#critic gives good reviews for money

[floral-hex]

had been thinking about seeing the new Ant-Man when it came out, ya know, on one of the discount days bc movie tickets are pricey these days. I mean, it looked right up my alley; alternate dimensions, timeline fuckery, cool visuals, Jonathan Majors ripped as hell. Buuuuut I saw some spoilers, some shitty cellphone footage, read some reviews, ended up caving and reading the plot online… so anyway, I decided to spend that money on a jug of soy sauce and bag of jalapeños, and I think that’s a fair alternative.

[writingbuckets]

𝐭𝐡𝐞 𝐡𝐨𝐭 𝐭𝐚𝐤𝐞: 𝐩𝐚𝐫𝐭 𝐢𝐢

paige bueckers x influencer!reader

wc: 1.7k

a/n: thanks so much for the kind messages on part 1! enjoy <3

You can feel the energy in the arena even from the parking lot. Fans are buzzing, and you catch glimpses of them sporting jerseys and waving signs in support of Paige and her teammates. There’s a spark of excitement mixed with nerves in your stomach as you make your way to the courtside seats Paige promised.

You glance down at the ticket she sent you through DM with a wry smile. It’s a little surreal, actually being here. The back-and-forth messages with Paige left you curious and maybe a little too interested in seeing her play. Overrated, you’d said. Well, tonight she’d get the chance to prove you wrong.

As you settle into your seat, you text Taylor to let her know you’ve arrived. She’s responds in caps “EXCITED FOR YOU”, sending laughing emojis and a “TRY NOT TO FALL IN LOVE, Y/N.”

In the locker room, Paige’s teammates are already in pre-game mode, stretching and reviewing plays, but Azzi catches sight of Paige checking her phone for the third time in five minutes. She grins knowingly, nudging Jana beside her.

“Okay, what’s up with you?” Azzi asks Paige with a teasing tone. “You’ve got that look.”

Paige pretends not to know what she’s talking about, tucking her phone away with a smirk. “What look?”

“Don’t play coy. This is a new level of focus even for you,” Jana chimes in, eyeing her with mock seriousness. “It wouldn’t have anything to do with your biggest critic being courtside tonight, would it?”

Paige rolls her eyes but can’t hide the grin tugging at the corner of her mouth. “Just trying to make sure she gets her money’s worth,” she says with a shrug. “Not every day you get a ‘critique’ from someone who’s never even seen you play live.”

KK, who’s been stretching nearby, perks up, catching the last part of the conversation. “Wait, is this the podcaster?” She laughs, sitting up and pointing at Paige. “The one who called you overrated? Oh, this is too good.”

“Yeah, we’ve been talking a little,” Paige admits, trying to sound casual but clearly enjoying the reaction from her friends.

Morgan snickers. “Talking, huh? I don’t think she meant that comment as an invitation, Paige.”

Paige gives a mock glare. “Please. She’s practically begging to be impressed.”

Aubrey chuckles, crossing her arms. “Just don’t get too distracted out there, superstar. She might be here to see you crash and burn.”

Paige laughs and waves them off, but there’s an undeniable confidence in her tone. “Oh, trust me. She’s not ready for what she’s about to see.”

**********

You watch the team make their entrance, the crowd roaring as each player is introduced. When Paige is called, the noise is almost deafening, and you find yourself instinctively clapping along, even as you try to stay cool.

Finally, the game starts. Within moments, it’s clear why Paige has all the attention. She commands the court with ease, weaving around defenders with a blend of grace and intensity that makes it hard to look away. Every shot, every pass—it’s like she’s putting on a show, and with each move, she glances your way, her gaze almost daring you to look impressed.

You catch her eye after she lands a particularly smooth three-pointer, and she gives a slight smirk, as if to say, Not bad, huh?

You raise an eyebrow, mouthing back, “Still not impressed.”

In response, she grins and picks up her pace, dominating every play with a flair that seems designed to taunt you. The more you watch, the more you find yourself pulled into the game, barely noticing the time passing. But every so often, her eyes find yours, and it’s like the entire arena fades away for just a moment.

The final buzzer sounds, and Paige’s team wins by a comfortable margin. As the players cool down and talk to the press, she sends a quick look in your direction, clearly reveling in her victory. She approaches the sidelines, her teammates trailing behind and giving her little nudges and knowing looks.

Azzi shoots you a cheeky grin as she passes. “Hey, thanks for coming. Glad Paige had her own personal cheerleader tonight.”

Jana adds with a laugh, “More like underrated, huh?”

Before you can respond, Paige strides up, wiping sweat from her brow and grinning with that signature self-assurance.

“So?” she says, folding her arms and looking at you expectantly. “Any thoughts from my favorite hater?”

You keep your expression neutral, even as your pulse quickens under her direct gaze. “Not bad. You almost looked like you knew what you were doing out there.”

She laughs, shaking her head. “Almost? That’s high praise coming from you.”

You shrug, tilting your head thoughtfully. “Guess I’ll have to watch a few more games to make sure it wasn’t a fluke.”

Her eyes light up at that. “Oh, so you’re coming back?”

“Only if you keep up that level of play,” you reply, not missing a beat. “I’d hate to waste my time.”

Her teammates are still hovering nearby, soaking up the banter with matching grins.

KK gives Paige a nudge. “Careful, Bueckers. I think she’s starting to like you.”

“Wouldn’t be the first,” Paige quips, giving you a sidelong glance. “Some people just need a little convincing.”

You raise an eyebrow, leaning forward slightly. “You think you’ve convinced me?”

“Not yet,” she admits, a teasing challenge in her eyes. “But I think I’m close.”

You can’t help but laugh, enjoying the back-and-forth more than you’d like to admit. She’s good at this—smooth, confident, and annoyingly charming. And the way she keeps looking at you, with that mix of amusement and intrigue, makes it harder to stick to your original opinion.

As the conversation winds down, you start to think about heading out. But before you can make a move, Paige’s voice cuts through your thoughts.

“So, a few of us are grabbing food to celebrate,” she says casually, as if it’s the most natural thing in the world. “You should come. Unless, of course, you have better things to do?”

Her eyes are challenging, and you can feel her teammates watching you, clearly curious to see what you’ll say. Part of you wants to play it cool, brush it off, but there’s a bigger part that’s intrigued, drawn to the idea of spending more time with her.

“Why not?” you reply, keeping your tone light. “Could be interesting.”

She grins, giving her teammates a triumphant look before gesturing for you to follow.

The group heads to a local spot where they’re regulars, filling up a large booth with laughter and chatter. You find yourself seated next to Paige, who’s now relaxed and fully in her element, her focus entirely on you.

“So, tell me,” she says, leaning in as she sips her drink. “What made you think I wasn’t as good as people say?”

You shrug, pretending to think hard. “I think some players need to be humbled sometimes. Keeps things balanced.”

“Oh, really?” She smirks. “So you’re, like, the self-appointed hype police?”

“If that’s what it takes.” You give her a challenging look. “And, judging by your performance, I think you’re taking my job pretty seriously.”

She laughs, shaking her head. “Maybe I just like proving people wrong.”

Aubrey, who’s overheard, chimes in with a grin. “Yeah, Paige is kind of a show-off when it comes to impressing people.”

Paige rolls her eyes, but she’s clearly enjoying the attention. “Hey, I like a challenge.”

You lean back, folding your arms as you meet her gaze. “Good to know. Might have to challenge you more often, then.”

The night goes on, filled with jokes, teasing, and the undeniable chemistry simmering between you and Paige. Her teammates keep throwing her looks, nudging her when she gets too obvious with her attention, but she brushes them off with ease.

By the end of the night, you’re more than a little curious about where this dynamic might lead. Paige, it turns out, isn’t just an incredible player—she’s clever, competitive, and, as much as you hate to admit it, a lot of fun to be around.

As you say your goodbyes and head out, she catches your arm, pulling you back for one last exchange.

“So,” she murmurs, her voice low, “can I ask for your opinion on me now?”

You meet her gaze, a slow smile spreading across your face. “ I’ll tell you when you make an appearance on the show.”

She laughs, nodding as she steps back. “You can count on it.”

You linger a moment, savoring the playfulness in her tone and the easy confidence in her smile. Her teammates start calling her over, and you see her hesitate, glancing between you and her friends. It’s almost as if she’s weighing her next move, and the idea that Paige Bueckers might actually be a little reluctant to end the night brings a grin to your face.

