#contrasting themes

[quitepossiblyknot]

Juxtaposition ⚗️⚖️⚛️

Venom/Flubber Mash-Up by Nerdist.

[gigivas]

1K GIGI Prompts Collections 'Pokémon Universe: Digital Artistic Diversity' 5931 Free 10 pages out of 1000 pages

Get Free 10 pages MTMEVE00565G_199_0001 – 1K GIGI Prompts Collections – Pokémon Universe, Digital Artistic Diversity 5931 10PagesDownload 1K GIGI Prompts Collections ‘Pokémon Universe: Digital Artistic Diversity’ 5931 series provides two documents, one document is 10 pages of prompts in 1000 pages, available for free download. One document is the complete 1000 pages of prompts, this is a paid…

[finalbiohazard]

Entanglement ; it's easier to indulge in violence than in softness...!

[riddlerosehearts]

thinking about how people who watch the emperor's new groove and somehow come out of it shipping pacha and kuzco, or thinking yzma only became evil when kuzco fired her and that she would've been a better ruler than him, are both so wrong in so many different ways and are also missing one of the things that i absolutely love about the movie. which is that, the way i see it, pacha and yzma are counterparts. as parental figures to kuzco.

like, just to get this out of the way first, yzma was a dismissive asshole to a peasant whose family was starving. and yeah, if kuzco had been in her place he definitely would've also done that, which... is why she would not be a better ruler than him. she'd just be the same because they're both horrible people in the exact same ways. her reaction to being fired is to plot murder, and as soon as his funeral is over she sets everyone to work on replacing paintings of kuzco with paintings of herself and covering the palace with imagery that makes it clear that it's all about her now. i'm not even sure why this is a discussion tbh.

and also, kuzco is literally a teenager. he's barely 18 years old. source: in the movie, yzma says at his funeral that kuzco was "taken from us so tragically on the very eve of his eighteenth birthday." she also claims in the movie to have "practically raised" him, to which kronk replies "yeah, you'd think he would've turned out better". and sure, she could be exaggerating, but what evidence do we have that she is? we learn absolutely nothing of his parents, who are never mentioned even once in the movie, or of anyone else who could've raised him, and she's his advisor who for some reason sees no problem with attending to royal duties in his place. most likely because she's his regent. also, i'm not exactly a fan of the sequel tv series "the emperor's new school" but it does have something that backs up my point: kuzco is revealed to be an orphan and just before his father went and got lost at sea, he asked yzma (who was also his advisor) to take care of kuzco if anything happened to him. so, yeah, the writers who worked on the series clearly thought that yzma genuinely did raise kuzco, and nothing in the movie contradicts this.

and i find the idea of her being his only parental figure for pretty much his whole childhood incredibly interesting because, and this also goes back into why she wouldn't be a better ruler than him--she mirrors him as a reflection of what would've become of him if he'd never met pacha. they're both incredibly arrogant, power-hungry, selfish, and cruel, with a tendency to blame their problems on everyone but themselves. yzma was even originally going to have her own reprise of kuzco's theme song "perfect world", which i really wish had been kept:

[ID: Lyrics that read:

I'Il be the sovereign queen of the nation And the chicest chick in creation I'm the cat with all the cream and ooh-la-la This deadly concentration Will put an end to my frustration Now this perfect world begins and ends with moi

What's my name? Yzma, Yzma, Yzma Yzma (what's my name?) Yzma, Yzma (What'd you say?) Yzma (Ha ha ha ha ha ha ha ha ha!) Yzma. End ID]

(this song can be fully heard in "the sweatbox", the documentary about the making of the movie, and is also on youtube btw)

anyway, i'm sure yzma would not exactly have been the most nurturing or hands-on guardian, especially given that she and kuzco don't exactly treat each other like family. but it makes a lot of sense to think that her behavior influened kuzco's throughout the years. and for the entire movie, she remains determined to kill him. when he tries to reason with her and admits that he should've been nicer, she says the same thing to him that he originally said when he fired her. she never grows or changes and in the end, she hurts the one person who was willing to stand by her (and even then, kronk had never fully been on board with her plan) and he ends up trying to crush her with a chandelier. kuzco on the other hand is able to realize the error of his ways, come to regret who he was in the past, and start taking steps toward being a better person. his theme song gets a reprise where it's changed from a song about one person being the center of the world to a Power Of Friendship song. why? because, as i've already mentioned, he has pacha.

