#conrad salinger

[nelson-riddle-me-this]

Learned today that Joe Raposo (famed Sesame Street songwriter) studied in Paris with THE Nadia Boulanger !!

[elonomhstoryvillage]

conrad salinger, of south caydor

basic information:

physical appearance:

personality traits and mtbi:

quirks:

skills and experience: - technical know-how, can easily operate almost any device - polyglot

relationships:

[recursive360]

(via GIPHY)

[dreamsinmytotebag]

Separating the art from the artist

The question between an artist and his work has long been a matter of discussion and most especially in literature. Can we appreciate a book or poem without regard to the personal views, ethics, or actions of its author? This question becomes real when the artist's life or beliefs counter modern values or your personal morals. "Separating the art from the artist" is a complex process rather than an easy decision and is indeed transcended by individual interpretation, historical context, and significance for the cultural work. For Separation First of all, one reason to separate the art from the artist is that literature exists as some kind of independent entity once published and stands apart from its creator.

A book becomes a shared experience, which is determined both by the meaning created by the reader and within the cultural atmosphere. For example, The Catcher in the Rye J.D. Salinger is this deep expression to readers, regardless of the tight-lipped and sometimes controversial personality of its creator. In such a case, such an emotional or intellectual value of work may go beyond any personal judgment about the creator. Another reason for this argument is the recognition that human beings are imperfect and flawed. If one rejects every literary work based on the imperfection of the author, then one would be eliminating some of the most profound works of art from access. Writers like Ezra Pound, whose contribution to modernist poetry is priceless, also held some of the most troubling political sentiments. Rejection of their entire body of work can qualify literary history and its progress. The Case Against Separation

Conversely, one can state that a particular artist's beliefs are not possible to separate from his work should those beliefs manifest during the act of writing itself. For instance, despite the fact that H.P. Lovecraft's fiction is noted for its imaginative cosmic horror, his overtly racist worldview, again so clearly embedded in his writing, makes it sometimes impossible for readers to enjoy his work without feeling complicit in the furtherance of harmful ideologies.

At the same time, reading through the literature can feel like supporting the artist's cause, not to mention, when such a cause hurts the vulnerable. Separatists often urge that artists be tried and their work used as an arena for conflict with and criticism of the social reality reflected in it. A Middle Ground Maybe the most constructive place is the middle road.

Engagement with a text as critical consists of both aesthetic value and the ethical consideration of its production.

This approach gives readers an opportunity to admire the work in its context and personal history by the artist. For example, when reading Heart of Darkness by Joseph Conrad, perhaps readers will marvel at the narrative innovations while still discussing its colonialist overtones and the worldview of its author. Separating the art from the artist in literature requires a balance between appreciation and critical awareness. It thus throws an invitation to the readers to engage thoughtfully with works that neither blindly reject nor accept uncritically. Literature, like any other art, shows the world as complex in humanity, consisting of its heights and its failings. By negotiating this tension, we do our best to honor the power of transformative literature while not losing sight of its ethical dimension.

[13eyond13]

How many of these "Top 100 Books to Read" have you read?