“Better go before they start making up embarrassing stories about you,” you say with a nod toward her friends, who are watching the two of you with unabashed interest.

She chuckles, eyes glinting with something mischievous. “Don’t worry, they don’t have any dirt on me… yet.”

“Oh, so you’re planning on giving them some?” you shoot back.

Paige tilts her head thoughtfully. “Only if it’s worth it.” Her voice is low, suggestive, and you can’t ignore the electric undertone beneath her words. She glances toward the exit, then back at you, taking a small step closer. “But, you know… I wouldn’t mind getting to know my ‘biggest hater” a little better.”

Her words hang in the air, and you feel your pulse quicken. There’s a part of you that wants to keep this light, play it cool, but another part—a part you’re not fully ready to admit yet—is undeniably intrigued by her invitation.

With a playful smile, you shrug. “Maybe you’ll earn that chance. If you’re lucky.”

Her laughter rings out, bright and clear. “I think I make my own luck.”

You offer her a mock salute. “We’ll see about that, superstar.”

As you turn to leave, you feel her gaze on you, lingering, as though she’s already planning her next move. And as you step out of the restaurant, the night air feels different—charged with possibility. You’ve seen a side of Paige that few get to see, and it’s clear this game of wit and challenge between you isn’t over yet.

But for now, you head home, wondering what exactly you’ve gotten yourself into.

[mostlysignssomeportents]

Conspiratorialism as a material phenomenon

I'll be in TUCSON, AZ from November 8-10: I'm the GUEST OF HONOR at the TUSCON SCIENCE FICTION CONVENTION.

I think it behooves us to be a little skeptical of stories about AI driving people to believe wrong things and commit ugly actions. Not that I like the AI slop that is filling up our social media, but when we look at the ways that AI is harming us, slop is pretty low on the list.

The real AI harms come from the actual things that AI companies sell AI to do. There's the AI gun-detector gadgets that the credulous Mayor Eric Adams put in NYC subways, which led to 2,749 invasive searches and turned up zero guns:

https://www.cbsnews.com/newyork/news/nycs-subway-weapons-detector-pilot-program-ends/

Any time AI is used to predict crime – predictive policing, bail determinations, Child Protective Services red flags – they magnify the biases already present in these systems, and, even worse, they give this bias the veneer of scientific neutrality. This process is called "empiricism-washing," and you know you're experiencing it when you hear some variation on "it's just math, math can't be racist":

https://pluralistic.net/2020/06/23/cryptocidal-maniacs/#phrenology

When AI is used to replace customer service representatives, it systematically defrauds customers, while providing an "accountability sink" that allows the company to disclaim responsibility for the thefts:

https://pluralistic.net/2024/04/23/maximal-plausibility/#reverse-centaurs

When AI is used to perform high-velocity "decision support" that is supposed to inform a "human in the loop," it quickly overwhelms its human overseer, who takes on the role of "moral crumple zone," pressing the "OK" button as fast as they can. This is bad enough when the sacrificial victim is a human overseeing, say, proctoring software that accuses remote students of cheating on their tests:

https://pluralistic.net/2022/02/16/unauthorized-paper/#cheating-anticheat

But it's potentially lethal when the AI is a transcription engine that doctors have to use to feed notes to a data-hungry electronic health record system that is optimized to commit health insurance fraud by seeking out pretenses to "upcode" a patient's treatment. Those AIs are prone to inventing things the doctor never said, inserting them into the record that the doctor is supposed to review, but remember, the only reason the AI is there at all is that the doctor is being asked to do so much paperwork that they don't have time to treat their patients:

https://apnews.com/article/ai-artificial-intelligence-health-business-90020cdf5fa16c79ca2e5b6c4c9bbb14

My point is that "worrying about AI" is a zero-sum game. When we train our fire on the stuff that isn't important to the AI stock swindlers' business-plans (like creating AI slop), we should remember that the AI companies could halt all of that activity and not lose a dime in revenue. By contrast, when we focus on AI applications that do the most direct harm – policing, health, security, customer service – we also focus on the AI applications that make the most money and drive the most investment.

AI hasn't attracted hundreds of billions in investment capital because investors love AI slop. All the money pouring into the system – from investors, from customers, from easily gulled big-city mayors – is chasing things that AI is objectively very bad at and those things also cause much more harm than AI slop. If you want to be a good AI critic, you should devote the majority of your focus to these applications. Sure, they're not as visually arresting, but discrediting them is financially arresting, and that's what really matters.

All that said: AI slop is real, there is a lot of it, and just because it doesn't warrant priority over the stuff AI companies actually sell, it still has cultural significance and is worth considering.

AI slop has turned Facebook into an anaerobic lagoon of botshit, just the laziest, grossest engagement bait, much of it the product of rise-and-grind spammers who avidly consume get rich quick "courses" and then churn out a torrent of "shrimp Jesus" and fake chainsaw sculptures:

https://www.404media.co/email/1cdf7620-2e2f-4450-9cd9-e041f4f0c27f/

For poor engagement farmers in the global south chasing the fractional pennies that Facebook shells out for successful clickbait, the actual content of the slop is beside the point. These spammers aren't necessarily tuned into the psyche of the wealthy-world Facebook users who represent Meta's top monetization subjects. They're just trying everything and doubling down on anything that moves the needle, A/B splitting their way into weird, hyper-optimized, grotesque crap:

https://www.404media.co/facebook-is-being-overrun-with-stolen-ai-generated-images-that-people-think-are-real/

In other words, Facebook's AI spammers are laying out a banquet of arbitrary possibilities, like the letters on a Ouija board, and the Facebook users' clicks and engagement are a collective ideomotor response, moving the algorithm's planchette to the options that tug hardest at our collective delights (or, more often, disgusts).

So, rather than thinking of AI spammers as creating the ideological and aesthetic trends that drive millions of confused Facebook users into condemning, praising, and arguing about surreal botshit, it's more true to say that spammers are discovering these trends within their subjects' collective yearnings and terrors, and then refining them by exploring endlessly ramified variations in search of unsuspected niches.

(If you know anything about AI, this may remind you of something: a Generative Adversarial Network, in which one bot creates variations on a theme, and another bot ranks how closely the variations approach some ideal. In this case, the spammers are the generators and the Facebook users they evince reactions from are the discriminators)

https://en.wikipedia.org/wiki/Generative_adversarial_network

I got to thinking about this today while reading User Mag, Taylor Lorenz's superb newsletter, and her reporting on a new AI slop trend, "My neighbor’s ridiculous reason for egging my car":

https://www.usermag.co/p/my-neighbors-ridiculous-reason-for

The "egging my car" slop consists of endless variations on a story in which the poster (generally a figure of sympathy, canonically a single mother of newborn twins) complains that her awful neighbor threw dozens of eggs at her car to punish her for parking in a way that blocked his elaborate Hallowe'en display. The text is accompanied by an AI-generated image showing a modest family car that has been absolutely plastered with broken eggs, dozens upon dozens of them.

According to Lorenz, variations on this slop are topping very large Facebook discussion forums totalling millions of users, like "Movie Character…,USA Story, Volleyball Women, Top Trends, Love Style, and God Bless." These posts link to SEO sites laden with programmatic advertising.

The funnel goes:

i. Create outrage and hence broad reach;

ii, A small percentage of those who see the post will click through to the SEO site;

iii. A small fraction of those users will click a low-quality ad;

iv. The ad will pay homeopathic sub-pennies to the spammer.

The revenue per user on this kind of scam is next to nothing, so it only works if it can get very broad reach, which is why the spam is so designed for engagement maximization. The more discussion a post generates, the more users Facebook recommends it to.

These are very effective engagement bait. Almost all AI slop gets some free engagement in the form of arguments between users who don't know they're commenting an AI scam and people hectoring them for falling for the scam. This is like the free square in the middle of a bingo card.

Beyond that, there's multivalent outrage: some users are furious about food wastage; others about the poor, victimized "mother" (some users are furious about both). Not only do users get to voice their fury at both of these imaginary sins, they can also argue with one another about whether, say, food wastage even matters when compared to the petty-minded aggression of the "perpetrator." These discussions also offer lots of opportunity for violent fantasies about the bad guy getting a comeuppance, offers to travel to the imaginary AI-generated suburb to dole out a beating, etc. All in all, the spammers behind this tedious fiction have really figured out how to rope in all kinds of users' attention.

