#compensation for.. no plot direction
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leafiion · 6 months ago
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chapter 2 is basically jsut exposition in several characters voices. sad! I’ll be posting it only once chapter 3 is done and they’ll be put up 4 days apart from each other. Working around being landlocked in a city is actually pretty hard
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therobotmonster · 2 years ago
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Please don’t use midjourney it steals art from pretty much every artist out there without any compensation. I didn’t know this at first and tried it but then during the creation process i saw water marks and Getty image logos (though I’m sure they’ve hidden that now) so it’s definitely stealing.
No, it isn't. And you've taken the wrong lesson from the Getty watermark issue.
AI training on public facing, published work is fair use. Any published piece could be located, examined, and learned from by a human artist. This does not require the permission of the owner of said work. A mechanical apparatus does not change this principle.
All we, as artists, own, are specific expressions. We do not own styles, ideas, concepts, plots, or tropes. We do not even own the work we create in a proper sense. All our work flows from the commons, and all of it flows back to it. IP is a limited patent on specific expressions, and what constitutes infringement is the end result of the creative process. What goes into it is irrelevant, and upending that process to put inspiration and reference as infringement is the end of art as we know it.
The Getty watermark issue is an example of overfitting, wherein a repetitive element in the dataset over-emphasizes specific features to the point of disrupting the system's attempts at the creation of novel images.
No one denies that the SD dataset is trained on images Getty claims to own, but Getty has so polluted the image search functions of the internet with their watermarked images that the idea of a getty watermark has been picked up the same way the AI might pick up the idea of an eye or a tree branch. It is a systemic failure that Shutterstock and Getty can be so monopolistic and ubiquitous that a dateset trained on literally everything public facing on the internet would be polluted with their watermarks.
Watermarks that, by the way, they add to public domain images, and that google prioritizes over clean versions.
The lawsuits being brought against Midjourney and Stable Diffusion are copyright overreach being presented as a theft tissue. The facts of the matter are not as the litigants state. The images aren't stored, the SD weights are a 4 gig file trained on 250 terabytes, roughly 4 bytes per image. It runs local, does not reach out to image sources over IP. All you've got are mathematical patterns and ratios. I would go so far as to say that the class action suit is based on outright lies.
But for a moment, let's entertain the idea that what goes into a work, as inspiration, can be copyrighted. That styles can be stolen. That what goes in defines infringement, rather than what comes out. What happens then?
Well, the bad news is that if Stable Diffusion and Midjourney were shut down tomorrow, Stable Diffusion is in the wild. It runs local, it's user-trainable. In short, the genie isn't going back in the bottle. Plus, the way diffusion AI works, there's no way to trace a gen to its sources. The weights don't work like that. The indexing would be larger than the entire set of stored patterns.
Well good news, there's an AI for that. The current version is called CLIP Interrogator And it works on everything. Not just AI generated, but any image. It can find what style it closely matches, reverse engineer a prompt. It's crude now, but it will improve.
Now, you've already established that using the same patterns as another work is infringement. You've already established that inspiration is theft. And now there's a robot that tells lawyers who you draw like.
Sure, you can fight it in court. If it goes go to court. But who's to say they won't just staplegun that AI to a monetization re-direction bot like youtube has going with their content ID? Awesome T-shirt design you uploaded to your print-on-demand shop... too bad your art style resembles that from a cartoon from 1973 that Universal got as part of an acquisition and they've claimed all your cash. Sure you can file a DMCA counter-notice, but we all know how that goes.
And then there's this fantasy that upending the system would help artists. But who would "own" that style? Is that piece stealing the style of Stephen Silver, or Disney's Kim Possible(TM)? When you work for Disney their contracts say everything you make is theirs. Every doodle. Every drawing. If the styles are copyrightable, a company could hire an artist straight out of school, publish their work under work-for-hire, fire them, and then go after them for "stealing" the style they developed while working for said corp.
Not to mention that a handful of companies own so much media that it is going to be impossible to find an artist that hasn't been influenced by something under their control.
Oh, and that stock of source images that companies like Disney and Universal have? These kinds of lawsuits won't stop them from building AIs with that material that they "own". The power goes into corp hands, they can down staff to their heart's content and everyone else is denied the ability to compete with them. Worst of all possible worlds.
Be careful what wishes you make when holding the copyright monkey's paw.
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babyangelsky · 5 months ago
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If YOU or a loved one are suffering from wanting to punch Pod's lights out every time he appears on your screen for Dr. Ter reasons, you may be entitled to financial compensation now is the perfect time to watch Mama Gogo
It's not a BL but it's written and directed by P'Jojo so it's absolutely queer as fuck. And if that's not enough to convince you to watch, allow me to give you a quick pitch. Also here's the plot.
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I promise you won't even think about Ter when you're watching Pod play a sweet country boy who just wants to be a good host so he can make enough money to take care of his adoptive mother.
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*Billy Mays voice* BUT THAT'S NOT ALL!
We have Earth finally getting to act his age and show off that fine ass body and tattoos of his while also playing the silliest most ridiculous character in the universe...
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who works out in oversized denim overalls.
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Ciize is here and cute as fuck!
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Gigie is here and sick the glorification of abs!
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Drake is here playing my favorite character of his ever, Mikhael with a K, until Dr. Kao replaced him.
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And reminded us all that he's got a fine ass body of his own to go with those incredible eyebrows.
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Miss Mike? Miss TopTap? Miss Gunsmile? Tired of seeing Guy play assholes? Getting impatient for My Golden Blood because you miss Joss? They're all here too!
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Wanna root for a pair of fallible human beings who have got delicious tension between them and grow a mutual respect for each other?
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Tired of shows trying to convince you that characters your age (30) and slightly above are old? Nat is here to prove that THAT'S A FUCKING LIE.
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GO WATCH MAMA GOGO AND BE CLEANSED OF POD AS DR. TER!
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ihavethedreamies · 9 months ago
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Desert Storms | Woozi
Lee Jihoon (Woozi - Seventeen)
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Rating: M (18+) MDNI
Word Count: ~4k
Pairing: Woozi x AFAB!Reader
Genre: Sci-Fi AU!, Reader-Insert, Smut, Some Plot, Hookup/One-Night-Stand/Strangers to Fucking
!!This is smut…if that much isn't clear you should probably leave now!! MDNI!
Warnings: She/Her Pronouns used, Pet Names (Doll, Baby Girl, etc.), Swearing, Kissing, Oral (M! & F! Receiving), 69-ing, Bondage? Tied up but not like that, Unprotected Sex (Use a condom!)
Author's Note: I plan on doing a story for each member of Seventeen that is this Sci-Fi, desert world, Alternate Universe, but not according to any kind of schedule.
-> Series Hub <-
-> Hoshi's <-
-> Wonwoo's <-
-> S.Coup's <-
I am cross-posting this on Archive and Wattpad. Please reblog! If you know anyone that would like this or future fics but they aren't on here my name and icon are exactly the same on the other sites. Happy reading!
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"Shit. Shit. Shit-" You cursed. You cursed yourself, you cursed the desert, the planet, everything. Why? Sandstorm. Your rover was having trouble keeping ahead of it and you were pushing her to her limits. One of the real issues with sandstorms on the planet of Sierra-Victor-Tango versus Earth was…acid. The giant burrowing space worms that lived under the dunes spit literal acid. Because of this, the sand at deeper levels was infused with that acid. So, you really, really didn't want to be out in that. The problem was, if enough of the acid sand hit the rover, it could damage it badly, and take out the glass. Then you would have been screwed. The storm was getting worse as it traveled and to stay on the road, you couldn't drive straight away from it. All of a sudden, a message came over the transceiver.
"Hey, uh, I can see you from my base. In like a kilometer take a right and then you'll be able to see it and then you can just drive straight in." A man's voice came in, the receiver made the audio crackly from the high wind. You knew about the base, but it was private, so you didn't really know anything about it. If the guy was offering, you would take him up on it. You hit the button on your radio and shouted over the noise, "Okay, great, thanks!" You weren't sure if he saw you on some kind of radar or what. Right where he told you, you took the turn and cringed at the rattling noise your rover let off. Unfortunately, the direction he had you turn was leading you more into the path of the storm. Luckily though, you didn't have far to go. Slowing down a bit, you saw the hatch to the base open just enough for your rover to fit through. As soon as your rover started to go down the ramp into the base, the door closed, and you could hear your own thoughts again. Slowing down, you sighed in relief and stopped the rover. There was another one parked down there that was much nicer and much bigger. You pulled up and shut it off, honestly not knowing if it would start when you went to leave. The motor rattled as it shut off and you had to kick the door open after you pulled the handle. Slamming the door shut, you coughed as a bunch of sand dust blasted back at you.
"How'd you get caught out in a sandstorm?" You recognized the voice of the guy who contacted you, actually able to hear it clearly. You stepped around the rover to look at him standing in the doorway that actually led into the base. He was…gorgeous actually. Not very tall yourself, you had no room to talk, but he was pretty short. However, he compensated for this by working out it seemed because he was thick. His black shirt was sleeveless and tight, his pants were equally as tight. He had longer wavy black hair pulled halfway back into a small ponytail. You waved to acknowledge his presence and retrieved your pack from the hatch of your vehicle and slung it onto your back. Approaching him, you got an even better look at his face. There was a small scar over his brow ridge that left a clean cut into his eyebrow, another small scar on the opposite cheek near his jaw. A set of snakebite piercings rested under his lower lip and his eyes were red. Not like bloodshot, his irises were red. You didn't know if it was natural or not. His ears had some ear piercings, a long pendant hanging down from the left ear with an upside-down triangle-like design. Each finger had an identical silver ring on them that probably served some purpose.
"Thank you for letting me shelter here." You told him, adjusting your bag on your shoulder.
"Here." He reached for it, and you hesitated for a second but handed the large pack over, keeping your satchel with you. Motioning with his head, he went deeper into the base, and you went up the short three metal stairs and inside, the door sliding closed behind you. You followed him down the short hallway, the metal was old and worn but more or less clean. There was an intersection not too far down the hall, but he kept going forward. You reached another sliding door and when he led you in, it was a stark contrast. Everything looked brand new, fancy, top of the line. It was a giant open living space with a large sectional couch and fancy holo-screen. There was a giant round table to the left and there was a decorative wall that had the kitchen on the other side. It looked like there was another big open space behind the kitchen with a bunch of consoles and other equipment set up. On the other side of the living room there was a large bedroom with the doors open and the hall went in both directions past it.
"Wow…" You gaped, looking around. The same logo that was on his earring was found in multiple places around, a big hologram floating above the center of the table, printed on the glass of the decorative wall, even scored into the glass of the coffee table.
