#correspondence from heaven

[justjaymi]

Not me in a discord server on my own in an attempt to draft out my first ever Ineffable Fic

PLEASE tell me if you’d be interested

I need the motivation to actually write it haha

[dandelionjack]

i would spiritualise anything

[theangel-aziraphale]

Well, you and Crowley seemed to run the shop smoothly together. Or, at least, you ran it and he provided company.

Maybe an angel and demon working together is good for the shop? If you're thinking of having Muriel continue to run it, perhaps ask Eric to help as well.

Well... we shall see. Really, I need to speak to Crowley first. As long as Eric treated the shop respectfully...

That means no glitter, (and if there is it must be miracled away completely!) No eating and touching books at the same time. No... well few customers should be tended to. Really I could go on.

In fact I'd just ask that Eric listened to Muriel and I'd be happy with that.

[sjweminem]

How do you feel about a little Hoffman DP? Maybe some spit roasting? Strahm fucking his face while you're plowing his ass. Or the reverse. Or Hoffman braced on Strahm, his dick already deep in his hole while you slide a strap right in along side, or one of you fucking his pussy while the other ravages his ass. Many options to consider

JUSTIN MCELROY VOICE UH THE REVIEWS ARE IN: GOOD

[jhoons]

sunghoon running his hand down his itty bitty waist in the choreo is SICKENING

[theatrescribbles]

New Chapter: 31st July, 1994

31st July 1994

Dear Harry,

Oh boy, oh boy. Where do we start?

[thedragonkween]

King Baldwin IV Headcanons! ♔🤍♕

A/N: So, here we are. I could not resist this mysterious and tormented king's charm. His silky voice makes me dream! These are some headcanons I've collected off the top of my head. The Reader is implied to be female and married to Baldwin IV. Please, do feel free to hit my inbox to ramble about our king because I'm literally dying of pining and yearning.

tags: female!reader x baldwin iv of jerusalem (from kingdom of heaven); reader is married to baldwin iv of jerusalem; fluff; slight angst towards the end

wc: 1150k

reccomended songs to listen to while reading: "Summertime Sadness" by Hildegard von Blingin; "Right Here" by Ashes Remain; "Blood, Sweat, Tears" by BTS (orchestral version)

"Many are the tales of the King Baldwin IV of Jerusalem and of his Queen. Despite the varying accounts of their deeds, each one of them agrees on one aspect: the King of Jerusalem loved his Queen dearly, and the world is richer for it".

Baldwin IV is mysterious, intense, valiant, noble and utterly devoted to you, his Queen. But what does this devotion look like?

Firstly, he would believe in you like no other and would always be ready to give you his best advice whenever the weight of your responsibility becomes too much. Foreign rulers would soon learn of your qualities - there would hardly be a piece of correspondence where the King of Jerusalem does not praise the intellect and insight of his dear wife. He would glance at you from time to time, while you both work at your desks sharing the burden of paperwork, silently thanking God for having sent him not only a beautiful, but reliable life companion as well.

He values your opinions greatly and has the utmost regard for your views on political, military and state matters. Disagreements happen, yet your overall values are aligned, which is why Baldwin understands your vision and where your point comes from. During the discussions regarding complex decisions, he would let you speak and explain, then he would offer his honest thoughts on the matter, should he see another, different way from yours. 

Playing chess is a favorite way of spending quality time together in your chambers, away from the chaos of the court. If you know how to play and are proficient at it, he would delight in the thrill of challenge, as he would finally have found a true equal. If you do not know how to play, he would teach you with patience, taking pride whenever you make an unexpected and astute move. He would be such a nerd while he explains the rules to you and would be delighted to see how your mind works when devising a plan.

"Congratulations, dove. You have a checkmate."

I can also see Baldwin taking you on long rides, if his health allows it. He would sweetly check the reins and saddle on your horse before mounting on his steed and leading you away to enjoy the cool early morning breeze, before the heat of Jerusalem becomes too sweltering. You would have a nice and secluded spot to enjoy and to pretend that you are a couple of young lovers without responsibilities and crowns weighing on your heads.

Your presence brings him safety and comfort, which is what would convince him to remove his mask when he is alone with you and the physicians. He would especially love to rest his head on your lap as you gently caress his curls while the physicians tend to his skin. It is a sacred moment. He does not know how he went so long without your presence during this delicate time. Speaking softly to each other, you would distract him from the pain with talk of your hometown, fairy tales from your culture, or even simply reflecting on a happening of that day. On these occasions, you learn how to best take care of him, watching the physician tend to his arm while you tend to the other, delicately dabbing the cloth over his wounded skin. Baldwin feels so protected and safe in your presence. He thinks you are God’s greatest gift to him.

Now, jealousy. Baldwin knows he boasts the honor of having an exquisite flower such as yourself to call his own. As do powerful men and courtiers from distant lands. Many covet your loveliness as one would a precious gem. Should one of these foolish people try to take you from him or even stare at you for too long to be considered proper, they would be met with a pure force to be reckoned with. Should a knight’s eye linger on you for too long, he would be quick to put him in place in his signature glacial, elegant way. Before long, everyone learns not to disrespect the Queen consort of Jerusalem.

“Perhaps you would have understood my point, had you not been so insolently ogling my wife”. He takes out his whip. “On your knees. You will pay for insulting the Queen”.

He would protect you with his life. He swore to protect Jerusalem and, as its Queen, that includes first of all you. Should a courtier doubt your devotion and mistake it for thirst for power, or should he learn of an orchestrated attempt on your life, he would waste no time in employing his best forces in your service to defend you.

His enemies and templars alike fear him, yet with you he is as gentle as the morning breeze that gently caresses Jerusalem. This powerful king who makes armies tremble and kingdoms shake is the same person who holds and kisses your hand (when in public, bringing your fingers to the lips of his mask), who silently admires your loveliness from afar and sighs to himself, who longs for your warmth after a tiring day. 

He would write you letters. Lots of them. And not always when he is away. Maybe he just liked the way the sun reflected in your eyes that morning. Or maybe when you helped a servant, he was moved by your kindness. Your every action inspires him, so much so that he has to let out his thoughts on paper. You have a pretty wooden box brimming with delicate papers penned by Baldwin in your honor. He is not only the King of Jerusalem, but also the king of pining, of yearning. Even when he has you near, he yearns for you.

I love to imagine him letting you accompany him to battle. He would love it too, in theory. You make him so strong, the both of you would be quite the sight, meeting your enemies head on, as one, donning your best armors. Yet, at the same time I cannot imagine him resting easy knowing that a loose arrow, a desperate soldier seeking glory for killing the Queen of Jerusalem, or fatigue and sickness could take you from him. It pains his heart to be parted from you, yet he cannot risk your safety. Instead, Baldwin would trust you with ruling the kingdom. He has absolute faith in your intelligence, willpower and cleverness, especially after all he has taught you about running the realm. He longs for you every second he’s away from Jerusalem, yet his heart is at peace knowing his kingdom is in the most capable hands.

When he feels that his time on this Earth is nearing his end, he calls for his most trusted advisors, including Balian and Tiberias. He would ask them, almost begging, to protect you always, at all costs, when he is no longer there to do so. Balian and Tiberias would exchange a quick glance to each other, vowing to respect their King’s wish until the very end.

“Protect her. Please.” “Always, my Lord”.

Poems, songs and stories would be written in honor of your love even centuries after your passing. Many tales would speak of Baldwin IV of Jerusalem and his Queen. Different pieces of art, such as paintings and ballads, would inspire people from all over the world to find a love as devoted and unshakable as yours. Until the very end.

All in all, to love Baldwin means knowing your time together is limited. As is the time of all creatures on Earth. He would beg you to go on after his passing, to live for him. He shall wait for you and protect you from above. Until the very end.

[peachiejeongin]

Asleep and Adored | Bang Chan

synopsis: a short sleepy drabble about bang chan when he gets tired

pairing: bang chan x reader

genre: pure fluff!

warnings: lowercase letters intended, no warnings!

notice: hello my loves! i wrote this sleepy chan drabble back many months ago; considering i may or may not have posted part 6 to the phantoms a bit early, enjoy this filler fiction :)

whenever bang chan was sleepy, he got clingy. that was a given as he was physically unable to fall asleep without you by his side. it would start with gentle taps on your arm or thigh, progress into frequent hugging, and by the end of the night, chan would be laid in between your legs or vice versa holding you like a life-sized teddy bear.

however, tonight seemed different.

chan had been in the studio tonight for only heaven knows how long. he had been producing, writing, you name it. you were not sure as to why; after all, stray kids had just wrapped up dominate promotions, and there were no planned song collaborations scheduled to your knowledge.

you knew he was getting tired. his eyes were drooping as he attempted to stay focused on the, unnecessary, task at hand.

“love, why don’t we head home? it’s nearly one,” you stated softly. chan drowsily checked his phone clock, shaking his head in response. “mm-mm. gotta,” he paused to yawn, “get this done.”

