#cultural imperialism sucks

[fullmetal-scar-simping]

"We tend to read fma with a Western lens, so critiquing its use of the military and genocide ignores the Japanese perspective," sorry but you can't cultural relativism your way out of imperialism, genocide, and pro-military nationalism.

Newsflash: Japan was an imperialist power! Japanese nationalism is a thing! Numerous genocides have been committed and excused/denied by Japan! Japan having suffered imperialism from the USA does not mean that people are now magically immune to pro-imperialism propaganda and historical revisionism, and it isn't absent from Japanese pop media. In fact, much like American mass media it is often highly prevalent in both overt and insidious/seemingly innocuous ways.

Be honest about the imperialist themes of the stories you like or stfu!

[tanadrin]

still annoyed by the tiktok i saw once of someone smugly declaring the Federation was “an empire” and that this point was so obvious it brooked no debate

like

you have to apply for membership! it’s a post-scarcity utopia that has transcended the need for money! this meets no definition of an empire, except that it has some of the aesthetic trappings of liberal democracy, and edgy online types like to refer to liberal democracies as “empires” when trying to discuss the more general phenomenon of imperialism.

[giantkillerjack]

People are so shocked that Black folks existed in ancient Rome like my dudes Italy is like 10 feet away from Africa some of it was literally part of the Roman empire don't make me google maps this for you

[swimmingferret]

urgh dany antis are so tiring, like why they pull out the ‘UMMM SHES FROM THE IMPERIAL FASCIST HOUSE’ as if asoiaf isnt based on fuckin feudal rules and literally everyone believes in the divine rights of kings and no dany isnt evil for believing shes the heir to westeros for being daughter of the king, its just how shit functions in a medieval society

[lepetitrock]

I'd argue that no one needs any version of Frozen but this has to be one of the more abhorrent things I've ever seen.

My friend blocked me because I wouldn’t stop sending him this picture

[echidnana]

you know also as a taiwanese person I am going to be so real whenever yt people are like "actually boba isn't chinese it's taiwanese 😇😇" it's like. u literally don't even careeee not even mentioning the fact that taiwan and mainland china do not have opposite cultures and it makes more sense to think of taiwan as a province of china like fujian or hunan. boba despite originating in taiwan can be broadly considered an east asian drink among the diaspora. like to act like a chinese man was "out of line" for saying boba is part of his cultural heritage. it's just so painfully western

[deepseasmetro]

very few US veterans remotely regret their service, and the ones that do overwhelmingly do not regret it out of politics or remorse over participating in the machine, but regret over the fact that the personal trauma they endured was not "worth it" for the benefits they received. they are not upset they were a pawn for us imperialism, they're upset that they were not sufficiently rewarded enough for being said pawn.

stop trying to woobify these fucking people. you do not know US military culture if you think most people enlisted regret it for any reason other than "going to boot camp fucking sucks" or "the VA doesn't cover my medication". they are predominantly self-serving individuals who know exactly the deal they made: they directly uphold us imperialism in return for its spoils. that's it.

[viiioca]

i know that solution 9 representing imperialism is The Point but it really is something to get hit with a weepy "the war was so hard on us, we needed unobtanium just to survive complete climate collapse and everyone burned each other down for it" after a tour through the Mall of America and seeing that the unobtanium that the world burned itself down for in a desperate bid for survival is being used to produce self-heating coffee cups and disneyland retirement village for dead grandma. they have an amazon warehouse full of souls they keep in kcup pods that they hand out in a state-sponsored work program.