pacha, who similarly to both yzma and kuzco is in a position of authority as the leader of the village but unlike either of them is gentle and humble. who isn't afraid to stand up to kuzco and be honest with him even though he's the emperor, who agrees to take him back to the palace but has no obligation to be so helpful, kind, and caring toward him--and just about every reason not to be--and still chooses to be anyway. pacha who is 45 years old (also stated in the sweatbox documentary) and can see that kuzco is practically still a kid, not a single day over 18, who has time to grow and change. pacha, who already has a wife and two kids with another on the way, but practically treats kuzco like one of his own. who acknowledges that if kuzco dies all his problems will be gone and then still worries about him and goes out of his way to rescue him after he wanders into the jungle. who sees kuzco shivering at night and covers him with his poncho, who carries him when he's genuinely too weak to keep walking, who refuses to give up on him even after repeatedly being betrayed by him because he believes there's good in everyone.

also, while yzma ends up repeating kuzco's harsh words of dismissal as she tells him of her plans to kill him, kuzco had previously repeated pacha's words that "nobody's that heartless" after he saved pacha's life. and as the movie progresses kuzco and pacha's relationship becomes more and more equal and is constantly contrasted by moments of yzma being cruel and unappreciative of kronk's kindness. a good example of this is how kronk is constantly being forced to carry yzma everywhere on his back while yzma literally walks all over him and steps on his hands when she gets down, whereas when pacha briefly carries kuzco after the latter collapses he tells him he'll have to walk the rest of the way later and kuzco doesn't even protest.

idk if i'm even explaining well what i'm trying to say here. but basically, if yzma actually raised kuzco and contributed to his current behavior, then she and pacha both are figures who guided him and helped him grow. only yzma helped him become the tyrant that he was at the start of the movie, who was selfish and callous and saw everyone else as beneath him. whereas pacha helped him see the value in being selfless and considerate of others. and in the end, yzma is stuck as a cat and nobody is concerned about her. kronk has found a new job that makes him genuinely happy, while kuzco has decided to build a hut on the hill next to pacha's and effectively joined his family. in the sweatbox documentary it's even mentioned that chicha and the kids were at risk of being removed from the film, but it was decided that they needed to be there because having just pacha as a single guy who lived alone wasn't interesting enough--kuzco needed to go from having basically an empty world where he had nobody to being able to come together with pacha's whole family. and i just think that's incredibly satisfying and beautiful. it also leads up to one of the few things i really do enjoy about the emperor's new school, which is the fact that during the show kuzco moves in with pacha and chicha and pretty explicitly thinks of them as basically his parents while he's like a son to them.

idk. i feel like my mind went in a million different directions while i was writing all this. but i guess i just think that for all of the praise the emperor's new groove gets for its comedy and for how hilarious yzma and kronk in particular are as a duo, the movie also has a lot of genuine heart that gets overlooked. kuzco's character growth and his unique dynamic with pacha is, for me, really what elevates the movie from just a funny movie that i like to one of my favorite disney movies. and i wish more people appreciated that aspect of it and saw it as a found family story in the same way that treasure planet, brother bear, and lilo and stitch are all found family stories.

[whirlwindofcomplications]

TELL ME I'M YOUR NATIONAL ANTHEM.

I. excerpts from a book I'll never write #56, @blossomfully

II. desperation sits heavy on my tongue, @tullipsink

III. brute: poems - emily skaja

IV. "everything all of it," in 'then the war' - carl phillips

V. susan jeffers

VI. radical feminist therapy: working in the context of violence - bonnie burstow

for @gayferrari - everything always comes back to michael

[stormingfrost]

Kinda obsessed with the historical context of Rise of the Guardians. Pitch wanting the Dark Ages to come back, which historically was the decline of culture and records. The Guardians rose at the same time as the Renaissance with the rise of culture, knowledge, and science. (Tooth in particular mentions that she hasn’t been out in the field for 440 years, give or take, which would put that smack dab in the middle of the Renaissance) 

The way Pitch doesn’t want the world to change, the way the Guardians change in tune with the world. The way Jack, who lived in has a human in the 17th or 18th century, who lived in the time after the Renaissance and lived witnessing the world all the way to the modern era, is there to show the Guardians how much they missed and how they can further change and improve for the more modern world. These characters are immortal beings who have so much power over the world, it makes so much sense that when they fall and rise in power it impacts the world that they want to influence, for better or for worse. 

[turtleblogatlast]

Something I think is cute is that - y’know how Raph’s eyes are more on the yellow side?

Well, you know who also has slightly yellowed eyes? Donnie.

While Raph’s are more yellow, I think it’s cute that this is something that they share and I don’t see it pointed out too often?

It’s also something they both share with Draxum and Splinter’s current form (though again, these two have much more yellow sclera than the boys do.)

