#covid conscious boy

[motherearthlovesus]

italian summer nights w/ theo

🫒🥂🌛

[circasoleil]

New « Draw your OCs » but it’s just me at my last drag show (with a copious amount of nasal spray used to keep myself safer!)

[zoeyblueart]

I want to start drawing ns/ft art again so I’m uploading some old stuff to see if it gets any interest

ID: a digital not safe for work drawing of a tan feminine presenting man. Their blond hair is pulled back with black bunny ears and a clip with three red hearts on it. They are wearing a white lacy see through cami and black see through gloves that go to the upper arm. Their panties are opaque black and below them are thigh high black see through lacy stockings with rose designs. Their body is facing away where the main focus in on their butt and upper thighs and they are twisting at the hip to look back and down at the viewer with a smirk while holding the bottom of the cami slight away from their body. The background is a light blue with gritty texture.

[disasterhimbo]

I’m really sad I have to wait until [unknown date] to see The Boy and the Heron because it’s only being released in theaters and it’s not safe for me to go to the theater anymore :/

[muskpunk]

yooooooooo 5am ptsd flashback gacha pulls just dropped wooooooo yeah lets go gamers!!!!!

[clanoffelidae]

Happy one year anniversary to the night when I really, really should have called an ambulance and only woke up again the next morning by divine intervention. <3

-takes a deep breath- love being able to do that <3 <3 <3

[our-transmasculine-experience]

transmasc question i’m genuinely confused about

for guys/people who’ve gone on T, how bad is the “boy stink”? like does deodorant not cut it?

i’ve heard a lot of people talk about it but i’m super self conscious about how i smell and it might be a genuine dealbreaker for me if it’s not manageable, just wondering how that sort of goes for you all (sorry if this isn’t the place for this /gen)

uh i would love to answer your question but i have absolutely zero sense of smell (guys it’s not covid i promise i just never had a sense of smell) so i cannot help you

however, if anyone else can help please comment or something

[redgoldsparks]

May Reading and Reviews by Maia Kobabe

I post my reviews throughout the month on Storygraph and Goodreads, and do roundups here and on patreon. Reviews below the cut.

The Crane Wife: A Memoir in Essays by CJ Hauser 

This essay collection focuses on human relationships, many of them romantic, but also with grandparents, parents, sisters, best friends, COVID-isolation pods, and with the children of romantic partners from previous relationships. The title essay interweaves the experience of a broken engagement with a scientific expedition to study the dwindling population of whooping cranes in the Gulf Coast of Texas to devastating effect. Another experience, covering the DARPA Robotics Challenge trails, in which teams test out potential robotic first responders, speaks to the author's own desire to both save others and be saved by a string of problematic men. The author dated a lot of men and a few women in their twenties and processes them through the lens of media (the film The Philadelphia Story, the TV show The X-Files,the novels Don Quixote, Rebecca, We Have Always Lived in the Castle) and the perspective gained with time. I really loved this whole collection, but the piece that keeps rolling around in my mind is "The Fox Farm", about trying to recreate an archetype of a child's fantasy house (full of animals, friends, gardens, infinite rooms) in real life as an adult. I left this book wanting to know more- when did the author start using nonbinary pronouns? Have they resolved their feelings about their tits? Is that guest room in their big upstate New York house still available for visiting artists, and if so, how do I apply for the position of resident writer/new friend?

American Teenager: How Trans Kids are Surviving Hate and Finding Joy in a Turbulent Era by Nico Lang

Queer journalist and author Nico Lang traveled around the US to meet 11 families of trans teens and see how anti-trans legislation is impacting their daily lives. Each family has different circumstances; one teen fears his top surgery will be indefinitely delayed, while another had surgery already and has joined the boys swim team at his high school. Some teens are moved to become activists while others want to just live their normal, low-profile lives. With humor and compassion, Lang shows trans teenagers as they really are: kids trying their best, day by day, to grow into their truest selves and fullest potential. The various chapters are by turns deep, silly, introspective, sweet, and smart, just like teens themselves. I was able to read an advanced copy of this book- pre-order it now, or look for it on shelves in October 2024!

Fool’s Assassin by Robin Hobb read by Elliot Hill

NO ONE IS DOING IT LIKE ROBIN HOBB. NO ONE! After a disappointing journey up the Rain Wilds River, baby we are BACK! And by back, I mean, back in a first person POV and back with FitzChivalry, one of my literal favorite fictional characters ever. This is the 7th book about his life, and the 14th overall book in this series, so I won't be summarizing it. Let's just say that Fitz found his happy ending (minus a few key soulmates) and then his life kept going. More problems, more politics, more magic, maybe stranger than ever before. A new character introduced in this series swept in and stole my heart. I can't wait to dive into the next book very soon!

Rose/House by Arkady Martine read by Raquel Beattie  

A brief murder mystery set in an fully conscious AI house in the southwest desert. This story feels in conversation with Ray Bradbury's story The Veldt and has many elements I enjoy, but a somewhat unresolved and slightly unsatisfying ending. I'm honestly still simmering on my thoughts, but looking forward to discussing this in book club soon! Edit post book club: a discussion helped me clarify what I thought was working in this book (tone, setting, themes) and what was not working (too many red herrings for such a short book, and an ending twist that seemed to undercut the book's main premise). I still think it's worth a read for Arkady Marine fans, but it is not as strong as her full length books.

Dances of Time and Tenderness by Julian Carter

In 2016 Julian Carter, a queer author and long-time participant in San Francisco's dungeon kink scene, received an invitation to be part of an archival matchmaking project. The project paired artists, activists, and scholars with specific issues of OUT/LOOK: The National Lesbian and Gay Quarterly. The assignment was to use the issue as a jumping off point to think about queer history and make something "new and provocative." Carter's assigned issue was from Winter 1991, the year the CDC announced 1 million American were HIV positive and AIDS was the 3rd leading cause of death in people aged 25-44 years. One of the many who died in 1991 due to AIDS related complications was Lou Sullivan, one of the first trans men to publicly identify as gay. From this starting point, this book traces paths of queer lineage, both proclaimed and obscured, traveling through history, memory, and poetry. Carter is linked, through friendship or scholarship, to Susan Stryker, pioneer of transgender history, to Zach Ozma, who edited Lou Sullivan's diaries for publication, and to Lou himself. Casting a transgender eye back on a queer history divided sharply into gay and lesbian, Carter allows himself to claim as ancestors sailors, skeletons, writers, lovers, and reaches forward in time towards students, readers, and artists. Including me. I was fortunate enough to be gifted an early copy by the author, and read it back in February back in one delicious rush. I already want to read it again, and more slowly, this time underlining and annotating it. This is a book to savor, but is easy to devour instead. It's sensual and surprising, formally precise, and made me want to dig around in a mess of queer historical papers and also contribute my own to the pile. It's out on June 4, 2024; give it a pre-order or look for it on shelves soon!