(633) 1984 - George Orwell

(616) The Great Gatsby - F. Scott Fitzgerald

(613) The Catcher In The Rye - J.D. Salinger

(573) Crime And Punishment - Fyodor Dostoyevsky

(550) Catch-22 - Joseph Heller

(549) The Adventures Of Tom And Huck - Series - Mark Twain

(538) Moby-Dick - Herman Melville

(534) One Hundred Years Of Solitude - Gabriel Garcia Marquez

(527) To Kill A Mockingbird - Harper Lee

(521) The Grapes Of Wrath - John Steinbeck

(521) Lolita - Vladimir Nabokov

(492) Pride And Prejudice - Jane Austen

(489) The Lord Of The Rings - Series - J.R.R. Tolkien

(488) Brave New World - Aldous Huxley

(480) Ulysses - James Joyce

(471) Jane Eyre - Charlotte Bronte

(459) Wuthering Heights - Emily Bronte

(398) The Brothers Karamazov - Fyodor Dostoyevsky

(396) Great Expectations - Charles Dickens

(395) To The Lighthouse - Virginia Woolf

(382) War And Peace - Leo Tolstoy

(382) The Sun Also Rises - Ernest Hemingway

(380) The Sound And The Fury - William Faulkner

(378) Alice's Adventures In Wonderland - Series - Lewis Carroll

(359) Frankenstein - Mary Wollstonecraft Shelley

(353) Heart Of Darkness - Joseph Conrad

(352) Middlemarch - George Eliot

(348) Animal Farm - George Orwell

(346) Don Quixote - Miguel de Cervantes Saavedra

(334) Slaughterhouse-Five - Kurt Vonnegut

(325) Les Misérables - Victor Hugo

(320) Harry Potter - Series - J.K. Rowling

(320) The Chronicles Of Narnia - Series - C.S. Lewis

(317) Anna Karenina - Leo Tolstoy

(308) Lord Of The Flies - William Golding

(306) Invisible Man - Ralph Ellison

(289) The Golden Bowl - Henry James

(276) Pale Fire - Vladimir Nabokov

(266) Gone With The Wind - Margaret Mitchell

(260) The Count Of Monte Cristo - Alexandre Dumas

(255) The Hitchhiker's Guide To The Galaxy - Series - Douglas Adams

(252) The Life And Opinions Of Tristram Shandy, Gentleman - Laurence Sterne

(244) Madame Bovary - Gustave Flaubert

(237) Vanity Fair - William Makepeace Thackery

(235) The Trial - Franz Kafka

(233) Absalom, Absalom! - William Faulkner

(232) The Call Of The Wild - Jack London

(232) Emma - Jane Austen

(229) Beloved - Toni Morrison

(228) Little Women - Louisa May Alcott

(224) A Passage To India - E.M. Forster

(215) Dune - Frank Herbert

(215) A Portrait Of The Artist As A Young Man - James Joyce

(212) The Stranger - Albert Camus

(209) One Flew Over The Cuckoo's Nest - Ken Kesey

(209) The Idiot - Fyodor Dostoyevsky

(206) Dracula - Bram Stoker

(205) The Picture Of Dorian Gray - Oscar Wilde

(197) A Confederacy Of Dunces - John Kennedy Toole

(193) Mrs. Dalloway - Virginia Woolf

(193) The Age Of Innocence - Edith Wharton

(193) The History Of Tom Jones, A Foundling - Henry Fielding

(192) Under The Volcano - Malcolm Lowry

(190) The Odyssey - Homer

(189) Gulliver's Travels - Jonathan Swift

(188) In Search Of Lost Time - Marcel Proust

(186) Midnight's Children - Salman Rushdie

(185) An American Tragedy - Theodore Dreiser

(182) The Book Thief - Markus Zusak

(180) Siddhartha - Hermann Hesse

(179) The Magic Mountain - Thomas Mann

(178) Things Fall Apart - Chinua Achebe

(178) Tropic Of Cancer - Henry Miller

(176) The Outsiders - S.E. Hinton

(176) On The Road - Jack Kerouac

(175) The Little Prince - Antoine de Saint-Exupery

(173) The Giver - Lois Lowry

(172) Brideshead Revisited - Evelyn Waugh

(172) A Clockwork Orange - Anthony Burgess

(171) Charlotte's Web - E.B. White

(171) The Ambassadors - Henry James

(170) Infinite Jest - David Foster Wallace

(167) The Complete Stories And Poems - Edgar Allen Poe

(166) Ender's Saga - Series - Orson Scott Card

(165) In Cold Blood - Truman Capote

(164) The Wings Of The Dove - Henry James

(163) The Adventures Of Augie March - Saul Bellow

(162) As I Lay Dying - William Faulkner

(161) The Hunger Games - Series - Suzanne Collins

(158) Anne Of Greene Gables - L.M. Montgomery

(157) Atlas Shrugged - Ayn Rand

(157) Neuromancer - William Gibson

(156) The Help - Kathryn Stockett

(156) A Song Of Ice And Fire - George R.R. Martin

(155) The Good Soldier - Ford Madox Ford

(154) The Da Vinci Code - Dan Brown

(153) I, Claudius - Robert Graves

(152) Wide Sargasso Sea - Jean Rhys

(151) The Portrait Of A Lady - Henry James

(150) The Death Of The Heart - Elizabeth Bowen

[according2thelore]

happy wincest wednesday!!! i really want to pay it forward from the ask you sent me last week and ask what you (both?) think sam and dean's favorite books are! i mostly answered based on what books i had already read, so i'm really curious if in the books you've read you'd have different opinions! if not though (or in addition if you'd like!), i'd love to know what you think their favorite movies are, too :) give dean's favorite medium a moment in the spotlight, too 💖 (@incesthemes)

hi! happy wincest wednesday!

hmm--i think sam has a long, enduring, passionate love affair with the hardy boys and nancy drew books. i think he longs in some ways to be the hardy boys/nancy drew, because they get to solve mysteries and be hypercompetent while also having a secure home environment. in nancy's case, she's popular and has a boyfriend and also gets to explore thick tomes of town lore. they were so easy to find at libraries across america, and super easy to steal/shoplift because of how thin they were.

(dean also makes fun of him by calling him a hardy boy for a long time, i imagine. you also cannot tell me dean would not get an absolute fucking kick out of calling sam "nancy")

i also think that as he gets older, he gets more bitter/disillusioned about both series, but still has a secret fondness for seeing their covers in bookstores.

as he gets older (high school age), sam definitely gravitates towards more gothic, as you mentioned! i think he finds wuthering heights compelling, but can't quite put his finger on it, and never tells dean because dean would make fun of him for liking such a girly book. science fiction/horror novellas are also fun to him (frankenstein, poe, dracula, jekyll, the murders in rue morgue).

we know dean is a closet intellectual at his own choice, so i imagine he steals/lifts books from libraries/stores, and keeps them in the bottom of his duffle. i think a lot of this happens after sam leaves for college and dean suddenly has 80 hours of free time a week now that he's not huffing sam's boxers and staring at him lovingly in the rearview mirror.

in terms of books that they had to read (and inevitably read/reread over and over again as they move to schools that haven't read them yet):

sam likes: tale of two cities by dickens, telltale heart by poe, in cold blood by capote, inferno by dante, to kill a mockingbird by lee, yellow wallpaper by gilman, matilda by dahl sam HATES: romeo and juliet by shakespeare, heart of darkness by conrad, a separate peace by knowles (he hates that he finds himself in gene), tess of the d'urbervilles (bc he also hates he strangely relates to it)

dean likes: in cold blood by capote, hamlet by shakespeare, 1984 by orwell, lord of the flies by golding, and then there were none by christie, count of monte christo by dumas, any western he can get his hands on dean HATES: frankenstein by shelley, a good man by o'conner (HATES IT), catcher in the rye by salinger (it makes him angry that he gets called out), lolita by nabokov (it makes him a little nauseous how much he likes it, he agrees that humbert is a pedophile, but the depth of the "devotion" there makes him ill), dense histories like war and peace/tale of two cities/les miserables, etc.; he hates anything by dostoevsky--he finds the morality to be posturing and tiresome

i think they BOTH love the LOTR series--books and movies. as they both canonically watch GOT together as adults (and considering dean is more into LARPing than he likes to admit) i think they both love fantasy.

dean saw two towers while sam was away at college and has been dreaming nonstop of dying in an epic battle protecting those he loves in heroic and sexy ways like in the battle for helms deep.

but he still mostly refuses to watch the parts with frodo/sam in return of the king because "frodo is annoying" (because he gets uncomfortable and scared when frodo and sam touch foreheads and cry and sam picks up frodo because he can't carry the ring but he can carry frodo, and hearing frodo scream sam's name in agony makes him nauseous)

dean swears he likes LOTR for the fights but sam knows better.

(secretly, i think dean used to read chapters of the hobbit to sam when he was really small. it's the first book john buys him after the fire because john grew up with his own dad reading it to him before he disappeared.)

i think as an adult, dean gravitates towards more crime thrillers. they have clean cut endings, and he likes how the main character is usually a grizzled, alcoholic washup looking for redemption with his estranged wife (he completely cannot relate). he also likes brandon sanderson until he finds out Nerds also like them, so he gives up on them.

and i think sam might gravitate towards nonfiction/realistic fiction/historical fiction. he doesn't want to read about quests, he doesn't want to read about chosen ones, he doesn't want to read about brothers having to watch each other die, he doesn't want to read about how Bad is Always Bad.

bonus: they both read 50 shades after the craze in like 2015, and dean was scandalized to read this in a book while sam was like...this is it? he hits her a couple of times??

i've mentioned this a MILLION times, but i think they both love the die hard movie series. mostly the first one, and mostly dean, but they try to catch the marathons on cable every christmas.

dean loves the lost boys (because COME ON OF COURSE HE DOES!!! little brother and vampires and the good guys win! no moral complexity!), ghost busters, roadhouse, quick and fast murder mysteries with easy solutions, dirty dancing, tombstone, rocky, jaws, and--secretly--little women. he cries like a fucking kid being dragged away from a candy store.

sam loves indiana jones, star trek, friday the 13th (bc if he follows the Horror Movie rules, he and his family are safe!), the rear window, ET, it's a wonderful life (a movie about how your life has meaning even if you think you're making everyone's life worse...come on...), and a million arthouse movies about how life is strange and vulnerable.

they both like/watch together: star wars, bill & ted's excellent adventure, die hard, jurassic park, LOTR, the early 2000 fantastic four movies (they're not good, but they're mindless; dean wants to be johnny storm and sammy would DIE to be reed; dean likes to joke that sam's jessica alba instead), oceans 11

sam doesn't like monster movies anymore. dean doesn't like war movies anymore.

