#concert band composition | Explore Tumblr Posts and Blogs

hwaightme · 10 months

Text

Timezone

(masterlist) (perma-taglist)

🎸 pairing: rockstar!fiance!seonghwa x gn!reader 🎸 genre: fluff, long distance angst, established long-term relationship 🎸 summary: "Only thing that keeps us apart // Is a different timezone" - TIMEZONE by Måneskin; during a long tour, the only thing seonghwa wants is to come home to you, and to hold you in his arms 🎸 wordcount: 3.2k total 🎸 warnings/tags: not edited, language, songfic, enamoured simping activated, seonghwa misses you intensely, he is one step away from swimming to you, seonghwa has tattoos and lip piercings, lyricist producer musician rock singer hwa good luck to us all, words of endearment/pet names (baby, angel... etc) 🎸 taglist: at the bottom of the hcs 🎸 a/n: this is for @starrysvn the most wonderful, beautiful soul. thank you for being who you are, ilysm. and may this small manifestation of our shared delulus bring some sunshine~

There was no salvation for a heart that was on the verge of breaking. No call could replace the sensation of a lover’s whisper, no video could replace the feeling of skin against skin nor of a warm and reassuring embrace. The myriad of details that made you who you were seemed to be slipping through Seonghwa’s fingers, and he was a desperate man drowning in quicksand of responsibility and routine.

Every chord was a strike of the coldest and sharpest blade on his tired body, and the sweat trickling down his face as he yelled his emotions to thousands masked the tears that were welling in his eyes. It was unbelievable, how in the faces of millions the only features he could ever make out were those that resembled yours. In every cheer he could only hear you, how you could make his name sound like magic. The lyrics – a simple selection of syllables, words, always fell short of describing how he felt, and every song appeared trivial compared to the fire in his heart, to your existence in his life.

Too many miles separated you, and he would be damned if he were to say that he was fine with it. This was the unbelievable curse of his work. An artist, a singer, a musical innovator who had evolved from being in a group of hoodlums with a dream to being in a star-studded collective, a band that was paving the way for many others and inspiring loyal and new fans to reach the stars with them. But where was his star? Even when surrounded by the speakers, side by side with his friends on those grand global stages, this question never left Seonghwa’s mind. Losing sight of what he truly desired, he ran into an oblivion.

After the concerts, it was customary for the young man to spend some time with his fans, still on an adrenaline rush and thus were expecting interaction, further connection, and insights into the most recent performance. However, tonight, he could not even begin to find the energy to press the right button. Claiming that he was feeling a little under the weather, Seonghwa delegated the role of publicity man to another member and hobbled to his hotel room, collapsing onto the bed sheets not caring for the state of his clothes, his hair, nor for the creases that were undoubtedly going to form. This was no issue.

The electric guitar, his trusted comrade in composition and emotional turmoil, was left in a black case on the floor. Stickers marking the cities he had visited decorated a portion of the surface, while the rest was another depiction of you. Scurrying off the bed, he erratically shot to the case and brought it up with him, letting it rest by his side so he could admire the artwork more closely. Over many days, you had decided to surprise him by painting the dark leather, echoing famous renaissance pieces and intricate flora. Impeccable, incorporating nods to his and your lives through symbolism, be it in the hint of a star ship, a guitar pick, or a paintbrush hidden in foliage, it was a reminder of a life that he always wanted to live and to keep close.

He wanted to destroy the walls of his room. He wanted to break the glass, fight the agony of the sorrowful monster eating away at his soul with physically radical action, anything to take his mind away from the fact that you were thousands of miles away, and that when he was cursed to be awake, you were in dreamland. He could not even protect you from the nightmares that you sometimes had. He could not keep you close. You were unable to run your hands through his inky black, long and tousled locks as a way to calm yourself. Why was he doomed to sacrifice the heavenly touches and sweet words in favour of roaming the globe like a madman, screaming the same things into a microphone until they lost all meaning? Seonghwa missed you. Violently. Painfully. Aggressively. If it took raising hell to elevate him to your heaven before he would ultimately crumble, he would choose to do so in a heartbeat.

