#crescent's text posts

[crescentdream3r]

Round 3 is so, so terribly heartbreaking to me. Hear me out on this.

Imagine being Ivan. You've been given the once in a life time opportunity to escape your captors, but not only that - you have the chance to escape with the person you love the most. After having freed them from their restraints, you take their hand and seize the opportunity to leave amongst the chaos.

They're delighted. They're so, so excited to be free. They've yearned for the feeling of liberty too - or so you think.

Something seems to hit them, and they let go of your hand.

They're not ready for this. They're not ready to leave. They're not ready to be on the run - they're not ready to leave familiarity behind.

Most of all... they're not ready to leave the person they love the most behind.

And you know that person isn't you.

You can only glance at them in surprise as they let go.

And run all the way back to your captors.

Back to her.

Escape is so, so close. You can practically feel it on the tip of your fingers, your bones, your chest, your throat, your skin, in places you cannot reach and can only feel; and yet, you know you cannot go.

Even though escape is so close, it feels wrong.

Because you could never go without him, and he would never go without her.

And so, you don't. You follow him, and slip back into the garden.

You know you won't be given a chance like this again. And you're right. You're never presented with the opportunity again.

But even if he never returns your love - as long as you're with him, you're free.

And that, that you can accept.

[flummoxx]

somebody give cloud a break😭

[unknown-lifeform]

Final Fantasy VII text posts (part 22)

The only reason Lucretia isn't broadly accepted as a mad scientist is that Hojo was there establishing his unethical dominance in this essay I will-

[Previous parts]

[ask-thearchivists]

So, coor. What was your parent like?

Uncle Coor: Ah. Yes, my parent. They are quite old, and have been a caretaker for a very long time. I believe they are nearly a Ring old. Mmm...I will have to contact them soon to congratulate them. Why the sudden curiosity? Have you not asked my niece and nephew about what it was like living in the Illusory Galaxy when they were young?

The Coordinator: Oh I would love to talk about it! I have not spoken to grandren for so long, so I will need to contact them soon as well. They were always willing to watch him and I, but our parent was typically able to keep an eye on us so we did not have much time spent with them without xem there. Though they would always mispronounce both of our names, which made renny much more angry than I thought was necessary.

The Charmer: Hmm...you know, I don't recall much of that but I think I could guess why them saying our names wrong made xem upset.

The Coordinator: Oh? Why do you think that, sister?

Uncle Coor: I will enlighten you. Do you remember how to pronounce my and xyr names?

The Coordinator: Yes, of course I- oh.

[garbagechocolate]

Hey... I heard you like Epic the musical...

Neb recently got me into it

Ough... thungerre bringerrrr

[the-total-i]

Moar FFIX

[freaky-flawless]

I got a few blank Littlest Pet Shops off of Aliexpress, and I can't decide if I wanna paint the cat one to look like Toralei or Crescent.

[skinnyhyena]

I always forget just how ultra magic fascist the Crescent City world is until I start reading again. And how realistic. Dividing people by race and causing infighting to rule them? Never seen that before

[i-would-rather-be-a-fairy]

Hunt and Bryce are canonically big boobs x big boobs solidarity

[princerobot-iv]

✨️💗🌌🪐💫🛸🌙 book illustration inspired by the third Lunar Chronicles book, Cress! It's my favorite of the series & I think about Cress and Thorne multiple times a day <3

[crescentdream3r]

hi mutuals. I appreciate you

[ollylotl]

AVA AND LIZZIE SKETCH PAGE!!!!!!!!!!!!!! All the writing is song lyrics from my playlist for them. Close ups and list of songs used below the cut.

Songs used (in no particular order): - Sorry by dodie - in the wake of your leave by Gang of Youths - The Louvre by Lorde - Talia by King Princess - Crave by Paramore - October Passed Me By by girl in red - Renegade by Paramore - Icarus by Bastille - Francesca by Hozier

[sbnkalny]

Reverse turing test: appear like an Hourglass, it's ticking like a clock. it's a type of corn. dan Evans makes 'documentaries' about Norfolk (UK). in his video "BEST of Norfolk (part 1)" he talks about things the wrong way? I am playing The clarinet.[7] However, he is left to do!

[falandoemtefinie]

Exposta para a lua 🌙

Eu comecei a amar a lua quando ela me viu pela primeira vez nua. Eu estava molhada dos cabelos aos pés, sentindo o vento frio no meu corpo desnudo e minha cabeça erguida para o céu, admirando a lua escondida atrás de uma nuvem fina. Tímida em toda a sua magnificência.