THIS WAS SO MUCH LOL I'M SO SORRY--i have a lot of thoughts about their favourite books/movies apparently! thank you so much for this ask--it was SO FUN to answer, lol! <3

i have texted charlotte and will reblog with her opinions when she responds! (she is busy gworl)

-lizzy

[magicaltear]

How many have you read?

The BBC estimates that most people will only read 6 books out of the 100 listed below. Bold the titles you’ve read.

1 Pride and Prejudice - Jane Austen 2 Lord of the Rings - J. R. R. Tolkein 3 Jane Eyre – Charlotte Bronte 4 Harry Potter series 5 To Kill a Mockingbird - Harper Lee 6 The Bible 7 Wuthering Heights – Emily Bronte 8 Nineteen Eighty Four – George Orwell 9 His Dark Materials – Philip Pullman 10 Great Expectations – Charles Dickens 11 Little Women – Louisa M Alcott 12 Tess of the D’Urbervilles – Thomas Hardy 13 Catch 22 – Joseph Heller 14 Complete Works of Shakespeare 15 Rebecca – Daphne Du Maurier 16 The Hobbit – JRR Tolkien 17 Birdsong – Sebastian Faulks 18 Catcher in the Rye - J. D. Salinger 19 The Time Traveller’s Wife - Audrey Niffeneger 20 Middlemarch – George Eliot 21 Gone With The Wind – Margaret Mitchell 22 The Great Gatsby – F Scott Fitzgerald 23 Bleak House – Charles Dickens 24 War and Peace – Leo Tolstoy 25 The Hitch Hiker’s Guide to the Galaxy – Douglas Adams 26 Brideshead Revisited – Evelyn Waugh 27 Crime and Punishment – Fyodor Dostoyevsky 28 Grapes of Wrath – John Steinbeck 29 Alice in Wonderland – Lewis Carroll 30 The Wind in the Willows – Kenneth Grahame 31 Anna Karenina – Leo Tolstoy 32 David Copperfield – Charles Dickens 33 Chronicles of Narnia – CS Lewis 34 Emma – Jane Austen 35 Persuasion – Jane Austen 36 The Lion, The Witch and The Wardrobe – CS Lewis 37 The Kite Runner - Khaled Hosseini 38 Captain Corelli’s Mandolin - Louis De Bernieres 39 Memoirs of a Geisha – Arthur Golden 40 Winnie the Pooh – AA Milne 41 Animal Farm – George Orwell 42 The Da Vinci Code – Dan Brown 43 One Hundred Years of Solitude – Gabriel Garcia Marquez 44 A Prayer for Owen Meaney – John Irving 45 The Woman in White – Wilkie Collins 46 Anne of Green Gables – LM Montgomery 47 Far From The Madding Crowd – Thomas Hardy 48 The Handmaid’s Tale – Margaret Atwood 49 Lord of the Flies – William Golding 50 Atonement – Ian McEwan

51 Life of Pi – Yann Martel 52 Dune – Frank Herbert 53 Cold Comfort Farm – Stella Gibbons 54 Sense and Sensibility – Jane Austen 55 A Suitable Boy – Vikram Seth 56 The Shadow of the Wind – Carlos Ruiz Zafon 57 A Tale Of Two Cities – Charles Dickens 58 Brave New World – Aldous Huxley 59 The Curious Incident of the Dog in the Night-time – Mark Haddon 60 Love In The Time Of Cholera – Gabriel Garcia Marquez 61 Of Mice and Men – John Steinbeck 62 Lolita – Vladimir Nabokov 63 The Secret History – Donna Tartt 64 The Lovely Bones - Alice Sebold 65 Count of Monte Cristo – Alexandre Dumas 66 On The Road – Jack Kerouac 67 Jude the Obscure – Thomas Hardy 68 Bridget Jones’s Diary – Helen Fielding 69 Midnight’s Children – Salman Rushdie 70 Moby Dick – Herman Melville 71 Oliver Twist – Charles Dickens 72 Dracula – Bram Stoker 73 The Secret Garden – Frances Hodgson Burnett 74 Notes From A Small Island – Bill Bryson 75 Ulysses – James Joyce 76 The Bell Jar – Sylvia Plath 77 Swallows and Amazons - Arthur Ransome 78 Germinal – Emile Zola 79 Vanity Fair – William Makepeace Thackeray 80 Possession – AS Byatt 81 A Christmas Carol – Charles Dickens 82 Cloud Atlas – David Mitchel 83 The Color Purple – Alice Walker 84 The Remains of the Day – Kazuo Ishiguro 85 Madame Bovary – Gustave Flaubert 86 A Fine Balance – Rohinton Mistry 87 Charlotte’s Web – EB White 88 The Five People You Meet In Heaven – Mitch Albom 89 Adventures of Sherlock Holmes – Sir Arthur Conan Doyle 90 The Faraway Tree Collection – Enid Blyton 91 Heart of Darkness – Joseph Conrad 92 The Little Prince – Antoine De Saint-Exupery 93 The Wasp Factory – Iain Banks 94 Watership Down – Richard Adams 95 A Confederacy of Dunces – John Kennedy Toole 96 A Town Like Alice – Nevil Shute 97 The Three Musketeers – Alexandre Dumas 98 Hamlet – William Shakespeare 99 Charlie and the Chocolate Factory – Roald Dahl 100 Les Miserables – Victor Hugo

As found in the original post I saw by @macrolit

My total: 43/100

[vital-information]

“William J. Mann has argued that, contrary to the widespread impression of Hollywood as a place in which the closet was rigorously enforced by the studio system, the movie industry was often more accommodating to its homosexual workers at all levels. One of Mann’s interviewees said to him, in answer to an obvious question, ‘Who didn’t have to lie? Who didn’t have to pretend? We had a whole community, for God’s sake. We had—dare I say it?—power. Where else in America did gays have such a thing?’ The passionate tone offers its own evidence. Mann correctly points out what his interviewee seems not to have known, that there were other such protective communities and subcultures across the States at the time; but the point is well made, all the same. From the start, there were more than enough homosexual men and women in Hollywood for the operation of informal supportive systems. The disappointment is in the failure of that power to translate into a corresponding visibility in the cultural product: the movies.