"The storm is supposed to dissipate soon, but then another big one is coming in. You can stay here through it, no one else is here. Normally my co-commander is here too but he's not right now." The man told you and his voice brought you attention back to him. This place looked like more money was put into it than your entire hometown.
"What is this place?"
"Ever heard of the Rangers?"
"Yes?"
"This is our main base." He motioned with his head again and you followed after him as he led you down the hallway to nearly the end. The door at the end opened and he had brought you to a beautiful bedroom with a sitting area, king-sized bed, and a giant bathroom behind the bed.
"I can stay here?" You gawked and he let your bag thump on the ground as he smirked.
"Yeah, no one is using it. Woozi." He held his hand out and you nervously shook it. Even though he himself was pretty short, you were still a good three or four inches shorter than him.
"Oh, uh, (Y/N)."
"Where are you from?" Woozi moved back out of the room, and you trotted after him as he led you back toward the kitchen.
"Morgran town." You informed. He told you to take a seat at the counter and you jumped up on the stool and he opened the ice box.
"I'm not a wonderful cook so I don't have any fancy ingredients, but I can mix all this together with some rice." He had taken a bunch of small containers of leftovers and set them on the counter.
"Okay!" You were starving and hadn't had a normal meal in quite a while. He set up the rice cooker and you wondered if this was how homes on Terra looked.
"Were you born here?" Woozi asked.
"Yes. You?"
"Nah. I was born on Pledis and moved here when I was about eighteen."
"Why?"
"The co-commander, Seungcheol, convinced me to come here with him and start our own faction of Rangers. Not only are there a lot of runaway criminals here, but a lot of people who need help in the middle of the desert." He cast you a sly look as he hit the button on the rice cooker. You laughed nervously at this, and he leaned against the counter in front of you. Lord, he was hot. The way he was positioned, the muscles in his arm flexed and his shirt spread tight over his chest. He huffed when he noticed you were ogling him, and his hand came to your chin. He moved your head up, so you looked him in the eye again and your face exploded into a blush.
"U-uh, I…I'm-"
"Don't worry, doll." He tilted his head to the side, looking over your face, his thumb coming up to stroke your bottom lip. Woozi backed up with a smirk and you avoided his gaze, turning in your stool to get down and go near the couch.
"Your holo-screen is huge." You marveled and he moved out of the kitchen to join you, pointing for you to sit.
"Tap the table." He told you and you saw a little flashing light and pressed it, a holographic module popping up that worked as the remote.
"Watch whatever, I have to go finish something." He told you. You watched from the corner of your eye as he went to the room behind the kitchen, your eyes moving down to look at his ass in those tight black pants. When he got completely out of view you looked back at the module and found a listing of movies and shows that you had only ever dreamed of seeing. They even had ones that were over a hundred years old! Selecting one, a movie series based off an even older set of books about elves and wizards, you sat back to watch it. There was another button on the module that flashed, catching your attention. You tapped it, and a second smaller screen popped up in the corner showing the radar of the storms incoming.
"Shit." You groaned. Woozi had been right. The one you just escaped was still lingering over the area and there was another bigger one coming right behind it. At the bottom of the corner there might have been a third one developing as well. Oh well, it could be worse than being stuck in a fancy underground base with an extremely attractive man.
It was only about thirty minutes after you started the movie he came back out, the only reason you noticed was because the rice cooker had gone off. Pausing the movie, you got up and went to sit at the counter, watching as he mixed everything together and your mouth watered. He left it all in the same big bowl, grabbed two spoons, then nodded for you to follow him back into the living area. You hesitantly sat down, and he sat way closer to you than you even hoped for and handed you a spoon. Glancing at him, you sat back still mostly rigid, and hit play on the movie. After you got to eating it and realized how starving you were, you soon forgot that he was so close to you. He watched in amusement as you scarfed it down and you both had soon finished it off.
"Thanks for letting me stay here. I looked at the radar and it looks like the storms are just going to keep coming." You groaned, resting your head on the back of the couch. Your eyes were closed so he took the chance to look you over like you had been him. The thin fabric of your shirt had ridden up some and revealed the smooth skin on your tummy and waist, tanned with a smattering of freckles from sun exposure. Your long hair was tied back in a braid, and you wore tight leggings with mesh side panels to allow for more breathability. It wasn't too often he ran into anyone, even women, who were that much smaller than him, let alone that cute. His eyes shot back to your face, your eyes still closed and he wondered if you had fallen asleep already. Woozi wanted to just grab you and haul you onto his lap. Living out in the middle of the desert with only the rest of the guys in his Ranger group didn't give many opportunities for him to be with a woman. Now, one had just happened to show up. He didn't want to push it, but with you how you had been looking at him…
"Ugh, I think I wore myself out trying to get out of that storm. The adrenaline has finally gone away it seems." You tipped your head back and forth, your neck popping to relieve some pressure. He glanced at his watch, and it was pretty late. This time of year, the sun didn't get very low, so it was bright nearly all of the time.
"Go sleep then. If I'm not out here when you get up, you can just grab whatever from the kitchen. I'll let you know if the storm lets up sooner." He stood up with the bowl to clean it up and he watched you trudge sleepily down the hall and into the room he let you use. When you got in there, you marveled at the luxury and peeled your clothes off so you could take an actual legitimate shower. The water felt like heaven, and you were glad your spare underwear and clothes were clean. Just putting on your leggings over your panties and redoing a wrap-around breast band, you climbed in the amazing bed and immediately fell asleep.
A loud and echoing crash startled you awake, the sound of metal crunching was the opposite of reassuring. When it happened again you jumped out of the bed and ran out of the room and down the hall. You assumed the only room with the door closed was his and you got ready to knock, but the door just slid open. He was sitting up at a desk across from the bed and he glanced over at your panicked face.
"What the hell was that noise?"
"The metal crushing?"
"Yes!" You gaped and came further into the room.
"Sand worm. We're fine." He assured you, and when it happened again, you jumped so hard he got up and went to you.
"Hey, it's fine." He placed his hands on your arms, and he felt you were shaking.
"That's NOT a sand worm." You insisted, the noise happened again but louder. Even he was a little surprised by the volume of it and he walked past you and toward the equipment room. You followed close behind him and he typed on the console and a hologram of the base popped up, a bright red flashing dot appearing the top right corner.
"Oh, great." He grunted and you looked at him then back to the dot.
"What?"
"The storm must have damaged the drone silo; it seems they're all falling out of the hangar." He clicked his tongue, and you sighed in relief. Sure, that sounded expensive, but a giant monster wasn't going to break in. You were still shaking a bit; your adrenaline had spiked again but your body was so worn out that it wiped you out more.
"(Y/N)?"
"Yeah?" He stepped closer and he was dangerously close to you now.
"I won't let anything happen to you, doll." He smirked, his finger coming up and brushing a lock of hair away from your face, which turned red.
"No?" You stepped even closer, your own hand moving to trace over the rings he had on each finger. The smirk grew and the hand you were touching wrapped around yours and he pulled you to him. Chest to chest, his other arm wrapped around you, your other hand resting on his shoulder. Woozi brought your linked fingers to his lips and kissed over your knuckles, and when he reached your thumb, he sucked it into his mouth. You exhaled harshly and your free hand cupped his jaw.
"How about I help you relax?" He asked, his fiery gaze meeting yours.
"Please." You whispered; his lips so close to yours now. Letting your hand go, you dropped it to his other shoulder, and his strong arms engulfed you, pressing you into him. Woozi sealed his lips over yours and you whined, his tongue immediately swirling around yours. He tasted good, almost like some kind of soda you only had once or twice in your life. His hands on you were hot, his body pressed to yours was hard and his kiss was consuming. When he finally pulled away from the kiss, a trail of saliva connected your lips and you nearly slumped against him. His presence was all encompassing, and your head was already swimming, he was some kind of drug.
"Can I do something?" You ask, his lips still close to yours, your breath mingling.
"Whatever you want, doll." Woozi complied, so you pulled back a bit but instead of stepping away from him, you sank to your knees. His finger came to your chin and made you look up at him.
"If you're going to do that, I want you to sit on my face while you do." He told you and your eyes widened.
"Okay." You shrugged and instead of reaching his hand to help you up, he bent and scooped you into his arms and carried you to the bed. You weren't big, but he did it so easily. Letting out an 'oof' as he dropped you onto his bed, your eyes got bigger as he began to strip. The tight black shirt came off and you nearly drooled. His body looked just as good as it felt, and you couldn't wait for him to drop his pants. He undid his belt and with an aggressive snap, he pulled it off and dropped it on the floor. With a smirk, he made eye contact with you and let his pants fall. You were not expecting him to have nothing on underneath and his hard cock bounced some from being released, smacking against his stomach. Your mouth watered. Stepping out of the clothes, he stalked over to you and pushed you onto your back. It wasn't hard or aggressive, more playful, and he hooked his fingers in the waist band of both your leggings and panties, then yanked them off. Woozi deftly unsnapped your breast band and threw that off you as well. Laying on his back, he patted his shoulders and you hesitantly moved to where he wanted you.
"Come on, doll." He wrapped his arms around your thighs and pulled your dripping cunt onto his face. You squealed, falling forward, and catching yourself on your arms. You found yourself right in front of his pretty cock and since he was already shoving his tongue into your core, you enveloped the head of his cock with your lips. Neither of you could get over how the other tasted and he grunted when you just kept swallowing his cock deeper into your mouth and throat. His arms tightened their hold around your thighs, and he sucked on your clit. You twitched at the sensation, losing your pace and you gagged on his cock. The spasming of your throat squeezed his cock deliciously and he couldn't wait to fill your cunt. When he buried his tongue inside you as deep as he could, you moaned again, the hand loosely holding his cock squeezed a bit and his hips jumped, making you swallow him more.
"Cum, doll." He ordered, nipping your clit and you did as he told. The vibrations of your moan hit his cock and you sucked hard, setting his own orgasm off. Spurts of sticky white cum painted your throat and mouth and dripped down his shaft when you couldn't contain it all. Still semi-hard, you pulled your mouth off of him with a pop, then licked him clean.
"You taste so good~" You cooed; he was about to tell you the same thing. Helping you dismount his face; you just roll over onto your back and flop to the bed. He smirked, sitting up and rolled you again so you were on your stomach. He kneeled behind you and lifted your hips up, making you rest on your knees. Your chest and face were still touching the mattress and he rubbed his thumb over you dripping folds, then the cold metal of his rings touched the flesh and you shivered.
"W-what do those do anyway?" You asked.
"Wanna find out?" When he asked you turned to look at him and nodded. Little blue sparks flew off of them, then a hologram-like gauntlet surrounded each hand. Suddenly, warmth spread over your skin, and you yelped as ribbon like tendrils shot out from his hands and wrapped around your body. It wasn't bondage, they just wrapped around like vines, over your legs and arms, your abdomen, and breasts. They were warm and tingled and when it got done, the end landed right above your clit.