His hands inadvertently travelled into the pocket of his flared jeans, fishing out the device which he had been glued to for the full duration of his tour. At any spare second. Lockscreen – your smiling face, surrounded by the scenery of his hometown when you two went for a visit over the holidays. Tapping in the date of your birthday, he came face to face with a photo where you two were together – a candid picture snapped by his closest friend and fellow band member during a celebratory dinner; you two laughing at a joke shared between yourselves, so in love that every part of you and him were intertwined. Seonghwa wanted to break himself apart. Take his heart and mind out and douse them in cold water so that at least for a moment he could have some space to breathe before ultimately repeating: you, you you again. Fingers flying to tap onto the messaging app you preferred to use most often, though the two of you had conversations going on almost every piece of social media, he scrolled through your chats, relistened to the voice messages and scrutinised every photo until it was re-imprinted in his brain. As if he could ever forget in the first place.

He would likely be a laughingstock, wouldn’t he? A man with the world at his feet, wanting nothing more than to collapse at the feet of another. Sure, his fans were no strangers to the fact that there was ‘a special someone’ in his life, though since he made sure to keep his private matters truly secure, no one knew who was the reason why he woke up even when the day was promising challenge and turmoil. The only sign of his undying devotion that he dared to expose with shameless pride was the tiny red band around his pinkie, a simple line alluding to the string of fate, of soulmates. One night, not too long ago even though it seemed that you knew each other for your entire lives, when you had the chance to spend time together without worrying about work matters and could let time trickle past while stargazing, he proposed. Perhaps it was not traditional, the four words uttered only in passing after you had already blessed him with your agreement. Instead Seonghwa had suggested the permanence of a tattoo as a symbol for your love, and revealed his faith and devotion. Written in the stars, he found his guidance in you. Just like the constellations, galaxies and mythical creatures permanently etched on his skin, he wanted to live the neverending story with you.

As he shifted his grip on the phone to glance at the red band, Seonghwa could not help but imagine what you could be doing right this second. Could you be stirring from sleep? Could you be getting ready for another day at work? How was that one personal project you picked up going? He hammered out letter after letter on driven by what had to be an external power, so much mightier than him. The rockstar bit his lower lip, feeling a tug on one of the piercings, but that made him simply bite down harder.

I’m losing my mind.

Without hesitation, he sent the message into the void, hoping that you would not be too worried and simply accept it as one of his eccentricities as an artist. Finally, he tugged off the leather jacket that had been clinging onto his body, suffocating him, and collapsed back onto the bed. Exhaustion was a beast weighing down on him and pushing him into the mattress. Nothing but a lonely carcass, Seonghwa imagined himself as carrion left for the devouring by devious promoters, producers, agents and the like. Freedom was an interesting concept in his industry. Did he have it? Or was it the case that as soon as he gave into a dream, he signed his very being away to be an offering for the money-hungry world? He was definitely going mad. He needed you. Seonghwa missed you. Feverish, anxious, he grabbed a fistful of the duvet with his free hand and counted the passing seconds, too many of them, but not as much as the distance between where he was supposed and wanted to be, and where he currently was.

A loud ringing jolted him out of his paralysing ruminations – his phone. He rolled his head to the side, and upon seeing the incoming video call could not be faster in wriggling to rest on the headboard and answer. So you were awake, and in a couple of seconds… there you were, hair in a loose side braid, a familiar vintage t-shirt adorning your shoulders. You were at the desk – your home office, cradling what had to be a cup of coffee. Black, no sugar, no cream. Nothing. Just how you liked it.

“Hi baby,” you greeted him with the warmth of a thousand suns, and soon enough, his smile returned to him too, though still a little weak, beaten down by the weeks spent apart. It was still dark where you were, while for him it was already dark. It was easy to face when with you, however – nothing could be brighter than you.

“You’re wearing my old clothes?” Seonghwa could not help but ask, too curious to refrain from the inquiry. You looked down at the shirt momentarily before lifting your head and nodding.

“Yep. There’s been a change of plans so I am working from home today. And… I wanted to have a day-long hug from my fiancé.”

“You always wear them better, and I wish it were me and not the tee, angel,” he sighed, eyes trailing down what part of you he could see. He might be wrong, but you appeared to be a little tired, dark circles more prominent under your gorgeous eyes, and movements a fraction more lethargic than how they would usually be in the mornings.

“Is that what you were losing your mind over?” you attempted to lighten the mood, but Seonghwa could not play along when the joke was a reality. You caught onto this quickly enough, and paused to look at him more closely.

Seonghwa could feel the intensity of your inspection. It was as though you were reading him like one of the many books you had collected. Basking in the attention from his lover, he leaned further back onto the pillows and let himself think out loud.

