#contraries

[vamprisms]

shut da hell up

[pppuri]

you and me and the devil makes three

[rae-butter]

Honestly, I love it when characters relapse. When someone who’s gotten over their anger issues falls into a situation so out of their depth they fall back on their old habits. When someone who’s learned to open up becomes a recluse again in order to cope with something outside their control.

There’s just something so horrible, so toxic, about watching a character grow and then slip back into their old selves in order to cope, bc you know they still care, that they’re the same inside, but watching them hurt so hard they don’t know what else to do brings a sense of catharsis.

[docmccoy]

salty take: gemma is intelligent. she is a russian lit professor. she walked through doors and experienced the gaps in her memory and understood what that meant, and knows the door she's on the other side of is another severed precipice. she was rescued by her man soaked in blood who kissed every part of her face and called her his baby and clearly did everything in his power even years later to deliver her from hell. she does not think HER mark moved on, she knows a part of him is trapped in hell now just as she was, and it looks like it found a reason to stay. it is devastating enough without twisting it into her thinking he's got a wife and children.

[japhers]

icy peepaw

[loumandforyou]

proof that they were together in the past or... it could all mean nothing

[bright-eyes-strawberry-lies]

Actually I really like that Percy is Thalia's look-alike in the books with their matching black hair and green eyes and the ichor of such powerful gods running through their veins and their mirrored personalities. I like that Annabeth and Luke both looked at Percy and saw Thalia and I love thinking about what a sucker punch Percy must have felt like to the both of them.

[toss-a-coin-to-your-stan-account]

waiting for everyone to get on board with "fiction that depicts dark subject matter is not inherently romanticizing it" so we can move on to "fiction that romanticizes dark subject matter should not inherently be condemned and sometimes the dark subject matter may in fact be Intentionally Romanticized to Make A Point"

[discoverfencers]

Finta in tempo

[evellynssocbrainrot]

*Gets on top of the pedestal and clears throat*

LISTEN TO ME, WHEN INEJ SAID "I WILL HAVE YOU WITHOUT ARMOR, KAZ BREKKER, OR I WILL NOT HAVE YOU AT ALL," SHE WASN'T DEMANDING A SEXUAL RELATIONSHIP FROM HIM, ALL SHE SAID WAS "WORK ON YOUR TRAUMA, I'LL WORK ON MINE, WE WILL BUILD STRONGER EMOTIONAL TRUST AND IMPROVE OPEN HEALTHY COMMUNICATION OF OUR PERSONAL ISSUES, AND THEN WE CAN BE TOGETHER FOR THE REST OF OUR LIVES!!!"

THAT'S WHAT SHE SAID!!!

KANEJ ISN'T A TOXIC SHIP PEOPLE, PEASE UNDERSTAND THAT!!!!

[anaalnathrakhs]

godlivesinmycellphone on instagram

[pinkblondie]

It's ok, I won't mind suffocating you with my boobs

Paypal ♡ Wishtender ♡

[crumplstiltskin]

follow me twt for doodles. sometimes i forget to post them here until i can compile a bunch 👍

[lauraneedstochill]

She’s lost a bit of the composure that you’re used to seeing in Alicent, and she simply tells him, you know, “You need to do what’s needed of you, which is (nothing).” And it’s the most devastating, the most demeaning, belittling thing she could’ve said to her son in that moment.

— Ryan Condal talks about Alicent’s cold attitude that pushes Aegon to leave for Rook’s Rest (Inside the Episode S2, Ep 4).

[kaiju-dayo]

2 posts in one week omg.. nature is healing

[stinkrat-aleks]

Erik and newborn baby Pietro (they deserve sweet moments too)