#crowley on the side of romance

[leoreadss]

Nothing to see, just Crowley standing on the side of the romance

[clumsycapitolunicorn]

"Will you please stay?" | "I need you."

TED LASSO | GOOD OMENS

[peggycatrerr]

just finished my rewatch of good omens season one and i have to say it really does hold up against the 2019 hype once you get past one or two minor details but the final episode brings up so many things and then ties them up in such a specific way that it makes me really angry about what i do know about season two (which i intend on watching next) and i am now fully convinced that season two's plot is actually almost entirely unrelated from what neil and terry had planned together while terry was still alive because if all the subtle ways that a potential sequel was hinted at in the finale were in the book as well, then it was pointing in an ENTIRELY different direction to "omg what if gabriel and beelzebub.... fell in love 😳😳 and then it turned out aziraphale and crowley... also realised they were in love 😳😳"

[prolix-principality]

Crowley And The Chocolate Factory - entanglednow

Wow, that was quite a ride. An excellent, extremely sweet ride, but also what the fuck just happened?

https://archiveofourown.org/works/32525173

Good Omens: Crowley, Zonka (Aziraphale), Adam (Young), Various Eriks (disposable demon), Brian, Pepper, Wensleydale, Warlock, Mike/Tank Top Dad (Brian’s dad), Cheese Mum (Wensley’s mum), Sunglasses Mum (Pepper’s mum), Mustache/Tad Dowling, Diedre, 10 chapters; 54,554 words. ~ Crowley has to step up for his nephew Adam when he wins a ticket to tour the famous chocolate factories, run by the reclusive and deeply strange Zira Zonka. It doesn't take Crowley long to decide that he wants nothing to do with the man, who's clearly hiding dark and mysterious secrets. ~ Warning: nsfw, alcohol use, ignored boundaries, various injuries/breaks, discussions on various violences/gore, (brief) mentioned smoking/drugs/cults/cannibalism/excrements ~ Podfic Available - Collab

[thedoubteriswise]

I am simply not interested in taking sides when it comes to aziraphale and crowley's little cosmic divorce. this is a jane austen romance, which means that both of our romantic leads need to grow and change before they can have their happily ever after. the problem isn't that one of them is Right and the other is Wrong, the problem is that they're each prioritizing a different problem and then approaching the problem they've backburnered with a long-standing habit or belief that they need to grow out of before they can succeed.

aziraphale is correct that heaven needs fixing! we can quibble over whether accepting a job as the boss is the right way to do that, but ultimately leaving michael or whoever in charge is going to lead to armageddon 2 armageddon harder. it simply will not work. the problem is that he's fumbling the relationship with crowley because he still needs to get over the idea of there being an inherently good and bad side and he needs to stop thinking that it's crowley being a demon that's keeping them apart. it's his own black and white logic that's doing that.

meanwhile, crowley is correct that he and aziraphale need to Name The Relationship and stop fucking around, and also that heaven and hell are the same institution with different labels and it's insane to think either of them is Good. but his impulse to respond to everything by trying to grab aziraphale and run is not gonna cut it here. "you can't fix an institution from the inside" is a philosophy of dubious value if your alternative is not attempting to fix it at all. if aziraphale is being held back by his cops and robbers mentality, crowley is being held back by cynicism and fear. they both need to let go of their flawed moral philosophies and emotional bad habits if they want to keep the world safe and be together! that's the point of the story splitting them up in the first place!

[shitpostingkats]

An Asexual's love letter to Good Omens 2

There's an infamous quote by Neil Gaiman going around, regarding the general vibe of season 2, and many people (I believe humorously) yelling that it could not be further from the truth. Particularly in the last episode, where that happens.

I disagree.

The final episode of season 2 was deeply, deeply comforting to me. 

I am asexual. Have been my whole life. Even before I had the words to describe what that was, child-me had this feeling in their gut of being an outlier, that everyone was exaggerating, or in on some joke, that I wasn’t privy to. Because I was bombarded on all sides by shows and movies and books, telling the same story of love, again, and again, and AGAIN. It’s drilled into our brains with the same fervor as the days of the week, or the quadratic formula. Meet-cute -> misunderstanding ->declaration of feelings ->kiss. More or less steps can be added to account for runtime or complexity of narrative, but that’s the basic structure that a relationship follows. It MUST be, because that’s the formula every character who's ever been in a story goes through, often times when it even feels like an add-on, like it’s only there because this is a story, there HAS to be a romance. And it has to follow the steps.

For a long time, I felt love wasn’t for me, because if there’s only one way to be in love, I sure as hell wasn’t feeling it. 

Instead, the relationship I ended up in looked a lot like what Beezlebub and Gabriel go through. Meeting someone routinely until it starts to feel comfortable. Getting to know them and slowly growing more attached. Eating chips and listening to music.

We like to joke whenever someone asks us how long we’ve been together, because the answer is we just sort of slowly fell into it, and we honestly don’t know when the line got blurred between ‘friends’ and ‘partners’. And, at least for me, a good deal of that confusion, that hesitancy to label, came from the fact that what I was feeling, what we were, couldn’t be love. It couldn’t be romantic. 

We were just quiet and gentle.

And that wasn’t love.

Because it was slow, because it wasn’t physical, because there was no structure aside from consistency and companionship. Because it didn’t follow the Rules.

Then I found myself in stories, and it felt like a revelation.

Beelzebub and Gabriel aren’t the first time I’ve seen a love like I feel represented in a narrative, but it never stops feeling special. And I don’t know if I’ll ever stop celebrating it.

Throughout the sequence in the pub, I kept expecting them to “confirm” Gabriel and Beelzebub. A dramatic line, a kiss, a whatever. That’s what I’ve been taught to expect, after all, that’s the only way a relationship is “real”. Of course, this doesn't mean Crowley and Aziraphale sharing a dramatic kiss is wrong, or that I can’t see why it resonated with so many people, but for me. Those moments in the pub are worth so much more.The last scene might have been literally showstopping, but those handful of moments between the duke of hell and an archangel were the beating heart of the season for me. A simple love story in four scenes. No kisses. No ‘I love you’s. Not even any definition of what. The love Gabriel and Beelzebub have is strong enough for them to both want to shatter their worlds and flee their lives and it's just. 

It's just that. 

Two people in a pub, playing the other's favorite song, giving a little gift, buying a packet of crisps. 

That sequence means far more to me than any kiss ever could.

Love isn’t only real when it's hot and sudden and ephemeral, it can also be

Quiet.

And gentle.

And still romantic.

Still real.

[dalliancekay]

Aziraphale, misogyny and the female character treatment

I don't know if anyone wrote a post about this but I see from time to time comments to this end - that Aziraphale is treated like the female leads in films often are, obviously especially romantic films. So I'm gonna try to point how I see this. I welcome further insights of course.

Say we take a basic premise of a romantic film: A girl is wooed by a bad boy for example. And she is a good girl, from a good, proper family and everything so she refuses his advances. This goes on through his various ploys to entertain and romance her, do things for her etc etc and frustrates us as the audience because we can see the bad boy is actually good, her family is oppressive and holding her back and that she (deep down) cares for him (if only she was brave enough to admit it to herself) and so we want her to open her eyes and say she is actually in love with him cos her life will be so much better should she (finally) give in and run away with him.

