the most entitled, spoiled, and submissive subby cubby in every galaxy. I'm his mother. I can vogue for that, but as I'm saying this, I don't know whether to be proud or ashamed," Gloria Balalalalalalalalalas spoke as she visibly shrugged.

Blinky, Count Vanilla, and Banana Ice shrugged. Bruce Ice scratched his head and looked at her with a puzzled look.

"Definitely proud. His title should be Prince Banana Ice," Prince Oliver: Werewolf of the United Planets stated.

"Ashamed. The Lord doesn't award those who were spoiled here in this life. He values hard workers," Penn said.

"Actually. He's both," Gloria Balalalalalalalalalas said flatly to Penn.

"Can you explain that to us, please?" Penn asked. "I'm very confused right now."

"Oui. While my husband and I are extremely wealthy, we definitely trained my son to be inquisitive and read as much as possible. We also instilled the value of having a lot of physical activity through rigorous training. He also was taught to be specialized in his craft," Gloria Balalalalalalalalalas said.

Prince Banana Ice smiled at the camera.

"Someone put a crown on his head, please," Chrissy, sub of many glorious titles said.

"As a matter of fact, find a crown for Queen Gloria as well," Master spoke. "After all, a prince is not a prince without a queen."

"That is absolutely correct, Master," Chrissy, sub of many glorious titles said.

"Hold the phone. If Prince Banana Ice and Queen Gloria exist, then technically Abigail Ice should be Princess Abigail Ice, Megara Ice should be Queen Megara Ice, and I should be King Bruce Ice," King Bruce Ice said.

"THAT IS A BRILLIANT OBSERVATION," Master and Chrissy spoke at the same time.

"Everyone. Our news anchors are now all royalty. We have Squire Blinky, Count Vanilla, Prince Banana Ice, Queen Gloria, King Bruce Ice, Prince Oliver: Werewolf of the United Planets, and Pastor Penn," Chrissy, sub of many glorious titles said.

Squire Blinky smiled and blinked with excitement. Count Vanilla smiled. Prince Banana Ice smiled and blushed. Queen Gloria dramatically fanned herself with a shy smile. King Bruce Ice growled.

"Thank you, Chrissy, submissive queen of nomenclature," Prince Oliver: Werewolf of the United Planets said.

"Thank you. I appreciate your recognition of my being a pastor. I welcome the title, but I do not require to be called 'Pastor Penn.' I am forever humbled by the true royalty, my Lord Jesus Christ," Pastor Penn said.

"We have spoken! Can someone please get crowns, medals, and sashes for our anchors please?" Chrissy, sub with many glorious titles asked.

The backstage crew quickly rushed through the props.

"Thank you. And on that note, we will take a 15-minute commercial break," Chrissy, sub with many glorious titles spoke.

"Thank you. I need that in hopes of completing my broadcast," Jaybird said as his head took up the whole screen.

And Prince Banana Ice started laughing uncontrollably again over some elevator music that was playing to ease into the commercial break.

[petulantskeptic]

Death of the calorie

For more than a century we’ve counted on calories to tell us what will make us fat. Peter Wilson says it’s time to bury the world’s most misleading measure BY PETER WILSON The first time that Salvador Camacho thought he was going to die he was sitting in his father’s Chrysler sedan with a friend listening to music. The 22-year-old engineering student was parked near his home in the central Mexican city of Toluca and in the fading evening light he didn’t notice two tattooed men approach. Tori Amos’s hit, “Bliss”, had just started playing when the gang members pointed guns at the young men. So began a 24-hour ordeal. Strong willed and solidly built, Camacho was singled out as the more stubborn of the pair. He was blindfolded and beaten. One robber eventually threw him to the ground, put a gun to the back of his head and told him it was time to die. He passed out, waking in a field with his hands tied behind his back, almost naked. Camacho survived but, traumatised, he sank into depression. Soon he was drinking heavily and binge eating. His weight ballooned from a trim 70kg to 103kg. That led to his second near-death experience, eight years later, in 2007. He remembers waking up and blinking at bright lights: he was being wheeled on a stretcher into a hospital emergency ward, with an attack of severe arrhythmia, or irregular heart beat. “A cardiologist told me that if I didn’t lose weight and get my health under control I would be dead in five years,” he says. That second crisis forced Camacho belatedly to deal with the trauma of the first. To help with what he now understands was post-traumatic stress disorder, he started having counselling and taking anti-depressants and anti-anxiety drugs. To address his physical health, he tried to lose weight. This effort propelled him to the centre of one of the most fraught scientific debates of our age: the calorie wars, a fierce disagreement about diet and weight control. Today, more than a decade after his cardiologist’s stark warning, Camacho lives in the Swiss city of Basel. He is relaxed and confident, except when two topics come up. When he recounts his kidnapping his gaze drops, his smile vanishes and he becomes noticeably quieter, although he says his panic attacks have virtually disappeared. The other touchy topic is weight control, which causes him to shake his head in anger at what he and millions of other dieters have gone through. “It’s just ridiculous,” he says with exasperation and a touch of venom. “People are living with real pain and guilt and all they get is advice that is confused or just plain wrong.” The guidance that Camacho’s doctors gave him, along with a string of nutritionists and his own online research, was unanimous. It would be familiar to the millions of people who have ever tried to diet. “Everybody tells you that to lose weight you have to eat less and move more,” he says, “and the way to do that is to count your calories.” At his heaviest, Camacho’s body-mass index – the ratio of his height to his weight – reached 35.6, well above the 30 mark that doctors define as clinically obese. Most government guidelines indicated that, as a man, he needed 2,500 calories a day to maintain his weight (the target for women is 2,000). Nutritionists told Camacho that if he ate fewer than 2,000 calories a day, a weekly “deficit” of 3,500 would mean that he would lose 0.5kg a week. With a desk job as a planning engineer in a Mexican hospital, he knew it would take real discipline to trim his pudgy frame. But as his kidnappers had quickly realised, he is an unusually determined character. He began getting up before dawn each day to run 10km. He also started accounting for every morsel of food he consumed. “I filled in Excel spreadsheets every night, every week and every month listing everything I ate. It became a real obsession for me,” says Camacho. Out went the Burger King Whoppers, fried tacos packed with pork and cheese, and tortas (Mexican sandwiches filled with meat, refried beans, avocado and peppers). Out too went his usual steady flow of beer and wine. In came carefully measured low-fat cheese and turkey sandwiches, salads, canned peach juice, Gatorade and Coke Zero, with three Special-K low-calorie diet bars a day. “I was always tired and hungry and I would get really moody and distracted,” he says. “I was thinking about food all the time.” He was constantly told that if he got the maths right – consuming fewer calories than he burned each day – the results would soon show. “I really did everything you are supposed to do,” he insists with the tone of a schoolboy who completed his homework yet still failed a big test. He bought a battery of exercise monitoring devices to measure how many calories he was expending on his runs. “I was told to exercise for at least 45 minutes at least four or five times a week. I actually ran for more than an hour every day.” He kept to low-fat, low-calorie food for three years. It simply didn’t work. At one point he lost about 10kg but his weight rebounded, though he still restricted his calories. Dieters the world over will be familiar with Camacho’s frustrations. Most studies show that more than 80% of people regain any lost weight in the long term. And like him, when we fail, most of us assume that we are too lazy or greedy – that we are at fault. As a general rule it is true that if you eat vastly fewer calories than you burn, you’ll get slimmer (and if you consume far more, you’ll get fatter). But the myriad faddy diets flogged to us each year belie the simplicity of the formula that Camacho was given. The calorie as a scientific measurement is not in dispute. But calculating the exact calorific content of food is far harder than the confidently precise numbers displayed on food packets suggest. Two items of food with identical calorific values may be digested in very different ways. Each body processes calories differently. Even for a single individual, the time of day that you eat matters. The more we probe, the more we realise that tallying calories will do little to help us control our weight or even maintain a healthy diet: the beguiling simplicity of counting calories in and calories out is dangerously flawed. The calorie is ubiquitous in daily life. It takes top billing on the information label of most packaged food and drinks. Ever more restaurants list the number of calories in each dish on their menus. Counting the calories we expend has become just as standard. Gym equipment, fitness devices around our wrists, even our phones tell us how many calories we have supposedly burned in a single exercise session or over the course of a day. It wasn’t always thus. For centuries, scientists assumed that it was the mass of food consumed that was significant. In the late 16th century an Italian physician named Santorio Sanctorius invented a “weighing chair”, dangling from a giant scale, in which he sat at regular intervals to weigh himself, everything he ate and drank, and all the faeces and urine he produced. Despite 30 years of compulsive chair dangling, Sanctorius answered few of his own questions about the impact that his consumption had on his body. Only later did the focus shift to the energy different foodstuffs contained. In the 18th century Antoine Lavoisier, a French aristocrat, worked out that burning a candle required a gas from the air – which he named oxygen – to fuel the flame and release heat and other gases. He applied the same principle to food, concluding that it fuels the body like a slow-burning fire. He built a calorimeter, a device big enough to hold a guinea pig, and measured the heat the creature generated to estimate how much energy it was producing. Unfortunately the French revolution – specifically the guillotine – cut short his thinking on the subject. But he had started something. Other scientists later constructed “bomb calori­meters” in which they burned food to measure the heat – and thus the potential energy – released from it. The calorie – which comes from “calor”, the Latin for “heat” – was originally used to measure the efficiency of steam engines: one calorie is the energy required to heat 1kg of water by one degree Celsius. Only in the 1860s did German scientists begin using it to calculate the energy in food. It was an American agricultural chemist, Wilbur Atwater, who popularised the idea that it could be used to measure both the energy contained in food and the energy the body expended on things like muscular work, tissue repair and powering the organs. In 1887, after a trip to Germany, he wrote a series of wildly popular articles in Century, an American magazine, suggesting that “food is to the body what fuel is to the fire.” He introduced the public to the notion of “macronutrients” – carbohydrates, protein and fat – so called because the body needs a lot of them. Today many of us want to monitor our calorie consumption in order to lose or maintain our weight. Atwater, the son of a Methodist minister, was motivated by the opposite concern: at a time when malnutrition was widespread, he sought to help poor people find the most cost-effective items to fill themselves up. To see how much energy different macronutrients provided to the body, he fed samples of an “average” American diet of that era – which he believed to be heavy in molasses cookies, barley meal and chicken gizzards – to a group of male students in a basement at Wesleyan University in Middletown, Connecticut. For up to 12 days at a time a volunteer would eat, sleep and lift weights while sealed inside a six-foot-high chamber measuring four feet wide by seven feet deep. The energy in each meal was calculated by burning identical foods in a bomb calorimeter. The walls were filled with water, and changes in its temperature allowed Atwater to calculate how much energy the students’ bodies were generating. His team collected the students’ faeces and burned that too, to see how much energy had been left in the body in the digestion process. This was pioneering stuff for the 1890s. Atwater eventually concluded that a gram of either carbohydrate or protein made an average of four calories of energy available to the body, and a gram of fat offered an average of 8.9 calories, a figure later rounded up to nine calories for convenience. We now know far more about the workings of the human body: Atwater was right that some of a meal’s potential energy was excreted, but had no idea that some was also used to digest the meal itself, and that the body expends different amounts of energy depending on the food. Yet more than a century after igniting the faeces of Wesleyan students, the numbers Atwater calculated for each macro­nutrient remain the standard for measuring the calories in any given food stuff. Those experiments were the basis of Salvador Camacho’s daily calorific arithmetic. Atwater transformed the way the public thought about food, with his simple belief that “a calorie is a calorie”. He counselled the poor against eating too many leafy green vegetables because they weren’t sufficiently dense in energy. By his account, it made no difference whether calories came from chocolate or spinach: if the body absorbed more energy than it used, then it would store the excess as body fat, causing you to put on weight. That idea captured the public imagination. In 1918 the first book was published in America based on the notion that a healthy diet was no more complicated than the simple addition and subtraction of calories. “You may eat just what you like – candy, pie, cake, fat meat, butter, cream but count your calories!” wrote Lulu Hunt Peters in “Diet and Health”. “Now that you know you can have the things you like, proceed to make your menus containing very little of them.” The book sold millions. By the 1930s the calorie had become entrenched in both the public mind and government policy. Its exclusive focus on the energy content of food, rather than its vitamin content, say, went virtually unchallenged. Rising incomes and greater female participation in the workforce meant that by the 1960s people were eating out more often or buying prepared food, so they wanted more information about what they were consuming. Nutritional information on foodstuffs was widespread but haphazard; many items carried outlandish claims about their health benefits. Labelling became standardised and mandatory in America only in 1990. The emphasis and use of this information shifted too. By the late 1960s, obesity was becoming a pressing health concern as people became more sedentary and started eating highly processed foods and lots of sugar. As the number of people who needed to lose weight grew, changing diets became the focus of attention. So began the war on fat, in which Atwater’s calorie calculations were an unwitting ally. Because counting calories was seen as an objective arbiter of the health qualities of a foodstuff, it seemed logical that the most calorie-laden part of any food item – fat – must be bad for you. By this measure, dishes low in calories, but rich in sugar and carbohydrates, seemed healthier. People were increasingly willing to blame fat for many of the health ills of modern life, helped along by the sugar lobby: in 2016, a researcher at the University of California uncovered documents from 1967 showing that sugar companies secretly funded studies at Harvard University designed to blame fat for the growing obesity epidemic. That the dietary “fat” found in olive oil, bacon and butter is branded with the same word as the unwanted flesh around our middles made it all the easier to demonise. A us Senate committee report in 1977 recommended a low-fat, low-cholesterol diet for all, and other governments followed suit. The food industry responded with enthusiasm, removing fat, the most calorie-dense of macronutrients, from food items and replacing it with sugar, starch and salt. As a bonus, the thousands of new cheap and tasty “low-cal” and “low-fat” products which Camacho used to diet tended to have longer shelf lives and higher profit margins. But this didn’t lead to the expected improvements in public health. Instead, it coincided almost exactly with the most dramatic rise in obesity in human history. Between 1975 and 2016 obesity almost tripled worldwide, according to the World Health Organisation (who): nearly 40% of over-18s – some 1.9bn adults – are now overweight. That contributed to a rapid rise in cardiovascular diseases (mainly heart disease and stroke) which became the leading cause of death worldwide. Rates of type-2 diabetes, which is often linked to lifestyle and diet, have more than doubled since 1980. It wasn’t only wealthy countries that saw such trends. In Mexico, middle-class urban families such as Camacho’s got fatter too. As a child Camacho was fit and loved playing football. But at the age of ten, in 1988, he was one of many young Mexicans who started stacking on weight as increasing trade with America saw cheap sweets and fizzy drinks flood the shops, a process known as the “Coca-colonisation” of Mexico. “There were suddenly all these flavours you had never tasted, with chocolates, candies and Dr Pepper,” Camacho remembers: “Overnight I got fat.” When his uncles teased him about his bulging waistline, he cut back on sweets and stayed in good shape until his kidnapping 12 years later. Other Mexicans just kept bulking up. In 2013 Mexico overtook America as the most obese country in the world. To combat this trend, governments worldwide have enshrined calorie-counting in policy. The who attributes the “fundamental cause” of obesity worldwide to “an energy imbalance between calories consumed and calories expended”. Governments the world over persist in offering the same advice: count and cut calories. This has infiltrated ever more areas of life. In 2018 the American government ordered food chains and vending machines to provide calorie details on their menus, to help consumers make “informed and healthful decisions”. Australia and Britain are headed in similar directions. Government bodies advise dieters to record their meals in a calorie journal to lose weight. The experimental efforts of a 19th-century scientist stand barely changed – and are barely questioned. Millions of dieters give up when their calorie-counting is unsuccessful. Camacho was more stubborn than most. He took photos of his meals to record his intake more accurately, and would log into his calorie spreadsheets from his phone. He thought about every morsel he ate. And he bought a proliferation of gadgets to track his calorie output. But he still didn’t lose much weight. One problem was that his sums were based on the idea that calorie counts are accurate. Food producers give impressively specific readings: a slice of Camacho’s favourite Domino’s double pepperoni pizza is supposedly 248 calories (not 247 nor 249). Yet the number of calories listed on food packets and menus are routinely wrong. Susan Roberts, a nutritionist at Tufts University in Boston, has found that labels on American packaged foods miss their true calorie counts by an average of 8%. American government regulations allow such labels to understate calories by up to 20% (to ensure that consumers are not short-changed in terms of how much nutrition they receive). The information on some processed frozen foods misstates their calorific content by as much as 70%. That isn’t the only problem. Calorie counts are based on how much heat a foodstuff gives off when it burns in an oven. But the human body is far more complex than an oven. When food is burned in a laboratory it surrenders its calories within seconds. By contrast, the real-life journey from dinner plate to toilet bowl takes on average about a day, but can range from eight to 80 hours depending on the person. A calorie of carbohydrate and a calorie of protein both have the same amount of stored energy, so they perform identically in an oven. But put those calories into real bodies and they behave quite differently. And we are still learning new insights: American researchers discovered last year that, for more than a century, we’ve been exaggerating by about 20% the number of calories we absorb from almonds. The process of storing fat – the “weight” many people seek to lose – is influenced by dozens of other factors. Apart from calories, our genes, the trillions of bacteria that live in our gut, food preparation and sleep affect how we process food. Academic discussions of food and nutrition are littered with references to huge bodies of research that still need to be conducted. “No other field of science or medicine sees such a lack of rigorous studies,” says Tim Spector, a professor of genetic epidemiology at Kings College in London. “We can create synthetic dna and clone animals but we still know incredibly little about the stuff that keeps us alive.” What we do know, however, suggests that counting calories is very crude and often misleading. Think of a burger, the kind of food that Camacho eschewed during his early efforts to lose weight. Take a bite and the saliva in your mouth starts to break it down, a process that continues when you swallow, transporting the morsel towards your stomach and beyond to be churned further. The digestive process transforms the protein, carbohydrates and fat in the burger into their basic compounds so that they are tiny enough to be absorbed into the bloodstream via the small intestine to fuel and repair the trillions of cells in the body. But the basic molecules from each macronutrient play very different roles within the body. All carbohydrates break down into sugars, which are the body’s main fuel source. But the speed at which your body gets its fuel from food can be as important as the amount of fuel. Simple carbohydrates are swiftly absorbed into the bloodstream, providing a fast shot of energy: the body absorbs the sugar from a can of fizzy drink at a rate of 30 calories a minute, compared with two calories a minute from complex carbohydrates such as potatoes or rice. That matters, because a sudden hit of sugar prompts the rapid release of insulin, a hormone that carries the sugar out of the bloodstream and into the body’s cells. Problems arise when there is too much sugar in the blood. The liver can store some of the excess, but any that remains is stashed as fat. So consuming large quantities of sugar is the fastest way to create body fat. And, once the insulin has done its work, blood-sugar levels slump, which tends to leave you hungry, as well as plumper. Getting fat is a consequence of civilisation. Our ancestors would have enjoyed a heavy hit of sugar perhaps four times a year, when a new season produced fresh fruit. Many now enjoy that kind of sugar kick every day. The average person in the developed world consumes 20 times as much sugar as people did even during Atwater’s time. But it is a different story when you eat complex carbohydrates such as cereals. These are strung together from simple carbohydrates, so they also break down into sugar, but because they do so more slowly, your blood-sugar levels remain steadier. The fruit juices that Camacho was encouraged to drink contained fewer calories than one of his wholegrain buns but the bread delivered less of a sugar hit and left him feeling satiated for longer. Other macronutrients have different functions. Protein, the dominant component of meat, fish and dairy products, acts as the main building block for bone, skin, hair and other body tissues. In the absence of sufficient quantities of carbohydrates it can also serve as fuel for the body. But since it is broken down more slowly than carbohydrates, protein is less likely to be converted to body fat. Fat is a different matter again. It should leave you feeling fuller for longer, because your body splits it into tiny fatty acids more slowly than it processes carbohydrates or protein. We all need fat to make hormones and to protect our nerves (a bit like plastic coating protects an electric wire). Over millennia, fat has also been a crucial way for humans to store energy, allowing us to survive periods of famine. Nowadays, even without the risk of starvation, our bodies are programmed to store excess fuel in case we run out of food. No wonder a single measure – the energy content – can’t capture such complexity. Our fixation with counting calories assumes both that all calories are equal and that all bodies respond to calories in identical ways: Camacho was told that, since he was a man, he needed 2,500 calories a day to maintain his weight. Yet a growing body of research shows that when different people consume the same meal, the impact on each person’s blood sugar and fat formation will vary according to their genes, lifestyles and unique mix of gut bacteria. Research published this year showed that a certain set of genes is found more often in overweight people than in skinny ones, suggesting that some people have to work harder than others to stay thin (a fact that many of us already felt intuitively to be true). Differences in gut microbiomes can alter how people process food. A study of 800 Israelis in 2015 found that the rise in their blood-sugar levels varied by a factor of four in response to identical food. Some people’s intestines are 50% longer than others: those with shorter ones absorb fewer calories, which means that they excrete more of the energy in food, putting on less weight. The response of your own body may also change depending on when you eat. Lose weight and your body will try to regain it, slowing down your metabolism and even reducing the energy you spend on fidgeting and twitching your muscles. Even your eating and sleeping schedules can be important. Going without a full night’s sleep may spur your body to create more fatty tissue, which casts a grim light on Camacho’s years of early-morning exertion. You may put on more weight eating small amounts over 12-15 hours than eating the same food in three distinct meals over a shorter period. There’s a further weakness in the calorie-counting system: the amount of energy we absorb from food depends on how we prepare it. Chopping and grinding food essentially does part of the work of digestion, making more calories available to your body by ripping apart cell walls before you eat it. That effect is magnified when you add heat: cooking increases the proportion of food digested in the stomach and small intestine, from 50% to 95%. The digestible calories in beef rises by 15% on cooking, and in sweet potato some 40% (the exact change depends on whether it is boiled, roasted or microwaved). So significant is this impact that Richard Wrangham, a primatologist at Harvard University, reckons that cooking was necessary for human evolution. It enabled the neurological expansion that created Homo sapiens: powering the brain consumes about a fifth of a person’s metabolic energy each day (cooking also means we didn’t need to spend all day chewing, unlike chimps). The difficulty in counting accurately doesn’t stop there. The calorie load of carbohydrate-heavy items such as rice, pasta, bread and potatoes can be slashed simply by cooking, chilling and reheating them. As starch molecules cool they form new structures that are harder to digest. You absorb fewer calories eating toast that has been left to go cold, or leftover spaghetti, than if they were freshly made. Scientists in Sri Lanka discovered in 2015 that they could more than halve the calories potentially absorbed from rice by adding coconut oil during cooking and then cooling the rice. This made the starch less digestible so the body may take on fewer calories (they have yet to test on human beings the precise effects of rice cooked in this way). That’s a bad thing if you’re malnourished, but a boon if you’re trying to lose weight. Different parts of a vegetable or fruit may be absorbed differently too: older leaves are tougher, for example. The starchy interior of sweetcorn kernels is easily digested but the cellulose husk is impossible to break down and passes through the body untouched. Just think about that moment when you look into the toilet bowl after eating sweetcorn. As with so many dieters, Camacho’s efforts to accurately track his calories “in” were doomed. But so too were his attempts to track his calories “out”. The message from many public authorities and food producers, especially fast-food companies that sponsor sports events, is that even the unhealthiest foods will not make you fat if you do your part by taking plenty of exercise. Exercise does, of course, have clear health benefits. But unless you’re a professional athlete, it plays a smaller part in weight control than most people believe. As much as 75% of the average person’s daily energy expenditure comes not through exercise but from ordinary daily activities and from keeping your body functioning by digesting food, powering organs and maintaining a regular body temperature. Even drinking iced water – which delivers no energy – forces the body to burn calories to maintain its preferred temperature, making it the only known case of consuming something with “negative” calories. A popular expression in English tells us not to “compare apples and oranges” and assume them to be the same: yet calories put pizzas and oranges, or apples and ice cream, on the same scale, and deems them equal. After three years of dedicated calorie-counting Camacho changed tack. While recovering from running the 2010 marathon in San Diego he took up Crossfit training, an exercise regime that includes high-intensity training and weightlifting. There he met people using a very different method to control their weight. Like him, they exercised regularly. But rather than limiting their calories, they ate natural foods, what Camacho calls “stuff from a real plant, not an industrial plant”. Fed up with feeling like a hungry failure, he decided to give it a go. He ditched his heavily processed low-calorie products and focused on the quality of his food rather than quantity. He stopped feeling ravenous all the time. “It sounds simple but I decided to listen to my body and eat whenever I was hungry but only when I was hungry, and to eat real food, not food ‘products’,” he says. He went back to items that he’d long banned himself from eating. He had his first rasher of bacon in three years and enjoyed cheese, whole-fat milk and steaks. He immediately felt less hungry and happier. More surprising, he quickly began to lose his extra fat. “I was sleeping so much better and within a couple of months I stopped the depression and anxiety medication,” he says. “I went from always feeling guilty and angry and afraid to feeling in control of myself and actually proud of my own body. Suddenly I could enjoy eating and drinking again.” The weight stayed off and in 2012 he moved to Heidelberg in Germany, a world away from the hectic streets of Mexico, to study for a masters degree in public health. “The idea hit me that I could combine my own experience with academic work to try to help other people overcome these various barriers that I had found.” After his masters he embarked on a doctorate on how to tackle obesity in Mexico. Today he is married to a German scholar, Erica Gunther, who has studied food systems around the world. Their diet includes things he used to shun, such as egg yolks, olive oil and nuts. Two days a week the couple stick to vegetarian meals but otherwise he devours steak, kidneys, liver and some of his favourite Mexican dishes – barbacoa (lamb), carnitas (pork) and tacos with grilled meat. His wife enjoys making a traditional Mexican sweet pastry called pan de muerto (bread of death). “Before I would have run an extra two hours to compensate for eating that but now I don’t care, I just make sure it is a treat, not an everyday thing.” Having spent years trying to forgo alcohol, he has a glass or two of wine several times a week, and goes for a beer with friends from his gym. Sweating through three or four workouts a week, he is as well-muscled as a professional rugby player. A stable 80kg, he has very little body fat, though he is still considered overweight by the body-mass-index charts, which rate many beefed-up professional athletes as too heavy. The only relapse of anxiety he suffers nowadays happens when he hears Tori Amos singing “Bliss” – the song playing when he was kidnapped – which he says “is a real pity because it’s a great song”. Today Camacho could be described as a calorie dissident, one of a small but growing number of academics and scientists who say that the persistence of calorie-counting compounds the obesity epidemic, rather than remedying it. Counting calories has disrupted our ability to eat the right amount of food, he says, and has steered us towards poor choices. In 2017 he wrote an academic paper that was one of the most savage attacks on the calorie system published in a peer-reviewed journal. “I’m actually embarrassed at what I used to believe,” he says. “I was doing everything I could to follow the official advice but it was totally wrong and I feel stupid for never even questioning it.” Given the vast evidence that calorie-counting is imprecise at best, and contributes to rising obesity at worst, why has it persisted? The simplicity of calorie-counting explains its appeal. Metrics that tell consumers the extent to which foods have been processed, or whether they will suppress hunger, are harder to understand. Faced with the calorie juggernaut, none has gained wide acceptance. The scientific and health establishment knows that the current system is flawed. A senior adviser to the un’s Food and Agriculture Organisation warned in 2002 that the Atwater “factors” of 4-4-9 at the heart of the calorie-counting system were “a gross oversimplification” and so inaccurate that they could mislead consumers into choosing unhealthy products because they understate the calories in some carbohydrates. The organisation said it would give “further consideration” to overhauling the system but 17 years later there is little momentum for change. It even rejected the idea of harmonising the many methods that are used in different countries – a label in Australia can give a different count from one in America for the same product. Officials at the who also acknowledge the problems of the current system, but say it is so entrenched in consumer behaviour, public policy and industry standards that it would be too expensive and disruptive to make big changes. The experiments that Atwater conducted a century ago, without calculators or computers, have never been repeated even though our understanding of how our bodies work is vastly improved. There is little funding or enthusiasm for such work. As Susan Roberts at Tufts University says, collecting and analysing faeces “is the worst research job in the world”. The calorie system, says Camacho, lets food producers off the hook: “They can say, ‘We’re not responsible for the unhealthy products we sell, we just have to list the calories and leave it to you to manage your own weight’.” Camacho and other calorie dissidents argue that sugar and highly processed carbohydrates play havoc with people’s hormonal systems. Higher insulin levels mean more energy is converted into fat tissues leaving less available to fuel the rest of the body. That in turn drives hunger and overeating. In other words the constant hunger and fatigue suffered by Camacho and other dieters may be symptoms of being overweight, rather than the cause of the problem. Yet much of the food industry defends the status quo too. To change how we assess the energy and health values of food would undermine the business model of many companies. The only major organisation to shift the emphasis beyond calories is one dedicated to helping its customers slim down: Weight Watchers. In 2001 the world’s best-known dieting firm introduced a points system that moved away from focusing exclusively on calories to also classifying foods according to their sugar and saturated fat content, and their impact on appetite. Chris Stirk, the firm’s general manager in Britain, says the organisation made the change because relying on calories to lose weight is “outdated”: “Science evolves daily, monthly, yearly, let alone since the 1800s.” Many of us know instinctively that not all calories are the same. A lollipop and an apple may contain similar numbers of calories but the apple is clearly better for us. But after a lifetime of hearing about the calorie and its role in supposedly foolproof diet advice we could be forgiven for being confused about how best to eat. It’s time to lay it to rest.