Mann found that his interviewees did not use such expressions as ‘in’ and ‘out’ (of the closet). Instead, they independently kept coming back to the words ‘overt’ and ‘circumspect,’ and to degrees of both. Individuals, couples and groups tended to locate themselves where they felt most comfortable across a spectrum of degrees of openness. There was no general pressure to work towards a point at which it would become possible to come out; but, perhaps more surprisingly, there was no general imperative not to come out. The determining factors were many. There was a class difference, as elsewhere. ‘The most overt gays tended to come from working-class backgrounds, while those from the middle classes invariably were more circumspect.’ In certain professional areas, such as costume design and set design, it was possible to exploit the popular connection of male effeteness with aesthetic sophistication; yet that connection does not appear to have been applicable in relation to men who sought to direct movies. On the other hand, the few women who made it in major behind-camera creative roles had to shake off the stigma of whimsical femininity and demonstrate a willingness to get their hands dirty, metaphorically or not. One of Mann’s interviewees summed up his own experience of being gay in Hollywood’s early days as follows: ‘My being gay and knowing all these people—the doors were always open. It was all this “understood” business. They knew I knew, I knew they knew. It was kind of a brotherhood.’

Referring to Hollywood in the 1920s, Hart Crane said: ‘O André Gide! No Paris ever yielded such as this!’ In the heyday of what Kenneth Anger would call ‘Hollywood Babylon,’ one might argue that an artistic ethos combined with a pleasant climate to produce an attitude of sexual celebration, within limits that would soon be tightened up. The extent to which the ethos of the mode of production ever influenced the product—the movies themselves—has been a matter for much debate. In this context, William Mann asks a series of pertinent, rhetorical questions:

is it possible to see the gay influence in The Wizard of Oz, for example, because [the costume designer] Adrian created the Munchkins and Jack Moore the Yellow Brick Road? Can we reflect upon the gayness of the narrative of Cat People, written by DeWitt Bodeen? Might we consider the queerness of the very look of Casablanca, whose fantastic sets were designed by George James Hopkins? Or detect the gay soul of Meet Me in St. Louis, because its direction was staged by Vincent Minnelli, its score orchestrated by Conrad Salinger, and its production arranged by Roger Edens? Might we consider the entire body of work of such directors as George Cukor or Dorothy Arzner or Edmund Goulding or James Whale, seeing their films as the creations of artists who were gay?

The answer is probably affirmative in every case, if more convincingly so in some than in others; and acknowledging ‘the creations of artists who were gay’ is, of course, a long way from finding specifically ‘gay art,’ especially since all of the named figures were working in collaboration with other artists who were not gay. However, Mann’s list of questions gives a vivid sense of the creative possibilities of a specifically gay spectatorship.

Although the atmosphere in the film industry itself was quite relaxed, outside observers of that industry came to be less so. Ever since the late 1920s, varying degrees of pressure exerted from outside have had an effect on the atmosphere within the studios themselves and on the extent to which professionals in the industry—especially actors—have been able to reconcile their sexual orientations and their working lives.”

Gregory Woods, Homintern: How Gay Culture Linerated the Modern World

[mylittledarkag3]

How many have you read out of the hundred?