But yeah, I like that there’s this little detail that ties Raph and Donnie together, even if it’s small.

[karkatbug]

here is a sketchbook comic bc im not in a mouse and mspaint mood :^)

Day 1 of @davekatweek: Plush

page 1/2-3/4/5/6/7-8/9-10

[starrysharks]

juke-joint jezebel's coming for my cremation!

[speakofcompersion]

TAEMIN - 'Eternal' Track List ♥︎

[serpentface]

The wassibi, threatening you with a very bad time.

Wassibi are mid-sized (11-16 lb) solitary mustelids. This species is native throughout the lands south of the Viper seaway, thriving as generalists in a great diversity of habitats (though rarely occur in very arid environments or at high elevations). They are omnivores, using their broad noses and strong claws to dig out earthworms, beetle larvae, roots and tubers, foraging along the ground for insects, scorpions, bird eggs, fallen fruit, and small lizards and snakes, and occasionally scavenging carcasses and trash. They are particularly noted for their ability to find honey- splitting open bees nests with their claws and leisurely consuming larvae and honeycomb, seemingly untroubled by bee stings.

Wassibi are known above all else for their devastatingly noxious defensive anal gland spray. When threatened, they hiss, arch their backs and tails, raise their fur, and point their anus menacingly in the direction of danger. Should posturing fail, they will unleash their spray at the threat's face. Their anal glands have powerful muscular control and the attack is devastatingly accurate at up to 10 ft. In addition to having an atrocious stench, the liquid is mildly irritating to the skin, painful and temporarily blinding to the eyes, and can induce intense nausea and vomiting. The smell is resistant to washing, and can take weeks to fade. Most predators who experience a hit will learn to recognize the wassibi's stark aposematic coloring and avoid anything resembling it.

In addition to this potent defensive weaponry, they have dense fur and thick, loose skin, which renders them difficult for most predators to effectively grasp or pierce without risk of being bitten themselves. As such, wassibi have few consistent natural predators and are given a wide birth by most other animals. Their tendency to walk boldly in the open and sometimes even scavenge at carcasses alongside much larger predators commonly lends them cultural reputations of fearlessness. Wassibi are known for attacking large venomous snakes that potentially threaten their young, which (along with their frequent consumption of scorpions and bees) leads to common misconceptions that they are entirely immune to venom. They have no such resistance, rather their thick fur and loose skin cause bites and stings to land less effectively- most stings fail to penetrate their fur altogether, and bites often deal glancing blows that inject little to no venom.

Their biggest predatory threats come from humans. Wassibi meat is fairly rich and not unappealing to most palates used to wild game, but they are rarely considered worth the effort and risk of killing for consumption alone. They are more commonly hunted for their pelts (worn commonly by Wogan and North Wardi herders in hopes of deterring attacks from predators), bones, claws, and fat (used in traditional medicine for their purported antivenom properties). This hunting is fairly limited in scope overall, and most Wassibi populations remain stable.

[excelsior9173]

i am not seeing enough of this photo going around and just want to bring it to the dash because it might be one of my most favourite photos ever :)

source

[fjordfolk]

when social media ppl say of their dogs that they 'just don't like to exercise, they're healthy and there's nothing wrong with them they're just built for the couch' and then pans to a dog that's at least 50% overweight

[weepingalaxy]

a couple years ago, i was told that i would be a miracle. something theoretical i guess.

[c-kiddo]

people talking abt asha as if she is a massive contrast/change to the wildmother in cr2 is confusing to me like were you paying attention? like, obviously she is softer, exandria has had a long time to heal from the calamity (though, not particularly long on a nature scale but long enough for healing, enough for civilisation and nature to be more balanced hence her less-strained relationship with erathis) so she's far calmer, but she's also fully the wildmother again rather than a wolf. but even then, as much as a commune with her feels like she's a mother holding caduceus like a child she also does give him the power to swarm people with insects that burrow into their eyes and eat their tongues. she's the fish and the osprey that catches it, shes parasites and snakes and foals and rabbits and wildflowers and mountains and springs and thorns and teeth. thats literally part of caduceus' whole character - his softness and compassion contrasted with him being very clear and open about the violence of nature and that death happens and things are killed and their bodies feed the earth. like the brutality is always there, but its more balanced now, and at present the wildmother's just not as cornered (or suffocated in a city with so much light pollution that you can't see the stars). she's not starving anymore

[jackdaw-and-hattrick]

Still obsessed with @starry-bi-sky ‘s Childhood Friends au so here’s a quick ghost design I did for Danny and Jason as teens.