“We have another flight tomorrow.”

“Yeah, next is the third to last concert, right-”

“I want to fly to you,” the young artist cut you off, staring at nowhere in particular as he voiced his one wish.

“It’s not too long now, Hwa, and then we have a whole month to ourselves. No touring. Home.”

“I miss you.”

“I miss you too, love. But also, I am proud of you. You are bringing dream to reality-“

“Fuck what I’m dreaming. What does all of this mean anyways?” he retorted, making you raise an eyebrow before leaning onto the desk.

“All of this means that you are yourself. You are an artist. A light for so many souls. And if you cannot hear this, then let me remind you that I love you, the you who is so driven, so talented and so hardworking. Park Seonghwa who has been destined to become a star and give hope to millions. You are yourself, and that is what is so precious and iconic about you.”

You had a way with words. You always did. Stepping in when he was at his lowest and managing to drag him out of what he had assumed was an abyss, you were his biggest supporter, cheerleader, muse. When he was afraid to put pen to paper or deemed a melody worthless, you were the one to encourage him to experiment, try things out regardless, and with such strength that now it was a philosophy he abided by; it never hurt to try, and perfection was impossible. What was achievable, however, was satisfaction and happiness with the self. It was more than enough to try. And now, you were the one fearlessly bearing the catastrophic mass that was his worries with the last tour dates.

“Oh how dare you…” he mumbled, lips trembling ever so slightly as he pushed out the words. Involuntarily a mist settled over his eyes, and Seonghwa’s surroundings began to blur.

“No, baby come on, don’t cry, or we’ll be crying together. Let’s stay strong for each other, yeah? Like the dragon you have? Let’s leave the tears for later, and hopefully make the source of them a happy one,” you cooed, your own heart being torn apart as you witnessed your lover’s vulnerability, raw misery expressing itself as the hard exterior of a professional rockstar fell away. The hint at one of his many tattoos made Seonghwa’s mouth twitch into a tiny smile, an adoring gesture to remind your fiancé that you could draw each of the masterpieces from memory, having spent many nights tracing them with your digits.

“I-… Y/N I… I love you so much, you know that, right?” The confession turned query was choked, feeble, fragile, an offering made of the thinnest glass. One that you would protect with your life.

“Hwa, I love you too. So much…”

“Everything makes me think of you…” fatigue was evident, coating his vocal cords thick with a somnolent huskiness.

“Soon, you won’t have to remember me. You will have me in real time. Will you look forward to that for me?”

“Always.”

One topic, another, talking about nothing and everything at once. Trivial matters transformed into beautiful tales. In what had appeared to him to be no time at all, you had to rush into your first meeting of the day, while he was left a little less lonely in the hotel room continents away from you, with only his guitar and your reassuring love to keep him company. A hope, an excitement rekindled in his chest, bubbling up and flying across the bloodstreams into a tingling sensation in the fingertips, and a pleasant, hazy buzz in his brain. Caught between what had to be sleep and delirium, Seonghwa moved exclusively on instinct. In a few movements, he produced a tattered notebook and pen that had listened to his every confession and flipped it to an empty page before setting it down on the sheets.

Carefully, he took the guitar out of its case, and upon checking that it was properly tuned let a few notes hang in the air. The longer Seonghwa stared at the wall, the more confident he became in the fact that he could see you standing there in front of him, and as the words began to pour, it was you who he was confiding in. When with you, he was not afraid. When dedicating yet another song to you, he could not care less for the lack of rest, for how he greeted the dawn. He had a week until the last show, and he sure as hell was going to make full use of it.

The arena was silent aside from a few yells, before they too, succumbed to the suspense. The spotlights were almost blinding, and Seonghwa suddenly felt grateful for the fact that his image allowed for sunglasses. Elegantly perched on the bridge of his nose, they masked his anxiety as he adjusted his microphone, setting it back onto the stand while the rest of the band was exchanging glances and making the last checks before the grand finale, what he had decided would be the last ‘official’ song of the concert, and therefore the tour. Of course, the audience would ask for an encore. Of course, he would step right back out on stage to perform it – the act had already been planned in advance. But it was this song, one that he and his closest friends had spent night and day finalising, recording, even sending off to be made commercial, that would be his final word.

