#could never pull it off but i need it

[sheepthatgobaa]

Tw: a pastel pew pew shooter gun

Can everyone look at my wife

[ckret2]

Writing a character who's a brilliant manipulator is easier than you'd think, even if you yourself aren't a brilliant manipulator.

In order to manipulate somebody IRL you have to know how they think, what motivates them, what sort of things to say to convince them to do what you want them to do, and how to frame it in a way that makes them trust you rather than get suspicious. These are all relatively difficult things to figure out about another person.

However, they're very easy things to know about a character. If you're writing a manipulator's victim, you already know how they think etc etc because you're writing it. You're in control of their backstory and personality. You are god and know exactly what kinds of things would persuade them to take action and what kinds of things would make them distrust somebody.

So all you have to do is go "because the manipulator is so so smart, they've also figured all this out" and feed your own authorial god knowledge into their head. Make it a tiny bit inaccurate & saw off the details so that it doesn't look like the manipulator is psychic. For extra credit, deliberately write in a couple little clues for your manipulator to pick up on that will let the audience go "wow! Look how observant the manipulator must be."

And if you're not showing your characters' thought processes, it's even simpler. You don't have to be able to manipulate a REAL person; you just have to write your character attempting to manipulate somebody, and succeeding at it.

[v88sy]

Allow me to be super delulu here for a moment...

We know there's another 9-1-1 spinoff in the works. One city location we've heard is Vegas.

We know Vegas is only an hour away from LA by helicopter.

What if the "unforseen hurdle" for Buck and Tommy's relationship is Tommy getting a job offer in Vegas (hello backdoor pilot (lol) for the new spinoff) and it's not really a big deal for him because "it's only an hour away, Evan. I go, put in my 48, and come home. It's not like I'm moving and this isn't going to change anything."

But of course it is a big deal for Mr. Abandonment Issues. What if Tommy gets tired of commuting back and forth all the time? What if he just happens to like Vegas better and decides he wants to move after all?

And maybe that whole big discussion leads to something like "and if you moved in with me, the time away from each other wouldn't seem so bad."

As much as I think I'm totally in left field and it would suck to see Lou leave the main show (plus they've never carried over characters from the main to the spinoff before anyways), I would absolutely watch him on a spinoff (not that I'm not gonna watch it anyways, let's be real.)

Maybe some Vegas shenanigans is what Oliver meant when he said Buck was gonna have some fun and ludicrous moments. 🤷🏼‍♀️

Anyways, it's probably not that but it would make a good fic if anyone feels like it.

[jilatos]

body thoughts

[hauntingblue]

Rewatching act 2.... yeah ISHA WATCH OUT FOR THE CYCLE ISHA!!!!! NOOOOO

[deus-ex-mona]

when the slowburn makes the ship extra cute~~~

[iangallagherisadeadman]

post-s11 Tami definitely gets tired of Lip and leaves him.

yes, I do like them as a couple, I think it is an interesting dynamic and that Tami is good for him honestly, even though they lived completely different lives and crash so many times because of it throughout the last seasons.

fact is Lip won't ever change and will keep making the same kind of mistakes and she will get fed up with it eventually. they'll go different ways, maybe keep a somewhat friendly relationship, and she will get a new partner and Lip will have a Sean kind of relationship with Fred: that kid is the most important thing in his whole life and he's constantly hunted by the fear of drinking again and hurting Fred.

[thebookworm0001]

I need a tell-all deep divine into veilguard’s development asap

[welcometogrouchland]

Since I just got ghosted abt the art job I applied for and I still wanna make some dough this summer

[seyaryminamoto]

Fic-to-Art #32: Sokka and Azula's first time

This month's prompt was 'intimacy', and my Patrons picked a pretty important scene for that purpose :') I, of course, went slightly out of control and, uh, well... with a prompt like that, it's hard to hold back a weirdo like me, sorry not sorry x'D

In short: the full version of this month's reward is in fact 8 pieces rather than this one. This is basically the only one I dare use here for obvious reasons :'D Unfortunately, my attempt to post this on a separate Tumblr post, under its "mature" guidelines, resulted in a flagged post regardless. The guidelines of this site about art of this nature are REALLY something else, huh? :')

Honestly... this prompt ended up meaning a lot to me because of how many times I tried and failed to portray this scene properly. Especially the bits I drew for it this time :'D It's no exaggeration to say that this was one of the very first scenes I plotted, and also one of the first I tried to make proper art of. Still, I wasn't good enough to pull it off before... and somehow, I managed to do it this time!

