#cursed caldera

[m4rs-ex3]

1x08 // 6x09

"and in that moment, i chose to live."

[lunanightriderofthecove]

Callum breaking the fourth wall by drawing comparisons between reality and fiction. I love characters being unaware they're part of a story.

[discordiansamba]

zuko: ...so do I want to ask how the play was?

sokka: terrible.

zuko: yeah, that's what I figured. the ember island players always butchered love amongst the dragons.

zuko: ...so how did-?

sokka: the actor playing with you wore a paper-mache dragon head.

zuko: what.

sokka: also it had a scar on its face for some reason?

zuko: that makes sense at least. I do have the scale patch-

sokka: it was on the other side.

zuko: ...screw inner peace. i'm going to burn down the theater.

[raayllum]

Moon Arcanum Callum + Sun Arcanum Claudia in S7?

Callum getting the Moon arcanum has been a fandom... not theory, but shall we say, prospect, since even before S4. Some of this was because of the seeming set up in previous seasons, such as:

Callum having a hunch that the cube wasn't glowing due to the Moon, and being our first hint at illusions on the Cursed Caldera (1x09)

Lujanne explaining the secret of the arcanum (as she understands it) to him in 2x02

Callum doing moon arcanum spells (3x08, Through the Moon) much the way he did Sky spells before unlocking that arcanum

Callum employing aspects of the Moon arcanum in his plans (3x01 with tricking Sol Regem, creating the illusion pearl in 6x01)

His growing relationship and understanding with Rayla, and potential involvement with her family/village

But especially:

This is of course already reflected in spades in his arc as a mage. Everyone, Lujanne included, believes that humans can't do magic. She treats this as absolute fact and destiny, but Callum perceives it as subjective truth; why can't he just make his own connection and do magic anyway? And in doing so, he changes the world. He creates a radically new, better reality.

With season seven's synopsis on sacrifice and life and death, both things we see tied heavily to Moonshadow culture and the Moon itself, I could see Callum connecting to the Moon arcanum next season for a few reasons (and potentially Claudia with the Sun arcanum, which I'll get to after). So let's get into it.

Precursor

Previously, if Callum was going to connect to the Moon arcanum, I'd speculated it'd mostly be around ideas of the consistency of Love (light or dark, the moon is always the moon) and his love for Rayla being his light in the darkness / the one constant truth of his life. I don't think this anymore, obviously, because we got all those things through the Star truth light ritual beat for beat and we're not going to be repeating, but I did think it'd be worthwhile then to revisit what a Moon arcanum could mean for Callum under new context / emotional epiphanies. I've also always thought either Earth or Sun would suit Claudia, but leaned more towards the latter, so we're gonna talk about that, too.

Truth and Lies and Aaravos

As Lujanne explains in 2x02, the Moon arcanum is understanding the true nature of the relationship between appearances and reality, and we can only understand the appearance itself. This feels like a very fitting idea to come back to with Aaravos, who ostensibly never lies but routinely withholds or presents not entirely correct information. "How may I serve you?" when you're just going to be a pawn. Not telling a mourning Claudia that he was indeed the one who killed Viren so that she'll continue to do his bidding, with Claudia asserting that Aaravos "didn't lie" about the ritual in 6x01, and he didn't. We also see him wield the truth as a weapon with people like Khessa ("would you like to know the truth of her fate before you meet yours?") and Sol Regem (more on that here.)

Everything that he says is truth to him, and then he lifts it up as being objectively true (i.e. you're destined to play into my hands) even when it isn't necessarily true. We can also see Callum veering into mindsets that Claudia and Viren have had, where he believes he's past the point of saving ("I'm ruined, it's too late for me" "Promise me you'll kill me") or removing his own agency by admission ("Finnegrin was going to kill you, I didn't have a choice" / "Every step forward is a choice").

Callum understanding Aaravos' or others' actual truths versus their lies and the ones he's believing could be very fitting in S6, especially if he might be learning more about the existence of the Cosmic Council and who made their world the way it is. I think his existence may help lead to that "slow spiral of chaos" but that it won't be just or even Bad at all the way they'd feared, etc.

Claudia is also linked to lies and truth. She lies to others, but Aaravos notes that "If you tell the truth you will lose her," and she goes looking for her own deep truth in S6, but doesn't seem to fully find it. Terry asks her "What do you need to find your one deep truth?" and Claudia says that she needs her dad, but she and her mother have also made it clear that she "needed to stay with Soren" and her family (vs Viren telling her to pick the egg over Soren). With Viren gone and Aaravos manipulating her, Soren could easily be one of her guiding lights next season or in future seasons.

The Pearl

The moon is analogous, framing/appearance wise, to the prison. This is alluded to in 5x09 through framing, and then made even more direct in 6x09: Aaravos escapes his prison thanks to Claudia and (unbeknownst to her) she has become the prisoner, much like how Callum may physically free himself from chains in 5x08 but magically/emotionally chains himself further to Aaravos, or Viren shouting while in chains that he's finally free of the dark puppetmaster.

Basically, when Callum says in 6x01 that he's inside the pearl, I don't think (as of S6 / probably first half of S7 at least) that he's ever gotten out of it. Aaravos uses him even after his nightmare, and we know thanks to the pawn intro that Aaravos' final machinations for Callum also haven't yet come to play. I've been wondering if the Aaravos intro is going to change in S7, since he's out of his prison — and it still may — but if we look at it from the angle of Callum and Claudia both being stuck within the moon/pearl rather than just Aaravos himself, maybe it could stay.

