#crux japan

[fawnheartgirl]

I have an obsession with sticker books now.

Source: instagram - @ soopearlshy

[adequately]

持ち歩きDSのカバー着せ替え。

[cutehappytime]

わたしもたくさんお気に入りシール貰っちゃった

[animatedglittergraphics-n-more]

requested by @hope-4more

[sweetsparadise]

[webdiggerxxx]

꧁★꧂

[mininaif]

Memo sheet, Crux

[globlinbby]

rainbow clover hamster memo pad by me globlinbby! 🍀🐹🌈

can be found on my etsy here 🐹🍀

[nasutchi]

“You’re as sweet as icing and warm as an oven! .•+*~🎀🧁”

(Edit: Why tf did tumblr mark this as mature 💀)

[aofruits]

♡﹒memo pad dividers #2

[hahahafangirl]

gotta put my thoughts down before i forget it but the thing that did it in for me is how spy x family is ultimately and uniquely a “children-focused” work, where the major stakes require that we pay attention to the lives and dynamics of young children so that — specifically — we have to genuinely engage with and invested in their inner lives, motivations, desires, thoughts, emotions, etc.

i think this is a very unique focus in the shounen sphere, where the audience and creators are centered about adolescent boys (the shounen genre, in its name) and thus have a very wide scope of focus that nonetheless has “aged” past “childhood”. usually media about children and childhood are sequestered in its own genre (children’s shows like doraemon, magical girl anime like precure series, etc.) aimed at a different target audience who are in the same demographic as the main characters in the shows. this is, obviously, not a bad thing. but i appreciate the “genre-breaking” focus that spy x family have because it inspires a sort of empathy to children, who are often not the most favorite group of people for the typical demographic of shounen readers, that is specifically vital in today’s climate. (can’t say much about japan itself, who historically has been dealing with declining birth rates, but oh i can speak for the american individualism— ironically where sxf is also very popular in) another thing about this is it’s drive home how intertwined the family life is, and should be. agent twilight and thorn princess’s plot-lines are clearly shounen-esque (a spy fighting for world peace, an assassin weeding out traitors) but they are nonetheless inextricable from the family- and anya-focused story, because by choice or circumstances they are anya’s parents. they’re a part of a larger societal fabric that embedded them in relationships to others — children being one of them. i think that’s pretty neat.

another thing, specially about the depiction of children in sxf: they are fictitious yet realistic enough to portray real children and inspire sympathy for them. a lot of asian home media in general have the problems of portraying young children as “problems”: annoying, loud, privileged, dumb, ungrateful, etc etc. these are such complaints about children that are unfortunately way too common and way too ungenerous and mean-spirited; none of these tropes are present, even in a media full of scions and heiress. complaints about them being brats (red circus bus hijacking arc) was rightfully framed as unsympathetic and unreasonable (they’re children! they can’t help where they were born into— it goes both ways.) i think the crux of this beautiful balance sxf struck in portraying nuanced, dynamics children is sympathy. they can be loud, they can be whiny, cry at the drop of a hat, has too much energy, gross, have bad grades, clingy, inconsistent, academically unmotivated, ran off randomly— and that’s fine, because we know why they do it, we are given space into their inner thoughts, something so rarely afforded to real life children at times. but they can be motivated, they want world peace, they want to have genuine friends, they want their friends to be happy, they have crushes, and most of all they love their parents and they love the people around them.

i think regardless of everything sxf is a work that understands that children are full of love and the majority of the things they do are out of love. i think that alone makes it incredible in the current socio-econo-political climate where sympathy is spared so little and humanity spreads so thin children barely gets what they deserve. i suppose that’s the sort of war we are entrenched in.