"Oh, god." You gasped; the sensation dull but incredibly sensual.
"What about this?" He asked and then the ribbons tightened, and this forced a moan out of you. His hands then grabbed the flesh of your ass, the tingling hologram on his hands leaving the same sensation as the ribbons.
"Ready?" He asked and you felt the fat head of his cock at your entrance. Your body was buzzing in so many different ways and you whined positively, and he started to ease in. The burn of his girth fucking opens your walls heightened every other pleasurable sensation in your body and he groaned at how tight you were, so wet you were literally dripping.
"Ah~ (Y/N)…" He groaned finally filling you up completely. Your head was swimming and he simply grinded as deep into you as he could, his pelvis meeting your ass. When he didn’t do anything more than that you whined pitifully, needing him to move more than that.
"Woozi…" You mewled and he groaned.
"You're so tight, baby girl." His voice had rumbled through you. You yiped when the ribbons tightened then began to move again. You couldn't see behind you, but when he groaned, you felt the ribbons wrap around his cock as well and the heat intensified, and he began to move. His thrusts were shallow but hard, and he made sure to roll as deep as he could with each thrust.
"Fuck, I'm not letting you go anytime soon, doll. Even if the storm lets up." He grunted with each thrust, then stopped. You were about to complain but he leaned over you, his hands landing by your head, and you could see better the blue light around his hands.
"You want more?"
"Pl-please…" You huffed and he pumped his hips, snapping his cock into you hard after nearly pulling out all the way. Your mouth opened to scream, but nothing came out and tears pricked your eyes at the intense feeling of him rearranging your guts. He was fucking you like an animal, nearly growling above you, drool was leaving a dark spot near your mouth on the sheets.
"W-Woo-Woozi!" Feeling your orgasm coming fast, he leaned over you more, wrapping his arms around your middle to haul you up, his chest to your back. His hands cupped your breasts and the ribbons tightened even further and he grunted two more times, spilling inside of you, this sent you over the edge. One of his hands was on your throat, just lightly holding you in place as your whole body spasmed. You orgasm faded shortly after his and your body stung, the ribbons leaving you calmed the burn, and he helped you curl up in the bed. You watched the dancing patterns of the screen saver on his wall display, dazed, barely registering him moving around. When he came back into view you slightly noticed the continuing metal crunch of the drone silo, but it was the least of your concerns.
"You know, I think the storms might last a few days…" He sat on the bed next to you, wearing a pair of boxers now.
"I hope they last the whole month," You mumbled, and this made him laugh.
"Me too, doll."
-> Series Hub <-
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Master-Master List
Seventeen Master List
Taglist: @gaslysainz
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petermorwood · 2 years ago
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In light of all the renewed interest about Martin Scorsese’s long-overlooked “Goncharov” (1973), has anyone noticed the element which repeats in his later and much better known film “Taxi Driver” (1976)?
It’s The Gun As Protagonist Accessory.
In “Goncharov” it’s right there on the poster, held by Robert de Niro: that’s a Thompson M1921 with 50-round drum magazine, the classic gangster gun, the Chicago Typewriter, the gun that made the Twenties roar.
This weapon has appeared in many gangster movies, most famously in the original “Scarface” (1932) where Tony Camonte (Paul Muni), encounters one for the first time when it’s used in a murder attempt against him and all but falls in love with the thing.
“When this gives orders, people listen!”
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In “Taxi Driver” it’s an enormous revolver, a Smith & Wesson M29 similar to the one carried by Dirty Harry, though here made even more imposing with an 8” barrel (Harry’s was only 6”).  Scorsese is making a visual comment about the way his anti-hero Travis Bickle (Robert de Niro again) compensates for perceived inadequacy.
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I’m not making any observations about trigger discipline. Really. No. I’m not.
Anyway, if Bickle could be associated with the clock motif in “Goncharov” the clock in question would be a cuckoo, so playing around indoors with this hand-cannon is no more than might be expected.
“You talkin’ to me...?”
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There’s even a piece on the soundtrack, accompanying the gun’s introduction, entitled “The .44 Magnum Is A Monster.” (YouTube link.)
Having said that, it’s worth noting that in the final confrontation – when Bickle proves himself a more than adequate hero by rescuing underage Iris (Jodie Foster) from her life of sex slavery – the huge revolver plays a less significant role than expected from the way it’s been set up. Bickle defeats his opponents with much smaller handguns and even cold steel in the form of a boot knife.
This hero has overcome his monster in more ways than one.  
The Thompson plays a much more prominent role in “Scarface” than in “Goncharov”. Rather than a villain’s perverse secondary love interest, there it’s built up as a necessary adjunct of brutal power, which then fades into the background of relationships presented (this was released in 1973 after all) as improper if not actually warped.
“Ice-Pick Joe” Morelli’s (John Cazales) preference for a penetrating weapon rather than a gun (also favoured by real-life mobster Abe “Kid Twist” Reles)...
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... is a pointer (sorry) at aspects of his character which couldn’t yet be stated clearly on-screen. What remains obvious through Scorsese’s direction and the excellent performances of his actors is that human failings are more destructive than any mere weapon.
It’s a masterful inversion of Chekov’s Gun, the premise where “a gun shown hung on the wall (for which read “any plot element given extra emphasis”) must be fired (used) before the performance ends”.
I haven’t been able to find actual screenshots from the film so these are representative images, but I hope they’ll show how, by utilising "Goncharov”’s recurrent clock motif to segue from Ambrosini (Al Pacino) winding one of his cherished antique timepieces...
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... to Lo Straniero (de Niro) winding the clockwork drive of his Thompson gun’s drum magazine (incidentally an action seldom seen in films)...
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...Scorsese manipulates his audience into believing that the film will culminate in a classic head-to-head gunfight.
That’s how Brian de Palma, a much less subtle director, ends his 1983 “Scarface” remake, with Tony Montana (Al Pacino) inviting his enemies to “Say hello to my little friend!”, the grenade-launcher attached to his automatic rifle.
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Though “Goncharov” does feature some firearms action (it’s a gangster film after all), Scorsese leaves most its guns on the wall as a distraction until his audience realises, as the movie’s climax approaches, that destructive violence can take place as quietly and irreversibly as the passage of time marked out by a ticking clock in a darkened room.
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ppeonppeonhan · 5 months ago
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I am 100,000% on board for a BL where Phuwin doms Pond -- and, honestly, I think so is Pond. Lol
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So far they've done a love triangle where popular Pond secretly helps nerdy Phuwin get his crush by night while being his romantic rival by day in Fish Upon the Sky (2021); a master-servant setup where working class student Pond is forced to guard obnoxious rich kid Phuwin from his uncle's attacks in Never Let Me Go (2022); and an enemies-to-lovers trope where arrogant rich kid Pond comically enslaves artist Phuwin to compensate for the medical bills he incurred when kicking him in the balls in We Are (2024).
The power balance shifts between projects, but Pond is always the dominant one once the lights go out.
So here's my pitch to switch it up: One thing these two do incredibly well is an enemies-to-lovers plot, so what if we put them in the ring?
Two Muay Thai fighters -- one driven by debt and the other by his family's legacy -- go head to head in a romantic sports drama where the leads will have to choose between glory and their future together.
Think: KinnPorsche meets Wandee Goodday.
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And if you're of the mindset that Phuwin could never pull off top energy, I'd like to direct your attention to My Stand-In where Up is pulling off a performance of a lifetime.
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lurkingshan · 7 months ago
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Unknown Episode 11
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Well, let me get this out of the way upfront. This episode brought us to the big moment we've all been waiting for, the final turn in Yuan and Qian's relationship--and unfortunately, it didn't quite land.
I've been sitting with this episode, contemplating my disappointment with the first sequence, and I think it comes down to this show that has been so assured and confident through most of its run faltering at the crucial moment and seeming to lose faith in its own storytelling to the point that it used editing tricks to compensate. The choice to chop up and sequence this narrative lynchpin of a scene out of order is baffling, and it's a choice that significantly stepped on the most important emotional climax of the story. I was confused to go from the conversation outside to a sudden kiss, then disappointed when we cut back to a very short exchange between Qian and Yuan that was supposed to provide the basis for this turn with only some thin dialogue that didn't connect the beats of the scene, and then into an intense sexual encounter (that was constantly interrupted by repetitive flashbacks) that should have felt like a triumphant and revelatory moment but didn't because of the way we got there.
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I know I'm not the only one feeling that way, since folks have been creating and distributing reedited versions of the scene, and Youku actually uploaded a new version free on YouTube with all the flashbacks removed (a clear move toward fan appeasement after the show received a lot of negative feedback on the scene). The editing and the flashbacks were annoying, but honestly the fundamental problem was the scene they wrote did not sufficiently sell the change for Qian--he goes from saying he is still not certain what he wants to being ready to be dicked down in a couple minutes' time, with nothing in the exchange providing any new information or impetus for the shift. The performers did great work but unfortunately the writing and directing and editing decisions around this sequence were just bad; it's frustrating for this to happen with arguably the most important scene of the romance.
A note about the novel: the way this final turn happened there was quite different and, candidly, better in just about every way, from the impetus for the change to the beats of the revelation to the progression of physical intimacy on a pace that felt much more attuned to the emotional complexities at play. I do not know why the show did...this when they had better source material content to work with, but here we are. I absolutely recommend that anyone who loves this show read it!
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So, with that disappointment expressed, on to the rest of the episode, in which Yuan and Qian settled into their couple era. I was deeply amused by Qian taking to their sex life like a moth to a flame to the point of daydreaming in meetings, but I do wish the episode had focused more on the natural tension and role confusion that should have resulted from this huge shift in their relationship. They touched on that a bit in the scene where Yuan asked Qian if his hug was from his brother or his boyfriend, but they didn't delve into those complexities in the way I hoped they would. I enjoyed their date at the local restaurant (and loved their friendly neighborhood gangster helping to set the mood) and how much it felt like they were surrounded by their history as they moved through all of these familiar locations where they've had important moments. I didn't much care for the insertion of the health scare plot or the time spent on Le and the doc, though I'm always happy for more Sam Lin even if it comes in the form of a weird late stage and wholly unnecessary ship.
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My favorite scene between Yuan and Qian in this episode was far and away the discussion on the stairs with Qian reflecting on his fears of becoming more like his mother and Yuan biting him to snap him out of his fatalistic attitude (this felt like such a classic Priest tribute, she always has biting in her romances). It was a helpful re-centering of what they do for each other and why Yuan is an important presence in Qian's life. I didn't think we needed the health scare for Qian, but I did love Qian choosing to go to this place where he found Yuan to contemplate his life and what matters, with Yuan in turn reflecting that even though he's seen a lot more of the world now, he still prefers to come home to this street. I found that exchange so moving and I think it was important for Qian to hear that.