[nerdygaymormon]

My Queer Playlist

Whether they’re upbeat & joyful or they convey pain & sadness, songs are a way to bond with a lot of people over something as amazing as queerness. Music has a power & ability to cut through, communicate something, & bring people together. Music can make being queer not so isolating. 

Everyone has their own list of songs, but here’s my queer playlist.

It includes songs by LGBTQ performers, gay anthems, songs that are about LGBTQ topics & people, and songs that speak to the queer experience (that you’re not alone, the search for self acceptance, things get better, you’ve got one life so make the most of it, and things like strength, perseverance, & love overcoming odds). And many of these are great songs for dancing, which makes sense as even today most of the specifically-queer spaces are bars and dance clubs. 

You’ll notice that as the years go on, the number of songs starts increasing as it became safer to be out & queer topics became more accepted. You’ll also see a shift from borrowing the songs of female empowerment to having actual LGBTQ people singing about their lives and feelings. 

-----------------------------------

1939 - Over the Rainbow : Judy Garland - The dreams that you dare to dream really do come true. Rainbows and dreaming of a better world--absolutely speaks to queer desires. When it was dangerous to be open about being gay, the term “friend of Dorothy” was a way for a gay people to identify each other. “Oh, you don’t know Bob? He’s a friend of Dorothy.”

1957 - Jailhouse Rock : Elvis Presley - This is a song about male inmates in prison dancing together. And there’s even a gay crush! Inmate Number Forty-seven said to Number Three “You’re the cutest jailbird I ever did see. I sure would be delighted with your company. Come on and do the Jailhouse Rock with me.”  

1963 – You Don’t Own Me : Lesley Gore – This song is all about letting me be who I am and love who I love, stop trying to make me be someone I’m not. Lesley didn’t come out at the time as the music industry was homophobic, she eventually came out as a lesbian in 2005. 

1964 - Don’t Rain on my Parade : Barbra Streisand - We do like great big colorful parades, don’t we? This song is about how we’ve got one life so live it with gusto, do the things you most want to do. I’m holding my own parade and nobody is going to rain on it.

1966 - You Don’t Have to Say You Love Me : Dusty Springfield - Generations of closeted women & men could identify with the idea that queer love couldn’t last, it was too risky, so they’d take what they can. You don’t have to say you love me, just be close at hand. You don’t have to stay forever, I will understand. Dusty was a lesbian who didn’t talk about it much at the time in mainstream media for fear of losing her career.

1967 - Respect : Aretha Franklin - Aretha turned this song’s message of demanding respect for oneself into a universal declaration of pride and demand for equal treatment for blacks, for women, for LGBT people. She did things like perform at the Elton John AIDS benefit or a private wedding for a high-profile gay couple. 

1969 - Make Your Own Kind of Music : Mama Cass - The message is take pride in your uniqueness and individualism.

1970 – Ain’t No Mountain High Enough : Diana Ross –  Love conquers all obstacles if you have enough faith in yourself.

1972 – All the Young Dudes : Mott the Hoople – David Bowie wrote this song’s lyrics and sings on the chorus. The words sound like he’s calling for all the young (gay) dudes to come together. All the young dudes (I want to hear you) Carry the news (I want to see you) Boogaloo dudes (I want to talk to you, all of you) Carry the news (now) And there’s also this lyric that sounds like Lucy is a trans woman or a drag queen, but don’t bully them because Lucy will defend themselves. Lucy looks sweet 'cause he dresses like a queen. But he can kick like a mule, it's a real mean team

1974 - Rebel, Rebel : David Bowie - Part of what made Bowie beloved amongst the queer community is he was celebratory in how he portrayed androgyny and gender non-conformity and he was sexually ambiguous (bi? gay? straight?), while at the same time flaunting sexuality in everyone’s face. He exemplified the message to be yourself, even if you’re queer. This song’s lyrics include “You’ve got your mother in a whirl. She’s not sure if you’re a boy or a girl”

1976 - Dancing Queen : ABBA - This is a story of a 17-year-old girl on a nightclub dance floor, lost in the music and the moment. Of course, “queen” has a different meaning in the queer community and so this is often sung tongue-in-cheek. There’s a delightful campiness to ABBA that has long-appealed to gay fans, and gay singers like Erasure, have covered ABBA songs. 

1976 - Somebody to Love : Queen - Freddie Mercury, who composed these lyrics, was gay. The question he keeps asking “Can anybody find me somebody to love?” could be about being gay in a society when any sexuality besides ‘hetero’ was frowned upon.

1977 - I Feel Love : Donna Summer - This is a song about loving your body and your desires, a powerful sentiment for people whose attractions were once seen as deviant and who grew up feeling shame for who they are. Try to listen to this song and not feel like dancing.

1978 - Macho Man : Village People - These lusty lyrics worship the muscled physique of the ideal macho man

1978 – I Love the Nightlife : Alicia Bridges – Alicia was out as a lesbian and this song is about going to the club and dancing the night away, which appealed to queer listeners because that’s the space where they would get to unabashedly & joyfully express themselves.

1978 - Got to be Real : Cheryl Lynn - If you stay real, you’ll find “real love,” in other words, be authentic and you’ll find authentic love. The song was prominently featured in the 1990 documentary Paris Is Burning, which chronicles the ball culture of New York City and the African American & Latino gay and transgender community involved in it. There’s something deliciously ironic about Drag Queens strutting to the words about being “real”

1978 - I’m Every Woman : Chaka Khan - This song of female empowerment & strength appealed not only to women but also black and queer communities across the world because it is about taking on whatever roles you want. And it’s a favorite song for drag queens to lip sync & dance to as they can present themselves as “every woman.”

1978 - I Will Survive : Gloria Gaynor - You can imagine marginalized people asking the same questions in the song: “Did you think I’d crumble? Did you think I’d lay down and die?” The gay community has embraced this song that is a declaration of resilience & pride Even after decades of progress, many LGBTQ people still have to deal with daily assaults on their personhood & “I Will Survive” remains relevant.

1978 - Y.M.C.A. : Village People - Very fun song. The lyrics make me think of young gay teens migrating to big cities like New York (often after being kicked out by their parents). The YMCA’s provided cheap shelter for them. And of course, the lyrics hint at all the gay activity, too. “It’s fun to stay at the YMCA. They have everything for you men to enjoy. You can hang out with all the boys.“

1979 - Don’t Stop Me Now : Queen - Essentially the song is just a man intent on having a wild night out and inviting the rest of us to come along for the ride or else get out of his way. The love interests flip between male & female and back again.

1979 - You Make Me Feel (Mighty Real) : Sylvester - The singer is black, gay and some form of gender queer and sings the song in falsetto. He’s singing the praises of someone who makes him feel good, validated and alive. The words about feeling real, those mean something to queer people.  