Of course, the spammers don't get much from this. There isn't such a thing as an "attention economy." You can't use attention as a unit of account, a medium of exchange or a store of value. Attention – like everything else that you can't build an economy upon, such as cryptocurrency – must be converted to money before it has economic significance. Hence that tooth-achingly trite high-tech neologism, "monetization."

The monetization of attention is very poor, but AI is heavily subsidized or even free (for now), so the largest venture capital and private equity funds in the world are spending billions in public pension money and rich peoples' savings into CO2 plumes, GPUs, and botshit so that a bunch of hustle-culture weirdos in the Pacific Rim can make a few dollars by tricking people into clicking through engagement bait slop – twice.

The slop isn't the point of this, but the slop does have the useful function of making the collective ideomotor response visible and thus providing a peek into our hopes and fears. What does the "egging my car" slop say about the things that we're thinking about?

Lorenz cites Jamie Cohen, a media scholar at CUNY Queens, who points out that subtext of this slop is "fear and distrust in people about their neighbors." Cohen predicts that "the next trend, is going to be stranger and more violent.”

This feels right to me. The corollary of mistrusting your neighbors, of course, is trusting only yourself and your family. Or, as Margaret Thatcher liked to say, "There is no such thing as society. There are individual men and women and there are families."

We are living in the tail end of a 40 year experiment in structuring our world as though "there is no such thing as society." We've gutted our welfare net, shut down or privatized public services, all but abolished solidaristic institutions like unions.

This isn't mere aesthetics: an atomized society is far more hospitable to extreme wealth inequality than one in which we are all in it together. When your power comes from being a "wise consumer" who "votes with your wallet," then all you can do about the climate emergency is buy a different kind of car – you can't build the public transit system that will make cars obsolete.

When you "vote with your wallet" all you can do about animal cruelty and habitat loss is eat less meat. When you "vote with your wallet" all you can do about high drug prices is "shop around for a bargain." When you vote with your wallet, all you can do when your bank forecloses on your home is "choose your next lender more carefully."

Most importantly, when you vote with your wallet, you cast a ballot in an election that the people with the thickest wallets always win. No wonder those people have spent so long teaching us that we can't trust our neighbors, that there is no such thing as society, that we can't have nice things. That there is no alternative.

The commercial surveillance industry really wants you to believe that they're good at convincing people of things, because that's a good way to sell advertising. But claims of mind-control are pretty goddamned improbable – everyone who ever claimed to have managed the trick was lying, from Rasputin to MK-ULTRA:

https://pluralistic.net/HowToDestroySurveillanceCapitalism

Rather than seeing these platforms as convincing people of things, we should understand them as discovering and reinforcing the ideology that people have been driven to by material conditions. Platforms like Facebook show us to one another, let us form groups that can imperfectly fill in for the solidarity we're desperate for after 40 years of "no such thing as society."

The most interesting thing about "egging my car" slop is that it reveals that so many of us are convinced of two contradictory things: first, that everyone else is a monster who will turn on you for the pettiest of reasons; and second, that we're all the kind of people who would stick up for the victims of those monsters.

Tor Books as just published two new, free LITTLE BROTHER stories: VIGILANT, about creepy surveillance in distance education; and SPILL, about oil pipelines and indigenous landback.

If you'd like an essay-formatted version of this post to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:

https://pluralistic.net/2024/10/29/hobbesian-slop/#cui-bono

Image: Cryteria (modified) https://commons.wikimedia.org/wiki/File:HAL9000.svg

CC BY 3.0 https://creativecommons.org/licenses/by/3.0/deed.en

[melefim]

Hey @netflix honestly how do you expect people to watch your shows and invest their time and money into you when EVERY SINGLE TIME you have something people love you just throw it away?

What’s the fucking point if a show with a 92/90 on Rotten Tomatoes and that’s made MULTIPLE Best Of lists isn’t even given a chance to grow?

Let’s look at some comparisons of a few other recent Netflix shows that got a second (or more) season, shall we? How are they stacking up on RT?

Stranger Things: 91/90

The Sandman: 88/80

Bridgerton: 84/74

Shadow & Bone: 83/84

Wednesday: 73/85

Locke & Key: 68/56

Avatar: The Last Airbender: 61/72

Fate: The Winx Saga: 45/82

So good reviews and critical acclaim won’t do it. Multiple weeks on your top 10 won’t do it, making the Nielsen top 10 won’t do it. Engagement from a devoted fan base won’t do it. I’m curious, what’s the metric here? Just because it wasn’t an instant runaway sensation, it’s not worth it to you? Is that what it takes?

Here’s a hot tip: if you want people to continue to pay for a subscription to your service, maybe give stuff a chance to grow. Maybe invest a bit of time into actually advertising a show before it premiers.

One of the most popular tweets about Dead Boy Detectives when it came out was someone saying they didn’t want to watch it because they didn’t trust you not to cancel it and break their hearts. There were THOUSANDS of people agreeing with it. Thousands of viewers, thousands of accounts you missed out on because people didn’t trust you. So how is this move going to help that?

How are you planning to get people to stick around when one of the best shows on your platform isn’t given a chance? How are you expecting them to ever give your shows a chance when you’re proving again and again that you can’t be trusted to follow through?

Dead Boy Detectives is a great show. It’s a quality product. The cinematography, the lighting, the sound design, the sets, the props, the COSTUMES. The scripts are good, the acting is great, the effects are believable. the cast and crew poured their hearts into it and you can see it on the screen. The characters are relatable and real. This is a show that is rewatchable. A show that is fun. A show that is entertaining. That has a good message, that deals with heavy topics with care and sensitivity. That’s got comedy and drama and horror and mystery. That’s got representation and diversity. That means something to people. Means A LOT to people. But that’s not important to you.

Dead Boy Detectives was THE reason I renewed my account. I watched it multiple times. (See how many magnifying glasses there are after my name up there? Fun fact: I added one every time I watched the full season.) I was even making a list of other shows and movies I was planning to check out. But that’s not happening any more, because I’m canceling my account as soon as this post is up. And I know I’m not the only one.

[dee-the-red-witch]

One more time, with FEELING? (April Pinned)

Now that we're past the first, let's do this. One. More. Time.

I'm Dee. Queer lesbian trans woman. Just she/her for the pronouns. Not your Responsible Adult, and while I'm safe for MY work, I'm self employed, my bitch of a boss gives zero fucks about adult content, and I believe in a healthy education. Kinky. Poly. Separated. Witch-adjacent. Occultist. Possibly cute/hot according to others. Sex and body positive. What do I do? Art- leatherwork, digital art, and these days, tattooing and tattoo flash. (Click that link for the goods. Tattoos, for locals only, by appointment, etc.)

Writing- One book (with accompanying tarot deck), two more in edits, several more in progress. Completely unscheduled film/tv reviews and weekly tarot spreads.

I'm also in the process of dealing with a massive work backlog, a life starting to fall apart in a few ways, a transition surgery I'm desperately trying to fund the expenses for, and, y'know, all the wonders of being transfem in late-stage capitalism in a christofascist country.

Yes, that's a lot. Welcome to my life.

Let's get the usuals out of the way. Tipping should be mandatory. Terfs, fash, bigots, can and should fuck off out of here. No, I will not tag NSFW or mature, because it ends up getting creators targeted half the time. And because if you're on here you can learn to consume media critically and censor your own damn experience without me doing it for you. Plastics suck, including your precious vegan leather. Land back. Do it alone. Do it weird. Do it scared. No I don't know what a jerma is, and do not tell me. Yes I do swear. A lot.

I love fantasy, horror, cassette futurism, cyberpunk, brutalism, and all sorts of stuff with it. You want my discord or server? Ask me for either. Yes, I still take voice recording requests, and yes, it's the only form of 'content' I do, though I absolutely support creators of other types like mad. You want to help out? Scroll back up and hit any of those links, or just throw money at me screen here.

Otherwise, that's it. Yes, my inbox and messages are still open for now.