“what even does ‘this’ entail?” you asked both in curiosity and frustration. chan shrugged his shoulders, quickly returning them to their slumped position.

“just a side project. i got bored, y’know?” a few mouse clicks sounded, as well as a few ‘mms’ and ‘i need to adds’ from your boyfriend.

“if it’s just a side project, can’t it wait?” you sounded desperate, but you could not care less. you were desperate. desperate for your insomniac boyfriend to lay down and get even a few brief moments of sleep.

“it can, but i don’t see the point in postponing it any longer.” he went back to adjusting sounds and adding beats, clicking notes and corresponding vocals, and auto tuning voices and repositioning lyrics. you had had enough.

absent-mindedly, you stood up suddenly, reached over your boyfriend’s left shoulder, and pushed his lap top closed gently.

“baby, no!” he almost instantaneously yelped, attempting to reopen his laptop; however, your hand sat firmly in place on the technological device.

“ah, ah, ah,” you said softly. “rest. you can finish tomorrow.” chan sighed both in annoyance and defeat.

“fine.” chan made a swift reach for his keys, yet once again you stopped him.

“i don’t think either of us should be driving this late. maybe we could…” your eyes darted over to the smooth, black leather couch positioned near perfect in the center of the room. chan nodded slightly, another soft yawn eliciting from his pouty lips.

you lied down on the makeshift bed for tonight, spreading your legs slightly in invitation for chan. he quickly obliged, crawling in between them and laying his head down on your chest whilst simultaneously wrapping his arms around you.

you stroked his hair gently, and before you knew it, the adorable boy was nearly half asleep. yet, something in him seemed to be keeping him awake.

“got something on your mind, hon?”

“mm, just, thanks for caring about me. if it wasn’t for you, i’d never get any sleep.” a chuckled vibrated in your chest.

“any time, baby.” the soft thump of your heartbeat lulled chan to sleep before you knew it, and the sight of the sleepy boy in front of you sent you to dreamland soon after.

in different manners, both of you dreamed of how you got so lucky.

[flowerandblood]

Paradise Fruit (1)

[ Kingdom of Heaven • King Baldwin x female ]

[ warnings: watching each other masturbate, soft, poetic smut, a detailed description of the deadly disease and the unpleasant symptoms associated with it ]

[ description: After being treated by King Saladin's physicians, King Baldwin begins to leave his chambers. The people of the court whisper around her that the young ruler will not even live to be thirty years old. As a lady of waiting of his sister, she attracts his attention. ]

Author's Note: I said it and I did it: I know this isn't your typical Ewan Mitchell character, but I couldn't resist. I'm glad I wrote this because I had too many thoughts after watching this movie and now my soul is at peace! For those who haven't seen Kingdom of Heaven, I highly recommend it, it's an amazing production.

Word count: 3.900

Part 2 – White Marriage

* English is not my first language. Please, do not repost. Enjoy! *

My other works: Masterlist

_____

Jerusalem seemed to her at once a paradise and a hell on earth, both beautiful, sublimely sacred, as much as broken, dirty and cruel. The reign of King Baldwin IV was a reign of restraint and peace, the greatest evidence of which was his rich diplomatic correspondence with King Saladin himself.

Baldwin gave permission for the Muslim part of Jerusalem to hold prayers as it wished, on payment of appropriate taxes – a huge step towards reconciling the city's disparate population and a cause of contention among the Christian knights.

As lady of the court, she accompanied the royal sister, Sibylla, like her shadow, serving her with conversation, reading books in her company, being the equivalent of her friend and confidante, watching over her welfare.

She was the third daughter, and was therefore a burden to her lord father, who sent her to Jerusalem to the royal court when she was thirteen. Her father hoped that Sibylla herself would find her a suitable husband and put up the coins for her dowry, allowing her family to glory on the Old Continent in the fact that her chosen one was favoured by the God in the Holy Land.

Looking at Princess Sibylla's marriage, she prayed that she would never meet her fate, preferring to eventually fade into old age in a monastery.

Her Lady abhorred her husband: not in a physical context, for he was not unlike other great knights in stature or appearance, but in his heart, which was filled with the lust for power.

Although he believed that he was acting in the name of Christ on the Earth, he represented neither his mercy nor his prudence, being a simply unkind and spiteful man.

Sibylla was given in marriage to him at the age of 15, and she watched her sufferings and humiliations in silence, only being able to allow herself occasionally to close her hand on hers, giving her encouragement.

It was known that her husband's dream was the death of the King, for it would then be his wife who would become heir to the throne. Someone might laugh at this wish, knowing that King Baldwin was only 16 years old when she arrived at court.

However, despite such a young age, it was known that the King would probably not live to see his thirtieth year.

The cruel disease that had descended upon his body when he was still a young child, leprosy, was the reason why his whole body was covered, and his face was adorned with a beautiful silver mask – the only thing visible through it were his eyes, bright and wise, the skin around his eyelids all red.

His sister despaired at his undeserved suffering, at the thought that his body was falling apart, his skin peeling and pulling away from his muscles, causing him excruciating pain. He could not touch anyone or be touched directly because his disease was contagious.

Thus, one of the greatest rulers of Jerusalem, a man who had accomplished the impossible and ushered, at least for a while, the Kingdom of Heaven into this forbidden holy land, suffered daily torment.

As she prayed for the health of her family and his sister, she also prayed for him – since Christ was able to miraculously cure lepers, as the Bible itself said, perhaps there was hope for him too.

As a sign of respect and friendship, the Muslim King Saladin sent a retinue of his best physicians to relieve the King of his pain, which must have helped at least to some extent, for although she had previously only seen him in audience standing by his sister's side, now the King began to walk through the palace gardens on his own.

One day, when Sibylla noticed him standing next to one of the monks, she approached him immediately, praising his name, and she moved humbly to follow her, feeling grateful at the thought that the King was indeed feeling better.

That perhaps her prayers had been answered.

"Brother. It rejoices me to see you in the fresh air, away from the suffocating comfort of your chambers full of books and parchments." Sibylla said, pulling her shawl from her mouth, revealing her face to her brother.

As a married woman, she covered her face out of sheer decency, as her husband was a jealous man, but she, as a maiden, in addition almost always being in the presence of her Lady, did not have to do so.

"Your judgement is too harsh, dear sister. Books and parchments are my solace in the hardest of times." He said calmly and lazily, effortlessly – it was the first time she had heard his voice this close and she thought the words coming out of his mouth were like humming.

He had a white linen cloth draped over his head that reminded her of the headgear of the pharaohs, a richly embroidered white robe and gloves on his body, a silver mask portraying the features of a handsome, masculine man on his face.

She swallowed hard as his gaze shifted to her, catching her looking shamelessly at her ruler's face, causing her to lower her head immediately.

"Let's take a walk. We should take advantage of the beautiful weather." Said his sister, wanting to take his arm, he however moved away immediately and shook his head.

Pain and sadness crossed Sibylla's face, but after a moment she only nodded and forced herself to smile, walking ahead with him, letting her and the King's servant walk a few steps behind them.

That evening, for the first time, the King summoned her.

"Do not fret." Sibylla said. "My brother is a man of decency and sensitivity. Rest assured, he will not set upon your virtue or force you to do things unworthy of a lady. He confessed to me that he would like to look at your face for at least a moment longer and asked me to convey his wish to you, indicating that you may refuse."

She looked at her in disbelief, feeling the blush of embarrassment appear on her cheeks at her words, feeling her heart begin to pound like mad.

"If it is the will of our beloved King, I will do so." She said, and Sibylla nodded, giving her one satisfied smile.

She wore her most beautiful robe and hair adornments as if she were about to attend a nuptials – the material cast over her body was blue, fastened at the shoulders and waist with golden buckles, in her hair at the sides jewellery resembling a wreath of laurel leaves.

As she entered his chamber, candles burned all around, she was also struck by the intense scent of lavender – she noticed immediately his white, seated figure bent over thick tomes. His head turned towards her, in his mask she was able to see the reflection of everything around him.

"Do not be afraid. Come closer." He said softly and she nodded, feeling her heart flutter in her chest like a bird.

Her footsteps on the stone floor echoed through his chamber, the rustling of her robe as she sat down opposite him made her sound similar to the rustling of leaves.

She swallowed hard as she watched him sigh and spread out comfortably in his chair, looking her straight in the eye – she immediately looked away, unaccustomed to such confidentiality with anyone.

"No." He said. "Don't deny me this pleasure."

She tightened her fingers on the material of her garment, lifting her gaze to him again, feeling herself involuntarily begin to breathe through her mouth.

She could see the calm and curiosity in his eyes – his head was tilted slightly to one side, as if he was thinking about something, silence all around him.

"I'm making you uncomfortable." He concluded.

She shook her head quickly, horrified, thinking that something in her posture or gaze had discouraged him.

"No, Your Grace. I just don't know how to behave. What is appropriate for me to do or say in your presence. Silence is safe." She confessed in shame, lowering her eyes to her fingers again, reminding herself after a moment that she should not do so.