49 Days by Agnes Lee 

Kit, a young Korean American woman, wakes up on a beach with a map and a watch telling her she's already late. For days, she clambers over rocks and up trails, reaching for an undefined goal. Slowly, the book begins to flash back to Kit's childhood and family, the people she loved and left behind after her accidental death. In Buddhist tradition a soul travels for 49 days before rebirth, and this book follows one version of that path, the grief and slow healing that follow a loss. Drawn in a very simple yet evocative style, the spare ink lines and limited color fill this journey with meaning.

Early Riser by Jasper Fforde read by Thomas Hunt 

What a bizarre and delightful novel. It's set in an alternate history in which ice-age level cold spells cause the majority of humans to hibernate every winter, which has ripple effects on the development of technology, societal rules, culture, and family structures. Charlie Worthing was born in a "pool" in the independent nation of Wales, or a group home in which nuns dedicated to reproduction birth and raise dozens of children, in returns for credits from those who can't or don't want to have their own kids. Charlie has very few job prospects, especially ones that will give him access to morphanox, a drug which helps most people survive their months-long winter sleeps. The drug also turns about 1 in 3000 into a brain-dead zombie, but this risk is considered better odds than sleeping without it. So Charlie volunteers for the Winter Consuls, the law-keepers and problem-solvers who stay up all winter to safe guard the majority. There he has to face the three well documented dangers of winter- Vacants (zombies), Villains (the British) and Winter Volk (fairies, whose reality is debated), as well as rumors of a viral dream. The humor in this book is a close cousin to Terry Pratchett's work, in which absurdity and invention mask some pretty biting social commentary and anti-capitalist motives. I did think some of the twists at the end didn't quite pay off, however, I had such a good time with the ride this book took me on that I'd still recommend it.

Blue Flag vol 2 by Kaito 

This vol has already taken a kind of melancholy, bittersweet narrative tone which might put me off the series. I still really like the characters and overall think the writing is very effective, out I wish the humor and sweetness of book 1 would last farther into the series!

Critical Role: The Mighty Nein Origins: Jester Lavorre by Sam Maggs, Laura Bailey, Matthew Mercer, Hunter Severn Bonyun, Cathy Le, Ariana Maher

Short and sweet, this prequel comic shows Jester's first meeting with The Traveler, the prank that caused her need to flee from Nicodranas, and a window into Jester's relationship with her mother. It's a slight story but I loved the artwork, especially the outfits and the beautiful city views.

The Book of Love by Kelly Link

Kelly Link, one of my favorite short story authors, debuted a novel 650 pages long. I bought this the day of release but it took me a few months to actually crack it open. I'd seen it described as slow, but I think I'd say leisurely. It opens with an intriguing premise- four teenagers come back from the dead, not knowing how they died or why they were brought back 11 months later- and have to solve a magical problem if they want to keep living. But the book is less a mystery than a close examination of the teens lives in a small New England town in December. The teens include Danial, oldest of many step-siblings, who rejects his new magical powers and just wants to live a small and ordinary life. There's Mo, who lost his parents young, and was being raised by his grandmother, a famous Black romance novelist- who herself died during the 11 months he spent in an underworld. There's Laura, a musically ambitious teen, who comes back to her single mom and sister Susannah, who seems somehow entangled with the magical ritual that killed and might save her friends. And then there's a fourth person who none of the others know, who snuck out of death on their coat tails and has no name and few memories. The book rotates POVs every chapter, with more than 15 different POVs, some of whom only appear once in the whole volume. I love Link's writing style so this worked for me, but I can see how this choice to linger over details not directly related to the plot might not work for some readers. I really enjoyed this but it did take me 3 weeks to read it and I suggest other readers pick it up when ready for a slow burn of a book.

Plain Jane and the Mermaid by Vera Brosgol 

This original fairytale opens with teenage Jane mourning the recent death of her parents, after she already lost her younger brother to the sea as a child. Because there's no male heir, Jane's horrible cousin will be kicking her out of the house in a week. The only option she can see is marrying within the week so that she can access her dowry. So Jane walks down to the fishing village below her manor and proposes to a beautiful but shallow fisherman's son. He accepts- then is immediately lured under the waves by a mermaid. Jane runs into the town asking for help but only an old woman with witchy vibes is willing to aid her. The crone gives Jane a potion so she can breathe underwater, a stone which will allow her to walk on the bottom of the ocean, and a shawl to keep her warm in the depths. So armed, Jane walks into the sea after the boy who feels like her only hope. Under the waves she encounters allies and enemies, learns the true power of her own will, and realizes she might have more choices than she's realized.

Blue Flag vol 3 by Kaito

Well, I started another book because the last one ended on a massive cliff hanger, but I think I'm setting the series down after this one. I still think it's very well written, but the main character has such low self-esteem that he shouts at other characters that he sucks, he's a jerk, he doesn't deserve their friendship and they should leave him alone. I bet the arc of this series will be building this character up to where he believes he deserves their love and friendship, but I just don't feel like dwelling in this character's self-pity at the moment. I would have eaten this shit up as a teen though! Especially with the queer characters.

The Free People’s Village by Sim Kern

Set in an alternate timeline in which Al Gore won the 2000 election and declared the War on Climate Change instead of the War on Terror, this novel is an interesting mix of hopeful and dystopian elements. The main character is Maddie Ryan, a white high school English teacher working in a primarily Black neighborhood in Houston, TX. The novel is Maddie's written account of a tumultuous year in which the grungy music warehouse where her punk band practices and performs is threatened by a proposed high way and oil line which will rip up not only their art space but also a historically Black neighborhood. Maddie starts attending activist meetings which quickly morph into a full blown protest encampment surrounding the warehouse. Dubbed the Free People Village, this protest movement goes viral and is met with the exact same kind of violent police response as the current student encampments protesting for Palestine on college campuses. Woven through this depressingly accurate political forecast are multiple queer love stories, interracial friendships, a 101 crash course in anarchist philosophy and bracing look at what long-term activism takes. Folks with more of an organizing or activist background than I might find some of this book a bit basic; but I was completely drawn in by the relationships and conflicts of Maddie, Red, Gestas, Angel, and Shayna. This book feels almost painfully timely, and I hope a lot of people read it and gain both courage and perspective.

[hologramcowboy]

Okay, well, Jensen finally showed up on television again. This time, playing Russell Shaw on Tracker. I'm curious if you watched and what you think of his performance.