And if Callum is stuck inside the moon-pearl, shattering it by understanding the arcanum ("the whole world is like a giant primal stone, and we're inside of it, and it's also in us") and/or with Claudia moving to the opposite of the moon could be useful, especially since Karim is a corrupted sun in his own way. Speaking of which let's talk about

Light and Dark

We know thanks to Claudia that black and white, or light and dark, are not always clear cut. Her hair thanks to her dark magic use changes like phases of the moon, with the light being bad and the dark being good. Conversely, her path is a dark one with the path of truth and light being withheld from her. In a similar manner, we see Callum's light (Rayla) being what led him into dark magic use and what led him out of it, and will likely see this pattern play out again. Aaravos is a representation of a path of darkness, but we also see the cube flashing a bright light in the pawn intro, tying light and darkness together for him as well.

Callum's understanding of himself that he gained through the Ocean arcanum can not simply become untrue or disappear, so I think recognizing that darkness isn't all he is ("I'm ruined" / "your heart's not full of darkness" "Neither is yours") even if there are dark parts of him and of his life would be fitting. It also seems that could be helpful with Claudia as well, and even characters like Ezran, who will have to wrestle with darker parts of his emotions/personality next season as well with Runaan. They've all got light and dark inside them, and learning how to walk in that balance and still break away from the Cycle / Aaravos is useful. As Ezran said in 4x03:

I just want to yell stop. But that’s not enough. It won’t work. I think about a positive vision, a faith we can all share, that we might build a future together in hope. A future where we can be safe with each other.  But… It’s not that easy or simple. Because people are still hurting and they are still angry. We can’t ignore that, or pretend it will go away. Somehow, we have to hold it all in our hearts at the same time. We have to acknowledge the weight of the pain and loss, but open up our eyes and allow ourselves to hope and maybe forgive and love again. We have to give today’s children a chance to inherit a future filled with peace. To give them that, we have to hold pain and love in our hearts at the same time.

Claudia's love for her family led her to ruin, but it can also save her through Soren. Callum's love for Rayla led him to ruin, but it has also saved him (and again, we'll likely repeat this pattern). Ezran's love for his father will lead him to anger but also pull him out of it, just as Viren's love for his son caused him to begin his journey of terrible things, but also guided him to do one final, truly right thing by the end.

Love is light and dark. Claudia, who's been walking in shadow, needs the full light - the sun, in the form of her brother. She needs to accept and see the truth of what's happening and step fully into the light. Callum, who has been routinely worried of the dark within him, needs to the reminder that he's not all he is, that he has light of his own inside. In doing so, he can break Aaravos' control over him and give hope to any other dark mages / humans in general that no level of corruption is too late to come back from, and that there is always light amid the darkness.

Life and Death

The stakes have never been higher as Aaravos and Claudia are on the warpath, determined to destroy the Cosmic Order and invert life and death. With the world’s fate on the line, our heroes must be ready to sacrifice everything to save it.

In Bloodmoon Huntress, we get a very different peek into how the secret of the Moon arcanum can be thought of through Runaan, who is peak Moonshadow-sacrifice elf man:

Moonshadow form is only achieved when we understand the balance of life against death. Balance is weight against weight, and to understand the weight of death you must feel the weight and value of another's life. Think of those you love, of who you hold most dear. Now think of the souls who have touched your life. Understand that each time your weapon meets its target, each time we fulfil our duty, the potential for that soul to change a life—to love another—is gone. We may remove hate, but we remove the potential for love as well. Moonshadow form is only achieved when we reconcile this balance between life and death.

While Claudia with her hair and dark mage-assassin parallels could unlock the Moon arcanum—especially if her perspectives continue to change—I think Callum as the Protagonist is better placed at this time to be the one to understand the balance between life and death in a season where the antagonists are trying to invert/destroy it. Him therefore understanding appearances and changes, how to control his own and see through others', understanding that balance between life and death, feels very fitting.

Callum's fear of Aaravos and dark magic comes from the fear that he's changing—"I hope you're careful, cause [magic] can change people" / "the corruption takes innocent creatures and changed them"—and that death would be better for him than life if he goes too far. Learning these things aren't the case and that he can get back to the middle (and indeed, "real trust is about accepting even the dark parts we will never know" could be about Rayla accepting he may not entirely swear off dark magic again, the same way Viren kept that door open to do Good) would be useful.

It would also mean the two mage characters most drawn into Aaravos' darkness get the Moon and Sun—the arcanums most associated with light—to banish said darkness as well. Claudia finally being an uncorrupted light and chasing life, not death, and Callum, learning how to be balanced and that he can maintain his identity / use Aaravos' book and key without fearing that he'll lose control.

The fact that Claudia's eclipse imagery only started the same episode she lost her brother, and that her Laurelion dragon-scale necklace is very Sunfire-y looking...

Conclusion

TDP for Callum and Claudia has always felt like a parallel coming-of-age mage story between the two of them, leading to the amount of similarities and diverging plot beats the two have, down to doing the same spell at the same time but in different locations in S6. The Sun arcanum is associated with truth, light, and healing, whereas the Moon arcanum is associated with change, life + death, and secrets/love. All of these things could be nicely brought to a head with Callum and Claudia each unlocking an arcanum of Moon and Sun respectively, showcasing their differences, their continued room to grow, and light amid the darkness.

While I could see alternatives like Sun for Callum and Moon for Claudia, Stars for Callum or no arcanum for either of them, I think these are the ones that fit best at this time / Stars will likely get saved for arc 3 given that arc 3 will probably focus more on rewriting destinies and the Cosmic Order as antagonists.

As always hope you enjoy and Dragons out!

[kradogsrats]

I've been kind of hesitant to voice this analysis/theory because honestly even I find it hella depressing, but... here goes.

At the end of s6e5: "Moonless Night," we have this kind of cryptic sequence with Viren:

Now, this isn't exactly subtle. It starts with a callback to Aaravos's "the human mage, already tainted by darkness and destined to play right into my hands," line (and a nice Callum > fake pearl > real pearl > Viren cut sequence) and ends with the kind of spider-and-fly imagery you bust out when you want the audience to really get the point. This sequence tells us in no uncertain terms, Aaravos will inevitably use Viren again... at least one more time.