The King hummed at her words.

"Do not take my words as my attempt to mock you, however, knowing how little time I have left in this wretched world has made me tread lightly in courtly etiquette." He said with amusement, not taking his eyes off her, something flashed in his gaze as if someone had lit a candle inside them.

"We waste time feigning care and respect, hiding what is true, arising from the depths of our hearts, because that is what etiquette demands of us. When we stand before God, will we say to him: I have never really loved or sympathised, but my lips have left many beautiful, great words?" He asked, and she looked at him in disbelief, completely surprised by his approach and what she had heard.

Some part of her knew he was right.

"In this world, only the King can afford to lack beautiful words." She muttered, hearing after a moment that something akin to a chuckle had left his lips.

"You are mistaken. One word from the King can either create or destroy."

She lowered her head, wondering if he had just rebuked her, he, however, seemed satisfied.

"My reign will end with my death, which will be in a few years at the latest. I will not beget an heir to whom I can pass on my philosophy of ruling, the values that are essential. My sister's husband and his greed will sit on the throne, and Jerusalem will fall." He said calmly, as if he were telling her about the weather, his fingers clad in a white silk glove tapping rhythmically against the table top.

She swallowed hard, feeling a squeeze in her heart, wondering if perhaps the reason he had summoned her was quite different from what she had suspected.

"What shall I do, my King?" She asked, and he laughed again, louder this time, looking at her as if something in her question gave him pleasure.

"Your devotion rejoices my heart. Do not think, however, that you will hear from me an order that would condemn you to eternal damnation. I could not then leave this world in peace. No. I wish that when I disappear, someone will watch over my sister. To help her escape when all is lost here, no matter what her husband will desire. Do you understand what I have in mind?" He asked softly, and she nodded, thinking she felt more respect towards him than ever.

"Yes, my King." She replied.

He smiled at her words, she saw it in his gaze. She lifted her gaze higher, towards the windows by which the shoots of dried lavender hung, surrounding them with a pleasant, refreshing scent.

"I had these beautiful flowers brought in from far away. They mask well the unpleasant ailments of my illness on hot days. The smell of rotting flesh is one of the most disgusting to man, for nature equates it with spoiled food from which he can die." He explained, and she looked at him in disbelief, feeling hot shame ripple through her body at his words.

His suffering must have been unimaginable.

"Knights praise their own greatness and bravery during battles wishing for songs to be sung about them. I, for one, hope to hear songs about Baldwin IV, a wise and prudent King, a merciful Monarch who fought each day with his own suffering and triumphed. I do not know the words that can convey my admiration for your person." She mouthed in a trembling voice, feeling that her hands lying on her thighs were quivering all over with emotion, burning tears for some reason squeezed under her eyelids.

The King looked at her for a long moment in silence, something in his gaze that made her feel a pleasant tingling in her fingertips.

"Your soul is as beautiful as your body. You are like a breath of cool wind on a hot day. I am grateful to you for allowing me to experience this joy."

As she left his chamber, for some reason she burst out crying.

She could not understand why: it seemed to her that her heart squeezed all over in pain, not only out of compassion, but also out of a sense of injustice that a man so great and enlightened was experiencing undeserved torment every day.

Or was it through his ordeal that he became such a man, such a King?

If the gates of the Kingdom of Heaven were to open before anyone in the second life, it was before him, she thought.

That night she could not sleep: she was ashamed of herself for thinking about him. She tried not to pay attention to men, knowing their nature, knowing that they might consider it an invitation on her part to sin.

However, the time she spent with him, although she might perceive his words as ambiguous, seemed to her something almost spiritual, a moment of awakening, as if she had been in a half-sleep until the moment she looked into his eyes.

His gaze would find her in the audience among the other servants and ladies of the court. She knew this because his eyes stopped on her face, and although he listened intently to what his subjects were saying to him, she knew that for that one moment he was focused only on her.

The flutter of her heart shamed her, allowing her to realise that, like a flower, a warm and pleasant feeling was blossoming within her, coming from God.

"You occupy my brother's thoughts. He follows you with his eyes." Said Sibylla as they walked together through the corridors of the great, cold stone fortress.

"It was not my desire to distract him from the affairs of the Kingdom." She confessed with shame, entwining her fingers on her womb, looking sadly at her fingers. His sister snorted at her words.

"Jerusalem is destroying him. It is the Kingdom that is his disease. He has taken upon himself all its sins, purified it. He gave it years of peace and dignity." She said with a pain from which she felt a sting in her heart.

Why was it that whenever she thought of him she wanted to cry?

"I want to relieve him." She said finally, looking at her uncertainly, afraid of how the words sounded when they left her mouth. Sibylla stopped, looking at her with furrowed brows.

"Don't be a fool. My brother will not condemn you to a fate similar to his own."

"There are many ways to experience relief. You said so yourself, Princess."

Sibylla looked at her thoughtfully and after a moment nodded, giving her wordless consent to whatever she wished to do.

The trust she had in her intimidated her.

As the siblings' chambers were next to each other, walking along the corridor from one quarters to the other was not a problem for her – Sibylla dismissed her guards so that no one could see in what negligee she went to the king's chamber.

Her long hair was loose, her body covered only by a thin nightgown, rubbed with fragrant oils, on her shoulders a cashmere shawl with which she covered herself to protect herself from the cold.

When she closed the door behind her and turned to face him, his eyes were wide in shock. He was silent for a moment, clearly not knowing what to say.

"No." He said finally. "Go back to your chamber."

"I have not come to you to sin. Does the sight of me disgust you, my King?" She asked in a trembling voice, feeling that she was breathing heavily through her mouth, her heart pounding like mad in her chest.

She saw something in his gaze that looked like he felt pain, his figure creased slightly, as if he had run out of strength.

"God created you to subject me to the ultimate trial. He is torturing me like Job."

She felt a single, warm, heavy tear run down her cheek at his words, her body trembling all over, hot and cold at the same time with desire, though she did not know what kind or what was causing it.

"God sent me to soothe your suffering." She whispered.

They looked at each other like that for a long moment that lasted an eternity, and only after a while did she realise that his silence was due to the fact that he wanted whatever she was going to do to be due to her free will. Therefore, she moved tentatively towards his bed, on which she saw a clean, snow-white sheets, and lay down on her back, putting her shawl aside.

She looked up at him – his gaze was fixed on her, his silhouette sitting in a chair by the window frozen in stillness, the whiteness of his attire seeming to her to shine amidst the candles and the surrounding darkness of the night.

She swallowed hard, feeling the dryness in her throat as her fingers lifted to the ties of her nightgown – she untied the knot, a pleasant squeeze spreading between her thighs, something sticky beginning to leak from it onto the sheet beneath her buttocks.

"– does what I am doing disgust you, my King? – is it a sin? –" She asked, sliding the thin material off her shoulders in a gentle, soft motion, unashamedly revealing her plump, sweet breasts. His gaze fled to them, as if what he had just seen simultaneously terrified and excited him.

"– looking at you, all I feel is desire – it's me sinning in my mind, not you –" He whispered so that she barely heard him, his hand sliding from the table top to his thigh.

Though she knew it was wrong, her whole body screamed, wanting him to touch her, to check for himself how soft and warm her flesh was, her moist, swollen womanhood, pulsing around nothing in desire.

"– not just you, Your Grace –" She muttered in a trembling voice, shamefully mimicking his movements, her long, small fingers sliding down her belly between her thighs, sinking into her warm folds like the moist flesh of an exotic fruit.

His head bowed as they both made a strange, unnatural sound full of surprise at the same moment, a moan as if they had caused each other pain, but yet all she could feel was a wonderful, hot tingling in her quivering womanhood, in her lips, in her nipples, in the tips of her fingertips.

He did not allow her to look at what he was touching under the material of his robe, she could however see the shape of that part of his body outlined on the material – his manhood was long and fat like a piece of stick, growing larger and larger with each squeeze of his hand.

She threw her head back, imagining feeling something that big inside her, in an involuntary reflex finding with her fingertips her puffy slit, slick and tight, resisting her as she tried to slide it inside her.

"– let me see –" He whispered, as if asking for something dirty, disgusting, repulsive.

She, however, felt only the heat of pleasure at his words shake her body – her thighs involuntarily parted, her legs bent at the knees allowing her nightgown to shamelessly reveal all that only her husband should be able to look at.

She felt tears under her eyelids at the thought of wanting to be his wife.

"– you have my love, my King – you have my heart –" She breathed out, digging her fingers deeper into the delicate structure of her folds, teasing again and again the small bud from which her body went through shivers of wonderful, familiar pleasure.

His eyes were fixed on what was between her thighs, his gaze hazy and hot, his breath heavy, the sound of his hand smacking against his flesh sticky and lewd.

