#could make a whole post about this idea honestly

[corseque]

I honestly just wanted one single plot step that I could not predict given the 10 year wait. More behind the cut, I talk about Emet too, and I'm comparing his writing favorably to Solas' writing and why it worked better for me personally, but I am just talking about the writing skill that went into the games and not the dudes themselves, I love them both dearly of course. idk this is a mess and I am not going to edit it for clarity

For me, the game was a series of me saying

"ok I knew that. cool."

"oh yeah, I knew that. I guess it's good that the larger fandom knows about that now."

"nice, but yeah I already knew that too"

"that was something we've been talking about a lot for years"

"this thing they are acting like is a huge enormous reveal that the characters could not possibly have deduced through simply thinking about it in depth over the 10 years... the fans easily figured out by thinking about it in depth 10 years ago. So you would think his girlfriend would be able to figure it out more easily than we did. Like, why couldn't the game have been like 'oh lavellan already figured that out a while ago' it would have cost them nothing"

"this is something I've been thinking about for years, and now that it's being revealed, the companions' reactions to it are very irritating and jarring and unnecessary and I really dislike the experience I'm having right now, in this, the hour of my greatest triumph"

"this thing that is happening on my screen right now is something that I wrote an essay about 2 years ago describing how it would be a letdown if it happened without the correct setup"

"this way that they're characterizing Solas makes him less likable and less interesting than I have been finding him for all these years, and I have had people tell me 'no, he's simpler than you think' for years but I guess I was wrong, he really is simpler than I thought, so that fucking sucks. I wish I could take that information out of my brain."

"this thing is a retcon of information I have been thinking about for 10 years, and so I don't know how to follow along with this new direction, and I'm not sure if I even want to because it's not particularly interesting anyway"

"aw that was sweet"

"why is it like, so very impossible to have an honest back-and-forth with my favorite character about the dilemma that was most interesting to me about the previous game"

and then, as soon as, like, the other fans had caught up to the Solas lore that was really obvious from the other games, the game was.... over without anything surprising happening, or introducing a new element or plot point or perspective, or a real true twist (or two, or three) for those of us who have thought about it too hard for too long. It was very simple and easy, much, much, much, much easier than I was imagining. It all felt sort of like that Nicholson quote:

The thing was, the whole story was so interesting to think about because in 10 years, I couldn't figure out a good solution to it!!!!! It's why I was never able to write post-game fanfic about it. So I was stoked to find out some reveal we never knew about, some new information, in maybe a SERIES of steps of new information, that made the situation more complicated but also something that could be navigated by everyone involved. I know it was asking for a lot, but they had TEN YEARS, and they seemingly had set up the things they did in DAI on purpose, so surely they had some idea of a complex and satisfying narrative that would reconcile everyone.

The reason why I was expecting this is because FFXIV did a very similar story arc, which was started AND concluded WITHIN those 10 years (so it took the FFXIV team far less time to deliver as well). And the conclusion to the story in FFXIV did what I was expecting Dragon Age to do. So I thought, "holy shit, if this is the FFXIV version of this plot, how much more complicated is DA4 going to be!?!?" The DA devs also PLAYED FFXIV so they were completely aware, several years ago, of a satisfying story ending that was pretty darn similar.

People are probably going to think "oh, well Chelsea was disappointed because she spent too much time building it up in her head" but that's exactly it - I actually speculated and thought about FFXIV's story IN DEPTH NONSTOP for a year+ before its ending came out, and the ending absolutely blew me away. FFXIV Endwalker managed to introduce information and new story elements that I was not able to figure out in the YEAR I spent speculating on the ending of FFXIV's story. It took a complicated situation and revealed several several more facets to it that I was not able to predict, but were very interesting and thematically compelling, and took us all to surprising and climactic places that we could not have predicted.

Endwalker ("end" is in the title on purpose) too, was written to be THE ULTIMATE SATISFYING ENDING for a very long-running story in the exactly way that Veilguard SHOULD HAVE for Dragon Age, so while this complexity is being explored, FFXIV also gave catharsis to many different plot threads that have been built up through the previous expansions, until finally it ends with a bang. The story is desperately good to me, I loved it, it gave me closure for Dragon Age long before Veilguard was even revealed, and going back and looking at its story has made this whole thing far less painful for me.

So, I actually did not have a picture in my mind for how things SHOULD go. I just had the thought "I hope it's complicated and there are points of view or facts that we haven't before been exposed to, and the situation is resolved respectfully for Solas, not making him look like a fucking idiot (lol, the only thing I asked for). I don't even care what happens to Solas and Lavellan, I just need the story to be complicated and interesting to think about. Please, god, don't let it be "solas is wrong and he just needs to be convinced" because that's like the simplest story you could tell with this setup"

(btw they managed to tell Emet-Selch's story without making him seem like he's being an idiot on purpose or can never get anything right, and in fact the more the story goes on, the more you think of him as smart and capable and cool, so it is possible to write.... I wasn't asking for the entire moon)

And I played it and... yeah. Most of the story beats were more simple than I wanted them to be, a lot of them didn't make sense in my heart given the writing from Inquisition. (This is another essay, but if Solas' thematic story arc was always about him needing to let go of regrets, why was his personal quest the way it was? After that quest, doesn't he end up regretting not doing more....? Why did he never really talk about regret during Inquisition? If he was so trapped by regret, why was he able to do so many actions? It doesn't mesh well to me. The whole regret thing was very quarter-baked to me, I don't even like thinking about it.) His story never seemed like one that was as simple as being about one man's regrets, but then, I guess, it was always just about one man's regrets.

Emet-Selch's personal storyline (and the way it interacts with and affects the larger story) is very similar but much more cohesive and satisfying to me. It would be difficult to explain why without the aforementioned 5-hour essay. Emet-Selch's story IS about grief and anguish on a world-shaping scale in a similar way that Solas' was apparently always about letting go of regret, but Emet's story was also very pointedly and beautifully about that one theme for the entirety of his story from every tiny detail, from beginning to end - meanwhile, it seemed to me that they tried to introduce 'regret' as the main thrust of Solas' story only in the short story with the Regret demon onward.

From Inquisition just by itself, the closest I personally could get to a story theme for Solas was his inability to trust others hurting him and the world, but his trusting others in DA4 wasn't really addressed to my satisfaction. He is never required to trust anyone before the ending, he never opens up or makes himself vulnerable at all. People find out information about him, he never really dynamically opens himself. So the personal story I thought he had was never addressed at all, while a new one about regret was introduced that never made a ton of sense to me. And I don't think this is just because of my expectations - my reaction to FFXIV proves that I am able to meet good writing where it goes in surprising directions, as long as it's interesting and thoughtful and clear.

And I think this might be part of what people felt was off about the ending - Solas is sort of uninvolved in the revelations that are about him, and doesn't do much to be part of his own ending. Part of what I loved about Solas in Inquisition is that he is not controlled by you in any way, and so he feels like his own person with a very strong sense of character.

Anyway, Emet-Selch, in a very comparable and arguably more extreme plot position, is very involved in the revelations about himself, he always feels like a very strong character who cannot be affected by the player, and the whole situation is handled with deft emotion and care and delicacy. The story is comparatively very uninterested in litigating Emet-Selch or putting him on trial - the story allows you to simply feel the way that you feel in an organic way, and Emet's story spends that energy instead actually exploring his thematic material about grief and legacy, and the larger story theme of existentialism instead, in a way that is very refreshing and interesting. I've seen a lot of western stories tie themselves in knots over "redemption" and frankly it's almost never been interesting at all. Who cares about any of that. lol

(Now, I guess this is a matter of preference, because some people really like being able to shape a character's story, but idk I rewatched the ending of FFXIV and even though there wasn't a choice with Emet, because it isn't a branching story, his story felt more satisfying to me, maybe because there isn't a patronizing choice to be made for him. He is who he is, and he fulfills a very beautiful narrative role and purpose that no other character could in the story.)

I don't know how this could have been improved to me and still allowed players to choose Solas' ending for him, but I can actually think of a few different methods, none of which involve Rook condescendingly and patronizingly lecturing Solas as if Solas had never thought about a single aspect of this horrible situation he's in before that very moment that Rook lectures him lmfao.