“Distance is measured in miles, and in how strongly you feel them. This is ‘Timezone’,” following the brief introduction, he momentarily shut his eyes and sucked in a shaky breath. In that split second, he did not exist. He was not on stage, he was home. Seonghwa could feel your hand on his shoulder and could float in your perfume. This was no different to how he would play for you in the living room – anything you wished for, he would either perform or learn on the spot or even create. So, maybe, just maybe, you will be able to hear him now, too. And how he was calling out for you, and was counting the seconds until he could see you again.

Only thing that keeps us apart

Is seven thousand miles, running like a mad dog

Only thing that keeps us apart

Is a different timezone

So fuck what I'm dreaming, this fame has no meaning

I'm coming home

Only thing that keeps us apart

Is a different timezone

A roar overtaking expressions of gratitude. With every bow the crowd grew wilder and wilder. Chants praising the song were unfathomably strong, and Seonghwa had no doubt that the videos would go viral. Would you see them? Would you message him after? He did not need the answers to these questions. Not when he almost dropped his guitar as he saw you standing backstage, arms open wide, a staff lanyard around your neck. He was thankful for how you did not mind his sweat-covered arms, his glistening forehead as he pressed himself against you. He was enamoured with how your lips fit perfectly together, piercings and all, as he planted one kiss after another, each one bringing him back to life. He was eternally devoted to every moment with you.

“I told you, soon, didn’t you?” He could not respond, instead choosing to nod lest he break down in the midst of his overwhelming elation, “same timezone…” you altered the lyrics – sunlight after a rainstorm.

“I’m home, Y/N,” he mumbled into your hair before pulling you even closer to him, arms wound tight around your body, fingers dancing on your back as though he was still in disbelief that you were here.

“Welcome home, my love,” he leaned into your hand that reached for his face, letting you cup it. With nothing to keep you two apart, Seonghwa let himself get lost in your eyes, the string of fate winding tighter and tighter until his, and your heart were both glistening in a healing gold, the hints of cracks sealed and more beautiful than ever, standing the test of time, of space, of dreams.

🎸 taglist: @acciocriativity @justhere4kpop @byuntrash101 @shakalakaboomboo @starillusion13 @hongthoven @uwuheeseungie @cheollipop @frankenstein852 @charreddonuts @miriamxsworld @mingigoo @michel-angelhoe @innsomniacshinestar @foxinnie8 @preciouswoozi @wooyoungjpg @nebulousbookshelf @wowie-hockey @hongjoongs-patience @jaehunnyy @kitten4sannie @maddkitt @lightinyreads @ren-junwrld @pyeonghongrie-main @marsstarxhwa @pocketjoong-reads @alyszaen @archivesummer @little-angel-k @yeooclock @yeonjunnie @asjkdk @lucky-cat-cafe @northerngalxy

enjoyed? please consider reblogging and leaving a comment. thank you, much love!

639 notes · View notes

candypalace · 2 months

Text

Translation: Heterodoxy Pamphlet. Music Writers Reflect on 20 Years of the GazettE, Part 1/6 (2002-2004)

Hello friends! As promised long long ago, I'm starting the Heterodoxy series where music writers reflect on their work with the band in the last 20 years. This might take some time since not all the texts are ready just yet, but I will do my best to finish them as quickly as I can. This is Part 1/6, hope you enjoy it!

scan credit: @rad-is-more

Text by Hiroko Yamamoto [1]

the GazettE was born in March 2002. The band was formed by Uruha and Reita, who were dear friends from elementary school, Ruki, who they crossed in the previous band (back when he was a drummer) and who later changed to vocals, and their first drummer, Yune, who also invited his buddy from a previous band, Aoi. Two months later, they played their first show at Meguro Rokumeikan, a live venue that can be described as a gateway to success for visual kei bands. Their first maxi single "Wakaremichi" has a melancholic, catchy melody and an impressive fast-paced sound. During the encore of their 20th anniversary live at Yoyogi National Gymnasium in March this year, Ruki looked back on the beginning of the band: "We are the GazettE, and 20 years ago we got together thinking this would be the last band of our lifetimes”. It was during those young days when the band was standing on the stage with recklessness and foolhardiness when such strong headbanging songs as “Kantou Dogeza Kumiai” and “Waifu” were created, yet they continue to stay popular to this day. The band's forward momentum is best represented by the time when they had to play “Kantou Dogeza Kumiai” over and over again because they didn’t have many original songs yet. While they were firing the audience up with their so-called "violent songs", they also had an amazing ability to write emotionally rich compositions with Showa-inspired melodies, such as "Juunanasai" (later included in the pamphlet with CD for their first Nippon Budokan concert). Everything in the GazettE of those early days, up to their make-up and costumes, was elusive and funny in a good way, as conveyed by "Sentimental na Onigokko", a song about bullying, which presents the listeners with a droll world view of a locked room.

