#commentary on a character analysis

[sendandburn]

An Analysis of the hogwarts teachers

This iwas included in the Analysis of Severus Snape as a teacher but i decided to put it in a separete post 'cause i feared it would be to long for Tumblr.

"Fake Moody  [a Death Eater, but a Death Eater who fooled everyone, meaning his behavior was not that OOC for real Moody, whom Dumbledore hired]:

Transfigures Draco and slams him repeatedly against the stone floor while Draco is squealing in pain

tortures spiders with Crucio in front of Neville, which causes him such distress Hermione interrupts the lesson. Then, he “comforts” Neville. Now picture how Neville must have felt when he found out it was one of his parents’ torturers. That had to be more traumatic than watching your toad not get poisoned

curses students in class - “The rest of the class was very eager to leave; Moody had given them such a rigorous test of hex-deflection that many of them were nursing small injuries.” (r/harrypotter)

Ok , we don't know if the REAL Moody was even good at transfiguration so he might not have used that to punish Draco and as for the unforgivables....maybe...i mean, the reason Barty gave to show them that was a good one but Moody knew of the backgrounds of Harry and Neville so i'd like to think that he wouldn't use the unfogivables that affected them most with them in class.

"Flitwick:

does nothing about Luna’s bullying

has Seamus repeatedly write "I am a wizard, not a baboon brandishing a stick". The Irish were once openly compared to apes in England in the past, so that’s in extremely poor taste

Lavender bursts into tears during Charms, Flitwick doesn’t notice"

(r/harrypotter)

Ok, so i can't in good conscience say anything to defend him against points 2 and 3 'cause, quite frankly, there's no excuse for that, in fact point 2 makes him no better than Snape when he called Hermione the M word and he dosen't even have the excuse of once being anti-irish and trying to change,like Snpe does.

as for point 1 however the Harry Potter Wiki clearly states that when heads of houses decided to live at Hogwarts, they most likely had private quarters NEAR their House's common room. " note that it says Near, not In and as Luna's bullying happened In the dorms & common rooms, Flitwick would have no way of knowing about it unless she reported it, wich she never did.

"Trelawney:

predicts a death every year and generally distresses students with her predictions

To Hermione: “I don’t remember ever meeting a student whose mind was so hopelessly mundane.”

takes her anger about Umbridge’s performance review out on students: throws a book at Dean and Seamus, and thrusts another one so hard into Neville’s chest that he falls. She then calls the entire class a bunch of idiots: “You know what to do! Or am I such a substandard teacher that you have never learned how to open a book?”

Points 2 and 3 make her no better than Snape who is also often criticized by snaters for insulting his students, wich is funny if you consider that we clearly estabilished that he is not the only one who does this. As for predicting people's deaths, i understand that it's a part of her character, just like is a part of Snape's character to be snarky, however i can't help but think that she is incredibly stupid for doing that as it not only, as said distresses the students, but makes the theory that she is a fraud seem much more belivable.

"Slughorn:

starts an elitist club to promote his favorites and doesn't even bother to learn Ron's name. This clearly affects Ron (Molly is still raw about Arthur being excluded from the Slug Club, years later)

Ron is poisoned and he just stands there

was Tom Riddle’s mentor and his influence on Tom is apparent in Tom trying to become a teacher to influence young minds, and testing poisons on house elves; he is openly prejudiced, though non-violent. Further, Slytherins were groomed into the DEs under his nose." (r/harrypotter)

Ok, i'm not even going to defend him cause i never liked him and there are honestly no good arguments to defend his actions in any of those instances. Honestly, i can agree that Snape is a bad teacher but at least he never picked favorites or did nothing when a student was endagered in front of him.

"Dumbledore:

silenced student Snape after Sirius tried to kill him, and did not expel Sirius

His attitude toward Harry in OOTP was emotionally abusive

recruited students into the original Order while they were still his students in the Marauders era, and continued to use children for his war against Voldemort."