All this to say... idk I'm writing this and I am not going back to edit it so it's stream-of-consciousness. But yeah

I just wanted the story to be complicated on a few more levels than I could have predicted. I genuinely don't care what happened, but I thought of a few twists like the Veil coming down and yeah, I was expecting A Single Twist or reveal to happen. In a Dragon Age game.

I wanted Solas to seem cool and capable and noble and smart, and actually feel like he was as old and experienced as he is.

I wanted a clear theme I could sink my teeth into

Like notice I didn't even say anything about Solavellan. Like I never in 100 years thought they were getting a happy ending where they were both alive in bodies, and I like that we got that, but I would honestly trade it for a more complicated story. To me, if a story is sad you can always write fanfic, but if a story isn't COMPLICATED, that's a much more urgent issue.

These 3 things DA4 didn't give me in a way that satisfied me but FFXIV did. anyway idk the way my hyperfixations work, I completely switch to a new subject so talking about Dragon Age is actually hard for me right now.

[akitossohma]

i wanted to say your post about lu guang's morality is currently my favorite thing ever. im not sure if you're just incredibly smart or have the gift of prophecy but you are so right and the post is very very good

hi! i'm so glad you enjoy my post >.<

i tragically do not have the gift of prophecy, but i'm happy to explain my reasoning! spoilers ahead.

first off, i wanna say that when i made that post, it was less of a prediction and more of a reading of what the show had already laid out.

i've seen a few detractors of my post on twitter, all of them saying things along the lines of "this is a misguided take because lg is selfless. lg only killed vein bc vein killed csx. we have no proof that lg is sacrificing others." there's a lot to pick apart with these rebuttals, and i'll get to that, but i feel there is one essential point they are all missing: time travel in an of itself is an act of hubris.

going back in time with the intention of changing the past is one born out of great hubristic selfishness. anyone doing so is automatically (and wrongfully) assuming the role of a god.

the show is well aware of this. take the earthquake arc for example. as csx takes it upon himself to try and evacuate the village, lg points out that in doing so, he could end up inadvertently killing more people. this is because the butterfly effect is uncertain and lg knows this. that whole interaction functions two-fold. one: it establishes that the narrative itself is aware of the stakes here. it is an in-universe acknowledgment that changing the past, even if it's to save lives, is extremely risky and ultimately selfish. two: it establishes that lg is very aware of this truth, which is what makes the s2 reveal so shocking. despite being aware of the consequences, lg is still trying to change the past to save csx.

it also tells us that lg's steadfastness about csx not changing the past is likely born out of a fear of csx accidentally messing up the timeline lg is cultivating, and not out of some noble effort to minimize their impact on others' lives, which is how it was previously framed. all this evidence paints a very clear picture: lu guang is not the morally just character we once thought. he is placing his own happiness above literally everyone else's wellbeing. yes he is trying to save csx, but he's only doing that because he can't stomach the idea of living without him. his motivations are objectively selfish at their core.

back to the detractors: i feel some people are conflating lg's actions being done out of love for his actions also being selfless. and while i agree there is an (albeit twisted) form of love behind all this, there is nothing selfless about what he's doing. why does lg get to decide what the future should hold? why does any one man get the final say on what happens to the rest of the world, and all the billions of rich lives within it? hell, why does he even get to decide what happens to csx? yes he's acting under the pretense of saving csx, but does csx even want to be saved? would csx even be okay with what he's doing? i honestly don't think so. when csx believed lg had died, he contemplated using his powers to go back in time and save him, but ultimately decided against it because as far as he was concerned, lg wouldn't approve. he understands the potential chain reaction that comes from saving even one life because lg drilled it into his head. even if he is impulsive to a fault, at the end of the day, csx would never want to cause harm to others, especially not at this magnitude.

even if this effort to change the past/future fails, the fact that he was willing to take this massive risk in the first places says a lot about his priorities and overall character. while he probably doesn't actively want to sacrifice others, he absolutely will if it means keeping csx in his life saving csx.

in this most recent episode, just minutes before killing vein, he says to him, "do you know the butterfly effect? in a dynamic system, any subtle change in the initial conditions may lead to different outcomes. i've been thinking how to change a destined ending completely. if there is an additional point before this, an unchangeable point, what will happen? no need to fear the deviation. just let it happen more completely." lg killed vein partly out of revenge yes, but also to create another unchangeable node in the timeline. he is trying to secure csx's future by taking another life.

and none of this is even touching on how lg possessed a woman's body, which is a COMPLETE violation of her autonomy, to kill vein, knowing damn well she'd take the fall for his murder. lol.

so yeah. lu guang is (and always has been) a selfish, immoral bastard (she said with love), and the writers were very deliberate in setting that up.

there's so much more i could say on this but then this would get way too long, which it already lowkey is haha. thank you for the ask! i genuinely appreciate the opportunity to word vomit all this <3

[everestgale]

Skeptic for the ask thingy? :D

I'm getting through these so slowly 😭 Sorry for the wait! Time to ramble about everyone's favorite detective bird-

[Send Me a Character and I'll List Ask Game]

favorite thing about them

Weirdly, it's the contrast between how intelligent and logical Skeptic is as a character vs. how absurd and irrational the Construct is. The way Skeptic fights and seeks universal singular truth in a world that, by design, does not have any... which was so masterfully highlighted in the Cage and the new Den. I remember genuinely exclaiming "SKEPTIC NO, STOP-" when the tunnel began collapsing (though in fairness, Hero is the one who started it). And the way Skeptic blamed himself for not "thinking it through," because that's how he thinks the world around him should work:

"Why for the love of everything did I not think about the stability of the tunnels?! I'm supposed to be smarter than this! I'm supposed to have a plan for everything."

And the entire dialogue with Hero following that line, too-

...Long story short, there is something very tragic but incredibly appealing about putting a character, who is all about facts, logic, and deduction, into a world that shifts based on your perception where nothing is certain. Sorry Skeptic, love you Skeptic </3

[What's up with all these asks getting so long... more under the cut </3]

least favorite thing about them

Rewritten and deleted lines from the Prisoner. Hands down. It's one of the few things I dislike about the DLC, and I choose to not accept it as canon. I really, really miss that triumphant "I knew it!" followed by "She couldn't tip her hand to Him. He wouldn't have let us leave." It really highlighted Skeptic's intelligence, along with an innate desire to trust the Prisoner, to think of her as someone with a plan. She wouldn't just cut off her own head like that, and he knew it.

I understand that this was done to make the lead-up to the Cage easier / more natural... but I feel like there were other ways to do it! Hero is right there, and he just watched Prisoner cut her head off, he could be disturbed and panicking about the whole situation and really want to leave, which would feel quite natural too! And then perhaps Skeptic was sure that Prisoner had a plan, but after you choose to leave her behind... he isn't so sure anymore, which could lead to him slowly losing his mind and devolving during the Cage. That would've been perfect, at least in my opinion!

Honorable mention goes to the fact that, even after the Pristine Cut, he still feels a little underutilized to me. I talked about it in my Paranoid character ask, but Deconstructed Damsel -> HEA should've had Skeptic instead of Paranoid (T v T)

favorite line

"You have the attention span of a fly. How are we supposed to unravel the mysteries of this place if you're so easily distracted by empty promises?"

Honestly I feel you, Hero, I also have the attention span of a fly-

And of course, how can I not mention: "Yes, yes, don't believe a word she says. Just go in, take the knife, and do what you're supposed to. Wink."

brOTP

I already talked about how I really like the Grey Brothers (Skeptic + Smitten) dynamic in Smitten's post, it's very fun to imagine these two as very different people who have very little in common... but who still care about each other.

But I also want to mention Skeptic + Hunted. I liked the idea of them being comfortable in each other's spaces even before the extended Den. And with them working together so well in the Den post-Pristine Cut, I think they would have a pretty close friendship.