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And that scene led to my other favorite thing in this episode, which was everything to do with Lili and her bond with her brothers. I teared up to see her standing against the wall where Qian has measured their growth talking about the sneaky ways she would try to care for Qian when they were younger, with San Pang listening attentively and gazing at her adoringly. It was such a small moment, but a really lovely window into their relationship dynamic and the shared history they also have together. And when Yuan and Qian came in hand in hand and she just ran to them and offered up her love and acceptance, I felt so much warmth for this family and everything they've survived together.
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tiramisuc0ffee · 5 months ago
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Sneak peak of a Gojo x Reader that I am working on :)
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pairing: Gojo Satoru x f!reader
Summary: Mechmaru manages to succeed in informing the higher-ups of Jujutsu Tech about the plans to seal the strongest, Gojo Satoru. With this, the higher-ups begin formulating a plan on how to secure their victory and take advantage of the information bestowed to them. However, one thing Gojo could not have thought to be suggested was, you, who supposedly died over a decade ago.
warnings: Takes place before the Shibuya incident arc. Does not follow the original plot of the series teehee.
word count: 716
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"A sorcerer that's able to amplify the cursed techniques of others? Something like that is possible?"
Itadori Yuji's eyebrows furrowed as he voiced his question, contemplating the words that Yaga had just spoken to the assembled group of Jujutsu students and sorcerers.
The atmosphere in the meeting room was tense and undeniably suffocating. It had been hours since Mechumaru's warning had been delivered. A plan to seal away the strongest sorcerer, Gojo Satoru, into the prison realm and to bring upon complete and utter chaos to Shibuya and its civilians on October 31st.
Those gathered in the room were fully aware of how crucial this advantage was and how important it was to utilize it. However, there was also a mutual understanding that the perpetrators had to also be aware of their own disadvantage, and would have to find some way to compensate for their slip up.
This brought an endless amount of "what if's" into question.
"Yes. Someone like that exists with such a technique. The ability to not only limitlessly amplify their own raw cursed energy but to amplify the cursed energy and furthermore the techniques used by anyone they come into contact with" Yaga responds to Itadori's question.
"What if we just simply don't send in Gojo-Sensei into Shibuya?" Itadori then says with a carelessness as if it's the most obvious answer in the world. "If that person can amplify their own energy limitlessly, don't we basically have our own super soldier who can overpower anyone alone?"
It is then Megumi who cuts in with a calm rebuttal, his eyes narrowing slightly. "It's not about having unlimited energy, Itadori. There are inherent limitations to such abilities. Even for someone who can amplify cursed energy, there's a threshold to how much they can sustain. Using cursed energy at such heightened levels consecutively poses significant risks and exacts a toll on the user."
Yaga sends a slight nod in Megumis direction, confirming the information he shared with Itadori. "It is also unlikely our perpetrators will reveal themselves unless Satoru is present. Rushing in prematurely not only risks escalating the danger but also endangers innocent civilians, who could become casualties as means to negotiate Satoru's presence." "We however are getting ahead of ourselves," Yaga then continued, redirecting the focus "We have yet to establish contact with this sorcerer".
Gojo had been uncharacteristically silent amidst this discussion despite it heavily revolving around him. Between the relentless back and forth of his peers and students who each were chiming in with questions, wonders and suggestions - he sat in his chair, arms crossed, leaned back and sporting an expression that no one other than Shoko leiri could understand. Her tired eyes fell onto the snow-haired man, noticing his stiffness and unusual quietness. She too understood where this conversation was headed and what words were about to be announced. "Some of you already know who I am talking about. Yes. (L/N), (Y/N). A past student here at Jujutsu Tech, who was once presumed dead, has been rumored to be alive," Yaga finally discloses, his tone laced a certain firmness. "And over the course of several years, we have finally managed to narrow down her general whereabouts". Satoru felt his jaw clench ever so slightly. Shoko notices. "If we wish to minimize casualties and maximize our strength- It is crucial that we locate her and attempt to persuade her to join our cause" Yaga continues with determination.
Chatter began to fill the room as Yaga takes a pause. The topic at hand brought upon several mixed reactions. Rumors in the form of hushed words floated around the room, some true some false as some even questioned who you were and how you met your demise.
But all Satoru could hear was your name. Repeated. Over and over. "However," Yaga broke the silence once more, his voice cutting through the room, "we can't just send anyone to convince her. We suspect there is a veil with special conditions where she resides."
Satoru's teeth grits, and his fingers dig into his sleeves ever so slightly. "Only Special Graded Sorcerers can enter and leave the veil as they please. Though this won't affect the plan I originally wanted to propose."
"There is only one person we can send in after her." "Satoru."
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(A/N): Listen I haven't been on this platform in like 2 years, and it's been 2 years since i've written anything so please do forgive me for any mistakes ;w; Hoping I can finish writing this soon!! Hope you enjoyed!!
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eustasskiddsprosthetic · 6 months ago
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Hey, remember when I said I shipped Lawlulaw? Yeah, I finally have an idea for them!
As I was fleshing this out, I suddenly felt the need to shove in Acelaw and Sabolaw in there so uh that's fun. I wanted this to be Lulaw centered but the moments of Ace and Sabo can be very easily spun into a romantic direction if I wanted and I wanted to be open to having a Law harem!
Welp, anyways, onto the plot I cooked. Edit: I elaborated more on this au here (x)!
I'm thinking of Law as a scientist who studies marine life. He has a huge lab where he collects specimens and spends a lot of time sketching out the intricate details and labelling them. He loves drawing these because it helps him get a clear, objective view of the world. His ultimate goal is to know just what makes the world tick.
He wants to know the inner workings of everything, kind of to compensate for how he barely knows himself and the depths of his subconscious nature. He believes everything has a place. A creature's ever part, every organ, every component is like a gear that keeps the whole system running and Law loves analysing them.
It may or may not be surprising but he actually believes in things like monsters, aliens and cryptids. From his experience, there's so many interesting sea creatures within the realm of science. It seemed a bit rude to dismiss the possibility. You never fucking know.
So that means when he sees a merman washed up one day in front of the beach near his home. He shrugs and says, "Well, he looks better than a drunk Bepo."
From indifference turned curiosity, Law squats down and starts poking this merman with a bit too much force and said merman jolts awake. Law notices how sharp his teeth and claws were. Law knew he would die if he did not approach him correctly.
"H-hello. I'm Law. Are you okay?"
The merman was visibly confused. Law realised he seemed a bit dehydrated and realised his gills on his neck looked uncomfortable. Law understood. He pointed to the ocean behind the merman.
"I'll take you back," Law said. He did not know how to approach the situation beyond rolling up his sleeves just in case the merman had an allergic reaction to his shirt and very gently trying to carry the creature princess-style.
Law was horrified to feel that this creature was heavy and struggled with carrying him. So much for wanting to be brave. The merman did not do anything to make things difficult—Law just was not the strongest out there. He just stared at Law with literal stars in his eyes. He made a cheerful little sound that was admittedly quite cute.
Law let the merman go when he was just around waist-deep in the ocean. He gently poured some water over his gills, which elicited even more happy sounds. When Law let go, the merman suddenly looked sad and Law felt like a horrible human being.
"Good bye. Take care"
The merman was swimming rather freely in the ocean now and he circled around Law. Law felt anxious. Did he walk into a trap? Was the merman going to attack? The merman did not seem hostile but you never know what these creatures were thinking especially when they were alive.
When the merman stopped swimming, Law took a good look at his features. He was quite cute in the face with large round eyes and an equally large mouth that occasionally broke into a large smile. If he were human, Law would've fallen in love.
"Good bye, it was nice meeting you-"
The next thing Law knew, he was immediately submerged underwater. He could barely breathe and felt himself choke. Meanwhile the merman was giggling like this was all very amusing. Law was knew he would die, if not for something rapidly swimming up and forcibly dragging the merman away.
Of course it was another muscular merman. He looked older than Law's murderer and had dark red accents on his hands and neck. There were spots on his face that looked like freckles. Now this one looked predatory. In human terms, he looked like he was nagging the other merman. Irritated, Law stood up as best he could and punched them both on the head.
Law's murderer seemed annoyed and sad at the violence, while the other one looked mildly impressed. He whistled through his gills. At least Law knew what that meant—it was a fucking mating call.
"Shut the fuck up! You're both annoying me! Go away!"
The black-haired mermen tilted their head to the side at the same time. In the distance, a pale, almost albino merman swam closer. Unlike the other two, he seemed friendlier even with a heavily disfigured face. He laughed as he happily said, "I'm sorry for my brothers, bastard!"
Law was flabbergasted. This was not his day.
"You can talk?"
The blonde merman seemed more surprised than Law. Law would punch him too but he was much faster than the other two in grabbing them by the shoulders and swimming some distance away so they would have to shout at each other. Law's murderer seemed sad that they were separated.
"You can talk, human?" The merman replied. He laughed. "Bitch!" He seemed to say those vulgarities with great childlike amusement. Though, Law would not be surprised to hear that he knew what those words meant and meant them sincerely. He seemed cunning.
Law felt wet, disgusting and thoroughly upset that he did not die. "Why, yes I fucking can! Piss off!"
As Law made his way back to the base, he suddenly heard the blonde merman tell the pervert and his murderer something. They went silent when Law looked back. Three seconds later, they started making loud, hysterical noises.
For God's sake, Law walked away with a ruined morning, wet clothes and the horrible memory of nearly dying. That was annoying, as he walked up the ocean where he was comfortably knee-length. He felt something gently grab his foot.
"What do you want, murderer?"
The merman pouted slightly and fuck isn't that just the cutest thing? He tried to pull Law back but gently this time. Law realised this was kind of like a child trying to make friends. He sighed and squatted down again to meet this creature at eye-level.
"I won't go with you but I'll come back tomorrow morning. Don't pull that shit again, or I'll kill all three of you. Understood?"
That seemed to be what the merman wanted for he smiled brightly and made those happy clicking noises again. He hugged Law's shoulders, licked his cheek quickly, jumped off and swam off with his brothers who seemed more interested in this little guy more than anyone else.
The sight was sweet. Maybe tomorrow morning would be better...
(Also, Law read up on Merfolk. Apparently, they were acknowledged to be legitimate sea creatures only three years ago and there were proper laws to forbid the act of hunting and killing them. Law found it strange that policies viewed them more like an endangered species than human beings.)
(More importantly, Law found out that there were some highly intelligent merfolk could learn human languages. And even more importantly, merfolk use their saliva to mark their territory... Including their mates, whom they usually commit to for life... Huh.)