I say it's cryptic because the eventual payoff is a lot more subtle, particularly since everything escalates so rapidly and is actually presented as a crazy, unexpected twist. Basically, there's no follow-up until s6e8: "We All Fall Down," where we have a highly specific series of events:

Sol Regem, under Phaaravos's direction, attacks Katolis

Viren decides to make the sacrifice of both doing dark magic again and losing his own life to protect the people from Sol Regem's fire

Viren successfully casts the spell and the people are protected

Phaaravos does this:

Once Viren has cast the spell (and is probably dying), Aaravos is pleased and ends Sol Regem's attack.

Aaravos needs three things to free himself: the pearl, the staff, and a sympathetic mage. He can't just possess Callum and free himself at the start of the season, because—whether that would work or not—he doesn't have the staff. He knows, however, that Viren is going back to Katolis, so he can influence Callum to switch the real and fake pearls. Then, when Viren arrives, the pearl and the staff are lined up... but Viren is no longer sympathetic (and possessing him wouldn't really do any good because like, come on... he's in prison).

The way that the attack on Katolis plays out gives him everything: the pearl and staff are abandoned in the chaos, leaving them free for Claudia. Viren, being dead, is also now unable to influence Claudia directly—not to mention that, despite what he told her in s6e1, he chose to do dark magic again.

There are several reasons that could be behind Phaaravos's smarmy little smirk there—either he's satisfied that the staff is in play and will be easily accessible to Claudia instead of buried under a castle's worth of rubble, or he's satisfied that Viren is going to die and that removes what could actually have been a very serious obstacle to Claudia's persistence, or... he's pleased that Viren has caved and done dark magic again, whether because that's leverage he can use with Claudia, or for a more insidious reason.

We can stop here, because "Aaravos uses Viren's loyalty to his family and Katolis to manipulate him to his death and to set up his daughter for digging herself deeper in aiding his own return" is honestly plenty of payoff as far as Aaravos "using" Viren a final time. BUT just to get a little tinfoil-hat, here:

How exactly are we supposed to understand the pearl got from the subterranean secret dark magic workspace to outside in the ground-level courtyard... except by Aaravos walking the dying Viren down there to bring it back out, then neatly arranging pearl, staff, and Dad's dead body in close proximity for Claudia's homecoming? Which is pretty fucking grim.

As a counterpoint, the one thing this series sometimes plays extremely fast and loose with is the space-time continuum: like, working out travel times? Good fucking luck—it takes exactly as long to get somewhere as the plot demands, regardless of distance, terrain, or mode of transportation. So "how did the pearl get into the courtyard" could just be one of those "how did Soren and Claudia get up the Cursed Caldera without Lujanne knowing"-situations where the answer is "it's fine, don't think about it."

Sure, the staff, pearl, and Viren's body are all suspiciously accessible, but we also don't have screentime for Terry and Claudia to do an extensive search of the rubble overlaid with sad music and intercut with flashbacks. Sometimes shit just has to be convenient so we can move along... but I'll probably still always kind of wonder.

[intuitive-revelations]

As I've mentioned in a previous post, I've been thinking a lot about the exact chronology of ancient Gallifrey, and specifically I've put a lot of attention on the Caldera and the Citadel, plus related things like the Eye of Harmony, the Crevasse of Memories That Will Be, the Untempered Schism etc.

All these things seem to be located in the same place on Gallifrey, albeit some at different times, and often overlap in nature. After some thinking, I think I've worked how everything goes together, as well as the order of events. At some point I want to create a fully history, but for the sake of this we'll focus primarily on the subjects above, with some other major events sprinkled in for context.

A Very Brief History of the Capitol

[ID: Surviving parts of the old Capitol, in an illustration from Lungbarrow. Crystal-like towers and walkways stand over a waterfall. The TARDIS, in pyramid form, dematerialises.]

Pythian Era - The capital city is built near the Mountains of Solace and Solitude (likely, in antiquity, a stronghold against the Gin-Seng cats to the south). Beneath the Pythia's temple, in the centre of the city, is the Cavern of Prophecy. Within the cave is a deep, deep opening known as the Crevasse of Memories That Will Be, which holds, in the astral plane, something known as the Gate of the Future, a tear into the time vortex far greater than the similar natural rifts that occur elsewhere on Gallifrey. Time flows out from it, from the future, to the past Gallifrey. In times of meditation, the Pythia sits in a hanging cage above the Crevasse, breathing in the rising vapours, which aid her in her clairvoyance.

[ID: Gif edit made by me, featuring the last Pythia sat in a small cage slowly swinging in a chasm as a mist slowly rises around her.]

The Intuitive Revelation - The Neotechnologists, led by Rassilon, bring a revolution. The Pythia curses Gallifrey with sterility and cuts the ropes holding her cage, falling into the abyss. The Gate of the Future inverts, forming the Gate of the Past. Visibly, the Doppler-effect like colouring of the vortex changes - no longer red, flowing towards the viewer, but blue and flowing away (ironically directionally the reverse of the real Doppler effect). Time from the new future flowing into the chaotic past.

The new government take control of the Capitol. A new age of space exploration arises, with the Shobogans taking on the name, for now, of "Space Lords". One of these first individual explorers, semi-authorised predecessors to future Time Lord renegades, is a woman named Tecteun.

The First Attempt - The stellar engineers, including Rassilon and Omega, make their first attempt at capturing the energy of a collapsing star, recieving the energy on Gallifrey using an obelisk, like that later used to channel energy from the Eye of Harmony, in the middle of the city, using the nature of the Crevasse.