Look, i get silecing Snape as he didn't whant to put Remus in danger but Sirius punishment was fairly light in face of what he did, though i will disagree that he actively TRIED to kill Snape as the same point that was made in the original post about Snape and Trevor can be made about Sirius, to semi quote "Sirius  is competent enough that if he’d wanted Severus dead, he would be. " i mean....He is the son of Walburga OFF WITH THAT ELF'S HEAD Black and grew up having acess to more dark artefacts and dark arts spells than Snape could ever dream of having, thus it would be as the host of screen rant says " super easy,barerely an inconvenience" for Sirius to kill Severus without being caught. However, it was still Involuntary manslaughter and thus " a Friday afternoon detention for the rest of the year, along with being banned from playing Quidditch for the rest of the school year." is not a suitable punishment

As for Dumbledore in OOTP, i get that he was afraid that Voldemort could read Harry's mind but that could be solved by simply writting a porpusfully vague letter like " Harry, I'm afraid Voldemort can read your mind, that's why I can't look at you and I can't share my plans with you. I need you to trust me, I have a plan and the best thing you can do to help is put all your efforts in learning Occlumency. I would teach you myself but that may allow Voldemort to see my plans, but I happen to know of another expert at Occlumency who may be of help. You might not like him but he is by far the best person for this job. Don't worry, i will talk him into curbing down his behavior so that he is more civilized with you during those lessons"

There Harry won't know for sure who his teacher is going to be (thus neither will Voldemort ) but at least he won't be compleatly in the dark.

Point 3 was always something that irked me about him, but i suppose i can't say much as age is also not a factor in the recruitment of death eaters, though it can be noted that while Voldemort did manipulate his potential recruits, he never lied to them about what he expected of them wich can't be said about Dumbledore.

"Hagrid:

gives Dudley a tail because Dudley’s father insulted Dumbledore. Dudley has to get surgery to remove it. He intended to transfigure him into a pig

gets the Trio involved in his illegal and dangerous dragon hatching scheme, which results in them being caught and punished and in Ron being gravely injured, for which he blames Ron

calls Draco an idiot

first sends Draco and Neville alone, after the unicorn killer, then sends Harry and Draco alone, despite seeing that Draco is trying to cause trouble

sends Harry and Ron into the forest to speak with Aragog

Draco gets injured in Hagrid’s lesson

His blast-ended skrewts lesson result in multiple injured students

threatens Draco with transfiguration again after Moody’s stunt

asks Harry and Hermione to secretly look after his incredibly dangerous brother

makes a fuss about the Trio dropping his subject and guilt-trips them about it" (r/harrypotter)

ok so lets go in order:

Point 1: IRL, it was clearly another demonstration of Jk Rowlling's fatphobia. In potterverse, it was clearly irresponsible and constitutes as a violation of the status of secrecy as, although the Dursley's know about magic, the staff of the hospital where Dudley goes to remove his tail do not.

Point 2: once again, Irresponsible, but in character for Hagrid who seemingly fails to see how something like a Dragon could hurt the students.

Point 3: and Yet another teacher who insults his students ladies and gentlemen.

Point 4: One of his worst offences on this list, Investigating the Unicorn deaths was HIS JOB!!!! Honestly, call Snape what you will but he never used detentions to send students to get dangerous potion ingredients for him or set any detentions past curfew. Hagrid should have them do something like clean the owlery instead.

Point 5: i get that he though Aragog wouldn't eat them, wich is in character for him as he always sees dangerous creatures as inoffensive but he didn't know for sure and could have just told them to research Tom Riddle's geneology wich would have been just as effective and way less dangerous.

Point 6: Ok let's get this out of the way first: YES, Draco is partly to blame for this injury as he insulted Buckbeak when Hagrid specifically told him not to! However, in any class there will always, and i mean ALWAYS be a student that, for whatever reason, fails to follow instructions so if Draco hadn't said a word, you can bet that another student who wasn't paying attention would have! thus the end results would still be the same, with the only difference being how much power the parent's of said student have at the ministry and if they decide to press charges or not. The risk was always there and that's what he gets for bringing a XXX beast to a third year class.