[seat-safety-switch]

Let's be honest, folks: you've gone through like half a dozen socks in the last couple of months, haven't you? Yeah. Socks nowadays suck, and we've all got our reasons why. Blah blah globalization wah wah market won't reward quality woo woo creeping degradation of the moral universe. That's whining, and when I whined as a kid my mom locked me in the basement until I built an intricate machine to fix whatever I was whining about. Sometimes, if my uncle was already locked down there, she'd make me do it in the shed instead. Let's go to that shed right now and make a machine to make socks.

Winter is the hardest season for sock survival. For one thing, it's real dry. You get that rough skin, that static electricity, bristly boot soles all the time, and they fall apart on your feet. Big holes. I'm sure Big Sock gets a huge rise in their stocking price – get it? – around this time every year, as everyone needs new socks for Christmas or other seasonal/denominational shopping holidays. Fuck 'em, is what I say. We're going to fix their little red wagon.

Now, you might be unsurprised to hear that humanity already has a machine to make socks. We just don't put good materials in it. Unfortunately, I was never trained to make a machine that makes "good sock materials," whatever those are, so we're going to cut a corner here and slap a Chevy small-block V8 on an AliExpress "Full Automatic High Capacity Socks Machine Sock Knitting Machine for Sport," which I paid $39.95 for and got a 15% off coupon in exchange for giving it a five star review, no matter how many children it maims. Critically: it has free returns, so I can get that forty bucks back when we've made a year's supply of foot coverings.

The most important part of this job is building a good coupling. The massive amount of torque from the vee aight needs to be transferred into the sock-making machine, ideally without breaking it. Otherwise you're going to just spend more money on clutches, dowels, wrist pins and spring baskets than you would have on more socks. It helps if you've gone through an entire undergraduate materials-engineering degree, but for those of us who have gotten a restraining order from their local university, well, we have to do what works. Which is a truck clutch, tactically welded onto this sucker, using the display unit welder that they have at Princess Auto while the employees weren't looking.

Now, let's rev this piece of shit up and make us some socks.

Okay, things have not gone well. I admit that "roaring fire" is a big downside. Turns out that these things really need some yarn loaded into them first. If you just fire it dry, what it actually does is try to turn its own asshole inside out. The good news is that I can probably wear this prolapsed chunk of smouldering wiring harness as a sock. Seems pretty warm, I'm going to count this as a win.

[maddie-grove]

What do you think are some legitimate things (trends, author problems, etc) to criticize about in romance novels?

So, romance novels can be offensive in all the ways that fiction in general can be offensive, but, if I had to pick one thing that's pervasive yet fairly specific to the genre, it's the rigidity of gender roles in m/f romance. The hero is more often than not physically bigger, older, richer, and (especially in historical romance) higher-class than the heroine, and, when he doesn't have the advantage in every category, the narrative frequently (a) makes him even more powerful in the areas where he does have the advantage (i.e., she may be more aristocratic but he's very, very rich and he's friends with aristocrats now and he's big and strong and blah blah blah) or (b) is super-self-conscious about the dude being less powerful in some ways (i.e., over-explaining why he's still worthy as a partner and/or isn't put off by the heroine being taller or older or richer). I think this is sometimes a trend that comes from the top (I remember Courtney Milan saying something about getting flak for not making a hero a duke back in the early 2010s, even though he was still a confident, good-looking gentleman with money) and sometimes one that comes from readers (there was a romance review blog that I lost patience with because the reviewer couldn't relate to tall heroines). Plus, when the heroine does have more power in some way, it's usually not by a lot; like, it would be totally unremarkable if the genders were reversed. I remember reading a romance novella anthology specifically about older women/younger men, and I think only one novella had an age gap of ten or more years. (In one novella he was literally a day younger.) Meanwhile, how many historical romance novels have a twenty-year-old heroine and a thirty-year-old hero and it's treated like nothing?

On the more meta side: I think it's generally bad when authors have to spend a lot of time doing self-promotion on social media. That means less time to actually write and sometimes more self-consciousness because the book is kind of being written for people the author knows online. That's not exclusive to romance, but it is a genre largely written and read by women, and I think that results in a lot of pressure to be Nice (which includes not giving a negative opinion about a book).

I'm not a fan of the move towards "rom-com" contemporary romance, but that's largely because that's not my thing inherently. However, I do feel like many authors simultaneously want the hijinks of a romantic comedy and a romance that would be Healthy in Real Life. Which isn't impossible, but it takes more finesse than they usually have.

[accio-victuuri]

my thoughts on xz’s spring festival debut and loch 📝

“Every role leaves something in me or takes something away from me. The character of Guo Jing is very powerful. His perseverance and persistence subtly gave me a lot of support and faith later on.” - xiao zhan

just a few disclaimers before i start:

1. i’m a cpf. this is a cpf blog but i also identify as xz and wyb’s career fan. meaning i care about the impact of their works to the general public. i’m tagging this post with xiao zhan on it cause it’s mainly about him, but if you already hate cpfs, then save yourself the trouble and scroll along. if you still read this and wanna say something, do it on your own blog.

2. this is not the place to compare xz and wyb’s spring festival bo debuts. nor is this a place for conspiracies.

3. i haven’t watched loch. i am not well versed in the whole lore behind it.

okay, now i can start 😅😅😅

As soon as XZ was announced to play the role of Guo Jing in Tsui Hark’s new movie — we all knew that it’s a great opportunity and at the same time, a huge responsibility. Legend of The Condor Heroes is a beloved story/franchise with multiple remakes so this movie had to bring something fresh to the audience. Tsui Hark is a celebrated director, but it’s not a guarantee of excellent results. I’m personally not familiar with his works ( yep, cause i’m uncultured lol ) so at the time i was okay, cool. However, i trusted the people both fans and the public who had mostly good things to say.

It was also pretty obvious that this movie will be screened during Spring Festival. It’s a no brainer. A big IP and movie like this should be released during the biggest box office day in China.

You also have Xiao Zhan. The god of wealth. A traffic star who brings in the money and is a talented Actor. He also has a solid and dedicated fanbase.

However, to those of us who are familiar with how the SF box-office works, fans alone cannot sustain it. The key is to capture the General public’s favor to grow the numbers and to get more cinemas to screen your Movie during the SF holiday. They call it “word of mouth” — when people give good reviews, more people will be encouraged to give it a try. If you are someone on SF holiday, you can probably watch 1-2 ( 3 at most possibly ) movies from the lineup. So it’s critical that LOCH will come up as something you would wanna watch based on what you read online ( or offline ) even if it’s not your 1st choice. I was hoping LOCH fans will come in, but i was also afraid cause they will be the most critical. They know the source material, they possibly watched all the iterations, so they will be the toughest to please.

The showing came later than we anticipated but it was fine. Editing and all the special effects always take up most of the time anyway. ✨

Weeks before the holiday, Nezha 2 announced it was gonna join the Spring Festival line up. This alone was a sure bet that this movie was gonna dominate the Box Office. no question. It’s a popular character and a family-friendly film. A first choice kind of movie if you will. There’s also Fengshen Part II with it’s own set of fans and considering how big the first movie earned, you would think they were gonna come back for Part II.

LOCH still prevailed tho, The pre-sale numbers dominated 👏🏼👏🏼👏🏼👏🏼

in reality, these are mostly fans. which is not a bad thing at all. having LOCH at the top of the pre sales creates a good buzz around it. if you are someone thinking of what to watch, and don’t know much about the line up, it would be good to pick the most anticipated film 🫶🏼

(this photo does not represent the final numbers before opening)

I wanna add too that this year’s promotion for SF movies is next level. They have really done well in making sure that the public knows what movies are out there for them to watch.

The first day for a movie like LOCH with a big pre-sale will show a small rise because people who wanna see it on Day 1 mostly have bought it already. It was still steady tho, It broke 14 box office records which is mostly for the martial arts genre ✨

There are also mostly positive reviews about XZ’s performance like this one ( i will share more on my blog as they come ) and critics. Which is fine. we know it’s not gonna be all praises anyway. One review that went high up on HS was from Nanfeng daily, which is more of a discussion on the story’s flaws. I won’t share it here anymore, but the article was talking about the weak plot and how the two leads having basically no chemistry. I also looked into this other blogger ( who is pretty consistent with reviews and not just one who popped up lately ) one which I think fairly described the shortcomings —-

The film adapted the content of chapters 34-40 of the original novel. It is a story about the integration of the martial arts world into the post-war world, involving the love line of Guo Jing and Huang Rong + the national war line + the martial arts line. The main part of the martial arts line is the previous situation before the 34th chapter, which is the foreshadowing of love and war. It can't be less, nor more. The question that needs to be considered here is how to explain so many martial arts stories before, flashbacks? Arrange information in the lines? Connect events and insert back? Or is there a more clever method?