"– like the inside of a ripe fruit – like Eve in paradise –" He breathed out, staring at her as if he were looking at something delightful, accelerating the splats of his hand with a low grunt of pleasure. "– so beautiful –"

She felt a thrill of pleasure shake her, shivers ran through her cheeks, breasts and legs at his words, so shameless and yet poetic, beautiful, like the Song of Songs of King David.

"– her breasts are like two fawns –" She hummed, quoting one of the biblical verses, the gaze of her King again fixed on her face, full of fire, heavenly or infernal. "– like twin fawns of a gazelle that browse among the lilies –"

"– her lips drop sweetness as the honeycomb – milk and honey are under her tongue –" He whispered in reply, quoting another of the songs from the manuscript, making her involuntarily allow her own fingers to invade her insides at last.

She threw her head back with a girlish moan, her free hand gripping the frame of his bed, rolling her hips back and forth, stretching her tight interior with the sticky clicks of her wetness.

"– she is a spring enclosed – a sealed fountain –" He muttered and let out a low, helpless groan of relief, leaning down, his hand lying on the table top clenched into a fist.

She felt a wonderful convulsion shake her body at his words, her fleshy, moist walls beginning to throb and clench around her own fingers.

She imagined that her body had just sucked his seed deep inside her, which would take root in her like a tree, giving him a future and an inheritance.

She moaned as she felt her pleasure reach its peak, seeing for a moment only the darkness before her eyes – her fingers, all wet with her moisture stroked for a moment more the little spot deep inside her, her whole body hot and sweaty from the exertion.

Her release was wonderful and sweet, as if she had tasted the most delicious of fruits.

She opened her eyes and met his gaze, his figure relaxed and spread out comfortably on the chair, his hand laid back on its armrest, his glove sticky with something pearly and shiny.

They breathed loudly for a while, just watching each other – she decided not to cover her body, wanting to give him that pleasure, wishing only his gaze could see her like this.

Bare.

He sighed quietly, cocking his head, his gaze satisfied, indicating that he had clearly made a decision in his heart.

"– I will marry you tomorrow at dawn –"

She blinked and raised herself up on her elbows, horrified.

"– my King – that's not –"

"– I know that this was not your intention – I also know that you will understand that it will be a white marriage, which I will declare to all and sundry – you will not lose your maidenhood – you will not bear me children – the Kingdom will treat you after my death as a saint who stood by the dying King in his misery – when I join my Father in the Heavens, you will be free to remarry –" He explained and she shook her head, feeling offended by his words.

"– I will not take another husband –"

He fell silent and swallowed hard, as if something in the certainty in which she said this moved him deeply.

"– very well – I have only one condition: you will never take off my mask – not even after my death – you will see me as I am only in the Kingdom of Heaven –"

[criphd]

At the outset of H. G. Wells’s The War of the Worlds (1898), Wells asks his English readers to compare the Martian invasion of Earth with the Europeans’ genocidal invasion of the Tasmanians, thus demanding that the colonizers imagine themselves as the colonized, or the about-to-be-colonized. But in Wells this reversal of perspective entails something more, because the analogy rests on the logic prevalent in contemporary anthropology that the indigenous, primitive other’s present is the colonizer’s own past. Wells’s Martians invading England are like Europeans in Tasmania not just because they are arrogant colonialists invading a technologically inferior civilization, but also because, with their hypertrophied brains and prosthetic machines, they are a version of the human race’s own future.

The confrontation of humans and Martians is thus a kind of anachronism, an incongruous co-habitation of the same moment by people and artifacts from different times. But this anachronism is the mark of anthropological difference, that is, the way late-nineteenth-century anthropology conceptualized the play of identity and difference between the scientific observer and the anthropological subject-both human, but inhabiting different moments in the history of civilization. As George Stocking puts it in his intellectual history of Victorian anthropology, Victorian anthropologists, while expressing shock at the devastating effects of European contact on the Tasmanians, were able to adopt an apologetic tone about it because they understood the Tasmanians as “living representatives of the early Stone Age,” and thus their “extinction was simply a matter of … placing the Tasmanians back into the dead prehistoric world where they belonged” (282-83). The trope of the savage as a remnant of the past unites such authoritative and influential works as Lewis Henry Morgan’s Ancient Society (1877), where the kinship structures of contemporaneous American Indians and Polynesian islanders are read as evidence of “our” past, with Sigmund Freud’s Totem and Taboo (1913), where the sexual practices of “primitive” societies are interpreted as developmental stages leading to the mature sexuality of the West. Johannes Fabian has argued that the repression or denial of the real contemporaneity of so-called savage cultures with that of Western explorers, colonizers, and settlers is one of the pervasive, foundational assumptions of modern anthropology in general. The way colonialism made space into time gave the globe a geography not just of climates and cultures but of stages of human development that could confront and evaluate one another.

The anachronistic structure of anthropological difference is one of the key features that links emergent science fiction to colonialism. The crucial point is the way it sets into motion a vacillation between fantastic desires and critical estrangement that corresponds to the double-edged effects of the exotic. Robert Stafford, in an excellent essay on “Scientific Exploration and Empire” in the Oxford History of the British Empire, writes that, by the last decades of the century, “absorption in overseas wilderness represented a form of time travel” for the British explorer and, more to the point, for the reading public who seized upon the primitive, abundant, unzoned spaces described in the narratives of exploration as a veritable “fiefdom, calling new worlds into being to redress the balance of the old” (313, 315). Thus when Verne, Wells, and others wrote of voyages underground, under the sea, and into the heavens for the readers of the age of imperialism, the otherworldliness of the colonies provided a new kind of legibility and significance to an ancient plot. Colonial commerce and imperial politics often turned the marvelous voyage into a fantasy of appropriation alluding to real objects and real effects that pervaded and transformed life in the homelands. At the same time, the strange destinations of such voyages now also referred to a centuries-old project of cognitive appropriation, a reading of the exotic other that made possible, and perhaps even necessary, a rereading of oneself.

John Rieder, Colonialism and the Emergence of Science Fiction

[beansprean]

WHAT WE CLUE IN THE SHADOWS: A FINALE CONSPIRACY BOARD

So. WWDITS may have the actual balls to do this to us. and I for one am INCREDIBLY excited for the possibility. If you're a WWDITS fan and haven't seen Clue (1985), I highly recommend taking 95 minutes to do so before the finale. Just in case.

Clue is my favorite movie, I have probably seen it upwards of 100 times for real, and I can recite it from memory with 90% accuracy. I also have the pleasure of owning and playing the WWDITS-themed Clue game, which is centered around finding out who stole the witch's skin hat and where in the house they hid it. I don't know if that will play into the finale at all, but it's something to think about.

The thing about Clue (the film), if you aren't aware, is that there are three different endings. On the vhs/dvd, you see all three in a row between 'that's how it could have happened, but what about this?' title cards. In theaters, there were three versions of the movie (labeled A, B, and C) that were dispersed to different theaters, so depending on where and when you went to see it you would see one of 3 endings. (It's kinda unclear which letter corresponded to which originally, so my labels will be assuming a 1:1 comparison between the order of the home version of Clue and the airing order of the WWDITS episodes.) The Clue endings are not all made equal, and on the home version, the final ending is announced as 'what really happened.'

So allow me to take a moment to talk about how the different endings work in context to each other and the film, and how that could translate to three different endings for WWDITS.

CLUE SPOILERS UNDER THE CUT (for real, go watch it)

(last chance to watch Clue go)

Ending#1: "Communism is just a red herring"

In this ending, the first one that plays in the home version, Miss Scarlet is revealed to be the murderer. She is a snarky, sarcastic madam who runs a "hotel and telephone service to provide men with the company of a young lady for a short while" and has policemen on her payroll. This is what I would consider the expected ending, the one that makes sense for most viewers. It's not shocking, but it's funny and well acted and it makes the most sense. Miss Scarlet has the right personality for murder, was in the most convenient area of the house to commit them, and had Yvette (the maid, formerly one of Miss Scarlet's call girls) committing some of the murders at her direction, so she had enough alibis to not make her too obvious. Many people watching this movie for the first time will have her high on their suspect list.

This ending also dismisses the idea of 'dangerous communism' that had been a thread throughout the film (as it is set in 1953 during the second Red Scare) as a misdirection. Miss Scarlet isn't stealing government secrets to betray the US; she's doing it to make money. The real danger all along was capitalism, something that s6 of WWDITS has said repeatedly.

So, to recap, this is the Standard Ending. The Second Best ending. Version B.

Ending #2: "Mrs. Peacock did it all."

This one, played second in the home version, is in my opinion the weakest ending. It reveals Mrs. Peacock, the neurotic, hysterical, and allegedly politically corrupt wife of a senator, as the murderer. She's hilarious and fantastic to watch throughout the whole film and I love her, but this charm drops after the reveal and she becomes cold and drab as she threatens her way to safety. She committed all the murders herself, which would be very difficult to achieve with the tight timing and her position in the basement during the search.