Me: 64/100

Reblog & share your results

1. "Pride and Prejudice" by Jane Austen

2. "Crime and Punishment" by Fyodor Dostoevsky

3. "To Kill a Mockingbird" by Harper Lee

4. "1984" by George Orwell

5. "Great Expectations" by Charles Dickens

6. "One Hundred Years of Solitude" by Gabriel García Márquez

7. "Jane Eyre" by Charlotte Brontë

8. "The Catcher in the Rye" by J.D. Salinger

9. "War and Peace" by Leo Tolstoy

10. "The Great Gatsby" by F. Scott Fitzgerald

11. "Moby-Dick" by Herman Melville

12. "The Odyssey" by Homer

13. "Wuthering Heights" by Emily Brontë

14. "Anna Karenina" by Leo Tolstoy

15. "The Brothers Karamazov" by Fyodor Dostoevsky

16. "The Iliad" by Homer

17. "Frankenstein" by Mary Shelley

18. "Les Misérables" by Victor Hugo

19. "Don Quixote" by Miguel de Cervantes

20. "Middlemarch" by George Eliot

21. "The Picture of Dorian Gray" by Oscar Wilde

22. "The Scarlet Letter" by Nathaniel Hawthorne

23. "Dracula" by Bram Stoker

24. "Sense and Sensibility" by Jane Austen

25. "The Hunchback of Notre-Dame" by Victor Hugo

26. "The War of the Worlds" by H.G. Wells

27. "The Grapes of Wrath" by John Steinbeck

28. "The Canterbury Tales" by Geoffrey Chaucer

29. "The Portrait of a Lady" by Henry James

30. "The Jungle Book" by Rudyard Kipling

31. "Siddhartha" by Hermann Hesse

32. "The Divine Comedy" by Dante Alighieri

33. "A Tale of Two Cities" by Charles Dickens

34. "The Trial" by Franz Kafka

35. "Mansfield Park" by Jane Austen

36. "The Three Musketeers" by Alexandre Dumas

37. "Fahrenheit 451" by Ray Bradbury

38. "Gulliver's Travels" by Jonathan Swift

39. "The Sound and the Fury" by William Faulkner

40. "Emma" by Jane Austen

41. "Robinson Crusoe" by Daniel Defoe

42. "Tess of the d'Urbervilles" by Thomas Hardy

43. "The Republic" by Plato

44. "Heart of Darkness" by Joseph Conrad

45. "The Hound of the Baskervilles" by Arthur Conan Doyle

46. "The Strange Case of Dr Jekyll and Mr Hyde" by Robert Louis Stevenson

47. "The Prince" by Niccolò Machiavelli

48. "The Metamorphosis" by Franz Kafka

49. "The Old Man and the Sea" by Ernest Hemingway

50. "Bleak House" by Charles Dickens

51. "Gone with the Wind" by Margaret Mitchell

52. "The Plague" by Albert Camus

53. "The Joy Luck Club" by Amy Tan

54. "The Master and Margarita" by Mikhail Bulgakov

55. "The Red and the Black" by Stendhal

56. "The Sun Also Rises" by Ernest Hemingway

57. "The Fountainhead" by Ayn Rand

58. "The Bell Jar" by Sylvia Plath

59. "The Idiot" by Fyodor Dostoevsky

60. "The Book Thief" by Markus Zusak

61. "The Return of Sherlock Holmes" by Arthur Conan Doyle

62. "The Woman in White" by Wilkie Collins

63. "Things Fall Apart" by Chinua Achebe

64. "Treasure Island" by Robert Louis Stevenson

65. "Ulysses" by James Joyce

66. "Uncle Tom's Cabin" by Harriet Beecher Stowe

67. "Vanity Fair" by William Makepeace Thackeray

68. "Waiting for Godot" by Samuel Beckett

69. "Walden Two" by B.F. Skinner

70. "Watership Down" by Richard Adams

71. "White Fang" by Jack London

72. "Wide Sargasso Sea" by Jean Rhys

73. "Winnie-the-Pooh" by A.A. Milne

74. "Wise Blood" by Flannery O'Connor

75. "Woman in the Nineteenth Century" by Margaret Fuller

76. "Women in Love" by D.H. Lawrence

77. "Zen and the Art of Motorcycle Maintenance" by Robert M. Pirsig

78. "The Aeneid" by Virgil

79. "The Age of Innocence" by Edith Wharton

80. "The Alchemist" by Paulo Coelho

81. "The Art of War" by Sun Tzu

82. "The Autobiography of Benjamin Franklin" by Benjamin Franklin

83. "The Awakening" by Kate Chopin

84. "The Big Sleep" by Raymond Chandler

85. "The Bluest Eye" by Toni Morrison

86. "The Caine Mutiny" by Herman Wouk

87. "The Cherry Orchard" by Anton Chekhov

88. "The Chosen" by Chaim Potok

89. "The Christmas Carol" by Charles Dickens

90. "The City of Ember" by Jeanne DuPrau

91. "The Clue in the Crumbling Wall" by Carolyn Keene

92. "The Code of the Woosters" by P.G. Wodehouse

93. "The Color Purple" by Alice Walker

94. "The Count of Monte Cristo" by Alexandre Dumas

95. "The Crucible" by Arthur Miller

96. "The Crying of Lot 49" by Thomas Pynchon

97. "The Da Vinci Code" by Dan Brown

98. "The Death of Ivan Ilyich" by Leo Tolstoy

99. "The Decline and Fall of the Roman Empire" by Edward Gibbon

100. "The Divine Secrets of the Ya-Ya Sisterhood" by Rebecca Wells

[byneddiedingo]

Gene Kelly and Judy Garland in The Pirate (Vincente Minnelli, 1948)

Cast: Judy Garland, Gene Kelly, Walter Slezak, Gladys Cooper, Reginald Owen, George Zucco, Fayard Nicholas, Harold Nicholas, Lester Allen, Lola Albright, Ellen Ross. Screenplay: Albert Hackett, Frances Goodrich, based on a play by S.N. Behrman. Cinematography: Harry Stradling Sr. Art direction: Cedric Gibbons, Jack Martin Smith. Film editing: Blanche Sewell. Music: Lennie Hayton, Conrad Salinger, Cole Porter (songs). 

Props to Walter Slezak, who is the only person in the cast of The Pirate who knows how to pronounce the name of the heroine. Everyone else refers to Manuela (Judy Garland) as "Man-you-ella." Manuela is a young woman in the Caribbean village of Calvados who is engaged to the town's portly, middle-aged mayor, Don Pedro Vargas (Slezak). Her head is full of tales of the dashing pirate Macocco, aka "Mack the Black," and she fantasizes about him taking her away from the village for a life of adventure. Don Pedro, however, likes the village perfectly well and never wants to leave. Visiting the city of Port Sebastian to have her wedding gown fitted, Manuela encounters a traveling player named Serafin (Gene Kelly), who falls for her, and during his act he hypnotizes her, hoping she'll fall in love with him. Instead, she reveals her passion for Mack the Black. Serafin follows her with his troupe to Calvados, where he recognizes Manuela's fiancé as the real Macocco, retired from piracy and hiding his secret past. From there, the plot thickens into a series of complications as Serafin decides to win Manuela away from Don Pedro by pretending that he's the real Macocco. It's not a bad premise to hang a series of songs and production numbers on, and there's some spectacularly athletic dancing by Kelly and Garland is in fine voice. The songs by Cole Porter are not his best work, however. The lyrics are sometimes silly: "Niña," for example, rhymes the name Niña with "neurasthenia" and "schizophrenia." Only "Be a Clown," which Kelly dances to first with the Nicholas Brothers and then with Garland, has had any life outside the film, and that mostly because producer and songwriter Arthur Freed notoriously copied it for Donald O'Connor's "Make 'Em Laugh" number in Singin' in the Rain (Kelly and Stanley Donen, 1952). Garland's increasing emotional problems, which worsened after she experienced postpartum depression following the birth of Liza Minnelli in 1946, also affected the production. The film feels a little disjointed and the ending feels perfunctory, a reflection of some script problems and cost overruns. It wasn't a box office success. Still, it has moments that are as good as any of the more successful Freed Unit productions. 

[idk-sla]

Rory Gilmore Books

I've loved Gilmore Girls for a long, long time, and I've always wanted to try reading the books mentioned in the show. I searched for some titles and put together a list. Some of them I’ve already read, and the good thing is that my current read is on that list too. I’ve thought about doing this before, but I hope this time I can actually follow through. I confess I was never interested in Russian authors before—maybe I was a bit intimidated by them? I guess this will be a good opportunity to change my mind.