Hope you guys liked it! If you'd like to be part of the creative process behind these pieces, a $1 Patreon pledge is enough to make you eligible for joining the prompt suggestion process, as well as reading Gladiator snippets 6 days before each update!

[harrowscore]

if only i could pull off a convincing harrowhark nonagesimus cosplay for the next lucca comics.....

[yellowocaballero]

DIMILETH! DIMILETH!! DIMILETH!!!!!!! *claps enthusiastically*

YEAH DIMILETH! I'M GONNA RAMBLE ABOUT IT!

There's a serious dearth of good Dimileth content, I think. A pretty high % is E and those kind of feel like dressed up xreader fics in generic aus, tbh. Considering how Byleth's entire character arc is about her growing out of being your self-insert and actualizing as a full person, I can't really get behind them. I think uh there's a truly excessive number of ways to write them badly, out of character, or both.

I've talked SEVERAL times about how I dislike those mommy gf/bf dynamics, especially in H/C. There's always a whumpee to project on, who normally has anxiety or depression and has panic attacks, and a perfect partner who provides therapy and hugs and the comfort. In real life it would be remarkably unhealthy. People are usually better about this in M/F dynamics, but it's unhealthy straight or gay. Where Dimileth comes in is: a) it is extremely easy to fall into this trap, because of how people relate to Dimitri and Byleth and Dimitri's canon relationship, and b) it is uniquely bad, because it is very similar to their teacher/student dynamic. And you want them to grow out of that. You do. For obvious reasons.

What I love about Byleth is that she is kind and nurturing, despite everything. She's so empathic, understanding, supportive, and kind towards Dimitri. I love the story of an emotionless person choosing kindness - somebody who made the conscious decision to turn away from a live of endless violence and death and choose family and love. I don't want to erase that just bc it's surface level mommy gf.

For me, what I decided on is to just flip those tables. You have to completely reconfigure that dynamic into one between two adults and equals. And I think it eventually ended up as - Byleth provided unconditional support, love, and caring to these kids, and now that she's Achieved Sadness it's her turn to receive that. You have to love to have love returned. During their little roleplay scene, Byleth experiences a wonderful feeling of safety and understanding and care. She provided that for Dimitri, and Dimitri provided that for her. She had to be the adult for a long time, on many levels she is still being expected to be the adult, but now that she's speedrunning emotional puberty she has somebody to help her through that (Narratively, it's a good balance for Dimitri himself too - as somebody who received care for a while, I do want to show that he's still an adult who's capable of providing that to others).

Whew. Normally romantic ships are uhhh not the point in anything I write, but in this fic the Dimileth encapsulates the point. Obviously in Phase 1 there was a lot of set-up for it, and equally obviously Byleth did not even passingly think of him romantically or sexually (like would she have even be capable???), but in a story about teenagers becoming adults and a girl finding humanity I think a sweet way to capture that is the insanity of somebody's first teenage love. Thanks for reading!

[beesinspades]

forgot to post some dokomi pics! vashusitter wolfwood real....

I was in a RUSH because I arrived later than planned (thanks train delays (and getting lost in the park....)) so after the panel (where I managed to be in the front row!!) I only had 6 hours to run around and do my shopping before going home. not my best decision but now I'm prepared for next time.

thank you @blizzly (whom I must also thank again for emergency loaf creechur surgery and taking some of these pics :D), @lesoldatmort, @artofalassa and @ohohge (get ready for our reverse bang collab....) and her friend for hanging out with me for a little bit 💜 also met @luchichufer who just happened to sit right behind me and gifted me some prints including our vashwood big bang art! 🥹

the true honor was meeting the real brushbuddy....totally not considered running off with it.......

it was so lovely meeting up with everyone, however briefly in some cases <3 next time i'm staying longer and hopefully making better conversation!!

haul and....cookies.....and post-realizing johnny bravo was photobombing us picture below :D

[triglycercule]

thinking about mtt literally physically dragging eachother down and being restrained to eachother because theyre genuinely that fucking ass for eachother but then it means i'd have to decide which of them to humiliate by putting a collar on them. and i can't choose. if they dont all equally suffer than whats the point man 🙁🙁🙁

[narugen-moved]

growing up in a competitive country/school just means i’m like oh man when i don’t get as much recognition as other people and then i move on bc some ppl are just better and ill just have to create better stuff no biggie

[sparky-is-spiders]

tell me about the Jon Isolation AU!