"i guess we just have to respect their cultural differences 🙂" girl they figured out how to burn a soul up like the Go Faster button in fast & furious movies. one of the 17 year olds they have fighting in the thunderdome just huffed your mom's soul like a whippet on pay-per-view and he's going to do that 9 times a week until he gets victorian coughing baby disease and dies. you don't have to be ok with that. this place sucks

[miamicommune]

ik the writers changed as did the culture around mainstream games but it was kinda 🤨 when the elder scrolls was like "ok we're focusing on the largely white empire and Racist Nords now and neither of these groups have anything too bad going for them unlike the Non-white Slavers over in morrowind" like it's convenient that they stopped depicting problematic cultural practices (outside of Verbal Racism from the nords) just in time for the white-european coded nations to get their games

[kingsandbastardz]

So for basically my whole life I'd grown up with and was resigned to accept that the chinese concept of formal/nice clothing of my and the previous generation has been western clothes. So at any awards ceremonies or performances, entertainers would show up mostly in western suits/dresses and maaaaaybe you'll spot the occasional cheongsam if they're going for a Wong Fei Hong vibe. Which, you know, kinda sucks if you have any concept of western cultural imperialism in asia.

So when the hanfu revivalist movement started, I was waiting to see when it would enter the mainstream -- my hope was for fashion designers to integrate traditional/dynastic elements into their work and make it common place enough that I can buy this shit online for ME. Because I WANT.

Though some of the designs can be a bit hit or miss, I am LOVING what various stars and entertainers are wearing out and about now.

Anyway - here's a collection of Xiao Shunyao's modern hanfu inspired/hybridized stage outfits from the last couple years. For his MLC performances, his stylists seem to be borrowing inspiration from his Di Feisheng and possibly other character costume silhouettes.

I'd been seeing a few comments about how his outfits play with gender - and some of his outfits do! But I think the interesting thing to discuss is from which standard is he playing with gender? Because from a western perspective, the things he does with his western suit tops, belting on top of the jacket for a tightly cinched waist, and the addition of a trailing skirt = femme. But if you're talking from a hanfu-hybridized pov, that's just a modern take on hanfu and having any of those elements is not inherently femme and would often read masc to me.

So these things aren't necessarily gendered because they exist traditionally in chinese men's clothing or costume designs (ie video games, comics, historical fiction illustrations and film, etc, so therefore in the modern lexicon of masculine/acceptable for men):

presence or lack of a skirt

silky, velvety, gauzy or sparkly material choice, esp in formal or stage clothing

short or long length of skirt

embroidery

flowers/floral/bird designs

folding fans

certain styles of makeup

beading, gold, tassels, jewels

non-chunky jewelry

headbands

widely flowing silhouettes

What XSY's stylists are doing with some western clothing items are interesting. I'm convinced there have been one or two western jacket tops made of thinner material that they're folding over the front, and belting down instead of buttoning (which then matches with his other outfits that are designed specifically to do this). Then they're adding a skirt, cloak or bracer element to it.

The western portions often bring a military minimalist feel which they balance with a more gauzy material in the skirt or cloak portions.

Things I think are playing with gender:

row 1 - image 1: red di feisheng-inspired outfit

The lace-up girdle is there to match the bracers in both material and style. And it's positioned to be similar to the heavy belt that Di Feisheng wears. HOWEVER. That style of girdle/corset-like clothing item can't be divorced from the modern idea of sexy leather corsets. So imo, this waist piece on that outfit was a choice. Especially when paired with his allergic-to-collars-higher-than-his-sternum necklines. And if you take into context how masculine yet female coded his character is in the drama, the whole look evokes that.

row 2, image 1: black western suit with belt on top, hat, cloak, black boots and not-visible but also a black tassel fringe skirt

Hat and cloak moves the intention of the outfit from western toward a more Asian slant, because alone, it looks like a western black suit with western heeled boots, cinched waist with a lady's belt (seated photoshoot) and western style tassel skirt. The suit top consists of a vest and a shrug-like sleeve portion that appears masculine at first glance. But take the shrug and pair it with the tassel skirt (I can't find the red carpet photos but here is a better view of the skirt when seated), and I think you got a look that's both intentionally edging toward the femme in a western sense but also confusing matters by hiding within the parameters of both western and chinese traditional male styling.

row 2 - image 2 : white asymetrical western jacket styled in a front fold-over style, gauze skirt, trailing pearl embellishments