She ends up being caught outside the house by a police inspector, who had earlier shown up disguised as an evangelist telling her to "repent, the kingdom of heaven is at hand." Interestingly, they originally filmed him immediately shooting her dead without provocation, but they thought that was too dark and edited it into an arrest instead (which is why there is such a quick cut after he pulls his gun, and we only hear her rather than see her after that). This is the 'repent for your sins' ending. You do bad things, bad things happen to you.

The obligatory "it's always who you least expect" ending. The Still-Good-But-Not-The-Best Ending. Version C.

Ending #3: "You're Mr. Boddy!"

This is "how it really happened" - the twist ending! The hero was the villain, the villain was just a pawn, and everyone committed a murder in the house to cover their own asses. Prof Plum killed the fake Mr. Boddy, Miss Scarlet killed the cop, Mrs. Peacock killed Mrs. Ho (the cook), Mrs. White killed Yvette, Colonel Mustard killed the motorist, and Wadsworth/Mr. Boddy killed the singing telegram girl.

Mr. Green, who reveals he works for the FBI, kills Wadsworth/Mr. Boddy and arrests the rest of the cast. Understandably the best and most exciting ending (though not without some plot holes) that everyone loves. We get a surprising reveal from two of our main characters that not only changes the context with how you view them, but informs aspects of their character that have been there throughout the film! Now we understand why Wadsworth retained control of the house and the timeline of events, why he was so familiar with the house, and why this entire thing was orchestrated in the first place. We also understand why the cowardly and clumsy Mr. Green was consistently the first to jump to help and defend the other characters, even when it meant putting himself if physical danger. Unfortunately this ending also suggests that he was only pretending to be gay (wouldn't that be a twist for Guillermo lol), but he could also just be in a lavender marriage which is what I choose to believe.

This ending also has the iconic 'flames on the side of my face' scene and repeats 'communism is a red herring', this time in the context of Mr. Boddy's intention to continue blackmailing them all now that they have taken care of anyone who could have pointed the finger at him.

This is the True Ending. The twist you didn't expect but are delighted to find. The 'nothing was as it seemed' endng. The ending that is the most intentional and complete, where everyone gets to shine. Version A.

So what will we be doing in those shadows?

We can assume that e11 will not revolve around finding a murderer, but it does, from what we've seen in the trailer, revolve around making a wife for the monster. Do we get three different wives? Three different actors to play her? Three different superhero identities for Nandor and Guillermo? Three different levels of nandermo: one with a handshake, one with a hug, one with a kiss? Three different explanations for the origin and/or purpose of the documentary? (this is my personal favorite) Or is each ending entirely divorced from the other? Only time will tell.

What I'm leaning toward is that each episode will come up to the same turning point - a decision, a reveal, etc. The first two versions will have reasonable possibilities, the first less surprising but more enjoyable than the second, and the third... The third will be what really happened, and pull a twist no one saw coming. Perhaps even a character will reveal a hidden identity. Maybe, just maybe...we get Simon the Devious.

I only hope the order of the episodes doesn't change between channels or time zones because that will make things very confusing when liveblogging it in the group chat lmao.

[justjaymi]

Chapters: 1/? Fandom: Good Omens (TV), Good Omens - Neil Gaiman & Terry Pratchett Rating: Mature Warnings: No Archive Warnings Apply Relationships: Aziraphale/Crowley (Good Omens) Characters: Crowley (Good Omens), Aziraphale (Good Omens), Muriel (Good Omens), Michael (Good Omens), Uriel (Good Omens), Maggie (Good Omens), Nina (Good Omens) Additional Tags: Post-Good Omens (TV) Season 2, Angst and Hurt/Comfort, Crowley's Bentley (Good Omens), Crowley Loves Aziraphale (Good Omens), Aziraphale Loves Crowley (Good Omens), Aziraphale's Bookshop (Good Omens), Heaven is Terrible (Good Omens), Supreme Archangel Aziraphale (Good Omens), Aziraphale Misses Crowley (Good Omens), Hurt Crowley (Good Omens), Sad Aziraphale (Good Omens), They/Them Pronouns for Muriel (Good Omens), Bookshop Owner Muriel (Good Omens), Crowley is a Mess (Good Omens), POV Crowley (Good Omens), He/Him Pronouns For Crowley (Good Omens), He/Him Pronouns For Aziraphale (Good Omens), Anxious Aziraphale (Good Omens), POV Aziraphale (Good Omens) Summary:

Crowley finds a golden letter in the Bentley's glove compartment... from Archangel Aziraphale.

[daretoassume]

watch how you talk to yourself and how you talk about yourself.

and i say this because many people talk badly about themselves as if they are not the operant power of their life. if you are on this journey long enough, you know that words are powerful, even as a joke. and if they are so powerful, why not use them in more powerful ways?

"watch your conversations carefully; are they from premises of fulfilled ideas? if they’re not, go back and make them and make them actually correspond to the ideal you want to embody in this world." ♱ the coin of heaven, neville goddard

how you talk to yourself and about yourself comes down to your belief about yourself. that inner knowing that you have or are that "negative trait." even if you don't say it to yourself, if you have that belief, you will unconsciously downplay yourself when talking to others.

i am not saying you have to boast and egotistically look down on others. you can think highly of yourself and talk highly about yourself without doing that. you don't have to constantly tell people that you are this and that because your energy alone can tell it. otherwise, you are just simply disguising your confidence with narcissistic behaviors to seek validation from others.

how i changed my conversations.

as i have been working on my self-concept over the years, i realized one thing: if i want to be the person i desire to be, i cannot talk badly about myself and to myself. so, what i did is i actively catch myself when i am about to say something that doesn't align with me. i changed it to a more uplifting and powerful statement.

whenever i am having a conversation with others and i have the urge to downplay and talk badly about myself to appear "humble," i choose to stay silent or say something that people would not find boastful. (i say this because i am typically not surrounded by people who think highly of themselves yet, so they might find me boastful or arrogant.)

i understand that in order to talk highly about myself, i have to

think highly of myself

know that my natural self is divine

love myself unconditionally

these are the things that i realized as i work on myself. i am aware that if i change my inner beliefs and conversations about myself, it means i am deciding to choose to be the person who i desire to be. things come easily to me as i love myself more and more every single day of my life.

and it is so important to be surrounded by people who actually like themselves and think highly of themselves because if you are already that kind of person, you would not see each other as arrogant or boastful. instead, you will uplift each other more.

[randomdragonfires]

If The Sun Ever Rises | Chapter 1

CHAPTER 1 | To See You Again

SUMMARY | After narrowly escaping the Battle Above God’s Eye, Prince Aemond is now a hidden fugitive within the very kingdom he once ruled. Driven by vengeance, he plans to usurp Aegon III and avenge his family. His rage-blinded path to the throne begins with getting rid of Cregan Stark and the men who support his nephew’s rule. Having nothing to lose, he recklessly kidnaps the Northerner’s betrothed - his own niece - hoping to lure him and his men out to fight.

Soon, Aemond finds that memories of a first love are strong, and that he cannot steel his heart against the woman he has loved all his life.

WARNINGS | 18+; Smut; Canon Divergence - Aemond lives (but barely); Violence; Stockholm Syndrome; Mental and Physical Trauma; Angst; Canon Incest; Manipulation; No Happy Endings In This House YAY

WORD COUNT | 2k

Text Divider by @saradika

They had been running for three days now.

Slivers of moonlight pierced through the dense canopy above. The twisted and gnarled branches of trees, like skeletal fingers grasping for the Seven Heavens, cast their eerie shadows across the forest floor. The tangled roots snaked across the damp earth and moss clung to the ancient trunks like a dark shroud.

The air was heavy with the scent of damp soil and decaying leaves, mingling with the sweet aroma of wildflowers that dared to bloom amidst the darkness. Faint whispers seemed to echo through the tangled undergrowth, as if the very forest itself held secrets long forgotten.

As they ascended the hill, the terrain grew steeper, the path narrow and treacherous. Each step was a struggle against the relentless pull of gravity, the earth slick with dew beneath their feet. Aemond held onto her hand as tightly as she could - she hadn’t allowed him to touch her initially, having been in shock at being abducted from the arms of her betrothed - but there was only so much a defeated, tired princess could do on her own.

She panted from exertion. The blood on her face was dry now – he’d needed to hurt her to get her to comply. She looked at him with all the anger that he knew she was never capable of, and a forgotten corner of his mind yearned for an easier time when she’d held different feelings for him.

In an ideal world, there would have been no war. He could have married her, just as he’d promised in the protected darkness of the nights in hidden chambers and intimate correspondences. They could have been happy.

Though his thirst for vengeance was screaming at him, a small part of his mind wished for a quieter time; a time that would never come.

His family was dead, and he needed her to balance the scales. He owed Helaena that much. He owed Aegon that much. Mother, Daeron, Criston, sweet Jaehaerys, and Maelor - all his kith and kin. He had failed them all.

He would be damned to all Seven Hells before letting their deaths mean nothing.