1979 - In the Navy : Village People - The United States Navy asked to use this song in a recruiting campaign, they thought it seemed like a catchy song praising the life of a sailor. They later decided against it when media started criticizing the use of taxpayer funds for a “gay” music group because it would further enhance the much-whispered talk of gay activity aboard ships, what with all these men stuck at sea with no women for long stretches at a time. 

1979 - We are Family : Sister Sledge - A message of unity that resonates for queer people as we often have to build a chosen family, and this song fits that.

1979 - Go West : Village People - The song is about an imagined utopia free of homophobia and discrimination. Why “Go West?” In the USA that’s been the direction of freedom and opportunity, and plus San Francisco had become a gay mecca and it was on the West Coast.

1979 - Gimme! Gimme! Gimme! (A Man After Midnight) : ABBA - A woman is alone in an apartment watching television late at night as the wind howls outside. She says, “Gimme, gimme, gimme a man after midnight.” A sentiment many a gay man could sing along with.

1980 - I’m Coming Out : Diana Ross - Yes, this song is about that kind of “coming out.” The lyrics also are about being your truest self and throwing aside shame’s shackles.

1981 – Elton’s Song : Elton John - A moving piano ballad about a gay teenage boy’s hopeless crush on another boy. The song contains themes of heartbreak and shame. The video is enough to make me cry. This is from before Elton John was publicly out as gay

1981 - Tainted Love : Soft Cell - Having an openly gay man sing this song gave it layers of meaning. The gay experience is not all about empowerment & acceptance. This song coming at the start of the AIDS crisis came to represent some of the fear & paranoia that became part of gay life. “Once I ran to you, now I’ll run from you.”

1982 - Do You Really Want to Hurt Me : Culture Club - Boy George had a 6-year relationship with the band’s drummer, Jon Moss. The relationship was kept hidden from the public, and George often felt hurt because he wanted to be open about his love. While the song is about their secret relationship, the video is about being victimized for being gay. It shows Boy George getting kicked out of different places in various historical settings. In the courtroom, the jurors are in blackface to show the bigotry and hypocrisy of the many gay judges & politicians in the UK (most were closeted) who enacted anti-gay legislation.

1982 - It’s Raining Men : The Weather Girls - Super campy song, ridiculous words, but it’s sung fearlessly with over the top vocals that make it so good. What gay boy didn’t wish it was raining men?

1983 - I’m Still Standing : Elton John - These lyrics of showing a strong sense of endurance in the face of adversity is a theme that resonates with the queer community and is exemplified by Elton John, himself. 

1983 - Na Na Hey Hey : Bananarama - This remake of the 1969 song by Steam didn’t change the pronouns. This girl group is singing to a woman, asking her to leave her man because “He’ll never love you, the way that I love you”

1983 - Church of the Poison Mind : Culture Club - A man falls in love with a religious gay man who, because of what he was taught at church,  can’t resolve his own feelings about being gay. If you’re living in a society distorted by prejudice, take a chance on joy--embrace love, whatever form it takes.

1983 - I’ll Tumble 4 Ya : Culture Club - A light-hearted song about looking for someone to fall in love with sung by Boy George, the most famous man in drag in the 1980’s. 

1983 - Girls Just Wanna Have Fun : Cyndi Lauper - This song is about breaking the rules, letting go, being free and being visible. And yeah, lesbians wanna have fun.

1983 - Karma Chameleon : Culture Club - If you’re a person who doesn’t take a stand because you don’t want to offend anyone by being true to who you are, then karma is gonna get you. Boy George was in a relationship with the drummer, who wasn’t out so it had to remain secretive. Their difficult lover-professional relationship was the inspiration for many lyrics in Culture Club songs, including the line, “You’re my lover, not my rival” in “Karma Chameleon.”

1983 - Relax : Frankie goes to Hollywood - At a time when gay sexuality was still mostly illegal and therefore usually portrayed in song & media by way of clever allusions, “Relax” was a song about gay sex—and despite the video being banned by the BBC and MTV—was the biggest pop song in the world. The chorus was about delaying sexual gratification to increase pleasure ("Relax, don't do it when you want to come")

1983 - I Am What I Am : Gloria Gaynor - Gloria has taken this Broadway song and given it a disco/dance vibe. The song is about coming out of the closet and living life authentically.

1984 - I Want to Break Free : Queen - The video is a parody of the U.K. soap opera Coronation Street, which has the entire band in drag, including Freddie Mercury as a housewife while singing lyrics about wanting to break down the boundaries of acceptability. The video was banned in the U.S. 🙄

1984 – Smalltown Boy : Bronski Beat – Wanting to escape the oppressive nature of a small hometown is something many queer kids long for. The song takes the pain of rejection and makes it danceable. What else makes this song notable is it’s from an openly gay group during the peak of the AIDS crisis.

1984 - You Spin Me Round (Like a Record) : Dead or Alive - The singer is queer and singing a love song, the New Wave music is hot, and this is an iconic classic of the 1980’s

1985 - Lover Come Back to Me : Dead or Alive - The 1980’s synth, the huge hair, and a queer singer telling his lover to come back.

1985 - Living on My Own : Freddie Mercury - This video was too controversial at the time and was banned because it featured drag queens, transvestites, and other questionable people enjoying themselves at a party. The lyrics talk about being lonely & living on my own (which I don’t know if he meant it this way, but it’s a good way to describe how it feels being in the closet), but there’s got to be some good times ahead and the music matches that upbeat hope. 

1985 - Sisters are Doin’ It for Themselves : Eurythmics & Aretha Franklin - It’s a feminist anthem that also has appeal as a song of lesbian empowerment

1985 - Somewhere (There’s a Place for Us) : Barbra Streisand - This song from the musical West Side Story is about love that is forbidden by society and dreaming of a place where such love is accepted, a theme queer people certainly understand.

1985 - Thank You for Being a Friend : Cynthia Fee - This song is on the list because it was the theme song for the TV show Golden Girls. When most people think of that show, they think of the 80′s fashions, cheesecake, the one-liners and showed older women as having sex drives. What the LGBTQ community remembers is that it had remarkably progressive outlooks on LGBTQ rights for its time, with nods to the AIDS crisis, coming out and even same-sex marriage. This video shows some Pride highlights from the show.

1985 - Love Me Like There’s No Tomorrow : Freddie Mercury - The lyrics are about two lovers who are forced to go their separate ways, we’re not told why, but it’s clear the singer is sad about losing his beloved. This 2019 video is two white blood cells falling in love, only to have heartbreak ensue when one of them gets HIV. This video benefits the HIV/AIDS charity organization the Mercury Phoenix Trust (MPT). MPT was founded by Queen in memory of Freddie

1986 - Nikita : Elton John -  Elton John sings of his crush on a person called Nikita, an East German border guard whom he cannot meet because he is not allowed into the country. In the video, the guard is female, but the name Nikita is a male’s name.

1986 - True Colors : Cyndi Lauper - The lyrics are about seeing who someone really is and loving them for it. And it doesn’t hurt that your “true colors are beautiful like a rainbow”

1987 - I Wanna Dance with Somebody (Who Loves Me) : Whitney Houston - This is popular with the LGBTQ community. We wanna dance with somebody like us, so we go to gay clubs.

1987 - It’s a Sin : Pet Shop Boys - This song is about a person’s lifelong shame and guilt, presumably for being gay. “For everything I long to do, no matter when or where or who, has one thing in common, too. It’s a, it’s a, it’s a, it’s a sin”

1987 - Faith : George Michael - The song, about declining hookups and patiently waiting for a more meaningful connection, portrays a balancing act with which gay culture has long wrestled. “Well I need someone to hold me but I’ll wait for something more. Yes, I’ve gotta have faith” is just as meaningful today in a culture searching for love while swiping left.

1987 - So Emotional : Whitney Houston - This is a great pop song with lyrics that people can easily see themselves in. Whitney sang a lot of non-gender-specific songs, this being one of them. What we didn’t know at the time is that Whitney’s best gal pal had once been more than that, they cut out the physical part of the relationship when Whitney signed with Arista Records in 1982, but remained best friends, so there may be a reason she preferred to sing love songs without a gender. Also, as if the song isn’t iconic in its own right, I will always think of the epic lip sync performance by the drag queen Sasha Velour when I hear this song. 

1987 - Always on my Mind : Pet Shop Boys - This is a remake of an Elvis song, but they dropped the references to a girl, making the gender of the person they’re singing about ambiguous.

1987 - Father Figure : George Michael - The phrase “Father Figure” represents how someone can take on a paternal role, encouraging & inspiring another person. Many queer men suffer alienation & rejection from their fathers. As one of these men begins to explore emotional intimacy with another man, the singer assures him that he’ll take on the role of loving and mentoring him, help him work through those issues. 

1988 - One More Try : George Michael - The singer is calling his new lover “teacher” (maybe because he feels he has a lot to learn about love). He’s hesitant to enter a new relationship because he has been emotionally hurt by a previous one. The song concludes with a willingness for “just one more try.” 

1988 - A Little Respect : Erasure - Singer Andy Bell was one of the first openly gay pop stars to actually sing about queer romance. In this song he’s calling to a lover to not leave and asks the question, “What religion or reason could drive a man to forsake his lover?”

1988 - Kissing a Fool : George Michael - George is lamenting the recent lost love of a man "who listened to people who scared [him] to death and from my heart.” The line “strange that you were strong enough to even make a start” suggests that the ex-boyfriend was in the closet or was reluctant because of the baggage & reputation that came with dating a star like George Michael. Under the homophobic scrutiny, the boyfriend was made to “feel a fool.” In the end, George is heartbroken and is the one left feeling “a fool.”

1989 - Express Yourself : Madonna -  “Don’t go for second-best” just because he treats you nicely in bed, but then is emotionally distant. Stand up for yourself and what you need in a relationship. So why is this on this Pride playlist? The music video! All those muscular men.

1989 - Part of Your World : Jodi Benson - This song is from Disney’s The Little Mermaid. Ariel rejected traditional marriage partners and wants to marry a human against her father’s wishes. She dreams of being a part of the human world. For a long time the LGBTQ community has wanted to pursue romance & marriage with whom we want in a society where we could belong & be welcomed.

1990 - Vogue : Madonna - “Look around: Everywhere you turn is heartache.” That’s not exactly a fluffy opening for a dance-pop song—and that’s the point. This is still the time of America’s AIDS crisis, and this song is inspired by New York’s gay ball scene. This song wants you to put away the heavy stuff for a little while and get on the dance floor.

1990 – Groove is in the Heart : Deee-Light – A message of love and good times and the singer, Lady Miss Kier, although a woman, has a drag-queen sensibility to her colorful retro style

1990 - Freedom! ‘90 : George Michael - This song is cleverly about 2 things. One is about his career–the breakup of Wham! and then the success of his album Faith, and how he’s tired of being pushed around by his label so he’s taking control of his career and telling people to disregard the pop imagery of his past. It’s also about him wanting to come out of the closet about being gay, “There’s something deep inside of me, there’s someone else I’ve got to be.” It would be almost another ten years before he was publicly out.

1990 - Being Boring : Pet Shop Boys - “When you’re young you find inspiration in anyone who’s ever gone and opened up a closing door,” I believe this is talking about being in the closet and the hope that comes from people who’ve come out. The final verse, “Some are here and some are missing in the 1990’s,” AIDS wiped out much of a generation of gay people in the 1980’s. Now he’s grown up and out of the closet as “the creature I was always meant to be.”

1990 - Gonna Make You Sweat : C+C Music Factory - Fun dance song. In a 1997 episode of the The Simpsons, a steel mill turns into a flamboyant gay club when this song comes over the loudspeaker

1991 - Losing My Religion : R.E.M. - Lead singer Michael Stipe had several times declined to address his sexuality, so when “Losing My Religion” came out, people assumed Stipe was hinting that he is gay. “Consider this, the hint of the century. Consider this, the slip.” It stands as a classic example of queer coding in the era of “don’t-ask-don’t-tell”. The song was often interpreted as the struggle of Michael Stipe as a closeted gay man to come to terms with what religion taught about him. 

1991 - I’m Too Sexy : Right Said Fred - A fun song about a guy who is full of himself, thinks he is so sexy. Richard Fairbrass, the singer of the group, came out as gay at the time of this song, which made the song seem representative of a certain narcissistic part of gay culture that centers on the gym and muscle worship

1991 - Emotion : Mariah Carey - This song displays Mariah’s crazy vocal range, is upbeat and danceable. Mariah grew up a poor, biracial young woman in the 1970s and 1980s. She had a drive to prove she is “worthy of existing,” and this has resulted in a number of songs about self empowerment, overcoming obstacles, a desire to belong, and all those things are relatable to the LGBT community.   

1991 - Finally : Cece Penniston - A dance hit about falling in love. A lot of people, including queer people living in a heteronormative world, wonder if we’ll ever find true love, and can relate to the excitement & relief of the lyrics that “Finally, it has happened to me.” This song was featured in the 1994 movie The Adventures of Priscilla, Queen of the Desert, which was about two drag queens and a trans woman trekking across the Australian Outback in a tour bus they named Priscilla. The show is a positive portrayal of LGBTQ individuals.

1992 - Constant Craving : k.d. lang - She had been a country singer, but came out as gay and released this song. Every lesbian knew exactly what k.d. was craving. 

1992 - Damn I Wish I Was Your Lover : Sophie B. Hawkins - The song’s lyrics are written from the perspective of a woman who is observing another woman in an abusive relationship. The singer is having a difficult time seeing her “black and blue” and dreams of rescuing this abused woman and making her happy, taking away her pain, and being physically intimate with her. Hawkins has stated that she is “omnisexual.”

1992 - Take a Chance on Me : Erasure - ABBA had a following among the gay community, and Erasure singing one of their songs helped bring ABBA back into mainstream consciousness again. Plus in the video, two members of Erasure dress in drag playing like they’re the women from ABBA. 

1992 - This Used to be my Playground : Madonna - The lyrics are about losing childhood innocence and gaining responsibilities. The song came to be seen as an ode to gay friends who died during the AIDS crisis, and the loss of innocence that epidemic caused.

1992 - The Last Song : Elton John -  When he learned that his son was gay, the father had “disowned” him, but upon learning his son was dying from AIDS, overcame his homophobia to spend the final moments with his son. This one makes me cry.

1992 – Deeper and Deeper : Madonna -  The song talks about sexual desire, though in the gay community it’s seen as being about a young man coming to terms with being gay. “I can’t help falling in love. I fall deeper and deeper the further I go. Kisses sent from heaven above. They get sweeter and sweeter the more that I know”

1992 - Supermodel : RuPaul - RuPaul’s debut single introduced much of America to “sashay/shantay.” RuPaul used this breakthrough hit to become America’s favorite mainstream drag queen.

1993 - Bi : Living Colour - One of the very few songs (that I’m aware of) that celebrates bisexuality. The main line is “everybody loves you when you’re bi”, which is so affirming.

1993 - Somebody to Love : Queen & George Michael - At the Freddie Mercury Tribute Concert, George Michael sang this song about a man calling out to God, asking why he works so hard but can't find love. At the end of the song, he finds hope and decides he will not accept defeat. Given our smaller numbers and the process we go through to accept ourselves, queer people often work harder to find love. And here is George Michael, who became a gay icon, singing the song fabulously.

1993 - What’s Up - 4 Non Blondes - This was the first Top 40 hit by an openly lesbian group (somehow the Indigo Girls never got higher than #52). The song begins with the singer saying she’s 25 but is feeling discontent and confusion. She cries as a form of relief because she feels a little peculiar. In the morning she steps outside and yells “what’s going on?” She tries in this institution (which many think means the homophobic and sexist aspects of American) and she calls for a revolution. Since 1993, in many ways we have seen a revolution that is overturning many aspects of the homophobic restrictions that had gay people feeling stuck in an institution rather than able to fully be themselves.

1993 - Go West : Pet Shop Boys - This is a remake of the song by the Village People which imagines a utopia free of homophobia and discrimination. It’s a song of queer community & spirit, and we’ll all do it “Together!”

1993 - Come to my Window : Melissa Etheridge - Melissa came out publicly coming out as a lesbian and then released an album titled “Yes, I Am.” This song from the album is about a secret love. “Come to my window, crawl inside, wait by the light of the moon.” Certainly many gay people know about keeping a love on the down low. The song’s bridge really voices what a lot of queer people feel: “I don’t care what they think, I don’t care what they say. What do they know about this love, anyway?”

1993 - Hero : Mariah Carey - The song has a message that really speak to LGBTQ people. Inside of every person is the ability to be your own hero. looking to yourself & finding the inner courage to be strong & believe in yourself through the hard ties. ”There's a hero if you look inside your heart. You don't have to be afraid of what you are.” And it goes on to speak about casting aside your fears and surviving and finding love within yourself. Btw, in 2016 Mariah was honored by GLAAD with the Ally Award, and she gave her definition of LGBTQ--”L: legendary. G: gorgeous. B: beautiful — all of you beautiful people! T: tantalizing, and even Q for quality!"

1994 - Streets of Philadelphia : Bruce Springsteen - Bruce wrote this haunting song for the film Philadelphia, which was about a lawyer who was fired for being gay & having HIV. This song is about a man dying of AIDS. The lyrics begin with him seeing his reflection, but the disease has given him lesions & he’s lost so much weight that he doesn’t even recognize his reflection. “Oh brother, are you gonna leave me wastin’ away on the streets of Philadelphia?” This line is asking how society could turn its back on those who need help the most, even here in Philadelphia, the City of Brotherly Love. As he’s walking the streets, he is thinking of friends who had died from AIDS. He can hear the blood pulsing in his veins, and he describes it as black, because HIV/AIDS is an infection of the blood and the disease is (figuratively) black and deadly. 

1995 - I Kissed a Girl : Jill Sobule - A song of yearning, confusion, and freedom

1995 - Queer : Garbage - The term “queer” in these lyrics meant odd or different, but Garbage is very open to the queer community and how we use that word.

1996 – Jesus to a Child : George Michael - The melancholy song is a tribute to Michael’s Brazilian lover Anselmo Feleppa. Feleppa died from an AIDS-related brain hemorrhage. The song’s rhythm and harmony is influenced by the Brazilian bossa nova style. Michael would always dedicate the song to Feleppa before performing it live.