Familiar? Reasons Aziraphale is not her and the analogy does not fit (but that I so often see in metas and takes about her):

Aziraphale always knew her family is shit. Or at least longer than Crowley did. She was already anxious in Before the Beginning about what she thought Angel!Crowley could and could not say or do without getting into trouble.

She knows Crowley is good. She never doubted him. Whatever he says or does or pretends to do or must do for his job. Aziraphale knows he's inherently good and would always do good if he can.

She knows she's in love - I mean we can argue about when each realised this and also when each realised the other loves them back just as fiercely, but they both know. And they both love. And they both long to be together. Aziraphale is not ashamed of her feelings nor hiding or suppressing them for fear they are wrong or immoral or other BS like that.

Aziraphale doesn't need to overcome her love for her family/employer and finally make the leap to be with Crowley. They simply can't leave their bosses without punishment. Neither of them. They live in a dictatorship with nowhere to go. And just because Crowley experienced both sides, doesn't give him some huge insight that Aziraphale completely lacks. Both places are awful. Their separation isn’t about fear of societal judgment (or Aziraphale's unwillingness to give up Heaven, being seen as good, being an angel - and to what end, to Fall? I really don't know what takes like this want from her, it would not work anyway), it’s about survival in a system that won’t let them be together.

Aziraphale doesn't want to change Crowley. She never did. She asked for Crowley to come to Heaven as an angel because that was THE ONLY option she had for them to be together in any capacity at that point. It was NOT an attempt to “fix” him—it was a desperate bid for a way they could be together at all.

One thing I don't see as much anymore is the call for Aziraphale to change. Obviously she's pretty but she would be prettier if she lost those century old clothes maybe and started listening to something made after 1950? Be more cool to match Crowley? Less stuffy?

These kind of film premises are already pointless, offensive and make me roll my eyes, but to stick them all over Aziraphale and huff cos she doesn't do what the clever sexy man in dark clothes and sunglasses says she should - well that makes me angry.

And so do takes and mischaracterisations that ignore Aziraphale as silly, her worries as pointless, sometimes excessive - maybe she's just hysterical, you know? The one time she shows more emotion, in F15, she is so often completely ignored in her obvious distress just because Crowley is trying to confess his love at the same time and seemingly 'not getting through,' because Aziraphale is not reacting the way everyone expects. So many takes that always assume Crowley is right, no matter what. Even when he calls Aziraphale an idiot. If Crowley says that, it must be true. No matter that the book spells out in Terry's voice that the angel is extremely clever.

Aziraphale’s charm lies in her kindness, her love for books and knowledge, her whimsy, and her quiet courage. These qualities don’t make her naive—they make her resilient. She often hides how she truly feels, hides her grief, her pain, her true desires, hides what she really thinks; always always to protect herself and her beloved. She is often forced to say stuff she doesn't mean. Again. To keep the one she loves and their fragile relationship safe. But where people seem to catch on with that on Crowley's side, they don't with Aziraphale. She is fierce when pushed and will defend the defenceless (humans) and the ones she loves (Crowley) to her last breath (whether she needs to breathe is irrelevant right now okay).

She loves her bookshop. She built this home, full of knowledge for herself and her demon and you can take this HC from my cold hands. That she was forced to leave it, only emphasises how little choice she had in Final 15. Good Omens has two main, equal characters; who are both gorgeous and complex and deep and neither is right or wrong or in need of saving or learning some huge lesson to get to their goal and be together. What needs to change is the world, the system they live in. And they will change it.

Just look at her!! Anyway. I love her. P.S. Just to add, many, many (if not all) bad takes on Aziraphale are also bad takes on Crowley. They mischaracterise and misunderstand just how deeply and unconditionally he loves Aziraphale. How he adores her and understands and accepts her just as she is. He does not expect or want Aziraphale to change in any way. He knows why they are not together. And it's not Aziraphale's fault, it's because of circumstances, not because of her choices. Crowley would never ever want Aziraphale to suffer, he wouldn't expect her to come back from Heaven saying how sorry she is for what happened, how stupid and blind she was and how he was always right. That's just not going to happen. ------------------------------------------ @tenok I simply must highlight the awesomeness you put in hashtags!! EVERYBODY please read:

Thank you sm for this!!

[thebluester2020]

[TWST] Kinktober Day 13: "Masturbation"

Summary: With you being the only girl on campus, Leona already had an idea that there would be competition! Luckily for him however, catching you alone at night proved to be his lucky break.

Warning(s): Solo Masturbation (Leona fingers the reader), Teasing, Slight Bullying (I got a thing for Leona being mean man), Fingering, Leona being possessive (in kinda a jealous way tbh).

Side Note(s): Okay so a few things mostly in regards to how I'm going to treat anything I write for TWST from now on. One, I'm going to write as if Night Raven College was an actual college. For the sake of me being confused as to what's what regarding the school system, I gotta do what I gotta do in order to help myself 💀.

Two— y'all I gotta update my yuu oc's sheet. I'm seeing so many fancy ones on here that it's giving me major inspo.

It was hard for him to admit it to himself at first but...Leona Kingscholar had a crush.

Sure, it was easy to say that it was only a matter of time before he gained one on you, especially when you were the only girl on campus but he thought he had more strength of will than that! So many others had a crush on you, too many fools lamenting about how they either wanted to date you or sleep with you. It was becoming annoying at this rate, and at first? Leona couldn't wait to hear the news that Headmaster Crowley had finally found your home and sent you back, just so he could stop hearing students in SavannaClaw constantly groaning about you.

Then it began to divulge into something else.

One class period, strangely enough, you were without your cat. In every class he had shared with you prior, you were always preoccupied with the cat and seemed to feed off his mischief and antics. Like a little duckling trying to mimic every single living thing in order to find its place.

Bothersome.

But he ignored it well enough until he witnessed you being...focused for once. And there, he gained a strange warmth in his chest as he found himself staring, admiring your gracefulness as you sat in your chair and the way you showed a surprising amount of intelligence, one that was usually hidden away by how much you were coddling the only other member of that Ramshackle Dorm. Sure, he didn't have much room to admire nor talk about someone being focused with how little he cared for his classes personally but...there was something regal about you in particular being focused.

But, as quick as he felt that warmth blooming, he snuffed it out.

No way was he entering a pointless rat race for one girl when thousands of other students were competing in the same competition.

Until tonight.

When he found you sitting all on your lonesome inside the Botanical Gardens, reading a book no less.

"Herbivore?" He smirked at how fast you responded to the name he had given you.

You quickly closed the book and stood. "L-Leona?" You gulped. "What are you doing out so late?"

"I could ask the same of you," He rose his brow, his gaze going from the book in your hand to the clothes you were wearing. You looked as if you had just rolled out of bed and decided to walk out of your room. "It's dangerous to be out so late, a lot of predators hunt at night and you're easy prey."

You rolled your eyes, deciding to sit back down on the bench and scoot over enough to allow the prince some room to sit if he wished.