Personally, it felt like Dean Winchester never left. It didn't help that there were numerous (and obvious) SPN easter eggs in the episode. I'm curious if that's happened before when guest stars come on. Do the writer's play up that actor's previous roles as much as they did Jensen's?

I'm also curious about a few tweets I saw from people who attended the FBBC event. Apparently, Jensen talked about his role on Tracker.

https://twitter.com/kunerksterphoto/status/1789808856576487771 and https://twitter.com/kunerksterphoto/status/1789808858505888136

I know we get dude in #Tracker tonight, so a little story. I wore my “I Miss Dean” shirt to the brewery event last weekend and as soon as dude saw it he was like “you know that episode of Tracker I did? I asked how they saw me playing it and they told me to do what I know best. So if you miss Dean, you’re going to get quite a bit of Dean on Tracker because he’s what I do best.” So it was a conscious choice and I am so excited by this.

https://twitter.com/kgauck/status/1789821196839637236

He told me I'd probably see a lot of Dean in his role on Tracker. I joked that he was dressed a lot like Dean in the promo pics, and then he made a joke about being typecast.

It sounds like Jensen's basically thrown in the towel on improving his craft since he apparently doesn't mind playing Dean in all his roles, or being typecast.

I read things like this and I can't imagine that he'll ever get another lead role. It's all going to be guest spots for characters that are similar to Dean Winchester. It's disappointing because he's definitely had the time post-SPN to take classes and improve between Covid and the strike. I suppose if he's happy doing guest spots and conventions, good for him, but as a sort-of fan/nearly former fan, I'm just sad to see his career come to this.

He's becoming a sad cliché. He is confusing a character for his main type and that is why he will never be A list and definitely never be Batman.

Thank you for this lovely post, anon.

I did tune in for the episode and, quite frankly, I was disappointed. Casting him seems to have been a gimmick, right down to the beer mentions.

First off, his acting initially seemed to be improved, right up until he started using that fake voice again then it all became cringe after cringe. I am so saddened that Jensen can't see past Dean and that he can't be himself. I know now that he'll never make it, an actor that stagnates can't ever reach A list.

Justin, in comparison, acts naturally, he has a natural instinct and this really just made Jensen look even faker. For the for the first time, Jensen played a completely meh character. He's turning into one of those dudes that star in various shows that no one even remembers because they are just there to advance the lead's plot. Right down to his superficial, mediocre, unnatural choices and I am sorry but in no way did he have the layers of someone who served in the army. That was a key characteristic of his character and he completely missed the plot on that and that's because the mention of it was a Soldier Boy easter egg. Jensen gets so caught up in flaunting his celebrity persona he forgets to embody his characters realistically.

I've read comments from AAs who claim Russell is different compared to Dean and I just want to say: gimmick casting, the whole script was written to callback to Dean, easter eggs included. Stop lying to yourselves and admit that Jensen has thrown in the towel. He is a one trick pony and that one trick will soon expire because, you know what? It's not an interesting character, it's not someone to root for, it's not someone fighting for something. It's a bored, self centered man faking a rougher inner and outer state and mimicking (yes, that's right, mimicking not acting) an idea of his old character. Mimicking poorly. As someone who loved Dean Winchester( when he was well written), I really need Jensen to stop because he is ruining the memory and disrespecting the legacy.

Thank you, anon, for sending me this ask and for asking my opinion, it pains me to say but I agree with you, lead roles aren't feasible.

[miasiegert]

Preview! Me as Raven and David as Beast Boy, photo immersion by the incredible Jester's Forge. A HUGE thank you to our incredible friends for this gift!!! We made everything in the costumes ourselves except Raven's Belt/Medallions/head jewel, protective LED mask, wig bases, shoes, and contacts. (I mean I guess I didn't need to say shoes and contacts since then like undergarments and whatnot that's a given... but I'm really proud of everything we did).

This was a huge deal for me as I'm incredible self-conscious and I'm not used to how my body's changed. It's been years since I've worn a cosplay and while I'm a costume designer, I am not great at alteration. I made version one of this cosplay two years ago (we couldn't attend the con as we got covid 3 days before) and in that time lost 6" in my torso, not sure how much in the butt, and was at a bit of a loss. There are repairs needed for the boot covers and I need to sew them to the tights (we will be adding fishnets for flare) and moving the medallions next time. I am hoping for different shoes. There is a small chance I'll have to redo some other bits of the costume from rubs. The fabric's beautiful but there's some wear since I sweat a lot.

David did two unitards, one in powernet that I loved best, one in lycra that he preferred, but he still doesn't have quite what he wants for Beast Boy. This is version one of the red and white unitard he's playing around with. I did not have time to style the wig but I think it still worked!

Very proud of these costumes and what we did. I'm also very proud of wearing them since I always stress that we make costumes for EVERYONE and we don't discriminate against bodies but it's still very, very difficult for me to get through some gender dysphoria and also some internalized bad-thoughts from my former trainer and the person I based "Heather" in JERKBAIT on (I always cover my legs/thighs/hips, which both would point out and say cruel things about...)

More pics to come! Waiting on one final. :) And again, thank you JestersForge. You made me feel so empowered!

[three-drink-amy]

WIP WEEKEND

Thank you to @welcometololaland for creating such a fun game! And to @orchidscript @strandnreyes @inexplicablymine @alrightbuckaroo and @cricketnationrise for tagging me! I was busy all weekend, but I’m playing along now!

1. WIP List:

RWRB:

Cruise AU —Alex and Henry go on a cruise together. Fake dating ensues.

Bodyguard AU —Alex is Henry’s bodyguard.

Potential third installment of Boy, I Fancy You

Lone Star:

Finish Teachers (I’m getting closer!)

Delayed wedding AU —The wedding doesn’t happen directly after Gabriel dies. It takes a while longer.

PR Relationship AU—Carlos and TK are in the spotlight and enter a PR relationship, but what happens when they catch feelings?

2. Which of your WIPs is currently the longest?

Teachers, by a long shot, is the longest. Currently sitting at over 100k.

3. Which WIP do you expect will end up the longest?

Teachers or Bodyguard AU. Probably Teachers, but I have a lot of plans for Bodyguard.

4. Which WIP is your favourite to write/the most enjoyable to write? Why?

I only have 3 wips I have actual words written for. Teachers is very fun! Bodyguard has been trying to steal my attention for quite a while! It’s so fun to write Jonah, as well as the dynamic of TK, Carlos, and Jonah as a little family.

5. Which WIP do you find the most intimidating to write? Why?

Probably Bodyguard. I need the angst and the drama and the desperation to hit right.

6. Which WIP do you experience the most self-doubt about. Why?

Right now, probably the Cruise fic because I’m getting very self conscious about making it as fun as it should be.