1996 - Fastlove : George Michael - A guy was in a committed relationship that didn’t work out and now he just wants to not worry about love. “Had some bad love, so fast love is all that’s on my mind.” But even as he’s saying he’s seeking a casual hookup, keeps saying he misses his baby, being with someone he loves would be his preference.

1996 – Seasons of Love : Cast from the musical Rent  - What is the proper way is to measure the value of a year in human life? The most effective way is to “measure in love”. Since four of the lead characters have HIV or AIDS, the song is often associated with World AIDS Day and AIDS awareness month.

1997 - Go the Distance : Michael Bolton- This song from the Disney movie Hercules is about not belonging and declaring that no matter what struggles lie ahead, I’m going to find my place in the world. That's definitely inspiring.

1997 - You Have Been Loved : George Michael - George Michael wrote this song about Anselmo Feleppa, who died of an AIDS-related illness in 1993. The beginning of the song describes Anselmo’s mother, who visits his grave. The first chorus has Anselmo’s mother saying goodbye, telling him “You have been loved.” The ending chorus has Anselmo dying, telling George, “You have been loved.” The line, “If I was weak, forgive me; but I was terrified,” refers to the trauma George felt during Anselmo’s decline in health. While an intense song about grief and death, it also involves a spiritual struggle. Anselmo and his mother both say that God is not dead, George counters by challenging God. “What’s the use in pressing palms, if you [God] won’t keep such love from harm? It’s a cruel world. You’ve so much to prove.”

1997 - Come On, Eileen : Save Ferris - This is a remake of the 1982 hit by  Dexys Midnight Runners which was about getting a school girl to overcome her Catholic repression and begin a romantic (and possibly sexual) relationship. Only now a woman is singing about Eileen and that makes it a queer song.

1997 - Together Again : Janet Jackson - The album notes included: “I dedicate the song ‘Together Again’ to the friends I’ve lost to AIDS.” It’s a sweet song with hopeful words. “Everywhere I go, every smile I see, I know you are there smilin’ back at me”

1998 - Diva : Dana International - Dana is a transgender woman who won the 1998 Eurovision Song Contest. It was the first major celebration of a trans artist on an international stage. Dana’s representation of her country Israel created a furor among Israel’s Orthodox Jewish community. After her win, she addressed her detractors. “My victory proves God is on my side,” read her statement. “I want to send my critics a message of forgiveness: try to accept me. I am what I am.” She was a beacon that many LGBTQ people in Israel list as their first hope that things could get better, that it is okay to be queer.

1998 - Reflection : Christina Aguilera - This song from the Disney movie Mulan is about how others don’t know the real you, which means the lyrics can fit the experience of being in the closet. “Look at me. You may think you see who I really am, but you’ll never know me. Every day it’s as if I play a part.” The song also is adopted by a lot of trans people because how they feel on the inside doesn’t match how they look on the outside. “Who is that girl I see staring straight back at me? Why is my reflection someone I don’t know?”

1998 - Believe : Cher - Whatever happens, you’ve gotta believe there’s something better coming. Keep going and loving, because the next love will be better. It’s about strength and power and hope. And the fact that it’s not always easy to be who you are.

1998 - Outside : George Michael - George Michael was entrapped by police committing a lewd act in a public men’s bathroom in Los Angeles under suspicious circumstances. The video mocks the way queer men are held to different standards about sex--many couples were caught getting frisky, but the gay couples are the ones arrested.  

1999 - Man! I Feel Like a Woman : Shania Twain - This is about going out, letting down your hair and having a good time. The message is she loves being a woman. “The best thing about being a woman is the prerogative to have a little fun.” My queer friends who identify as women love feeling like a woman.

1999 - There She Goes : Sixpence None the Richer - It’s surprising that a Christian band with a female singer does a song about being attracted to a woman who you just can’t get out of your brain. “There she goes. There she goes again. Racing through my brain. And I just can’t contain this feeling that remains.” 

1999 - When She Loved Me : Sarah McLachlan - This is from Toy Story 2, if you remove the idea this is about a toy, the lyrics are about a woman reminiscing a past female love.

2000 - It’s Not Right But It’s Okay (Thunderpuss mix) : Whitney Houston - “I’m gonna be okay, I’m gonna be alright” shows a certain defiance & determination to go on, a message that strikes a chord with LGBTQ people

2000 - Stronger : Britney -  This is a declaration of independence and self-empowerment. “You might think that I won't make it on my own, but now I'm stronger than yesterday.” Those are lyrics that queer people can embrace. We always can use an empowering dance song.

2001 - Androgyny : Garbage - I think this song has two messages. First, don’t dismiss people who don’t fit traditional gender roles. The other message is about trans individuals who “can’t see the point in going on,” they’re reminded that “nothing in life is set in stone, there’s nothing that can’t be turned around.” Trans individuals who were assigned female at birth may consider themselves “boys in the girls room.” Then when they decide to present themselves as male, others may consider them to be “girls in the men’s room.”

2001 - I Want Love : Elton John - This song is about a man who’s gone through some hard times, lost love, and as a result has built up some scars around his heart, but yet he wants love. Elton was mid-30′s at the time the song was released, which is a time a lot of people look at their life and want someone to settle down with, want a deeper connection with someone they can trust and have a long-lasting relationship.

2002 - Cherry Lips : Garbage - This song is inspired by a fictional trans woman. “Cherry Lips” talks about a boy looking like a girl who makes the whole world want to dance.

2002 - Beautiful : Christina Aguilera - This song affirms those who feel they don’t fit in. The video includes young people with body issues, a goth punk, a person assigned male at birth putting on women’s clothes and two guys kissing in public. “I am beautiful no matter what they say. Words can’t bring me down.” But songs can lift you up, and this one does.  

2003 – Defying Gravity : Idina Menzel – In this song from the musical Wicked, the character Elphaba sings of how she wants to live without limits, going against the rules that others have set for her. Plenty of queer people can relate.

2003 - Gay Bar : Electric Six - The words are straight forward, “I wanna take you to a gay bar.” The music video is nuts, lead singer Dick Valentine portrays Abraham Lincoln in the White House getting increasingly ready for the gay bar--loses the pants, exercises, takes a bath, wears bdsm leather. 

2003- If You Were Gay : Cast from the musical Avenue Q - An irreverent musical using puppets had this song between the characters that resemble Sesame Street’s Bert & Ernie. It’s about how a closeted person may have trouble accepting themselves, even if their friend is affirming. This performance of the song by the San Francisco Gay Men’s Chorus is delightful.

2003 – Me Against the Music : Britney Spears and Madonna - The music video shows Spears and Madonna playing opposites in a nightclub. A cat-and-mouse chase ensues, and Spears finds Madonna in the end, only for the latter to disappear just before they kiss.

2004 - Toxic : Britney Spears - This song is basically a girl addicted to a guy and she’ll do anything to get what she wants, and the taste of his lips is intoxicating. Idk why this became such an anthem in the LGBT community other than in the early 2000′s Britney’s presence in pop culture was dominant, and she was a supporter of the queer community, and each song she put out was more empowering, sexually playful, along with a sense of vulnerability. I think for a lot of bi & lesbian women, Britney played some part in their sexual awakening. Plus there’s a stereotype that gay people walk quickly, that’s because we have Toxic by Britney Spears (143 bpm) playing in our heads. 

2004 - Amazing : George Michael - After the painful and sudden death of his beloved Anselmo, George started a new relationship with Kenny. During that time, George’s mom was fighting cancer and Kenny was there for him. To be able to comfort a person in their time of grief and come out of it closer, that’s Amazing

2004 - Proud of Your Boy : Clay Aiken - This song was written for Aladdin and the words make me think of coming out and worrying what your parents are going to think and will they still be “proud of [their] boy”? Clay came out as gay a few years later in 2008.

2005 - Hung Up : Madonna -  It’s about living your best life and not wasting anymore time on men who wont call you. And it has that synthesizer riff from ABBA’s Gimme! Gimme! Gimme! (A Man After Midnight)

2006 - And I am Telling You : Jennifer Hudson - This song is about an underdog, and being LGBTQ makes us underdogs in our heteronormative society. “And I am telling you that I’m not going.” I’m going to be here and I’m going to thrive, I’m going to be me and you’re going to see me and “You’re Gonna Love Me.” 

2007 - Grace Kelly : MIKA - Mika wrote the song after he felt frustrated with record label executives who wanted him to change his sound to be more like another pop singer. Mika wrote “Grace Kelly” to reject pretending be someone else to win approval – in this case the glamorous actress Grace Kelly, or he “could channel a little Freddie” Mercury. Refusing to change who you are to find acceptance is the stuff gay anthems are made of. We love Mika because he’s authentically queer and has no interest in conforming and instead is his flamboyant self

2007 - Billy Brown : MIKA - It was all going according to plan for Billy Brown: he had a wife, two kids and a dog. Then he fell in love with another man.

2007 - Sweet Dreams : MIKA - Mika covers this 1983 Eurythmics’ anthem of resilience. The Eurythmics singer Annie Lennox was seen as something of a gender bender thanks to her buzz cut & men’s suits. This song acknowledges that sometimes life is hard, some people want to use or abuse you, but “hold your head up,” and keep moving on and you’re sure to leave the nightmare for a sweet dream.

2007 - I Don’t Dance : Corbin Bleu & Lucas Grabeel - This song from High School Musical 2 is where Chad, co-president of the drama club, is trying to get Ryan, co-president of the basketball team, to “swing” to the other side, if you know what I mean. The scene in the movie is about playing baseball, and at the end of it, the two of them are sitting together wearing the other’s clothes. Guess Chad got Ryan to swing.  

2008 - Talk About Love : MIKA - Super catchy chorus, he’s fallen in love and now all he wants to talk about is his new love.

2008 - Just Dance : Lady Gaga - This is Gaga’s first hit and she tells herself to just dance and everything will be okay. Whatever hard things are going on in our life, sometimes we have to take a break from them, and dance. Lady Gaga performed this at the inaugural NewNowNext Awards, which were broadcast on the Logo network in June 2008. Logo is targeted to the gay community

2008 - I Kissed a Girl : Katy Perry - Katy has a boyfriend, but she kissed a girl and liked it. Don’t pretend you don’t want to run to the nearest drugstore for some new cherry chapstick after listening to this song. This song isn’t about being bi, it’s about experimenting.  

2008 - Poker Face : Lady Gaga - “Poker Face” is all about masking your sexuality. During a performance in 2009, Gaga explained that the song dealt with her personal experience with bisexuality. When she’s with a man but fantasizing about a woman, she’s got a “Poker Face” so he won’t know what is going through her mind.

2009 - Cover Girl : RuPaul - The theme song to the RuPaul’s Drag Race TV show which brought Drag performance and culture to the masses.  

2009 - You Belong with Me : Taylor Swift - Not 👏 a 👏 single 👏 male 👏 pronoun 👏 in 👏 sight! The singer is pining over her close friend, who is dating a girl who doesn’t really get them. There’s nothing stopping us from reading this as a girl crushing on her gay best friend.

2009 - Bulletproof : La Roux - Everyone was asking if singer Elly Jackson was a lesbian or bi and she was vague in answering. She had a girlfriend but was worried what coming out would mean for her career. She still doesn’t like labels, she feels androgynous but more feminine than masculine, and she doesn’t call herself “gay”, “straight” or “bisexual.” However, she says "if people want to hold me up as a gay role model, absolutely, I’m proud to be that, but I don’t feel the need to say that I’m gay to do it.” The song is about a girl who has been through a lot of bad relationships and hopes that "next time maybe, I'll be bulletproof" meaning she hopes she doesn't get hurt in the next relationship she's in.

2009 - Bad Romance : Lady Gaga - First, it’s gender neutral so any of us can sing without translating pronouns. Second, it’s about loving someone completely, including their “bad” parts, “I want your ugly, i want your disease.” Third, Lady Gaga showed up to the 2010 MTV Music Awards w/ four members of the U.S. military who had been discharged or resigned because of the Don’t Ask Don’t Tell policy. When she went on stage to receive the Video of the Year award for “Bad Romance,” Gaga wore the now-infamous “meat dress,” as a way to show her anger about the military’s anti-LGBTQ policy. “If we don’t stand up for what we believe in and if we don’t fight for our rights, pretty soon we’re going to have as much rights as the meat on our bones.”

2009 - Whataya Want From Me : Adam Lambert - I wonder if this song is referencing when he was figuring out his sexuality with words like “Yeah, it’s plain to see, baby you’re beautiful and there’s nothing wrong with you. It’s me, I’m a freak.”

2010 - Cold War : Janelle Monáe - The song starts off saying “being alone's the only way to be. When you step outside, you spend life fighting for your sanity.” The chorus is how this is a cold war and knowing what you’re fighting for. Then there’s a bridge about strengthening the weak and if we unite and have faith in love then the mighty will crumble. This is followed by “I was made to believe there was something wrong with me.” So powerful. Alone we feel weak and need to hide, but united we are strong. Janelle has said this and additional songs about being the “other” can be about being a lesbian or being a gay man or being a black woman.

2010 - If I Had You : Adam Lambert - I love how the beginning sounds like Adam is going out to a gay club “So I got my boots on, got the right amount of leather, and I’m doing me up with a black color liner, and I’m working my strut.” Not the way we usually hear about a guy getting ready for a night out  

2010 - Dancing on my Own : Robyn - It’s a break up song. “Somebody said you got a new friend. Does she love you better than I can?” But with a great dance beat like this, it’s a sure bet Robyn won’t be dancing on her own for long.

2010 - All the Lovers : Kylie Minogue - A feel-good dance track about love. The video has people strip down to their underwear, form a pyramid and begin kissing. All sorts of people kissing, very pansexual.  

2010 - Mine : Taylor Swift - This is a song about a careless man’s careful daughter going off to college and falling in love with a small town waitress. That’s it. That’s the song.

2010 - Ice Cream Truck : Cazwell - This is something of a guilty pleasure. It’s a cute, simple and upbeat 1980’s-style hip-hop summer anthem that conveys happiness about being gay. I would describe the video as delightfully raunchy, a bunch of shirtless male dancers licking their popsicles (and a couple of butts also make an appearance)

2010 - Raise Your Glass : P!nk - The song is a call to the underdogs of the world, the “loud and nitty-gritty dirty little freaks,” to ignore convention and just let loose. Lyrics like these are so relatable: “So raise your glass if you are wrong in all the right ways, all my underdogs.” Plus, the video has her singing at a gay wedding.

2010 - We R Who We R : Ke$ha - After a news story that bullying led to multiple suicides of gay youth, Ke$ha wrote this song in hopes that it would become a Pride anthem. The song is intended to inspire people to be themselves, and as a celebration of anyone deemed quirky or eccentric. Kesha was upset people have to hide themselves and pretend to be someone other than who they are in order to be safe.

2010 - Firework : Katy Perry - Everyone is a firework–an ordinary, ugly, or insignificant wrapping but in the right situation, they ignite and show how amazing, extraordinary, and beautiful each of us is. No wonder it’s loved by the queer community, once we come out, others see we’re bright and beautiful. The video features a scene in which two boys passionately kiss. And the lyrics “after the hurricane comes a rainbow” fits because rainbows are tied to the LGBTQ community. Katy Perry dedicated this song to the “It Gets Better” video campaign aimed at gay youth who may feel alone or suicidal. 

2010 - Teenage Dream : Glee Cast - This song being sung by one boy for another was a big moment on a big TV show.

2010 - F**kin’ Perfect : P!nk - With all the negative messages we grow up hearing about our gender identity or sexual orientation, it’s so affirming to hear “Don’t you ever ever feel like your less than, less than perfect”

2011 - Born This Way : Lady Gaga - Many songs hint at queer identities and acceptance by using metaphors, but not this one, it is direct. “No matter gay, straight, or bi, lesbian, transgender life, I’m on the right track, baby, I was born to survive.”

2011 – Mean : Taylor Swift – This is an anti-bullying public service announcement. Even more than others, Queer kids are subject to bullying, so a song addressing the topic resonates. And then there’s a lyric about moving to the big city, which for us can be understood as a place where it’s safe to be gay. “Someday I’ll be living in a big old city, and all you’re ever going to be is mean.”

2011 - Americano : Lady Gaga - This song is about the unjust laws that exist in America, particularly regarding immigration and gay rights. The scenario is she falls in love with a girl from East L.A. (heavily Hispanic population) but can’t marry due to the laws prohibiting gay marriage. As to the “I don’t speak your Americano, I don’t speak your language oh no, I don’t speak your Jesus Cristo” I think it’s rejecting the religious rhetoric used to justify the laws.

2011 – Call Me Maybe : Carly Rae Jepsen - The video begins with Carly Rae spying on her attractive neighbor as he is working on his lawn. She tries to get his attention with various provocative poses only for her neighbor to give his phone number to Carly Rae’s male band mate

2011 - We Found Love : Rihanna - Finding love in a hopeless place, for many queer people this can be what it’s like in a heteronormative society, or when we’re in the closet and find someone. Or also that hard transition to accept & love yourself, and then going from that to hoping to find someone.

2011 - Take a Bow : Matt Alber - A beautiful, heartfelt cover of the 1994 Madonna song with just a guitar for accompaniment. With an openly gay man singing the words, it transforms this into a gay love song.

2011 – Titanium : David Guetta feat. Sia – The openly queer singer Sia wrote this song about enduring everything the world throws at you and coming out stronger

2012 - Starships : Nikki Minaj - The lyric "starships are meant to fly," is a line about reaching one's full potential in life. A great song to sing when needing motivation to just go for it and not let other people’s ideas or judgements box you in. Nikki has been an ally to the queer community. On MTV she encouraged her gay fans to be fighters and to be brave, and she canceled a concert in Saudi Arabia to show support for women and LGBT+ people in the country.

2012 – Thinkin About You : Frank Ocean – Just before this song was released, Frank Ocean came out. There haven’t been many hip-hop stars who are openly gay. And it got me wondering who it is he’s been thinking about?