Shockingly, he took the silent offer. "Enough of the animal references," You huffed. "It's safe on this campus, much better than my world where I actually need to be afraid." Leona flicked his ear at your wording, he was tempted to press further on your meaning but...he decided to leave the matter for another time. After all, his original reason for being out here was simple. He felt like going out for a nighttime stroll, feel the cool breeze on his skin and all that and maybe taking a small nap here as well.

With you being here although...his plans started to shift a little.

"A romance book?" You slammed your novel shut when Leona pointed out the genre of your book, a blush quickly appearing on your cheeks as you immediately shot a glare to the prince. "Fairytales don't exist herbivore." He chuckled quietly at the growing red on your face.

"For your information, it's not a fairytale. It's a play!" You huffed. "Romeo and Juliet, a tale of forbidden lovers, do you have anything like that in this world?" The beastman shrugged his shoulders, although he was well-versed in different literatures. Romance and forbidden love stories were never his preferred genre to read, to him? It always felt like something to give to young princesses who were hoping that some tall knight would sweep them off of their feet.

He tsked at the very thought of it. "There are plenty of forbidden love stories in this world. Your little book is probably just as predictable as the next one."

"Oh really?"

He nodded his head. "Let me guess...someone dies in the book? Maybe both of them?"

Leona laughed at your silence, causing you to gently shove at his arm at his confidence. Personally, you wouldn't lie to yourself when you said that the idea of a love story appealed to you, especially more so now that you were in a world where magic and princes existed! Hell, you were talking to one right now! However, as you looked at him through the corner of your vision...he wasn't anything like Romeo. He was arrogant, blunt, and a little bit rude. You hadn't forgotten that his ambitious plan lead to you nearly being ran over during the Spelldrive games!

But despite all that? Those very same attributes...they attracted you all the same.

Suddenly, Leona caught a scent in the air, one that made him breathe deeply before exhaling slowly. "What's going on in that head of yours herbivore?" He questioned with a tilt of his head.

"I'm thinking about when you're going to leave and let me continue reading," You lied through your teeth, causing the prince to smirk as he slowly moved closer to you, still giving you ample room to move away in case you were uncomfortable. Yet...as that scent grew sweeter and more potent, it seemed that you were anything but uncomfortable with his presence. "Really?" He pressed. "Something tells me you're thinking about something else herbivore...perhaps this prince can grant it for you."

You twitched a little when Leona suddenly placed a hand on your thigh. The scent of an earthy soap on his body reached your nostrils and, steadily, you began to feel your mind slipping a little.

Until you remembered, you had to hold strong. "...I'm thinking about how much I want you to get away from me." You continued to try and lie, your futile attempts making the prince's smirk grow even more as he continued to laugh.

"Cute," He scoffed. "You know...if you're honest, I'll reward you really nicely." His hand began to move a little, not traveling either upward or downward but only drawing a circle in your skin with his thumb. Your breathing became heavier, the scent of your growing arousal making the prince feel as if he were sipping on the most delectable wine in all the lands. Still, he wanted to hear a word of consent from you before he proceeded.

"Reward?" You panted, gulping before you gained the courage to look Leona in the eyes where his green orbs seemed to almost glow in the darkness. "What...what reward are you talking about?"

"What fun is there in telling you when I can show you?" His thumb stilled as you considered your response. There was little point in denying it to yourself, you could feel that you were absolutely soaked, your sex twitching in anticipation of Leona's touch whilst you could almost feel yourself drowning in the prince's gaze. You wanted to tell yourself that you had no business having sex with a prince, risking the possibility of developing more of an attachment to this world than you already were. But...it was way too hard to think that way when you so badly wanted to feel his warmth. "Show me." You finally whispered.

Finally, Leona's lips found your own before his hand eagerly moved up to your clothed pussy. He laughed against your lips, parting briefly from you as he licked his lips clean of your sweet-tasting lipstick. "Already this wet for me herbivore? All that talk earlier must've been a heap of lies." He then pressed another kiss to your lips before peppering a trail of kisses down your cheek and to the side of your neck. Oh, he was so tempted to mark you right here and right now in this garden but...Leona willed himself to play the long game rather than try to obtain all of his winnings in one single night. He'd get you addicted to his touch first, getting you to beg and plead for him to take you but, as cruel as it would be, he'd deny you. After all, it was more fun to have you come to him rather than him come to you.

"Ah..." You moaned sweetly, the beastman's ears perking to the sound.

"I-It's because you're so d-damn arrogant..." You said breathlessly before you whined at the feeling of cold air hitting your sex when Leona pulled your underwear to the side. The prince ignored your words, too focused on how you squeaked and shuddered each time he kissed you and especially how you grabbed at his shoulders like a lifeline when he began to touch your twitching sex.

"All this just from talking to me, herbivore?" He then trailed his lips back up to your cheek before whispering in your ear. "How shameless..." He continued to lightly scold you before he dipped a finger inside your pussy, your grip upon his shoulders getting tighter from the action.

"And here you were reading a romance novel...did your precious characters do something like this in that little book of yours?"

You shook your head with a whiney 'no' in response. "Oh?" Leona briefly flashed his teeth as he smiled. "You must've been really eager for something like this to happen then," He continued to whisper in your ear as his finger began to lightly thrust in and out of your pussy, the sound of your moans increasing only making the prince's cock strain harder in his pants. But, for the moment, he'd ignore his own desires in other to please you.

"You have a crush on anyone?" Leona lightly nipped your ear.

He felt his ego grow when you shook your head no, he had a completely blank slate to work off of. To make sure that you got addicted to him and no one else. "My lucky day then...I get a cute lil' herbivore to play around with then. It'd be pretty awkward to fuck you with my fingers before you'd leave and smile in your crush's face next." Then, he curled his finger a little, a whine leaving your lips when he suddenly hit your g-spot. At the sound, Leona began to press into that spot with more accuracy, causing you to wrap your arms around his neck as you pulled him closer to your body.

"L-Leona!" You gasped.

"Tch, you sound like a lioness in heat. All from a little fingering?" He teased. A knot began to form in the pit of your stomach as you continued to clench around Leona's finger at his words, the combination of his typically rude and sarcastic tone mixed with the pleasure he was delivering you making your head spin. Then, Leona added a second finger and his thumb into the mix. The addition of the rubbing against your clit and the increased thickness from the second finger making you whine Leona's name.

He had to hold himself back from cumming in his pants like some teenager at the sound. "F-Fuck—! L-Leona...!" You gasped. "Your fingers...f-feel so good..."

"Yeah?" He placed a surprisingly gentle kiss on your lips. "You're so much more honest when you have a couple of fingers tending to this needy hole of yours, don't you?" He chuckled.

You dumbly nodded your head, your further honesty to his question only making his ego grow as the pace of his thrusts increased. He had to cover your mouth with his hand to help muffle your moans, the feeling of your drool against his palm making the prince hiss at the dirtiness of it all. In this moment, he felt more akin to a thief rather than a prince. Stealing away the purity of the seemingly innocent princess, who was "promised" to her knight. Leona moaned at the thought, and what's more? With the way you called out his name and clung to him like you were begging him to give you pleasure, trying to continue to plead your case for him to give you what you so desperately want, Leona couldn't deny how quickly his desires for you grew.