This ask carried me through microeconomics homework, econometrics lab, microeconomics class, econometrics class, AND worries about Big Future Assignments! So thank you very much <3

This is a fun one cause I actually have the first draft of the first part written!! It's basically a version of one of my favorite personal Jon plotlines where he moves into the Archives and has no social support system. Desperately in need of a rewrite to sand away the rough edges tho lmao.

Alright I won't lie: this AU was born when I was thinking about creating an Archivist, and why it wouldn't work if you just stuck someone in a room, made them read a bunch of statements, and then dropped 14 marks on them (because that would be much easier, faster, and more efficient than what happened in the podcast, but that's not what Elias did). And then I (world's most normal Jon enjoyer) thought about Elias doing that to Jon. And then, I (and I cannot stress this enough: world's MOST NORMAL Jon enjoyer) started thinking about. The most reasonable. Effective. Low-effort. Jon kidnapping plot. And then I wrote about 5k words. And then I left those to languish in the WIP folder, just like Elias leaving Jon to languish in the basement Archives.

In hindsight, it's also a spiritual precursor to my vampire JE fics. Like. Same basic setup.

Huh.

(Believe it or not I'm actually even more of a freak about Jon NOW.)

Just to be clear, warning for:

Unhealthy relationships (I mean it's JE lmao)

Dubcon captivity?? I guess?? Like Jon agrees but Elias manipulates the scenario and Jon is. Not super happy about the situation.

Anyway the plotline is: Gertrude is missing (how mysterious and worrying!) and Elias needs himself a "temporary" Archivist to take care of the Archives until either she returns or until it becomes clear that he needs an official replacement. Jon is a very hardworking institute employee with a dedication to research and a knack for organization (autism requires everything be Sorted). Elias (who only wants to help Jon realize his full potential and has no ulterior motives whatsoever) decides that to promote him to the position. For career development reasons!

Jon:

Wants to prove that they are an asset to the institute and that they are up for the task.

Is hoping they can maybe be promoted to Head Archivist? Like Elias implied might happen if they did a good job?

Maybe. Possibly. Potentially. Fancies Elias a tiny bit.

Would appreciate the opportunity to do his own research on the statements there without their supervisor asking why they're so invested in statements involving Lietners and spiders.

Hypothetically wants Elias to praise them and validate them and respect them and profess his undying love for them make them employee of the month.

So. Obviously. They agree.

The thing is, it's only temporary, and Elias doesn't want to disrupt the other departments too much, you see, and surely Jon can handle a little tidying all by themselves? And obviously Jon can't say no to that! Haven't they always sort of wanted to not have to deal with annoying coworkers constantly chattering and bothering them and demanding their attention? Haven't they always wanted to work by themselves and be responsible for their own tasks? And Elias makes it sound like such an inconvenience to hire additional hands. Besides, Gerturde managed just fine without. Surely they can do this by themselves. Surely it will be fine.

It goes from there. The Archives are, obviously, a much bigger disaster than Elias had let on. But Elias expects Jon to handle it and handle it they shall. They just need to work harder. Come in early. Stay late. Miss lunch, sometimes. Work while they eat. It will be fine. What would Elias think if they asked for help? If they essentially admitted that they couldn't live up to his expectations? And other people would disrupt their ability to work. Might ask questions about any areas of interest they try to focus on.

They come in earlier and earlier. They stay later and later. Elias stops by occasionally to congratulate them on what a good job they're doing. To commend them on their dedication. So they have to keep it up. Can't slack off. They had friends before, sort of. Tim and Sasha were nice to talk to occasionally. But now Jon doesn't work near them, can't talk to them as much. Doesn't have time to get drinks with them after work, doesn't have the energy to answer their increasingly sporadic texts. Jon doesn't speak to much of anyone these days. It's fine though. It's fine it's fine it's fine.

There's something about the quiet stillness of the Archives. The echoing silence of the rest of the institute in those few moments Jon spends there in those long, lonely halls (not lifeless, per se, but lonely). There's some deep ache inside of them. It feels almost hollow, but it feels like home, too.

Elias is there, sometimes. To tell Jon how proud he is, how well they're doing. He likes to show up in the moments when Jon's thinking about leaving, maybe to eat in the cafeteria, maybe to stop by Sasha's desk... but that's probably paranoia. How would he know?