The band’s first turning point came the following year. In 2003, when their first drummer left the band, Kai, with whom they had played together in session shows, quickly took his place. This made the current five members, and the band moved to a new office. It was Ruki who made a last-minute call to Kai, and the drummer had to join in right from the next day's show. From this point on the band’s rapid progress officially began. the GazettE of those times actively participated in organized taiban [2] events. They were even nicknamed “taiban killers”, as their heat-packed shows helped them steal away fans who had come to see other bands. In the next three months they released three consecutive four-track mini-albums, "COCKAYNE SOUP", "Akuyuukai" and "Spermargarita", which increased the number of their fans in geometrical progression. Incidentally, at the time they called themselves "Dai Nippon Itan Geisha Gazetto" [3]. The name derived from the thought of what the word “Visual Kei” would sound like if it was a Japanese word [4]. On their 15th anniversary in 2017, the band held a concept show at the Yoyogi National Stadium. On that stage today's the GazettE performed songs from the Dainippon Itan Geisha era, so hopefully fans who didn’t know their early days got to know them. The sense of unity between band and fans that rose steam from the live house, the "Jump to us!" screams, and the band's stage presence all developed during that exact period. Back in September of 2003, the band sold out a two-day one-man show at Takadanobaba AREA, and only four months later, in January 2004, their one-man show "JUDGMENT DAY" at SHIBUYA-AX was sold out. On the day of the show, the venue was overflowing with fans, and the venue’s doors were barely closing. The band was not informed that the tickets had been sold out until the day of the show, and how they were surprised by the scenery in front of them and the crowd’s enthusiasm almost seems funny today.

Particular about every aspect of their performances, videos, sets, playing their music live, even coming up with their own ideas for photoshoots and never stopping the work until they are satisfied – this is the GazettE. When I was covering them in a magazine for the first time, I felt that a band of an entirely new generation that took over from the royalty of Visual Kei (although there was no such term back in the day) had entered the scene. I remembered their down-to-earth attitude, in which the live show and the fans who attend it are the most important thing. I also remembered that young the GazettE had a simple goal of keeping the band going, rather than becoming a band that was listened to by a certain number of people. Come to think of it, that hasn’t changed a bit. Truly an ironclad band.

[1] Hiroko Yamamoto / Born in Tokyo. Impacted by glam and punk rock as well as blues in her college days, she started a band and spent her life immersed in music. After working for an entertainment editorial production, she became a freelance writer. She covered the GazettE for the free papers and visual-kei specific magazines like Neo Genesis. She was particularly impressed by the band’s stance with its emphasis on live performances and believing in their music and their fans without being influenced by trends or critical opinions. Currently writes columns on music, as well as films and doramas. (From the pamphlet’s credits)

[2] 対バン (taiban) - A live with several bands performing. Usually those are beginner bands that split the venue and equipment rent as well as other costs.

[3] 大日本異端芸者 (Dai Nippon Itan Geisha) can be translated as “Heretic people of art (professional performers) of the Great Japan”. We know Ruki never chooses names for anything without putting a lot of meaning into it, and I’d say there are many layers to this title as well.

大日本 (Dai Nippon) initially referrs to the Japanese Empire (大日本帝國 Dai Nippon Teikoku, 1868–1947), which embraced the Meiji, Taishō and Shōwa eras in Japanese history, though nowadays it is considered a nationalistic way of referring to Japan. Dai Nippon expressed the overall aesthetics that the GazettE (then - Gazetto) was working with at the time: Japanese flags on the Wakaremichi cover, the silhouettes of children wearing Imperial Japan school uniforms on the COCKAYNE SOUP cover, lyrics (Oni no men) and the use of traditional melodies (Back Drop Junkie [Nancy]), their iconic indie photoshoots with lots of elements clearly inspired by Japanese culture and so on.

異端 (itan) means heresy. This word is also clearly important for the GazettE’s vision and positioning since we see it literally everywhere: in the fanclub name, 20th anniversary live name, merch etc. If we look up the meaning of the word “heresy”, we’ll see the following: “an opinion profoundly at odds with what is generally accepted”. Not only “being profoundly different” is a key principle of Visual Kei, it is also one of the grounds the GazettE exists and continues to work on.