7. Which of your WIPs will you seek out a beta/sensitivity reader for? Why?

I have my honorary beta reader/cheerleader all rolled into one with @rmd-writes. She worked her way into my docs ages ago and I can’t imagine not asking her to read it first.

8. Have any of your WIPs been struck by the curse of writer's block?

Yes. Bodyguard did. I started it in January or February of this year, struggled to plan the next chapter, started reading a ton of Lone Star fics, began writing Teachers, and it has sat there like a sad, ignored WIP for months. But I’m coming back to it!

9. Which WIP has your favourite OC? Tell us about them?

Jonah may not be an actual OC, but this version of him kind of is and I absolutely love him! He’s a tiny, loving, teacher’s pet and he is my child.

10. Which WIP is the sexiest?

Cruise or Bodyguard may end up being the sexiest. If I’ve done my job right 😂

11. Which WIP is the angstiest?

Bodyguard or Delayed Wedding will be the winners. Bodyguard for potential angst and bodily harm, Delayed Wedding for emotions.

12. Which WIP has the best characterisation (in your humble opinion)?

Well that is really hard. I am gonna say the cruise WIP because I get to really lean into oblivious Alex and I’m excited for it!

13. Which WIP has the best scene setting (in your humble opinion)?

Cruise fic. They’re on their way to Europe. I can’t wait to get to that part!

14. Which WIP have you worked the hardest on?

I guess Teachers, just for the sheer amount of time I have spent writing it. I started it in February. I would love to finish it by the end of 2023. Let’s hope. I looked back and for an unhinged week when I had Covid, I wrote an obscene amount of words. So, yeah, Teachers.

15. Which WIP do you have the highest expectations for? Why?

Bodyguard or PR Relationship. Both of them lean into tropes I love and so I want them to work.

16. Do you dream about any of your WIPs?

Not that I can remember. Day dream? All the time.

17. Do any of your WIPs have particular complexities that your other fics don't?

I guess Delayed Wedding might because I’ll have to rely a lot on canon. AUs I can be a bit more free.

18. Which WIP is the funniest or has the most humour?

Probably the Cruise fic. Or Teachers.

19. Do any of your WIPs contain outside POVs or a deep dive on a character other than the main ship? How are you finding that process?

Teachers had a decent dive into Jonah, though it’s still from Carlos or TK’s perspective.

20. Tell us one thing we don't know about one or more of your WIPs.

I’m excited to write more angst. And a few of these will be fulllll of angst. Teeheeheee.

I have no idea who has done this. If you have, ignore me! No pressure tagging: @clottedcreamfudge @indomitable-love @cha-melodius @dumbpeachjuice @liminalmemories21 and @lightningboltreader

[bawnjourno]

without further ado... Sparks Austin recap

I won’t elaborate but the two days of travel to get here were very exhausting and trying. I rolled up to the venue, prepared to maybe sit during some songs and nurse a Diet Coke. 

I had never been to Austin before and boy, is it a music oriented city. Not just the venues but the people, the culture. There were multiple fans in Hippo tour shirts, a fully cosplayed Cate Blanchett, and lots of women in beautiful dresses. The Moody Center’s hallway had snapshots of all the cool people that had played there. I love venues with history!

I was worried that the venue set up would be annoying or awkward but I got to my front row seat and I was 4 feet from the stage, just off to the left of Ron’s piano - the perfect view.

The show started... a lot of U.S. venues had audiences who mostly sat and then got up during MTCYDT but the two thirty something hipster dudes behind me stood the whole time so I got to stand and dance :) And a good chunk of the crowd on the left stayed standing too! I was drenched with sweat maybe 4 songs in and it was amazing. All my tiredness and stress melted away as I was loudly singing and dancing.

This crowd was electric, so loud and responsive and to the Latte cuts too! Not just the hits! People were going crazy for TGICIHL in a way that Milwaukee was more subdued about. Russell smiled at me really big early in the show, probably because I knew the words and was loud and enthusiastic. I got a cute SMWS Russell tummy jump video which I will post later.

During  Nothing Is As Good As They Say It Is, I obviously knew the way Russell sashayed and waved his arm back and forth during the chorus from other shows and was mimicking him. He locked eyes with me and we did the hand punctuating thing at each other during that TWICE.

I am a “woo”er I will freely admit that and so I am constantly obnoxiously screaming and clapping and just being super loud. So I obviously was screaming my head off when Ron got up for Shopping Mall Of Love. During the second chorus he looked DIRECTLY at me and went “yeah ✊” I will post video later but I was shakinggggggg.

There were lots of loud applause breaks and late-ish in the show (can’t remember when), Ron looked directly at me again and mouthed “thank you”. Like no thank YOUUUUUUUU KING!

I know Russell bounces around a lot on stage, HOWEVER, the way this stage was set up, it was probably a bit harder to get to our side of the stage, but he came over a lot anyway and I have to think it was partially because of me because he seemed to almost be finding excuses to come dance with us even when he was about to have to start singing again 🤗

Eli dancing and feeling the music was so slay I love that short king jfdgkjrfkjg

I’m not sure how or why Russell would ever EVER feel self conscious about his tummy.... I was lucky to get it captured during SMWS... during MTYCTD though he danced over and it was too fast for me to get filmed but I basically was 4 feet from the man and watched his tummy bounce out from under his t-shirt for a good 5-7 seconds... mesmerized is the most polite way to put how I felt in that moment but oh my fucking god 😵‍💫😵‍💫😵‍💫 [redacted] [censored] [an oncoming train whistle obscures what i’m about to say] but suffice it to say [meme voice] I think I hauve covid...

And the open collar and sweat obviously..... yeah.

As I divulged to a few of you and was encouraged by @jefffreybeaumont, the plan was to make a sign that says “YOU’RE MUCH HOTTER THAN THE GALLAGHER BROTHERS” because in interviews they’re always being asked how they don’t fight like the Gallaghers or the Davies. The secret spice was typing it out in Barbie font. I somehow managed to not get it wrinkled in my over 1000 mile 2 day voyage and held it up during the shuffle. I don’t think Russell could read it because he was farther away but during the shuffle I held it up. It was hard to tell Ron’s reaction because I was multitasking but I watched later and sent it to @rhythmthlef and she says his face showed “bemused self effacement” fdkjgkldjsfkg. 

Something I’d stupidly personally worried about for ages was that Ron and Russell didn’t care about the U.S. as much - the U.K. has always embraced them and I’d worried that they didn’t think of these shows as special or meaningful because radio stations here don’t give them the time of day and they don’t always sell out. Since Chicago, I don’t worry about that anymore. Their faces shine with excitement, pride, and pure joy at EVERY SHOW. They’ve gotten more fans since TSB and opportunities that they wouldn’t have gotten ten years ago, even in the U.S. I mean, NPR Tiny Desk! Wow. Russell was emphasizing that the feelings of the shows “don’t go away when we go to the next city” and I could tell that he really meant it. 