[mimikyuno]

🫧🎀🎨 ENA5 WISHES AND PREDICTIONS🎀🎨🫧

ena meets yuuki. I genuinely always found it a bit strange how in the latest New Year’s event yuuki meets kanade and mafuyu and not ena. when ena has been the person closest to mizuki in niigo (as she’s the one who is waiting for mizuki to open up, while knmf have no idea mizuki is even hiding anything). so like. i genuinely think yuuki will be involved, to an extent. maybe she comes back bc mizuki’s parents are worried and call her back to japan and she meets ena, or maybe ena somehow manages to contact her and the two have a chat. idk. anyway i think yuuki will be involved in ena5, or at least in the resolution of mizuki’s struggles.

ena goes absolutely insane. i rly want to see ena lose her mind lol. like we know she’s obsesses with mizuki and loves her so so much. she saw her looking sad one (1) time and has been on her ass since. as established in the escape room, she knows her so well. when they were going up the roof, she kept making jokes trying to ease mizuki’s anxiety. she loves her so so so much. and she probably currently hates herself for not being able to stop her. so yeah, i cant wait to see her go on a one woman mission to get her mizuki back. i want to see her desperate. sorry not sorry

kanamafu struggle in the dark. this is connected to above, but i feel like ena would be too scared to ask anyone for help. mizuki was outed to her, she wouldnt do the same. and while ena has asked for help about mizuki in the past (for example, asked shizuairi and meiko), i feel like this time she’ll keep quiet, or ask just meiko. and kanamafu will know something is very, very wrong. and so they’ll try to reach out and understand what’s wrong and meet walls of silence. i want them to finally see that mizuena have had this secret hanging between them for so long, and i want them to also be there for mizuki after the main resolution. i want cozy niigo loving and accepting each other 🥺.

meiko is a key figure. i ena knows meiko suspects/knows about mizuki. so meiko is literally the only person (outside of yuuki) that ena can go to for advice. i want meiko and ena and kaito to talk and maybe even fight a bit and try to find a way to reach mizuki and fix the situation.

mizuki is acknowledged as a girl. this is more of a hope than a prediction but i hope that mizuki’s transness will keep being handled with care. i would be happy to see them avoiding cliches such as “i care about you no matter what gender you are” bc mizuki’s crux is the fear of change, change in niigo’s perception of her as just a girl, and not a “trans girl” or “not rly a girl”. so i want ena to acknowledge this directly. somehow. idk how but i need her to tell mizuki nothing’s changed in her perception of her. she’ll always be mizuki.

nov. 28th edit: putting the rest under read more for legibility

DATE. okay like. i know many think that SEGA is gonna drag this out for storytelling + financial reasons. for example, i saw ppl speculating that kanade5 might happen before ena5, so that kanade and mafuyu can learn what is happening. at first i lowkey agreed but tbh i dont think they’re gonna drag it out this much. like, not only is mizuki is a fan favourite and keeping her in this state for so long is… a bit questionable, but also there’s concerts coming up? and they cant keep her depressed much longer when that means they won’t be able to use her or ena AT ALL in any mixed event, which doesn’t make much sense imo. i genuinely think they might wrap this up before the movie drops tbh. it probably wont be wrapped up super neatly and there will still be stuff to discuss (maybe in kana5 or in the niigo 6th rotation) BUT things will be fixed enough that mizuki can go back to smile and appear in the real world and have a spark in her eyes BEFORE the movie (january 17th, 2025). i genuinely thought we would have ena5 BEFORE the 4th colorful live (bc like. how can mizuena be so depressed in game and sing on stage together? like yeah the lives are not rly canon but the VIBES. the VIBES!) which will be held december 13-15 and again january 24-26 (2025) but uhmm. i feel like we would have gotten an announcement by now if ena5 was rly coming in the first half of december idk. still possible since there’s an upcoming livestream in like 19 hours but. uhm. idk. sega PLEAS-

CARDS. I remember someone pointed out how mizuki has had zero 4* cards in any ena focus event, to show how she's keeping her distance. as such, i really think that ena5 will be The Event in which mizuki will finally feature as a 4* card. honestly im hoping for a very gay matching card (anhane style in an4... pls sega...) but that's just me coping lol. anyway my card prediction is ena 4*, mizuki 4*, meiko 4*, kanade 3* and mafuyu 2*. though tbh there was already a VS 4* in mizu5 (kaito), so maybe they'll make meiko a 3* and have a 4* of kanade or mafuyu. honestly, even luka might appear in the lineup. haven't seen anyone mention her but she and meiko have been the two VS closest to mizuki when it comes to her secret and her tendency to run away. so maybe a luka 3* or something.