Finally, 芸者 (geisha, “a person of art”) is a pretty well-known word internationally. While most people associate geisha with professional female performers, the Japanese word itself doesn’t have any gender markers, and the first geisha, which appeared around the first half of the 18th century, were actually male. At the same time, it might refer to the androgynous nature of Visual Kei.

[4] “Visual Kei”‎ is partially a gairaigo — a word that came from a foreign language. The question they asked themselves was “if the concept of v-kei had to be translated through the prism of Japanese culture and values, what would a Japanese word describing it sound like?” And the answer is, apparently, “heretic people of art”.

#the gazette #heterodoxy

56 notes · View notes

fightclubgayporn · 5 months

Text

please ignore how wonky the composition is LOL. i was inspired by @lakesparkles and his gravespowers swap au, soo. i decided to make a (kind of) similar one with sandra and envy!! its far less of a swap au and much more of just. what if envy's exes did the league instead of ramona's exes. a better explanation under the cut!!

so in this, ramona and scott (probably?) never met because scott went joker mode after the breakup with envy. he formed the “league” as a revenge plot but none of the other exes take it as seriously as he does. they’re mostly just there to bitch and, in julie and gideon’s case, have weird evil date night with each other

julie doesnt even really count herself as one of envys exes, but she’ll never turn down the opportunity to be a bitch, or to be a bitch with her boyfriend. she made out with envy in college like twice when they were roommates so she technically counts

scott and envy's relationship plays out pretty much how it does in canon, except instead of wallowing and eventually getting over it, scott gets super trapped in his head, and ends up merging with nega scott, except not in a "im accepting my past!" way, in a "i am never going to change and in fact i am going to become worse" way. he just sort of self-isolates and stews in anger until he hears about the clash at demonhead breaking up, when he gets the idea for the league. speaking of which.

todd and envy get back together after she breaks up with scott (its the same as in canon basically) except instead of todd cheating on her with lynette, envy cheats on him with lynette. for envy, it's just a way for her to release a little stress and cope with the fact that she's not happy in her relationship, but lynette sees it as an actual relationship. she'd been pining for envy ever since the band formed, and so when envy finally propositions her, it's like a dream come true. until todd finds out and envy defends herself by saying that lynette didn't mean anything to her, ruining her relationship with both of them and breaking up the band. todd and lynette hate each other now. todd hates lynette for sleeping with his girlfriend and lynette hates todd because he "got to envy before she could." and they both hate envy because she broke their hearts. (todd was never all that in love with her, he saw the relationship as more of a status thing, but like, it still sucks to get cheated on lmfao)

gideon and envy's relationship is pretty similar to in the comics? after the band broke up, she decided to pursue a solo career under gideon's label. it was all very nebulous and they never were officially dating or in a relationship or anything but it wasn't. normal. envy was into him, but only really into the status and the money. he was sort of who she wanted to be. gideon didn't particularly care about her, but he liked having control, and she was something he had control over. it was all very weird and undefined and toxic and she left his label and decided to become an independent musician. yayy

which leads us to the present, where envy and sandra meet after one of envy's shows. sandra is there with monique (duh) but also with stacey and idk. comeau i guess. he knows everyone. stacey and envy are still friends despite scott, and so envy joins them after the concert and sandra's pretty much instantly in love. she already had a celebrity crush on envy, but having her be Real and There just solidified it. she asks envy out that night (albeit very desperately and awkwardly) and envy figures, why not. oops the relationship kinda goes great and the gossip pipeline of stacey -> julie -> gideon -> scott happens and now. sandra has to fight envy's 5 evil exes! or at least, like, three of them. whatever

god that was longer than i thought it would be. if you read all that a) thank you and b) sorry

#fcgp art #scott pilgrim vs the world #spvtw #scott pilgrim comics #julie powers #gideon graves #goosepowers #well its really more #scott pilgrim #gravespowers #nega scott #sandra #envy adams #envandra #sandradams #lynette guycott #todd ingram

56 notes · View notes

awryval · 6 months

Text

death of an author, reclamation, and you

"We never are what we intend, or invent 'Cause I make little lies and then I pull them apart Think something dark's living down in my heart And if I wanted to die before I got old I should've started some years ago digging that hole"

Brand New. "At the Bottom." Daisy, 2009.