Everest trying really hard to explain a dynamic they like, without resorting to just "they cool. me like them"-

OTP

For the record, I HC my Skeptic as aroace (or demiromantic asexual, I haven't fully decided yet). That will not stop my QPR-Skeptunist from completely taking over my brain <3

There is something very appealing about their dynamic - Opportunist is trying to get on Skeptic's "good side" and is interested in how intelligent Skeptic is (and how he could utilize that intelligence for his schemes), while Skeptic is curious about Opportunist and that rat brain of his (/aff), trying to see what's beneath those layers and layers of masks that Oppy likes to wear. In a way, they are both almost trying to outsmart one another, but from a place of curiosity... which could lead them to slowly enjoy each other's company :]

Also, this ship is really funny, and it's hilarious to imagine all the stupid scenarios they find themselves in- OH, and I wrote this on them like a month ago:

"I do genuinely feel like they would, not always but often, enjoy each other's company and yap - we all know that Skeptic is listening to Oppy's endless rambles to understand that gremlin mind of his, but I feel like he would come to like Oppy's weird plans and logic as a sort of 'new perspective' - and Oppy really appreciates someone acknowledging 'his genius,' and maybe in turn, he would also listen to Skeptic's esoteric rambles on stenography (it feels like they would be interesting, and depending on the topic, Oppy could actually be genuinely interested in Skeptic's yap in like a "oh, this would be helpful for my next scheme" kind of way)"

...I like this ship way too much for how little they interact in the game (which is "not at all")

Honorable mention almost goes to ParaSkep, courtesy of @/wintergrofyuri and @/itsonlypolite. It's so close to clicking with me (it feels like a dynamic I would like, I want to like them)... but it's just barely not it, I don't know what exactly, but something is missing / just not quite clicking with me (T v T)

nOTP

Don't think I have any nOTPs for Skeptic! I haven't seen any ship with him that I disliked :]

random headcanon

I already mentioned like 3 headcanons in this post: the fact that my Skeptic is aroace (or demiromantic ace), the fact that my Skeptic knows shorthand (and writes exclusively in it), the fact that Skeptic is actually a yapper who likes to explain and go in-depth on the topics he finds interesting... /silly

Let's add another one! I like the idea of a linguistics nerd Skeptic, who is really into the etymology of words (I talked about it in this post where I talked about voice's hobbies!), sounds like the kind of thing Skeptic would be interested in.

Are any of these HCs based on anything from the game? Nope! These are all entirely based on ✨ vibes ✨.

unpopular opinion

To be honest, I don't know what counts as an "unpopular opinion" for Skeptic. I don't think I have any? At least none that I feel strongly about, most of my opinions about Skeptic are either directly based on the lines from the game OR are completely irrelevant silly HCs based on nothing but my own likes lol

song i associate with them

I very rarely listen to just instrumental music (outside of lo-fi and a couple specific artists)... but none of the songs I listen to really fit Skeptic. And so my first instinct is... the original Objection! theme from Phoenix Wright-

Also Open the Game by Jiro. Not the kind of music I usually listen to, but a friend suggested it to me as "music that fits Skeptic" a while ago, and I agree with my friend, I think it really suits him in terms of musical style :]

favorite picture of them

...I'm going to be honest, I'm currently debating if I should give Skeptic a major re-design (because something about his current design just irks me). But if I had to pick an image for Skeptic that I made, it would be this-

...I don't think I shared this before (I probably will in a doodle dump of "voices in dresses" sometime in the future), but this is Skeptic in Alice in Wonderland's dress. A few friends and I joked too much about how awful of a time Skeptic would have in Wonderland, and so this was born!

[ngage2003]

I could make a whole post about it but my clonidine is kicking in right now so I am going to just summarize some thoughts real quick.

Alex Kralie is a character that seems, to me, to hold some level of toxic ideals relating to masculinity.

"What the hell are you on about?" Well, he seems to hold (and to have always held) some unhealthy ideas about control and other people, which can be seen pretty much anytime he is on screen.

The first you might think of is how at the start of the series, he was domineering and controlling on set, being easily agitated along with belittling and rude to his cast members. We know these traits have been worsened due to his repeated Operator exposure, but I believe it is implied/shown that he always had these traits, with how he tends to be very particular about details relating to his film and a bit of a needy visionary even when his ideas are extremely unlikely or even close to downright impossible. (I.E. In Entry 54 he talks vaguely about the fact he wanted to make original music for the Marble Hornets trailer despite Tim just having learned the ukulele and Alex seeming pretty blind on playing the piano.)

Now, I do not think Alex Kralie is a bad person, but his intense need for control, to be responsible for everything himself, along with his developed habit of harshly belittling other people that only worsens over the show and his inability to fully trust even his best friend—these are all traits very associated with men who cling to masculine ideals to the point of it being damaging to their health.

I think to some degree Alex always held them, not to the degree we see in the series but he honestly just seems like he has a long history of teasing people a bit too far, being pushy, and being the sort of perfectionist who bites off more then he can chew. It is just due to his torture at the hands of the Operator, his more redeeming parts of himself—his guilt, his connections to other people, his trust—ended up getting peeled away by it, leaving this big raw wound of a person in its wake.

I think this fact is a really important facet of Alex Kralie's character and honestly grounds him in reality and the time period of Marble Hornets, and I think the fact people sometimes brush it under the rug in favor of him just being pure evil from the start is a bit sad and misses some of the most important aspects of Marble Hornet's impeccable writing.

People tend to cite Tim as being the complex one, but really all these characters are and they deserve that recognition, even if it means also recognizing their uglier, human sides.

[ann-non]

SVT reactions on finding out their partner reading smut

Author’s note : it truly has been a while since I posted anything at all.. I honestly have been passively using tumblr. I hadn't been motivated much to write even though I have ideas in my head. I wish I can write more, but for now I'm just gonna focus on my life and post on rare occasions like this when I feel like it. This one is just a sudden thought because some ppl at work are making this book club but they’re sharing all these high literature books. Like no hate, it just requires more brain power for me to read, so I don’t read them as often and I gravitate more to those easy to read spicy romantasies if you catch my drift. But anyway, they don’t need to know what I read in my free time so I just pretend I didn’t see anything lol But yea, it got me thinking about how SVT members would react when they found out the kind of literary corn their partner is reading hihihihihi Obviously, this is just a work of fiction, in no way I know how they would actually react and I wrote this solely for entertainment purposes. Please enjoy and lemme know what you think!

Rating : not sure how to rate this. I guess, there are some innuendos, but nothing explicit.

S.Coups

He walks into the room, sees you quickly shut your book, and immediately gets suspicious. "What are you reading?" He reaches for it, but you hold it tight. Now he has to know. When he finally peeks at a passage, his whole face goes red. He stammers, "I—uh—I didn’t see anything!" and power walks out like he’s on a mission. Later that night, he awkwardly asks, "So… Can I borrow it when you’re done?”

He immediately notices the playful glint in your eyes and before you could say anything, he quickly added, “It’s nothing, I’m just curious!”

Jeonghan

This man is a menace, he’ll have a field day. He would say things so casually just to watch you implode and be like “Aha~ so that’s what you like~” Before you can react, he snatches the book and starts reading out loud in the most dramatic voice possible. "‘His hands traced down her—’ Oh? Interesting." If you try to take it back, he holds it above your head and laughs. Later, he leans in, whispers with that shit eating smirk of his, "I should start using your books as references, huh?" and leaves you completely speechless. And the worst (best) part? He’d bring it up at random times too, like when you're least expecting it. "Hey, which chapter was your favorite? Asking for research purposes." 💀

Joshua

Bro is blushing when he reads what you were reading. He doesn’t expect that kind of scene when he joins you in bed and then reads along with you out of boredom. "My goodness… Is this what you love to read?" You, unaware that he was reading behind your shoulders all along, quickly closed your book as blush crept all over your face. "I—uh—I didn’t mean to intrude!" He hugged you and encouraged you to keep reading as he pulled you closer. But later, as he was on his phone with one hand while the other wrapped around you, he suddenly muttered, "So… do you, um, read those often?" and instantly regrets asking. He’s too polite to tease, but his brain is racing trying to process it.

