#convey here i think.

[karvviie]

i think about how the meta was going to kill wash but hesitated. i think about how he left the healing unit on wash’s unconscious body. i think about how wash knew that the meta didn’t like needles. and the fact that they made him get a tattoo anyways.

[project-sekai-facts]

According to 4koma #232, Kohane has the ability to purr.

[seiwas]

sellllllll it's meeeeee. hehehehehehehehehhehe

so for ur writing exercises.... deku + light? please? pretty please?

:3c

heheh heheh hehe niku. this will be the death of me. me writing izuku for the first time 🥲 i will only do this for you </3

contains: established relationship, spoilers for the end of the manga, aged up deku but sometime in between the final outcome (he doesn't get the h*** s*** from bakugo yet), mentions of sex and scars

deku + light

izuku only sleeps with the lights off.

it isn't uncommon; many people you know can't sleep with even just a sliver of light turned on somewhere in the room. but the difference with izuku, you learn, is not that he's unable to stand the light―it's that he refuses to.

you quickly pick up on it the first few times he sleeps over.

he fidgets in bed, pretty badly, actually. the nightlight you sleep with glows a warm yellow, illuminating the side of your face and coating him in its afterglow. you chalk it up to nerves, how he pulls at his sleeves and adjusts his position constantly; he is, after all, one of the most anxious people you know.

and this relationship―it's new. heck, even you feel a little jittery with his arm wrapped around you.

the rhythmic tapping on your hip only increases pace. you don't think he realizes it, so your hand gently reaches for his, intertwining your fingers as you turn around in his arms.

he's close, nearly touching you nose-to-nose; the proximity leaves you fuzzy, a little ticklish, so you giggle, a soft "oops," as the freckles dusting his face almost glisten under the warm light.

"hi," you whisper, meeting his eyes; they stare back at you wide in surprise, "can't sleep?"

he looks almost guilty at your question, as if you’ve caught him with the one thing he's been trying to keep from you.

"just—" his voice comes out louder than intended, prompting him to chuckle nervously as he readjusts his volume, "just winding down, sorry."

you inch closer, nuzzling his nose lightly, "it's okay."

"did i wake you?" he asks, cheeks flushing pink as his eyebrows furrow in immediate concern. his expression is something caught between stifling a grin and feeling sorry.

you shake your head against the pillow you share, strands of your hair tangling with his. "just winding down," you tease, watching as his gaze turns softer, eyelids drooping heavier.

sometimes, you think, izuku holds the world in his eyes―a deep, dark green, the color of life. most times, they look at you with wonderment, bright and alive; photos from inko tell you they're the eyes of his inner child.

on nights like this one, however, they hide a depth in them weighted by what you can only assume is time, and all that has happened to him in such a short span of it.

you try your best to understand what lies beneath them, knowing full well he'll never tell you outright what truly bothers him.

"is it the light?" you bring up, some time after laying in silence.

"hm?" he clarifies.

"do you have a hard time sleeping with the nightlight?"

his eyes widen briefly once more, as if shocked that you've caught him again. these split second reactions are ones you've learned to be attentive to when it comes to izuku.

"no," he tries to lie, but you know better as you turn to your nightstand and reach for its switch, "you don't–"

"it was hurting my eyes," you quickly make up an excuse, tucking yourself closer under his chin as you cut off his attempt to deny it again.

finding out that the light was the problem was the easy part—

you'd begun to notice much earlier on that izuku was barely rested on the nights he'd spend at your place. it was only when your old nightlight broke that you began to notice him waking up much later than you did, groggily rousing from a deep sleep.

—what was hard, was figuring out why.

at first, you suspected it was his scars.