As a result, The Legend of the Condor Heroes didn't think so much, and just went straight to the "PPT". The first hour was a long, fragmented and incomplete account of the story, and the two leading actors took turns to read the narration to tell the previous story. This is not called The Legend of the Condor Heroes, but "Reading most of The Legend of the Condor Heroes in x minutes".

This is not enough. I don't know if Tsui Hark is taking revenge on someone. It's already a PPT, and the two protagonists are reading letters to each other in the air, with narration superimposed on narration. The audience is like a class in the first half.

AGAIN. I haven’t watched the movie but I think, i get where this going. It seems to me that the screenwriter should have done better. Xiao Zhan can only do so much hard work and bring in talent, but if the story is all over the place, it’s gonna be hard to market to a random viewer.

As of writing, LOCH is on HS and the topic is about the supposed deleted scenes. Getting rid of those didn’t help the flow of the story obviously. There is a post going around that talks about that I will partly share below:

In the original script, Guo Jing's expedition to the west and return to the south are closely integrated. The complete character arcs of all the main characters in the movie, the Western Expedition is also in the film.

The film has spent a lot of effort and resources to visualize Wu Mu's will, war, and animals. The essence of the play, this entire section was taken away for review, and a lot of the plot needs to be reviewed later. The dubbing of the previous part continues, and some memories and inserts of the previous part are added. The broadcast becomes even more fragmented, resulting in incoherent plots.

Guo Jing experienced the suffering of all living beings in the war, and Huang Rong's role of leading the Beggars' Gang is gone, and the early adaptations make it even more miserable.

Some of the character arcs are incomplete.

Then it goes to talk about the cuts ( censorship ) caused by sensitive subjects that may cause diplomacy issues.

We still have a few more days for things to take a turn and I will update this blog for that. LOCH can also run even beyond this season and get more Box Office numbers. I have to admit this post i’m making is premature cause we are only days in, but by experience, the early days will usually tell you what’s gonna happen moving forward.

( as of writing, nezha leads with 1.5 billion and loch at 500 million )

A few more points:

• The film was promoted heavily around Tsui Hark being the director. It didn’t live up to expectations and this is why some negative reviews are coming. This is such a big production with lots of moving parts and it seems like it didn’t all fit. Some antis are saying that XZ fans are “blaming” again but this time i guess it’s valid. i’m not saying XZ was perfect either, i’m sure there is room for improvement but he can’t fix the story.

• 🍤🍤🍤 were too confident. it’s not a secret that I have no love for these sea creatures but they were boasting a lot. AND NOW HERE WE ARE.

this has always been my frustration. the karma is getting them. but is also directly affecting XZ who worked hard on this film. who didn’t tell them to do these nasty things. i also see people who wouldn’t even consider LOCH cause at some point 🍤🍤🍤 were rude to their bias before.

it’s like, people wanna see the 🍤 fandom fail. not xz. just the nasty 🍤🍤🍤 who offended a lot of people online at some point.

my god. they really don’t deserve XZ 😭😭😭😭

• the issue of unfair screening times and slots are also being brought up by fans. all i have to say is, welcome to the spring festival clownery. welcome to the movie world, you all must be new here. it doesn’t mean people can’t complain and be frustrated. what i’m saying is LOCH isn’t the first movie to experience this. it happens every year. it happens every big film holiday. this is not the land of dramas where streaming and rating works. Movies are different. if there is anything I learned, it’s more vicious.

• some are also complaining about cinemas refunding their tickets saying there is technical issues. only to find out that they are replacing the showing for a different movie. this is so shady 💀 but again, it’s all about the money. T___T

• the theme of the movie is also not popular at the moment. TH was saying it’s time to bring back films & stories like this again. I found this article that explains my point:

Jin Yong is an idol of previous generations. In their eyes, he has gradually become a tall but distant statue. Tsui Hark's embrace of Jin Yong's IP again is an outlet for the film market to seek a breakthrough in the predicament. He tried to add mainstreaming, genre innovation, traffic stars and other means to revitalize Jin Yong's IP. There is a logical component, but there is also the possibility of success and risk.

The younger generation of audiences who are not Jin Yong fans have not actually broken off their understanding of the martial arts spirit, but they have chosen new works as carriers. For example, the audio novel "Snow Sword" labeled as "martial arts novel" has been played 2.92 billion times on a certain platform, which is far more than the number of audio books of Jin Yong's works. To some extent, the "traditional chivalry" written by Jin Yong is quite different from the "cool martial arts" that the new audience likes, which combines magic, games, and VR.

In fact, from the pre-sale results to the current box office results, it can be seen that the market and the audience still have high expectations and sufficient space for martial arts themes. The altruistic spirit and noble character naturally carried by the martial arts spirit will still make young people curious and have a strong desire to follow and imitate. For the filmmakers, the difficulty of the creative challenge is far greater than the market opportunity-the care and empathy for individual growth, the assumption of social responsibility, etc., still need the work to provide a new interpretation.

After Jin Yong passed away, someone said, "It's not the end of an era, it's the beginning of an era." What this sentence means is that the spirit of martial arts will never become obsolete, but it needs to be updated from time to time. In addition to constantly exploring new forms of expression of martial arts, we must also strive to find new soil for the spirit of martial arts to land. Only in this way can the spirit of martial arts remain high and vigorous in the hearts of generations.

• the goal for xz ( and wyb ) is to be popular and liked by the general public. having a solid solo fandom definitely has it perks but situations like this — they should have a good reputation. the movie/drama must also be exceptional for it to “get out of the circle”. a movie they make should not be “a movie for fans” but for everyone to enjoy.

Let me wrap this up with some good news tho, because international fans can make a difference. To the countries that are going to have screenings, you can contribute by watching and sharing your reviews! 💕 it’s the essence of fandom, to enjoy the content and be happy with the experience. it’s too easy to get caught up with the competitive nature of the SF movie season cause it’s a favorite topic on weibo, but it’s better to celebrate Xiao Zhan’s Spring Festival Movie debut 👏🏼👏🏼👏🏼👏🏼

I have absolute faith in XZ’s strength as an actor and that time will tell us the truth. right now, the black propaganda is strong cause they have to manipulate public opinion really quick ( i’m not saying all negative reviews are antis but you know what i mean & viewers are expected to be extra critical of XZ cause of how famous he is! ). His talent will shine through. He will have more movies/dramas that are gonna be better than this and we are here to support him. Box-office numbers is not the measure of XZ’s success in playing Guo Jing. I haven’t seen it but knowing XZ’s care for the characters he plays, seeing the training he went through — he did him justice.

-END.

[adeleidetheexplorer]

ᰋ  ׅ࣪   ꒰  tarot x zodiac signs ♡︎ a tarot reader predicting what each zodiac should expect before september ends  ꒱  

your sun, moon and ascendant or any significant signs on your birthchart can be use for this reading. ૮ . . ྀིა⁩

• masterlist. • tarot commission.

aries - knight of cups.

you're gonna feel confident about yourself before this month ends perhaps you may attract a lot of secret admirers or suitors. there may be someone who is gonna confess their love for you heartily, if not, you can expect an invitation from someone who is special to your heart and start dating. this can be one of your lucky months as well in case of your career, opportunities and offers will be left and right. just make sure to be open in any blessings you may receive. you can find yourself productive, inspired and creative too, you may start writing such as books and songs or play your favorite instrument again.

taurus - nine of swords.

you can't avoid stress before this month ends. the headache and neck pain are the causes of stress you are experiencing right now or may experience in the next few days. it's either you may hurt someone else's feelings or someone might hurt you emotionally. on the lighter side, you may find yourself traveling in a peaceful peace especially beaches and nature environment this can give your mind to avoid excessive thinking about your love life and work. also, there's a significant dream that may haunt you for days. the dream seems so real, clear and detailed. there is maybe someone, who might try to spread some gossip about your so be wary about sharing your ideas and opinions to others, remember that not everyone can be trusted.