Pride and Prejudice – Jane Austen Moby-Dick – Herman Melville The Great Gatsby – F. Scott Fitzgerald To Kill a Mockingbird – Harper Lee The Catcher in the Rye – J.D. Salinger 1984 – George Orwell The Bell Jar – Sylvia Plath Jane Eyre – Charlotte Brontë (current read) Frankenstein – Mary Shelley The Adventures of Huckleberry Finn – Mark Twain One Hundred Years of Solitude – Gabriel García Márquez Crime and Punishment – Fyodor Dostoevsky Slaughterhouse-Five – Kurt Vonnegut The Picture of Dorian Gray – Oscar Wilde Don Quixote – Miguel de Cervantes Les Misérables – Victor Hugo Brave New World – Aldous Huxley Alice's Adventures in Wonderland – Lewis Carroll Little Women – Louisa May Alcott Beloved – Toni Morrison The Scarlet Letter – Nathaniel Hawthorne On the Road – Jack Kerouac The Sound and the Fury – William Faulkner Wuthering Heights – Emily Brontë The Sun Also Rises – Ernest Hemingway A Room of One's Own – Virginia Woolf Lord of the Flies – William Golding The Outsiders – S.E. Hinton The Hobbit – J.R.R. Tolkien The Metamorphosis – Franz Kafka The Diary of a Young Girl – Anne Frank The Unbearable Lightness of Being – Milan Kundera Gone with the Wind – Margaret Mitchell Heart of Darkness – Joseph Conrad The Count of Monte Cristo – Alexandre Dumas David Copperfield – Charles Dickens

[bookquest2024]

100 Books to Read Before I Die: Quest Order

The Lord Of The Rings by J. R. R. Tolkien

In Search of Lost Time by Marcel Proust

The Great Gatsby by F. Scott Fitzgerald

A Wrinkle in Time by Madeleine L’Engle

Jane Eyre by Charlotte Brontë

Pride and Prejudice by Jane Austen

Frankenstein by Mary Shelley

The Good Soldier by Ford Madox Ford

Under The Net by Iris Murdoch

American Pastoral by Philip Roth

The Unbearable Lightness of Being by Milan Kundera

Animal Farm by George Orwell

Housekeeping by Marilynne Robinson

Anna Karenina by Leo Tolstoy

Atonement by Ian McEwan

Crime And Punishment by Fyodor Dostoyevsky

The Grapes Of Wrath by John Steinbeck

Midnight’s Children by Salman Rushdie

Lucky Jim by Kingsley Amis

Slaughterhouse-Five by Kurt Vonnegut

The Sun Also Rises by Ernest Hemingway

Invisible Man by Ralph Ellison

A Passage to India by EM Forster

Of Human Bondage by W. Somerset Maugham

The Prime of Miss Jean Brodie by Muriel Spark

The Amazing Adventures of Kavalier and Clay by Michael Chabon

If on a Winter’s Night a Traveller by Italo Calvino

The Hitchhiker’s Guide to the Galaxy by Douglas Adams

1984 by George Orwell

White Noise by Don DeLillo

The Count of Monte Cristo by Alexandre Dumas

The Sound and the Fury by William Faulkner

The Stranger by Albert Camus

Lolita by Vladimir Nabokov

Oscar And Lucinda by Peter Carey

The Wind-Up Bird Chronicle by Haruki Murakami

Gulliver’s Travels by Jonathan Swift

Brave New World by Aldous Huxley

As I Lay Dying by William Faulkner

To Kill A Mockingbird by Harper Lee

Lord of the Flies by William Golding

The Portrait of a Lady by Henry James

The Call of the Wild by Jack London

Pale Fire by Vladimir Nabokov

Beloved by Toni Morrison

Tinker Tailor Soldier Spy by John Le Carré

Austerlitz by W. G. Sebald

The Scarlet Letter by Nathaniel Hawthorne

Brideshead Revisited by Evelyn Waugh

Tropic of Cancer by Henry Miller

The Age of Innocence by Edith Wharton

Mrs. Dalloway by Virginia Woolf

The Heart Is a Lonely Hunter by Carson McCullers

The Phantom Tollbooth by Norton Juster

Ulysses by James Joyce

Scoop by Evelyn Waugh

Haroun and the Sea of Stories by Salman Rushdie

Things Fall Apart by Chinua Achebe

Middlemarch by George Eliot

Are You There, God? It’s me, Margaret by Judy Blume

Clarissa by Samuel Richardson

Moby-Dick by Herman Melville

The Handmaid’s Tale by Margaret Atwood

Herzog by Saul Bellow

The Brief Wondrous Life of Oscar Wao by Junot Diaz

Wuthering Heights by Emily Brontë

Don Quixote by Miguel De Cervantes

A Bend in the River by V. S. Naipaul

A Dance to The Music of Time by Anthony Powell

The Strange Case of Dr Jekyll and Mr Hyde by Robert Louis Stevenson

Go Tell It On The Mountain by James Baldwin

Wide Sargasso Sea by Jean Rhys

Catch-22 by Joseph Heller

The Rainbow by D. H. Lawrence

Song of Solomon by Toni Morrison

I, Claudius by Robert Graves

Nostromo by Joseph Conrad

The Tin Drum by Gunter Grass

Madame Bovary by Gustave Flaubert

The Catcher in the Rye by JD Salinger

Charlotte’s Web by E. B. White

Tom Jones by Henry Fielding

His Dark Materials by Philip Pullman

Alice’s Adventures In Wonderland by Lewis Carroll

Little Women by Louisa M Alcott

Great Expectations by Charles Dickens

Portnoy’s Complaint by Philip Roth

Watchmen by Alan Moore

One Hundred Years of Solitude by Gabriel García Márquez

Robinson Crusoe by Daniel Defoe

Tristram Shandy by Laurence Sterne

On the Road by Jack Kerouac

The Big Sleep by Raymond Chandler

The Wind in the Willows by Kenneth Grahame

To the Lighthouse by Virginia Woolf

The Corrections by Jonathan Franzen

The Trial by Franz Kafka

Their Eyes Were Watching God by Zora Neale Hurston

Money by Martin Amis

David Copperfield by Charles Dickens

[intertexts]

ros. oh my god ros. i've been on a frank mccourt kick lately and i need to talk to someone about it...my mom recommended angela's ashes to me a couple summers back and i'm more than halfway through 'tis....they never warn you about going crazy over authors cause there are so many instances where he'll kind of muse a little and it drives you crazy the way he writes it like this one bit in particular from angela’s ashes that made me want to pull my hair out the entire time about how even after being frustrated at st francis for not listening his prayers, he still loves him because that was the name given to him.

i also finished j.d. salinger's nine stories a while back and not to be that guy but. i would've been the most annoying blogger if blogs were a thing back then...anyway, what have you been reading?? i shouldn't be asking for recommendations cause i have sooo many more books to catch up on but it's fun hearing what others are reading

hii hi hi pip!!!! ohhhhh man ive been meaning 2 read angela's ashes for ages.............. that sounds. so fucking good oh my god. eventually im sure i will also go crazy stupid over it also. god. + jd salinger!!! man. u r reading good books lately i also should read more salinger.