Eli came out for the encore in the bucket hat and a red Southern style bandana - very cute. The man who took the photo handed Russell his cowboy hat beforehand and Russell says, “Oh yeah, my hat.” He then proceeds to put it on, smirk confidently at the audience, and say, “What’s up, yall? You from these parts?”WHAT IS WRONG W HIMMMMMMMM GFHJDKJGFKLDSJFKDS CALIFORNIA DOOFUS!!! And I fought for my life squeezing into the pic but I’m in there! Right behind the keyboard!

The pic is taken and I know my chance is now. I start screaming for Ron (who was a bit closer to me) but he doesn’t hear me. I then start screaming at the top of my lungs “RUSSELL!!! I HAVE A LETTER!! RUSSELL!!” and after about 7 times he hears and sees me and meanders over and takes the letter and 2 rainbow Sparks logo acrylic pins (the ones I sold to some of yall a couple months ago)! I’m not sure if they’ll wear the pins but I had to try. I do hope they read the letter - they really do mean everything to me. I was unsure that I’d get their attention at all, so I didn’t get the moment I handed it on film, but I do have a video of Russell holding and then glancing down at the letter. They were leaving the stage and Russell stopped to hold hands with multiple people on his way offstage.

I stood there for a minute, very emotional, then made my way out. As I left, a security guard off to the side went “Hey, you sang all night man, that was great.” and I just replied “They’re my favorite band, you’ve gotta be passionate, y’know, thanks!” Even non fans know I’m a real one kgcjkgjfdkjgfd.

My Lyft driver was super sweet and chatty and I rode back to my hotel feeling like I was floating on a cloud.

Random sidenotes: A) They cut “Toughest Girl In Town” which I didn’t realize til later - I’m sure they’re getting tired near the end of the tour B) Eli is truly such a talented guitarist? He slayed the Bon Voyage solo. He was right in front of me so I really got to see him shine (in my brief moments not zeroed in on Ron and Russell) but obviously the whole band is amazing C) I sent Alissa snaps of me during Beaver O’Lindy and they said “You’re almost singing louder than Russell is” kdgfjkdjkg D) This was the one time I didn’t cry during It Doesn’t Have To Be That Way because I was sweating so much that [Lucille Bluth voice] I couldn’t spare the moisture E) I will share a few videos but I swear my singing is horrendous and embarrassing so just the key moments jfdgjfi F) I used almost 10GB of memory on photos and videos...

The plan is to get a Sparks tattoo within the year. I’ve gotta do it. They are so special to me. I’ve been into bands before and I don’t regret any of it but this feels different and special. This truly feels like where I belong as a fan and a person and as someone who has always felt strange and awkward and out of place. But there’s one place and one song and that’s Sparks.

SparksTour forever ✨

[fairfieldthinkspace]

“The future belonged to the showy and the promiscuous”: Why the 21st Century Loves Edith Wharton

Emily J. Orlando

E. Gerald Corrigan Chair in the Humanities & Social Sciences and Professor of English

Fairfield University

Photo: John Singer Sargent, Sybil Frances Grey, later Lady Eden 1905.

If ever there were a good time to read the American writer Edith Wharton (1862-1937), who published over forty books across four decades, it’s now. Since the Wharton revival of the late 20th century, when directors were adapting (the Pulitzer-Prize winning) The Age of Innocence, Ethan Frome, The Buccaneers, and The House of Mirth, her star has continued to rise. As I yesterday prepared to teach The Custom of the Country, which many have called Wharton’s greatest novel, a friend texted me Sofia Coppola’s article on the surprising appeal of its social-climbing heroine. Coppola is developing Undine Spragg’s story for Apple TV. A kind of Gilded Age Material Girl, Undine has been ready for her close-up for years.

Coppola joins an impressive roster of contemporary admirers of Wharton that includes Roxane Gay, Laura Bush, Lisa Lucas, Peggy Noonan, Jennifer Egan, Stephin Merritt, Claire Messud, Meg Wolitzer, Mindy Kaling, Doug Hughes, Brandon Taylor, Ta-Nehisi Coates, Ali Benjamin, Vendela Vida, Ottessa Moshfegh, and Kristin Hannah. At a time when publishing houses are compelled to scale back, new editions of Wharton’s books are appearing in print with introductions by Coppola, Egan, and Taylor.

Photo: Sofia Coppola.

Those who think they don’t know Wharton might be surprised to learn they do. A reverence for Wharton’s writings informs Sex and the City (whose pilot welcomes us to “the Age of Un-Innocence”), Gossip Girl, Downtown Abbey (whose “Lady Edith” suggests a nod to Wharton), and HBO’s The Gilded Age which, like Downton, is created by the Wharton-appreciating Julian Fellowes. His Bertha and George, after all, are named for the power couple from The House of Mirth.  

But why Wharton? Why now? Perhaps it’s because for all its new technologies, conveniences, and modes of travel and communication, our own “Gilded Age” is a lot like hers. For the post-war and post-flu-epidemic climate that engendered The Age of Innocence is not far removed from our post-COVID-19 reality. In both historical moments, citizens of the world have witnessed a retreat into conservativism and a rise of white supremacy. Fringe groups like the “Proud Boys” and “QAnon” and deniers of everything from the coronavirus to climate change and Sandy Hook are invited to the table in the name of free speech, and here Wharton’s distrust of false narratives resonates particularly well. Post-9/11 calls for patriotism and the alignment of the American flag with one political party harken back to Wharton’s poignant questioning, in a 1919 letter, of the compulsion to profess national allegiance:

how much longer are we going to think it necessary to be “American” before (or in contradistinction to) being cultivated, being enlightened, being humane, & having the same intellectual discipline as other civilized countries?[i]

Her cosmopolitan critique of nationalist fervor remains instructive to us today.

Edith Wharton seems to have foreseen the excesses, obsessions, and spectacles of our current moment. The scandals documented in Wharton’s narratives serve as harbingers of the sensations that flash across our hand-held screens. Jeffrey Epstein’s sex trafficking touches on the same nerve as the sexual exploitation of minors in Wharton’s Summer (1917) and The Children (1928). The quid pro quo run-in between Wharton’s Lily Bart and Gus Trenor looks uncomfortably forward to Harvey Weinstein and #MeToo. The rise to power of Donald Trump would not surprise Edith Wharton.

Photo: “Vanity,” by Auguste Toulmouche, circa 1870.