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heartshapedbubble · 1 year ago
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and now, for a request that took me six months to start writing and two months to finish due to personal stuff. jesus christ i should start including financial compensation alongside my fics.
anyways happy spooky szn everyone!! now that my reqs are finally empty i'll be reworking my page soon and opening them again💞
unspoken words, an orpheus x maid reader fanfic📕
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tags/heads up: reader is a maid, gender not specified, one sided enemies to lovers kinda????, suggestive only if you squint really hard and get your eyes reaaaally close to the screen (theres only kissing tbh)
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Being a survivor was never easy. Peer pressure from both your team and people outside it, dealing with all sorts of blows directed right at you - either the physical ones, by the hunter, or the verbal ones from the other survivors.
But being a survivor AND a servant? It made things even worse.
Right after a match, it was only a matter of time when you'd hear groans and whines about how there's no tea and biscuits served in the living room, how there's so much dust on library shelves, how stained the floor in the hall is. And there was no time to catch a break, hell, no time to heal either. You roughly wiped your bloodstained knees, plucked out pieces of wood that dug themselves into your palms, and got back to work. As drops of remaining blood rolled down your leg and you felt your hips crack each time you bent down, you got back to your everyday cleaning service. As you were a maid - the only one that was available at all times, at least, and the only one who was actually living and not just a stitched-up corpse - most if not all of the household manor duties ended up a burden on your back. Strolling between the survivor side and the hunter side, you served warm cups of lemon tea, handed clean towels, even polished shoes. And my god, there was no mercy from either side. Everything was always "not good enough", and most of the time you barely even got a "thank you" handed back. One time, one especially daring hunter dared to spit on you as you scrubbed the tiles beneath him - let's just say that the handle of your broom got to his ankles quite quickly.
The maid life was ugly, but it had its benefits, too. For example, you heard all sorts of juicy gossip dealt from mouth to mouth, from ear to ear, dark secrets from every single person inhabiting the manor. And as most people ignored you unless they needed some unimportant favor from you, in the meantime there was plenty of alone time you could use up until the next bell ring. Curled up in a hidden part of the library, a plate stacked with softened butter cookies by your feet, your free time was spent dozing off on the soft, velvet cushions of the hard sofa by the foggy window, your eyes occasionally skimming through a yellowed book.
~
"Oh, sorry." Helena mumbled as the tip of her cane accidentally scratched your hand as you scrubbed the floor. "I knew you were somewhere in front of me, but I didn't know where exactly."
"It's all good, Hele." Helena was one of the more polite residents, but it was just part of her nature - shy, polite, respectful. Compared to everyone else, she was just a kid after all.
You achingly checked the grandfather clock looming over you, waiting eagerly until it rang for five o'clock and signaled your break for the day. Yesterday you stumbled over a really good book, with a fascinating plot decked into at least five hundred pages. You barely got to skim over the first few when you heard a whine from the living room, demanding a serving of pastries. It kept you up all day long and you could barely contain yourself from running to your little haven straight away.
At last, your deserved break came, and you almost tripped over the carpet folds as you ran towards the rusty trapdoor separating you from your one-hour paradise. Yet, as you lunged right for the piled-up cushions, you noticed a figure.
Someone.
Sitting on your sofa.
Reading a book.
Not just a random book.
The exact same one you picked up and tucked under the pillows yesterday, so no one can get their grubby little hands on it except you.
And, to top it all off, it was no other than the novelist, Orpheus, who was sifting impatiently through the pages, splayed on your sofa like a frog, his leg bouncing nervously.
Ugh, that Orpheus. He was polite and all, one of the exceptions, good-looking even, but god did something about him rub you the wrong way. He always said hello, said goodbye, said thank you and please, smiled back at you, yet...
"Oh, good afternoon, ___!"
The position he was in right now really wasn't helping.
"Hello, sir Orpheus." The "sir" title you had to use out of respect awfully repulsed you, even more so than "lady". Perhaps it was the undertone of uttermost submission unavoidably coming with it. "May I ask you, what are you doing here?"
"Oh. Well, I was on a.... little expedition, will you", he chuckled, nervously playing with the buttons on the cuff of his shirt, "Y'know, messing with the bookshelves and what not, when I stumbled upon this fine little room. Seems like I'm not the first one to discover it, am I?"
"No, you're not." You forced yourself to smile, and sat right by him, the cushions dipping under your weight and slightly pulling you two closer. "I've claimed it as my own, in fact. I believe you don't mind that, do you?"
"I-I don't mind it at all! No no, how could I? Well, I..." He mumbled nonsense, trying to hide his face as he cleaned his monocle. He seemed especially nervous today, and he wasn't the calmest in general, either. "...may I assume you don't mind me staying a bit longer here, do you?"
You sighed. Well, maybe some company instead isn't a bad thing. Even if it was him. "I'll let it slip this time. Want some cookies?" You pulled out a scratched tin box from under one of the big cushions, and messed with the tightly clasped lid. "They're a bit stale, but they taste just fine."
He pressed his lips into a thin line. Hesitatingly, he picked a crumbling cookie and wrapped it in his handkerchief. "Thank you for welcoming me so nicely despite your... condition, y'know. I can only imagine how hard it can be having the role of a maid and a competitor at the same time." There was pity in his voice, a hint of internalized shame, maybe. Willingly or not, his last sentence created an uncomfortable silence between you two, and it was only a matter of time before one of you broke it.
"...You're welcome", you went in head-first into the conversation, "but I really don't need your pity. I didn't get a lot of it in the first place, and I sure don't need it now. My life is what it is, and neither of us can change it."
He sighed. "I suppose you're right", he said as he got up and stretched, "just saying, though.. accepting empathy or help here and there really isn't that humbling as it seems." He calmly walked through the trapdoor, as if he didn't say anything.
God. You decide to be nice for once and you get back a lesson instead? How fun. Especially when it's from someone who you thought you could confide in. But you're not going to allow his words to get to your skull - there's so much better things to think of compared to that....
~
"My apologies, dear." Michiko whispered as she quickly tiptoed away, accidentally bumping into you the second before.
"I'd advise you to be more careful where you tread, doll", Joseph suddenly appeared in the hallway, weaving his words with his usual husky yet elegant voice, "I believe you don't want any accidents to occur while working, hm?"
Out of almost all of the (adult) hunters, Joseph was the most talkative. And you were no exception - he regularly spoke to the other survivors, often scaring them by whispering from behind their back or jumping out of the shadows. He wasn't trying to form strong relationships, obviously, but it seemed like he wasn't the type to withold his comments. After some time spent observing you deduced that Joseph might be a little bit too fascinated with you - or at least a little bit too interested in chatting with you.
"No, Joseph, I, in fact, don't.", you groaned as you threw the broom back in your bucket, "Besides, shouldn't you be more worried about your own wellbeing, old man? Should I bring you some balm for your sore limbs?"
He clicked his tongue. "Tch. You know I have good intentions, dear." One blink later and he already merged with the shadows, looking for someone else to talk to.
"Woah. What was all that about?" You heard a voice behind you, a bit shaky and uncertain. It was - you sighed - Orpheus again, in his hands a ceramic tray stacked with porcelain dishes and silverware, a warm scent of mint emitting from the glossy teapot. He wasn't having a good time trying to balance it in his arms.
"Nothing. Just Joseph being Joseph. Mind me taking this for you?" you grabbed the tray in an instant, now much more stable under your grip.
"I...do, actually." He slowly pulled the tray back towards him, a bit hesitantly now as his hands shook beneath it again. "I thought once you finish we could sit down for tea. Y'know, just the two of us. In the little room in the library. I can bug Norton for some of his tres leches if you want. Or maybe Margaretha for pierogi if you're craving something savory instead... Sorry, I wanted it to be a suprise." He looked away, bashfully, as if he regretted doing all of this in the end. You weren't sure what had gotten into you at that moment, but you suddenly felt that if you don't accept his offer now, you might feel really bad later on. Like looking at a sad little puppy's beady eyes.
"Thinking of it now, it doesn't seem like a bad way to pass the afternoon. I'm in."
~
You puffed at the steam coming from your cup.
"Joseph really gets on your nerves, hm, ____?"
"A bit, yeah. Snooty old man."
"Ah, come on now, he isn't that bad. He's quite pleasant to talk, actually. A little intimidating, very peculiar, but pleasant. Most of the time."
"Wish it was like that when playing against him. I go through hell and back while dressing my wounds because of his damned rapier. How did it even get approved by the owner?
"He's a veteran, so I believe they decided to let it slip back then. Or maybe he just swayed DeRoss off of his feet with his Frenchman charm and the two lasers he has for eyes."
You almost choked on your tea. Orpheus had a suprisingly sharp tongue, unfitting with his unsuspecting face and downturned eyes. He took off his gloves - revealing rough yet nimble fingers - and scooped some pierogi onto his plate.
"Was this a pleasant enough suprise for you?"
"Well, for the first time someone has been nice to me in a while, it's quite delightful, I admit."
"You mean, you wouldn't consider Joseph being polite towards you as "being nice"?"
"Hm?"
"Oh, just wondering, since I overheard bits of your conversation today. He didn't really sound rude, did he?"
"I mean, he wasn't rude or anything, it's just...I don't know how to explain it. Yeah, people are nice to me, actually, quite a lot of them, but they rarely go beyond their words. They don't put them into action."
"I see. I believe it gets annoying with time."
"It does."
"Do you put what you say into action, too?"
"...What are you implying?"
"As in, when you like a person or care for them, do you also try to put into action your love for them?"
"Orpheus, I put everything into action. Every day. That's my job as a maid."
"Yes, I...know that very well, but do you put love in action, too?"
"I don't have time for love. Nor is there anyone to fully love here, I fear. Just tolerate and like, maybe. If they're really nice."
He sat up straight, his thumb trailing his bottom lip back and forth.
"See, I'm no expert, but I do feel that you're denying yourself of something you don't know you need most."
Leaving you puzzled, he got up and left the room.
~
"Orpheus, have you ever kissed somebody before?"
He suddenly jolted, staring back at you from the other edge of the sofa.
"What kind of question is that?" He tilted his head, pouring milk into his tea. One tea break ensued after another, and now it has become an unspoken rule to bring something to sip (or munch) on to the library hideout as the clock struck for afternoon.
"You know how they portray poets and novelists. Romantic, sensual, passionate. I just assumed you already have some experience with dating."
A faint pink flashed his cheeks. "Well, now, what is it that prompted you to ask me? And now, of all times?"