Ela parecia uma lâmpada iluminando a minha vida. Beleza alva, cintilante, parecia uma santa. Eu nunca amei ninguém como amei a lua.

Sempre vivi acanhada, olhando para os meus próprios pés. Meu mundo era irreal, não tinha noção da beleza que me rodeava. Quando olhei para a lua, eu senti que ela me olhava de volta, admirando o meu corpo nu. Mesmo misteriosa e sombria, não tinha vergonha de me expor para ela. Até que a nuvem que a cobria se afastou e ela se expôs também.

Amo a lua porque ela me fez perceber algo que ninguém nunca ousou: eu estou viva, rodeada de vida e beleza.

[thewriteadviceforwriters]

Beginners Guide to Descriptive Sentences

Hi writers.

I’m Rin T, and in this post I’m excited to share with you a detailed guide on how to craft vivid descriptions and descriptive sentences for your writing. I’ve long believed that descriptive writing is the magic that turns ordinary text into an immersive experience. When done well, every sentence acts like a brushstroke that paints a scene in the reader’s mind.

──────────────────────────── Why Descriptive Writing Matters ────────────────────────────

I have seen how powerful descriptions can engage readers and establish a strong connection with the narrative. Descriptive writing is not simply about decorating your work; it is about building an atmosphere that transports your reader to a world. your world.

When you write descriptions, remember:

You are setting the tone.

You are building a world.

You are evoking emotions.

You are inviting your readers to experience your story with all their senses.

──────────────────────────── Step-by-Step: Crafting Vivid Descriptions ────────────────────────────

Below are my personal tips and tricks to help you build detailed and captivating descriptions:

Begin With the Senses

Description does not solely depend on what the eyes can see. Consider sound, smell, taste, and touch. For instance, instead of writing “The witch’s hut was eerie,” try elaborating: “The witch’s hut exuded an eerie aura. The creaking timber and distant echoes of whispering winds mingled with the pungent aroma of burnt sage and mysterious herbs.” In this way, you help the reader not only see the scene but also feel it.

Choose Precise and Evocative Language

Precision in language is vital. Replace generic adjectives with specific details to boost clarity and imagery. Rather than “The forest was dark,” consider: “The forest was a labyrinth of shadowed boughs and muted undergrowth, where the light barely touched the spindly branches, and every step unveiled whispers of ancient spells.” Specific details create tangible images that stay with readers.

Show, Don’t Just Tell

A common mistake is to “tell” the reader how to feel, rather than “showing” it through context and detail. Instead of writing “It was a spooky night,” immerse your reader: “Under a pallid crescent moon, the night unfurled like a canvas of foreboding whispers; broken branches and rustling leaves narrated the secrets of a long-forgotten curse.” By showing the elements, you invite the reader to experience the fear and mystery firsthand. (You don't need to be as dramatic as my examples, but this is simply for inspiration)

Use Figurative Language Thoughtfully

Metaphors, similes, and other figures of speech lend an artistic flair to your descriptions. When writing about a scene in a magical world, you might say: “Her eyes shone like twin beacons of moonlit silver, cutting through the gloom as if to part the veil of night itself.” Such comparisons evoke emotions and deepen the reader’s connection with the scene. However, be cautious not to overdo it; a little figurative language can go a long way.

Strike a Balance Between Details and Pacing

While elaborate descriptions are alluring, too many details can weigh down your narrative. Consider introducing the broader scene first and then focusing on key elements that define the mood. For instance, start with an overview: “The village lay nestled between ancient stone arches and mist-covered hills.” Then, zoom into details: “A solitary, ivy-clad tower sent spiraling tendrils of mist into the twilight, as if guarding secrets of a long-lost incantation.” This technique creates a rhythm, drawing readers in gradually.

──────────────────────────── Practical Exercises to Enhance Your Descriptive Writing ────────────────────────────

To help you practice these techniques, try the following exercises:

Sensory Detail Drill: Select a familiar scene from your fantasy world (for example, a witch’s secluded garden). Write a short paragraph focusing on each of the five senses. What do you taste as you bite into a magical fruit? What sounds resonate in the quiet of the enchanted night? This drill helps you to avoid flat descriptions and encourages you to integrate sensory experiences.

Revision and Refinement: Take a simple sentence like “The night was cold,” and transform it using the advice above. Rework it into something like, “The night was a canvas of shimmering frost and darkness, where every breath of the wind carried a hint of winter’s sorrow.” Compare the two, and notice how minor adjustments can dramatically heighten the mood.