Wharton’s tenacious Undine Spragg—as horrifying to progressive era readers as she is admired by Generation Z—can be conceived of as the original social media influencer conscious of her brand. For Undine and her creator know that “the future belonged to the showy and the promiscuous”[ii] and that the turn-of-the-century “world where conspicuousness passed for distinction”[iii] foreshadows our own. Wharton would describe Undine in terms we might use for a “Real Housewife of Park Avenue”: “If only everyone would do as she wished she would never be unreasonable” (162). Undine’s world encourages her to aspire to the rank of trophy wife and the sexual double standard dictating that “genius is of small use to a woman who does not know how to do her hair”[iv] would apply to Wharton herself who, on the 150th anniversary of her birth, would be assessed by a male novelist in terms of how she sizes up to Grace Kelly or Jackie Kennedy.[v]  The writer who would declare, in her wildly popular interior design manual The Decoration of Houses, privacy “one of the first requisites of civilized life”[vi] would be appalled by what is broadcast across social media. Wharton also would’ve anticipated the racism directed at Meghan Markle and why granting Oprah an interview would not help relations with her spouse’s family. Children forcibly separated from families due to morally dubious immigration policies echo the plight of war refugees for whose welfare Edith Wharton labored, while the distrust of the cultural other echoes the writer’s own complicated nationalist allegiances.[vii]  

Ten years ago, Lev Raphael took the temperature of Wharton studies declaring in the Huffington Post: “Edith Wharton is hot.” She is now positively on fire. I offer below a short excerpt from the introduction to The Bloomsbury Handbook to Edith Wharton, which appears in print today.

                                                           *********************

The image gracing the cover of The Bloomsbury Handbook to Edith Wharton, capturing a scene on the terrace of Edith Wharton’s French home, reflects the cultural work that this book takes as its task. The writer is in her element: she cradles in her lap her beloved dogs, she sits outdoors at a well-appointed property she lovingly transformed, she surrounds herself with fashionably dressed cosmopolitans, and she smiles. The moment validates an idea expressed in The Age of Innocence: that “the air of ideas is the only air worth breathing.” As host, Wharton, by this point an internationally acclaimed artist, has brought together representatives of an admiring generation from diverse backgrounds that would outlive and perhaps learn from her. That sunlit terrace is doing something we hope this book will do: provide a foundation for future conversations with Edith Wharton at the center.

Photo: Edith Wharton publicity shot.

Around the time this photograph was taken, Wharton would reflect in A Backward Glance that “[t]he world is a welter and has always been one; but though all the cranks and the theorists cannot master the old floundering monster, . . . here and there a saint or a genius suddenly sends a little ray through the fog, and helps humanity to stumble on, and perhaps up” (379). Wharton’s writings arguably send a ray and help humanity stumble on and up in our own Gilded Age. It is the aim of this collection of essays, produced by leaders in the field at a time of global crisis, to make a meaningful contribution to the scholarship on and dialogue about the work of Edith Wharton and to open up new possibilities for understanding and embracing a writer whose corpus is as enormous as it is resonant. To borrow from Wharton’s preface to her anthology The Book of the Homeless (1916), in which she conceives of her volume, as she so often does, as a house: “You will see from the names of the builders what a gallant piece of architecture it is. . . . So I efface myself from the threshold and ask you to walk in.”[viii]

Emily J. Orlando is the E. Gerald Corrigan Chair in the Humanities & Social Sciences and Professor of English at Fairfield University. She is the author of Edith Wharton and the Visual Arts and editor of The Bloomsbury Handbook to Edith Wharton. She is currently preparing for publication a new edition of Edith Wharton’s first book, The Decoration of Houses.

[i]Lewis, Letters, 424.

[ii]Edith Wharton, The Custom of the Country, New York, Penguin, 2006, 117.

[iii]Edith Wharton, The House of Mirth, ed. Elizabeth Ammons, 2nd Norton Critical ed. (New York: Norton, 2018), 186.

[iv]Edith Wharton, The Touchstone, in Wharton, Edith, Collected Stories, 1891-1910, ed. Maureen Howard (New York: Library of America, 2001), 170.

[v]Jonathan Franzen, “A rooting interest: Edith Wharton and the problem of sympathy,” The New Yorker, February 5, 2012.

[vi] Edith Wharton and Ogden Codman, Jr., The Decoration of Houses (New York: Charles Scribner’s Sons, 1897), 22.

[vii]See Melanie Dawson, “The Limits of Cosmopolitan Experience in Wharton’s The Buccaneers.” Legacy 31.2 (2014): 258-80. Print.

[viii]Edith Wharton, Preface to The Book of the Homeless (Le Livre des Sans-foyer) (New York, Charles Scribner’s Sons, 1916), xxiv-xxv.

[thevampirejules]

🌻my turn!!!!

hello hello miffy my love! thinking about my birthday….i know ive posted a bit extensively about this already for someone who’s birthday is two months away but i love my birthday so much!!! im just so birthday girl birthday boy….what can i say. anyways im thinking it would be so fun to have a pool party but the logistics are stressing me out bc. most of my friends are in the city and the party would have to be in my hometown which is like an hour commute. also i would want the party to be covid conscious and unforch most of the people i know aren’t cool with that….i also feel a bit silly like covid conscious pool party cause you obvs cant mask while in the pool but like you know. when outside the pool. also just the logistics of mixing friend groups AND having people at my parents house always stresses me out cause im so different around friends vs parents and im always afraid someone will say something i don’t want my parents to hear. plus i’d want to invite some of my coworkers but not all but im not like close enough with them to personally invite them so i can’t think of a way to do it that’s not inviting everyone…but i don’t want to let my fears and anxieties stop me from doing something fun…..but i also tried so hard last year to have a fun party and then my friends lowkey spoiled it for me and it was overall very disappointing and i don’t want to get my hopes all up again. but also i want to have funnnn and ive already made a playlist for it and im like hyper fixated on this idea so i cant stop thinking about details. there would be friendship bracelets and crafts and games…….

[themonkeycabal]

The Wheel of Time Season 2!

There might be some book spoilers, but only small, nothing overt, more like talking about changes from the books to tv.

ANYWAY

Welcome back show!

After the dismal ending to last season (which I was able to forgive because I realized how fucked by covid they got ), it starts out strong. They wisely just take the key points from the finale and forget the rest of it ever happened.

During the first ep, the thing that struck me most was that the show feels more confident — or maybe less self-conscious? Less like they're trying to be a fantasy show and more just 'this is our world and our story in it'. If that makes sense? Everybody just seems more comfortable in their skin, even the show itself.

Like, even the costuming, which was good before, seems even better this season. I got caught noticing the textures of the fabrics - so often in sci-fi/fantasy the materials look like/are upholstery fabrics and they look stiff and awful. This stuff is handwoven (or a good facsimile) and looks like real clothes real people wear.