Jun

Your book was laying on the table unattended as you were busy with your phone. Jun slowly picks it up, reads a line, and gives you a knowing smirk. "Ah… so this is what you like?" He savors your embarrassment. "You should’ve just told me~" Then, for the rest of the day, he randomly brings it up— "Would you like me to act out a scene for you?" Like he would say it completely seriously with that innocent but dangerous glint in his eyes. He’d lean in, smirk, and be like, "You know… I’m pretty flexible. We could test it out, purely for science." And then just grin knowingly when you start blushing.

Hoshi

He gasps so loudly you think something is wrong. "BABY. WHAT IS THIS?!" He dramatically grabs his chest like he’s about to faint. But then he gets curious. "Wait… lemme see that." Next thing you know, he makes it a whole event. He’d flop down next to you, stretch dramatically, and be like, "Okay, hear me out—I could definitely do this." Then he’d actually start attempting the position in the middle of the room, while you’re just sitting there face palming at his antics, "Babe… please—" 

Wonwoo

Wonwoo would glance at your book, read a few lines, and then give you that poker face of his. Then, with the straightest face, he’d say, "Is the writing good, or do you just read it for the plot?" You stammer, and he smirks, "I should borrow it next. Expand my literary horizons." He won’t tease you outright, but you’ll catch him randomly quoting suggestive lines just to see your reaction. "Ah, so this is what you meant by 'intense character development'? 😏" 

Woozi

He catches a glimpse of your book and immediately looks away. Ears red. He pretends he didn’t see anything, but later, he can’t help but ask, "So, uh… that book. What is it about?" If you try to explain, he’ll awkwardly nod and mumble, "Yeah. Okay. Got it." But if you tease him, "Do you want to read it with me?" he will malfunction on the spot. "Wh—NO. I mean—why would I—" and then he’ll be avoiding eye contact for the rest of the week. Dude is traumatized lmao

DK

He sees the book, skims a sentence, and literally jumps back like he got electrocuted. "WAIT—IS THIS—?!?!" His face is pure shock. "BABE, I THOUGHT YOU WERE INNOCENT!" He covers his eyes like he just walked in on something scandalous. But later, when you’re reading again, he peeks over your shoulder and whispers, "…What’s happening now?" He’d stare at the page, tilt his head, then look at you like, "Wait… is that physically possible? Are human spines supposed to bend that way?" Then he’d probably try to reenact the pose just to prove his point, and now you’re sitting there watching your boyfriend nearly sprain his back because of a book. He’d pause, look at you with wide eyes, and say, "Okay but… HOW?! Like, WHERE are their legs at this point??" Then he’d proceed to read the entire passage out loud just to make it sound even more ridiculous, laughing so hard he can’t breathe, but then he keeps reading because "Now I need to know how it ends." 

Mingyu

He’d walk in, glance over your shoulder, and freeze. Then, after a solid three seconds of silence, he’d gasp so loud and grab his chest dramatically like he’s in a K-drama. "WAIT. HOLD ON. A REVERSE HAREM?? AM I NOT ENOUGH FOR YOU??"

He’d literally act heartbroken, pacing around the room, muttering things like:

"I give you all my love, all my attention, and THIS is how you repay me?!"

"So what, you want four more guys? Is this why you’ve been reading so much lately?"

"IS IT BECAUSE I CAN’T MULTIPLY?!" 

And if you try to explain, he’s not hearing it. He’s already on his phone googling “how to kagebunshin no jutsu” while fake-sniffling in the corner. Bro is dramatic AF, but then he’s also the type to proceed to borrow the book (for research purposes he said), and end up getting way too into it. He’d come back blushing and stuttering like, "Sooooo I read it… and uh… I have some thoughts?? 😳"

The8

He’d glance at the book, shrug, and say, "Cool, do you like it?" before going back to whatever he was doing. But if you explain the plot, he might actually get curious and ask more questions in a totally nonchalant way. And when you least expected he would be like, "Hmm, it actually sounds kinda interesting… Can I read it after you?" but completely unbothered, like he’s asking for a normal book. He'd probably even come back after reading the book like, "Honestly, the plot wasn’t bad. The world building was solid. 4,3 stars out of 5"

He would even be willing to have an open discussion about the book and dissect it if you wish to. BUT!! He'd still take his chance to tease you by randomly dropping spicy one-liners just to fluster you. "I see why you liked chapter 12. 😏" 

Seungkwan

The moment Seungkwan catches you reading a spicy book, he already knows something is up. You’re too focused, flipping pages way too fast, and your expressions keep shifting between wide eyes and bitten lips. His senses are tingling. So, of course, he just has to know.

"EXCUSE ME—WHAT ARE YOU READING?!" He snatches the book, skims a paragraph, and squeals. "OH MY— SWEETIE, THIS IS FILTHY!"

But then, it happens, the performance of his life aka reading it out loud dramatically while also reacting in real time.

“He traced his fingers down her—OH MY GOD, WHY IS IT STARTING LIKE THIS?!” 

"His breath was hot against her ear as he whispered—" he pauses to look at you, scandalized. Cue his signature BOMBASTIC side eyes. "WHAT KIND OF LITERATURE IS THIS?!"

"She gasped as she felt his— NOPE. NOPE. NOT IN MY HOUSE."

But it doesn’t stop there. Oh no—he’s acting out the dialogue like he’s in a full-blown historical drama.

One moment, he’s dramatically dropping his voice to play the male lead, "You don’t know how long I’ve wanted you, my love." 

Then, without missing a beat, he switches to a high-pitched, breathless tone to play the female lead. "B-but what if someone hears us?!" 

He keeps reading, while still adding his own commentaries.

"Excuse me, WHERE are their hands right now???"

"Are they in a library? A CHURCH?! Oh, these people are going straight to JAIL."

"How is she still standing after that? I would’ve collapsed three pages ago."

He gasps, clutches his chest, and falls to the floor like he’s been fatally wounded by the sheer audacity of the scene. Meanwhile, you are absolutely DONE. You’re trying to snatch the book away, but he’s holding it above his head like he’s holding the last piece of food at a buffet.

 "OH NO, I NEED TO KNOW HOW THIS ENDS."

And yes, he will never let you live this down. He will bring it up at the worst possible moment. "Hey guys, did I tell you about the time I caught y/n reading a BOOK OF SIN?"

Vernon

He walks in, glances at the book, and just goes, "Oh, cool." That’s it. No reaction. No judgment. Just vibes. Later, when you're talking about books, he casually asks, "So is that one of your favorites?" You choke on your drink, and he just nods, "Nice." The next time you’re reading, he randomly goes, "Oh, this one is a classic  slow burn enemies to lovers trope. Good tension." You looked at him in shock at the realization that your boyfriend had read the book before and he just looked back at you with his usual laid back expression. “What? Did I say anything weird?”

Dino

He stares at the book, then at you, then back at the book. "Oh. Um. Cool." But five minutes later, he suddenly blurts, "But WHY do you read that?!" He’s so confused, but he tries to act mature about it. However, if you tease him, "Do you want to read it with me?" he IMMEDIATELY runs away, only to come back literally a minute later. He’s a little hesitant, but curiosity wins. He’d be like, "Wait… is that what people are reading these days?" and next thing you know, he’s HOOKED.