Peer Review Sessions: Sharing your work can offer invaluable insights. Exchange your descriptions with fellow writers and ask for focused feedback, Does the description evoke the intended emotion? Does it deliver a clear image? Use these sessions as opportunities to improve and refine your craft.

──────────────────────────── Common Pitfalls and How to Avoid Them ────────────────────────────

Through my years of writing, I've learned that even the most passionate writers can stumble. Here are some pitfalls to watch out for:

Overloading With Adjectives: While it’s tempting to create elaborate descriptions, too many adjectives and adverbs can distract rather than enhance. Aim for clarity and purpose in every word. Instead of “a very dark, spooky, frightening forest filled with creepy sounds,” try “a forest shrouded in ominous silence, where every rustle hinted at unseen mysteries.”

Falling Into Clichés: Familiar images can sometimes render your work predictable. Try to avoid worn phrases. Instead of “as dark as night,” imagine “as impenetrable as the void that separates worlds.” Unique expressions capture attention and create lasting impressions.

Neglecting the Flow: Descriptions are vital, but the narrative must continue to drive forward. Check that your detailed passages serve to enhance the storyline rather than bog it down. Ask yourself: Does this description bring the reader closer to the action, or does it detract from the momentum of the narrative?

──────────────────────────── Advanced Techniques for the Aspiring Writer ────────────────────────────

Once you’re comfortable with the basics, consider these advanced methods to elevate your descriptions into artful prose:

Integrate Descriptions Seamlessly: Instead of isolating your descriptions, weave them into dialogue and action. For example, as a witch brews her potion, you might describe the bubbling cauldron and swirling mists as part of her incantation, not just as a standalone scene. “As she whispered the ancient words, the cauldron responded, its surface rippling like a dark mirror reflecting centuries of secrets.”

Reflect Character Perspectives: Let your characters’ emotions color the scene. If a character fears a looming threat, their perception will add a layer of tension to the environment. “I entered the dim corridor with trepidation, my heart pounding as the flickering torchlight revealed spectral figures dancing along the walls.” This technique makes the description both situational and personal.

Use Rhythm: The cadence of your sentences can mirror the pace of your narrative. In high-tension moments, short, abrupt sentences heighten the urgency. Conversely, in serene scenes, longer, flowing sentences can create a tranquil atmosphere. Experiment with sentence structure until you find a balance that suits both your style and the mood you wish to convey.

──────────────────────────── Final Thoughts and Encouragement ────────────────────────────

your narrative is your unique creation. you too will find your distinctive voice. I encourage you to keep experimenting with different techniques until your descriptions feel both natural and mesmerizing. Write freely, revise diligently, and most importantly, let your creative spirit shine through every line.

Thank you for joining me. I hope these tips can help you.

[die-auster]

Some "if Yue is alive and went travelling with the Gaang" designs

With a ton of text about cultural inspiration.

The main book 2 look

I wanted to show cultural differences between the tribes, so Yue's look is sort of Mongolian. There were Mongolian-styled hats in the Northern tribe, and Yue's dress under the coat looked like a Mongolian deel (thanks @atlaculture for all these posts about clothes and everything else!), so it's not much against the canon information.

So she's wearing a deel again with a second layer - there are chinese actors on photos as far as I know; I hope it's okay. One-shoulder silhouette refers to later Aang's clothes because Yue is still kind of a spiritual person (she wasn't a fighter, so I want her to have some other useful talent – not a bender or healer like Katara or a non-bender warrior like Suki). Violet, pink and white were originally her colors, no changes here. Three blue characters would be too much for a group of five, and total white is not practical at all. I like to think that violet color shows high rank in the Avatar universe; in the original series it was only worn by princess Yue, Kanna, the chief Hakoda's mother, and by king Bumi.

Yue's boots here are mongolian gutals/gutuls (the collage is already big, but I used them again for one of Book 3-looks).

Her hair become simpler – just two braids and a hairpiece, to match her previous decorated hairdo. I guess if she's travelling with the Gaang she's not that much of a Moon Spirit anymore (maybe she returned the part of the moon spirit that saved her and was healed other way?), so I decided to forego the moon-referring part. Also it will be easier to do by herself since she has no servants now... The headdress I took from modern Mongolian dancers; the front part is crescent-moon-shaped.