Also, again, PEOPLE WEARING COLOR! SO GREAT! The beautiful textures and patterns on the little girl's clothes at the Dark Friends Social Of Evil And Darkness. Adeleas and her "i've retired to Florida and have decided to wear every color at once" look. Even Moiraine's "I'm a French peasant laboring in the countryside" clothes have color and texture to them. And, of course, Rand's iconic and wonderfully over-the-top red coat. Perfection.

Lovely work everybody.

Assorted things as they come to me:

• Liandrin — she is stealing the show early this season. And thank God. She wasn't much of a character in the books, to be honest, which is weird given the point of her in the story. But Kate Fleetwood has given her so much depth and made her genuinely intriguing. And that's got to be the greatest trick to her — if you've read the books, you know her, and so how do you make her interesting in this show to book readers? How do you make her surprising or mysterious? I genuinely don't know what Liandrin is up to at any given moment, and that's fantastic. I'm so happy to not have one single clue.

I mean, she has a son? PLOT TWIST. And a tidy way to show the consequences of an Aes Sedai's longer life. I totally thought that was a put-on to manipulate Nynaeve, but, no, it really wasn't. She was genuinely pissed at being followed. And she seemed honestly upset when she thought Nynaeve was dead. She didn't even rub Mat's nose in it, and she could have — totally surprising.

I don't know what she's up to with Min and getting Mat away from the Tower. I love it. I'm interested in Liandrin and I never thought I would be.

• Mat — I liked Barney Harris as Mat, but there is a lightness to Dónal Finn that is more Mat to me. When he's ticking off the sounds Liandrin makes as she leaves, I said "oh there he is" that's Mat the trickster. The thing with Mat is he's not as cynical as he wants everybody to think he is, and I think Dónal conveys that really nicely. And he did a really nice job of carrying on the body language and speech rhythm Barney established. Smooth transition, A+.

Was kind of hoping we'd get to see him beat the snot out of Galad and Gawyn, but I'll get over my disappointment. Maybe it can happen later.

And now's about time for his luck to turn, so I'm super eager to see how they do that.

• Min — another character who's become actually interesting. She bored me to tears in the books. Please, give her something to do other than moon over a guy and wear boys clothes. Christ she was dull. There were moments where you almost might think RJ was going to do something with her and then they'd go away. This Min is much more interesting already, just by virtue of us not having to hear endlessly how wacky and weird she is for wearing trousers. Also, what's Liandrin got over her that she's been pressed into service to take Mat away from the Tower? Thrilled to not know.

Also, did not know I needed Mat and Min as disaster road-trip buddies, but now I desperately need that. The potential for chaos and mayhem with them together is just sky high. Please and thank you.

• Moiraine — sometimes I just think to myself "how on Earth did they get Rosamund Pike?" Like, amazing. Brilliant. A tremendous actress giving so much depth to a complicated character. She was so wholly Moiraine the second we first saw her.

One of my favorite things through season one is how she gets progressively more disheveled as things go. By the time they get to Fal Dara she's a sleep-deprived hot mess. She's pouring everything she has into what she thinks is that last push to drive off the Dark One once and for all, that thing she's given twenty years of her life to, and … it wasn't enough. Not only that, but she lost 'control' of Rand and lost the One Power. Sister is in a pure, desperate spiral at the start of season 2. And you just feel it every time you look at her.

And now she's being both self-flagellating and an unbelievable bitch. I feel sure that there's a well much closer to Verin and Adeleas's place, but no, she's got to go hiking halfway through the countryside to get her own bath water. Also that dig at Lan about having Tomas check her horse because she doesn't want her saddle to slip … damn. You really did that to him? He's more patient than she deserves. Of course, that's also got to be insanely frustrating for her because he just won't Go Away and leave her to her misery and obsessive hunt for whatever will make her feel more in control of The End of the World.

Moiraine is all about control and right now she is hanging on by her fingernails. Which are bloody and torn what with the lugging buckets of water halfway across Arafel every day. Really Moiraine? Where's Siuan to tell her to pull herself together already? And stop being cruel to Lan.

Poor guy. When she said you were never equals, Lan, she meant she was never equal to you! You're both big dummies and you need to stop being dummies right now. I did love Tomas, Adeleas, and Verin all being like "use your words, guys. could you please just actually use your words and talk to each other? light, you're both children'. Because, yes.

I imagine that, particularly after the fight with the Fades, she is feeling very helpless. She couldn't save Lan. She couldn't do anything. She had to watch him almost get killed and she was helpless. Oh, but, threatening to force the bond to Alanna, though, so low, Moiraine. So low. It was low in the books, too, but had the extra vicious twist here of being an active threat. Sure, it's understandable, she wasn't going to let him go off and get himself killed for no reason. She doesn't care if she dies, but she cares very much if he does. FRIENDSHIP IS THE BEST SHIP GUYS! But, still, it's a pretty crummy way to treat him.

• Lan -- bb I'm so sorry your bff is being mean to you. She's just going through some stuff. You should absolutely throw her in a lake again. IJS.

• Verin — fabulous casting. And it was a nice way to introduce her. Making her and Adeleas sisters and sort of compressing that little side quest of Moiraine's.

I don't want this show to be a shot for shot remake of the books. I'd actually hate that. There's a lot in the books that could have been trimmed or condensed. And in a show with finite space, it's absolutely a necessity. So, I find it interesting to see how they introduce things in the show. They seem to be hitting major beats, but sometimes moving around how they happen, or even creating events that maybe weren't in the books, but do the job of explaining something that took 500 pages of description or introspection. Perrin's wife, for example, which gives the character a good reason to be worried he might hurt somebody accidentally. Something beyond "he was big".

Anyway, in the books Moiraine goes to the two sisters to dig through their library. In the show she does the same, but one of the sisters is now Verin, because honestly, why introduce yet another character that you won't really see again when you can use the time to introduce one you will? Same with Alanna/Myrelle — blending them is a smart choice and serves several story beats instead of one.

And the casting, though! I didn't recognize her from her headshot (and I'm terrible with names), but when I heard her voice I knew who she was immediately. Meera Syal is so great. They're doing so amazing with casting. Good job everybody. Really good job.

I also liked Verin's little bit about how oaths have loopholes. They've been cagey about if Moiraine is actually stilled or just cut off. They're kind of acting like actually stilled, but I have to believe the vagueness is intentional. But, if she's been stilled, oaths are broken. Does Moiraine realize that yet, or suspect it?

• Elayne — finally, the Daughter Heir. And she's so freaking adorable, I can't stand it. I don't know what I expected, but her pure, shining cuteness is delightful. She's like season 1 Jemma Simmons (agents of shield) in a fantasy world. "You're my subject! Let's be best friends forever! I've made novice-cell hooch under my bed!" Heh.