End note : obviously, I got carried away with Seungkwan’s. 🤣

[stickstone]

the broken code but shadowsight gets possessed by flametail

[statementlou]

i’m sorry to bring this up again, but i wanted to ask how are you making sense of harry having his former girlfriend’s name tattooed on his thigh if you don’t think they were really together? i’m not a larrie and i follow you for your louis content, but i respect your opinions, so i guess i’m coming more from a place of curiosity rather than seeking reassurance. do you not even entertain for one second the idea that you might’ve been wrong about things? that harry was really in a relationship with olivia? that he might actually be attracted to women? that he might’ve been with louis once upon a time but not anymore? have you ever challenged your confirmation bias? again, i’m not trying to attack you, i really just want to understand where you stand. i hope u don’t take this the wrong way.

well first of all you bring up the very good point that there are actually multiple Qs at play and not just one, despite the fandom's (and my) attempts to simplify things. I personally am open to the possibility that Harry and Louis are no longer together- we don't have enough info to say for sure either way about that, and I am constantly recalibrating and considering and I'm going to be totally honest, getting flat out ANNOYED at how often I find myself being like oh damn they ARE still (or again) together ARE YOU KIDDING ME?? Because it seems so improbable and illogical! You think I don't KNOW I sound fucking crazy?! Absolutely infuriating, and yet there are just all these little Things all the time. Plus ofc the fact that they both constantly wink wink larrie stuff to the fandom which could just be playing to the crowd... except then they both continually take it that little extra way that makes me go oh but... you really didn't NEED to go THERE that seems VERY pointed?? But also sometimes I go well. Okay, maybe not. Since they both seem super happy at this point, it doesn't stress me out to think they might have split, the way it would if they seemed miserable and were still churning out heartbreak songs, but it's schrodingers relationship and with all the savvy they've acquired around this stuff and all the balls they're keeping in the air wrt to fandom etc that's unlikely to change in favor of us knowing anything for sure for a very long time, if ever. But I do not doubt that they WERE together, it's simply not realistic. The evidence of it is overwhelming and imo undeniable when taken all together. And the thing is that knowing one thing with certainty (that they were together back when), having really looked at the things that happened during that time, does actually have a lot of bearing on the rest of it even if they aren't together anymore. Because knowing that and having seen the way fake relationships to make them seem straight were managed back then means that when I see the EXACT SAME things being done in the current day, like they are working from a fucking blueprint, no, I don't look at that and think it might be real. I know that Louis and Eleanor wasn't real in... whenever they allegedly got together lol, that story still isn't even quite straight, so why would I believe they were together in 2020? And if I know Louis has a tattoo for a fake girlfriend why would it change my mind about a million things I can see with my own eyes if Harry did the same (if indeed he even has who tf knows)? So despite what I said at the beginning, in the end it kind of does just come down to the one question people are always asking, are you a larrie? Because when you've actually been down the rabbit hole of details that ends up with you saying yes to that question, it's like acquiring a rosetta stone that unlocks the ability to read everything else, like putting on xray glasses, and I look at what is so obviously a publicity relationship (holivia) and whether H and L are still together has nothing to do with why I don't think it's real. Like could a celeb relationship be both used in typical ways for publicity and be or become real on some level (looking at you Liam, heyyy), sure, but for this question the fact that I have never seen Harry show the slightest sign of attraction to a woman in his whole life and he so clearly embraces and identifies so strongly with gay male culture in every possible way and never shuts up about how much he loves cock does play into my thinking; I simply do not think he is attracted to women, no, and I have yet to see him do anything that doesn't seem consistent with things a closeted pop star might chose to do. So in conclusion yes I have challenged my bias and decided I'm right lol! But for real- all the time I consider that they perhaps aren't together but that isn't really the point when it comes to believing they are gay.

[fishparasite]

if i posted every time i missed him i'd be posting even more but. can you guess

[capaldiera]

man idgaf about what treville and richelieu have going on (mostly nothing) (they dont like each other but they work together a lot bc of their jobs.) (i guess treville holding onto a sense of honour whilst working with the cardinal is interesting but like that's not. thats not really those two having something interesting going on). lets talk about the king and the cardinal man.

[witch-queen-of-lesbos]

Today I learned that there's a limit to the number of notes you can put in a post.

hm actually i made a joke poll like this a while back but now im genuinely curious

[archaeren]

How I learned to write smarter, not harder

(aka, how to write when you're hella ADHD lol)

A reader commented on my current long fic asking how I write so well. I replied with an essay of my honestly pretty non-standard writing advice (that they probably didn't actually want lol) Now I'm gonna share it with you guys and hopefully there's a few of you out there who will benefit from my past mistakes and find some useful advice in here. XD Since I started doing this stuff, which are all pretty easy changes to absorb into your process if you want to try them, I now almost never get writer's block.

The text of the original reply is indented, and I've added some additional commentary to expand upon and clarify some of the concepts.

As for writing well, I usually attribute it to the fact that I spent roughly four years in my late teens/early 20s writing text roleplay with a friend for hours every single day. Aside from the constant practice that provided, having a live audience immediately reacting to everything I wrote made me think a lot about how to make as many sentences as possible have maximum impact so that I could get that kind of fun reaction. (Which is another reason why comments like yours are so valuable to fanfic writers! <3) The other factors that have improved my writing are thus: 1. Writing nonlinearly. I used to write a whole story in order, from the first sentence onward. If there was a part I was excited to write, I slogged through everything to get there, thinking that it would be my reward once I finished everything that led up to that. It never worked. XD It was miserable. By the time I got to the part I wanted to write, I had beaten the scene to death in my head imagining all the ways I could write it, and it a) no longer interested me and b) could not live up to my expectations because I couldn't remember all my ideas I'd had for writing it. The scene came out mediocre and so did everything leading up to it. Since then, I learned through working on VN writing (I co-own a game studio and we have some visual novels that I write for) that I don't have to write linearly. If I'm inspired to write a scene, I just write it immediately. It usually comes out pretty good even in a first draft! But then I also have it for if I get more ideas for that scene later, and I can just edit them in. The scenes come out MUCH stronger because of this. And you know what else I discovered? Those scenes I slogged through before weren't scenes I had no inspiration for, I just didn't have any inspiration for them in that moment! I can't tell you how many times there was a scene I had no interest in writing, and then a week later I'd get struck by the perfect inspiration for it! Those are scenes I would have done a very mediocre job on, and now they can be some of the most powerful scenes because I gave them time to marinate. Inspiration isn't always linear, so writing doesn't have to be either!

Some people are the type that joyfully write linearly. I have a friend like this--she picks up the characters and just continues playing out the next scene. Her story progresses through the entire day-by-day lives of the characters; it never timeskips more than a few hours. She started writing and posting just eight months ago, she's about an eighth of the way through her planned fic timeline, and the content she has so far posted to AO3 for it is already 450,000 words long. But most of us are normal humans. We're not, for the most part, wired to create linearly. We consume linearly, we experience linearly, so we assume we must also create linearly. But actually, a lot of us really suffer from trying to force ourselves to create this way, and we might not even realize it. If you're the kind of person who thinks you need to carrot-on-a-stick yourself into writing by saving the fun part for when you finally write everything that happens before it: Stop. You're probably not a linear writer. You're making yourself suffer for no reason and your writing is probably suffering for it. At least give nonlinear writing a try before you assume you can't write if you're not baiting or forcing yourself into it!! Remember: Writing is fun. You do this because it's fun, because it's your hobby. If you're miserable 80% of the time you're doing it, you're probably doing it wrong!

2. Rereading my own work. I used to hate reading my own work. I wouldn't even edit it usually. I would write it and slap it online and try not to look at it again. XD Writing nonlinearly forced me to start rereading because I needed to make sure scenes connected together naturally and it also made it easier to get into the headspace of the story to keep writing and fill in the blanks and get new inspiration. Doing this built the editing process into my writing process--I would read a scene to get back in the headspace, dislike what I had written, and just clean it up on the fly. I still never ever sit down to 'edit' my work. I just reread it to prep for writing and it ends up editing itself. Many many scenes in this fic I have read probably a dozen times or more! (And now, I can actually reread my own work for enjoyment!) Another thing I found from doing this that it became easy to see patterns and themes in my work and strengthen them. Foreshadowing became easy. Setting up for jokes or plot points became easy. I didn't have to plan out my story in advance or write an outline, because the scenes themselves because a sort of living outline on their own. (Yes, despite all the foreshadowing and recurring thematic elements and secret hidden meanings sprinkled throughout this story, it actually never had an outline or a plan for any of that. It's all a natural byproduct of writing nonlinearly and rereading.)

Unpopular writing opinion time: You don't need to make a detailed outline.

Some people thrive on having an outline and planning out every detail before they sit down to write. But I know for a lot of us, we don't know how to write an outline or how to use it once we've written it. The idea of making one is daunting, and the advice that it's the only way to write or beat writer's block is demoralizing. So let me explain how I approach "outlining" which isn't really outlining at all.