The experiment is a catastrophic failure. A hole is punctured into the Spiral Yssgaroth, unleashing Vampires through openings throughout the universe, fracturing out from the experiment.

[ID: From The Book of the War, an illustration of the "Eyes of the Yssgaroth", human-like eyeballs looking through holes punctured into spacetime.]

Part of the Old Capitol is destroyed in a great blast, destroying the Cavern of Prophecy and opening up the Crevasse, leaving a giant crater: the Caldera. It is likely that many are killed. Left behind in the middle of the crater, is the Gate of the Past, now manifest in the physical world: an open gap in reality. In this form, it becomes known as the Untempered Schism.

(I also suspect this is when Rassilon is forced to regenerate for the first time, to the shock of on-lookers, having secretly previously recieved Tecteun's genetic modifications - I plan to expand on this theory in a future post.)

The Vampire War / Rebuilding of the Capitol - The exact circumstances of the experiment are covered up. Rassilon, leaving to fight the Vampire hoard, swears Omega to secrecy regarding the project during the Arcalian High Council's investigation.

[ID: A gif, rotating around the Citadel is constructed over the Caldera, from part of the (likely partially-symbolic) time-lapse in The Timeless Children.]

Though some of the city survives, including parts of the Pythian temple, a new colossal city-complex begins construction in the place of the old one, suspended over the Caldera, the centrepiece of the new Capitol: the Citadel. It is built as a defensive structure, both for the war, and to protect the new, growing elite, surrounded by a great circular wall named "Rassilon's Rampart". The "core" of the structure, on which the towers rest, reaches down deep into Caldera and the deeper Crevasse.

Meanwhile the Untempered Schism is taken out of the city by those fearing further destruction, to a place in the nearby hills that will one day be known as the Weeping Field, where prospective Time Academy students are initiated.

[ID: The Untempered Schism in the Doctor's time, as seen in The Sound of Drums. It sits in a stone frame on red grass, with the Seal of Rassilon in front of it, and flames on either side. Within it, the blue "past" variant of the RTD1-era time vortex flows away from the viewer. The Citadel's lights are visible in the background.]

(Side note: it's possible the Untempered Schism's 'ring' is deliberately designed to evoke the Caldera. Note how it's lined with pieces sticking out. Look a bit like the battlements on Rassilon's Rampart, don't they? Surrounding the hole into the vortex just as they surround the crater.)

The Anchoring of the Thread - Several centuries later, once the Vampires are more or less defeated, Rassilon returns home. He coups Pandak I, forcing him to resign, and takes the Presidency.

By now the Citadel is more or less completed, though for the next few centuries it still lacks its characteristic dome, likely added during a later founding conflict.

[ID: Gallifrey, around the time the first TARDISes are grown, from The Lost Dimension. In the background past a small outsider village is the Citadel, new and gleaming, but undomed.]

The Triumvirate retry their experiment at Qqaba / Polyphilos, attempting to capture the collapsed star. When the experiment goes wrong once more, Omega's ship falls inside, as spacetime threatens to crack open again. With temporal energy flowing though him (a la the Bad Wolf), Rassilon reshapes the laws of physics, forming an event horizon, and black holes as we know them.

The black hole is dimensionally captured and suspended in the moment it collapses and the event horizon is formed, creating the Eye of Harmony, controlled using the Obelisk of Rassilon storied in the Panopticon Vaults. Meanwhile, the black hole itself is suspended within the temporal singularity of the Caldera, deep below the Citadel.

Harnessing the power of the Eye and the Caldera rift, Rassilon "anchors" chronology around Gallifrey, creating the Web of Time and placing it under the control of the Gallifreyans, now Time Lords.

Future Developments - Over the years, many changes come to Rassilon's Gallifrey.

Over the years, the more and more of the old city is replaced with new towers, forming the new Capitol around a now domed Citadel. Interweaved with these buildings over 28 square miles is much of the new Time Academy, such that the Academy is sometimes considered a whole city itself annexed to the Citadel.

While the remnants of the Pythian Temple are eventually torched by Rassilon, hunting down dissenters, many old buildings remain intact. These continue to be inhabited far into the future, in a community known as "Low Town" or the "Lower Len", as opposed to the "upper" city above. Shanties surround the surviving buildings, some climbing up Rassilon's Rampart.

Another such community is based around the "Old Harbour", whcih once sat on the coast of the now recessed Sea of Time. Nowadays, it likely sits on the shore of the small (possibly designed) lakes near the Capitol, where streams from the mountains presumably once drained directly into the sea.

[ID: From Hell Bent: a screencap as Rassilon turns from looking out the window from an Inner Council chamber high above the Capitol. In the background can be seen some lakes between the mountains, with some signs of what might be buildings on their shores.]

(Side note: I reckon this shot above might actually give us a glimpse of Old Harbour. I might just be imagining things, but there's some small features around and on the lakes I reckon could be docks or buildings? Interestingly, this also comes as Rassilon asks about the Cloister Bells ringing, and Old Habour is well known for the bells in its clocktower, which might explain why Rassilon was looking out at it from the window.)

In the space around the Eye in the Caldera, the Cloisters, the core of the APC net and later the Matrix, are constructed. The structure itself is, externally at least, relatively small, but it generates an entire 'micro-universe' on the Astral plane once accessed by the Pythia. Indeed, just as the Crevasse once allowed the meditating Pythia to see the future, so does the Matrix create its own prophecies.

[ID: From Hell Bent, the Doctor and Ohila converse in the entranceway to the Cloisters, a dark space with glowing optic fibres running across cobwebbed columns.]

In the Matrix is a "womb-like" null-space is where most TARDISes are grown, taking advantages of the Caldera's spatio-temporal properties. Budding within the Citadel Cloisters, a TARDIS's "Cloister Room" is one of the first parts to grow.