I love her. I love that she took the stripes for whoever let her bring in her servants, I love that she stayed with Egwene in the room with the arches, I love that she's got a lot of understanding and even patience for the people around her. She's a good egg, that Elayne.

MILD BOOK SPOILER I told my roommate (who's only read a couple of the books and didn't like them at all) that there's a whole circus side quest in the books and she immediately said, "it was Elayne's idea, wasn't it?" Heh. Oh please, please keep this in the show. I beg whoever needs to be begged.

• Selene — Excellent casting again. I thought she'd be more difficult for me to buy into, but no, I get it.

Does Rand not think to ask how she gets him into a party full of nobility? Or is he just so hyperfixated on getting Logain his wine it doesn't occur to him? Yes, sure, she distracts him with sexy times, too. And, okay, Rand isn't always the most observant knife in the drawer, bless him, but still. Rand, you dummy.

I do hope we get the flicker worlds in some manner. Perhaps when Rand takes himself off to his next location.

• Logain — Nice, I like this choice. He's too good to put on the shelf for a whole season or two anyway. Better than having him mope in the Tower, besides. This was one of those scenes were my roommate asked if this was in the books and I said no, but after I stopped to think a second, I had to say that it kind of is. It's different, but hits points from the books.

Interesting he still thinks he might be the Dragon. Again, really nice to see character building outwards, even in little details, like the wine. There's not enough of that for secondary characters in the books. Of course, there's 9 million characters in the books, so that's less a complaint and more an observation.

• The Old Sword Master — I like this too. There was no way to really have Rand cool his heels in Fal Dara for long enough to have Lan teach him the sword. This is a good way to do it, and his time with the man speaks to Rand's compassion and gentleness.

• Rand — overall we're easing into his story. I don't have much to say extra. Pleased to see the red coat, obviously. Pleased to seem him get his first, very confused, taste of the Game. He might be a little thick, but he's trying his best, okay?

• Egwene — very into building her own character! Loving the chores! Probably not much different from back home, but the promise of doing Greater Things as an Aes Sedai. Not super a lot to say yet. As far as the Tower concerns, the first three eps were very much about Nynaeve. Oh, did enjoy that tiny taste of foreshadowing. Also enjoyed the look on her face when Elayne said Egwene was her subject.

• Nynaeve — a joy and a delight as ever. I love her and I don't care who knows it. Is she abrasive? Yes. Contrary? You bet. Ready to punch, kick, stab, and/or destroy at any given moment for any given reason? Absolutely. She's great.

Her accepted test was more brutal than I was expecting. The first two were understandable, but the last one, when she comes back and still has her hands up as if carrying her child? Man, harsh.

And, she's going to be sooo furious next time she sees Alanna. I can't wait.

Very curious as to what Liandrin has planned for her. I mean, I can guess, but I won't spoil anything here, and this is a new direction. Thrilled to not know about this as well.

• Perrin — he's always kind of been the least interesting of the Emond's Fielders to me. Sorry, guy. He has his moments, sure, but mostly in the books I find him just an awful lot of introspection and 'refusal of the call' to the point that it's all very circular and boring.

Giving him the visions as they track the dark friends is a nice twist. It's unclear if it's a wolf thing or a ta'veren thing. Like I don't think Elyas is having visions exactly like Perrin's, more that he can smell what happened. Like Hurin did. I loved Hurin but I get using Elyas instead. There's only so much room for so many characters, and Elyas has a purpose for Perrin, more than Hurin did.

Also liked Ishamael giving Perrin a real reason to fear the wolves. Spared 1000 pages of Perrin tortured introspection! Hurrah!

Fade on the door! Fade on the door! I forgot about that until that bit. That was awesome. Never stop being a creepy fuck, no-spoilers-person-who-nailed-a-Fade-to-a-door.

Things that could have been better:

• I was a little unclear on where Perrin and the Shienarans where and when they reached the coast I was surprised. They could be a little better at establishing locations. I think only the Fore Gate in Cairhien got a chyron. I know amazon has a little map in x-ray but I should need that to figure out where things are happening. I mean, I guess I could have figured it by doing the 'five months gone' math. But still, I shouldn't have to do math.

• I would like, overall, for the ta'veren to start feeling a little more ta'veren-y. Let's start seeing some random ass wtf-ery. They actually seem to have backed off the notion of ta'veren and I'd rather they didn't. That was sort of the point.

Alanna brings it up a little bit, that the Wheel is turning out weapons for the last battle and all, but a weapon is not the same thing as ta'veren. But I suppose it's early, Rand has not yet even begun to really mess with the pattern, so fingers crossed.

• Uno. Like. Come on. I don't even.

• Kind of wanted the Seanchan soldiers to look more buggy. They do look very horrible and terrifying, so there's that. I suppose it's a choice.

Also, it's going to be awfully hard to disguise oneself as a sul'dam, if one were to want to do such a thing.

• I don't really like the damane's pacifiers. I get the point of wanting to visually drive home the point that they've been entirely dehumanized, but I think it just looks stupid.

This is long and I'm sleepy and I guess I've said all the things I wanted to say. For now anyway.

Good start! Welcome back show! I am very pleased.

[bylertruther]

Nah, but the costume designer said they had to hide Noah's arms when they came back after the covid break because he had note muscles.

i'm a will scholar. i know this. i also know that she specifically said:

He’s the youngest of the boys, and he’s grown the most, and matured a lot in this last season, and with the pandemic and with the break in between, you definitely see an age progression, especially in his face, but also in his body, you know? There’s more muscle definition and stuff, so you kind of either need to lean into that or lean away from it, so we hid his arms a little bit just to help hide that.

he grew the most out of the younger cast and they made the conscious decision to hide that, because it's not how they picture will. muscle definition does not automatically make him the terminator and will isn't that much bigger than mike at all. mike still mostly has a larger everything and it'd be more noticeable if finn didn't make him slouch and hunch over so much.

his yellow plaid shirt is baggy. his khakis are baggy in some scenes. even behind the scenes, when he's taken off the yellow plaid, he still doesn't look big and buff. he just looks like any young guy that's in shape. and even then, they still decided to hide all of that and lean away from "buff byers". if will was meant to be "buff" or the kind of guy to have "more muscle definition," then they would've leaned into it like she said. but did they? no. i don't know what more to say that they haven't already lol. it's fanon, not canon.

you will never in your life convince me of buff byers fanon. i've received this anon a million times and my answer is unchanging. will is a fictional character—not noah schnapp. when the stranger things team decides to characterize him like that, then i'll accept it. but until then? miss me with that. i like will as he is.