DIY Glasses Chains for Your Kids: A Fun and Functional Craft Project
In today’s world, many kids need glasses for better vision. While glasses are essential, they can sometimes be a hassle to keep track of, especially for active youngsters. One creative and practical solution is a glasses chain. Not only do glasses chains keep spectacles safe, but they can also be a fun fashion accessory for your child. Better yet, making DIY glasses chains can be an enjoyable and…
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changes and trends in horror-genre films are linked to the anxieties of the culture in its time and place. Vampires are the manifestation of grappling with sexuality; aliens, of foreign influence. Horror from the Cold War is about apathy and annihilation; classic Japanese horror is characterised by “nature’s revenge”; psychological horror plays with anxieties that absorbed its audience, like pregnancy/abortion, mental illness, femininity. Some horror presses on the bruise of being trapped in a situation with upsetting tasks to complete, especially ones that compromise you as a person - reflecting the horrors and anxieties of capitalism etc etc etc. Cosmic horror is slightly out of fashion because our culture is more comfortable with, even wistful for, “the unknown.” Monster horror now has to be aware of itself, as a contingent of people now live in the freedom and comfort of saying “I would willingly, gladly, even preferentially fuck that monster.” But I don’t know much about films or genres: that ground has been covered by cleverer people.
I don’t actually like horror or movies. What interests me at the moment is how horror of the 2020s has an element of perception and paying attention.
Multiple movies in one year discussed monsters that killed you if you perceived them. There are monsters you can’t look at; monsters that kill you instantly if you get their attention. Monsters where you have to be silent, look down, hold still: pray that they pass over you. M Zombies have changed from a hand-waved virus that covers extras in splashy gore, to insidious spores. A disaster film is called Don’t Look Up, a horror film is called Nope. Even trashy nun horror sets up strange premises of keeping your eyes fixed on something as the devil GETS you.
No idea if this is anything. (I haven’t seen any of these things because, unfortunately, I hate them.) Someone who understands better than me could say something clever here, and I hope they do.
But the thing I’m thinking about is what this will look like to the future, as the Victorian sex vampires and Cold War anxieties look to us. I think they’ll have a little sympathy, but they probably won’t. You poor little prey animals, the kids will say, you were awfully afraid of facing up to things, weren’t you?
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Tim, secretly filming Batman on a rooftop in Gotham: okay guys, I’m gonna prove that Bruce Wayne is really Batman and Dick Grayson is R- (a completely new Robin runs by quickly) holy shit-? Did you guys just see that? The fuck was that thing?
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1. so like. maybe jeremy’s dad is the man his mom cheated with. maybe jeremy only shares a mom with his siblings. maybe he learned it the hard way. maybe he blew up at the banquet and spilled the beans of his mother’s infidelity. maybe.
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