gemini - nine of pentacles.

you may find yourself being independent before this month ends. what i meant is "independent" is financial and personal growth development independency especially budgeting and saving money up for the future. you may also meet new people that can help you to enhance your knowledge. you may also treat yourself a lot like you may buy a lot of your comfort foods to satisfy yourself. at work and school, your boss sees who improve a lot and do good job for their professionalism while if you are student, your teachers sees your improvement.

cancer - seven of swords.

you're gonna receive criticism and bullying for the work you are doing from other people. don't let these people take you down emotionally, take an action and call out these people. you may experience some unfairness and betrayal from people who are close to you. be careful about spending or investing your money as you may get scammed. you may also feel unworthy and insecure before this month ends which lead to low self esteem. argument with someone is coming too. there's also someone here who is stalking your account and keeping you on their tabs.

leo - the hermit.

if you are trying to enhance your spirituality there are changes and improvements about your spiritual self. you were also taking a break and cutting people off that drain your energy so much. you may also find yourself isolating yourself away from the others, you gonna what makes you happy. you may also be planning to take a break on social media before this month ends. if you are student, you gonna find yourself studying and reviewing really hard for the upcoming examination or test.

virgo - king of swords.

a father figure is gonna be significant to you before this month ends. you're gonna end up getting some good advice from this person or if not, someone else/a friend may need your logical advice. you may meet new people and these people may perceived you as someone mature, brilliant and intimidating.

libra - five of pentacles.

you might face some difficulty with your finances, it seems like you will get short in budgeting. while, when you are surrounded by your loved ones or the people who are close to you, you may feel unloved and unappreciated by them. as well as you may think that no one wants to be your lover or partner, yes you may meet new people but you may find it hard to find a best partner to meet your expectations when it comes to love so you think no one loves you. heavy rains may come so make sure to bring your own umbrella and jacket.

scorpio - strength.

you will be shocked by the influence you leave to people and in simple terms someone may try to tell the truth to you. this truth may be the one you are looking for answers for a very long time or you are waiting for this person to tell you the truth. you wouldn't believe too how much people think high of you. also, there maybe someone here is about to whammy your single life.

sagittarius - temperance.

great news for those single people, someone here is ready to fill your cup up. if you are worried about your health, spirit confirms that you are totally fine perhaps you may be trying to be healed for a very long time on a spiritual level because everything may be f*cked up on your spirituality. you may frequently sees the angel number 555 before this month ends.

aquarius - two of wands.

you might start doing a skincare routine before this month ends so keep on doing or continuing that. people may start to notice your glow up or changes in your appearance, you may also try mew hairstyle or in general dying your hair. people will notice the significant changes in your appearance, i also think that you will experimenting new ideas about your physical. a travel for job is significant too.

pisces - knight of wands.

before this month ends, you may be trying or planning to move to a new home or places. this changes the location and is gonna bring good freedom to you. you will feel very happy about its surroundings. a short trip will bring bliss and peace into your heart. there are more exciting events happening to you before this month ends. yellow, brown or orange is your significant color for this month theme.

© thecelestialperiwinkle

[uyuforu]

Jungkook's Natal Chart: Virgo Mercury 8H, 7°

₊ ⊹ ALLEGEDLY FOR ENTERTAINMENT PURPOSES ONLY₊ ⊹

Gif found on Pinterest

Other posts you could like:

જ⁀➴ Jungkook's SRC 2024-2025

જ⁀➴ Jungkook's LRC 2024-2025

જ⁀➴ Jungkook's Mars

READINGS BOOKING OPEN

email adress: tarotjunoboda@gmail.com

Soft To You presentation and Q&A ᡣ𐭩 rules ᡣ𐭩 private readings reviews

astrology menu ᡣ𐭩 tarot menu ᡣ𐭩 special astrology & tarot readings

support the creator: paypal ⟡ buy me a coffee (tip) ⟡ tipeee

Mercury is a planet that will represent our communication style, our voice, how we express ourselves, what we think about and talk about the most, how our minds work, etc.

Mercury in Virgo

JK's Mercury is in Virgo, which means he can be quite smart in general. Even if it’s a different kind of smart, he can just be smart even in his own way. Or you could feel like he is quite smart even academically. That means if JK has a strong interest in something, he will usually have less hard times to study it or learn it. Mercury being in his 8H with Virgo placement makes him want to know EVERYTHING about subjects he loves. Usually, those people can love animals and plants, but also nature. JK can love to organize and can need it when he works or studies, because he could work better this way. He can usually even like to organize everything in his life, because it can even help him to memorize things. So anything unpredictable or anything (or anyone) that is chaining in his habits and organization can be quite stressful for him. JK can be quite logical in general, or he could just act and speak in a very logical way, and he could come off as cold or detached sometimes. He is good at analyzing people as well, so he can usually read people well. He wants to be seen as smart and he always want to learn more because he wants to improve about his knowledge. Usually, those people love to each compliments about how smart they are. He also likes to correct people when they are wrong. Though he usually isn't good at taking criticism because he feels like he isn't good enough, and he should have known. We can often see that how JK can even often be his worst critic, always thinking he is never doing good enough. He often self criticizes and he can put some pressure on himself often. 

Mercury 8H

Mercury in the 8H here makes JK's mind more deep than what we can think. I see often people saying JK can't lie, though this placement suggest JK is actually very good at keeping secrets. I am not saying he is a liar, but he just knows what to say and what to not say. He is def smart, and he is smarter than what people give him credit for. JK may actually enjoys people not exactly knowing him, he may be quite secretive. Mercury in 8H are very focused people; they are quite quiet with people they don’t know. If there are things they don’t want to reveal or talk about, forget about it because you will never know, like ever. JK doesn't like change much. He is def cold and will actually never talk to someone he hates. He can also be quite shy and won't talk much if there is someone he doesn't know. But he is very nice and generous with the people he loves. No fake with him, he will say things directly and be blunt. If he argues, he can indeed be aggressive with his words and the way he says things. He is collected and calm, knows how to translate his emotions in a logical and understandable way. JK could have a hard time with writing his emotions, or just translating his emotions with words. He can feel it's hard to express those, but easy to feel. So Art can actually help JK a lot on this. JK may care a lot about what he has and possesses, and he may talk about it often. This can also be a placement that can seem materialistic, but it’s important to talk about those things for JK. He can be very good at negotiating, and He handles money pretty well. Jungkook doesn’t speak for nothing, he will only share his ideas and thoughts if he does have some. He won’t make conversations if he doesn’t want to. 

Mercury 7��

Mercury in 7°, a Libra degree, makes Jungkook very easy going, nice and very charming in the way he speaks. He speaks with a light voice a tone that is charming and melodious. He is someone very polite and hates rudeness, but also injustice. So, he will always try his best to speak in the fairest way and the nicest way possible. So even when someone is rude to him, he will try to “kill them with kindness”. He is the kind of person to love to listen to people. Also, he is very good with words, and how he uses those. He wants to make sure whatever he talks about will be pleasant for the other person, but that the way he speaks will not hurt a soul or not hurt anyone in this case. In the end, he is making sure that the conversation he has and how he talks will never cause an argument. 

Thank you for reading!

support the creator: paypal ⟡ buy me a coffee (tip) ⟡ tipeee

back to index ; ask ; request ; rules

[midnight--sadness]

1930’s mob au Inhun…. Gi-hun runs a restaurant that’s in the mob’s territory, and he has to pay monthly protection to the mob so they won’t damage his storefront. The food is good but Gi-hun’s stress makes the quality decline, especially after his wife leaves and his debt to the mob keeps on piling up and up.

One day, a handsome stranger comes to his restaurant. Gi-hun is sure that this man is from the mob and here to hurt him for not paying his debt, but goes to meet him anyway.

The man introduces himself as In-ho, and says that he’s the head of the mob now that Oh Il-nam has retired. He says that the mob’s protection fees now aren’t mandatory, but will provide protection from cops, other gangs, and even disasters. He wants to help his community, especially since he grew up on the streets. Gi-hun is speechless already, but then In-ho takes his hand, squeezes it, and tells him that his debt is forgiven. It’s enough to make him start crying. Before In-ho leaves, he runs back to the kitchen and makes him some food, packs it up to go, and gives it to him on the house. In-ho takes it with a smile, then leaves.