Sip by sip, sentence by sentence, and you got quite close to Orpheus in these few months. You couldn't help but think about his words here and there - to do something with love, not just because you have to. Or out of love. Whatever. The following day after he brought you tea for the first time, you felt the moral obligation to invite him for lunch. And so the cycle continued, an opportunity to chat appeared along with it, and in Orpheus you now saw a friend. Perhaps. There were bits of joy in the moments when you picked out the perfect flavor for the day or played with coffee cream, attempting to make some designs with it.
No, in fact, there was no real reason behind your question. It seemed fitting enough for the moment, and maybe, just maybe, you wanted to catch him off guard again.
"Felt like it."
He cleared his throat. "Well, if you're so curious about it.... not really. Fangirls were common but... I'm simply not very experienced. Some may see me as charismatic but once things get a little bit more serious I don't know what to do. Was that the answer you expected from me?"
It was a bit ironic. A bit cute, even. How his charisma only reached up to actual love, the real thing. The same thing he remarked you needed the most.
"Funny. The Orpheus, the detective novel author, afraid of love? Out of all things?"
It didn't take long for him to pout his lips, looking away in shame. "To be fair, there's quite a bit to be afraid of in love. There's commitment, passion, building trust, insecurity... It takes a lot to love."
"I see."
"May I ask you the same question?"
"Which one - if I've ever kissed someone? Never. Never had the opportunity. Never felt the need, in fact. It wasn't a necessity to have a partner, only a plus. It's not something to be terribly afraid of. I believe it just happens and, well, you go with the flow."
"Well, maybe you never feared it because you never reached its starting point."
"Oh, Orpheus, you're supposed to be a novelist, not a philosopher."
~
The library sofa is quite practical. If you pull the compartment at the bottom of it a little too hard, it can be stretched out, turning it into a large comfortable bed, although a bit rough on the skin.
You and Orpheus laid on the sofa-bed, directly facing the large window, listening to the sound of raindrops hitting the glass.
"It's really calming here. Lulls you right to sleep." He started, his monocle set aside. Now having a better look at his so-to-speak "monocled" eye, you noticed it's more downturned than the other.
"...Mhm." Already half asleep, you turned your head towards his face, soaked up his profile through lidded eyes.
"____ , is everything okay?"
"Everything is just fine. Juuust fine. I'm just a bit sleepy."
You looked at his hand, laying by his hip between you two, fingers twitching here and there nervously. He never took his gloves off in front of you except for when he was eating.
"You can go take a nap if you want. I'll wake you up once it's time to go."
Your hand mindlessly headed towards his and your fingers pinched at the satin gloves, trying to take them off his hands.
"No, I think i'm good."
He sighed sharply. That wasn't a sigh of annoyance, it was a sigh of pain, like trying to breathe deeply while your heart aches.
"God, no. Please, ____ , don't do this to me."
He was scared, and now you were too, but his hand remained still. Torn between pleasure and horror. His fingers cold and nimble, his hand rough and calloused again. For an unknown reason, you wanted to hold it, from the second your gaze switched to it.
"I'm not doing anything bad, am I?"
Your fingers finally fit between his, palm to palm. It was weird. Like holding a pleasantly cold cup and trailing across sandpaper at the same time. But it felt good. It felt safe, secure, like it could last forever.
"You know what you're doing."
You felt his fingers tighten around your hand, gripping it tightly.
"...Please keep on doing it."
~
Seven o'clock.
An envelope in your hands. Your name written on it in the prettiest cursive you've seen, like a treat, baiting you to open it.
But you held back.
You waited.
The door creaked behind you. Not turning back, you spoke softly:
"Orpheus."
"____"
Your name uttered between breaths.
The clack of his shoes, his weight switching from leg to leg, his breathing becoming louder. You could now feel it on your neck. The chilling warmth.
"Why didn't you open the letter?"
"You know why."
"You're cruel."
"But you came anyways."
He sighed. "... for love." It sounded heavy coming from his mouth.
"For love." You smiled, the word now as light as a butterfly. The knife tore through paper and you skimmed through the lines of words, a careful gaze watching you as you did so.
"...What do you think?"
"It's wonderful."
"I know what's on your mind."
You turned towards him now. Face to face. Mere inches separating your eyes. Eyes, wandering everywhere else except towards what laid in front of them.
You tried to lay your hands around his neck. You tried, really. But the look in his eyes already denied you before you even started.
His hands quickly reached for your lowering wrists.
"Give me a moment, I beg of you." He whispered, shaking.
His lips indecisevly hovered above your lips, then your neck, your nose, your cheek. You closed your eyes firmly, only opening them once you felt comforting warmth on your jaw. He pulled back, leaving a translucent string of saliva as he parted.
"I know it wasn't as magical as you expected it to be. I'm sorry, ____ ."
"We barely even started, Orpheus."
He tried to object, to bury himself again, but before the words could slip from his mouth, your lips shut him up. And so, in a mere moment, the unspoken words did not matter anymore.
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dragonomatopoeia · 11 months ago
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Air's Bizarre Christmas Rom-Com Reclist
I am a fan of Romance Media, but even more importantly, a fan of mediocre art. As such, I have watched a lot of christmas romcoms. I have in fact watched Too Many christmas romcoms. While freelancing between jobs, I would put them on in the background as mindless noise to keep me company while writing copy.
This means that I am uniquely positioned to create a rec list of christmas rom-coms that meet a very specific set of criteria:
Is the movie interesting enough to make me actually Watch it instead of half-listening to it in the background?
Are elements of the plot bizarre enough to make me yell "WHAT" at the screen?
Would I rewatch the movie in the company of friends?
Any movie that fulfills all three of these criteria is eligible to join those privileged few, the elite ranks of My Christmas Rom-Com Rec List
A Chance for Christmas (2021)
Synopsis: "Influencer Christina Chance gets the opportunity of a lifetime: a lucrative sponsorship from the brand of her dreams. However, she soon discovers she's stuck in a time warp where the same Christmas Eve repeats itself over and over again." Commentary: This is a Tubi original, and it lives up to all the mess that status bestows. That established, my favorite parts of this movie are that the main character and love interest have the same kind of obsessive, perfection-driven marketing brain poison that lead them to try to min-max a time loop and learn zero lessons for the vast majority of the movie. There's a kind of frenetic, self-absorbed energy to each of the characters that's fascinating to watch. At one point the main character attacks a man dressed like Santa in an act of misdirected rage, and the love interest holds her concerned family back while yelling "SHE NEEDS THIS LET HER GO SHE NEEDS THIS". Also, the kids are actual characters with inner lives instead of props! There are structural issues with the movie, and in my perfect world, the protagonist would quit her influencer job, but overall, I enjoyed it.
A Christmas Movie Christmas (2019)
Synopsis: "A Christmas movie fanatic and her cynical sister wake up to find they are now the stars of a Christmas movie." Commentary: I have a soft place in my heart for scripts written by actors who have been trapped in this Christmas purgatory for years. There's a certain sensitivity to The Way Words Work that is nonexistent in most of these films. Especially since this industry relies on Never Retaking Any Line Read Ever because these movies are basically made on an assembly line. That is to say, this movie is a love letter and a list of grievances wrapped together in a metatextual bow. All of its jabs at the genre feel like they come from a place of familiarity rather than scorn, and the actors are obviously having fun. Line deliveries and elements of blocking feel like they have actual character work put into them, and one of the love interests feels like a Christmas Homunculi with no understanding that a world other than snowglobes and sugar cookies exists. But on purpose this time! If he encountered a turtle flipped on its back, he'd start feeding it christmas cookies, and the movie is Very Aware of This. It's fun.
Baby It's Cold Inside (2021)
Synopsis: "When a travel agent up for a promotion is directed to forget her tropical vacation and instead visit the world-famous Ice Hotel, she discovers that her sacrifices are more than compensated." Commentary: I'll be honest. This one is mostly here because the editing choices made me feel like I was losing my mind. I ended up dragging my roommate down to the living room at multiple points so that they could witness the same thing I was seeing. The jarring cuts, dropped story beats, and lines that lead nowhere make for an unforgettable viewing experience... except for the part where I have forgotten literally every other element of the movie. Except for the inexplicably evil love rival who becomes niceys at the end. I like her. Girlboss. This isn't even the only Hallmark movie that was set at and filmed at Hôtel de Glace in 2021. Truly the most Hallmark movie on this list.
Christmas Perfection (2018)
Synopsis: "Darcy's been striving for the perfect Christmas since childhood; thanks to a magical figurine her dream finally comes true." Commentary: I have already written up my thoughts on Christmas Perfection in EXTENSIVE detail here. Needless to say, I watch it every year. What a fascinating text. What an odd timeloop. It should have been gay.
Snowmance (2017)
Synopsis: "Each year Sarah builds her "Snow Beau" snowman with her best friend Nick. After another breakup, she begins to wonder if she'll ever find her own true love. A little Christmas magic brings her Snow Beau to life." Commentary: I cannot believe the snowman actually came to life. The snowman came to life and he's not even the primary love interest. Nick sucks in a normal possessive childhood friend love interest way, fuck Nick, everyone hates Nick, sure, but THE SNOWMAN CAME TO LIFE? THE SNOWMAN CAME TO LIFE AND HE TRIES TO SELL THE PROTAGONIST'S HOUSE!!!!! SHE LIVES THERE!!!!! This movie made me scream out loud multiple times. It is not good. Please watch it.
Timeless Love (2019)
Synopsis: "Megan wakes up from a coma in a hospital. The husband and 2 kids she just dreamed about aren't real. At her first job interview, she meets Thomas from her dream - or was it a vision years into the future?" Commentary: Listen to me. Listen. The establishing scenes of this movie are played completely straight. For the first chunk of the movie, it feels like this is going to be a dramatic, serious movie in a way that Hallmark Christmas Romcoms fundamentally are not, which makes it EVEN WEIRDER when it suddenly pivots into your classic nonsense. It entrances me. Who let this happen? Why is the medical professional who is assigned to help Megan with the trauma of losing her coma-construct family and recover from being in a literal coma cartoonishly evil? Why was the information Megan obtained from the coma dream accurate to real life? Why is she suddenly okay with losing her coma children as soon as she found the real-world version of her coma-husband? What a fascinating text. I have no clue what to do with it. But maybe you do. I'm folding it into your hands. Whatever happens next is your decision
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theredhairedmonkey · 4 months ago
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Do you have any theories on what might happen in S5, taking into account the episode titles that have been released?
I admit, I cheated a bit with this one by waiting until the trailer came out, but I'll compensate by having my theories be a bit koo koo bananas:
Startouched
At this point you've either seen this episode or you haven't, but not much to predict:
Team Zym have the prison.
Claudia goes off the deep end.
Callum wants to destroy the prison but everyone else isn't sure.
During the night, Aaravos takes over Callum and has him place his hand on the prison, letting Callum see into the prison and gets a vision of Aaravos breaking the pearl (imo this becomes extremely important later on).