"s-sorry, it's not—" he'd warned you, right as your hands gripped the hem of his shirt the first time you were about to have sex, "—it's not nice."

you didn't care though; you still don't care, and you've made that abundantly clear to him since. you love izuku and all his parts―all the nicks and jaggedy pieces of skin that make up who he is.

when you eventually ask him about it, with a request that he be honest with you for once, he tells you that it is and it isn't―the reason why he exclusively sleeps with the lights off, that is.

it's an odd, comforting relationship he has with his body—that he is simultaneously grateful and sorry for how its become a canvas, both painted and marred to symbolize japan’s historic last stand.

you find out the real reason when you catch him staring at his hands.

he does it often, when he thinks you aren't looking—his fists bunched up in the same way he used to watch the power of one for all course through his fingertips; the same way he used to prepare them in battle.

there’s a faraway look in his eyes that lingers, you notice—a little wistful if anything.

“do you miss it?” you finally ask. he gives you the same shocked look he does every time, as if he’s been caught with a secret he’s been trying to hide.

he’s learned a fair bit about you now, too, though—lying to you is futile when you’ve perfected reading his truth. he stares at his fists again as you take a seat beside him, moving to give you space. you rest your head on his shoulder gently, waiting.

“sometimes,” he admits, but you know it’s an understatement.

“i think about the vestiges a lot. i miss them the most, i think,” he continues, clenching his fists tightly, “i always try to reach out to them, but i guess it doesn’t work that way.”

“i… i try to replicate the right conditions every night, but…” then he lets go, stretching his fingers out wide. the scars on the surface ripple through his skin, telling its own story.

you hum, acknowledging what he means. silence sits with the two of you as you take his hand in yours, slowly unfurling his fingers until his palm reveals itself to you. it’s rough to the touch, seasoned with hard work and all that he’s been through.

“is that why you prefer the dark?” you ask softly, after some time.

it's not often that you stay up later than izuku does. when you do though, you catch him shifting in bed, moving from side-to-side. you pretend you aren't awake, but you hear him mumble their names, dwindling in volume as he dozes off to sleep.

he stares at his palm for a moment before he admits quietly, "yeah." his brows furrow as if contemplating whether to say more, but he shakes his head, dark green strands swaying to the beat of his embarrassed chuckle, "nevermind, it's silly."

"it's not."

you intertwine your fingers, sandwiching his hand between yours. a slight sheen glosses over his eyes as he tilts his head up to look at you. he draws in a breath, before it spills over.

"it's..." he finds the words, and you squeeze his hand in comfort, "it's easier to believe it was all real when the lights are out, and that maybe it can happen again."

[qep0ermint]

I was just sitting and drawing emotions for Yandere Wally, and the idea came to mind to make small drawings like stickers. During the sketch, I got a little tired and just... Yes, I think this Yandere Wallie emotion is beautiful:

[hattiestgal]

Little Pocket's beach episode!

Been too long since I've drawn these two and I wanted to draw them in some beach attire! Riley is absolutely only going to dig the biggest hole they can

[the-travelling-witch]

Something I keep coming back to when thinking about Jamil is that, among the OB! Students, he might be the one who’s twisted from a disney “good guy” as much (or even more) than from the respective villain. And yes, I’m well aware that none of the characters are very one-note Disney villain, but with Jamil it just strikes such a chord with me.

Of course, he represents Jafar who has always resented being second best and who betrays the sultan to overtake the Nr. 1 position and all the power that comes with it. And during Book 4 (and now also Book 7), we can see Jamil equally backstabbing Kalim and planning to continue with the other housewardens and the headmage. That’s not a hot take, I understand that (whaaaat Jamil is twisted from Jafar?? Who would’ve guessed /j)

But with Jamil, I feel like his motivation for striving for power is a little different. For someone who has grown up in the world of the Asim family and has been with Kalim his entire life, I believe Jamil equates power with his actual goal in life: freedom.

So when he says “You really are my genie of the lamp, Azul” it felt sooo ironic to me, because it’s you! You are the genie, Jamil!