By the time of the Time War, though possibly earlier, the sealed Caldera also forms the resting site for many dying Battle TARDISes, the Under Croft, where they presumably decay and fertilise the growth of new time ships.

[a-very-sparkly-nerd]

Rayllum Month 2024! (3/13)

he's got hands that make hell seem cold

July 5th - Hands/Touch-starved

~

Callum had grown up affectionate. Hugs traded around like coins, so much love made plain and clear and simple just in the way he ruffled Ezran’s hair, how he tickled his sides, how Ezran would sometimes wordlessly plop into his brother’s lap with a dramatic sigh.

So, Rayla figured–hoped–it would continue. Hoped he wouldn’t mind her… clinginess.

She’d never been one to half-ass things; go big or go home. So she stretched out on the couch in Callum’s room as he sketched, picking up a book and kicking her legs up in his lap as nonchalantly as she could manage.

“Hey,” he said pleasantly, tossing her a gentle smile, and Rayla couldn’t decide whether she liked it or not.

“Hi.”

“How was your day?” As he spoke, Callum took her ankles and settled his arm over them to get more comfortable with his sketchbook, the simple motion sending tingles through Rayla’s legs and all the way up to her spine.

She shrugged, studying the book written in some old flowery tongue. Blech. “Boring.”

He smiled with amusement, lacing fingers through hers. “I would’ve thought your crazy-cool slish-slashing could never be boring.” He drew her closer, looping an arm around her shoulders and letting her head rest on his.

Yeah, it definitely continued. He’d definitely cuddle her, hug her, whatever she asked. Color rose to her cheeks, and Rayla hoped her voice didn’t wobble as she said, “It can get monotonous.”

He grinned. “Hey! You used my big word!”

Suddenly Rayla wasn’t sitting on his couch, but standing back on the Cursed Caldera two years ago with terror snapping her spine straight, cracking jokes and being dumb with him, Ezran, and Ellis and Ava. She smiled, too, carding a hand through his hair. “I figured you could use a win.”

Sketchbook abandoned, Callum turned to look at her with a raised eyebrow and huge, dorky smile. “I’m pretty sure I’m winning right now. A beautiful elf in my lap…”

“Oh, I disagree,” Rayla teased, heart beginning to pound in her chest, her throat, her wrists. “This isn’t in your lap. This”–she shifted so she sat on his lap, not straddling him but sitting sideways and praying she hadn’t gone too far–“is in your lap.”

He put an arm around her waist, head going to her shoulder. “My mistake, then. What are you up to now?”

She turned on the baby-adoraburr eyes, ones she remembered Callum never once being able to refuse in that too-brief time they’d had to be senseless idiots. “Cuddling you?”

Callum kissed her nose, his fingertips skirting under her shirt to hold her waist, so close to her hips that Rayla’s breath hitched. “You certainly are.”

“I missed you,” she decided to comment, hoping against hope it wouldn’t lead to Big Feelings Time. Gods knew they needed it, but she just wanted to sit here and be held by her prince–if he was even hers anymore–until long after she fell asleep– preferably for eternity.

He nodded somberly, twiddling a braid between his thumb and forefinger. “I missed you, too.” A hand found just above her knee, technically her thigh but not quite, not the way she would’ve welcomed. “What’s this about?”

“I just…” Rayla glanced down and shrugged. “Want to catch up on cuddles.”

Body flush against hers, Callum finagled her so her head rested against his chest, hugging and rubbing circles into her back. “Always. I’m always up for cuddles.”

Rayla sighed, settling and letting her weight fall on him. Letting him support her in more ways than one.

Read more on AO3!

[waterfire1848]

AU based on the new Netflix movie Spellbound - In a no war AU, Ursa and Ozai are on a mission and get cursed into feral dragons. Zuko, Azula and Kiyi are tasked with finding a cure after Iroh and Lu Ten mistake them for real dragons that are threatening Caldera.

[blackblooms]

So, didnt have a lot of progress to talk about on my new game since i had taken about 2-3 weeks to work on other things, but heres some of the work i`ve been putting into the world map and struckture.

So here we have what i call "zone maps" which consist of rough drawings of what areas are planned and how they are placed and connected. Since the game is themed around fire and wilderness, most areas are fiery twists on common fantasy environments and explore the many forms that heat and fire can take.

Some notable areas are:

Great caldera/Caldera outskirts: (dark red) Since flamebearers are highly resistant to heat and fire, it was an interesting subversion for the first area of the game to be a volcano. Boiling ridge/Boiling caverns: (cyan) The water area of the game, featuring harsh cliffside battered by a raging sea and plenty of geysers and thermal vents.

Pyrewoods: (bright red) A perpetually burning forest. The trees have adapted a thick insulating bark to protect themselves from the flame. Ashen highlands: (pale grey) An expansive plateau, located above the smoke of the forest. Deposits of ashes from the forest and caldera, fertilize the ground, making it a suitable place to build fields and villages. Sundered plains: (bright orange) A deadly desert, with plenty of glass structures formed from the scorching heat battering the sand.

City of cynders/Charred city (brown) The capital of an ancient civilization, burnt to the ground in times long past. Now only rubbles of sandstone and glass remains, and many myths of how exactly this city may have fell...

Frostburn pass: A gnarly canyon where frost and flame meet. Located between the great caldera and the ashen highlands. Brimstone bogs (dark green) ADark, smouldering swamps, where monstrous creatures lurk. A place long abandoned by the flamebearers and left to rot. Fuming crags (purple) Toxic fumes emanate from ancient fissures in the ground, rendering this region extremely dangerous to korugues and flamebearers alike. In the distance, an old castle lurk, long abandoned by those who used to call it home.

The melting pot: A loathsome pit of molten sludge, the heart of a twisted curse that cannot be destroyed or contained...