Finally, he and Rayla head off to the Starscraper to find a way to stop Aaravos for good, while Soren goes off to find Zubeia.
Love, War & Mushrooms
In this episode, Rayla and Callum will likely have an important conversation, possibly mentioning Callum's father, as the show runners hinted at his role this season (Love). Meanwhile, Amaya and Janai prepare for war, knowing that Karim has an army and the Sun Seed (War), with Janai sending a crow for help to an "old friend." Soren and Zym meet up with Corvus and search for Zubeia, only to find mushrooms at her last known location (Mushrooms). The episode concludes with Viren arriving in Katolis and Ezran confronting him in the rain. 
The Frozen Ship
Rayla enters the ship from the promo while Callum waits outside. The ship mysteriously catches fire, trapping Rayla inside. Callum rushes in to rescue her when she doesn't emerge, realizing she stayed behind to search for her dropped coins. This scene highlights Callum's devotion to Rayla and suggests that Rayla may be more committed to her family than she initially let on. Meanwhile, Ezran listens to Viren and, despite wanting to punish him for his actions, learns that Claudia remains in Xadia and hasn't given up. This revelation leads Ezran to conclude that Soren, his companions, and the Sunfire elves are in grave danger. Determined to help, Ezran resolves to journey to Xadia.
The Starscraper
The plot kicks into gear when Callum and Rayla arrive at the Starscraper to seek help from the Celestial elves. They learn that using the Corona and Nova Blade requires more than just anyone's abilities. The Celestial elves send them on a mission to retrieve the heartstone of the Behemoth, Luna Tenebris' unsuitable heir, who roams the Frozen Sea. Callum and Rayla hesitate, as this would kill the Behemoth, but Callum proposes using a rune to extract the heartstone's energy without harming the creature. Meanwhile, Claudia hears Aaravos' voice calling her to Katolis, and Karim uses the Sun Seed to restore Sol Regem's sight, preparing to invade the Sunfire camp.
Moonless Night
Callum and Rayla pursue the Behemoth and, after a challenging encounter, successfully retrieve the energy from the rune, bringing it back to the Starscraper. However, the Celestial elves reveal that they need one more thing. Astrid explains that the Corona of the Heavens once belonged to the Star Leola, who bestowed the ability to use it upon the King of Elarion and his descendants, making them the only ones capable of wielding it. As Callum studies the quasar diamonds for an alternative solution, Rayla confronts Astrid, demanding more information since Elarion is long gone and finding a descendant seems impossible. Astrid mentions that the Celestial Elves once tracked down a man who was a direct descendant of the original King, but he had died. Shockingly, this man's name matches Callum's birth father's name. Rayla connects the dots and shares her discovery with Callum, who initially denies the possibility, arguing that it's merely a coincidence. Rayla realizes that Callum has so firmly embraced the idea of "Destiny Is A Book You Write Yourself" that he struggles to accept the possibility of a predetermined destiny. This leads to a heated argument involving their past experiences, ultimately resulting in Rayla and Callum fully reconciling and rekindling their relationship.
The Red Wedding
Karim and his army finally invade the Sunfire camp, capturing Ezran. Soren, Corvus, and Zym arrive to momentarily rescue him, followed by Aanya, who once again saves the Sunfire elves in a Deus-Ex-Machina fashion (as she is the "old friend"). During the rescue, Aanya and Ezran share a meet-cute moment. Soren and Viren reunite, with Soren reluctantly rescuing his father. As Karim takes control of the Sunfire camp, Sol Regem departs, no longer interested in petty squabbles. Meanwhile, Callum, refusing to consider Rayla's theory about his connection to the Corona, decides to connect with the Stars like the Celestial Elves. He attempts to fly blindfolded (as seen in the trailer) but fails and falls back to Earth. However, before hitting the ground, his body begins to levitate, and his eyes glow (similar to Kosmo's), but his smirk reveals the truth—he's possessed by Aaravos..
We All Fall Down
It is revealed that Aaravos had already left the prison, as the magic was designed to be impenetrable, and Claudia never had a way to set him free. Instead, Aaravos had intended on Callum & Co. to get to the prison first, then he had possessed Callum in 6x01, forcing him to place his hand on the prison, transferring Aaravos' essence to Callum. This explains why Callum didn't see Aaravos in the prison, as Aaravos has been in Callum's mind all along. Aaravos also confirms that Callum is the only person who can use the Nova Blade and the Corona of the Heavens. By bringing Aaravos to the Starscraper, Callum has played into his hands, allowing Aaravos to regain his full potential and declare war on his fellow Startouched elves (the Cosmic Order).
Meanwhile, Karim's victory is short-lived as Pharos becomes possessed by Aaravos as well. Karim is killed in a manner similar to Khessa, and Pharos transforms the remaining Sunfire elves into a new army of darkness. This army then converges on the corrupted core in Lux Area, where Pharos!Aaravos plans to gather his strength and spread darkness across the world.
Stardust
As Aaravos!Callum places the crown on his head, he feels his power return to full strength. He gloats that with the Nova Blade - the only weapon capable of killing Startouched elves - the Sunfire elf army, and Lux Aurea under his control, he can simultaneously conquer Xadia and the Cosmic Order, establishing a new empire. As punishment for her defiance, Aaravos "frees" Runaan but turns him into a corrupted version of himself that immediately attacks Rayla.
In Callum's mind, Aaravos taunts him while sharing his own backstory, revealing that he never fit in with the other Startouched elves and was ultimately cast out for his curiosity about magic. Callum empathizes with Aaravos, realizing their similarities and how the main difference between them stems from the love Callum received (and Aaravos did not). This realization leads Callum to a breakthrough with the Star Arcanum. He understands the vastness, darkness, and uncontrollable nature of the world (building on his understanding of the Ocean Arcanum) but recognizes that the sparks of love binding people together lead them from the darkness. Callum realizes that destiny isn't about who he will become (building on his understanding of the Sky Arcanum) but about acknowledging who he already is and the illusion of separation between himself, Aaravos, and everyone else.
By accepting his heritage as the Corona's true heir, Callum frees himself from Aaravos' grip and returns to consciousness. He then uses the Corona to restore Runaan and free Rayla's parents. Holding up the Nova Blade, Callum seemingly accepts that this is who he is, but that who he becomes is up to him.
Meanwhile, as Ezran and his companions march back to Xadia, they discover Zubeia, corrupted by sickness but kept at bay by the Mushroom mage. Janai achieves her own breakthrough, tapping into Light-Being Mode and purifying Zubeia. Simultaneously, Aaravos transports himself to Pharos' mind and teleports him to Katolis through a portal, where Claudia awaits (revealing Aaravos' contingency plan). Claudia uses Viren's staff to cast a powerful spell that restores Aaravos' body, sacrificing Pharos in the process. Aaravos describes the events at the Starscraper as a momentary setback, acknowledging Callum's increased power but persistent vulnerability, and resolving to bring him under his control regardless of what it takes. He then teleports himself and Claudia back to Lux Aurea, leaving Terry behind.
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tumblingxelian · 5 months ago
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How does RWBY's worldbuilding hold up for you?
Ooh fun question, and one I can answer in a short amount of time!
Long story short, yeah it holds up quite well, I don't need to make any significant leaps in logic or desperately headcanon things to compensate the way I might with some other settings.
For instance most super hero settings don't hold up to scrutiny, or present themselves consistently/coherently once they starts whipping out the more ridiculous sci-fi tech and or magic.
This isn't to say its perfect, nothing is, or that there aren't more details I'd like to see explored or various minor nitpicks I could probably pull out if I felt so inclined.
But as it is, I don't, but its not because I just love the series.
See, as much as I love world building, I do think it gets too easily used as a cudgel by bad faith critics.
Let's be real here, even some of the worlds best authors do not have Tolkein's patience to create a whole new language, & I imagine even his stuff raised questions or inconsistencies.
The absence of local languages/accents, them not explaining the praying statues in the V4 trailer don't bug me. Cos their absence is not harming the story.
Meanwhile if there's an inconsistency or question, that too is fine as they are watched enough to avoid any real issues & so I can focus on having a good time.
Hell, let's bring up ATLA, the golden calf for critics who never watched anything else in their lives without asking "Where's the Zuko though?"
Off the cuff & late at night I can name many ATLA world building issues.
The writers one hundred percent do not grasp the philosophical ideas they are trying to espouse, showing a grasp of "Letting go" almost as wrongheaded anti Jedi people.
The origins and nature of bending is inconsistent even just within the first series, being and or coming from education, gifts, blood, spirits, some combination there-of or what have you.
If we jump to Korra the Spirits themselves are weird, initially presented as physical manifestations of a given land, they instead become essentially alien invaders & stuff like the Lion Turtles, Koi, Badger moles & more are just left as ???? Plus again spiritual misunderstanding.
Or heck, one of my biggest gripes ties into the plot as well but would be the introduction of "Bad firebending" and its counterpart "Good Firebending" introduced very late in the game at season 3.
The problem with saying it was meant to be a surprise is we've seen every Bender tap into anger when bending. Toph cracks the ground, Katara broke an iceberg, Aang goes into the Avatar State, ETC.
Anger & fire was only tied to two characters, Zuko during his season 1 lashing out period & Zhao where it was specifically cited as being unique to him and something to exploit.
Worse still, we've seen people happily Firebend, Aang;s issues with Firebending comes from having too much fun, getting careless with it & accidentally burn Katara. & we have seen sad or direction-less Zuko Firebend like a champ before now.
The 'revelation' of "Good Firebending" is the wrong solution to Aang's issue cos it does nothing about fires tendency to burn, & a solution looking for a problem that had to be tailor made for it to fix & did not exist before, Zuko.
The thing is though, while I will happily harp on the last one as part of a greater collection of issues in season 3. The truth is people are not bothered by these things if they watch a show in good faith.
One doesn't even need to like a show to do this, its just part of the deal when watching fictional media that some stuff is not always going to add up perfectly.
What matters is if the writers made it interesting, feel like it fit coherently within the world and kept it consistent enough that it didn't break the story.
Which CRWBY very much do.
They created a wide, vibrant, varied and interesting world, where a multitude of stories could and do take place that can be expanded upon if one wants.
They created and kept consistent its internal logic as best as it can be conveyed to we the audience when the characters also don't know everything.
Above all they used it to tell a interesting and engaging story, where skill & strategy matter so much in combat Where its so easy to believe bandits and criminals can thrive in the wild. Where the introduction of something like the Ever After can actually fit and feel like a revelation rather than break the story!
So yeah, I really enjoy RWBY's world building :)
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sea-owl · 2 months ago
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Did you all know I come up with au ideas in every fandom I've jumped into? I don't always post them but I create ideas. Well now you do! The hyper fixation for one of them is coming back and I thought I share some of these ideas.