Just like the Genie’s “phenomenal cosmic power, but itty-bitty living space”, Jamil objectively has a lot of intelligence, talent and drive to excel at something, yet the space he has in which he can live and cultivate those aspects of his personality is very, very limited.

Both characters are also forced into their prison by the circumstances of their birth. Jamil was born into the Viper family, Genie was born a genie, and now they have to spend a lifetime of granting the wishes of other people.

For them to gain the freedom they so desperately want, both characters rely on the mercy of the people they serve, who they are useful to. But deep down they know their wish won’t ever be granted.

Genie has been promised his freedom a lot of times, just for the person’s third wish to be for their own gain after all when push comes to shove. Jamil has heard Kalim call him his best friend, just to turn around the next second and demand something else of him, wielding his power over him once more.

Besides, even if Kalim did give Jamil his freedom (if he even can, considering his family might step in), it’s shown that Jamil cares very deeply for his family, so I don’t think he would consider it “freedom” if his family was still serving the Asim household, which has an even slimmer chance of ever changing.

So yeah, I find the inspiration Jamil’s character takes from the Genie so interesting and at the same time it makes me want to tear out my heart. Please, he deserves so much (peace and quiet most of all) and I want to give him everything ㅠㅠ

[calamarispiderart]

vague soul concept might do something w it later might not

[waitineedaname]

I've received a sudden influx of followers because of an entirely unrelated textpost from several years ago, which means all of you legally have to read my current interest in order to understand my blog. ooooh you wanna read scum villain's self-saving system so bad (Anna's archive link since the internet archive is down)

some quotes to further persuade you:

also read my fanfiction. hi.

[finnitesimal]

CHAYANNE PISSA CAPTAIN NUMERO UNO 💯💯🔥🔥🔥🔥🔥🔥🔥🫡🫡🫡🫡🫡🫡🫡🫡

[secretarysong]

thinking about this right now

[aq2003]

benedick challenging claudio to a duel, 2011 version vs the 2001 radio play version

[meimeimeirin]

uve seen muzzle wrio, i give you this

salivating..... i mean what. i mean.

[losthoodie]

I am so incredibly happy and excited for all the rookies that will be on the grid next year… but I miss the grid we started this season with SO BAD.

Not that I dislike the current grid we have now, with Franco and Liam! I love them too, but I guess selfishly I just wanted that original grid forever? With Daniel, Logan, Kevin, Valtteri, Guanyu. With the same duos, the original vcarb boys, Logan and Alex with their little podcast, the haasbands, the [unfortunately] trauma-bonded saubers/alfa romeos.

Obviously the saubers and KMag haven‘t left yet, but to think they only have three races left is driving me a little nuts. Having Logan and Daniel sacked already broke me a little, I‘m not quite sure if I‘m ready to see so many new faces yet?

Maybe I feel this way because the original grid was the one we had when I started watching? I don‘t know. I didn‘t necessarily have them for very long, seeing as I started watching a little after half the season had already passed, but that grid is still one that I hold very dearly to me!

Again I am very happy for everyone coming in! Also very proud of everything the guys that left, or are leaving, have achieved! Quite honestly I don‘t know what the point of this post is. I guess I‘m just sad I couldn‘t see more of the original grid? I‘ve come to love all the drivers so much, the last race will sure be an emotional one :,)

[quirkle2]

i have GOT to stop drawing things for fics i haven't written yet

[astral-schools]

or am I indelibly stained by what I have done?

[wesavegotham]

Oh...also, I'm not dead. I just haven't really read many comics these past few months.

I heard PKJ is taking over the Batman and Robin book from Williamson and while I'm not that thrilled that the solicitations are teasing Bruce and Damian to argue again I do hope that PKJ will move the book away from Williamson's slice of life approach.

I know there are many out there who started to like Damian under Williamson because he made him more of a normal teenager, but I personally feel like DC already has more than enough "relateable" teenage heroes and prefer Damian to always be weird/obnoxious.