He’s back the next day, ordering the meal Gi-hun cooked for him the night before. He says it’s the best food he’s had in a while, and it pales in comparison to the food people serve in those really fancy restaurants. Gi-hun admits he’s never been to even a nice-ish restaurant in years because he’s never had enough money. So, the next day, In-ho comes in and orders his favorite, and pays for it with a box of pasta from a really nice Italian place on the other side of town. They start eating together after that, and In-ho watches as Gi-hun’s mood and health slowly improve.

It’s not long before In-ho starts to shower Gi-hun in gifts. He gets Gi-hun a nice coat, leather gloves, and sturdy boots. Gi-hun jokes that he’d get him anything he looked at for too long, and In-ho responds by getting him a silky, orange dress he saw Gi-hun staring at for too long. He also starts pulling strings to get his restaurant to be more successful. He convinces a food critic to go to his restaurant, and the positive review drives a ton of business to Gi-hun. Gi-hun asks In-ho how he could ever repay him, and In-ho suggests they get drinks together. Gi-hun shows up to the date in his orange dress, and In-ho realizes then and there that he never wants to let Gi-hun go.

They don’t even make it to the bar. In-ho tells his driver to go take a smoke break, and rails Gi-hun in the back of his car until Gi-hun’s legs are shaking

this is amazing anon 🫶🫶😩😩😩😩

the silk orange dress is going down in history....... inho makes sure gihun always wears it around bc it gets him going (👀) like nothing else

[bonnibellexox]

Constructive Criticism and Shame

You know what’s fucked up? The culture around criticism. If a young artist says that some criticism got to them in any way, waves of people will come out telling them “That’s life” “That’s how to industry works” “You’ll never make it if you can’t handle this.” But in the industry, you'd be making money and getting good reviews as well. There’s a difference between an in-depth review that appreciates all the beautiful details while also providing some professional insight and opinions in the hope that the creator might learn and do better next time.

Unless you're getting cancelled, you can expect a decent balance of good and bad. But what person on Earth is going to be untouched by nothing but insults? Not critique, insults. People ripping your work to shreds and saying you have no talent whatsoever and should give up forever. More than just calling you a name, they go into every detail and tell you how unbearably awful it is. Silence from the people who do like what you’ve done, leaving only the people with enough time to go harass small creators every time they make something with no intention of trying to help them improve.

There’s a difference between having a mental breakdown because someone says you made a typo and waking up to nothing but dozens of ruthless insults.

Don’t let Tough Guys force you to never be hurt when someone is cruel and attacks your passion directly. I’m sorry that happened to you, it sucks even if its to be expected. Don’t let them stop you ❤️

[olderthannetfic]

https://olderthannetfic.tumblr.com/post/758964492351799296/ httpsolderthannetfictumblrcompost75863697332#notes

preface, I'm not arguing about the current ongoing war situation. I only mentioned war so that people who filter out the word have their filters catch it. I'm also only commenting on XJZs behavior on the basis of using that kinda language. One bigger incident I've seen of XJZhao getting a massive wave of criticism was using "blood libel" against a Jewish follower, when they said they wouldn't buy their next book. XJZhao: "I don't want your blood money." Once again, think what you may of the current situation, or if you're on either the person's or XJZhaos side.

All that said, using a stereotype or a racist slur against someone because you feel they (as an individual) are an appropriate target is not ok. You don't get to replicate racist, discriminating, hateful and damaging words, phrases or stereotypes which attack an entire group, just because you're mad at one specific person, and then pretend it doesn't affect an entire group of people. No not even if you're POC, you don't need to be a armband wearing moron or a white hood cross burning swine to be sit at that particular kinda table.

If you're angry at a black person and use the N-word. If you're angry at a single queer person and use the F-word. You catch my drift, that's unacceptable, and would immediately get you labelled, and rightfully so, a racist, or queerphobe. Before anyone pulls that maybe they didn't know card, if someone unknowingly says something racist or queerphobic, do we just give them as pass, or do we call these people out? We still criticise people who use racist stereotypes, even if they didn't know, because this stuff should be called out regardless. Apparently that caused quite a stir, especially completely unrelated Jewish followers. Even those that are neutral/non-political or even on XJZhao's side. 👁👁

And obviously their ongoing beef with random people who criticize their online presence. XJZhao's main tool has been making tiktoks, and insta posts where they take screenshots and post the full online name and clearly invite their followers to harass them, or even tell them to blacklist and find people related to the target. Even sending their followers after someone who basically repeated exactly what XJZhao said themselves, that they missed deadlines and started fighting with their publisher. Just that they also pointed out how much leeway XJZhao was given compared to what's normal, and was still complaining. 🐧

Some of their tiktoks against the criticisms have also been just been very petulant. This one I relate to a bit lol 🤔 Such as the tiktok/yt short where they tell everyone who criticised or commented on the very blatant Darling in the Franxx story beats that "Akshually, the makers of DitF said I was all good." Yeah, that's fine, most people don't care about that though, they're commenting on how obvious the story elements were copied. It isn't always bad, many reviewers were neutral, some critical on how blatant it was. It doesn't matter if you got the green-light, it's still going to be something that might irk people because anyone who copies another story's story beats in such an identifiable way is gonna be called out at some point. That literally happened to every Hunger games, Twilight and HP clone. 🤷‍♀️

--

My dim memory is that XJZ literally said the initial plotbunny was a response to Darling in the Franxx in a youtube video long before the book came out. I think they should calm down and take some time away from toxic social media for their own good. (And yes, I do think they're acting antisemitic and getting a pass because online lefties often give people a pass for that when they wouldn't for other bigotry.) But I don't think it was any kind of secret that it's a blatant response to that series.

I haven't read the actual book. Does it come across as just a repeat? My impression was that it was supposed to be more of a critique/reaction.

[smoothestjazz]

Games criticism is dead, and it's no one's fault. Speaking as a former freelance game critic, here're the major issues I've noticed recently.

1. Reviewers tend to review based on how subjectively fun the game is, not the objective measures of what the game does for the genre, whether it innovates, does anything new, is well crafted, or perhaps most important: whether it achieves what it set out to do. A good critic should, in my opinion, weigh both subjective and objective factors when reviewing games. This is something the film critics have figured out, but not so with game critics.

This has led to, in my personal opinion, polished mediocrity being lauded, because it's "fun", even when the game is objectively doing nothing for games as a whole, or the gamer in any meaningful way.

2. Reviewers are afraid to give bad scores for two reasons. Firstly, they may personally know the developers (online or otherwise), or are at least in an accessible place for the developers to speak to. I can personally speak to developers speaking to me or about me twice when they didn't like what I said about the games in reviews.

Secondly, reviewers are afraid of public reaction to the review. Developers are still receiving death threats when their games don't meet audience expectations; likewise, a reviewer who isn't a fan of a popular game may also see harassment campaigns. These factors make it difficult for a reviewer to deliver a perhaps correctly earned 2/10.

3. Game reviewing and journalism publications are dying. They're being bought up by big corps, and many are being shut down. This has resulted in a laser focus on the games big sites will cover, and not more niche areas.

(To briefly tangent, I wrote for a wargaming site back in the day. The site did okay but wasn't massive. It was bought by a large gaming publication; soon, one of the few review/ journalism wargaming sites shifted focus from wargaming to Dungeons & Dragons, Magic the Gathering, and Pokemon guides. There are scant few sites that even review wargames left now, resulting in less "professional" articles being posted. Us freelancers don't have the money or necessarily the time to buy and write about the big games of the genre without a site to support us.)

The focus on AAA games by these sites lessens the breadth of what the sites will write about... and lead to less challenging writing about the games. Negative, thoughtful pieces of criticism don't generate clicks as much as guides do; this is a fact I was expressly told by my former editor. This being the case, it's not in big gaming sites' interest to write negatively about games they may be able to write guides for, which would generate more revenue.

In essence, I don't believe games journalism is in currently in a place to contribute anything to the medium. There are too many factors limiting the journalists themselves from being able to actually *criticize* what they're writing about. It is unsustainable in the long term, and I'm afraid the remaining serious review sites will be subsumed into the morass of guide-churning sites that masquerade as "journalism".

[mossy-green-aka-ferrythem]

I'm actually kind of done with Limbus Company mechanically speaking.