At the hill's summit, the forest parted, revealing a precipice that loomed over the land below. The distant glimmer of moonlight danced upon the surface of a winding river, its waters black as night. He let go of her, and she fell to her knees, relishing the feeling of a flat surface and slower breaths as she bid her heart to slow down. He watched her ears perk up as she heard the crunch of his boots over the dry leaves, stalking towards her in that catlike stealth that he had taught himself to have.

He took her by surprise as he tightened his arm around her chest and grabbed her by the neck, making her body twitch in fear as she rose involuntarily. At the edge of the abyss, he turned her around to face him as he let the cold steel of his blade kiss her skin and travel over her frayed white dress from neck to navel.

How did we come to this?

She did not recognize the man in front of her.

He was the boy who had brought her books when her brothers teased her to the point of crying; who had kept her company in her grief of being a dragonless Targaryen; who had held her hand and promised that he would marry her; the one who had come rushing to her the night he claimed Vhagar, promising to take her on a ride.

He was the man who had taunted her and her brothers' parentage at a family supper; who had kissed her senseless in a lone passageway the very same night when he found out that Rhaenrya had no intention of letting him have her. He was the man who had killed sweet, mischievous Luke; the one whom she had left behind when she had been sent to the North; the one whom she had hoped would come and take her away, against all odds.

So many memories tied to him, inexplicably. And yet, she did not recognize the man in front of her.

As a boy, he had had such striking eyes - in color, but more so in the volatility of their regard. Always flitting about, looking for things to imbibe, to brand into his memory. His functional eye had grown different since she had last seen him - distant, devoid of the charming curiosity that would shine in his violet orb.

The eye of a war-worn murderer. He had probably brought her here because he wanted to kill her too.

“You’re supposed to be dead,” she whispered the words, almost uncertain. The coldness of his Valyrian steel dagger made goosebumps rise up on the planes of her skin, and yet, she surprisingly found that she was scared, not in the least.

He smirked and leaned in close to her, the leather strap of his eyepatch grazing her temple as she let the warmth of his breath bloom over her face. He raised the blade to her neck and teased her, being so bold as to let out a throaty, exhausted laugh that sounded more maniacal than anything else. She shut her eyes closed, hoping that if she could keep her world dark, she could pretend that this was all a nightmare.

She had often dreamt that he would take her away. She had hoped and hoped and hoped, and now that he was here, she couldn’t fathom how wrong she had been to wish for it.

Silly little fool.

“Sharp, sweet niece.”

His tone made her flinch. His voice was rough and predatory - so much so that she couldn’t tell if it was him or the situation itself that made her feel that way. “You’re supposed to be dead. Daemon….”

Her voice was lost in the air as he raised his eyebrow, a menacing smile in place as he pressed the blade into her skin - just enough to make a few blood red spots bloom. “I killed him. He thought he was better than me, the old fool. I stabbed him in his right eye, the very one that I lost. Vengeance, dear niece…” His thumb collected the first drop of blood that dripped from where he had made his mark, “... makes for the sweetest of spoils. And I intend to taste more of this victory…”

It happened on instinct, her reaching out to hold his wrist tight through his shirt. The irony of taking the hand of the man who wanted to hurt her and counting on him to not let her fall was not lost on her; but if she didn’t, she was sure she would faint.

“...With you.”

The last words confused her, having her mind scrabbling to piece the puzzle and figure out his intent. “Me?” She leaned her head back to breathe and put some space between her and his blade, but that only spurned him more as he pulled her to him by the back of her neck.

“Aegon, Helaena, Criston, Jaeherys, Maelor, mother…vengeance for them all. When he comes for you, to save you… I’ll kill him, and then I’ll kill the little boy that you call a King. Take what is rightfully mine and avenge them.”

The Aemond she had known was too calculated, too weary to tell anyone anything at all. But this, this wasn’t her Aemond. This was a different man - a mad killer, a stranger; one that intended to use her in his rage-filled path to regicide and revenge.

When he comes for you, to save you… I’ll kill him. 

She could only think of one man who would come looking for her. Her betrothed, Cregan Stark - the same man who had shown her Northern hospitality and shared his home and hearth so she could be kept safe away from the bloodshed of the war.

And Aemond wanted to kill him. He wanted to kill them all and take the Iron Throne.

“Gods…”

She had always felt compelled to help during the war. She wasn’t a skilled warrior, nor was she a bold woman. Dainty little sweetheart, her mother used to call her. How can I manage to keep you safe and sound?

She had always wanted to help her mother - be a good daughter and play her part in helping her sit the Throne, as was her birthright. When she had been sent to the North as Cregan Stark’s betrothed, Rhaenyra Targaryen had told her that this was her duty, her contribution to the Blacks’ victory.

You will help me win by keeping my mind at ease about you, child, she had said. You will help me win by staying safe and bringing the Northerners’ allegiance to our cause. 

That had been her contribution, but it hadn’t been enough. Daemon, Luke, Jace, Joffrey, Rhaenys… they’re all dead. She had done what she could, and it was not enough.

And now, Aemond wanted to kill sweet Aegon. Her beloved brother, the little one who held the weight of the world on his shoulders. He would make a fine king, she knew - but not if Aemond was going to lure Cregan out to fight and make him vulnerable to attacks.

She’d be damned to all Seven Hells if she let him win.

He had been observing her, it seemed. As she let her thoughts sweep her away, he had taken to watching her, reminding himself of every inch of her. She raised her hand to his warm dry cheek, bony from what could have only been a lack of proper food. How long has he been staying here, amidst the trees?

“You don’t have to do this, uncle. Let me go now, and it’ll be like it never happened. There’s been enough bloodshed.”

She thought she imagined it, but she knew it was true when she felt his grip on the blade falter for just a moment. She made good on his momentary lapse and kicked his knee to fold under him with all her might. He fell, and she took hurried steps away from him as he grunted in pain.

Her skirts swirled as she turned just slightly, sneaking a peek off the edge of the hill. If she jumped, she would fall into the waters that ran below - but would that be enough? She’d have to die. She had to. She would not let him use her; she would not let him kill them.

This was her contribution to the war. Her deceased mother’s victory lay in her daughter’s ability to keep the rightful king alive. This was her chance, and she was not going to fail her. He stood up with panting breaths, and she looked him in the eye as boldly as she could, knowing very well that she might as well be living her last and final moments.

She had always wanted to fly - and if she wasn’t going to do it now, then when would she?

She closed her eyes and threw herself over the edge, seeing the sky become a fading memory as she made the steep drop. Halfway through, she opened her eyes and saw him leaning over the edge, panicked, watching her free-falling figure from the hilltop as she flew, flew, flew.

She fell into the water, making contact with sharp tree branches and thorns on the way down in her descent. The blood on her face and body mixed with the water that surrounded her, and blood-red ripples muddled her vision as she closed her eyes.

Water filled her nostrils, and her vision went dark in a matter of mere moments.

NO TAG LIST. Follow @randomdragonfics and turn on post notifs for fic updates!

Next Chapter

A/N: Got so inspired by the S2 poster, I managed to finish this damn thing hehe. This was a lot more fast paced than my usual writing style, and I'd love to hear what you guys think! I've been really out of touch with fic writing, and feedback is always welcome :)

SERIES MASTERLIST

[literaryvein-reblogs]

Hey, I wanted to ask, do you have any tips for numbers and their meanings, For example: what does the number 5 represent?

Writing Notes: Symbolism of Numbers

In symbolism, numbers are not merely the expressions of quantities, but idea-forces, each with a particular character of its own.

The actual digits are, as it were, only the outer garments.

All numbers are derived from the number one (which is equivalent to the mystic, nonmanifest point of no magnitude).

The farther a number is from unity, the more deeply it is involved in matter, in the involutive process, in the“world.”

The first 10 numbers in the Greek system (or twelve in the oriental tradition) pertain to the spirit: they are entities, archetypes and symbols.

The rest are the product of combinations of these basic numbers.

Below are the most generally accepted symbolic meanings of each number.

ZERO

Non-being, mysteriously connected with unity as its opposite and its reflection; it is symbolic of the latent and potential and is the “Orphic Egg.”

From the viewpoint of man in existence, it symbolizes death as the state in which the life-forces are transformed.

Because of its circular form, it signifies eternity.

ONE

Symbolic of being and of the revelation to men of the spiritual essence.

The active principle which, broken into fragments, gives rise to multiplicity, and is to be equated with the mystic Centre, the Irradiating Point and the Supreme Power.

Stands for spiritual unity—the common basis among all beings.

Guénon draws a distinction between unity and one, after the Islamic mystic thinkers: unity differs from one in that it is absolute and complete in itself, admitting neither two nor dualism.

Hence, unity is the symbol of divinity.

Is also equated with light.

TWO

Stands for echo, reflection, conflict and counterpoise or contraposition; or the momentary stillness of forces in equilibrium; it also corresponds to the passage of time—the line which goes from behind forward; it is expressed geometrically by two points, two lines or an angle.

It is also symbolic of the first nucleus of matter, of nature in opposition to the creator, of the moon as opposed to the sun.

