#comoedia

[weirdlookindog]

Dracula's Daughter in French magazine Comoedia (July, 1936)

[julien-blanc-romancier]

Jean Lambert, « Livres d’apprentissage », Comoedia, 4 septembre 1943, p. 2

https://julienblancromancier.wordpress.com/critiques/

[unetealombre]

[theancientwayoflife]

▪︎ Comoediae.

Author: Terence (Roman, 195/185–159 B.C.); Printer: Johann (Reinhard) Gruninger (German, died ca. 1532) 

Date: 1499

Medium: Woodcuts (multiple)

[infini-tree]

more sona stuff

[mercuriicultores]

Dantes Alagherius – Divina Comoedia, Infernum, XXXIV, 133-139

Lo duca e io per quel cammino ascoso intrammo a ritornar nel chiaro mondo; e sanza cura aver d'alcun riposo, salimmo sù, el primo e io secondo, tanto ch'i' vidi de le cose belle che porta 'l ciel, per un pertugio tondo. E quindi uscimmo a riveder le stelle.

[LAT] Exigue pendens. — Dux atque ego (nam data membris haud fuit ulla quies) fruituri luce novelli / mundi, iter ingressi, contectum adscendimus: ille / primus, ego propius post terga, et plurima pulchra, / quae gerit arx coeli, per spiramenta rotundae / adspexi rimae; egressique revisimus astra.

[HIS] Por el camino entramos encubierto mi guía y yo, buscando el claro mundo; y, sin querer descanso, a descubierto subimos, él primero y yo segundo; y entonces pude ver las cosas bellas que el cielo da, por un hueco rotundo: y otra vez contemplamos las estrellas.

[glidingsilvery]

Avant-Première - Grâce à Dieu (2019)

(📷 Nicolas Spiess / Cinéma Comoedia)

[arnoldwhisham]

𝘼𝙍𝙉𝙊𝙇𝘿 𝙒𝙃𝙄𝙎𝙃𝘼𝙈 | 42 | 𝘾𝙀𝙊 | 𝙎𝙋𝙊𝙍𝙏𝙎𝘾𝘼𝙎𝙏

[ ! ] — it seems that [ arnold whisham ] has entered the scene ! he looks exactly like [ david gandy ]. this [ 42-year-old ] is the [ ceo ] of [ sportscast ]. it’s a small wonder since he is known for being [ charismatic & resourceful ] and [ manipulative & egoistical ]. he has been involved with the company for [ 2 ] years. [ MARTHA | SHE+HER | 25 | GMT+3 ]

001. 𝙄𝙉𝙁𝙊𝙍𝙈𝘼𝙏𝙄𝙊𝙉

NAME: arnold whisham AGE: 42 GENDER: cis man PRONOUNS: he/him ORIENTATION: heterosexual MARITAL STATUS: married OCCUPATION: the ceo of sportscast EDUCATION: mba from lbs