Every night, it feels so difficult to leave. Every night, Jon worries that Gertrude will come back and take the job from them, that Elias will find a replacement, that they'll lose their Archives. It's ridiculous, they know it, but it doesn't change the impulse to stay as long as possible. To prove to Elias that this is where they belong. It is an itch deep in their soul.

They think someone might be going through their desk. Something is watching them. It doesn't feel safe, leaving the Archives unattended over night.

(The Archives need an Archivist. The vacuum needs to be filled, and there is a perfect candidate right here, visiting them every day. Of course Jon is feeling the pull.)

And then it's been months, and Gertrude just hasn't been found, and Jon's done such a very good job, and it would be much easier if Jon would just... continue what they were doing? And if they think the work might be too much they can always ask for assistants, of course.

The itching in their soul soothes when they sign the contract. They try not to think about it.

Aaaaand that's about it as far as detailed plot goes. I do have some ideas for later on that are less well defined?

On the angstier side of things:

Things get easier when Jon is made Archivist officially. He feels more comfortable leaving at night, but he still spends a lot of time there. So many secrets, so little time.

He's paranoid. He knows something is up, that he might be in danger, that he's being watched... he can't involve anyone else. Not if he can't trust them, not if they might be in danger too.

Some of it is also the wearing effect of isolation. It's very easy to see other people as a threat or disturbance or unknown variable if you spend so much time alone.

He's looking into Gertrude's disappearance too. What did she know? What happened to her? Is he in danger too?

He can't trust Elias. He knows it. And it's so stupid that he's still maybe in love with him, just a bit.

Months pass. Relationships have surely withered and atrophied from Jon's absence. He still spends some time at his flat, but it's the Archives that feel like home.

And then, one night, the shadows in his flat come alive. Reaching ink-slick hands out to grasp him and pull him in.

It follows him. Shadows reaching with a dozen hungry hands as he races for the institute. Out of walls, street posts, parked cars. One catches on his side, and the flesh tears like paper.

It was midnight when he left. It was almost daybreak when he arrived at the Archives. He knows he's safe as soon as he crosses the threshold.

From there, I'm not sure what happens next. Tempted to say Elias was there waiting for him (I think the formatting maybe implies more continuity than there is there, how much Jon knows by the time he has to leave his flat behind is... debatable). Maybe Elias comes in to visit him and pretends to be shocked and worried about all the very unexpected blood. Maybe Jon has to phone him, begging for help because he can't go to the hospital (he knows it'll come back, the next time he's left alone in the dark), and really, who else does he have that will believe him?

Elias stays with him, tends to his injuries, spends his nights in the Archives with Jon. It's Jon who begs to stay in the Archives. Who needs the safety. The surety. Maybe Elias suggests that he stay there forever. Maybe he doesn't have to.

On the much goofier side of things: I do have an idea of them (once Jon is healed) going to Ikea to pick out some furniture. I'm thinking maybe Jon would know about the Eye, just for some fun bickering over picking out furniture or assembling a dresser or whatever. Idk, I just really like the idea of JE making the Archives into a cozy little home for Jon, somewhere he can comfortably live forever <3.

Jon has a lot of complicated feelings about the Archives and living in them and being the Archivist. Maybe he even tries to leave and go back to living a normal life. Maybe the reaching shadows break that idea for him forever. Either way, one way or another, he will learn that there is no point and there is no freedom in trying.

Despite this AU's beginnings, I don't know if Elias is working towards some big ritual. Maybe he just wants a perfect Archivist to keep in his basement forever.

And. I mean. Can you really blame him??

Not sure if JE ever become like. Official Romantic Partners. But Jon is Elias' Archivist and Elias is Jon's Watcher and that's kind of the same thing, really.

(Maybe they can have some sort of binding ritual ceremony at some point. As a Treat.)

Okay that's. God this has been a bit of a ramble, huh? Anyway I hoped you enjoyed hearing about this AU. I did get excited to take another crack at it while writing this! At the same time, however, I recently saw a post about Love that annoyed me a bit and which has made me think about the Subway Monster AU (and how those two concepts are connected is a WHOLE other story lmao) so we'll see which I end up doing (the answer might be neither for a while. I have. Big Graduation Responsibility due Oct. 1st). But yeah anyway thank you again for the ask! It was fun rambling, and actually really nice to sit down and Think about my AU lol.