The more traditional leaning version of this is the white outfit in row 3 that he wears to the Hi6 Hello Saturday variety show -- the skirt portion on that outfit is one I'd consider non-gendered. Row 1, images 2 and 3 are examples of masculine/neutral uses of gauze that plays with flow of form but isn't inherently femme. This stage outfit is very western-appearing masculine suiting, until you hit the skirt which is giving me long ballerina tie-on skirt with the additional swan/mermaid pearl strings. Imo, another example of deliberately using traditional masculine styling but switching it up with the combination of material choice and make that is feminine.

row 2, image 3: black space military boots, black suiting, black -silver ombre sequin trailing skirt and white gauzy shawl with black floral design

The over all design is going for a masculine military-feel. (think this outfit for shen langhun) But instead of a thicker military cloak, it's replaced with a woman's gauze shawl and a skirt that trails behind him very much like the back of a woman's formal fish-tail gown when he moves around. If you take into context Wang Herun's outfit is a white-silver sequined dress cut in a way to also give a space-military-queen vibe, imo they both coordinated their outfits to balance out with both femme and masc qualities.

Thoughts? I'm curious what others think about this.

While I wait for the CNY photoshoot for XSY's red and black look, here's him with his stage collaborators with a nice range of skirt lengths, period influences and material choices. The woman in the center is the one with the most military-fighter design out of the bunch. The dudes are all in variations of formal-wear-with-good-kicking-boots (and lots of crotch space).

[afklancelot]

i feel like seriously describing junji ito's horror works as simply "wouldn't it be fucked up if this happened" is dumb because it's such a vague description that most other horror works can also be described as that. For example:

"Wouldn't it be fucked up if your house suddenly started creating new rooms and changed its dimensions on you?" (House of Leaves, specifically The Navidson Record)

"Wouldn't it be fucked up if the doors, windows, and your parents suddenly disappeared out of nowhere?" (Skinamarink)

"Wouldn't it be fucked up if a clown in a sewer started killing kids?" (It)

among others.

Not to mention, most of Ito's works do have deeper meaning to them, specifically targetting japanese culture. This video touches on his shorter works, but even his larger works have metaphorical meaning.

Junji Ito describing his mindset on writing Gyo as "man it would suck if sharks had legs" is real funny, but it's also critiquing Japan's war crimes in WWII; the origin of the "legs" being from World War II when the Imperial Japanese Army was trying to create biochemical weapons cannot be a coincidence. Hellstar Remina is about a hostile alien planet, but it's also an allegory of fans turning on a girl because of something beyond her control, reminiscent of idol culture. Hell, even Uzumaki, probably one of his greatest "WTF" horror works, is also about a pair of teenagers being unable to escape their hometown, unable to expand their horizons in the outside world. they just keep going in circles, unable to escape.

I don't know, at this point describing Ito's works only being "wouldnt it be fucked up if this thing happened" is starting to feel like "the curtains are blue because the author likes the color blue" but like. for horror

[octuscle]

Halloween Party - Warrior through cultural appropriation

Shit, Jeff thought, Halloween used to be just fun. Now it was first of all a huge effort to find the perfect costume, to shape your body to match the costume. And then you look so good that you would like to fuck yourself, then there are a couple of killjoys outside on the street in front of the Frat House, berating you because your costume is a cultural appropriation and a sign of digital imperialism. Shit, who even comes up with such bullshit terms? Today was about getting drunk, having fun. And at the end of the evening, to end up in bed with a hot guy. Halloween was not a lecture in sociology or ethnology or whatever the shit was called.