002. 𝘽𝙄𝙊𝙂𝙍𝘼𝙋𝙃𝙔

arnold was born a petulant child and he never changed. maturity only made him sneakier with his bad temper, snobbishness and selfishness. he learnt to play people so that he never needed to throw a temper tantrum: he got what he wanted from others with fair speech and colorful imagery. he still gets upset on a daily basis when things don't go precisely the way he wants them to. he, fortunately, knows how to keep his lips sealed. the whishams have had a beautiful townhouse in central london for good three hundred years and a country house on a fifty-acre plot in somerset. in other words: the whishams are the crème de la crème of london. their family has seen its fair share of politicians, business men, lawyers, doctors, and freeloaders. arnold has always had ambition. he has always wanted to be a bit better than everyone around him. he always knew he was either going to become a politician or a business man. he chose business the second it became clear to him that he couldn't give a shit about the problems of regular citizens nor the intricacies of law and legislation. at least in business, you didn't work in the public eye. studying economics and business administration at the london business school was less about studying and more about establishing connections. arnold had a way of ranking people based on their usefulness to him. sometimes the right surname earned you a good number of points and sometimes just being funny and entertaining earned you the same amount. after graduation, arnold worked for his uncle's firm: a medium-sized publishing company. the work didn't entertain arnold in the slightest. the publishing sector was uneventful and arnold wasn't an avid reader. he couldn't distinguish good poetry from bad poetry — both seemed pretentious to him. he had a hard time believing the editors and the publishers whose opinion he had to trust when they were making big decisions. he left the company the second something better came along. the better that came along was an entertainment company. he actually stayed with the company for half a decade, climbing the corporate ladder. it took him two more companies before he started working at the bulletin corporation. first at the broadcasting company and a few years later at the bulletin sports. he liked the bulletin sports as a company. it was well structured and he could see great opportunities. within four years he was made the cfo of the bulletin sports. the title was one he wore proudly. it gave him power and influence. he could make big decisions, his word would be heard, he was a person people came to ask for permissions. he enjoyed his work greatly. this was back in 2020. the bulletin sports also introduced him to his future wife, an added bonus ! he genuinely thought he was going to stay with the company and aim for the ceo spot. he knew if he just gave it a bit of time and rubbed the right elbows, the position would fall into his lap. but... he got impatient and greedy. when the top dogs of comoedia and sportscast began courting him and the ceo position at sportscast was dangled in front of him, absolutely nothing stopped him from accepting the offer. it wasn't a cheap decision to him though. not only did it paint him as a villain at the bulletin corporation, it cause marital problems, and he received a boss from hell ( bernard ). but hey ! at least arnold made a lot of money and gets to call himself the boss ! he's been the ceo for two years now !

003. 𝙃𝙀𝘼𝘿𝘾𝘼𝙉𝙊𝙉𝙎

004. 𝙀𝙎𝙏𝘼𝘽𝙇𝙄𝙎𝙃𝙀𝘿 𝘾𝙊𝙉𝙉𝙀𝘾𝙏𝙄𝙊𝙉𝙎

— CRETE WHISHAM: wife. — BERNARD ALDERIDGE: bane of arnold's existence.

005. 𝙒𝘼𝙉𝙏𝙀𝘿 𝘾𝙊𝙉𝙉𝙀𝘾𝙏𝙄𝙊𝙉𝙎

— his most trusted companion ! — uni friends ! — uni gf ! — exes, serious or otherwise ! — enemies from tbc ! — pls mssg me 🥺

006. 𝙇𝙄𝙉𝙆𝙎

[dynastic]

congratulations JO on your acceptance and welcome to dynastic! please review everything on the checklist and remember to submit your account within twenty-four hours.

bradford thornbury ( hugh grant ) — comoedia corp, trophy husband

amelia whisham ( natalie dormer ) — telegrapp-h, major shareholder

[ ! ] — it seems that [ bradford thornbury ] has entered the scene ! he looks exactly like [ hugh grant ]. this [ 65-year-old ] is the [ emotional support dilf ] of [ comoedia corp]. it’s a small wonder since he is known for being [ jaunty + reliable ] and [ grumpy + taciturn ]. he has not been involved with the company. [ OOC JO | SHE/THEY | 27 | GMT+3 ]

[ ! ] — it seems that [ amelia whisham ] has entered the scene ! she looks exactly like [ natalie dormer ]. this [ 38-year-old ] is the [ major stakeholder ] of [ telegrapp-h ]. it’s a small wonder since she is known for being [ assertive + diligent ] and [ indulgent+ machiavellian ]. she has been involved with the company for [ 8ish ] years. [ JO | SHE/THEY | 27 | GMT+3 ]

[p6-rem]

💚💚

Comoedia

[julien-blanc-romancier]

Jean Fougère, « Julien Blanc : L’Admission », Comoedia, 24 janvier 1942, p. 2

https://julienblancromancier.wordpress.com/critiques/

[unetealombre]