2012 - Same Love : Macklemore & Ryan Lewis - I have a nephew who got called gay for wearing stylish clothes, being neat, and interested in art & music. He had a hard time accepting that his uncle (me) is gay because of his experience, and it made me think of this song.

2012 - I Wanna Dance with Somebody (Who Loves Me) : Matt Alber - A gay man singing the big Whitney Houston hit about wanting to dance with someone.

2012 - Wings : Little Mix - Little Mix is a British girl band well-known for being LGBTQ Allies and including LGBTQ themes in their songs. Wings is about believing in yourself and not letting anyone put you down, a message that resonates with their LGBTQ fans.

2012 - Let’s have a Kiki : Scissor Sisters -  A drag performer is heading out to put on a show, but when she arrives at the club it’s been shut down by the police. So she calls up a friend and announces “We’re coming over and having a kiki.”

2012 - Closer : Tegan and Sara - Not many bands are made up of twin lesbian sisters. This song is really cute. The lyrics are about the anticipation before the kiss, before anything gets physical. 

2012 - For All : Far East Movement - As the fight for marriage equality was taking place, this group sang “Love is for all. Life is for all. Dreams are for all. Hope is for all. Feel the love from everybody in the crowd now, this is for y’all, this is for all.” The video intersperses some uplifting words from President Obama.

2012 - They Don’t Know About Us : One Direction - People tell a couple they shouldn’t be together and that their love isn’t real. Sound like something a queer couple might hear? In the song, no one can stop them, they’re together for life. Also, people thought this song might have been hinting about Larry Stylinson (Louis & Harry).

2012 – Somebody Loves You : Betty Who - The song keeps saying “somebody loves you,” and that somebody is the person singing the song. Most people discovered this song from a viral video of a gay marriage proposal at a Salt Lake City Home Depot

2013 - Lay Me Down : Sam Smith - A melancholy song with a video to match of a husband being buried and Sam saying to also Lay Me Down. But then Sam reminisces about a happier, more blissful time–their gay wedding that was held at the same church.

2013 - People Like Us : Kelly Clarkson - the song is about all the people who are brave enough to challenge the social norms to bring about change in the world. These words in particular strike me, “this is the life that we choose” and “come out, come out if you dare.”

2013 - Popular Song : MIKA feat. Ariana Grande - This is an imaginative updating of the song “Popular” from the musical Wicked. The lyrics are about how being popular and cool in school isn’t enough, and those who bullied others grow up to not be so popular. In other words, the tables will turn, you’ll need more to be successful than being popular. 

2013 - Brave : Sara Bareilles - Sara wrote this song of courage as a love letter to a friend who was struggling as an adult to come out as gay.

2013 - Q.U.E.E.N. : Janelle Monáe - The title is an acronym for Queer, Untouchables, Emigrants, Excommunicated, and Negroid. The song is about the empowerment of oppressed people. Monáe uses a question-answer format to explain stereotypes, misconceptions, and oppression.

2013 - Cameron : Jilette Johnson - The song is inspired by a real life Cameron the singer knew & loved. Cameron is a young gender-non-conforming person who isn’t accepted by their family or society. The singer repeats, over and over, that Cameron isn’t the alien the world thinks they are – “Cameron, you’re a star, a light where there is dark. And you’re a hundred times a woman, a hundred times the man that they are.”  

2013 - All Night : Icona Pop - The song is about expressing yourself, and that life gets better and we will find ourselves dancing. The video is about the LGBT house ballroom subculture.

2013 - She Keeps Me Warm : Mary Lambert - A beautiful song about how women can love each other, protect each other and desire each other. And the lyrics “not crying on Sundays,” I think means not believing the damning words preached by religion about being gay

2013 – Take Me to Church : Hozier - This is a ode to worshiping in the bedroom. Hozier is an outspoken LGBTQ ally and the music video depicts two gay men being ripped apart by homophobic violence in Russia. It brought international attention to the anti-gay laws in Russia.

2013 - Work Bitch : Britney Spears - The things you want in life are attainable but you gotta focus and work. Britney wrote this song with her gay friends in mind. “I don’t call everyone… that word. I just use it as, it’s like in respect to the gays as a term of endearment.”

2013 - Girls/Girls/Boys : Panic! At the Disco - There is a love triangle between a boy and two girls, and the boy is being played off against a girl for the other girl’s attention. Pansexual rock star Brendon Urie sings “Girls love girls and boys. Love is not a choice.”

2013 - Follow Your Arrow : Kacey Musgraves - “kiss lots of boys – or kiss lots of girls, if that’s something you’re into.” It's sad that a one-liner about kissing whoever you like is still controversial in Country music today, but I love her poking holes in that genre’s homophobia.

2013 - Let It Go : Idina Menzel - From the movie Frozen, this song says to abandon the fear and shame, be yourself, be powerful. The lyrics could almost come from an It Gets Better video about embracing who you are. And these lines are how it feels after some time has passed and we look back at our coming out experience: “It’s funny how some distance makes everything seem small. And the fears that once controlled me, can’t get to me at all”

2014 - Sleeping with a Friend : Neon Trees - Glenn Tyler says he was thinking of a straight male friend when he wrote this (but used female pronouns in the song). It’s an unusual love song because it’s a cautionary tale of hooking up with someone you’re close with.

2014 - Rise Like a Phoenix - Conchita Wurst - The lyrics are about combating prejudice and the judgement of others in modern society. Conchita won Eurovision singing this song while wearing a gown, makeup and a beard.

2014 – Stay With Me : Sam Smith – One night Sam fell for someone, but they didn't feel the same. Good ol’ unrequited love. Sam used this music video to come out as gay by admitting the person being sung about is a man.

2014 - Sissy that Walk : RuPaul - A perfect walkway song for all those drag queens, and any of the rest of us, who want to strut what we got

2014 - Really Don’t Care : Demi Levato - The video starts off with Lovato expressing her support for the LGBTQ community and saying that “My Jesus loves all.” The music starts and Levato is singing at a Pride parade. Demi said “When I thought of the lyrics ‘really don’t care’, it made me think of bullying, and made me think of the LGBTQ community, who deal with that so often, but they accept themselves.”

2014 - Break Free : Ariana Grande feat. Zedd - Ariana’s older brother is gay and she grew up around his friends, she’s an ally. And the words of this song, “I’m stronger than I’ve been before. This is the part when I break free ’cause I can’t resist it no more” has the theme often found in gay anthems--that things are tough, but I’m tougher and going to make it. Breaking free of what the world wants you to be to become who you truly are has made this song a coming-out anthem.  

2014 - Secrets : Mary Lambert - We grow up hiding things about ourselves, we all have secrets, but how much better when we don’t care if the world knows our secrets. “They tell us from the time we’re young to hide the things that we don’t like about ourselves inside ourselves. I know I’m not the only one who spent so long attempting to be someone else. Well I’m over it”

2014 - Feeling Good : George Michael - This is the final song released by George before his death. It expresses a particular kind of joy which comes with liberation from oppression. Nina Simone’s stunning vocal performance of this song in the 1960’s during the Civil Rights movement made it a manifesto of that movement’s burning desire for freedom. And then here is George Michael, a gay man, and the song is born again as a desire for the queer community to be liberated from oppression.

2014 - Centuries : Fall Out Boy - Peter Wentz, one of the co-writers of this song, says the idea is a “David vs.Goliath story” meant to empower people who are a little weird. Justin Tranter, another of the co-writers, revealed in 2018 that trans pioneer Marsha P. Johnson was the inspiration for the song. When making the announcement, Tranter said, “I want every LGBTQ person to know that our ideas are mainstream. We have stories to tell and people will f*cking listen”

2014 - Put ‘Em Up : Priory - The song begins with a religious mom saying her trans kid has some kind of sickness. The mom may not be happy, but “we're hangin' with the boys that look like girls tonight” and “we're hangin' with the girls that look like boys alright”. The video features trans & gay people.

2014 - Jessie’s Girl : Mary Lambert - This is a remake of the 1981 hit song by Rick Springfield, but now it’s a woman longing for Jessie’s girl.

2014 - First Time He Kissed a Boy : Kadie Elder - This is about recognizing your sexual orientation at a young age and the difficulties that can follow. Being a teen isn’t easy and the choices teens have to make aren’t easy, but if you are brave enough and stand up for yourself, you might shock others but you might also become happy. It has a gay-positive video that tells the story in a touching way.

2014 - Welcome to New York : Taylor Swift - An insecure girl falls in love with a city where you can want who you want. “When we first dropped our bags on apartment floors, took our broken hearts, put them in a drawer. Everybody here was someone else before, and you can want who you want: boys and boys and girls and girls”

2014 - Little Game : Benny - Many people may know Benny from his YouTube channel. Little Games is about the ways in which rigid concepts of gender still dictate our behavior today. I think the creepy and catchy melody & video are a good match for the lyrics “play our little game"  

2015 - All-American Boy : Steve Grand - A Country song that tells the story of a gay young man in love with a straight male friend.

2015 - Don’t Wait : Joey Graceffa -  Joey is a well-known YouTube personality and with this song he came out. The song says to not wait for the world to get ready but to go explore and find what you’re looking for. The video is the adorable queer fairy tale we’ve all been waiting for. I love these lyrics, “The darkness can be such a lonely place on your own, I’ll be your compass so you’ll never feel alone.”

2015 - Calling Me : Aquilo - Growing up, we all grapple with who we are and who we want to become. We all go through a period of being unsure of our personality, creativity and perhaps even our sexuality. We have to battle to not be defined by what others think of us, but to believe in ourselves. It’s a battle we’ve all had to fight. In the video, the singer learns to stay strong, keep his head high and accept who he is, even if others can’t.

2015 - Good Guys : MIKA - Mika plays off the 1997 Paula Cole hit “Where Have all the Cowboys Gone” but instead asks “Where have all the gay guys gone?“  Mika shifts “gay guys” to “good guys” and lists his queer heroes who helped him get to where he is, while also looking forward to what the future holds for the LGBTQ community.  

2015 - Body was Made : Ezra Furman -  Ezra says this “is a protest song against the people and forces that would make me ashamed of my body, my gender and my sexuality.” This song’s message is taking ownership of your own body and identity, and not letting anybody else interfere with that. Furman identifies as trans and bisexual, and uses he/him and she/her pronouns

2015 - No Place in Heaven : MIKA - He’s singing about how there’s no place in heaven for gay people. “Father, won’t you forgive me for my sins? Father, if there’s a heaven let me in”

2015 - Girls Like Girls : Hayley Kiyoko - This was Hayley’s unofficial coming out as a lesbian and in this song she sings that “Girls like girls like boys do, nothing new” The video has some images of violence as a boy is angry that his girlfriend likes girls, but in the end the lesbians win.

2015 - Cool for the Summer : Demi Levato - She is curious and has a woman she’s gonna spend the summer exploring with. “Got a taste for the cherry and I just need to take a bite.”

2015 – Run Away with Me : Carly Rae Jepson - Carly Rae sings about getting away with someone for the weekend. Whether it’s just that your schedules have kept you busy or you have to keep this secret (“I’ll be your sinner in secret”), it’s very romantic. Oh, and lack of gendered pronouns makes it even more relatable to the queer community.

2015 - Alive : Sia - The song is about someone who had a tough life, but says “I’m still breathing, I’m alive.” It is the personification of resilience and perseverance.

2015 - Youth : Troye Sivan - It’s a really beautiful song about giving the best years of yourself to someone you love. The video features gay couples.

2015 - Genghis Khan : Mike Snow - This video surprised me the first time I saw it. A James Bond-type hero & villain fall for each other.  

2016 - Unstoppable : Sia - Instead of just surviving, Sia is going to prove to people that she’s going to succeed. And like her, this song helps us put our armor on so we also feel strong and get through the day and smash through barricades.

2016 - Secret Love Song : Little Mix - Secret Love Song could be heard as being about the struggles faced by LGBTQ people when coming to terms with their sexuality and showing affection in public. I especially like the Secret Love Song, Part II version as the video makes clear the LGBTQ meaning.

2016 – Formation : Beyoncé – At the GLAAAD Media Awards, Beyoncé used the lyrics from this Black-power anthem to advocate for gay rights when she said “LGBTQIA rights are human rights. To choose who you love is your human right. How you identify and see yourself is your human right. Who you make love to and take that ass to Red Lobster is your human right,”

2016 - Son of a Preacher Man : Tom Goss - This 1968 song gets a surprising gay update. The video tells the story of two gay teens struggling to understand their sexuality and feelings for one another while operating within the confines of an evangelical church.

2016 - Boyfriend : Tegan and Sara - This song tells the exhausting story of someone you’re basically dating, but they won’t come out in the open and admit it because they’re scared, confused, and insecure about their sexuality. “I don’t wanna be your secret anymore.”

2016 - I Am What I Am : Ginger Minj - This song is from a Broadway show about drag queens. The message is you only get one life so take your shots, whether or not they succeed, it’s better to live your life authentically as who you are. And I love this video featuring Drag Queens from RuPaul’s Drag Race.

2016 - The Greatest : Sia - Dedicated to the LGBTQ community in the wake of the Pulse shooting, Sia begs us to not give up and to still follow our dreams. The video features 49 dancers, one for each victim of the shooting. The song celebrates the spirit of being defiant and trying to be the best you can be in the face of adversity, which is something the LGBTQ community have managed to do for many decades. Yet despite the uplifting, catchy music and lyrics, there’s also a sense of tragedy about how that spirit and potential came to an abrupt end for the victims of the shooting.

2016 - G.D.M.M.L. Grls : Tyler Glenn - Despite the best efforts by this gay man to make church work, it didn’t work out because God Didn’t Make Me Like Girls.

2016 - Heaven : Troye Sivan feat. Betty Who - Troye sings candidly about what it’s like for a religious teenager to come out as gay. “Without losing a piece of me, how do I get to heaven? Without changing a part of me, how do I get to heaven? All my time is wasted, feeling like my heart’s mistaken, oh, so if I’m losing a piece of me, maybe I don’t want heaven?” Troye explains “When I first started to realise that I might be gay, I had to ask myself all these questions—these really really terrifying questions. Am I ever going to find someone? Am I ever going to be able to have a family? If there is a God, does that God hate? If there is a heaven, am I ever going to make it to heaven?” The video features footage from LGBTQ protests throughout history.

2016 - Devil : Tyler Glenn - A song that highlights the conflict between religious belief and queerness. “I found myself when I lost my faith” and not being able to “pray the gay away.” The constant in his world, what he’s anchoring himself to, is that his mom still loves him, and I love that because studies show the acceptance & love of a parent makes a huge difference when someone comes out.  

2016 - Midnight : Tyler Glenn - The Neon Trees frontman gives an emotional song about his departure from the Mormon church, but not from God. The ballad is accompanied by a video that shows Glenn removing his religious garments and replacing them with a glittering jacket.

2016 – I Know a Place : MUNA – This is a song of safety & nonviolence, which is important to the LGBTQ community as there’s many times we don’t feel safe being open about who we are and who we love. All three members of MUNA are queer. This song came out around the time of the Pulse nightclub shooting in Orlando which shattered that feeling of safety people thought they had in queer bars, clubs and spaces where we don’t have to hide who we are and should be free to be ourselves.

2016 - Boys Will Be Boys : Benny - The phrase “Boys will be boys” is typically used to excuse toxic masculinity, but this song turns it on its head. Benny wants “boys will be boys” to mean each person is different and doesn’t need to follow specific gender roles. Whatever a boy is, that’s what a boy will be.  

2017 - Believer : Imagine Dragons - The adversity you come across in life is what helps you grow to become a “believer” in yourself. "Oh let the bullets fly, oh let them rain / My life, my love, my drive, it came from / Pain / You made me a, you made me a believer, believer." This song was being written around the time of the election of Donald Trump, and one of the co-writers, Justin Tranter, expressed fear about the future. This song is the result--speak our truth no matter what comes our way.

2017 - You Will Be Found : Ben Platt - This song from Dear Evan Hansen means a lot to me. There’s a gay teen who says this is our song because I found him when he most needed help. But for everyone, this song is hopeful that when you need it, someone will be there for you.

2017 - Symphony : Clean Bandit - As a musician, I really like the imagery of the lyrics--Before all I heard was silence by now with you I’m hearing symphonies, “And now your song is on repeat, and I’m dancin’ on to your heartbeat. And when you’re gone, I feel incomplete.” The video shows a loving queer black couple torn apart by catastrophe and a reminder that music & art are a way for us to deal with grief and celebrate our loved ones.  

2017 - 1-800-273-8255 : Logic - This is a song about a closeted guy who is suicidal and calls a help line. The operator wants him to be alive and helps save him in that moment.

2017 - Bad Liar : Selena Gomez - The video portrays a love triangle (with each character played by Selena)–a curious high school student, seductive gym coach and a male teacher. Towards the end of the video, the high school student sings the line, “With my feelings on fire, guess I’m a bad liar,” as she looks at a photo of the gym teacher. It’s a scene that shows the fear & bravery of acknowledging and declaring our sexuality—a moment many queer people know

2017 - Love is Love is Love : LeeAnn Rimes - This song celebrates the LGBTQ community. Rimes said that “A ‘Pride’ celebration is a living thing. It is breathing authenticity. It’s a space we hold for one another, a place to come into what our souls move us to be, it’s a place in love and only love,” adding “That’s why the LGBTQ community continues to inspire me and enliven my spirit every time I perform for them.”

2017 - Swish Swish : Katy Perry - A song about fighting against bullies, “Swish Swish” uses basketball metaphors to talk about overcoming hateful people and thriving. That’s a theme that LGBTQ+ people can identify with.

2017 - If They Only Knew : Alfie Arcuri - The song is of a previous relationship where Arcuri’s ex-partner’s parents didn’t know he was gay. Arcuri explained “We were together for a couple of years and half way through the relationship he came out. The song is almost like a diary entry for me telling his parents how innocent our love and relationship was because to them I was like the devil who turned their son gay. It wasn’t like that at all though, it was a beautiful love.” The video is a short film that shows one guy in the closet and his friend helping him see it’s okay to be gay.

2017 - Power : Little Mix - Willam, Alaska and Courtney Act from RuPaul’s Drag Race are featured in this video. The song is about gender politics in a relationship.