After he had removed the traces of the eggs that had been thrown at him, Jeff was ready for his appearance. He knew he was damn hot. He had an awesome body. His tattoos looked almost real. And in his shorts with the Hawaiian pattern, his cock was in joyful anticipation of the highlight of the party. Only in his head did he feel somehow… cloudy… One of the activists in front of the Frat House had sprayed a gas in his face. Jeff had thought it was pepper spray. But it was something completely different. It made him feel good. Like he had smoked pot. It was weird. But it was Halloween. No showing weakness now! He practically had a duty to party tonight. A guy asked him if he wanted a drink. Did Jeff know the guy… Seemed somehow familiar. But the guy was obviously a local. He replied that he didn't have a coconut milk. The guy laughed out loud and punched Heff in his impressive pecs. “Hey, costume of the day definitely goes to this guy. Coconut milk! I'm cracking up! And the guy even has the accent down pat.” At least that was what Jeff understood. English was not his mother tongue. Was it not? Or was it? Shit! And what was so funny about coconut milk? He loved coconut milk. Here everyone drank beer or some kind of mixed drinks. The stuff came from the white devils and was pure poison! Hoff collected a few glasses and took them to the kitchen.

“Ia ora na! What would you like to drink?” Honf didn't feel like partying anymore. Somehow he felt more comfortable at the bar. And here it was also easier for him to flirt with the hot guys from the fraternity. True, the guys asked him what he meant every other sentence. But that might not have been because of his French Polynesian accent. The guys were just drunk. And the music was loud. But the work was fun. And more than one guy had made it quite clear to him that they could meet later somewhere in a sheltered place. Poor white devils, he thought to himself. If only they had a rough idea of what kind of beast was hiding in his pants. They would probably have to throw up when they sucked on it. His cock twitched and became semi-erect in his pants.

His name is “Hone.” “Hone” means “warrior.” It's a good name. A buddy of his, whom he had met during his semester abroad at UCSB, was called “Jeff.” He had googled that. “Jeff” meant “God's peace.” A name for weaklings. Hone was no weakling. In Santa Barbara it was the middle of the night, here on Bora Bora the sun had not even set. The white devils were already drinking alcohol. Another sign of weakness. Hone made great cocktails. But he never drank anything himself except protein shakes and coconut milk. Not even on Halloween.

[niteshade925]

April 14, Xi'an, China, Shaanxi History Museum, Qin and Han Dynasties Branch (Part 2 - Daily Life, Societal Structure, and Culture):

This is one of the undisputed stars of the museum, the “Strange Golden Creature” (no joke, that's literally what's on the plaque), unearthed in Shaanxi Province in 1957. The reason for this name is probably because archaeologists haven't figured out what mythical creature this is supposed to be. It does seem to be from the ancient Xiongnu culture and appears to be a "chimera" of sorts, in the sense that it combines the general body of a deer, multiple birds (17 total; most are part of the antlers), and the branches of a tree. This artifact is one of my favorites, and showcases the advanced gold-working techniques of the ancient Xiongnu people. I can already imagine this mythical creature in a painting (although I suck at painting lol).

A yubi/玉璧, or jade disk, decorated with gu pattern/谷纹 (谷 means "grains"), this is because these patterns resemble sprouting rice kernels.

Han dynasty (202 BC - 220 AD) era jade cicada amulets (玉蝉). Cicadas symbolize "rebirth" into a new form (specifically becoming a xian/仙 immortal) in Chinese mythology, since they burrow beneath the ground as nymphs and re-emerge before moulting into their adult forms. There's a sentence in the biography of Qu Yuan/屈原 (the guy whose death was said to be the reason why Duanwu Festival/端午节 and zongzi/粽子 exist) from Records of the Grand Historian/《史记》 that gives an idea on what cicadas represent:

"Standing in muck yet can cleanse himself (referring to Qu Yuan) of it, like a cicada emerging from muddy filth, able to fly above and remain unsullied by worldly dust, persisting in its innocence despite it all." (濯淖汙泥之中，蟬蛻於濁穢，以浮游塵埃之外，不獲世之滋垢，皭然泥而不滓者也。)

There are two types of cicada amulets, the ones with holes are meant to be worn as jewelry, and ones without holes are meant to be placed in the mouth of the deceased before burial, so that the deceased can become a xian immortal after death.

Left: jade decor piece, not sure what it was a part of. Right: the decorated jade pommel of a sword.