ive beennnnn. reading a lot of genre fiction lately ksfksdkfkd! halfway through the archive undying by emma mieko candon, which is a lush, violent, sticky mech sf that's having tons of fun playing with selfhood & beingness & worship & language... very good read.

but!!!! other than that i'm rereading moby dick my favorite book the horror novel of all time :)) what are the comprehensible terrors of man compared withe interlinked terrors and wonders of god! etc etc. + also some joseph conrad on the side... couple months ago i started black sails which put my brain in a blender (i think u would like black sails dude... even if it's not like ur usual genre i genuinely think it's just such a meticulously constructed piece of storytelling u would appreciate it.) so i've been doing a bunch of reading re: metafiction in nautical fiction in general. so of course conrad!! + ALSO today in particular some of john donne's poetry... i adore him immensely his work is so like. incandescently emotional even 500 years later it's... really compelling 2 me hhkdkfgf. anyway. hope u r doing well n having a good weekend!!! <333

[esperata]

How many have you read?

The BBC estimates that most people will only read 6 books out of the 100 listed below. Reblog this and bold the titles you’ve read.

1 Pride and Prejudice - Jane Austen

2 Lord of the Rings - J. R. R. Tolkein

3 Jane Eyre – Charlotte Bronte

4 Harry Potter series

5 To Kill a Mockingbird - Harper Lee

6 The Bible

7 Wuthering Heights – Emily Bronte

8 Nineteen Eighty Four – George Orwell

9 His Dark Materials – Philip Pullman

10 Great Expectations – Charles Dickens

11 Little Women – Louisa M Alcott

12 Tess of the D’Urbervilles – Thomas Hardy

13 Catch 22 – Joseph Heller

14 Complete Works of Shakespeare

15 Rebecca – Daphne Du Maurier

16 The Hobbit – JRR Tolkien

17 Birdsong – Sebastian Faulks

18 Catcher in the Rye - J.D. Salinger

19 The Time Traveller’s Wife - Audrey Niffeneger

20 Middlemarch – George Eliot

21 Gone With The Wind – Margaret Mitchell

22 The Great Gatsby – F Scott Fitzgerald

23 Bleak House – Charles Dickens

24 War and Peace – Leo Tolstoy

25 The Hitch Hiker’s Guide to the Galaxy – Douglas Adams

26 Brideshead Revisited – Evelyn Waugh

27 Crime and Punishment – Fyodor Dostoyevsky

28 Grapes of Wrath – John Steinbeck

29 Alice in Wonderland – Lewis Carroll

30 The Wind in the Willows – Kenneth Grahame

31 Anna Karenina – Leo Tolstoy

32 David Copperfield – Charles Dickens

33 Chronicles of Narnia – CS Lewis

34 Emma – Jane Austen

35 Persuasion – Jane Austen

36 The Lion, The Witch and The Wardrobe – CS Lewis

37 The Kite Runner - Khaled Hosseini

38 Captain Corelli’s Mandolin - Louis De Bernieres

39 Memoirs of a Geisha – Arthur Golden

40 Winnie the Pooh – AA Milne

41 Animal Farm – George Orwell

42 The Da Vinci Code – Dan Brown

43 One Hundred Years of Solitude – Gabriel Garcia Marquez

44 A Prayer for Owen Meaney – John Irving

45 The Woman in White – Wilkie Collins

46 Anne of Green Gables – LM Montgomery

47 Far From The Madding Crowd – Thomas Hardy

48 The Handmaid’s Tale – Margaret Atwood

49 Lord of the Flies – William Golding

50 Atonement – Ian McEwan

51 Life of Pi – Yann Martel

52 Dune – Frank Herbert

53 Cold Comfort Farm – Stella Gibbons

54 Sense and Sensibility – Jane Austen

55 A Suitable Boy – Vikram Seth

56 The Shadow of the Wind – Carlos Ruiz Zafon

57 A Tale Of Two Cities – Charles Dickens

58 Brave New World – Aldous Huxley

59 The Curious Incident of the Dog in the Night-time – Mark Haddon

60 Love In The Time Of Cholera – Gabriel Garcia Marquez

61 Of Mice and Men – John Steinbeck

62 Lolita – Vladimir Nabokov

63 The Secret History – Donna Tartt

64 The Lovely Bones - Alice Sebold

65 Count of Monte Cristo – Alexandre Dumas

66 On The Road – Jack Kerouac

67 Jude the Obscure – Thomas Hardy

68 Bridget Jones’s Diary – Helen Fielding

69 Midnight’s Children – Salman Rushdie

70 Moby Dick – Herman Melville

71 Oliver Twist – Charles Dickens

72 Dracula – Bram Stoker

73 The Secret Garden – Frances Hodgson Burnett

74 Notes From A Small Island – Bill Bryson

75 Ulysses – James Joyce

76 The Bell Jar – Sylvia Plath

77 Swallows and Amazons - Arthur Ransome

78 Germinal – Emile Zola

79 Vanity Fair – William Makepeace Thackeray

80 Possession – AS Byatt

81 A Christmas Carol – Charles Dickens

82 Cloud Atlas – David Mitchel

83 The Color Purple – Alice Walker

84 The Remains of the Day – Kazuo Ishiguro

85 Madame Bovary – Gustave Flaubert

86 A Fine Balance – Rohinton Mistry

87 Charlotte’s Web – EB White

88 The Five People You Meet In Heaven – Mitch Albom

89 Adventures of Sherlock Holmes – Sir Arthur Conan Doyle

90 The Faraway Tree Collection – Enid Blyton

91 Heart of Darkness – Joseph Conrad

92 The Little Prince – Antoine De Saint-Exupery

93 The Wasp Factory – Iain Banks

94 Watership Down – Richard Adams

95 A Confederacy of Dunces – John Kennedy Toole

96 A Town Like Alice – Nevil Shute

97 The Three Musketeers – Alexandre Dumas

98 Hamlet – William Shakespeare

99 Charlie and the Chocolate Factory – Roald Dahl

100 Les Miserables – Victor Hugo

[aninsecurewriter]

100 must-read books!

This is a list of books considered "must-reads" from various lists and online posters. I'll be reviewing them as I go but mainly keeping track of what I have and haven't read here.

