#costumes: the romanovs

[vagun1ka]

ive almost finished belobog storyline. and i like bronya.

[lesromanoff]

Grand Duke Vladimir and Grand Duchess Maria Pavlovna dressed up for a costume ball held in their palace in 1883

[dwreader]

Claudia’s sailor dress and historical references.

While a staple of childhood fashion among royalty and aristocrats for decades (Queen Victoria put her son in one in 1846 and set the trend for wealthy parents), the sailor dress for teenage girls was popularized in America in the 1900s by tailor Peter Thomson of Philadelphia. Louis who keeps up with fashion trends would’ve known immediately what to put his new baby in as this was THE look for little girls in the 1910s. It was eventually accepted as school wear for girls which is ironic since Claudia doesn't go to school or interact with other kids at all at this point. They are now largely associated with schoolgirls and uniforms.

While the majority of these childhood sailor photoshoots available online are of white kids, you can also find some examples of black children dressed in sailor fits from early 20th century so this was not exclusively a white kids only trend, which Louis surely would've been very conscious of.

[empress-alexandra]

Emperor Nicholas II and Empress Alexandra dress as Tsar Alexei Mikhailovich and his first wife Tsaritsa Maria Miloslavskaya for the 1903 costume ball.

[la-belle-histoire]

Princess Tatiana Konstantinovna of Russia in Fairy Costume, c. 1900s-1910s.

[thephantomofanastasia]

This is so cool. A production of Anastasia the Musical at the University of Mainz in Germany

Photo credit to musicalinc on IG

[jeannepompadour]

Varvara Vasilievna, Countess Musin-Pushkin, in 17th-century boyarina attire at the Romanov Anniversary Ball in 1903

[roses-of-the-romanovs]

OTMA in 1902 vs OTMA in 1916.

[la-madame-x]

𝚃𝚊𝚝𝚒𝚊𝚗𝚊'𝚜 𝚄𝚗𝚒𝚏𝚘𝚛𝚖 - 𝙿𝚛𝚘𝚓𝚎𝚌𝚝 𝙸𝚗𝚝𝚛𝚘𝚍𝚞𝚌𝚝𝚒𝚘𝚗

This particular project will be a blend of two things - Grand Duchess Tatiana's Ulan uniform and a late Victorian walking suit [meaning the skirt will be changed from an asymmetrical riding habit skirt to an 1890s fan skirt, and the jacket will be cut to a curvier profile]. The patterns for the both the jacket and skirt will be entirely self-drafted based on the original photos shown above. Let's go over the materials: For the body of it, I chose a medium-heavy weight [450 gsm] English herringbone tweed in 'Dark Navy'. This totaled to 6 metres. The yellow front is also of tweed, but this time a plain weave and only 1/2 a metre. They are pictured below along with silver dome buttons and an antique fob necklace, because who doesn't need one of those. Additional materials such as trims for the collar and cuffs, as well as the belt, will be shared in a future post.

Photos are not mine [except for last one], I found them on Pinterest.

[chic-beyond-the-wall-oc-acct]

Drew a childhood oc

This is Avigeya Niktonova Nikolaevna (I tried). A guilty pleasure OC 😌

I've made her an imperial bastard because I can ;)

Big thank you to @rainwingmarvel7 for helping me figure out her color palette 🩷🩷🩷

And I'll be blending the canon from the animated movie and the musical together because I love them both. I know the designs aren't really true to the 1920's but I was struggling and the movie and musical aren't the most accurate either soooo

Oh Avigeya-- if I had a ruble for every time I named an oc after myself in some way I'd have 4 rubles...then I could buy a loaf of bread, some milk and maybe a couple pieces of fruit...in 1926

Also tags are being stupid so if they're messed up I'm sorry 😭

[romanovsonelastdance]

Grand Duke Sergei Alexandrovich of Russia in costume.