A Han-era painted clay statue of a sitting woman. As mentioned in an earlier post, this sitting position is called jizuo/跽坐. Sitting like this on cushions or on specialized T-shaped stools called zhizhong/支踵 (designed in such a way that one is basically sitting on the stool and not on one's legs) was the proper formal sitting posture, until chairs were popularized post-Tang dynasty (618 - 907 AD). Before then people used beds as chairs.

Han-era painted pottery figurines of entertainers

An arrangement of pottery models and figurines that shows life in the courtyard of a residence in Han dynasty:

Pottery figurine of a chef/butcher (this type of figurines is called paochuyong/庖厨俑). I think that thing on the table is a......fish?

Left: pottery model of a stove. Right: pottery model of a mill

Painted pottery models of areas on farms and painted pottery figurines of domestic animals. Don't know what those long-necked animals in the pen are supposed to be though......

A life size gilded bronze silkworm. It goes without saying that silkworms were an important part of life in ancient China:

Left: Warring States period (476 - 221 BC) silver sitting deer. Right: a small figurine of a waterfowl eating fish

Diagram of the cattle-drawn ploughs used during Qin and Han dynasties. The 4 line drawings of different ploughs are taken from unearthed stone reliefs depicting daily life:

Eastern Han era (25 - 220 AD) "country estate" (田庄; not sure if "country estate" is the correct translation, but in any case many Chinese terms do not have exact equivalents in English, so even if this is "correct", it's probably the "close enough" translation) structure. This base-level societal structure remains without too much variation throughout the dynasties, and is the reason why people have defined imperial China's social structure as "feudal"--again, not the exact same as feudalism in Europe, since on a general overall political level imperial China (Qin dynasty to Qing dynasty) governs by centralization of power (中央集权制 in Chinese), but imperial China is "feudal" in many ways at the base levels of society, especially in terms of farmers and their relationship with land (their means of production; farmers may not always own their own land and may be forced to work for landlords). Side note: this is why people have proposed the statement "皇权不下县" ("the emperor's powers cannot reach below county level"), why farmers were the main force in many rebellions, and why tax reforms throughout Chinese history also had to do with land ownership (ex: Song dynasty Wang Anshi's Equal Tax Law/方田均税法 and Ming dynasty Zhang Juzheng's Single Whip Reform/一条鞭法; I will be touching on the latter in my future posts on the show Under the Microscope).

Peacock lamp, from the tomb of the famous Eastern Han dynasty official Yang Zhen/杨震:

Map showing the spread of Buddhism and Christianity to different parts of the world by 600 AD:

And lastly, this small part of a wall relief does a great job capturing my mental state after pulling an all-nighter:

[tamamita]

hey papa sal, how do i counter people trying to claim that islam as a whole sucks because of the slavery in the quran? theyre also one of those liberals who specifically hate islam because of how conservatives in the religion treat queer people.

First of, Islam was founded in a slave society 1400 years ago.

Second, I want you to ask your friend if there are any verses in the Qur'an that encourage Muslims to take people as slaves, if not, I want you to let them know that there are plenty of verses in Islam encouraging Muslims to emancipate them. The truth of the matter is that Islam introduced various rights for slaves, but could not go the extra mile to "abolish" slavery at that time, because it was not materialistically viable given how slavery was a practice all over the world. It was not only practised by Muslims, but even Jews, Christians, Atheists and etc. Such was the socio-cultural norms of that time. The only circumstance in which a Muslim could take a slave was during war. Either way, slavery within Islam is a dead practice.

Third, I assume your friend lives in the imperial core. If they're so concerned about slavery, then they should know that slavery is institutionalized in the prison system and sanctioned by the 13th amendment. You have prison farms, prevalent incidents of sexual exploitation of people, including lgbtq people, the disproportionate amount of black people behind bars, and various rights revoked, such as voting. Doesn't sound all that different from ISIS now, does it? All of this is sustained and maintained by your tax dollars. So instead of complaining about a long-dead religious practice, why don't they start working for the abolishment of the prison system, which is controlled by the ruling class for the sole purpose of exploiting the working class and to prevent dissent?