COMM. okay i have no idea about this imma be honest but. i am hoping for a producer who can put forward heartfelf lyrics and melody. lowkey hoping for mafumafu (as he has already proven he understands mizuki and ena's relationship with cellphone lovestory). copium in immense quantities but niigo has covered quite a few pinocchiop's songs but have no comms by him... he's one of my favourite producers and his lyrics always kill me so i know his ena5 comm would be devastating. but honestly both mafumafu and pinocchiop feel quite unlikely, so maybe TOA (who already composed IDsmile and twilight light and has made tweets during mizu5) or wotaku (since gehenna is so intrinsically connected with the mizuena storyline). or imagine maretu... iyowa... eight... teniwoha... aaah... endless possibilities... but yeah it could be anyone lol, the names i mentioned are more hopes than predictions, i'll be fine with anyone as long as the song fully captures mizuena's relationship.

[adequately]

平成ファンシーてんこ盛りフレームだよ

[olderthannetfic]

https://www.tumblr.com/olderthannetfic/751445319499317248/httpsolderthannetfictumblrcompost75113540651

She did not "basically write fanfic about Unit 731", and that's exactly the weird sort of game of telephone that led to her being relentlessly harassed by people who had not even read the book (there were claims that it was set in WWII, because the 'Unit 731 fanfic' lie was spread so far that people only heard that and decided to jump on the bandwagon) and decided she deserved to be publicly eviscerated for it.

From what the author has actually said about her inspirations for the book, she started writing it years before she found out that the ghost stories she was told as a child by her grandfather (who lived through the occupation) were about a real, specific atrocity, rather than just broadly about colonization--which makes sense considering the only part that seems directly inspired by Unit 731 is revealed near the end of the book and is the major twist that ultimately carves the scales from the MCs eyes with respect to the enemy prince in question.

Also, she didn't 'whitewash' the Japanese, and that kind of claim is really galling because would it actually have been better if she'd based the Evil Empire on Japan instead? Would that really have gotten people off her back? (And in fact I can very easily understand why someone whose family lived through such a brutal occupation would want to get some distance in a story that is partially processing those feelings and experiences by not modeling the Evil Empire directly after the country that brutalized her own; especially since a significant portion of the story involves the main character having very complicated feelings for the prince of the Evil Empire.)

If you want to talk about the writing not being great or your belief that the author didn't achieve what she set out to, that's fine, although I gather from this ask that you haven't actually read the book, which is at minimum a prerequisite to talk with authority about how any given topic or plot point is or isn't handled. I, personally, think it's incredibly tone-deaf to police how someone else writes about their own cultural heritage and family history with oppression and colonization, and that is very much how so much of this criticism comes across, especially considering how much of it is from people who fully admit to not at the least reading the book to form their own opinions about it. And for some reason, this form of criticism seems to be aimed disproportionately at authors of color, who are given much less grace and freedom to be just kinda mid or handle things poorly than white authors.

(Just as an example, I've never seen anyone call Avatar: the Last Airbender 'basically CCP fanfic' even though the fantasy prison where political dissidents/troublemakers are tossed to be tortured/brainwashed into compliance in Ba Sing Se is literally named Lake Laogai, after the Chinese political prisons/labor camps.)

--

Yeah, that last part is the crux of it, isn't it? People need a little room to work on their craft. More marginalized creators, indie creators, and people working on media with smaller audiences are afforded less. White dudes making TV shows are afforded a whole lot. Seems like it would be fairer the other way around!

[azflashjp]

【ゆるキャラ】オバケーヌ（株式会社クラックス）

雑貨店で見かけることのあるキャラクター、オバケーヌが着ぐるみになっています。

公式サイトによれば2020年11月に登場したらしい。

"Obakenu" CRUX Co., Ltd, Japan.

[sweetsparadise]

my first attempt at pixel art :3 inspired by a kawaii memo sheet ^_^