2017 - Cut to the Feeling : Carly Rae Jepson - This is a song about liking someone and wanting to skip past all the awkward introductions and just get to the feelings where they’re being real with each other, dancing together and celebrating love. That already works as a queer song, and then add to it this viral video by Mark Kanemura. When she played at a Pride celebration, Carly Rae had Mark reenact his dance to the song 

2017 - The Village : Wrabel - Just because transphobia is common, it doesn’t mean it is right or that you are wrong. There’s a line in the song that hits me hard, “One line in the Bible isn’t worth a life.” And the video is beautiful, very poignant and it breaks my heart and gives me hope.

2017 - Heaven : State of Sound - A remake of the 1984 Bryan Adams song which was a standard love song of a boy and a girl. However, there were no gendered pronouns in the song and State of Sound’s video shows it works just as well for all sorts of queer couples

2017 - Bad at Love : Halsey - Halsey flips through all the guys and girls she’s dated in an attempt to understand why she hasn’t yet found love. Queen of bisexual relatability!

2017 - Feelings : Hayley Kiyoko - This song is about having a crush on someone. The video has Hayley chasing after a girl

2017 - This is Me : Keala Settle - The song from The Greatest Showman sings of resilience in the face of hardship — which, after all, is what Pride is all about. “Another round of bullets hits my skin. Well, fire away ’cause today, I won’t let the shame sink in”

2017 - HIM : Sam Smith - This is a song about a boy in Mississippi coming out and the conflict between his sexuality and his religious upbringing and how he is grappling with the feeling that there’s no place in religion for him because he’s gay. And the “Him” being sung is used both for God and for a boy he likes.

2017 - A Million Dreams : P!nk - this song from The Greatest Showman is about the power of positive thinking, faith and believing in your dreams. For queer people, it’s a reminder that we are building a better world.

2017 - This is Me : Kesha - A great cover of the song from The Greatest Showman.

2018 - My My My! : Troye Sivan - Troye said “'My My My!’ is a song of liberation, freedom, and love. “Throw all inhibition to the wind, be present in your body, love wholeheartedly, move the way you’ve always wanted to, and dance the way you feel”  

2018 - Curious : Hayley Kiyoko - “Curious” is a term used in the LGBTQ community to express same-sex experimentation. In the song Hayley uses it to ask, “I’m just curious, is it serious?” Hayley says she wrote the song about a past relationship with a closeted woman, as well as various romantic experiences with women who were unsure about their sexuality

2018 - Perfect : Alex G - This cover of the Ed Sheeran song is beautiful. And because Alex doesn’t change the pronouns, it’s a very sweet lesbian love song.

2018 - Only You : Cheat Codes & Little Mix - A video with a lesbian mermaid? Yes, please!

2018 - Make Me Feel : Janelle Monáe - Sexuality is simply how a person makes you feel, regardless of gender. The music video for ”Make Me Feel” features Janelle crawling between women’s legs and grinding up on both a male and female love interest under bisexual lighting.

2018 - Sanctify : Years & Years - This song is about a relationship the singer had with a straight man. “On the one hand, the guy is struggling with his sexuality and feeling unable to express himself as anything other than straight while also desiring me. I’m on the other side feeling like both a sinner and saint or a devil and angel, leading this guy down a path of ‘sinfulness’ while, at the same time, helping him explore his sexuality.“

2018 - Kiss the Boy : Keiynan Lonsdale - While he doesn’t ascribe to a specific label in terms of his sexuality, Keiynan is openly attracted to both genders – and in Love, Simon, he played the enigmatic Blue, love interest of Simon. The video is adorable & super-inclusive

2018 - Never Been In Love : Will Jay - It’s such a great bop and I have loved Will Jay since his IM5 days, and this seems perfect for my ace/aro friends. “I’m not missing out so don’t ask me again. Thanks for your concern, but here’s the thing, I’ve never been in love and it’s all good”

2018 - PYNK : Janelle Monáe - Monáe says the color pink “unites all of humanity” because it is the color “found in the deepest and darkest nooks and crannies of humans everywhere.” The video finds Monáe and Tessa Thompson (her girlfriend at the time) along with a group of other women dancing in a desert, having a slumber party and sitting out by a pool while expressing appreciation for the vagina, including some iconic pussy pants. Truly a testament to the power of pink.

2018 - High Hopes : Panic! At the Disco - Brendon Urie says the uplifting message of “High Hopes” is “No matter how hard your dreams seem, keep going.” The lyrics say “It's uphill for oddities,” which is how it can feel being queer in a heteronormative world, but “don't give up, it's a little complicated.” It’s complicated but doable. Urie created the Highest Hopes Foundation, an organization that assists nonprofit organizations in human rights efforts across the globe. “I want to join in on the fight for those who cannot fight for themselves. This is dedicated to all people and communities who are subject to discrimination or abuse on the basis of gender, race, religion, sexual orientation and gender identity.” The foundation donated $1 million dollars to Gay, Lesbian & Straight Education Network (GLSEN) to establish Gay-Straight Alliance clubs at high schools across the United States.

2018 - All Things : Betty Who - This is the theme song for the wildly popular Netflix show Queer Eye.

2018 - Dance to This : Troye Sivan (feat. Ariana Grande) - According to Sivan, the song is about “that moment when you feel like you’ve been to enough house parties or events, and staying home, making out in the kitchen and cooking dinner sounds like a much, much better alternative”

2018 – Boys : Lizzo – Lizzo sings a song about all the boys she loves, and plenty of gay boys sing along and cheer when reaching the lyrics “From the playboys to the gay boys. Go and slay, boys, you my fave boys”

2018 - Promises : Calvin Harris, Sam Smith - The music video is a glittery homage to vogueing and drag ballroom culture.

2018 - Bloom : Troye Sivan - Our first mainstream pop song about bottoming. This song is a thinly veiled description of Troye losing his virginity “I bloom, I bloom, just for you.” Or maybe it’s just about flowers.

2018 - No Matter What : Calum Scott - This is a lovely song about a son coming out to his mom and her responding that she loves him no matter what. “I just want you to be happy and always be who you are.” She wrapped her arms around me, said, "Don’t try to be what you’re not ‘cause I love you no matter what”

2018 - Old Town Road : Lil Nas X ft. Billy Ray Cyrus - Lil Nas had the biggest hit song ever and came out as gay, and now his choice in cowboy apparel makes sense

2019 - Juice : Lizzo - Lizzo’s message of radical self-love that celebrates the beauty of being different has earned her a huge queer following. Her work is inspired by the difficulty she felt growing up in a world that told her that she did not fit in. She now spreads a message of acceptance and love. “Juice,” is upbeat and fun, full of confidence-boosting lyrics. She made a video for “Juice,” featuring Drag Race alumni.

2019 - Rainbow : Kacey Musgrave - The song is about hope that the bad times will one day be over. Musgraves hopes it will serve as an anthem for those facing adversity, particularly in the LGBTQ community. “I feel a kinship and a friendship with that community. They really opened my eyes up to a lot of different things that I wasn’t aware of growing up in a small town in Texas. I will always be an ally and a strong supporter. ‘Rainbow’ is something that I can dedicate to that community, but also to anyone who has any kind of a weight on their shoulders."

2019 - ME! : Taylor Swift (feat. Brandon Urie) - This is a campy, bubbly song about embracing one’s individuality. "I’m the only one of me and that’s the fun of me.”

2019 - Nails, Hair, Hips, Heels : Todrick Hall - A fun song and video about being who you are and using that to strut and slay

2019 - Love Yourself : Sufjan Stevens - The lyrics are asking us to love ourselves and to show the reasons we believe in ourselves. I especially like this imagery “Make a shelf. Put all the things on that you believe in.” This song was specifically released for Pride month.

2019 - You Need to Calm Down : Taylor Swift - an entire verse that’s literally about going to a Pride parade. The video features a large number of celebrity cameos, many of whom are LGBTQ, including Queer Eye's Fab Five, figure skater Adam Rippon, singer Adam Lambert, television personality Ellen DeGeneres, entertainers Billy Porter and RuPaul, and numerous Drag Queens from  RuPaul's Drag Race who in the video impersonate famous women.

2019 - Higher Love : Kygo & Whitney Houston - Whitney recorded a cover of the Steve Winwood song “Higher Love,” but only released it in Japan. The Houston estate selected the DJ Kygo to remix Whitney’s version of the song. Kygo embued it with all the EDM sounds you’d expect from a 2019 dance song and debuted the song at Pride in New York City

2019 - American Boy : Years & Years - A cover of the Kanye & Estelle song, sung by Olly Alexander, a gay man, who is the lead singer for the band Years & Years. With Olly singing, this makes the song about one guy crushing on another guy  

2019 - Tiny Love : MIKA - Mika said that he wanted to capture the idea that love can feel enormous, "yet at the same time it’s so tiny and imperceivable to others.” True love is not “a sunrise over canyons shaped like hearts,” or “bursting into song in Central Park.” Rather, it’s “a ‘still-there-Monday-morning’ kind of love.”

2019 - I Rise : Madonna - This song was made specifically to honor the 50th anniversary of the Stonewall riots, and to inspire marginalized people to stand up and fight. It is about resilience, of surviving and rising up from adversity. The video includes footage of Parkland H.S. shooting survivors, LGBTQ supporters, women’s rights protesters, Olympic gymnast Aly Raisman’s testimony about sexual abuse and other social justice movements

2019 - I Feel Love : Sam Smith - Sam remakes the 1977 classic from Donna Summer, a song about loving your body and your desires. The high notes on this song are so exciting  

2019 - Show Yourself : Idina Menzel, Evan Rachel Wood - This song from Frozen 2 is about Elsa being ready to be vulnerable and bare her soul. This song has been adopted by the queer community as a coming out anthem.

2019 - Believe : Adam Lambert - A remake of the 1998 song by Cher that is embraced by many LGBTQ people, and it’s absolutely gorgeous 

2020 - I’m Ready (with Demi Lovato) : Sam Smith - The song is about being ready for a new love. The video is basically the Glam Olympics 

[a-dorin]

the project - peter parker

word count: 3,263

*disclaimer* this is a smut but both characters are consenting & of age. 

******

"today i have an exciting announcement," your chemistry teacher gushed, "since we are right on track for the unit, we will be taking a slight detour in our lesson plans. this whole week, we will be learning all about human chemistry!"

the class groaned, and you turned around to your best friend, nova, "how fucking lame."

she winked at you, "it'll be fun."

"so, to kick off this unit, we will be conducting a project on chemical reactions in the human body. i know you all have lab partners, but to make it fun, i will be drawing names out of a cup. everyone's name is on a slip of paper. i will begin drawing names right now, then we will discuss some of the parameters of the project," your teacher continued, a wide smile on his face.

drawing in a sigh, you glanced around the entirety of the room. m.j., one of your close friends, looked intrigued, as she was sitting next to your best friend, nova. flash looked disgusted, while peter and ned both grimaced to one another.

a part of you was hoping you would be paired up with your high school crush, peter parker. ever since the first semester of your freshman year, you had been attracted to him. he had bumped into you in the hallway between seventh and eighth period, knocking your coffee out of your hand. he apologized profusely, even handing you a ten dollar bill for the next coffee run. ever since then, you wanted to get to know the shy boy.

peter was guarded. extremely guarded. his awkward demeanor didn't help at all. anytime you asked him the simplest question, he got flustered, red-faced and stuttered. part of you wondered if it was because he just wasn't a people person, or if it was because he liked you. both of you guys had made small exchanges since that encounter, whether it was greeting one another in the hallway, sharing a seat on a bus ride, or giving one another snacks in class. since m.j. was within your friend group, you did get to see peter some, as they were mutual friends.

every girl at your high school adored peter. he was charismatic, charming, and was passionate about his friends and school. also, who was ever offered the opportunity to work alongside tony stark? that was another aspect you adored about peter. whenever you guys did chat, it was usually a vivid, funny story about peter's internship with stark industries. his stories made you laugh every time.

even though peter was short, he was taller than you. his floppy brown curls had all of the girls drooling. his smile was radiant, and his body was amazing. you had snuck glances during gym class. the boy was extremely fit. you figured it was due to his internship with stark industries, or maybe the boy just liked to work out. regardless, his body was extremely attractive.

"(y/n) (l/n)," your chemistry teachers voice rang out, snapping you out of your thoughts, "you will be paired with... peter parker."

you widened your eyes, surprised at what you were hearing. glancing over at peter, you realized he looked just as surprised as you were. even though the class had "random" partners, the chemistry teacher usually paired you up with your friends.

after the teacher finished assigning partners, he cleared his throat, "all right everyone! please sit next to your partner while i hand out the rubrics. m.j., can you please help me pass out the papers?"

peter slid into the seat next to you, clearing his throat, "well, i guess we're partners."

"i don't mind it one bit," you flashed him a wide smile.

"so i'm not entirely sure what this project is," peter mumbled, his eyes focused on the table.

m.j. handed us the rubrics, "i'm not sure if you listened to the entire lecture, dipshit. the project is over chemical reactions in the human body."

peter looked sheepish, "yeah, i got that part. but is there anything in the rubric that states that we need to do?"

"i'm sure it's all in the rubric," m.j. smiled sweetly.

you slid peter a rubric for the project, "hey, i'm really sorry if i'm not ned."

"it's cool," he shrugged, obviously in distress. ned was paired with nova, and they were already working on their project, taking notes.

"how about i give you my number?" you inquired, sliding your phone out of your hoodie pocket, "and you come over tonight so we can get a head start?"

"that sounds good," he nodded, taking your phone and typing the number into his phone, "how about i call you when i'm on my way?"

you smiled, eagerly taking the phone back, "that works. i'm home alone tonight, so even better."

peter blushed, just nodding, "i'll call you later then when i'm on my way."

the bell rang, signifying the end of the period. luckily chemistry was your last class of the day. you walked home, bubbly that peter was coming over tonight. once you arrived home, you took a hot shower, shaved your legs, put on lotion, and threw on some clothes. since it was fall, you opted for an over sized hoodie, paired with black leggings. you sprayed your favorite perfume, ensured your skin looked good, and threw on mascara.

once you were all ready, you straightened up your room. you made your bed, throwing some stuffed animals in the closet. peter never told you a time he would come over, but you assumed it would be later in the evening. by the time you finished cleaning the house, it was about seven thirty-eight. you sighed, a feeling of distress creeping over you. what if peter didn't want to come over? what if he stood you up?

a knock on the door interrupted your thoughts. you fluffed your hair, opening the door. there, stood peter, with a white paper bag in his hand, a two liter of cherry coke in the other, "hey, can i come in?"

"of course," he stepped in, setting his book bag near the door, "what did ya bring me?"

he smiled slightly, "oh, my aunt went down to this deli and picked us up some subs and this soda."

"well," you began, "i'm not too hungry right now. maybe we could start on our project, and eat later?"

"okay," he handed you the bag, "you probably know where to put this."

you took it from him, "yeah, the kitchen is just this way. follow me."

"your house is so nice," peter breathed as he followed you, his voice low.

"thank you," you placed the bag in the fridge, taking the two liter from his hand, "you can thank my dad for that. he remodeled the whole house."

"he did an excellent job," peter peered at the kitchen, his brown eyes taking in the granite island, "this looks like somewhere tony stark would live."

you giggled, "it's not that nice."

"it's nice," he nodded enthusiastically, "your dad must be a genius. like a interior design genius."

"honestly he had this idea for a while," you felt myself smile again, "he just acted on it and made it happen. do you wanna head up to my room?"

peter's eyes widened, and he rubbed the back of his neck, "i mean, yeah, we can do that. for sure."

you had him follow you upstairs to your room, guiding him. once you were in the room, he marveled at all of the posters, polaroids, and lights plastered on the walls. you sat down on the floor, grabbing your laptop. peter sat down next to you, biting his lip anxiously.

"oh shit," he mumbled, "i forgot my laptop downstairs."

"don't worry about it," you placed your hand on top of his, "we just need to do a little bit of research anyways. i was thinking maybe we could just do an oral presentation? or we could do PowerPoint. whatever you wanna do."

"okay," you were sure peter's lip would start bleeding if he chewed it even more than he already was.

as you both locked eyes, you noticed that he had a slight cut on his right cheekbone. you frowned, feeling yourself instinctively place your hand on his cheek, the pad of your thumb gently caressing it. he flinched at your touch, but kept looking at you.

"what happened? you didn't have that earlier today in class." the words tumbled out of your mouth, and you immediately felt nosy for asking.

"oh," he stuttered, "i ran into the door frame at the apartment on my way over here. i guess i was a little excited."

"excited to see me?" you raised a brow, feeling heat rush into your cheeks. a blush spread into your cheeks, and you immediately wanted to cover up your face.

"well," peter shifted nervously, "i mean, i didn't want to be too late, and i heard how you were going to be alone so i didn't want you to be alone, and yeah. um, yeah, i was excited to see you tonight."

you scooted closer to him, and his shyness began to dissolve, as he allowed you to continue to hold his face. you could almost feel his waves of anxiety radiating off of him. he was extremely nervous but you didn't know what about.

"peter," your voice was soft, "are you okay?"

his eyes met yours, “i kinda want to tell you something."

"and that is?" you bit my lip.

"i like you, like a lot. i mean, god you're so beautiful. all of the guys at school talk about you and jesus. i probably act like a fucking idiot all the time around you but god i like you so much. i even ran into the door frame because i was so excited to see you. and maybe you don't like me either but i just can't help but be nervous. i just care about you so much. you're so beautiful. like really really beautiful." all of the words tumbling out of his mouth sounded sincere. his cheeks were burning crimson with embarrassment.

"peter," you murmured, your face dangerously close to his. his bottom lip was swollen from him biting it earlier, "i have feelings for you too."

peter sighed with relief, "that makes me so happy."

"what's our project about again?" your hands felt for your laptop, and you pulled it closer to you two.

"chemical reactions in humans," peter answered, not breaking his gaze away from mine, "i have an idea for research since we haven't found a specific topic yet."