[crimeronan]

guys. okay. rubs my temples.

i have blacklisted every word u can Possibly think of to block posts i do not want to see and somehow keep seeing them. so Please know that this is not a shit-starting post. hence why it's unrebloggable. because i legitimately just want to communicate to people in my immediate sphere.

it is... Not Acceptable Or Appropriate... to make/reblog posts referring to a collective of "jews" or "jewish people" in response to israel's genocide of palestine.

what i mean by this are posts along the lines of "what jews don't realize is-" "i wish american jews knew-" "can't wait to watch jewish bloggers come up with the worst takes imaginable-" etc etc etc.

it is similarly Not Acceptable Or Appropriate to refer to rabbis, synagogues, jewish practice, and other aspects of judaism/jewish culture as a monolithic hivemind that's loyal to israel. this includes "you're all being brainwashed by your rabbis/synagogues" "synagogues are zionist institutions" "stop speaking hebrew until your people stop committing war crimes" etc etc etc.

your kneejerk reaction (if u are a leftist goy) will likely be along the lines of: but it's simply like referring to a collective of british people or american people wrt imperialism, colonialism, and war crimes. you don't mean LITERALLY all jews, just like you don't mean literally all brits or americans.

this is unfortunately a false equivalence because of the antisemitic history and violence behind the idea of Monolithic Jews and Dual Loyalties. there is a quick overview of some of The Problems here; jewish scholarship and discussion of this is incredibly broad and varied... because jewish people are incredibly broad and varied.

like i'm fucking begging. you have Got to knock it off. i was gonna say something snide about how it's telling that i'm seeing a lot more posts About The Jews than about the fundamentalist christians who fanatically support israel's right-wing fascist govt, but like.... god i don't care i don't care i don't want to be writing this. It Just Sucks.

That's It. It Just Sucks

while i'm here, since i don't plan to talk about this anymore unless i have important resources to share: ACTUAL helpful things you can do are to keep an eye on the news and communicate with your own governments. for americans (just bc i am american) -- the biden administration has pledged to work with israel to allow humanitarian aid into gaza. it's important that the public pressure for that to happen continues & that the documentation of what's happening in palestine continues.

the more you guys turn your issue into an issue with "the jews" or "jewish people," the more time we're going to waste explaining why this is not acceptable or appropriate. which is frustrating because there is shit out there that Matters A Whole Lot Fucking More Right Now.

so keep talking about what matters. and please please PLEASE think for two seconds before you make any posts referencing jewish people.

[cleolinda]

(For our purposes, listen to it without the visuals first.)

I wasn't going to keep posting about Unreal Unearth, but something happened yesterday.

It's been five months since I first heard this song, and I'm still astonished by it. You know the tiktok skit about the Star Wars wedding music, and the guy is grooving along until the Imperial Death March filters in, and then he's kind of alarmed, like, wha—? And then he realizes it slaps anyway and he keeps dancing? That is "Eat Your Young."

It's the morning of March 17th. The EP with the first three singles from the new album has dropped. I've got my phone blasting the song on the bathroom counter, I don't understand half what the man is saying nor did I expect to, I'm cheerfully mumbling along in the shower, grooving along,

wait they did what for a war drum

Get some Pull up the ladder when the flood comes Throw enough rope until the legs have swung Seven new ways that you can eat your young Come and get some Skinning the children for a war drum Putting food on the table selling bombs and guns It's quicker and easier to eat your young

What the fuck, this song goes so hard. That's the chorus. The conceit of the whole album is that it loosely follows Dante's Inferno, so this is the third circle of hell, gluttony. Hozier himself says that he wasn't specifically thinking of Jonathan Swift's A Modest Proposal—