[slozhnos]

linda cho your costume design is unmatched <33

[lesromanoff]

Grand Duchess Xenia Alexandrovna 1903

[anastasiamusicalupdates]

Anastasia the Musical Costumes: Anya

Russia

The first costume we see an adult Anya wearing is her iconic Russian coat and skirt. This costume is nearly identical in nearly every production. The main differences between productions are in the wigs, which can differ when it comes to braid placement, waves vs curls vs straight, and shade. Some productions include dirt smudges on Anya’s face. The costume features a brown woven coat, thick belt, patterned skirt, and boots. Underneath, Anya actresses wear a peasant blouse, wool stockings, and striped bloomers. Some scenes feature fingerless gloves.

(Christy Altomare, Broadway)

Learn To Do It

The Russia costume with the coat removed, so we can see the peasant blouse underneath. The exact pattern can sometimes differ, and some productions will use just one garment as a blouse while others will use two layered pieces.

(María Arévalo Saez, Madrid)

Paris Holds the Key to Your Heart

The design for this gown is a white suit-like dress with blue accents. She also wears matching shoes and new jewelry. At this point her hairstyle changes to an updo, either a low bun or roll, with finger waves. Anya also begins wearing brighter red lipstick. The Hartford production had Anya in a completely different pink dress with a more 1920s silhouette, though no pictures exist of this costume.

(Molly Rushing, Broadway)

In a Crowd of Thousands

Here, Anya wears a nightgown/chemise. The exact shimmery pattern can be different between productions. This is the only point in act two that Anya does not wear her updo, instead wearing a long wig with loose curls pulled away from her face.

(Christy Altomare, Broadway)

Pink Ballet Hartford

The original design for this gown was a light pink, flowing dress with short transparent gloves. The original collar gradually got raised over the course of the Hartford production, the only production to ever use this design.

(Christy Altomare, Hartford)

Blue Ballet

When the show moved to Broadway, the gown was designed to reflect the animated film’s ballet dress. Every replica production since has used this design. It is a more structured gown with blue beading and long white gloves.

(Kathryn Boswell, Broadway)

Marketing Post-Ballet OUAD Reprise Coat

When packing after the ballet, Anya has changed into a long purple velvet coat. It is relatively simple, though it has some embroidery over the front buttons. Though the marketing posters show her wearing this dress with a long wavy wig, that wig is never featured in the show and instead the dress is worn with her usual act two updo. The marketing wig looks very similar to the wig worn during In a Crowd of Thousands, however the marketing wig generally had tighter waves rather than loose curls, and it also had a knotted bun in the back.

(Christy Altomare, early marketing for Hartford and Broadway)

Finale

The last outfit Anya wears in the show is her red gown to reflect the royal status she’s come to discover (and will soon reject). Exact embroidery can differ between productions. It is strapless with a wide and low waistline, featuring gold and red decals. The skirt is severely pleated to give the appearance of a split in the front to reveal a red beaded underskirt. It is worn with long white gloves, a large red and gold tiara, matching earrings, and a bracelet. Sometimes it is short enough that Anya’s shoes are visible.

(Victoria Madden, Second National Tour)

Macy’s Thanksgiving Day Parade

During the parade, the Broadway cast of Anastasia performed Once Upon a December and Anya got a new costume, only ever used for this performance and never in the actual stage show. Anya starts the song in a brown hooded cloak, removed to reveal a pink Russian court dress, pink shoes, and tiara. The hairstyle is the act one braided look, but slightly shorter, more voluminous on top, and with loose curls instead of waves.

(Christy Altomare, Macy’s Thanksgiving Day Parade)

[goldberry-edition]

WoW 😳 This Black Friday is amazing!!

Only on our Instagram page, you can place an order for the pendant that started it all~~

The classic Anastasia necklace exclusively just here for 38,8€ instead of the regular price of 67€

View this post on Instagram

A post shared by 🌿 Goldberry Edition 🌿 (@goldberry_edition)

[cruciatusforeplay]

Another bingo fill for @the-poly-armory collaborative Barton Birthday Bingo

Summary:

"You can't order pizza," Natasha cut him off, "I'm cleaning my guns by candlelight. It's a city wide blackout."

"We could acquisition pizza," Clint said triumphantly. Natasha and Bucky both started to make noises about how Avengers really shouldn't steal pizza during a blackout, when Clint flapped his hands to shush them. The candles flickered from the motion.

~~~

A short story about community, spending time with people you love and the absolute beauty of freshly baked pizza