"So loud herbivore..." He said with an unusually sweet tone as his ears started to move to the sound of your cunt beginning to squelch. Your slick started to stick to Leona's palm and drip down onto the bench, filling the air with the smell of sex as Leona picked up the pace of his fingers even more. "Gonna cum soon? Your drippin'."

You answered with a loud moan as your eyes started to roll to the back of your head while your hips started to thrust onto his fingers in time with his movements. Your cunt tightened around his fingers, making the prince have to put more work into fucking you until...you whined loudly behind his palm, your pussy clenching and unclenching around his fingers rapidly before you finally relaxed as he continued to fuck you through your orgasm.

When you made a noise of discomfort though, he finally removed his fingers.

"Dirty," He mumbled, spreading his fingers as he lewdly played with your slick before finally sticking the digits into his mouth.

You blushed at the sight, weakly turning your head to the side before Leona snickered and made you face him once more. "Next time...let's do this in my dorm room, hm?"

[vidavalor]

The choice to shoot this part of this conversation from the side so we can see Crowley gazing at Aziraphale was a great one.

The pivotal stage of every romance is when one of you is like you look me in the eye and tell me you still want me want to murder some kids.

[neil-gaiman]

Had to make an entire account just to tell you this, and I'm sure you've heard it before, but I figure it never hurts to repeat it--what you've done for me as a queer person, specifically with Good Omens, has rewritten my perspective on every piece of media I've ever consumed. When I watched the finale episode, it was about 2 a.m., and I remember being confused as to why I was so shell-shocked, why I couldn't talk about it for weeks afterward, and still can't without my chest tightening like a middle schooler at her first concert. Sure, it's emotional, but so are a lot of stories, and none of them have impacted me in the same way.

The thing is that to my bones, I had this certainty that it would never happen. I've watched/read queer love stories, ones that ended happily and ones that didn't, ones as side plots and ones that are the plot--but if I ever encountered one with actual uncertainty, with the double-meanings and the overemotional turmoil, I thought, "Oh, that's how it's going to be," and I resigned myself to wait for the writers or the actors to say they're TOTALLY together, we just didn't need to be obvious about it. And Good Omens isn't, in the trailers, wholly about a romance. Of course it is, but there's some plot squished in amongst all the romance, so I thought it would be one of those uncertainty-stories, where I'd know and you'd know they love each other but we didn't need to make a big deal about it. I didn't think they'd say it. I certainly didn't think they'd kiss. I watched Crowley stalk up to Aziraphale and grab him by the coat and I still thought, "Nah. Not gonna happen."

The only writers who had ever represented people like me in relationships like mine with any authenticity, who gave value to the drama and the camp, were romance writers. If it wasn't in the romance section, I was resigned to being a side note or a shoo-in, a love INTEREST instead of a love STORY. And I didn't realize how earth-shattering it would be to be, for lack of any suitable word, Jane-Austened like that. Can't speak for all queer people, but I just wanted to thank you for giving that to me and my partner--who still, for the record, cannot do much more than giggle like madmen at gif-sets and plot how to get our other friends to watch it too.

Thank you. That means a lot.

[justhereforthemeta]

Romantic expectations and the story we didn't see: A magic trick hiding in plain sight

Here's a hopeful meta for all my fellow celestial brainrot sufferers out there. Cheers! :)

This idea started as a dead end, trying to track the movements of Crowley’s sideburns/tattoo because I thought time travel shenanigans were afoot. I had to abandon that theory when it was pointed out that David was simultaneously filming as the sideburns-having Fourteenth Doctor, and in-universe Crowley can do whatever he wants with his facial hair whenever he feels like it. But hey - null findings are still findings!

On the bright side, pausing the show to make notations in a spreadsheet forced me to slow down and notice other changes I'd overlooked the first time around: acting choices, costuming choices, references to book lore. And possibly a few surreptitious flicks of the wrist, in places where we’re meant to be focused on the magician’s other hand.

@amuseoffyre and @ineffablefood had a great exchange recently about romance and “the significance of misdirection and three-in-one (magic) tricks” throughout the show. I suspect Neil has done something brilliant with the audience’s long-standing expectations (since the 1990s, really) for the love story between Crowley and Aziraphale to develop. And while it is a wonderful story indeed, playing to this expectation lets Neil distract his audience from the blink-and-you'll-miss-them seeds he's planting for the final chapter.

Continued below the cut...

Let’s start at the beginning of Episode 2. First, context: In the previous installment, Crowley stormed out of the bookshop, was whisked away to Hell by Beelzebub where he learns about the Book of Life threat to Aziraphale’s existence, then returned to the bookshop to dance a little apology dance and hide Gabriel with an unintentionally massive joint miracle. In S2E2, we and Shax catch up with Crowley as he's snoozing in the Bentley.

Shax: “You’re in trouble”

A. J. Crowley, cool as a cucumber: “Obviously. Former demon, hated by Heaven, loathed by Hell. How will our hero cope?”

Interesting! Sarcastic? Yes, absolutely; but that’s also a good 4500 years and an averted apocalypse away from “I’m a demon. I lie,” wouldn’t you say? Someone is sounding a whole lot less depressed and aimless and navel-gazey (do snakes have navels?), and a whole lot more like he’s got a project to focus on, since his "what's the point?" ruminations on the park bench in E1.

And of course we all noticed the costume change right away. Hello, black turtleneck. Feeling cute today, thought I’d cover up my graceful long neck? That sounds unlikely. Let’s put a pin in this one.

There’s also an interesting acting choice going on here. Crowley speaks to Shax in a funny, drawling, too-cool-for-you voice that we haven’t heard in a while. Specifically, not since 1967. If you go back and give the S1E3 scene in the Dirty Donkey a listen, you’ll hear it (and if you know of another instance of it that I've missed, please let me know!). In S2E2, he keeps up this odd voice (if anybody knows what kind of affect this is supposed to be, please do tell!) throughout this dialogue with Shax, except for the brief moment when she first surprises him about the joint miracle having been detected.

1967 was a fun year. Crowley masterminded a heist! And seemed like he was having a ball doing it, right up until his little caper was called off after Aziraphale brought him the thermos of holy water. Crowley spoke to his co-conspirators in that same funny, very 60’s-caper-film voice. He wore a hip 60’s turtleneck. He bought petrol for the only time ever, so he could get those sweet James Bond bullet hole decals for his car (per the book, seen on the Bentley in the show).

Those James Bond bullet hole decals would of course have been part of a promotion for this 1967 release, which you just know our film-enjoying demon went to see in the theater:

Starring this suave, be-turtlenecked guy:

And now - begging your forgiveness - a brief rant.

There are a number of posts out there that refer to Crowley’s S2E2 turtleneck as a flirtatious sartorial choice - actually, ‘slutty’ seems to be the favored accusation. There are even a few posts floating around commenting on how sweet it is that Crowley swaps out his slutty, kinky, throw-me-over-your-desk-and-take-me turtleneck for a more dressy and appropriate collared shirt specifically to attend Aziraphale’s Jane Austen ball. 