“I don’t know how intentional the reference to Jonathan Swift was in this. That essay [Swift’s 1729 satirical essay A Modest Proposal in which he suggests the Irish poor sell their children as food] is such a cultural landmark that it’s just hanging in the air. I was more reflecting on what I felt now in this spirit of the times of perpetual short-term gain and a long-term blindness. The increasing levels of precarious living, poverty, job insecurity, rental crisis, property crisis, climate crisis, and a generation that’s inheriting all of that and one generation that’s enjoyed the spoils of it. The lyrics are direct, but the voice is playful. There’s this unreliable narrator who relishes in this thing which was fun to write.” [Apple Music album notes]

—and I believe him. The song's not a suggestion, a proposal; it's an invitation to atrocity in progress. I also believe he probably wasn't thinking of Greta Thunberg's iconic speech at the UN Climate Action Summit, not specifically, but that's what I hear in the song, like the flip side of a coin:

You have stolen my dreams and my childhood with your empty words. And yet I'm one of the lucky ones. People are suffering. People are dying. Entire ecosystems are collapsing. We are in the beginning of a mass extinction, and all you can talk about is money and fairy tales of eternal economic growth. How dare you! [...] You say you hear us and that you understand the urgency. But no matter how sad and angry I am, I do not want to believe that. Because if you really understood the situation and still kept on failing to act, then you would be evil.

I feel like on some level, even coincidentally, "Eat Your Young" is the answer to the question, what would you sound like if you were that evil? Who would you be? I can think of a dozen possibilities just off the top of my head or looking around my blog, from something as petty as studio executives mangling trees to deprive striking workers of shade (while hoping they lose their homes), all the way up to the US school-to-prison pipeline. The National Rifle Association keeps politicians in its pocket while the US has more mass shootings than days in a year, Nestlé fucks shit up around the world as a way of life, even ChatGPT sucks up water while threatening jobs—and for what? And yet, I promise you most of these things weren't the inspiration for an Irishman’s song—some of them hadn't even happened yet. There's just that much fresh You Would Be Evil to go around. I am certain that Hozier wrote the song partly about (as one article puts it) "Ireland's housing crisis: Millennials, a generation sacrificed," given that time back in the day when he helped occupy a building—a housing crisis happening in multiple countries. There's so much of the world I'm not touching on. I can stuff a paragraph with links and it's utterly inadequate.

I haven't even mentioned war.

There's an overwhelming sense this decade of the future being fed into a meat grinder. That sense is in this song. What would it sound like to be in the head of someone who didn't give a shit about anything but profit? Well, it might sound like this.

And if you haven't heard it, well—I'm going to sound absolutely out of my mind after saying all that, but "Eat Your Young" has a beat and you can dance to it. It's sexy. And I'm certain that's on purpose. You get seduced into the sound of it, as if by something demonic, something that enjoys sucking down the future and is not going to stop. And the sheer fucking catchiness of the song keeps you listening to it—thinking about it—when maybe you push away the dry headlines we get everyday. If you let this song stay in your head, it becomes a lens. Five months later, I still think about it when I read the news. Maui was on fire and tourists stayed. Within days, the prospect of developers swooping in to buy up land reared its head. If there's something still to take, there is ground to break, whatever's still to come. Get some.

I was born in 1978 —I'm late Gen X. In my forties, I'm young enough to worry about the future still; I’m neither so rich that I can just plan to retire to Mars, nor so old that I can know I'll be safely gone before the world might go up in flames. But I'm also not my nephew, whose school year just started back up, or the neighborhood kids who race him home down the sidewalk in the afternoons. Yesterday, he had his very first mass-shooter lockdown drill. He’s six.

I think music can put the feeling back into numb fingers, and I think that's why "Eat Your Young" works so well—Hozier calls the song fun and playful, and I think you have to have that, something you can live with rather than just switch off for your own mental survival. We need music to feed spirit at protests; we need something to keep our feet moving. Don’t give up, don't close your eyes and slip away. Those kids, they have dreams we could try to steal back for them.

Since I mentioned Maui:

Why Hawaiian sovereignty has undeniable context for the Maui fires

The Climate Crisis and Colonialism Destroyed My Maui Home. Where We Must Go From Here

How You Can Donate and Help Support Maui Communities Right Now

The Maui Strong Fund