[pcrkhcneul]

"so, what's your best offer so far? app-h or comoedia?" @hwangsieun

[infini-tree]

hands you two somewhat related sn!cap drawings based on memes

[psalm22-6]

Comoedia, 5 February 1934 (note the picture of Harry Baur by the masthead!) So I learned that the 1934 Les Mis film premiered two nights before a far-right anti-government riot! And you can feel that there was a crisis about to happen in this account of the movie's premiere:

A rough start to the night: there’s the taxi driver’s strike and there’s the parliamentary crisis. The latest information passed from mouth to mouth and most journalists arrived late, bearing the most recent news. “So Emile Fabre is jumping ship?” [Fabre was the director of the Comédie-Française and was apparently being pressured to leave.] “It’s a scandal!” “It’s disgraceful!” “What folly!” “And who is replacing him?” “George Thomé.” [Thomé was a musician as well as the former director the Sûreté.] “Seriously?! They’re going to be cuffing the Comedie-Francaise.” Emile Fabre makes his entrance, followed by his charming daughter. He is just as soon surrounded and interrogated. “I don’t understand! I don’t understand!” “No one understands.” “There is too much to understand.” Our editor-in-chief, who has not always been fond of Emile Fabre, is spotted by his side; he shakes his hand cordially and I note that Pierre Lazareff [editor-in-chief of Paris-Soir] notes this effusive sympathy. A political star enters!...M. [François] Piétri [briefly the Minister of Finance]…thoughtfully and hurriedly, he passes by on swift feet which recently exercised a wise retreat that was, if I dare say, a step ahead of wisdom. He joins Mme. Piétri….It’s impossible to get him to open up!... Caught up in the commotion of the crowd, I hear this brief dialog between a political columnist and a deputy: “And how are your ‘misérables’ doing?” “They are waiting for their Monseigneur Myriel!” The huge Marignan theater is too cramped for this crowd of guests. Luckily Jean-José Frappa and his second in command, Mme. Audibert, thought of everything, took care of everything… And everyone is able to get to the coat check and find his place easily. Because the taxi strike and political events delayed hundreds of people, who then arrived all at once and with haste, this was not an easy task. Who was there? Tout-Paris...I randomly noted with my pencil: Messueirs Paul Abram, Achard, De Adler, Berneuil, Archimbaud, André Aron, Arnaud, Louis Aubert, Aubin, Kujay, Kertée, Azaïs, Bacré, Barthe, Baschet, Baudelocque, Harry-Baur, Bavelier, Robert de Beauplan, Antonin Bédier, Pierre Benoit, Mme Spinelly, Charles Delac and Marcel Vandal, Léon Benoit-Deutsch, André Lang, René Lehmann, Bellanger, Mag Bernard, Tristan Bernard, Jean-Jacques Bernard, Louis Bernard, Dr. Etiënne Bernard (all the Bernards!)...Bernheim, Bernier, Guilaume Besnard, Bétove, Bizet, Blumsteien, Mme Rocher, Boesflug, Pierre de la Boissière, Bollaert, Bouan, Boucher, Robert Bos, Pierre Bost, Paul Brach, Henry Roussell, Charles Burguet, Pierre Brisson, Simone Cerdan, Henry Clerc, Albert Clemenceau, Pière Colombier, Germaine Dulac,Henri Diamant-Berger, Julien Duvivier,Jean Epstein, Fernand Gregh, Mary Glory, René Heribel, Tania Fédor, Alice Field, Jacqueline Francell, Mary Marquet, Florelle, Marguerite Moreno, Françoise Rosay, Becq de Fouquière, Jean Servais, Vidalin, Maria Vaisamaki, Orane Demazis, Rachel Deviry, Rosine Deréan, Jacques Deval, Christiane Delyne, Renée Devillers, Jean Chataigner, Germaine Dermoz, Léon Voltera, Robert Trébor, our director, Jean Laffray, Lucie Derain, Paul Gordeaux, Jean Narguet, Parlay, Suzet Maïs, Antoine Rasimi, Renée de Saint-Cyr, Jean Toulout, Mady Berry, Yolande Laffont, Jean Max, Parysis, Charles Gallo, Léo Poldès, Jean Fayard, Edmonde Guy, Mario Roustan, Paul Strauss, Cavillon, Emile Vuillermoz, Josselyne Gaël, Charles Vanel, S. E. Si Kaddour ben Gabhrit, the duke and duchess of Mortemart, Madame Henry Paté, Marcel Prévost, Louise Weiss, Alfred Savoir, Henri Duvernois, Paul Gémon, magistrate Maurice Garçon, magistrate Campinchi, Sylvette Fillâcier, Jean Heuzé, Pierre, Heuzé, Mona Goya, Simon-Cerf, W.E. Hœndeler, Georges Midlarsky, Michel, Nadine Picard….and others I must be forgetting…pardon me!....Silence!....

