#copperplant

[egophiliac]

tsum events really are just the best, huh

[holespoles]

Chieko Terasawa

寺澤智恵子

[hatekawa]

School doodles

[uwmspeccoll]

Typography Tuesday

Specimen of Type Faces Monotype Linotype was produced ca. 1930 to display the range of typefaces used at the American Typesetting Corporation of Chicago, "the largest of its kind in the world," established in 1919. The plant operated 24 hours a day, offering day and night services. Their Monotype Department boasted ten keyboards and twelve casters, and their Linotype Department operated ten machines. The typefaces shown here are Goudy Old Style, Cloister Text (a Gothic face, not the Roman Cloister designed by Benton), Typewriter, Monotype Accents, and Copperplate Gothic.

View our other Typography Tuesday posts.

[forgettingcrowbin]

Final prizes for my dtiys, once again I’m so sorry it took so long, but thank you for everyone for being patient. It means so much to me to have such encouraging people around me ❤️❤️

[fahbev]

hello yes I have just finished reading Red Robin can you tell who my favorite character is?

Where are my Tam Fox enjoyers?

[from-a-spiders-web]

Forest of Correction, Kyoto | 1996 Tanaka Ryohei

[vigilskeep]

got a mod to change the dai font to the origins font what a time to be alive

[oh-look-its-lia]

Had to draw mine and @lui-gen 's Riptide OCs because they make me go crazy.

(Left is mine, Ink. Right is Lui's, Maine)

[promaya]

[kimosaka]

Rainy Season?☔️

Copperplate Etching with Watercolour Drops

[holespoles]

petit2

ぷちぷち

[hatekawa]

go

[uwmspeccoll]

September 11

On this anniversary of the 9/11 tragedy, we present some original etchings and poems by Michael Kuch from the 2002 Falling to Earth, a letterpress artist's book issued in Northampton, Massachusetts by Kuch's Double Elephant Press in an edition of 110 copies. The book is a reaction to the terrifying and tragic collapse of the World Trade Center Towers and the ensuing bombing campaign by the United States. Kuch responds with fourteen poems and twenty-one intaglios. The book's imagery uses the metaphor of falling to examine the human and spiritual costs of violence. Mythological and biblical narratives are evoked in a modern framework to provide perspective on the then raw and recent events. Using the metaphor of falling to evoke the human and spiritual costs of violence, the volume is also frequented by angels, giving a vantage from above.

The copper-plate etchings were printed by Michael Kuch and by Arthur Larson under the artist's tutelage, with Larson printing the text. David Wolfe of Wolfe Editions cast and set the fourteen point Emerson type. The paper is an abaca & cotton blend handmade for this project by Shannon Brock at Carriage House Paper in Brooklyn, New York. A prototype of the binding (below) was constructed by Shoshannah Wineburg and carried out by Barry Spence for this edition. Our copy is another gift from the estate of our friend Dennis Bayuzick.

View our other 9/11 commemorative posts.

View a post on another book by Michael Kuch.

View posts on other Pioneer Valley artists.

[cokowiii]

PLEASR RHEHEABBAEB

[fr-familiar-bracket]