- Since were giving some building here, lets also describes some faraway lands that exist i nthe lore, but wont be seen in the game. South west: Nameless islands The great sea house many archipelago, conquered by the descendent of the flamebearer of the sea. South east: The frozen continent A distant landmass, overtaken by the ruthless cold. Ruled by the descendent of the frostbearer who could channel its power into cold instead of flames. North west: The endless peaks Towering mountains, reaching higher than the eye can see. Conquered long ago by the flamebearer of the sky and her children. North: Desolated expanse The sundered plains make way for a great wasteland. Long ago, the flamebearer of earth crossed through the desert and was rumored to have found habitable land on the other side, but very few dared cross the waste to verify those claims. East: The dark lands Lush forests cover the landscape, but those lands have long been forbidden. It is said that none of those who ventured to the east, not even the eldest and strongest son of the original flamebearer, was ever heard from again. My goal with these was that i wanted to imply a much bigger world beyond what is seen in the game (compared to irredeamable, almost claustrophobic worldbuilding) This next game will have plenty of distant lands and families to speculate on. I probably just wont do much with them myself. Anyway, all that stuff is subject to change as i work on it. The maps i provided are already pretty inaccurate, but that just means there will be much to discover when the actual game comes out.

[self-spaghettification]

uneven towers motif

The Cursed Caldera + Mount Kalik, The Storm Spire,

The Sea of the Castout, + Katolis

Edit for this addition:

[jacenbren]

Disaster Curses headcanons:

Regardless of what he tells them, Kenjaku sees the disaster curses less as individuals and more as personal projects, of sorts. He wants to see just how far he can push them, just how strong they’ll get before he ultimately absorbs them. They’re like science experiments—fun to play with and test the limits of, fun to put in scenarios to see just how much they’re capable of, but ultimately nothing more than a mild inconvenience for him if they break.

Jogo is the oldest of the disaster curses, and he knows exactly how Kenjaku sees them. It pisses him off, but he knows he can’t say anything, because that would risk the others�� safety. He sees himself as their caretaker of sorts, and when Kenjaku came along, Jogo only agreed to work with him out of common interests.

Jogo doesn’t trust Kenjaku. He never will.

Being a cursed womb, Dagon has about the same mental capacity as a human five-year-old. Ever since Mahito brought him some, his favorite toys are Legos.

Speaking of Mahito, Kenjaku heavily favors him over the others, due to his abilities and potential, and treats him as a sort of “golden child.” Mahito is unaware of the fact that Kenjaku’s love for him is little more than an act to keep him complacent and easy to manipulate, and that he sees Mahito as little more than a means to an end.

Choso is extremely jealous and resentful of Mahito because of how Kenjaku dotes on him, even before he finds out that Kenjaku is his father. Choso doesn’t understand why he and his brothers weren’t treated with the same love and affection (no matter how insincere), and were instead locked away as cursed wombs and left to rot.

Hanami has a MASSIVE crush on Jogo. Unfortunately, he sees her more like an apprentice, or a ward, of sorts, so she refuses to confess. This doesn’t stop Mahito from teasing her mercilessly about it.

If Jogo could go anywhere and do anything, without fear of being discovered and exorcised, he’d take his family the disaster curses on a vacation to Hawaii. Hanami would love the greenery, Dagon would love the ocean being so close by, and Mahito loves doing anything new, really. Jogo himself would go visit the active calderas. Then he’d take a nice long nap, because wrangling the other three is a full-time job.

The reason Mahito is so compelled to kill and torment is because of the strange line between worlds he’s forced to walk—he’s too human-like to fit in with curses, but too monstrous to fit in with humans. Kenjaku and the disaster curses are the only family he’s ever known, and he wants to please the closest thing he has to a father, so he has to be as vicious as a curse, obviously. He needs to kill the human part of himself again and again, because if he thinks for too long about where he came from, he gets so confused and scared that his stomach hurts.

He loves human things though, like their food and entertainment. Mahito’s favorite byproduct of humanity is their literature, and given the opportunity, he’d cuddle up in a nice cozy library with a good book for hours.

His favorite book is Frankenstein. He likes the monster more than the doctor.

Mahito might annoy the fuck out of him sometimes, but Jogo really cares about him. He’s especially bitter that Mahito sees Kenjaku—a human who ultimately doesn’t care about his wellbeing and intends to use Mahito as a pawn in his little shell game—as a parental figure, instead of Jogo himself.

Hanami is the one who looks after Dagon most of the time, while Mahito is more of an irresponsible older brother figure who teaches him swear words.

Jogo’s favorite smoking pipe is one Mahito made him out of a transfigured human. It still warbles and whines sometimes when he uses it.

The disaster curses automatically assume that because he’s half human, Choso knows everything there is to know about humans, so they go to him when Kenjaku gets annoyed by their questions. Choso’s too awkward to tell them he’s almost as clueless as they are, so he’s been bullshitting the answers for a while now.

Because of this, Hanami is fully convinced all humans can levitate like Gojo and just choose not to. She is confused and terrified.

Hanami really wishes cursed spirits showed up in photographs, because Dagon really likes it when she grows flower crowns for him to wear and play with. He looks so cute, and Hanami hates that she only has her memory to rely on.

There’s a small part of Mahito that feels guilty for killing, but he squashes it every time, because what would he be without his family?

[lunanightriderofthecove]

Poor Bait, being thrown around and stomped on after accidentally blinding everyone 🥺

[discordiansamba]

Zuko's never been so happy to see a bar of soap in his life.

Aang shows him a place where he can clean up. Katara bends the muck out of the water, and they leave him in peace. The water is freezing, but he warms it with his breath the way his uncle taught him. He lathers up every inch of his body until he can't feel the grime anymore and dunks his whole body underwater.