"and that is?" you raised an inquisitive brow.

he scooped you into his arms, laying you on your back on the bed. his lips met yours, kissing you eagerly. you pressed your lips against his, kissing him back, surprised at his rush of confidence. his tongue entered your mouth, the kisses becoming more and more hungry. peter's callused hands roamed your body under your hoodie, making contact with your skin. you shivered, goosebumps covering your body.

peter pulled back for a second, "is this okay?"

kissing him gently, you gave an answer against his lips, "yes, this is more than okay. it's amazing."

his lips pressed against your neck, sucking slightly. you knew there would be hickeys in the morning. you ran your hands through his hair, tugging lightly. he pressed his body against yours, and you could feel his hard on through his joggers. as he kissed down your neck, you palmed him through the fabric. he groaned against your neck, whining slightly.

peter motioned you to sit up, and you obeyed. his gentle fingers slipped the hoodie off your top half. a part of you wondered if he had done this with any other girl before. he slipped off his own shirt, revealing his toned chest and abs. you felt a slight wave of insecurity washing over you, you weren't as near as fit as he was.

peter seemed to sense the shift in your mood, kissing your chest, "stop. you're beautiful. god, i need all of you."

you undid the clasp on your lace nude bralette, letting it fall onto the floor beside the bed. peter widened his eyes, grasping each one of your breasts in his hands. he squeezed gently, unsure of what to do next. his eyes met yours, full of lust. his bottom lip was slightly swollen from the kissing, and his pupils were dilated.

his mouth latched onto your breasts, giving each one of them an equal amount of attention. you laced your fingers into his hair, tugging harder this time as peter sucked, kissed, and licked all over your chest and breasts. the actions were driving you crazy. you could feel how wet you were, even with your leggings still on. as peter continued, you let out a small moan.

"what princess?" peter's voice was husky, "tell me what you want."

"i want you," you whined, "i want you so bad."

"mmm," he hummed, "that's not specific enough, baby. tell me exactly what you want."

"i want your touch so bad," your voice was edged with desire.

"yeah?" his voice was low.

you nodded eagerly, "i need you to touch me."

"as you wish princess," his lips pressed against yours gently.

peter's lips trailed down your stomach, leaving sloppy kisses. he stopped at the waistband of your leggings, his fingers hooking the fabric. he slipped your leggings off, his cheeks tinged red at the sight of your black lace thong.

"are you sure you're ready for it, princess?" peter's eyes met yours.

you bit your lip, nodding. god, he was so hot like this. his fingers delicately took your thong off, casting it to the floor. he took a second to let his eyes roam your body, savoring every inch of it. you felt peter's tongue immediately connect itself to your clit, going in slow, circular motions. you gripped his head, pressing his face into your thighs. that only encouraged him, as he began to suck on your clit. he inserted a finger inside of you, pumping it in and out.

"god," he groaned, "you taste so good baby."

"you're going to make me cum," you moaned, your cheeks hot and jaw slack. even though you had received oral before, peter was by far the best you ever had.

his tongue slowly licked up, taking in all of your pussy. he fingered you, making a hook with his two fingers. you could feel tension building up in you, driving you crazy. your orgasm was coming soon, and peter showed no signs of slowing down. peter wanted nothing more to do this all night if he could.

"you're close aren't you?" peter's breath was hot, "c'mon princess, you're almost there."

he sucked on your clit, squeezing one of your breasts in his hand. his fingers pulled on your nipple, and you felt yourself come undone. your loud moans filled the room, and peter gripped your thighs to keep you on the bed. he licked you until your thighs stopped trembling. once he was finished, he glanced up at you, his cheeks flushed.

you took his hand, sucking on his two fingers. he bit his lip, letting out a small sigh, "i told you that you tasted good."

your eyes drifted down at the sight of his hard on through his joggers. your hand palmed him through the fabric, and pleasure washed over him.

"hey peter," you murmured, "did you bring any condoms?"

his face reddened, "no, i, um. i have some, but not with me."

your fingers latched themselves on the waistband of his joggers, slowly gliding down his legs. he was still hard, his skin hot and his face flushed. his breath hitched in his throat as you pulled down his boxers, your hand wrapping around the base of his cock.

"peter," your eyes met his, "please fuck me."

he almost came at the sound of your words, the innocence in your tone. he pushed you on your back, kissing you hungrily. you felt his tip on your clit, and you let out a small whine.

"what princess?" his voice made the room ten times hotter, "tell me what you want."

"i want you," you whined, your pleas desperate, "i need you to fuck me so bad."

his cock entered you, and you let out a moan of pleasure. peter started with slow, rhythmic strokes, and you could feel all of him as he did so. as he fucked you, you placed wet kisses all over his toned chest and neck.

"you feel so good," peter groaned, his ears burning red. his eyes met yours, and you felt another wave of pleasure wash over you.

peter's lips met yours, his teeth grazing your bottom lip. there was a slight sheen of sweat on his skin, along with yours. he intensified his pace, your nails digging into his shoulder blades as he fucked you senseless. his shyness was now stripped away from him, and you loved it. you loved this moment and everything going on between you so goddamn much.

"i'm gonna cum," peter moaned. he pulled out, finishing on your stomach.

his eyes met yours once again, and you both laid there, taking in the moment. peter's lips met yours for a gentle kiss.

"i'll go grab something to clean this up with," you murmured, about to get up.

"no, you stay here," peter instructed, "just tell me where the bathroom is and i will grab a towel or something."

you gave in, telling peter where the bathroom was. he slipped on his boxers and joggers, and then went to on the search for a towel. he came back, carefully cleaning you up.

hopping off you bed, you grabbed a hoodie, throwing it on, "that was amazing."

he gave you a cheeky smile, "i just wanted to conduct some research."

"and what conclusions did you draw?" you giggled as you searched for a new pair of underwear.

"that one," he began, "you taste good. two, you have a beautiful body. and three, i cannot wait to do that again, baby."

you slipped on new thong, then found a pair of joggers, "how about we just forget the project for the rest of the night then?"

peter scooped you into his arms on the bed, cuddling you, "i don't think that's a bad idea. it's not due for another two weeks anyways."

you pressed your lips against his shoulder, "we'll be alone for another few hours anyways."

"sounds like there's going to be a round two soon then," he chuckled, "by the way, i hope i wasn't bad or anything. it was kind of my first time doing stuff like that."

you felt yourself gasp, "there's no way."

"i was a virgin before tonight so," he murmured, slightly embarrassed.

"don't be shy about it," you gave him a chaste kiss, "it's not something to be ashamed of."

"well maybe i will become experienced enough tonight and we can do our project about human chemistry during sex," peter teased.

"in your dreams, geek," you rolled your eyes playfully, and you felt his lips gently brush against your cheek.

you felt yourself collapse into his arms, feeling a slight wave of exhaustion overwhelm you. his fingers traced your back under the hoodie, and you allowed yourself to close your eyes, content to be in the arms of your boy.

if only you got to spend every night like this with peter.

******

[thetriggeredhappy]

Okay so that last one with scout losing snipes broke my heart into a zillion pieces so... What if sniper never died? Maybe he was badly hurt and is hiding somewhere... -🐑

i really like how you people keep doing this thing where you’re like “hey what if you ripped my whole heart out and stomped on it” then i do because you literally asked and you're all “owie :( ouch owie :( can i have a band-aid now” like it’s funny every time

(warnings for mention of firearms and discussion of severe life-threatening injury)

-

His contract expired.

Somewhere along the line—wonder when?—apparently his work had gotten ‘sloppy’. He’d gotten ‘erratic’. So six years after what all happened, when his contract was up to be renewed, Miss Pauling gently urged him to let it expire and to just head home.

It wasn’t like he had a good reason not to. He didn’t particularly get along with any of the team (anymore). A few of them had come and gone—Pyro apparently got reassigned somewhere and was gone overnight, and at some point Demo decided to leave mercenary work altogether to get a real, proper, legally sound job somewhere. Both of them had been replaced.

Their new Sniper wasn’t as polite as—

She was even more of a recluse, although she got along alright with Heavy sometimes. She was also Russian, which probably helped. And Scout felt a little bad about how much he hated her. She couldn’t help what happened. It wasn’t her fault. She was just picking up the baton on this job. Someone had to do it.

Mostly he just ended up avoiding her. And everyone else.

Exactly once he’d tried to take up dating again. Someone had gotten particularly sweet when he was out at a bar, and they’d flirted for a little while, then they’d suggested they both head somewhere else, and that they had a car if he wanted to—

He quietly stammered his way through a refusal. The vague guilt and unease reached a head the second he thought about getting in a car.

He’d needed to sell his car and get a motorcycle instead, at some point. The idea of getting in a vehicle had become an irrational fear, after he’d seen a picture of the wreckage, smelled the acrid smoke on the salvaged belongings.

That was one reason he took a plane home and had all his stuff shipped separately.

That meant that it was a few days of wearing only his old clothes when he got back, waiting for the rest to show up. And those were a little hard to squeeze into, he’d really been a lanky fuck before he became a mercenary.

The only thing he had at home that fit right was the suit, left there hanging in his closet to get eaten by moths.

The suit and the boxes of things were all shoved into the far side of his closet, and they stayed that way. He felt like maybe he wouldn’t ever be ready to look at them again, and in the meantime, they just made him feel guilty.

For the first two months after he got off work, he didn’t really do much. He stayed home, stayed out of trouble. Put his things away, sorted through what he wanted to keep and what he could just get rid of, either selling it or scrapping it if it was just kinda garbage. He tried to catch up with his brothers a little bit, the ones left in Boston still, but he didn’t get very far, feeling weird and disconnected.

After two months, he finally felt bad about Ma constantly tip-toeing around the topic of employment or hobbies (not that he needed to worry about those—he had enough money saved to not worry about much of anything until he was like, eighty), and he started trying to look for work, or maybe just something to keep him busy. For a month or so he looked into becoming a bartender, but the hours were a little weird. He thought about trying to get into doing baseball on some professional level, but he was getting a little old to be going into it for the first time since his late teens and early twenties. He very briefly looked into doing the cartoons for the newspaper—he was pretty good at art by then—before he found out they would require some amount of actual schooling for it.

So he ended up latching onto that, and started heading to the library five or six days a week to spend a few hours there studying to get his GED. His Ma supported him wholeheartedly on it, and got around to telling him, about a month into his new routine, that she was really glad he found something to do, something he wanted, that he’d just seemed so miserable, before, waiting around for something to happen.

Maybe she was right. He was waiting around for something to happen. He got the speech from Miss P—“ten years following your departure from the team, you and anyone nearby you will be kept in the system, and if there’s anyone who tries to bring you harm we’ll catch them before they can, and here’s a phone number to call if anything suspicious happens that you want looked into”. To him, that meant “someone might try and kill you”. So he did stay strapped when he went places, looked over his shoulder, kept an eye on doors and other potential exits.

So when he got back from the library one day and saw a car parked out in front of the house, at least he was prepared.

He thought fast. Kept driving past the house and parked a little ways down the block—he could drive the bike back later, it didn’t matter. He unlocked the door as quietly as he could, pushed it open with his shoulder, pistol drawn and cocked, falling back into old habits maybe a little too easily considering he hadn’t been a mercenary for almost a year and a half.

Voices from the living room—not from the TV, and not Ma on the phone, because he could also hear the TV, and there was a commercial playing that he recognized, one that didn’t involve Ma and a second, much deeper voice.

He steadied his hands, rolled his shoulders, and stepped into the room, leveling his gun directly at the head of the person within.

First he took stock of the fact that Ma was indeed there, sitting on the couch, looking relatively relaxed and entirely unharmed, if surprised to see him there and also with a gun. Then he took stock of the room, saw that there was only one other person here, the one he was pointing a gun at, the one who had slowly raised his hands up to either side of his head. Potentially unarmed, it was hard to tell with his baggy jacket—

Wait a minute.

Scout frowned, squinted, looking over his face a little more closely as realization started creeping into view.

He tried to imagine, for a second. What exactly would seven years do to a guy?

Maybe he’d end up with his hair growing out a lot longer, from close-cut to hanging down around his ears. Maybe with a beard, relatively clean but still a bit messy in some ways. Maybe he’d get new clothes, his eyes would sink a little bit more, would start to crinkle at the corners. More freckles, more spots maybe. Aged, scarred. Maybe he’d be wearing glasses. Maybe, despite all of that, he wouldn’t look all that different at all.

“...’llo, Bilby,” Sniper said quietly, hopefully, voice rough, and maybe he meant to say more, but he didn’t get the chance, because Scout lowered his gun, marched three steps forward, and slapped him clear across the face.

It was a hefty slap. The smack noise was practically ringing, and his hand stung like a bitch, and he’d hit him hard enough to knock his glasses off to clatter across the floor, and his head snapped back at the force of it, and the noise he made was satisfyingly pained.

“Right. Probably deserve that,” he croaked, and maybe he meant to say more, but he didn’t get the chance, because Scout tucked back away his gun, grabbed Sniper by the sides of his head, and kissed him square on the mouth.

It was a hard kiss, hard enough that he got Sniper to do that thing where he made an undignified little squeaky noise of surprise, caught off guard by it. He only melted forward for a second or two before Scout was pulling back away again.

“You fucking piece of shit son of a bitch cunt I’m gonna fucking kill you,” Scout practically snarled.

“Jeremy,” his Ma admonished from the couch.

“He’s right,” Sniper said weakly.

“I’m gonna kill you,” Scout insisted, just as fiercely. “What the fuck happened to you?!”

“There was a—“ Sniper started explaining, but Scout cut him off.

“Car bomb between 2:45 and 2:50 PM twenty minutes away from the nearest city limits,” he listed off, “I know that, but what—seven fucking years, Snipes!”

“I know,” Sniper said, voice flimsy. “First two years were recovery and physical therapy, next four were trying to get legal papers and apply for a visa to get back into the States again.”

“That bad?” Scout asked, still angry but faltering.

“Needed reconstructive surgery on... most of the left side of my body. Lost some teeth,” he said, and tugged his lip back on one side to show him where three teeth, the three behind the canines, were a slightly different color, then dropped his hand again. “Plenty of scars. Might be, er... missing a lot of those freckles you liked. And... voice comes and goes sometimes. But, Australian miracle medicine, I’m much better than I was.”

“You grew your hair out,” Scout noted next, carding his hands up through it.

Sniper laughed. “Lost half my teeth and needed a new coat of paint on the whole left of me, and you’re worried about my hair?” he chided.

“It’s just new, thought you hated it getting long,” Scout shrugged.

“Y’know,” his Ma said, sounding all too amused by the proceedings, approaching with Sniper’s glasses and handing them over to him, “you’re lucky you showed me those pictures all those years ago, Jeremy. Otherwise, strange guy shows up at our door askin’ about your work name and all, I would’a started blasting.”

She nodded meaningfully towards the table beside the couch, and Scout saw that indeed she had a gun there, taken from its place where he kept it stashed by the door as a “just in case”.

“Thanks, Ma,” he said, smiling a little.

“No problem, sweetheart,” she said, and patted him on the arm. She glanced between him and Sniper and scooped up the firearm from the table. “I’ll just go put this away,” she said, and left the two of them alone.

“Would’ve been easier to track you down if you’d given me more to go on than ‘southern Boston’,” Sniper said, eyebrows rising. “And if I didn’t need to be so careful about how I asked.”

“Huh?”

Sniper’s expression fell a little, and he raised his hand to fix his hair where Scout had mussed it up. “Look, you know the rules. Employer keeps an eye out for us for years after we leave. That means if I asked through my usual methods of tracking people down, that’d send up flashing red lights somewhere. So I... needed to take extra precautions.”

“Miss P told me they took care of the guys that tried to kill you,” Scout said, frowning.

“I went off radar for almost two years without official leave,” Sniper murmured. “And it wasn’t on purpose, but I don’t think they’d believe that. They might try and kill me if they find out I’m still alive. I’m a loose end.”

Scout’s heart dropped.

“Only cut it close once,” Sniper said, gaze falling. “But that was enough for Miss Pauling to get in contact with me, to try to talk to me. I... I told her I’m done, I’m out of mercenary work, and... just as a precaution I have to do a few things now. Check in on the regular. I wear this,” he said, pushing his sleeve up to show off a bulky device on his wrist, bigger than a watch. “It’s tracker. Makes sure I’m only in the places I say I’m going. Had to get a visa by myself, get transportation by myself, and it cut my protection time in half so now I’ve had to hire on someone to guard my parents and keep them safe, but now she’ll keep it secret that I’m alive. They’ll stop looking for me in two years, and if by then I’m still playing by the rules, I’m free. Back to normal life.”

“She said it was okay that you be here?” Scout asked. “In the same city as me? She wasn’t worried about that?”

“Told her why I was coming here,” Sniper shrugged.

“And what’d you tell her?” Scout asked softly.

They looked at each other.

“I... didn’t want to assume,” Sniper said quietly, carefully, looking over his face. “That you’d... I, I understand if you’ve moved on. Seven years, declared dead—“

“I didn’t,” Scout said just as quietly.

Sniper gave a breathless little laugh, cupping his face. “Bilby, I told you to,” he tried.

“Well, so-rry,” Scout said next, throat a little tight, hands on his hips, “Mister—Mister Legally Dead. Sorry I didn’t jump into speed dating the second I got the news. What, you—you wanted me to have kids by now?”

“Wouldn’t blame you,” Sniper shrugged, and kissed him, and pulled back away. “But... I’m glad you didn’t.”

“Well I’m glad you’re glad,” Scout mumbled, and kissed him, and pulled back away. “So...?”

Sniper was smiling, wide and unashamed. “So one day at a time,” he said quietly. “We can talk about it more in a bit. First, mind if I use your phone?”

“Why?”

“Meant to call in to check with Pauling in—“ He glanced around to find the clock in the room. “—three minutes or so. And... I ought to tell her I’ve made progress. And... that we’re sorting out details. Might call you over to talk to her too.”

“Yeah, go ahead. Hallway by the kitchen,” Scout directed, and kissed him again, and again, and again, until Sniper urged him down and off before he was late calling in.

He found himself in the kitchen, looking out the window. Ma was unloading the dishwasher and humming. In the hallway, the sound of talking, long pauses, more talking.

“He seems nice,” Ma said quietly, and shot Scout a smile, and Scout smiled too.