Now this is all in good fun, and Crowley does indeed look fantastic here, and I do love a good fangirling sesh as much as the next person. However, fandom’s collective tendency to interpret what we are seeing on the screen through the lens of romantic expectation can, at times, give rise to a kind of blinkered enthusiasm that obscures the original text in a haze that is part Mandela Effect, part unrestrained horniness, and part in-group code talking and identity reinforcement.

Respectfully, Crowley’s black turtleneck does not appear at all in S2E5: The Ball. In fact, it never appears again after the end of S2E2.

For Someone’s sake, let’s collectively pull our heads out of the romantic fog/gutter for a moment and focus on what we are actually seeing in the book and on the screen. For Crowley, this is an uncharacteristic within-period costume change. There is a surreptitious flick of the wrist happening here, out in broad daylight, and we are all missing it.

So here’s a thing. Aziraphale appears to have settled comfortably into life on Earth, his neighborhood, his books, using Crowley as an outlet for sharing his good deeds that he would once have reported to Heaven. Meanwhile, at first glance, Crowley appears stuck in a rut. There he slouches on a park bench with Shax in S2E1: a guy who lives in his car, stagnantly clinging to old familiar habits, mulling over the pointlessness of it all.

Setting aside the bit about living in the Bentley (I’m going to attribute this to well-documented issues between him and Aziraphale, discussed in many other excellent metas, and move on), Crowley has at least two very good, proactive reasons for maintaining his contact with Hell through Shax. First and foremost, it’s a source of information he can use to keep ahead of potential threats to Aziraphale and himself.

But also, I would posit…he kinda likes it.

Recall that book GO was first conceived as a parody, with Aziraphale and Crowley as spy-against-spy (but not really) field operatives in an ages-old cold war between Heaven and Hell. Their entire book dynamic is rooted in the trope of two opposing agents who have been in the field for so long that they now have more in common with each other than with their respective head offices. Their St. James’s Park meetings among other spies and ministers trading secrets are a sendup of what was once a well-known Cold War-era cliché. 

Our contemporary Crowley still likes slick outfits and hellaciously expensive watches and high-performing vintage cars and pens that write underwater while looking like they could break the speed limit. He coaches Shax on how to blend in as a demon on Earth, and he helpfully redirects the wayward contact looking for the Azerbaijani sector chief. He loves improvising and getting away with shenanigans under the institutional radar. And boy golly was he impressed with Jane Austen: master spy, brandy smuggler, and mastermind of the 1810 Clerkenwell Diamond Robbery. 

And if you look at it a certain way, for as long as Crowley has considered himself to be on “[his] own side” - going at least as far back as Job - he could almost think of himself as a sort of double agent. It’s actually a very romantic sort of notion, befitting our hopeless romantic of a (professedly former) demon; but it’s romantic in a very different way than we, the audience, have been primed to watch for.

In other words, in a very “on my own side” kind of way, Crowley really gets a kick out of being a spy. Or at least, dressing up and accessorizing as one, and moonlighting as a good-doing double agent when he can get away with it. And also being a plotting criminal mastermind. Two sides of a coin, really. Just look at Jane Austen.

My point is: No, Crowley did not wait around for Shax to come find him in a turtleneck so that he could go flirt with Aziraphale later. He’ll flirt with Aziraphale no matter what. No, this:

is actually this:

Much like the one he wears to the Dirty Donkey in 1967: 

whilst holy water heist-plotting. Here's a clearer shot with gratuitous Bentley, because I love them:

…and which he'll wear again, with appropriate camouflage, while infiltrating Heaven in S2E6:

That is the 1967 planning a HEIST turtleneck for committing ESPIONAGE and STEALING THINGS in. Because turtlenecks are what modern human master spies wear to get their hands dirty - after all, he saw it in a movie once. 

Crowley dons his tactical turtleneck sometime during the first major break in the action (which doesn't happen until after the joint miracle to hide Gabriel) after he learns about the threat the Book of Life poses to Aziraphale. Loverboy started mentally preparing himself to go after that book immediately upon learning that it was in play as a genuine threat. 

Now let’s pick up at the S2E2 Dirty Donkey scene, reading the story from this angle. Of course, Crowley enables Aziraphale’s delusions about Heaven by hiding information from him, and does not disclose the Book of Life threat when they meet again. They go into the pub, Aziraphale shamelessly paws Crowley’s chest like the seductive Bond Girl he is, and Crowley gets to act all smooth and suave and intimidating as he chases off the interloping Mr. Brown (or Mr. Collins for the Pride & Prejudice fans, take your pick).

Ergo, theory: beginning in S2E2, Crowley is already thinking of himself as a Jane Austen/James Bond action hero (“How will our hero cope?”), psyching himself up to rescue Aziraphale by getting his spy game on and stealing the Book of Life.

Now, watch closely...This is where Aziraphale and Crowley brainstorm their plans to solve the problem they both know about: getting Maggie and Nina to fall in love and thereby get Heaven off their backs. Crowley’s vavoom plan is drawn from yet another movie (“Get humans wet and staring into each other’s eyes - vavoom, sorted. I saw it in a Richard Curtis film.”). But Crowley also implicitly shares his solution to the problem he hasn’t told Aziraphale about. And true to form, Crowley’s Jane Austen solution isn’t the same as Aziraphale’s Jane Austen solution. 

Two solutions that fail by the end of Season 2, and a secret third one that might still work...and there's our magic trick of three.

‘“I’m lost. Am I doing a rainstorm?” Yes, babe. And a heist, too - just not until season three. Can I get a wahoo!? 

I won’t spend time on A Companion to Owls during this meta, except to note that in all three minisodes, we get to watch stories that involve Crowley acting as a double agent on “his/their own side” - successfully making Hell and Heaven think he’s fulfilling their will while saving Job’s goats and children; failing to fool Hell when he does a good deed in Edinburgh; and of course, collaborating with Aziraphale whilst evading detection as an infernal turncoat during the Blitz.

(Because this is getting long, I'll also skip over Crowley's interrogation of Jim in this episode - I'll probably come back to that in another meta. But interrogating is a rather spy-ish thing to do.)

When we catch up with Crowley again later, he’s already slipped out of the bookshop, having left Aziraphale to his biblical reverie about Job. He saunters snakily down Whickber Street as usual, but with a very pointed and swift glance over his shoulder (see pic above). This demon is up to something - possibly something we didn’t get to see, something that may have happened offscreen while he stepped out. In any case, knowing there’ve been unfriendly angels in the neighborhood that morning, he’s rightly concerned about being spied on.

From this point until the beginning of episode six, there isn’t a whole lot of opportunity for Crowley to make any next moves. He babysits the bookshop, during which time he manages to wring some crucial information out of Jim; he follows his Crowley’s Angel around like a puppy, and downs a bottle of red like a good old fashioned lovesick boy once that’s been pointed out to him. If any plotting or scheming is underway, this occult being is keeping stumm for now.

This has been a long one, so I’ll wrap up with Crowley’s infiltration of Heaven with Muriel. The turtleneck disguise works (Archer fans, be vindicated!) long enough to gather some information that will be crucial not just to the denouement of S2, but also to Crowley’s journey in S3 (previous post on Crowley's Fall, Saraqael, and memory wiping). And Aziraphale gets to enjoy that view exactly zero times. The point isn’t oh, a turtleneck! How flirty! So cunty! So cute! Y’all. Everything matters. The costume change was a deliberate choice. In-universe, Crowley’s decision to wear his special spy turtleneck for spying in is a signal that he is out doing spy things, even as we watch.