His uncle comes to check on him halfway through, and helps him wash his hair. He uses fire-warm hands to massage his scalp, and Zuko nearly dozes off. He hasn't felt this relaxed in ages. Uncle's hands move down to his back, carefully working out the knots around his shoulder blades. Human bodies weren't meant to have wings- he gets tense in that spot so easily.

Uncle apologizes for not being there.

Zuko shakes his head. He made his choice in Ba Sing Se. It was the right thing to do. Uncle tells him he's proud of him.

(He does not ask about the rumors Zuko is certain he's heard.)

He leaves him alone so that he can dry off and get dressed. The clasp of his undershirt that goes around his neck is easy to manipulate even with claws, and the sleeves of his overshirt are wide enough to avoid being snagged by them. It's designed to be tied in place in a way that's easy for even him to do. Uncle had a tailor specifically design them around his wings and claws alike. The rest of his clothing is normal.

(Zuko supposes he should be grateful he doesn't have a tail.)

He feels a little more like himself than he has in a long time- and it's a startling feeling. He feels like himself. His body is still twisted into half-dragon shape, and yet he feels... almost at peace in his skin.

(Nearly. He is not quite all the way there yet.)

When he joins the others, they nearly squeeze him to death in another group hug again. Aang sobs an apology into his chest and he tells him he doesn't have to. It's not his fault Azula shot him full of lightning. He hadn't expected them to be as worried about him as they clearly were. He's... pretty sure they would get mad at him if he said that, so he chooses not to.

(Mai watches from a corner. He catches her eye. She looks like she's going to kill him if he asks her to join, so he decides against that too.

He can tell she's happy for him anyways.)

Azula visits him in his cell.

He knows she's coming before she arrives. He can hear the guards at the door try and dissuade her. His sister snaps at them, angry. How dare they stand in her way, when she knows that they let Mai through. They relent, and Azula steps into his cell.

She crinkles her nose at the smell. He's less filthy than he was before thanks to Mai, but only just. She meets his eyes- and for just a moment, her breath catches. Zuko's tempted to start growling, just to see what would happen. The dragon goads him on, but he decides against it.

"What do you want?"

She obviously didn't expect him to speak. When he does, she exhales, and she's back to the normal Azula.

"I see you're back to your usual self," Azula observed, "-I suppose we have Mai to thank for that. I hear she's been visiting you."

"Upset you'll have a harder time executing us?" Zuko asked. "Or is father the one who plans to do the honors?"

Azula flinches- it's obvious that she didn't expect him to know about that. He doesn't blame her. She must have assumed he didn't have the presence of mind to understand anyone when he'd been paraded through the Caldera like a chained beast.

(He had been, he supposes.)

"Father, of course," Azula recovers, "-it's only fitting that the Fire Lord should slay the last of the dragons."

Zuko bares his fangs. "What makes you think we'll go down so easily?"

Azula huffs, and rolls her eyes. "You should just make it easy on yourself, Zuko. I would think you'd be grateful to be released from your miserable excuse for an existence."

Yeah. He can't deny that some small part of him still longs for that. But he thinks of Uncle, and of Mai- thinks of his friends. They'd all seen him at his worst, but they accepted him anyways. And she's right- if he dies, the dragons really will be gone. He's spent years chafing at the confines of the prison that is his body, but maybe it doesn't have to be one.

Azula never looks him in the eye anymore. He levels his gaze with hers, but she takes it as the challenge it is, and doesn't look away.

"And what would you do," Zuko said, "-if it comes for you next?"

His sister pales. He shouldn't be enjoying this. He's not stupid- he figured it out a long time ago. He knows Azula blames herself. She hadn't known the consequences when she'd shoved him into that cave- she'd only been six. She was just playing a petty, jealous prank. All she'd wanted was to go back to the villa and lap up mother's attention for a few hours.

He also won't lie to himself. He blames Azula- but only sometimes. She was just a child. They'd both been children. But he also can't pretend that he's not bitter, vengeful in a way that has nothing to do with the spirit that took up residence in his skin. She'd taken everything from him- just like her namesake had taken everything from the dragon.

"Don't worry," Zuko promises, "-when you're running a fever that high, you don't even notice your body twist out of shape."

"Shut up," Azula snaps, "-I would never let that happen."

"You wouldn't have a choice," Zuko says, "-did you think I did? You can't fight something like that. You'll be lucky if the dragon decides to ever give you your body back. It's not like Uncle's here to guide you."

(He's not quite himself right now, otherwise he would never be saying these things. But he doesn't stop. He holds the dragon at bay, but only just.)

"Be quiet," Azula hisses, "-I would never become like you."

"No, you won't," Zuko agrees, "-because I don't intend to die."

Azula stares at them for a long moment, then clicks her tongue. She leaves without another word, and Zuko exhales. He shakes off the dragon, its whispers falling back into silence. He feels like he's finally won, but it doesn't feel as good as he hoped it would.

He doesn't hate Azula. He can't.

(It was as much a warning as anything else. Killing him would only free the dragon- and leave it free to search for its next host

Who better than Azulon's very namesake?)

[raayllum]

This post from @imminent-danger-came got me thinking about the sun in TDP, well, and let's look into it

First things first:

The Sun in TDP is, currently, set in the most opposition to dark magic. Some of this is because the other primals are relatively unexplored (Earth), are thematically adjacent to dark magic (Moon because of death/deception, Star for obvious reasons, Ocean more recently) or exist on a meta level but not an in-universe one, i.e. Sky magic is set in opposition to dark / star magic through Callum ("my breath for freedom") but we don't know enough about Skywing culture / seen enough Skywing elves to know anything beyond him.

Meanwhile, the absence of the Sun is often seen as synonymous with dark magic

and/or is used to purify / hide and reveal dark magic within the text.