“He was—is,” he corrected quickly, flinching a little bit.

“How you feelin’?” Ma asked.

Scout looked down, crossed his arms over himself. “Y’know how in movies there’s that bit people do, all “feels too good to be true” or whatever?”

“Uh huh.”

“Kinda the opposite. It feels... like him being gone wasn’t real. And now stuff is real again.”

“Like you woke up?”

“...Yeah. Yeah, exactly,” Scout confirmed.

“I could tell,” Ma admitted, and stretched to reach the cabinet to put things away once they were good and dry. “Been a zombie since you got back, seems like maybe you’ve been a zombie for a while.”

Scout moved over to help, taking the dishes that belonged in the higher shelves and starting to put those away. “Sheesh, was I seriously that obvious?”

“It was pretty bad.”

“...Is that, like... normal? Or... healthy?” Scout asked carefully.

Ma laughed. “Sweetheart, how should I know?”

“But you know, like, everything.”

Ma pinched him on the cheek at the compliment and he squawked a complaint, and she laughed.

“I don’t know if it’s healthy,” she finally replied. “And... maybe it’s not about whether it’s healthy. Maybe... it’s just one step. And, hey, it worked out, didn’t it?”

“Yeah,” he agreed, and smiled. “Yeah, it did.”

“Bilby,” Sniper called, leaning in to look through the door to the kitchen, phone cord visibly all stretched out. “Wants to talk to you.”

Miss Pauling ran through a brief check to make sure he was indeed Scout, then asked a series of questions. Whether he felt safe with being around Sniper on the regular. Whether Sniper would be staying with him on the regular, and the fact that instead of extending security to cover him, she’d need to just go more lax on Scout’s security to make sure Sniper wasn’t found out.

He was fine with that. All of that.

After the phone call, after a few more questions, he dragged Sniper upstairs and flung open the door to his closet, digging through the dusty old boxes with purpose. Then he was pulling out an item and shoving it directly into Sniper’s chest.

Sniper put his hat back on, and Scout couldn’t help but yank him down into another kiss at the wave of nostalgia and familiarity as Sniper nudged his glasses up and looked at him and asked if it was on crooked, the same way he’d said a hundred times before, a hundred years ago.

And, hopefully, he’d say it a billion more times, for a billion more years. Scout would make sure of it.

[rjnorth-writes]

Carrying On - Regency!AU Part 3: From Across the Room

A Poe Dameron/OC Story. 

Description: In which Ami first lays eyes on Captain Poe Dameron at her ball. 

Rules seemed to be what dictated every action Ami could ever possibly perform while in the graces of those of the nobility outside of her immediate family. The need to always be polite to all while not acting too familiar or friendly or, heaven forbid, overly friendly or flirtatious with anybody was stifling and exhausting. She understood there was a need for courteous dignity at all times when one was a royal and would one day sit on the throne, but the fact that she needed to know the widest array of topics without expressing her own opinions on anything seemed rather unfair. 

It was a tricky line to treat when one enjoyed learning as much as Ami did. It was only natural for her to form her own opinions on such things, especially when she would, in fact, be taking the throne one day and in need of enacting her own laws and movements. Why was it that she could not express her thoughts now, when she’d be allowed to do so one day in the future? 

Not that Ami was allowed to express these thoughts outside of the company of her immediate family when any guests were present. Ami, though displeased and bored with the rules of societal mingling for women and men, would not dare bring dishonor to herself, her family, or the crown. If she could possibly change the way things worked when she had that despicably heavy piece of jeweled metal atop her head, then she would gladly do it, but for now she would be the picture of perfection in the eyes of everyone around her. 

After all, though she detested the title, it was a rather accurate depiction of her when in such situations as this. The “Porcelain Princess” was well aware of the name given to her, and though she hated that she had to remain in such a way, she was to remain the perfectly pretty, civilized little doll.

So Ami smiled and made polite conversation with anybody she came in contact with, making sure not to accidentally or purposefully cut anybody while making her rounds by the accompaniment of her father, Luke, or with her grandfather, Anakin, or even her cousin, Ben. While the attention was often on her and her family because of who they were, tonight was even worse in regards to eyes on her for the social event was specifically for Ami’s entry into society as an eligible young woman. 

This meant that every eligible man with a title considered “worthy” of her own approached her and though typically there were only a certain number of dances she was socially allowed to partake in, she was expected to give each man at least one dance in order to become better acquainted with someone that could possibly become a candidate for her husband. The conversations were boring and formal, with nothing intellectually stimulating for her whatsoever. The dances were repetitive, and the corset doned of her traditional Nabooian styled dress (which she was expected to wear instead of the more modern straight line dresses with the capped sleeves that Adali detested) was pulled too tight and making it hard to catch her breath. 

While it was perfectly acceptable for any woman there in attendance to faint, Ami took pride in the fact that she’d never done so. While it may have hindered her reputation if she was in the presence of an individual that used uncivilized language or said something crude and didn’t “faint” she didn’t particularly care. She’d heard far worse, and she knew she’d have to deal with far darker topics as Queen of a country someday. She found that it would've been far more unacceptable if a queen fainted because of a single swear word. 

Finally, Ami was allotted a few moments of respite with Rey to catch her breathe and rest her feet after seven straight dances. It wasn’t expected of Rey to socialize to the extent of Ami due to her marriage to the Prince, and in her condition. Ami almost longed for the day where she could bask in the perks of such a state. It was resting there that Rey pulled Ami’s attention to Ben reentering the ballroom with a new guest, one that Ami had not been introduced to yet. 

The tanned skin man was the epitome of “tall, dark, and handsome,” Ami thought. It was just as her novels described. Even from across the room Ami could see his dark, warm brown eyes, the quirk of his smirk occasionally growing into a full fledged white toothed smile that reached his eyes. His dark hair was slicked and pulled back tightly, though by the looks of it, if it wasn’t done so neatly it would’ve been a bit curly. His broad shoulders and tight fit of his navy blue flock coat with silver edges and matching buttons, and his tight trousers showing the tone and muscle of his legs show that he was, beyond a doubt, physically fit. 

“Perhaps you should avert your eyes from Captain Dameron, sister,” Rey insisted. 

“This is Captain Dameron?” Ami inquired, turning her head towards Rey, but her eyes lingering several longer moments to the man across the room. 

“I did mention he was aesthetically pleasing,” Rey said, refraining from chuckling as it would’ve been impolite and inappropriate of her to do. “But I reiterate, perhaps you should avert your gaze. It may appear too informal of you to stare much longer.” 

Ami blinked and shifted back into her typical façade. Rey was right. There was a time and place for lingering gazes, and though Ami was not necessarily practiced in such a technique, she was trained to do so, she knew this was not the correct situation to utilize such a tool. “You are correct,” Ami said, her polite smile not quite reaching her eyes like it did when in private. “How rude of me.” 

Rey’s smile turned into more of a smirk, and that mischievous glint in her eye sparked concern in the pit of Ami’s stomach. “Would you care for an introduction?” 

“An introduction with Captain Dameron?” Ami asked. “To be polite, perhaps if my brother should insist. He did trek all the way here for the occasion. Otherwise it may not be so wise with the words you’ve exchanged with me.” 

“We, of all people, know the effect of false words,” Rey reminded her. 

The rumors of Ami were hard enough, but she was far from scandal. Rey and Ben, on the other hand, had been quite the topic a few years back when news of the engagement between the brings and the lady’s maid reached the ears of the other nobles. It had been so difficult for them, but the struggle had been well worth it, for the two had never been happier, and were blessed with the sweetest os son’s, with another child on the way. Just seeing the turmoil it had wreaked on some of the people she cared most about had not been easy, though. 

“I do suppose this to be true,” Ami admitted, her gaze shifting back to the man across the room. 

It was then that the dark eyed man glanced over towards the royals, his eyes examining them down the line one by one until they reached Ami, sitting with her ankles crossed tucked under the seat, her back straight, dull yet polite smile on her lips. The smile faltered just slightly as his eyes narrowed a fraction to study the young woman. While her head tilted slightly as she too, curiously looked back to see his reaction. 

Poe Dameron raised his chin slightly, but nothing within his expression seemed to change as he took in a deep breath. It was evident that he was studying her with some objective she was not privy to, but she assumed as such would have been considered improper. While he was certainly handsome with his serious knitted brows, it held nothing against just how attractive he appeared when his lips turned upward, with a glint of mischievousness glazing over his warm eyes.

“It does seem you’ve caught the Captain’s attention,” Rey pointed out. “Perhaps the evening shall be more interesting than we initially suspected, wouldn’t you say, sister?” 

Ami gasped and turned to Rey, breaking her gaze from the stranger. “I do suppose it is something different, yes,” she muttered. “Whether it be good, or otherwise, is yet to be seen.” 

And that is it for Part 3. I do hope you enjoyed!  You can find Part 2: Rumors of the Rake here. 

[enbycalicocat]

Day 4: 30th of January, 2021

.

June had called his older brother as soon as he had the free time to do so. Which was hours and hours after the presentation. But that was alright. His brother knew how hectic being a trainee was and had patience with June's late-night calls. Also, the performance was practically engraved in the teen's mind so there was no risk of him forgetting any detail about it. It had been that amazing.

Before he could go over Jimmie's presentation for the nth time that day, July's happy voice rang in his ear.

"Hey! Little bro! How are you? I haven't heard from you these past few days."

The heart in June's chest skipped a beat and he felt like it had grown in size and couldn't fit inside him anymore. He was really happy right now. He'd had an amazing day. And on top of that he really missed his big brother and liked talking to him when he allowed himself to call.

However, outwardly, June showed none of it.

"Hi bro," he said in the most nonchalant and bored tone of voice he could muster right now. He wanted to show how excited he was, but he'd only seen little kids being that exuberant. June was not a kid. He was going to be fifteen in just a few months. Plus, in a few years he would be eighteen. He was almost an adult. And he wanted to be treated as such. Hence, he’d stopped doing what he considered kid behaviors and began imitating the adults in his life. Most of them were very serious, and didn't really show their emotions on their faces. Like Summer. That was what he strived for. As for his older brother... Well, he was just a seven-year-old kid in a big body, in June's opinion. "I'm good. Been busy."

July chuckled. His little brother was the funniest, most amusing thing that had ever happened to him. He knew June, had watched him grown up and watched him enter his current 'perpetually uninterested' phase, and knew for a fact that he was trying to act cool. Actually, June had been trying to act cool for a while now, that was nothing new. Today, though, the bored tone sounded even more forced than usual, so, July knew something really good had happened.

"I see," he said with the same happy tone, trying to hide how much fun he was having at June's expense. Someday his little bro would grow and July would tell him all about how much he laughed internally. That day, July would also (hopefully!) stop having to painstakingly pull the good news out of him. "So, what did you do today? I mean apart from your boring middle school classes and the exhausting company schedule, did something interesting happen?"

If he didn't make the distinction, he feared June would purposely stall mentioning the thing he did want to talk about.

"Umm," June said as if he was trying to find something interesting in his mind-numbingly average day.

What happened today? The most amazing and beautiful thing I have ever seen in my life! And the biggest coincidence that has happened to me yet!

Would July even believe him when June told him? 

"Nothing much," he said instead. Still disinterested. "Oh, yeah. One of my band members had some sort of dance thing today."

"Dance thing? You mean a dance presentation?" Aha! So, the good thing was related to that 'dance thing'. 

Hang on a… 

"Dance?" July asked out loud, June's words suddenly sinking in. "The only one you've told me that dances is Hobart. But I didn't know he performed on stage?"

"Not Hobi," June corrected. "It was a school dance thing."

"School? You have a band member that goes to school and dances? I thought only Taelyn went to school still?"

"Bro," June said clearly annoyed, "I told you about this. Did you even listen? The new guy is Tae's age. And he dances."

Really, June hadn't called his brother very often since Jimmie arrived two weeks ago. But he had called at least twice, and he had mentioned Jimmie. There was no way he hadn't when the older boy was the coolest person he'd known ever. 

"Ah, right, I remember now!" July hurried to say, noticing that his brother was seriously angry. Note to self: Remember this new guy from now on. He's important. Very important. The older boy decided to quickly change the topic. "So, he had a dance presentation at school today? That's great! How was it? How was he?"

June went quickly over Jimmie's dance. 

The way his body moved so elegantly, so perfectly in time with the music, so fitting for the melody, as if the music itself was the one controlling him. 

Combining the dance and the music with the lights, they had managed to achieve some very neat tricks with shadows and the feeling the dance gave off; and Jimmie had seemed unreal, like some ethereal mythological deity. 

The costume Jimmie had been wearing consisted of tight trousers, probably lycra or tights, that made the way his leg muscles shifted, tensed, and relaxed glaringly obvious; and the shirt had... Cleavage? It was a v-cut shirt, but the vertex was really low on his chest, showing his clavicles and a part of the dip his sternum caused between his pecs.

On top of that, the dance required Jimmie to often lower his head and chest, making the loose flowy shirt gape and show a tiny hint of his flat navel.

And then, at the end, the light had made Jimmie's sweat shine on top of his skin, making him look even more like some fantastical creature instead of a simple sixteen-year-old boy.

"Bro? You there?" July asked. Of course, he knew June was there. He could hear him breathing. But the silence had gone on too long, and he had to draw the teen out of his mind. Mentally, to that note he'd made before, he added another few 'very's to the ‘very important’ remark.

"It was good." The 'I could absolutely care even less' tone of voice didn't fool July for a single second. But June patted himself on the back for managing to reign in his desire to rant excitedly like a four-year-old. 

July laughed out loud, because if he didn't, he might start crying. Could June please hurry up and get over this teen phase of his? July was patient but he was no saint and he was getting fed up of June’s stalling. "That's it? That's actually it? How am I supposed to know what the presentation was like from just a simple good?"

"Fine.” His little brother sounded like he would rather do anything else than try to find words to explain the performance. “The music was kinda good. They did some sort of light tricks or something? It was cool, I guess. The dance was not boring and repetitive, so kudos for that or whatever.” The teen sighed tiredly. “Like I said. It was good."

July was deeply impressed. That was the longest description he'd gotten from June in a while. He went back to that mental note and underlined it.

"Ah, I see. How was he, though? Did he perform well?"

Perfectly.

June had heard from Jimmie that he'd apparently made some mistakes in the choreography. Which was why the boy had been practicing the dance and going over every move and step meticulously in the corner of their practice room when June went out to call his brother in private. The younger boy had not seen or noticed any glaringly obvious mistakes, and he had been watching closely.

"He was okay." He even shrugged as if his brother could see him through the phone somehow.

In his mind, July added a second line under the already underlined note.

"That's great for him then!" He was genuinely happy. Not just because this boy had done well, but because his brother had been moved by something. That didn't happen often. "Do you know if it was his first time on stage? Or has he done these types of performances before?"

June practically vibrated in his seat from how happy and ecstatic he felt. Once more, his heart grew without his consent and his chest was too small to hold it. This was the biggest thing that had happened today.

"He's from Busset, I guess. He's done some shows there with the Busset High School of Arts or something."

The name of the school activated multiple alarms in July's brain. Busset High School of Arts? Wasn't that...

"The school your friends attended? The one you practically lived in? And the moment they announced a new show you'd drag us all over to watch it?"

"It was not like that." June glared at the wall in front of him and felt his cheeks burn with embarrassment and shame.

"Huh, so he went to that school. I see. What a coincidence." July ignored June completely, not even teasing him like he would usually. He'd gotten the information he wanted. The puzzle he'd been trying to piece together and solve slowly taking shape. He went over all the little details he'd gotten out of his brother so far and suddenly an idea came to him.

"Hey, bro, you didn't happen to see some of his presentations here in Busset, did you?"

July was finally asking the questions June wanted to answer. The thing that had him almost bouncing off the walls. 

He did. He knew Jimmie. Like he had actually seen him, talked to him, and hung out together before. Not only had he seen him in presentations. June actually knew the boy from before he started studying contemporary dance. He had really liked Jimmie back then. He'd even preferred spending time with him than with his actual friends. That had been before he came to the capital a year ago. They'd never exchanged numbers or anything. They didn't even know each other’s names, they'd just used some silly nicknames their school friends had given them. At the present time, June understood why Jimmie had gone by a nickname rather than his own name; it was the same reason June had done it: neither liked their names very much. 

And now that same boy was here! In the capital! In the same band as him!

June thanked his brother in his heart because otherwise he didn't know how he would bring the topic up and if he didn't tell someone he might explode.

"Huh." June pretended to think. "Well, now that you mention it... He seems sort of familiar, I guess?"

Holy crap, June had actually seen the boy dance before! And then he went to the capital! And they both ended up in the same company!

July now understood June's excitement. His little brother used to adore the very ground those dancers stood on. He admired them so much and religiously attended all their performances. And July actually had a couple of friends in that school too. Wait! Another idea flashed by his mind.

"Did you happen to run into him or something? It would be really cool if you two had a common friend and met back in Busset."

"Weeeell..." June said like he was really exercising his brain and he was not at all certain about what he was going to say. All while somehow managing to sound like he didn't give a rat's ass about the whole conversation and idea. "I think he might've been friends with Joe, or something." July didn’t need to be there to know his brother was shrugging. "Like I said, he looks familiar."

Double holy crap! June had actually been friends with this boy! And now they met again!

July couldn't believe how small the world was. Fate seriously worked in the weirdest ways. It really seemed like something out of a cliché romance television show.

"That's so cool! I bet you're really excited to have met him again. I'm really happy for you little bro. Now you actually have an old friend from Busset there for you. Not that your capital friends aren't good to you or anything, but this guy knows you from your school days, so he's known you longer, and he's from the same town as you. He'll probably understand you a lot better than the other guys."

"Bro." From June's tone of voice July could practically see him rolling his eyes so hard that it most likely physically hurt. "It's not that big of a deal. I mean, whatever. Anyway, there was also this sort of... Meeting, I guess? With the company's CEO. He told us that..."

As the topic of the conversation shifted entirely off the new boy, July smiled. He then proceeded to circle five times the note he'd made before. Hmm. Let's circle it one more time.

.

.

Prompt: 4. Share the most incredible thing you’ve ever seen in the most boring tone possible.

.

Previous Day Next Day