In all esoteric thought, two is regarded as ominous: it connotes shadow and the bisexuality of all things, or dualism (represented by the basic myth of the Gemini) in the sense of the connecting-link between the immortal and the mortal, or of the unvarying and the varying.

Within the mystic symbolism of landscape in megalithic culture, two is associated with the mandorla-shaped mountain, the focal point of symbolic Inversion, forming the crucible of life and comprising the two opposite poles of good and evil, life and death.

THREE

Symbolizes spiritual synthesis, and is the formula for the creation of each of the worlds.

Represents the solution of the conflict posed by dualism.

Forms a half-circle comprising: birth, zenith and descent.

Geometrically it is expressed by three points and by the triangle.

The harmonic product of the action of unity upon duality.

The number concerned with basic principles, and expresses sufficiency, or the growth of unity within itself.

Associated with the concepts of heaven and the Trinity.

FOUR

Symbolic of the earth, of terrestrial space, of the human situation, of the external, natural limits of the “minimum” awareness of totality, and, finally, of rational organization.

Equated with the square and the cube, and the cross representing the four seasons and the points of the compass.

A great many material and spiritual forms are modelled after the quaternary.

The number associated with tangible achievement and with the Elements.

In mystic thought, it represents the tetramorphs.

FIVE

Symbolic of Man, health and love, and of the quintessence acting upon matter.

Comprises the four limbs of the body plus the head which controls them, and likewise the four fingers plus the thumb and the four cardinal points together with the centre.

The hieros gamos is signified by the number five, since it represents the union of the principle of heaven (three) with that of the Magna Mater (two).

Geometrically, it is the pentagram, or the five-pointed star.

Corresponds to pentagonal symmetry, a common characteristic of organic nature, to the golden section (as noted by the Pythagoreans), and to the five senses representing the five “forms” of matter.

SIX

Symbolic of ambivalence and equilibrium, six comprises the union of the two triangles (of fire and water) and hence signifies the human soul.

The Greeks regarded it as a symbol of the hermaphrodite.

It corresponds to the six Directions of Space (two for each dimension), and to the cessation of movement (since the Creation took six days).

Hence it is associated with trial and effort.

Shown to be related to virginity, and to the scales.

SEVEN

Symbolic of perfect order, a complete period or cycle.

Comprises the union of the ternary and the quaternary, and hence it is endowed with exceptional value.

Corresponds to the seven Directions of Space (that is, the six existential dimensions plus the centre), to the seven-pointed star, to the reconciliation of the square with the triangle by superimposing the latter upon the former (as the sky over the earth) or by inscribing it within.

It is the number forming the basic series of musical notes, of colours and of the planetary spheres, as well as of the gods corresponding to them; and also of the capital sins and their opposing virtues.

Corresponds to the three-dimensional cross.

The symbol of pain.

EIGHT

The octonary, related to two squares or the octagon, is the intermediate form between the square (or the terrestrial order) and the circle (the eternal order) and is, in consequence, a symbol of regeneration.

By virtue of its shape, the numeral is associated with the two interlacing serpents of the caduceus, signifying the balancing out of opposing forces or the equivalence of the spiritual power to the natural.

It also symbolizes—again because of its shape—the eternally spiralling movement of the heavens (shown also by the double sigmoid line—the sign of the infinite).

Because of its implications of regeneration, eight was in the Middle Ages an emblem of the waters of baptism.

Corresponds in mediaeval mystic cosmogony to the fixed stars of the firmament, denoting that the planetary influences have been overcome.

NINE

The triangle of the ternary, and the triplication of the triple.

It is therefore a complete image of the three worlds.

The end-limit of the numerical series before its return to unity.

For the Hebrews, it was the symbol of truth, being characterized by the fact that when multiplied it reproduces itself (in mystic addition).

In medicinal rites, it is the symbolic number par excellence, for it represents triple synthesis, that is, the disposition on each plane of the corporal, the intellectual and the spiritual.

TEN

Symbolic, in decimal systems, of the return to unity.

In the Tetractys (whose triangle of points—four, three, two, one—adds up to ten) it is related to four.

Symbolic also of spiritual achievement, as well as of unity in its function as an even (or ambivalent) number or as the beginning of a new, multiple series.

According to some theories, ten symbolizes the totality of the universe—both metaphysical and material—since it raises all things to unity.

From ancient oriental thought through the Pythagorean school and right up to St. Jerome, it was known as the number of perfection.

ELEVEN

Symbolic of transition, excess and peril and of conflict and martyrdom.

According to Schneider, there is an infernal character about it: since it is in excess of the number of perfection—ten—it therefore stands for incontinence; but at the same time it corresponds, like two, to the mandorla-shaped mountain, to the focal point of symbolic Inversion and antithesis, because it is made up of one plus one (comparable in a way with two).

TWELVE

Symbolic of cosmic order and salvation.

It corresponds to the number of the signs of the Zodiac, and is the basis of all dodecanary groups.

Linked to it are the notions of space and time, and the wheel or circle.

THIRTEEN

Symbolic of death and birth, of beginning afresh.

Hence it has unfavourable implications.

FOURTEEN

Stands for fusion and organization.

And for justice and temperance.

FIFTEEN

Markedly erotic.

Associated with the devil.

OTHER NUMBERS

Tarot

Each of the numbers from sixteen to twenty-two is related to the corresponding card of the Tarot pack; and sometimes the meaning is derived from the fusion of the symbols of the units composing it.

There are two ways in which this fusion may occur: either by mystic addition (for example, 374 = 3 + 7 + 4 = 14 = 1 + 4 = 5) or by succession, in which case the right-hand digit expresses the outcome of a situation denoted by the left-hand number (so 21 expresses the reduction of a conflict—two—to its solution—unity).

These numbers also possess certain meanings drawn from traditional sources and remote from their intrinsic symbolism:

24, for example, is the sacred number in Sankhya philosophy, and

50 is very common in Greek mythology—there were fifty Danaides, fifty Argonauts, fifty sons of Priam and of Aegyptus, for example as a symbol, we would suggest, of that powerful quality of the erotic and human which is so typical of Hellenic myths.

Repetition

The repetition of a given number stresses its quantitative power but detracts from its spiritual dignity.

So, for example, 666 was the number of the Beast because 6 was regarded as inferior to seven.

Contained within a multiple

When several kinds of symbolic meaning are contained within a multiple number, the symbolism of that number is accordingly enriched and strengthened.

Thus, 144 was considered very favourable because its sum was 9 (1 + 4 + 4) and because it comprises multiples of 10 and 4 plus the quaternary itself.

Lastly: Dante, in the Divine Comedy, has frequent recourse to the symbolism of numbers.

Sources: 1 2 3

More: On Symbolism

Hope this helps, would love to read your writing if it does!

[akystaracer22]

Maybe in Another Life We Would Hate Each Other a Little Less

A chance encounter sheds a little light on Adam that Lucifer couldn't have predicted, leading to a moment he thought he'd never have with the man.

Notes (Aka my thoughts while writing):

God is a dick and I wanna kill xem

Adam folds his wings like a bird because monkey see monkey do

Both these guys were traumatised by the same person and we don’t talk about it enough

Probably Guitarduck/Adamsapple but in a fledgeling platonic kinda way

Refer to my ref for what Adam looks like!

I listened to Rät while writing this and- it kind of fits Adam???

Jesus is God’s favourite child and it fucking shows

How tf did this become a sickfic????

Lucifer gets the experience of being me whenever I make the impulsive move to boot up Char.ai and talk to literally any of the AI’s, get aunt agonied bitch.

Oh my god Adam has middle child syndrome.

Can you tell I attended a Christian school when I was younger???

Adam was hiding just how fucked over he was from the wing rot but he’s not having a good time in this. Most of the latter half of the oneshot is him dazed from both the one set of wing rot and the feeling of someone touching his wing.

Shit emergency wing HC for Adam ig: His wings grow warmer corresponding to his mood, as in when he is in general happier his wings radiate warmth and when he’s in a foul mood they’re just normal or even a little cooler.

In saying that yes Lucifer’s wings glow when he’s happy

Word Count: 1902

Fic under cut!

“Fucking- Shit!”

Lucifer paused, looking behind him and backing up to peek through the crack in the door. This ought to be good.

Sure enough, he was right, this was entertaining.

Adam was ranting again.

Honestly it was a nearly daily thing by this point, probably the only good thing about his daughters decision to let Adam stay at the hotel. He loved his daughter, he really did, by Adam was… Adam.

Lucifer knew he was a lost cause.

But still, didn’t mean Lucifer couldn’t tease the hell out of the man since he was stuck down here with the rest of them.

Lucifer’s smirk at watching the first man rant quickly died as he took in the guys appearance, he looked…

“What is wrong with your wings.”

Adam jerked and twisted around, scowling at him and oops he said that out loud didn’t he.

“Piss off!”

Lucifer, in his typical fashion, did not piss off and instead entered the room, “No seriously what is wrong with your wings.”