I write in a Notion table, where every scene is a separate table entry and the scene is written in the page inside that entry. I do this because it makes writing nonlinearly VASTLY more intuitive and straightforward than writing in a single document. (If you're familiar with Notion, this probably makes perfect sense to you. If you're not, imagine something a little like a more contained Google Sheets, but every row has a title cell that opens into a unique Google Doc when you click on it. And it's not as slow and clunky as the Google suite lol) (Edit from the future: I answered an ask with more explanation on how I use Notion for non-linear writing here.) When I sit down to begin a new fic idea, I make a quick entry in the table for every scene I already know I'll want or need, with the entries titled with a couple words or a sentence that describes what will be in that scene so I'll remember it later. Basically, it's the most absolute bare-bones skeleton of what I vaguely know will probably happen in the story.

Then I start writing, wherever I want in the list. As I write, ideas for new scenes and new connections and themes will emerge over time, and I'll just slot them in between the original entries wherever they naturally fit, rearranging as necessary, so that I won't forget about them later when I'm ready to write them. As an example, my current long fic started with a list of roughly 35 scenes that I knew I wanted or needed, for a fic that will probably be around 100k words (which I didn't know at the time haha). As of this writing, it has expanded to 129 scenes. And since I write them directly in the page entries for the table, the fic is actually its own outline, without any additional effort on my part. As I said in the comment reply--a living outline!

This also made it easier to let go of the notion that I had to write something exactly right the first time. (People always say you should do this, but how many of us do? It's harder than it sounds! I didn't want to commit to editing later! I didn't want to reread my work! XD) I know I'm going to edit it naturally anyway, so I can feel okay giving myself permission to just write it approximately right and I can fix it later. And what I found from that was that sometimes what I believed was kind of meh when I wrote it was actually totally fine when I read it later! Sometimes the internal critic is actually wrong. 3. Marinating in the headspace of the story. For the first two months I worked on [fic], I did not consume any media other than [fandom the fic is in]. I didn't watch, read, or play anything else. Not even mobile games. (And there wasn't really much fan content for [fandom] to consume either. Still isn't, really. XD) This basically forced me to treat writing my story as my only source of entertainment, and kept me from getting distracted or inspired to write other ideas and abandon this one.

As an aside, I don't think this is a necessary step for writing, but if you really want to be productive in a short burst, I do highly recommend going on a media consumption hiatus. Not forever, obviously! Consuming media is a valuable tool for new inspiration, and reading other's work (both good and bad, as long as you think critically to identify the differences!) is an invaluable resource for improving your writing.

When I write, I usually lay down, close my eyes, and play the scene I'm interested in writing in my head. I even take a ten-minute nap now and then during this process. (I find being in a state of partial drowsiness, but not outright sleepiness, makes writing easier and better. Sleep helps the brain process and make connections!) Then I roll over to the laptop next to me and type up whatever I felt like worked for the scene. This may mean I write half a sentence at a time between intervals of closed-eye-time XD

People always say if you're stuck, you need to outline.

What they actually mean by that (whether they realize it or not) is that if you're stuck, you need to brainstorm. You need to marinate. You don't need to plan what you're doing, you just need to give yourself time to think about it!

What's another framing for brainstorming for your fic? Fantasizing about it! Planning is work, but fantasizing isn't.

You're already fantasizing about it, right? That's why you're writing it. Just direct that effort toward the scenes you're trying to write next! Close your eyes, lay back, and fantasize what the characters do and how they react.

And then quickly note down your inspirations so you don't forget, haha.

And if a scene is so boring to you that even fantasizing about it sucks--it's probably a bad scene.

If it's boring to write, it's going to be boring to read. Ask yourself why you wanted that scene. Is it even necessary? Can you cut it? Can you replace it with a different scene that serves the same purpose but approaches the problem from a different angle? If you can't remove the troublesome scene, what can you change about it that would make it interesting or exciting for you to write?

And I can't write sitting up to save my damn life. It's like my brain just stops working if I have to sit in a chair and stare at a computer screen. I need to be able to lie down, even if I don't use it! Talking walks and swinging in a hammock are also fantastic places to get scene ideas worked out, because the rhythmic motion also helps our brain process. It's just a little harder to work on a laptop in those scenarios. XD

In conclusion: Writing nonlinearly is an amazing tool for kicking writer's block to the curb. There's almost always some scene you'll want to write. If there isn't, you need to re-read or marinate.

Or you need to use the bathroom, eat something, or sleep. XD Seriously, if you're that stuck, assess your current physical condition. You might just be unable to focus because you're uncomfortable and you haven't realized it yet.

Anyway! I hope that was helpful, or at least interesting! XD Sorry again for the text wall. (I think this is the longest comment reply I've ever written!)

And same to you guys on tumblr--I hope this was helpful or at least interesting. XD Reblogs appreciated if so! (Maybe it'll help someone else!)

[ourceliumnetwork]

i'm gonna need my parents to stop being so fucking generic looking because i cannot be having a moment like this just because some dude in a random internet picture looks JUST like my dad. holyfuck.

[the-mehlwurm]

maybe I'll go outside tomorrow (or today because its 12am.)

[medicinemane]

.

[redflagshipwriter]

The Proposal

This mini fic was inspired by the anon prompt to @faeriekit linked here and all the development that Faeriekit did for the idea. This fic is perilously regional. I half expect angry yelling from other areas of the Midwest.

Original post

Word count: 2718

Masterpost of my Archive Down Fics is here.

Jason came to with cream cheese stuck under his fingernails and in the creases of his fingers. He looked around the room wildly, trying to understand the situation he was in. The kitchen smelled fucking weird. He sniffed the air. Meat? Like, ham and also vinegar?

He washed his hands really well, grimacing at the greasy texture. Then he reconstructed what must have happened by the debris. This was not his first post-blackout rodeo, but usually he was reconstructing a literal crime scene.

There was an empty pickle jar on the countertop. There were packets of deli meat in the trash.

There was some kind of abomination on his nicest plate, which was obviously made of cream cheese wrapped around pickles, blanketed by the meat, and sliced thin like sushi rolls. It was lovingly protected by a perfect sheet of cling wrap.

“The fuck?” Jason said, a little scared and pissed off.

He paced the kitchen for a while and then went to pace on the balcony, because he needed a smoke to process this culinary abomination but something in his gut wailed at the tragedy of ruining it with cigarette smoke. Which was absurd, partly because the plate was in the refrigerator. He sensed in his bones that it needed to cool until the cream cheese was as hard as it would get, so that he could safely transport it. Transport it fucking where? Was this an assassination attempt against Batman? That sappy motherfucker was probably the only man in the world who would choke that down to make Jason happy.

He had a long drag on his cigarette and tried to ignore the way his fingers shook.

“Okay,” he said, squeezing his free hand shut and opening it. Maybe stimming would prompt his brain to go brr and explain this. “Did I have a stroke? Maybe I was possessed?”

It was hard to tell. He ground out his cigarette and tossed the butt in the tray before venturing back inside. He was calm. He was more centered. He flicked on the kitchen fan to clear out the pickle stink and then he went and put on his coat and grabbed the plate.

Why was he doing that?

The compulsion led him three blocks before he realized where he was going.

Not far away from the safehouse he was in, some college freshman had wasted the Joker when the clown tried to drag him into a van. He had called the police, crying the whole time in shock about being a murderer.

Jason had not been on the scene. He had only heard through comms. He had been out of town when the Joker got out. He had been rushing back on his bike, heart pounding and sick with nerves at the thought of his family out there without him.

And then the fucker had failed to secure the first victim for whatever sick play he’d had in mind, and the poor out of town kid who had apparently never heard of the Joker was breathing a sigh of relief that ‘oh, this wasn’t like, a birthday clown? Whew, that’s alright then,’ previous guilt over ending a life all gone.

Jason liked that. It was hugely undignified that the Joker had been got by someone who didn’t even know who he was. If he’d known, it would have killed his ego. As it was, Jason had laughed himself nearly sick before barricading himself inside to read the file Timmers put together on Danny Fenton.

Well. If his gut said that he should deliver this horrific dish to Fenton as thanks for the murder, well…

Jason grimaced. He just wouldn’t be seen doing it. If Fenton thought it was an assassination attempt and called the cops, Jason would never fess up.