Got no incentive to return. Especially since the game has felt so frustrating to me recently in terms of how it's designed.

It feels like they're kind of designing it in a way that takes most of the fun out of it. Overpowered IDs, and a game that's rather solidly stuck to a meta doesn't do it for me. Sure you can win with other IDs, but those typically go under the label as "Challenge Runs".

Also like. It feels like they're going deeper into Gacha Hell. Even if it's like "Oh we need more money to do more things." It's like. I haven't seen that much that's that enticing to me. The Arknights crossover seems cool, but like. Sure Arknights seems thematically interesting but my friends have told me plenty about it and like. It's a gacha. It has problems.

Anyways, pretty early morning rant so not the most cohesive.

But like.

My big thing is that in my experience? Limbus Company fans will deflect ANY criticism of the game. Like. I don't hate Limbus Company. There really is a lot to love. But my god. The more I voice my frustrations with the game only to have them shot down, the more my discontent for this "game" grows. I feel like in a lot of cases, a story having a good ending can make people forgive shortcomings it can have. The shortcomings here being mostly gameplay oriented, which I will cover in my current review of it down below.

Also. I can't help that Limbus Company is getting dangerously close into a pay-to-win category. Eh. Sure you can contest me on this point but I think it's a bad thing where something you pay for in a F2P game gives you easier wins, with some truly powerful EGOs. Feels counterintuitive to a lot of practical game design.

I feel like a lot of the game can feel like that more and more even. Even more of the game feels designed around IDs that are the strongest of the strong, and I dislike the meta around strong units, since they are quite difficult to get, something you have to go out of your way for...

COMPARED TO LIBRARY OF RUINA WHEN THEY WERE JUST ORGANICALLY PART OF THE FUCKING GAMEPLAY!

Anyways I should wrap this up.

Very in-cohesive rant. Early in the morning. But. These feelings are my own.

I'll end if off with a review:

Lobotomy Corporation. A favorite of mine. Janky, obtuse, but so alluring in its design. So captivating, and so amazing. To slowly whittle away at it made me feel like an artist, like a woodcarver, slowly chipping away at a chunk of wood, until I have finished what I set out to do.

Library of Ruina. While I don't talk about it much, and have gotten bad at articulating it. This game means so fucking much to me. I love how there's so many weird strategies in this game that genuinely work in such a beautiful way. Even though this game has a sort of meta, I think it works in a satisfying and beautiful way, and when your entire deck is made up of those who exist at the apex of the City, it feels amazing. Truly amazing.

Limbus Company. In the past, while I don't do review scores, since I believe they're counterintuitive when it comes to making game critiques, I do give them sometimes. When I was still playing Limbus, I gave would give it a 7/10. A farcry from what I thought about LobCorp or Ruina. While I love the stories (even if I have some story based critiques here and there), the story is not enough to carry an experience that overall, is rather frustrating, and arduous. Many fights have polarizing clashes, where it is either just an easy slog you can do in your sleep, or is just simply, bullshit, with enemies that clash too high, and occasionally, negative coins, which punish you for like. Daring to actually engage with the mechanics in a way that make sense. It's like. If you're struggling with an enemy who's consistently clashing higher than you, your priority should be lowering the meter that makes them clash high. Enemies like Pequod Town villagers or Distorted Bamboo Hatted Kim completely destroy this philosophy. Just for an example. The big thing is, I have so, so many issues with Limbus Company that what would normally be a cohesive review quickly devolves into a rant about all the things I dislike about it.

What really gets me? A refusal for the game's fanbase to engage in actual criticism of the game. I mean look at their reaction to people leaving negative review scores on changes that, if I'm being honest, are changes I would consider bad. It's all about the "scary chinese players trying to hurt are hallowed project" rather than actually engaging in criticism of the game. Ugh. It's just. A lot. Issues with the game, that are reflected and exacerbated by the fanbase. Even people I hold in good regard as friends can be frustrating occasionally in this regard. Eh. It's just that. Yeah I love the characters and what not and love playing around with silly ideas for them, but playing with them feels more fun than playing the actual game itself.

As it stands, the review I would give Limbus Company, is a rare one where a numerical score reflects my emotions. 5/10. A glaring score of mediocrity, that only sours as the game continues to refuse to acknowledge or fix actual problems indicative to the game.

A game that builds it gameplay value out of obligation tied to upgrade materials and in-game currency, a game that is outcompeted by many other games with roguelike/turnbased gameplay in that department, so really, the only reason to play is an obligation for many people. An obligation that's not worth having.

[frutiylaris]

Warhammer 40K and 30K Masterlist (Update)

Hell again, this is an update to the warhammer youtuber masterlist that I previously created, it will focus on adding newer creators that were reviewed and checked. If you are confused, please consult the previous Masterlist post. Updated Scores: MajorKill 0/10 - Harassment, no matter the context or circumstance is not acceptable. I'd say do better but that discord and community he has is vile. A blight upon warhammer creators The Serpents Lodge [Removed] - After recent investigation, brought up with private concern from a blogger here. The lodge has been removed for their behaviour. New Creators added: Chaotic Voices 0/10 - Supporting harassment is frowned upon, no matter the context or circumstance. Live from the black library! 0/10 -I knew Chrono, at least by proxy, and whilst they were fine back then... information has been given to me that I cannot share showing me how horrible of a person they are. I'm sorry that your life is not great, but that is not a shield you can wield agaisnt criticism. Isyander & Koda 7/10 - Whilst there are minor errors here and there, probably one of the better "casual" sources of warhammer podcasts to get into. However, point deducted for giving community memes the time of day. Explaining Warhammer to my girlfriend 3/10 - I'm happy for them, I see them occasionally on the dash and the whole content idea works well for what they want from it, but you aren't a good source due to broad sweeping statements. Keep up the passion, though! Idiotic Synergy 5/10 - A wee bit cringe with the voice acting but good hearted and clearly enjoying himself, but please for the love of god stop with the femboy fulgrim jokes, it's not that funny. DreadAnon 0/10 - Thanks for the tutorial reminding me that Analog, delay and echo exist in Adobe Audition, but associating and spreading misinfo from the 'chudhammer' space is grounds for exilement. Adeptus Ridiculous 0/10 - I am biased against Bricky due to his networking with Vtubers, I despise Vtubers. However, this is judging a channels merits. The bookclub? A step in the right direction, but you've exposed yourself as an idiot for not reading ANY BOOKS. For someone who speaks so confidently and with gusto you sure are not qualfied to speak on anything except surface level stuff. But thats not my primary complaint, it is tertiary. My main complaint is that whenever the word 'female' or equvilant thereof it is nearly always in a sexual context and that rings alarm bells in my head. Also stop demeaning every fucking faction with those incessent perverted memes that wont DIE. I think devaluing the Tau only to sex jokes and gundam, as well as slaneesh, in relation to sex jokes, is terrible and has been a disaster for the wider lorespace and newer fans. Uncritically citing lexicanum, and at least, in one case plagerizing an entire page with only the barest of changes, HOWEVER! That may be a false positive on my end and as such will require further research for now it is [BEING INVESTIGATED] The shilling is also insane for videos, with ads, patreon, with an entire store page, you are giving Valrak a run for his polishing dorn's chainsword money. Unacceptable. Being a 'Lifelong' fan does not equate to you being qualified as you still get things wrong, at worse? Misleading, at best? Just marketing speak. Wolf Lord Rho & Valrak 0/10 - Guy's, I understand you are passionate, but stop the shilling, please. 40K Theories [Remleiz] 6/10 - Focused on speculation and Theories, I have barely anything bad or good to say. He exist, he does what he sets out to do. Arbitor Ian 5/10 - I have nothing bad or good to say about Ian, stop getting into fights would one of them because Ian is not cut out for the internet slap fights- buuuuut it seems he has stopped doing so, so good job. The Pontius 0/10 - No, female custodes are not some blackrock psyop meant to make warhammer woke and gay. The only thing you are doing is getting scared of shadows and believing lies.

GW is a company at the end of the day and I am not sorry that you think women as a whole are not allowed in the hobby. Boohoo, grow up. [Version 1.1 Update] If you have any suggestions, arguments or rebuttals, please comment and explain why to the best of your ability. That is all, thank you for your time.