In sum: Beginning in S2E2 and continuing through the end of the season, Aziraphale and Crowley are actively living out the scripts of two parallel, concurrent, and completely different Jane Austen stories. But you and I, dear fellow audience member, we came here for a comedy with a hefty jigger of romance, and that’s what Neil gave us to focus on. And right up until the Final 15, that was the only story we saw.

Meanwhile, Special Agent A. J. Crowley doesn’t have time to mope around at the end of S2E6. He’s kicked down, but he’s not out. He's got a Book of Life to steal, a very serious bone to pick with a certain memory-wiping angel, and his Angel and the world to save. 

“‘Heigh ho,’ said [romantic, optimist, former demon, hero, master spy] Anthony Crowley, and just drove anyway.”

[microclown]

I think, not everyone, but a lot of the people who are so hung up on the kiss aren’t thinking about it within the context of the narrative.

I probably won’t articulate this well, but the whole plot of season 2 felt like a direct, meta-y response to us, the fans, and our desire see Aziraphale and Crowley’s relationship progress to something more.

Neil had established in the first season, they are already in love, so what is it really then that we want see? What is it that’s missing? That leaves us feeling unsatisfied?

What does love mean to you? What would it mean to Aziraphale and Crowley? What does a loving relationship look like, and how does one get there?

The methods Crowley and Aziraphale use to get Maggie and Nina together are common romance tropes in fiction. Crowley says “one fabulous kiss and we’re good!”

But rainstorms and dancing didn’t make Maggie and Nina fall in love. They were going to get there on their own, eventually, after a lot of open communication and working on their own personal growth.

And “one fabulous kiss” won’t give us a happy ending. It won’t give us what we’re missing from Aziraphale’s and Crowley’s relationship. We as fans like to think that’s all we want, but is it really? Because the love is there! What we’re truly missing has more to do with internal growth and healing, communication, and working towards a true understanding of each other.

And I think that’s what we’ll get in season 3! I don’t know if we’ll get another kiss although I would love to see one but we will get a satisfactory resolution between two beings who are deeply in love.

As a side note, I don’t want to down play how fucking important it was to have them kiss on screen. As someone who has grown up watching queer coded relationships on screen and is exhausted from having everyone involved queerbait, or even outright ridicule their fans for seeing it that way, it is so refreshing to have a very visual, undeniable, romantic gesture. Because I know it really does take a kiss for some people *cough* my parents *cough* to see a relationship as anything but platonic. I’m so glad we got that undeniable validation before what I can only expect is going to be an epic third chapter!

[it-happened-one-fic]

Sleep Well - Vil

Author Notes: Just based on this and the fact that I have the entire vampires series it looks like I have a serious Vil issue. But, in reality, I've had this written for a bit and it's just been gathering dust in my google docs while I occasionally polish it. This fic was written and edited while I listened to the acoustic version "If I Lose Myself" by OneRepublic. As per usual, reader is gender-neutral. I hope you enjoy!

Type: Gender Neutral Reader/ sfw/ fluff/ romance

Word Count: 1243

Everyone had a safe place that they liked to lose themselves in. This was a simple and true fact. And for Vil, that place was you. 

But, to be honest, he really didn’t know who or what your safe place was. Though he couldn’t entirely deny that he would like for it to be him. 

Though it hadn’t been immediate by any means, you had become his safe place after you accepted him even when you’d seen him at his worst. Not just the pretty face, not just the poised person, and not just the fame.

Him, in his entirety. Everything that was and would always be Vil Schoenheit. 

You weren’t daunted by his fame or sometimes less-than-pleasant demeanor, and you hardly seemed to demand any bizarre expectations of him that so often came along with anyone who was a fan. Instead, you just existed and allowed him to exist in that same way. No real expectations beyond him being himself.

But since the moment Vil had realized that about you, you’d always been in Vil’s world. Even when it wasn’t always obvious.

Sometimes you were just on the outer fringes of his life, attending the very same school he did, but from another dorm. And at other times you would appear in his peripheral vision, laughing alongside your friends and waving at Epel as he walked over to join your little group. And if your eyes met Vil’s then you would always smile and wave at him. 

Joyful and welcoming of his presence even when others were whispering about how Pomefiore’s Housewarden was in this corridor and about what he might be doing.

It was refreshing and even a little startling. Rather like splashing water in one’s face after a lengthy and tiring day. It would surprise him, and then he would immediately relax before raising a hand in a return greeting.

If he was totally honest with himself, Vil far preferred the moments when you were close to him, though.

Even if it was just the two of you sitting side by side as you awaited some sort of class activity or for Crowley to explain his new grand scheme to the entire school, there was something relaxing about your presence and the way you always greeted him with at least a small smile. 

Even when you were perfectly exhausted, just as you obviously were today.

None of you knew exactly what Crowley wanted, and the headmage simply would not get on with his speech. You, Vil, and everyone else of any real importance were assembled here and had been seated for what felt like hours. 

You’d approached the young man and sat down next to him, a slight smile and a weary, “Hello,” on your lips before you’d turned your gaze to the dais that Crowley had appeared on. And that had been at least an hour ago.

Vil hadn’t been able to ask how your day had been or if you knew what Crowley wanted this time. But he’d been content to simply sit by your side as the two of you listened to the exuberant headmage prattle on about this, that, and, of course, the other. And at this point, even Vil’s attention was beginning to stray as the headmage continued on.

But Vil stiffened as suddenly he felt a light weight rest against his shoulder. 

He didn’t have to glance to know what it was, but he still found himself looking down and immediately seeing your peaceful, sleeping face.

If it were anyone else, Vil probably would’ve woken them up and even felt slightly miffed. But it wasn’t just anyone. It was you, and you were exhausted. And even if he might never admit it, Vil knew perfectly well that he played favorites when it came to you.

So Vil relaxed, not drawing attention to your relaxed, slumbering position as he continued to listen to Crowley’s droning speech.

A droning speech that lasted for at least another thirty minutes.

Thirty minutes during which Vil carefully slipped an arm around you to better support you as you rested so that you wouldn’t wake with any soreness.

It didn’t take long for everyone to file out of the room after Crowley finished. Everyone filling the area with muttered complaints and sleepy yawns until the room was empty except for two people.

You and Vil.

Your eyelids fluttered as the clatter continued as people finally finished exiting, and Vil felt an amused smile cross his face at the motion. Idly wondering if you were dreaming about something that somehow explained the racket from just moments ago.

Through the window the sky was an exquisite painting of reds, yellows, and oranges. The death of the lengthy day that had seemingly drained you. 

But Vil wasn’t complaining. Instead, he carefully woke you with a gentle squeeze of your shoulder.

You mumbled something unintelligible that had Vil’s smile spreading as your eyes slowly opened. A bleariness to your gaze that clearly revealed exactly how well you’d been resting as you blinked groggily. 