Now that he was closer, the king was certain they didn’t look like that a week ago. The feathers, while already having looked like a wreck were duller and the colours seemed almost… muted. Ignoring the already horrific state Adam’s wing were in, they shouldn’t look THAT bad so why…

“Wait-”

“I said-!”

“Have you not been preening you wings?”

Adam went silent, staring wide eyed at Lucifer much to the kings confusion. A beat passed, then two.

“What the fuck is preening?”

Lucifer blinked, he wasn’t serious, was he?

Surely not.

.

.

.

“By the heavens you’re dead serious.”

“What the fuck are you talking about.”

Lucifer debated whether he should explain it or not. On one hand, it’s Adam. On the other, Wings were a serious thing. He’d even seen Husker cleaning his wings from time to time, for Adam to just not know…

“You know what? For once my hatred of you is outweighed by my need to show you what’s what,” The fallen seraphim huffed, closing the door behind him and summoning a chair to block it from the outside so Adam couldn’t escape. “Come on we’re fixing this travesty.”

“What part of fuck off you do you not understand?!” The first man snapped, his wings mantling as Lucifer rifled through the closet, dragging out one of the many jars of oil he’d had the foresight to put in most of the rooms, perks of being a guy with basic common sense.

“The part where you’re being stupid and my daughter started rubbing off on me,” Lucifer shot back, his own wings serving well to corral Adam towards the bed, “How you don’t know how to preen your wings is beyond me but that’s ending today.”

“Again- what are you blabbering about.”

Lucifer paused, hand hovering just over Adams feathers. Preening someone elses wings was… intimate. It was something reserved for friends, family, lovers, and stuff… not enemies. Was he really going to just go ahead and clean Adams wings for him?

The seraphim’s eyes flicked over to where the ruined wing was draped over the bed. The wing was already in bad enough shape as it was, if he didn’t do this then wing rot was bound to hit it at some point and-

He didn’t really have a choice, not if he didn’t want to watch someone die of wing rot again.

Adam went stiff under Lucifers touch as he started work on the mans functioning wing, it was the easiest to work with, not the mention the safest to start with. The injured wing would no doubt be sensitive to any interaction, so better to start small.

Ish.

Adam shuddered as Lucifer moved between feather’s, periodically reapplying preening oil as he went. He was right as usual, looking closer most of the barbules had been separated and needed to be locked together again. Grimacing, the seraphim gently scratched out what looked like dried blood from where it was hidden in the base of Adam’s Secondary coverts.

“What are you doing?” Adam whispered, his voice for once lacking it’s usual bite. Lucifer paused for a second in confusion before Adam’s wing flexed back into Lucifer’s hand, “Don’t stop!”

“Okay okay!” The king huffed, working on his primaries, “What I’m doing is called preening. It’s something beings with feathers do to clean them.”

“Like birds?”

“Yeah, like birds,” Lucifer agreed, “The oil helps take care of bacteria, but you got to realign the feathers, get rid of the ones ready to moult, and fix the feathers that are out of sorts, though you can just shake the feathers to do that part quicker.”

“Mhm”

Lucifer shifted over to finally tackle the ruined wing and froze, a chill slinking down his spine. As he took in the state of the tattered appendage.

“Shit.”

This close the seraphim could see the red pimples under the thinning layer of feathers surrounding the injury, it was wing rot in its early stages.

“What?”

“Nothing!” Lucifer dove his fingers into the scapulars to shut Adam up while he discreetly conjured up some disinfectant for the rot, if he’s lucky he can treat it now and just get Charlie or Vaggie to deal with it now, knock it over the head before it becomes so visible the others can notice. He ignored Adam’s breath hitching as the seraphim started, just as predicted, the wing was sensitive from the damage done to it.

“But seriously you need to do this more, this is just horrific,” Lucifer grumbled to himself, not really caring if Adam listened, “Honestly I’m surprised this hasn’t happened to you before!”

“Mmmm tried once… I think?”

Lucifer, glanced at Adam’s face, it was pointed away from him, but he could still sense Adam’s attention was on him, “Yeah?”

“Saw the birds doin’ it and tried to copy ‘em,” Adam continued at the prompt, spreading his other wing, “It hurt so I stopped, didn’ know there was a method to this shit or someth’n.”

“You… nobody even tried to teach you?”

“I think they thought I knew,” Adam chuckled sourly, “I think they thought I fu’kin knew how to just- do this. ‘Cause I was meant to right?!” Another laugh, “I bit the fu’kin apple so I shou’da known this kinda shit! Apple of knowl’dge or what’ver.”

Lucifer, wisely, didn’t say anything, he just kept working on Adam’s ruined wing, applying the disinfectant, and fixing what few feathers were still healthy and removing the rest. If it was anyone else in this situation he’s wrap the wing and tell them to rest but… it was still Adam that was in this mess.

“I- why didn’t they teach me? Luci why didn’t they teach me this shit?”

“I… don’t know,” Lucifer replied carefully, deliberately skipping over the butchering of his name that sounded way to close to a nickname for comfort, “Come on, up you get he still got the underside to finish then I’ll be out.”

Adam grumbled but complied, sitting up a little to turn around as Lucifer summoned a pillow for Adam to lean back on. Rolling his neck Lucifer got to work on the auxiliary feathers, the lighter feathers were definitely in better shape, but then again that wasn’t exactly a high bar, and they still were looking rough.

“Jesus was prob’bly taught how to preen himself.”

Lucifer’s shoulders hitched as his wings tucked in against his back abruptly. Jesus… was a rough topic. For all sinners talked about him, Lucifer never met him but from the sinners around that time… it was never a fun conversation. Pretentious once kings cursing his name while hopeless commoners lined up for the exorcists blade, faithful until the end that Jesus would let them into heaven if they just believed in him.

… there was a pattern in there, wasn’t there. Like father like son, he supposed.

“Jesus was made from me and yet he’s God’s favourite fukin kid, course he’d fucking know how to preen,” Adam continued unimpeded, “Doesn’t matter if I was Gods first- Jesus was always fucking better than me.”

Okay! Lucifer was in no way prepared for this conversation, but he highly doubted Adam was even going to remember this conversation, so he just focused on the wings.

“…Luci, do they all hate me?”

Lucifer sincerely wished Anthony, or just anyone really would bust down the door at this moment, at least then he could get himself out of this conversation.

“Why do you think that?” the seraphim deflected, moving onto Adam’s good wing and going through his coverts.

“Because none of them ever fucking did this,” Adam waved his hand haphazardly before letting it rest on his chest, “You’re my enemy but you’re fixin’ my fu’kin wings because I’m too stupid and useless to just figure it out myself.”

“Not useless,” The words left Lucifer’s lips without his input, damn himself to double hell, but it managed to shut up Adam, so he kept on the thought train, “You’re not useless you were just never taught, it’s not your fault heaven doesn’t think.”

“Jesus-”

“Is God’s prodigal son and shouldn’t be counted.”

Adam huffed and leaned back on the pillow, “Why’re you good at this?”

“I’ve had aeon’s to learn, and over a decade of putting it in practice,” Lucifer thought about his daughter, a small smile making it’s way into his expression, she really was the best thing to happen to him.

He finished up with Adams good wing and moved onto finishing off the wrecked one. Applying the disinfectant to the infected spots on the underside before reaching for the preening oil again.

“Y’know, maybe in another life we would’ve hated each other less.”

Lucifer just laughed and started preening the wing, yeah right, maybe in a reality where the apple incident never happened, “You’re sick Adam, feverish even.”

“And you’re a wife-stealer.”

“Should have been better in bed.”

“Fuck you,”

Lucifer stuck his tongue out at the first man, earning a tired chuckle. Then the seraphim blinked at the sudden warmth radiating out from the feathers. What in the-?

“Oh… they haven’t done that in a while.”

Lucifer blinked up at Adam who was staring at his feathers in amazement, “Ackde-whuh?”

Adam leaned back and closed his eyes, “Yeah… sometimes they just get warm all of a sudden it’s weird. Hasn’t happened in a while though. Apparently it sometimes happened when Lute was around? I dunno why.”

Lucifer blinked a couple of times before letting out a small “huh” and running a hand through the ruined wing, it was definitely warmer.

Sighing, Lucifer let his hand fall away despite the wing chasing it, “Alright well your wings are definitely cleaner now, so I’ll be out of your hair now.”

The seraphim stood up to leave through the balcony, opening the window and almost stepping out when Adam called after him, still sounding exhausted.

“I can see why they left me for you.”

Lucifer paused, before smiling sardonically and looking back at Adam, who looked like he might have just passed out.

“Tell me that when you’re not delusional from illness and I might believe you.”

With that, Lucifer stepped out and left for his own room… though, if Adam woke up to a small plush duck on his nightstand, that was between Lucifer and the god that cast him down.

But there is one thing Lucifer will admit.

Maybe Charlie wasn't wrong about thinking Adam could be redeemed.

Pings:

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