Brand New was among one of my favorite bands in high school, and I still listen to them today. Their music is important to me and shaped a big part of who I am. Their lyrics about being tortured, burnt-out, and choking on the weight of your own self-perceived flaws are relatable! Their compositions ooze with a level of self-hatred that can only be genuine. It's utterly depressing, and I adore it!

That's not not the full story, though. Jesse Lacey, the vocalist of Brand New, is a sexual predator. This informs everything about how the music of Brand New is. It's self-loathing for a very good reason. I love Brand New. I condemn Jesse Lacey. These two statements coexist. I used to be a part of the /r/brandnew subreddit, and when the allegations against Jesse Lacey came out in 2017, many redditors of that sub were quick to claim "death of the author." After all, the band had broken up immediately after the news broke, and they had also cancelled their tours. Currently, the people using that subreddit mostly talk about buying old BN merchandise and discuss what their favorite concert memories were. Jesse Lacey himself confirmed that the allegations against him were true, so there isn't much debate to be had. The subreddit serves as a monument for fans who still enjoy the music, and as a platform to speak about it with like-minded fans.

In my opinion, claiming "death of an author" is a slippery slope. We can't always claim that Miku is the creator of Minecraft. But often, we see that that is the response people have when a creator is outed to be problematic; "I still like the thing So-and-So made, so I will ignore that the creator exists!" The reason that this worked for Miku Minecraft is because, by the time that Notch was publicly making transphobic comments, he did not own Minecraft anymore. The joke is quite literally that he does not own the thing that people like. He sold it to Microsoft, so he doesn't get royalties from it anymore. You can play Minecraft devoid of supporting its original creator. This joke works so well because it is an actual case of the death of an author! That's great and all for Minecraft, but what about other instances? What happens when we claim "death of the creator" erroneously? And why are we so obsessed with this concept anyway?

So like, back to Brand New... they released their last album, Science Fiction, back in August 2017. The allegations came out later that same year. I own all of Brand New's discography physically, including their last release. I bought most of it off eBay when I was 15. I was not supporting them post-allegations. But that leaves me with a lingering question- what do I do with all these CDs that I still very much enjoy the music of? From how I see it, there are two firm camps on this topic:

Camp 1: You know about Lacey's crimes now and his music cannot be separated from his actions. Solution: Throw your CDs away.

Camp 2: It's something you bought without knowledge of Lacey's crimes, so you should enjoy it anyway. Death of an author! Solution: Continue as usual.

I'm not fond of either of these answers. They come off as too polarized for a situation that is the entire Pantone swatch library of grays. "But, how are there any shades of gray when its clear that Jesse Lacey is in the wrong?" I want to provide some counter questions for you to think about:

What about the other people in the band? You might not be directly supporting the sexual predator anymore, but there are other victims here too- effectively his band mates lost their jobs overnight. (Another example would be LOSTPROPHETS)

Is it feasible to destroy each object you own because it was created under problematic circumstances? When or when isn't this the case? Does it apply to your cup of coffee? Does it apply to the clothes you wear? What about any product with palm oil in it? What about the hardware in your computer? If you look into any company, you're going to find some horrific things you don't like about it. The takeaway here is that it isn't beneficial to treat situations like these as black or white. I don't think that destroying my CDs is going to do anything to take away the abuse that Jesse Lacey caused. Nor do I think ignoring the context of his music will do anyone any favors. The music he made is a product of his crimes. To ignore that fact would be disingenuous to why people enjoy his music and why the music exists in the first place. There's another element here, though. I, and many others, are no longer monetarily supporting Jesse Lacey. You can't even officially support the release of Brand New's music anymore as their record label (Procrastinate! Music Traitors) doesn't even seem to have a functioning website anymore? Regardless, I wouldn't want to support his music in a way that supports him, anyway. Yes, I enjoy the music and the themes of it, but I do not want to be directly supporting abuse that happened BECAUSE he was a vocalist in a band. And I can safely do this with CDs that I bought secondhand, right? This is death of the author. So what's the issue?

I believe there is an issue when people claim “death of the author” far too quickly and scramble to reclaim the media for themselves. It’s an increasingly popular trend these days to pluck characters/concepts from an author deemed to be problematic. "I'll save [Character I like] from this shitty piece of media!", they claim. I don't think people realize how multifaceted in effect that is, though. For instance, if the author is actively making money from their creation, you can't truly "reclaim" a character from them. It's more like you're paying homage to them with fanart.