He broke into Fenton’s apartment, very glad that the guy was in class at the moment. He mourned the loss of his plate but honestly, this was the least destructive black out he’d had, so it was whatever. He put the pickle rolls in the fridge, looked around, and then left. He was done. He’d thanked Fenton, or whatever (maybe he’d attacked him, honestly, Jason didn’t know how he would react to finding that trash in his fridge.)

It could end now.

The next morning, Jason scrubbed away a yawn and realized that he had just scraped a mess of chopped snickers bars into a bowl that already had clouds of something white and -

He took out a piece and bit into it to confirm that it was perfectly cubed green apple.

“I am possessed,” Jason said in horror, looking around the counter to see what the Pit Madness had cooked up this time. Why did the fucking Lazarus Pit know these recipes?

The white shit was a mix of cool whip and vanilla pudding, apparently. There was an untouched bottle of caramel sauce waiting innocently.

“...Does that go in?” Jason wondered, vaguely horrified.

Well, maybe an evil witch was doing this to him. Bottoms up. He poured caramel in until it felt right, guided by what had to be someone else’s goddamn ancestors, and then mixed it all up with a spoon.

This looked a lot better than the last thing. Jason scraped it into a bowl and then stole a spoonful of it to try.

“Holy shit. It’s like eating a caramel apple,” he said, muffled around the food. He swallowed and genuinely considered taking more.

Nope! His gut said nope. This was another offering for–

“Hold up, offering?” Jason put it in the fridge, clingwrap on top, and let his mind be blown. He put his face in his hands and just reeled. He was making offerings for this motherfucker now. He opened his phone, intending to search the things he’d been blackout making and froze.

His lock screen was Danny Fenton’s police intake photo, looking pretty relaxed after he'd been told the booking was a formality.

“I don’t remember doing that!” Jason frantically changed it back to his old lock screen, a grimy alleyway with a hilariously shaped filth puddle and one of his favorite rats.

He snuck this dessert thing into Fenton’s fridge, collected his clean plate with some relief, and left. He didn't know if Fenton had eaten that shit or if he'd thrown it away, but at least he'd washed the plate.

“That was the last time,” Jason told himself, pacing around his room. He wasn’t– that was two days in a row now that he had a normal day, went out on patrol, went to bed, and woke up in his kitchen. It wasn’t going to happen again.

He chainsmoked all day to such a degree that Stephanie Brown saw him, whined “Dude,” in disbelief, and jumped off a building while holding her nose to get away from him. It was a fair reaction. He had a shower before patrol so that no one could make a connection between Jason, stinkiest man in Gotham today, and the Red Hood, a guy who owned a shower.

Patrol went fine. He caught himself veering past Fenton’s shitty apartment building twice but no one was nearby enough to call him out for it.

He went to bed and got a jumpscare because at some point of his most recent fugue state he'd gone out and bought a bunch of wedding magazines and made them into a nest. He made a roar of frustration and pushed them off the bed with only a twinge of interest in what that swan centerpiece was made of.

Jason went the fuck to sleep, determined to walk this off.

He woke up the next morning in his kitchen. “Cream cheese, again,” Jason complained. He gave the bowl he was mixing a furious stir and then shoved it in the fridge.

Cream cheese, chopped meat, and chopped green onion. He searched the internet to identify the fucker. This was a cheeseball.

…He frowned, thinking of the fugly mess in the bowl.

It was the larval form of a cheeseball, he amended.

Why did he know this shitty recipe.

Stomach tight with dread, he looked up the other things. Day one was a pickle roll. Day two was snickers salad.

These were all real Midwestern potluck dishes. He hadn't made them up. Why did the pit know these recipes?

The Snickers salad offended him as a concept and he bitterly regretted finding it delicious.

“Salad,” Jason repeated in aggrieved disbelief. It was good but it was no goddamn salad. “I could just make him a real salad. Will this end if I bring Fenton good food?”

It wasn't the worst idea. He put a pin in it.

Grimly, as if he was going off to war, Jason researched how to shape the ball. If he was doing this, which apparently he was for no goddamn reason, he was going to do it to perfection. When he was done he wrapped it up tight, got an assortment of crackers, and left it at Danny Fenton’s apartment with a sort of tired resignation that this might as well be happening.

This time was different. This time, Fenton was home.

Jason barely avoided being seen by rushing out the window over the sink and hiding from the immediate line of sight. He was, however, close enough to hear–

“Holy shit, is that a cheeseball? Who loves me?” and then some truly ghastly, wet crunching as Fenton tore through the crackers and cheeseball like a wild beast. It felt like being in a horror film. Jason very badly wanted to leave. Jason very badly wanted to crawl back inside and present himself for a scrap of Fenton’s approval.

What the fuck? What the fuck!

He fled. And this time, he decided to take action. He was going get out of this sick mind trap and-

“Nothing wrong with you, it's not a curse,” Zatanna said, bored about it. “Whatever is going on is safe, sane, consensual, and none of my business.” She portalled away before Jason could argue that it did not feel sane. He was having an entirely new category of mental breakdown and when one of the Bats found out about it, he was going to be a case study.

Fine. He gritted his jaw. New plan. Maybe he could beat the curse by showing it up.

He called out of crime for the day and ignored the confused commentary in the background of his phone call– can he do that? Of course he can, he’s the friggin’ boss– and spent it furiously researching. He needed a crowning achievement. He needed to find out what was sacred in this culinary tradition, master it, and then tell the compulsion to suck on bricks.

Casserole. The answer was a casserole.

Jason scrolled through dozens of recipes, scowling fiercely. That was no good. That offended his senses. He just knew that would be bland. He-

“Do I want to make that?” Jason asked aloud, puzzled by his fixation on the old-fashioned goulash casserole recipe. Worcestershire sauce– he didn’t have that in this safe house for sure. Beef, pasta, tomatoes… yeah, okay. This was the one. For no fucking reason at all, this was the one.

He went out shopping like he usually went on life-or-death missions, full of grim purpose.

He got back and assembled his ingredients. It was not exactly a challenge to follow the recipe. Jason turned off the stove top and froze in place. “I don’t have an ancestral pan,” he said, horrified. Holy fuck. How could he dare to give it in a regular baking pan- he had to get one. Where the fuck does one acquire an ancestral casserole pan on short notice?

Panicked, he called the Manor, hands shaking as he packed the whole thing up and stuffed it in the fridge to keep it food safe until he could bake it.

Bruce answered, sounding a little choked up. “Hello, Jason, so glad-”

He hung up. He texted Tim. “I need you to steal something for me from the Manor.”

“You’re allowed in, you gigantic freak,” Tim wrote back.

Jason did some meditative breathing and resorted to outright pleading immediately. “What do you want? I will give you whatever you want. I just need an ancestral casserole pan.”

“I am NOT stealing from Alfred’s kitchen,” Tim wrote back. Which was fair. “Drake ancestral pan alright?”

Jason thought about it. It was still a family pan, sorta. By the transitive property, and that was a perfectly good property. He sent back a thumbs up, his GPS pin, and the word “Hurry.”

A while later, Tim dropped off a glass dish, loudly said “I don’t wanna know,” and slammed Jason’s door shut.

Fine. He was already moving his stuff from the now-cold frying pan into the casserole dish. It went into the oven from there. Jason spent the bake time trying to think of new coping mechanisms, because apparently smoking wasn’t up to this level of mental fuckery.

He waited out the bake time. He let it cool enough to be safe to travel with but hot enough to deliver warm. Jason grappled to Danny Fenton's apartment for the fourth time in four days, let himself in, and nearly jumped out of his boots when he realized that Fenton was in the kitchen watching him.

“Hey,” Fenton said. He was sitting on his counter in his pajamas, eating ice cream out of the bucket with a spoon. He was certifiable. Jason wanted to cross the room and kiss whatever Fenton would let him. Hands, face, feet, whatever.

Wow, weird.

“...Hey,” Jason said, way too late.

Fenton crunched down on his ice cream. “...That a casserole?” He said.