In the glow of the half-light from the screen….there are applause! Not since les Croix de bois has a movie been so highly anticipated and now it is time for the verdict….Raymond Bernard can be sure that the audience is rooting for him. Our eyes are full with light and pretty colors. This Paris night is practically magical…and departing from that magic, we are plunged into the great river of les Misérables, into the furious waters of this social storm. Luckily André Lang and Raymond Bernard have made the trip for us. What contrast!  From the spectacle of an elegant and distinguished gathering, we move to the misfortunes of Jean Valjean.

The audience picks up on everything that could be an allusion to the present times. But of all these allusions, one stands out. It’s the lament of two gossips, at the moment when the barricades are rising. “What sad times!” “We’ve barely made it through the cholera…and here is the Republic!” Thunderous applause and mad laughter. When, on the barricades, the Republic calls on us to act, the spectators think of other promised actions which haven’t happened and they forget to applaud. But the whole audience is prodigiously virtuous; whenever a good deed is shown on the screen, when some sentence about the heart graces the white canvas, it is punctuated by applause. After the first film, stop!... Time to eat! There’s a mad dash to the punchbowl. In the haste of this day of crisis and running late, many in the audience did not have time for dinner….the buffet, in the blink of an eye, is emptied and the dry drinks make vindictive and impassioned discussions flow. High and low, here and there, everyone was speaking of the Parliment's chances and the intermission bell sounds in an atmosphere charged with electricity. The two other parts of the film, cut by another intermission, each end with a double ovation for Harry Baur, both in the lobby and in the theater. The little Gaby Triquet is passed from person to person towards a chocolate eclair, which she leaves a trace of on the cheeks of Harry Baur. And then as usual everyone rushes to the coat check.  Then we go to the fifth floor of the Marignan building. There, in an unoccupied apartment, dinner waits for us. There are more than a thousand of us around little eight-person tables. Ten thousand meters of film, that will make you hungry! Three orchestras pour out waltzes, tangos, and other tunes, while the masters of the hotel fill up our cups. And that continued to six thirty in the morning, in an atmosphere of charming cordiality as each person attested to the pleasure of seeing French cinema accomplish such a feat. Bernard Natan and Raymond Bernard were too surrounded for me to speak to them. Besides, what could I say to them that they haven’t already heard ten times, a hundred times, a thousand times that evening, which was the apotheosis of cinema and of Les Misérables. -Jean-Pierre Liausu

[brncrd]

𝐭𝐨 : caroline ( @carolinebrandolph )

𝐬𝐜𝐞𝐧𝐞 : country club's spa

❝ how many massages do you really need in one day ? ❞ he asked like it was the eighth time he had seen her getting one. it was the first. in fact, this was the first time he had run into her all weekend. ❝ you're overworked, aren't you ? ah, ramdolph. i told you life is hard under the bulletin, ceo or not. if only you hadn't betrayed me and joined comoedia instead... ❞