My best on-going example of this would be Floraverse. There are a multitude of reasons why people do not like the author/s of Floraverse, which I will not go into here. To put it simply, though, since its inception in 2013, many artists and writers involved with Flora either left or were kicked out. These artists either directly contributed to the art and worldbuilding of the webcomic, or were heavily influenced by it. To this day, there are many times someone links me to art on Discord and I’ll say “oh I remember that person, they used to be a Flora fanartist!” and the other person is absolutely floored that that artist was ever linked to Floraverse. Anyway… There have been multiple attempts at people trying to reclaim Floraverse from the author, and this never works out. Like, it really doesn’t work out. Any time that someone tries to reclaim Floraverse characters for themselves whilst condemning the author, that person is dogpiled by the Floraverse community. Which is a weird behavior for a CC BY-SA webcomic, but I digress. Here are some highlights:

In 2019, there was a thread dedicated to Redesigning Floraverse that immediately got taken over by Floraverse itself a month later.

An artist got harassed for multiple years (I think it was 2020-2023) for having an oc based on Beleth, a character in Floraverse.

Just 2 months ago, an artist got harassed for drawing fanart of the characters

Historically, reclaiming Floraverse characters from the author hasn't worked out. And I mean.. why would it? It's an actively running "webcomic" (I'll be charitable) and with an active community that supports the author's current works and views with their wallets. It's one thing to enjoy a piece of media with a problematic author and want to reclaim that media for yourself. It is another for this reclamation to actually be effective. Attempts of "reclaiming" Floraverse get written off as fanworks that the community dislikes. You cannot reclaim Floraverse characters as they do not exist in a vacuum. Listening to secondhand Brand New CDs does work in a vacuum; Jesse Lacey's career is dead in the water. The same cannot be said for reclaiming the art of Glitchedpuppet and co. Floraverse characters and stories are not divorced from the abuses they cause. Characters will be used as strawmen to abuse community members, past or present. Or entire works will be up dedicated to making light of your childhood trauma! These characters were made by an abuser, and will be used to abuse. That is a simple fact about Floraverse. Except... in that statement, I'm not even talking about Glitchedpuppet, the current author of Floraverse. I'm talking about Marlcabinet, the previous author of Floraverse. This statement does however, apply to both of them. Hey, wait a minute, that's weird! I've been talking about "death of the author" for this entire post, and I just said that reclaiming Floraverse characters can't work because the way the characters were used to abuse real people doesn't exist in a vacuum. So like, why does this work within the Floraverse webcomic itself? Marl is the abuser of Glip, but Marl is also the author of the majority of early Floraverse. Isn't the story itself, as it currently stands, an act of reclaiming characters used to abuse community members, minors, and any detractors? Then who is to say that those who contributed to Floraverse and were similarly abused are not also allowed this same privilege? Their real-world suffering is what fuels the comic. When I was 13-16, I adored a Floraverse character named Cayenne. His whole deal was that he was an autistic child slave and was horribly abused by everyone around him. Weird character to connect to, but he’s the character that made me figure out I had autism! I drew a LOT of fanart of this character and I even own a (gifted) life-size plush of him. The authors only ever treated him as a joke and it was a joke even within the Floraverse community that I was the only person who actually liked/cared about him. Sometimes I think about reclaiming him for myself. But I also don’t want to get harassed, and I know I could design much better things, and write better things. Conversely, I also think about how this is the exact character that made me get into contact with Marl when I was 16. It’s a heavy weight to carry knowing that this exact character was the reason I was almost in the clutches of a child predator. Glip personally deferred me to him. Reclaiming Cayenne would hold emotional value for me as a reminder of my triumph over a predator. Would it be wrong for me to reclaim an abused child character from a comic that abused me and many others as children? I've no clue. And I don't think anyone can answer that. I've waffled on it for ~2 years now. Reclaiming Cayenne would give attention to an individual that profits off abusing others, myself included. I'd say that reclaiming Floraverse characters wouldn't be a case of "death of the author", but the original creator of them was a child predator that's no longer on the internet. Floraverse is already practicing death of an author, and it is a shell of its former self. That being said, it is not a story that only has one author. Its other authors are still active, and these authors include every person that it has abused in its wake. After all, it's a comic that relies on you to know about its dramas with and traumas of real people. Tell me: Does a death of the author matter when its being written about you?

#text #brand new #floraverse #death of the author #abuse #grooming

63 notes · View notes