First fandom is the How to Train Your Dragon! I will admit pretty much all of these are Astrid centered. I saw so many focus on Hiccup back in my fanfiction.net days, a certain au being very popular that, tbh I didn't care for, for reasons. And that isn't a had thing, I love Hiccup, I just kinda wanted to explore another character.
Hybrid Astrid AU:
I think I posted about this one a little bit, but I don't remember. This used to be my favorite au, and I only ever found two fics of it, both still incomplete to my knowledge.
In my version of this au, Astrid is the by-product of her mother being cursed by a god to fall in love with her enemy for one night. That enemy being a night fury. Astrid's mom left the village after that, refusing to tell anyone what happened. She secretly gave birth to Astrid and then left her for her father to raise.
Astrid has really only known other dragons her whole life. Her older brother refuses to let her get close during raids and has her stay by his side. Being by his side is how she gets tangled in the bola with him the night they are shot out of the sky.
This incident also led Astrid to meet her first human, Hiccup. As the two teens get closer, Astrid is learning about her mother's people. Before Astrid was very distrusting of humans, and even a part of her hated her human half. Her mind slowly changes the longer Hiccup refuses to leave her and her brother alone. Hiccup, trying to get Toothless back in the air and teaching Astrid to read and write, also scored him some huge bonus points. This eventually leads into Astrid confronting her mommy issues when Hilda Hofferson returns to Berk and finds the girl she gave birth to now fifteen years older.
Blind Astrid AU:
This one I've made a few different versions of, but essentially, it goes down the path that Astrid's blindness is permanent. Sometimes, I play with it happening earlier, and sometimes I add other stuff to it like magic.
A current version I've been playing with is that it happens earlier than rtte, and I've been adding magical elements. So basically, how did this version goes down is that Astrid still loses her sight from lightning getting to close, but instead, being on land, she was with Stormfly trying to race back to Berk and get out of a storm. The near hit throws both Astrid and Stormfly into the water where a nearby dragon who lives with Valka finds them. Astrid wakes up in Valka's sanctuary with her sight missing and her magic ramped up to a level she had trouble controlling.
In this version I added magic because fuck it why not. Humans can unlock magic via bonding with dragons. It's usually at a gradual pace, so the human's body can adjust, and they can learn to control it. Severe injuries such as Hiccup's missing leg and Astrid's now blindness can send this magic into overdrive as a way to heal the body and / or compensate for the injury. I also like playing into that everyone's magic has a different feel to it.
Astrid's feels like a hearth. Warm, secure, like home. But if she loses her temper that warm feeling can definitely burn.
Hiccup's feels like electricity. Leaving like tingles if you brush up against his magic, though at full force can feel like a direct hit of lightning during a storm. Ask Snotlout he knows.
Anyway, Astrid becomes a student to Valka as she relearns how to ride and wield her magic. During a mission Astrid finds herself on the Edge and back amongst her fellow riders.
Role Reversal Plus a Baby AU:
This one I know I posted about before, but here it is again. This is basically a role reversal of Hiccup and Astrid where he's the celebrated son of the chief, and she's the social outcast who comes from a disgraced family due to the Flightmare incident. But the plot twist there is an arranged marriage between Hiccstrid. Another plot twist Astrid got banished after the incident in the arena. Third plot twist the story starts during race to the edge, and it turns out Astrid had Zephyr during her banishment.
Selkie AU:
This one is more for amusement than anything else because can you imagine someone trying to take selkie Astrid's coat? She would whoop their ass into next Tuesday. I think a running theme in here would be Hiccup keeps giving Astrid her coat back. He sees someone try to take it while she's out in human form and though Astrid doesn't need it he helps her get it back.
Astrid is touched by this, and over time, she falls in love with Hiccup. She feels like she can trust him with her coat, which is a huge thing in selkie culture. So she proposes marriage and offers him her coat. Only Hiccup doesn't know selkie culture beyond what he has observed from Astrid and what she's explicitly told him. The major thing he does know is you never take a selkie's pelt, it's basically trapping them. So he gives it back.
Astrid is flabbergasted, her selkie friends Ruffnut and Tuffnut, are laughing their asses off, and poor Hiccup has no idea what he just did. Astrid is a determined selkie though and refuses to give up. Ruff and Tuff are ready to cause chaos in the background.
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burst-of-iridescent · 1 year ago
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Hi! I love all your posts regarding atla and deep diving into Zuko and Katara's relationship-those analysis's are *chief's kiss* perfect
Anywho, I hope you don't mind me asking, but I'm guessing you heard about Bryke wanting to expand the atla universe, and will be creating a new movies, one of which, with the Gaang as adults, but as far as I know won't have any of the returning head writers like Aaron Ehasz..
so my question is: do you think there is any hope for these movies? Because to me I feel like it might just be a fully animated comic (we all know how those turned out) & just be 2 hrs of Katara and Aang saying "Sweetie" back an forth. Yes I'm still saltly
frankly? no.
and that's not even me saying it as a salty zutara shipper who doesn't want to see kat.aang as an established relationship. i doubt how good these movies are going to be because bry.ke have little-to-no understanding of their characters, especially katara and zuko, and at least since atla, haven't shown the self-awareness to hire a writer's team that can compensate for their shortcomings. i've said it before and i'll say it again: they have great, creative ideas and an excellent eye for stunning visuals and an immersive world. but when it comes to the nuances of characterization and story-building, they cannot do it on their own. lok proved that beyond a shadow of a doubt.
but more than bry.ke, these movies are also emblematic of a larger problem that i see in multiple franchises: the subordination of creative, meaningful storytelling in service to shameless nostalgia cash-grabbing. ask yourself, do we really need a story about the adult gaang? most of the main plot threads that they could've expanded on from atla have already been (mostly badly) answered in the comics: what happened to ursa, azula's potential redemption, decolonisation, industrialisation vs tradition, the founding of a new air nomad legacy, zuko's struggles as fire lord. any new story would either have to retcon previously established "canon" or put a new spin on old themes. the latter of which i severely doubt bry.ke's capability to pull off, particularly if any level of nuance is required.
atla is slowly but surely heading in the direction of star wars/harry potter/the mcu in producing new material just for the sake of making money instead of truly adding something impactful to the canon. the fact that absolutely no new atla material since the show itself has ever managed to live up to the original is proof that the franchise has no idea what it's doing.
and before someone comes at me to say that it's impossible to ever live up to the original - just take a look at the hunger games revival happening right now. the ballad of songbirds and snakes has been received so well because it isn't just a shameless cash-grab. it's a valuable contribution to the series that expands on the universe and themes of the original trilogy, giving more depth and nuance to the original books instead of detracting from them. because collins adds to the canon only when she has something meaningful to say, and for a franchise that she could have milked to absolute filth, that restraint reflects not only her integrity as a creator, but the value she places on the stories that she tells - which in turn makes her readers value and respect them as well.
and that's a lesson that i think every single storyteller should take to heart. if you want to be respected as a writer, you have to respect your characters and your stories first. because if you, the creator, don't... why should anyone else?
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lemonhemlock · 4 months ago
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I love Larys this season and his scenes with Aegon that's all. Compelling and Matthew Needham is quite a force. Well and Rhaena hunting down Sheepstealer is good. Nothing else is fun.
i agree about larys with the one caveat i'm going to list below
larys is probably the one green character who makes the most sense, both that his characterisation is consistent AND the way others view him and his reactions to that MAKE SENSE. larys is still larysing but when aemond proves to be a contrarian he switches back to aegon. for once, aemond's shenanigans get proper consequences from his small councilors.
how does alicent not have any leverages against being dismissed when she is the one hightower representative left? sure, aemond sends back for otto, but do you think the story frames that as compensation for dismissing alicent or did the writers feel obligated to bring him back bc he needs to have his death scene? not one braincell was put into this. daemon does shit in the riverlands and the riverlords STAND UP and bully him back. he also has a big scary dragon and they don't give a shit, so it CAN be done, the writers know deep down how to do this, IF THEY CAREF
why is tyland not putting his foot down and demanding something for house lannister? his brother has a bunch of maiden daughters and daeron is unmarried and has a dragon. the frey lord and lady negociated with jace for their support, jeyne arryn is PISSED that she didn't get what she wanted
what the hell is ironrod even doing? he threw in his lot with aemond but aemond doesn't seem to like him or even give a shit about him so why doesn't he have some kind of reaction. i guess the discussion with larys could have been a step in the right direction because you can say he is testing out the waters to see if he can curry favour with aemond by offering up intel OR if he could forge an alliance with larys and go from there
and this is where i have an issue with the writing bc, on the one hand, they are categorically NOT portraying larys as incompetent, but they are also inadvertently making him SO BAD at his job by making these stupid changes from the book. another symptom of wanting to have one's cake and eat it too. the city is in lockdown but rhaenyra can sneak in, no problem, elenda can not only sneak in, she can access an entire network of pro-rhaenyra agents larys somehow knows nothing about, can raise literal riots, can recruit dragonseeds (why do you even need dragonseeds from KL when you're living on dragonstone?!), rhaenyra's food can reach the population somehow even though there are checkpoints at every entry, the dragonseeds can leave by boat and LARYS KNOWS NOTHING ABOUT ANY OF THIS 🧍and no one even thinks to ask him 'hey wtf is going on? you're kinda fired'. but they can't, can they? they can't get rid of larys because he is important to the plot and they need him in the thick of things!
there's a dumbass post circulating now in which someone ✨generously✨ gives people permission to complain about the show but without bringing that "boring book" (FB) into discussion for a comparative analysis. because apparently the book is bad but somehow not bad enough to keep watching tv media derived from it 🤡
the problem with HotD is that it makes FB the pinnacle of logic and storytelling. it doesn't fix any problems, it compounds them. this shit with larys would not fly in the book bc it is dumb as fuck! so you can't help but compare it to the book where these things did not have to be explained away by waving a magic wand or getting a lobotomy
this post is long enough as it is and other people have already explained the problem with the rhaena storyline, so i won't get into it right now, but, in a nutshell: her story can make sense in a void, she get a semblance of an arc: she wanted a dragon and now she will get one and goes on a journey of re-defining her identity, i suppose, after having been dismissed as not sufficiently targaryen as a result of her being dragonless. so, it's the classic problem of making sense in a watsonian way, in the context of the show, but in a doylist way it's Not The Best because they have to delete the only canonically POC low-born character. so we lose that perspective in a show that already prioritizes the highborn
larys has the same problem with him being a sexual deviant directly connected to his disability. as an individual character, it can be explained and justified, but as representation for disabled people (who suffer from a severe lack of representation in media as is), it's Not Great
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