Jason nodded wordlessly, feeling very grateful that he had his hood on. He put the casserole down on the counter. He took a step backwards to flee.

Fenton pointed at Jason with the spoon, wholly unintimidated by the heavily armed man who'd broken into his house. “This is a proposal.”

Oh. Oh, motherfucking shitsocks. Jason felt weak through the knees. It was. Why was- why was he proposing??

Fenton took in his shock with a detached air. “Huh,” he said, like he'd learned something from this. “Um, it's nice of you and all. Have you been like, fixated on me for a while or- ohhh. I avenged you, didn't I?” He dropped the spoon in his ice cream carton and slapped both his palms down on the countertop. “He killed you? That sucks, man,” Fenton empathized. “I get it. I think if someone smashed the portal with a hammer I'd be down on one knee.”

Jason's brain was simply not running any program any longer. He gaped. He wasn't coherent enough to ask why Danny knew he'd been murdered by the Joker, but he had his shit together well enough to be fixated on the point.

“Um, it's not usually me being chased,” Fenton said. He made a face. “I… huh, I think I'm flattered.” He very obviously gave Jason a once-over. “I suppose this is your way of showing that you're a provider.” He heaved himself off the counter and went to investigate the casserole, sniffing and lifting the lid. “Oh, fuuuuuuck,” Danny groaned. He sniffed appreciatively. “Good demonstration of your husband material, t-b-h.”

Jason resisted the urge to tackle him to the ground.

“That's the good stuff.” Fenton closed it back up, but not before giving his ice cream spoon a considering look.

Oh, yuck. This guy was so grungly. Jason needed him badly. He shuddered.

Fenton looked at him.

Jason looked back.

“Do you wanna try moving in and see how we get on?” Fenton offered. “Take it slow, no wedding just yet.”

“Absolutely.” Jason full-body twitched with just how eager he was. “How do you feel about swans?”

“Neutral,” Danny said, after a brief moment of consideration. “I like stars, though.”

Okay, so that would be their wedding theme.

Jason only realized he'd said that aloud when Fenton's eyebrows shot up. Mortified and really wondering what was wrong with him, Jason offered a weak smile.

Fenton made a considering noise. He crossed his arms. He looked Jason up and down. “...Can you grill?” He asked. “Like, beer chicken?”

[dunmeshistash]

Okay I think I'm ready to write the second part of this post about Milsiril

To make it easier for me I'll just divide this into her relationship with Kabru, Mithrun and Helki (her ex-canary prisoner teammate)

First about Kabru

This is an extra from the daydream hour 5. The caption says "Something like this might as well have happened" so its probably not canon but could be. I honestly think his reaction to Milsiril visiting and being overbearing says a lot about the type of relantionship they have. This is the fakest bitch in the whole of dungeon meshi, he never says what he trully thinks unless there's an advantage to doing so, he's a people pleaser that does and says anything to make people like/trust him. And yet he immediatly converts into "Mooooooom you're embarassing meeeeee" when he sees it's Milsiril.

This translation used "Mom" but as I understand the original he uses the more formal version so I think it would be closer to "Mother" but still he acknowleges her as his Mother, and he acts like her kid in every interaction we see between them.

I really don't understand where the idea that he learned to be fake from being "forced" to be her adoptive son comes from.

(Continuing under a cut)

The other interaction we see between them is the Kabru extra from the Adventurer's Bible

Kabru comes to her with a deep fear he clearly has had even before she adopted him, he trusted her with this fear and she did not disappoint him, she comforted him and then gave him the information he needed to believe what she was saying

I'd also like to point out in no moment she discouraged him from calling his his bio-mom "Mom". He also says she taught her children everything they asked

I doubt this would only be true for him, it also mirrors something she said in the manga

"You can go ahead and learn all you want about something else." I believe it when Kabru says she made every effort to answer her children's questions. I think this is also the way she expresses the love she has for them. Plus I love the thought bubble with Kabru mirroring what he learned from her. I also love this daydream hour, she sacrifices her own comfort to do something for Kabru.

Milsiril isn't a perfect mother tho, besides the fact she is overprotective she comes from a very different culture from her children. I like to call her Kabru's white mom cause I think that would be the real world equivalent. This extra is the one I think the most about showing this context perfectly

Kabru wants to share Utaya sweets but looks at his mom looking gloomy/rejected so he talks about fruitcake instead. This very rude for Milsiril to do since she's kinda trying to overwrite his actual cultural background, but I think its done more as a "I want you to like the things I like" rather than something nefarious, and once again Kabru doesn't hide at all his distaste for it, he does the bare minimum to please his mom since she's being dramatic but he doesn't lie to her, he shows how displeased he is about fruitcake, something he refuses to do when eating the harpy omelette that is way worse, because he must make a good impression for Laios. Kabru is honest with his overbearing white mom once again.

Now a little about Rin, from Kabru's context, this is her extra in the Adventurer's Bible

(look at Helki he's such a gremlin i love him) anyway, Rin has a trauma about elves, they really mistreated her so she hates them, but when they notice she isn't thriving they go to Milsiril for help (Helki specifically I'll talk more about him next). I think this indicates she really has a better understanding of short lived kids, her kids are thriving differently from the ones the other elves try to care for. I'd also like to remember she lives secluded from other elves so while Kabru probably had lots of interactions with elves during his life, most of it was probably spent with Milsiril and her other adoptive kids. She also asks Kabru if he would do this to help Rin, he isn't being forced or anything, I also think it's good that Milsiril knows she cant take in any more kids, this to me shows she's worried about the quality of life her kids have. That is all to say, Rin is the one with elf trauma, not Kabru, because Kabru had Milsiril to shelter him from them.

Helki

This will be short and sweet since there's barely anything about Helki, he's her prisioner companion from her time in the canaries, but he was pardoned after Utaya, it says so in the Canarie's Structure page in the new adventurer's guide but I cant really find it translated again... so here's google's machine translation (I remember it saying "Retired and pardoned as a reward after Utaya", something like that)

so officially he isn't a prisoner anymore, but I think he still works as a canary, even so he and Milsiril seem quite close, he is the one to go talk to her about Rin, He is there when she's training Kabru (both laughing at Kabru and then participating). I saw people theorizing she stays close to him because he is also someone who she can feel superior to, but I don't believe it at all, he's STILL in contact with her even after they have nothing to with each other, I think they really have a friendship, and there's no point where it seems like she feels like she's better than him or that he's less than her, people seem to interpret Milsiril and her relationships in the worst possible ways every time and I don't understand why.

This segways into Mithrun

I've also seen people assuming she only got close to Mithrun because now he needs her and has no power over her, once again with the theory that Milsiril surrounds herself with people she can feel superior to. But once again, Milsiril had a change of perspective about Mithrun after seeing his Dungeon

Rather than she feeling superior to him I think rather she realized he was just like her. (And I think she's friends with Helki for a similar reason, it's probably easier to see him as an equal than other nobles)

I've also seen this part used as proof of that. "He said that you've got suspicious ulterior motives and that I shouldn't listen to you" as if that's true, but this is past Mithrun, the one that didn't trust anyone and thought ill of all his teammates, ofc he doesn't believe someone would help him without an ulterior motive. This doesn't prove much about her real motivations.

Also before she showed up, Mithrun was being cared for by servants hired by his brother, he isn't someone helpless she has power over, he is still a member of an important Noble family that has a caring brother providing for him, he can do without Milsiril, he had done without her for 20 years before Utaya happened and she quit the Canaries.

This is all to say I think Milsiril is just a white(elf) adoptive mom doing her best, I don't see much of anything nefarious about her or her motivations, she is flawed as all the dunmeshi characters are, she isn't a perfect mom, she isn't an evil mom, she's just a person.

Elves in general also see short lived species as "children" so I imagine this makes her "You'll always be my baby" attitude way worse, she really treats pre-teen/teen Kabru like he's a toddler sometimes. But she also respected him enough to go all out in training him. I think they're a family with everything that entails.

PS: I didn't get much into Interracial adoption since this is something that happens irl too and I don't know much about all the issues that entails, but in the end, in this case, it seems like a net positive for the kids she adopts considering all we see about how she raised Kabru.