American Gods by Neil Gaiman

Lord of the Flies by William Golding

Fahrenheit 451 by Ray Bradbury

Sophie's World by Jostein Gaarder

Wide Sargasso Sea by Jean Rhys

The Great Gatsby by F. Scott Fitzgerald

To Kill a Mockingbird by Harper Lee

Matilda by Roald Dahl

The Secret History by Donna Tart

Do Androids Dream of Electric Sheep by Philip K. Dick

The Godfather by Mario Puzo

Murder on the Orient Express by Agatha Christie

The Man Who Mistook His Wife for a Hat by Oliver Sacks

Noughts and Crosses by Malorie Blackman

In Cold Blood by Truman Capote

Frankenstein by Mary Shelly

Alice's Adventures in Wonderland by Lewis Carroll

Heart of Darkness by Joseph Conrad

Wuthering Heights by Emily Bronte

Nineteen Eighty-Four by George Orwell

The Grapes of Wrath by John Steinbeck

Norwegian Wood bt Haruki Murakami

One Flew Over the Cuckoo's Nest by Ken Kesey

The Man in the Iron Mask by Alexandre Dumas

The Color Purple by Alice Walker

The Girl with the Dragon Tattoo by Stieg Larsson

Lolita Vladimir Nabokov

Great Expectations by Charles Dickens

The Harry Potter Series by J.K Rowling

His Dark Materials trilogy by Philip Pullman

The Old Man and the Sea by Ernest Hemingway

The Picture of Dorian Gray by Oscar Wilde

The Road by Cormac McCarthy

Ulysses by James Joyce

Bad Science by Ben Goldacre

I Capture the Castle by Dodie Smith

Fear and Loathing in Las Vegas by Hunter S. Thompson

Les Miserables by Victor Hugo

The Catcher in the Rye by J.D Salinger

The Wind in the Willows by Kenneth Grahame

Wild Swans by Jung Chang

The Hitchhikers Guide to the Galaxy by Douglas Adams

Tinker, Tailor, Soldier, Spy by John le Carre

Crime and Punishment by Fyodor Dostoevsky

The Poisonwood Bible by Barbara Kingsolver

Adventures of Huckleberry Finn by Mark Twain

Gulliver's Travels by Johnathan Swift

The War of the Worlds by H.G Wells

Anna Karenina by Leo Tolstoy

Freakonomics by Steven D. Levitt

Persuasion by Jane Austen

The Help by Kathryn Stockett

Beloved by Toni Morrison

A Clockwork Orange by Anthony Burgess

American Psycho by Bret Easton Ellis

Notes from a Small Island by Bill Bryson

Macbeth by Shakespeare

The Lord of the Rings (trilogy) by J.R.R Tolkien

The Outsiders by S.E Hinton

Mrs. Dalloway by Virginia Woolf

The Handmaid's Tale by Margaret Atwood

A Wild Sheep Chase by Haruki Murakami

Schindler's Ark by Thomas Keneally

London Fields by Martin Amis

Sherlock Holmes and the The Hound of the Baskerville's by Arthur Conan Doyle

My Man Jeeves by P.G Wodehouse

The English Patient by Michael Ondaatje

The Mill on the Floss by George Eliot

The Count of Monte Cristo by Alexander Dumas

Little Women by Louisa May Alcott

Gladys Aylward the Little Woman by Gladys Aylward

Mindnight's Children by Salman Rushdie

Tess of the D'Ubervilles by Thomas Hardy

The Boy in the Stripped Pajamas by John Boyne

Hamlet by William Shakespeare

Goodnight Mister Tom by Michelle Magorian

Dissolution by C.J Sansom

The Time Machine by H.G Wells

Winnie the Pooh (complete collection) by A.A Milne

Animal Farm by George Orwell

The Diary of a Young Girl by Anne Frank

The Castle by Franz Kafka

Dracula by Bram Stoker

All Quiet on the Western Front by Eric Maria Remarque

Bridget Jones's Diary by Helen Fielding

The Kite Runner by Khaled Hosseini

Pride and Prejudice by Jane Austen

To The Lighthouse by Virginia Woolf

Memoirs of a Geisha by Arthur Golden

Misery by Stephen King

The Chronicles of Narnia by C.S Lewis

The Shining by Stephen King

The Odyssey by Homer

War and Peace by Leo Tolstoy

The Secret Garden by Frances Hodgson

Tell No One by Harlan Coben

Moby Dick by Herman Melville

A Tale of Two Cities by Charles Dickens

Middlemarch by George Eliot

Jane Eyre by Charlotte Bronte

[boldlycrookedsalad]

Continuing Literary Canon

100. Federico Garcia Lorca, Blood Wedding

101. Jean-Paul Sartre, No Exit

102. Albert Camus, The Stranger

103. Eugene Ionesco, The Bald Soprano

104. William Butler Yeats

105. George Bernard Shaw, Pygmalion

106. Thomas Hardy, The Return of the Native

107. Joseph Conrad

108. D.H. Lawrence

109. Virginia Woolf

110. James Joyce

111. Samuel Beckett, Waiting for Godot

112. Aldous Huxley, Brave New World

113. W. H. Auden

114. George Orwell, 1984

115. Franz Kafka - Metamorphosis

116. The Trial

117. Bertolt Brecht, Mother Courage

118. Thomas Mann

119. Andrei Bely, Petersburg

120. Mikhail Bulgakov, The Master and Margarita

121. Boris Pasternak, Dr. Zhivago

122. Edwin Arlington Robinson

123. Robert Frost

124. Edith Wharton

125. Willa Cather

126. Gertrude Stein

127. Wallace Stevens, "Sunday Morning"

128. Theodore Dreiser, Sister Carrie

129. Sherwood Anderson

130. T.S. Eliot - "The Love Song of J. Alfred Prufrock"

131. "The Waste Land"

132. "The Hollow Men"

133. "The Journey of the Magi"

134. Katherine Anne Porter

135. Eugene O'Neill, Long Day's Journey into Night

136. F. Scott Fitzgerald, The Great Gatsby

137. William Faulkner - The Sound and the Fury

138. Ernest Hemingway -The Old Man and the Sea

139. A Farewell to Arms

140. John Steinbeck, The Grapes of Wrath

141. Zora Neale Hurston, Their Eyes Were Watching God

142. Eudora Welty

143. Flannery O'Connor

144. Vladimir Nabokov, Lolita

145. J. D. Salinger, The Catcher in the Rye

146. Tennessee Williams - A Streetcar Named Desire

147. The Glass Menagerie

148. Arthur Miller, Death of a Salesman

149. Toni Morrison, Song of Solomon

150. Joyce Carol Oates

151. Philip Roth, Portnoy's Complaint

152. John Updike - A&P

153. The Witches of Eastwick