The Ba Sing Se dress

I fell in love with this Ao Dai dress, it's simple, long and elegant. But... it's mostly Vietnamese… and I'm afraid that it's modern and not historically accurate. Also it does not really go together with other Ba Sing Se dresses :( because I did not want to just copy-paste some background look. But there is at least one dress with a tail, thigh high slits and a standing collar on the dress underneath, so... I guess my choice is not that bad? The tail makes her look more royal. The fan is the same which Toph and Katara had. For the palette I chose Yue's white color with EK greens and warm yellow/ochre to match Katara and Toph. The hairdo is copied from the series; I chose one with the tassel on the right, to refer the NWT/Korean accessories.

The Fire Nation disguise

A confession – I don't like FN clothes. I wasn't sure if I would be able to do it properly, so I almost copied that attire (left one) – asymmetry, as a Thai touch, which again matches Aang's Invasion Buddhist-like clothes. The palette keeps Yue's signature white, with some pink of a warmer shade, as they wear it in the Fire Nation. And the "royal" long skirt, 'cause she's still not a fighter. The look is simplified so I could not keep zigzag ornament on her longyi skirt, therefore I moved it onto the top part.

I used Thai dancers jewelry and... flip flops? idk how they are called in Southeast Asia (don't like Sokka and Katara's FN shoes at all, why the design is so complicated?).

For covering her hair I used a turban, inspired by Myanmar turbans; a white one, so if some hair will show, it won't be too noticeable. Also Yue could still be easily recognised on screen/page by her white head. The long end of the fabric on her right resembles burmese hairstyle silhouette.

The Invasion-and-till-finale look

For her dress I used a deel (again); the sleeveless jacket is an hommage to her original design and has some Korean vibes, like Toph's Ba Sing Se dress (at least I hope so). Katara and Sokka's season 1 looks have Korean influence, so I guess it's okay. Gutals are from her Book 2 main look. I have a soft spot for them.

My favorite thing is her hair :)))) It's a mix of Inuit/Mongolian braids and a hairpiece, also from the Book 2 look. This time there will be more braids. Two on the front – I wanted to keep them from her original hairdo, but now they are braided together (I saw this on the Alaskan Inuit/Eskimo women photos). On the back there are five, inspired by a Mongolian hairdo for young unmarried girls, who wore multiple braids. I decided to make five, because Alaskian Inuit language uses this amount for counting and with two front braids it'll make seven, which is a lucky Mongolian number. And in theory a limited number should be easier to animate.

The post-canon noble look

After the final battle I thought Yue will come back to Agna Qel'a and become a more active political figure. I chose a white kuspuk (blue color is still for Katara and Sokka), showing that she is ready to lead her tribe after this journey, not the passive perfect princess she was before. "She is associated in canon with the masculine yang of the yin and yang and the moon which, in most Inuit and Eskimo cultures, is considered masculine as well. While white kuspuks are associated with men and specifically family patriarchs, a feminine kuspuk in white makes plenty of sense for Yue's character" – @mostly-mundane-atla helped me a lot with the cultural meaning of the clothes (I am so grateful!). Also it's an hommage to her total-white Moon Spirit look. And I changed her hair again to Greenland updo with two tied braids on the front – more complicated than the simple braids she wore during the journey. It looks formal.

NWT is less Inuit-inspired and has a strong Mongolian touch (to make them look more "modern"? dunno) but I guess the formal wear for the spiritual princess could refer to older traditions. Which should be the same with SWT, 'cause SWT was originally a part of NWT – or so I heard. For example, Kuruk, the NWT Avatar who lived about 400 years ago, has nothing Mongolian in his look.

All the looks are simplified to match the style of the original cartoon. I know there should be more details and embroidery, but my goal here was to draw something (at least theoretically) applicable for animation. And no Hahn's betrothal necklace of course.

Also I want to mention here other great Yue designs, since they are the inspiration behind the overall idea of the post – the moon looks and "Yue joins the Gaang" outfits by amazingly talented @chiptrillino.

P.S.: an important note

This is my first attempt ever to design outfits that could fit the world of A:tLA. I am not Asian or ingenious, not an expert in their cultures or costume history at all, not a professional character designer. I am just a fan who tried to create designs with respect to real cultures and people. Nothing here was supposed to be offensive in any way. If something still is – please inform me so I could fix it as soon as possible.

I hope, as a fan, I have the right to draw fanarts looking for an inspiration in the cultures that inspired the original cartoon.

If you see mistakes in my post, be it in drawings or a text, also feel free to tell me. I will deeply appreciate it.