There is a reason, after all, that Karim believes if he can heal Sol Regem's eyes — if he can get rid of the dark magic — that it will let Sol Regem "convince [his people] that the sun will shine again." That Karim thinks "the sun will never shine again for me" is related solely to the physical affects of dark magic, and none of the emotions Sol Regem has felt ("I lost my hope long before I lost my sight").

We see this dichotomy of light being more good and nighttime/darkness being more bad even in S1, as Harrow and Viren hope to find the Moonshadow elves ("in the light of the day") before they become unstoppable / death incarnate at night and at the Cursed Caldera, in which Ellis asserts that come nightfall, "the nightmare is about to begin".

However, as you can probably already tell, this relationship of Sun vs dark magic as oppositional forces is already more than muddled just as the dichotomy of light = good and dark = bad in the show is, too.

We see this prominently with the repeated combination of corrupted Sun magic not only in the hearts of cinder spell that Viren used the relic and sun staff to create, but also in Claudia's continual wielding of the corrupted sun staff

and in Karim's employment of Kim'Dael. Karim just implied that humans allowed evil (dark magic) to flourish because they were weak ("You are lesser beings") just as Sol Regem believed, and it seems Pharos is thinking along the same lines here: isn't Kim'Dael "evil" because she uses dark magic too?

Because she's a Moon dark magic, and the opposite of the Sun and purity and light in every way he can think of, even when Pharos — a Sunfire priest who believes in Karim — has been corrupted and infected, too. And yeah some of this is to point out Karim being hypocritical and losing his way and inevitably things, such as him having the Sun Seed, are not going to go according to plan.

But I do want to take it one step further and say that the Sun — seeing a new day — is not necessarily void of dark or Star magic-y connotations, after all.

Whether it's the importance of the Sun's first light, spoken by mages who are either unknowingly (and likely to be) pawns of Aaravos

or that doing dark magic and playing into Aaravos' hands would've secured Viren seeing a new day.

Although dark magic is, seemingly, more associated with night because, well, darkness, obviously...

It's not just that the Great Orb was corrupted, but that Lux Aurea itself fell, giving way to corrupted creatures, infected by another combination of Sun and Dark magic

It's that dark magic, I think, grows and festers and consumes everything until light and dark — day and night — are synonymous with each other, until they become a singular thing like Aaravos. That there's no escaping it. There's no "choice".

Or at least, that's what it wants you to think.

[finding-the-secrets-of-xadia]

Discussion Questions for After Season 1

In Episode 7 “The Dagger and the Wolf,” Callum, Rayla, and Ezran argue about whose fault it was that the egg fell into the icy lake. But by Episode 9 “Wonderstorm,” they each try to claim it was their own fault. What do you think changed with them?

In Episode 1 “Echoes of Thunder,” Rayla chases after the soldier in the rain, then lets him live when her orders were to kill him. In Episode 8 “Cursed Caldera,” we learn that Runaan told her to chase him, and it wasn’t her idea at all. Does this change your opinion of her actions? Why or why not?

Throughout season one, Viren has kept the truth from others in several ways. He doesn’t tell Claudia his plan to save King Harrow, he hides his use of dark magic by killing butterflies to cast a spell over his face, he tells Amaya that Gren will lead the mission and then locks him up, he tasks Claudia and Soren with secret missions that involve hurting others, and he tells the kingdom of Katolis that the princes are dead. He says he is acting for humanity, but he hurts humans and elves alike.  Do you think these are the actions of a good person? Would he make a good king like this? What do you think could happen to him - and to others - as a result of all his lies?

Callum began this season excited to learn he’s a mage. He used his spells to help everyone and even save their lives. But when he realized that the only way to save Zym’s life was to give up his primal stone, he didn’t hesitate. Would you give up the thing you wanted most in the world to save someone’s life?

[splosh-crime]

Death of the Moon AU

Zhao successfully kills the Moon Spirit Tui and incapacitates Yue before she can fix it.

The tides and weather are so thrown out of balance that ATLA becomes an almost fully-submerged planet, with only the tallest mountain peaks remaining as islands; most notably, the Air Temples, Omashu, & Crazy Herbalist Greenhouse.

Yue is both waterbending and the Avatar Cycle’s only chance to return. Until then, the return of the moon is the Gaang’s new mission.

Northern Water Tribe is one of the first communities submerged due to being the coastal city and epicenter of La’s grief. La wishes to protect Tui’s corpse under his waves.

The majority of Fire Nation territory, including the capital (Caldera City), is completely submerged. What remains of the Fire Nation’s citizens lives on rare mountainous colonies, the navy, mercantile fleet, fishing industry ships, and the elite’s literal showboats.

Fire Navy ships undergo catastrophic amounts of bad luck, so many sinking that it may be a curse from La. Civilians are encouraged to join merchant and fishing ships instead.

The Herbalist’s Greenhouse, Gaoling, and Eastern & Southern Air Temples are the planet’s main sources of food besides aquatic life.

Refugees learn quickly to survive off fishing and farming aquatic plants, learning from Water Tribe members and Coastal City residents.

The Northern Air Temple’s tech-enhanced citizens remain free as always, their gliders becoming an even more valuable transportation method with so little ground to walk on. To be safe, they gain a focus on naval technologies, building the whale submarines early and spreading their borders with floating docks.

Toph is warned of the incoming disaster by the spiritually connected Badgermoles. She, along with her fellow Earth Rumble Competitors are able to raise Gaoling and part of its surrounding forest high enough to create a mountainous island before the floods arrive. Tall enough for even the Badgermoles to remain underground.

Sokka fails to contain his smugness when his sister asks for boomerang lessons to supplement her waterbending.

Ba Sing Se, Eclipse Invasion, and Boiling Rock Prison Break storylines are either postponed or erased since all those places are underwater.

If you are inspired enough to write or draw this, please tag me! I’d love to see your work!