“Vil?” You slowly lifted your head, frowning as you slowly focused your gaze on him. His name was mumbled, but he could at least understand you this time, and he dipped his head in a half-nod to better meet your eyes.

“Did you sleep well, Tater tot?” There was a teasing lilt to his tone that seemed only to make you frown more until realization began to dawn in your eyes as you abruptly finished waking up.

“I-” You glanced around, almost frantically, as you began to register exactly what had happened and where you’d been napping.

“Crowley’s speech is already done. Don’t worry. You didn’t miss anything important. He managed to not say anything in all that time that he spoke,” Vil reassured you in a dry tone as he watched you scan the room with wide eyes before looking back his way, this time with a flustered expression.

“I’m so sorry; I really didn’t mean to-”

“It’s fine, Tater tot. I didn’t mind.” Vil could practically hear the smile on his face in his own words. And if this were a conversation he were overhearing, he probably would’ve rolled his eyes at how soft his voice sounded. 

But here he was, doting on you and losing his usual chilly demeanor as he smiled fondly at your embarrassment.

“I do recommend that you work on getting more sleep during nighttime hours, though. Not resting is horrible for your skin, your mentality, and your entire body.”  He paused, tilting his head as he scanned your face before he smiled and dropped his scolding tone, “Take better care of yourself, Tater tot. You’ll worry those who care for you.”

He watched as you visibly relaxed, a half-smile appearing on your face as you nodded, “I’ll try.”

You looked out the window towards the slowly darkening sky, “I guess I should let you go though. You’ve got better places to be than sitting here next to me.”

Your words made him frown, simply because of how wrong they were. But he didn’t object as you stood, raising your hand in farewell as you smiled fondly down at him, “I’ll see you tomorrow, Vil. Sleep well.”

A half-smile worked its way onto his face at your well wishes, and he found himself standing and grasping your hand in his. Startling you as he gave it an affectionate squeeze, “Indeed. Sweet dreams, my sweet potato.”

[plumipal]

Omg who is she?

She’s so pretty.

She has twice the wings Eden has. Idk what that means but it probably means something.

Also her name being Lilith… guys I’m sensing pattern here. Are you keeping another one named Adam locked in the basement?

Is she maybe his sister? I mean you can’t just drop a new bit of lore and run away. Explain yourself. Please? Pretty please with a cherry and cream on top? It would be much appreciated and desperately looked forward to.

Little side note who hurt my boy Eden in the second picture? Was it Lilith? If so her likability just dropped of dramatically.

Chat, meet Edens... Sister.

HER NAME IS LILITH!!!

So to even start this off, they are NOT human (I know, shocker). They're children of the stars, serving to protect and help the stars shine as bright as they do. Becasue of defects on both of them (the extra parts near their star core, making them unstable), they were cast out of the colony, cursed to wander the endless galaxies.

I know no one has wondered why Eden has a huge scar on his back or why he even got into the twst universe in the beginning, BUT LET ME TELL YOU ALL! It's her fault.

After a childish spat where it ended with Eden reaching for his weapon to strike her, she instead grabbed for hers and beat the ever living shir our of him, sending him flying to hopefully kill him. This resulted in him reaching the atmosphere of the twst world, crashing down (like a fallen star) into ramshackle around a week before the prefect arrived.

He was passed out for a week, motionless untill y/n, grim and crowley discover him in a vacant room in ramshackle, waking him up and tending to his wound.

So yeah this blond little bitch is the reason we have Eden in the twstverse mmm...

A look at the weapons, they both serve to be protection incase the star they serve gets attacked. The little vacant spot on the spear is for the core to be put in, aka their little star in their chest, the source of their power.

They can take it out, the spear acting as a magicpen sorta to help with their "magic" and being able to direction it. Don't take the core too far away from them tho, it serves as someone cutting off oxygen or blood flow ro us, easy kill on them.

Lilith has a few more wings on hers than a normal one does, just like her defect. This was becasue of a power imbalance, leading to her absorbing way too much power compared to the others during her creation, leading to her being very dangerous (basically a ticking timebomb).

Also a look again on Edens scar that Lilith caused. She foes not feel sorry for that, nor does she feel sorry for burning half of edens face off (first panel whre he is badly damaged, don't worry he will regenerate quickly).

You may also notice her wings being lighter, and that is becasue of their "purity" of other magical influences. Edens darkened quickly during his first week in twst, the blot around him forcing its way into the pigment. This also depends on how easily they adapt with other living beings, with Eden easily being able to copy and show humane emotions.

The love and devotion he feels for you is something he felt similar to his creator while he served the star, that love however turning more dark and twisted because of him copying the environment around him (aka the other twst men into you lol). He is also very heavily inspired by a raven, whish is why he has this "copying easily" ability.

Meanwhile Lilith is meant to resemble more of a dove, elegant and beautiful. Will she be romanceable? We will see...

One thing to make clear,

EDEN FUCKING HATES HER GUTS!! DO NOT PUT THEM IN THE SAME ROOM ONE OF THEM WILL DIE-

Thank you for coming to my Eden Ted talk I will be here all week.

[tartppola]

mx tartppola do you read twst fanfics,, and if so do you have any good ace fic recs,,

omg... it shames me to say this but... not as much... bcs these days all i read r google translated fics of crowley & the yuulis fics i commission from my mutuals 😭😭😭 IM SORRY GHGHHGG i will!! also i mostly stick to x reader... rarely do i go for canon/canon fics for twst... but !! i'll still give recomendations! of fics i rlly like ( it's all one shots 😭 )

oomf nepotism + writers i think r rlly cool!

@traumxrei-archive

@stormgardenscurse

@spadecentral

@ceruleancattail

@fluffle-writes

tumblr fics i rlly like ( mixed so some headcanons, some oneshots, all x reader )

otome isekai au villainess reader ( ft ♠️ )

encouragement from beyond ( ft ♠️ 🐺 🍎 🐊 )

blanket hog ( ft ♠️)

rainy day ( ft ♠️)

ace doing your makeup

ace and deuce having the same crush ( ft ♠️ )

firsties slipping to a sleepover that fem reader is in ( ft ♠️ 🐺 🍎 🐊 )

pomefiore!ace

basketball club w s/o who eeps on their chest ( ft 🦈 🐍 )

and there was ONE bed 😳

undisclosed passion

ace patching you up

adeuce walking with you ( ft ♠️ )

heartslabyul jealousy headcanons ( ft 🌹 ♠️ ♦️ ♣️ )

angel ace

adeuyuu hcs ( ft ♠️ )

cuddling with ace

kissing adeuce when they ask ur lipbalm flavor ( ft ♠️ )

how adeuce fantasize abt their crush ( ft ♠️ )

adeuce bday kisses ( ft ♠️ )

adeuce fighting to confess first ( ft ♠️ )

things you do that make adeuce fall harder ( ft ♠️ )

model ace

aceyuu ramble

another aceyuu ramble

lovestruck ace

ring in orange proposal

adeuce period comfort hcs ( ft ♠️ )

ace jealous of others falling for you

hot things ace does

housewarden ace

streamer ace getting a gf

you're what's missing in my life ( ft 🦈 🐍 )

when you know you know

love beyond words ( ft 🐺 🐙 )

shenanigans ( ft ♠️ 😼 )

sweet sleep ( ft ♠️ )

ace with knight reader

traitor ace ( cw yandere )

good luck kiss before match ( ft ♠️ )

tropes to lovers ( ft all nrc boys )

best friend ace

"someone" decides to ask you for your opinion about "their friend" and you decide to tease them. ( ft ♠️ ⚔️ )

cupid is so dumb

soft mornings

devotion of a contrarian

airheaded s/o ( ft 🌹 ♠️ )

another beautiful day ( ft ♠️ 🐺 🍎 🐊 )

"what outfit should i wear for the date?"

oooo you wanna kiss me so bad ( ft ♠️ 🐺 🍎 🐊 )

it's definitely, absolutely, not love

you wish to kiss me? ( ft 🌹 ♠️ ♦️ ♣️, genderbend )

red and blue ( ft ♠️ ) ( cw yandere )

falling too deep too fast ( ft ♦️ 👑 🐊 🐍 ) ( cw yandere?? )

the joker and the queen ( ft ♠️ )

behind the teacher's back

heart-shaped kisses

tell it to my heart

"i'm losing my appetite" ( cw hurt/comfort )

nightfall ace

ace + sun

movie night

haunted house date with ace

you doing ace's makeup

amuse me ( ft ♠️ 🐺 🍎 🐊 )

what made your friends think you're dating him ( ft 🦁 )

high school romance with ace

how he says i love you

he's absolutely smitten with you ( ft 🍩 )

poly with adeuce ( ft ♠️ )

fooling no one

heartshackle relationship analysis ( ft ♠️ 😼 )

stay by my side ( ft ♠️ ) ( cw yandere )

christmas with poly adeuce ( ft ♠️ )

cuddle pile! ( ft ♠️ 🐺 🍎 🐊 )

^sequel to the cuddle pile ( ft ♠️ 🐺 🍎 )

stars by the pocketful ( ft 🌹 ♠️ ♦️ ♣️ )

poly adeuce with affectionate s/o ( ft ♠️ )

waking ace up in the morning

adeuce yan teamup ( ft ♠️ ) ( cw yandere )

sending your crush a survey form ( ft ♠️ 🐺 🍎 🐊 )

can i go where you go? ( ft ♠️ 🐺 🍎 )

come close, i won't bite

unrealized feelings

foxboy ace

your speckled face

reader confesses and immediately runs away embarrassed ( ft ♦️ 🦈 ☀️ )

competition ( ft ♠️ )

come inside of my heart!

longform fics/series

a reverie until recently ( i commed this! poly oysterjuice post nrc au i put it here bcs it's my list!!!!! u dont have to read it )

hearts held out of harm's way ( same author! reccing the tumblr version instead bcs cool logo :D poly adeuyuu )

three people, who share one soul ( fic series, will they won't day adeuyuu )

how to get the boy : a guide by yuu & ace ( first adeuyuu fic i downloaded on my phone aside from my comms and nath's sebek one shots!!! i love it sm even after all this time GRAHHHHH i liked it even during my malleus phase bcs it was so cute! )

[paperclipninja]

Middle of the night GO thoughts after reflecting on a couple of comments that the 'you're being silly' scene is actually not just the adorable soft exchange I have been caught up in. I mean it is, but it also isn't.

And it got me thinking that the whole of season 2 is like this, almost the entire time we have two truths in play. The whole season is one of duality.

A few examples (there are many more woven throughout but just to illustrate the point):

Right off the bat, the opening scene, it's both ominous and hopeful. Aziraphale is restrained while angel Crowley full of abandon; one angel is aware of the danger of questioning, the other is naïve. Both are experiencing the same moment in rather different ways. It sets the tone of the season immediately and puts in motion this layered truth within the story.

The minisode with wee Morag and Elspeth, the entire graverobbing premise presents us with the dual truth that digging up the dead is bad but the selling of the bodies to the surgeon, thus contributing to saving lives, is good.

Aziraphale grapples with the duality here, justifying the actions of Elspeth by convincing himself that one truth is greater than the other. We also see that Crowley is far more able to recognise the complexity of multiple truths being valid depending on circumstance. This whole minisode feels like Neil showing his hand a little bit, the duality is so explicitly addressed, meanwhile we, the audience, are engaged in a larger unfolding story in which we are observing similar layered truths playing out in different ways.

Now the scene that made this whole thought process unravel, still one of my favourite scenes and will remain so, is the "smitten, I believe...you're being silly" exchange. It is both tender and awful.

Here we have Crowley, expressing his very real fear of JimGabriel, opening up to Aziraphale that he doesn't feel safe in the bookshop because of the constant fear he will wake up, and Aziraphale just looks at him with heart eyes and tells him he's being silly. This flags so loudly that we're watching two characters who are experiencing very different versions of their current reality, due to past experience, yes, but also, Aziraphale and Crowley each have their own idea about the right way to react to the current situation.

It's been pointed out by many before me, but the ball is another example of incredible juxtaposition and an extraordinary display of two truths existing at once. It is both incredibly romantic and an actual nightmare.

It is reflected, once again, in the way Aziraphale and Crowley are experiencing it, we know one character is caught up in the romance, the other in the horror show, but as a viewer, we are being tasked with holding both truths in our mind simultaneously. And both are true.

Aziraphale the entire season is both giddy in love and completely dismissive of Crowley. It is adorable and infuriating at the same time.

And yes, it is a reflection of the very duality the entire premise of Good Omens presents us with - that something can be good and bad at the same time, pure and corrupt, that the entire binary of Heaven and Hell/good and evil is flawed because those concepts can and do co-exist.

But the way it is seen in the interactions on a personal level this season is what has leapt out at me. It's why I think we see people falling into different interpretations of a lot of the scenes and moments, because they are more than that, they are observations. We are often observing two sides of the same coin, and both are true. The sheer genius of it and the way it is a mirror to the characters and the entire concept of the show we are observing is, quite frankly, mind boggling.

And it all comes to a head in the final fifteen™. There is so much duality in play here that it is no wonder there are hundreds of posts untangling bits of it and trying to extract the meaning from within the many layers. It's because we are given two truths in this final scene that are both heartbreaking.

Crowley loves Aziraphale and wants them to be together, free at last. Aziraphale loves Crowley and wants them to be together, free at last.

BUT

Aziraphale wants to use the system to keep them both safe. Crowley wants to escape the system to keep them both safe.

And then all the moments of duality between them throughout the season reach a critical juncture: Aziraphale in love but dismissive, Crowley understanding that Heaven = good is too simplistic and trying to compel Aziraphale to remember the lesson from Edinburgh ("when Heaven ends life here on Earth, it'll be just as dead as if Hell ended it"), Crowley trying to use the notion of romance to counter the nightmare with a desperate kiss.

It's a complete inversion of those two truths in the opening scene of the season, the entire scene is at the same time ominous and hopeful, but it is Aziraphale who largely being naïve and Crowley who is aware of the danger.

I mean, it was all spelled out for us really, this duality and the fact that those multiple truths in play were always going to come to a head. It was all there, wrapped up in this quote:

"What does your exactly mean, exactly? I feel like your exactly and my exactly are different exactlies".