"Lupin

endangers everyone for an entire year by covering up for a mass-murderer just to look good, even after said murderer has infiltrated the castle twice, once attacking and traumatizing the Fat Lady and once pulling a knife on Ron

is negligent with his Wolfsbane - Snape has to nag him about it. This leads to him transforming in front of the Trio

Hermione doesn’t get a chance to fight the boggart, leading to her first less than perfect grade, which affects her confidence well into her 5th year. As the DADA OWL exam included banishing a boggart, this is presumably why she doesn’t get the O she deserves

Has no apparent issue with executing Peter in front of three children" (r/harrypotter)

Point 1: Ok,so i believe that his reason for not telling people about Sirius being a dog animagus wasn't to, as the post said, "Look Good" but to be loyal to his friends whom,being who they were,probably made a pact in their first year to not tell any figure of authority about their mischiefs, wich included becoming animagus. Was it a bad decision? Yes,as he should have put the safety of his students above anything else but i understand his reason. it dosen't excuse it though.

Point 2: while i can understand that, as anyone would forget it with all that was happening, i can't defend him for that one.

Point 3: "his teaching style was obviously not good for Hermione, who got an E in DADA because she couldn't defeat a boggart, because she didn't get the same chance as everyone to practice in Y3. She remained insecure about her DADA skills, for no good reason" (pet_genius on reddit) Honestly, the fact that he let any of his students leave without having defeated their boggarts is something that i think no one could defend and is worrisome that, if it weren't for the Patronus lessons, Harry might not have gotten the chance to defeat his either.

Point 3: Ok i need to remind you that: LUPIN IS A WEREWOLF WHO DIDN'T TAKE WOLFSBANE AT THE TIME AND IT WAS THE NIGHT OF THE FULL MOON! meaning, the freaking Wolf while not in control of his body, was very active inside his mind and it, being an animal, dosen't care about the emotional impact Peter's execution could have had on the children and with it being so close to the front of Remus' mind, it was very capable of clouding Remus' rationality and common sense, making him focus only on his anger.

"McGonagall:

forces Harry to become Seeker without asking him if he wants to, threatening him with punishment if he doesn’t practice hard (in the process, ignores Draco’s attempt to steal Neville’s Remembrall)

pulls 1st-year Draco by his ear in addition to assigning detention and docking 20 points, doesn’t give points back or apologize when it turns out he wasn’t lying

sends 1st years to the Forbidden Forest to find a unicorn-slaying horror, in addition to docking the trio 150 points, thus making them a target for hatred, for breaking curfew

Doesn't notice 1st-year Ginny’s obvious distress

Allows Ron to study with a broken wand

catches Harry and Ron wandering the hallways alone, at a time when teachers escort students everywhere, and lets them get away with it because Harry lies that they’re going to see Hermione in the hospital wing; does not escort them there

Locks Nev out of the common room with a mass murderer on the loose for having his passwords stolen, a humiliating and dangerous punishment for something that's not Neville's fault, in addition to a ban from Hogsmeade visits and detention.

Lets Harry practice Quidditch outdoors in POA despite the danger he is in, because, as she explicitly says, she wants the Quidditch Cup

reacts to “Moody” torturing Draco by ordering Moody to take Draco to Snape to be punished some more, and doesn't check on him

humiliates Neville because she doesn’t want to look bad in front of the foreign delegations

punishes Harry for losing his temper with Umbridge, proceeds to do the same thing in front of him

admits she treated Peter poorly because he wasn't as talented as his friends

The worst two sets of troublemakers in school history were her charges and she failed to control them." (r/harrypotter)

Point 1: “threaten” changes the entire context. She says she “may change her mind about punishing him” but it’s not made to sound very serious, especially since she smiles immediately after that. " (Fae_Faye) That said, while, as Fae_Faye said, she might have allowed him to give up Quidditch after trying out should he want to, it wouldn't be Oc for her to pull a Voldemort emphasizing the fun and glory that Quidditch can bring more than the dangers it can cause,suibitably manipulating harry into trying out should he decide that he dosen't want to play or wants to wait for y2. Yes, she would respect his opinion should he make his denial clear but she would still try.

Point 2: "Pulling somebody by the ear is a common way for adults to punish children but the fact that physical abuse is extremely common does not make it right. Would you find it acceptable if your employer dragged you around by the ear if you spent too much time on break? No? Why not? Why would that be cause for a lawsuit, but not an adult doing it to a (physically much weaker) child in their care?

At worst, the child will actually come to believe that he deserves being psychically abused if he's done something wrong, which, later in life, will turn them into an adult who accepts domestic violence. (

At worst, the child will actually come to believe that he deserves being psychically abused if he's done something wrong, which, later in life, will turn them into an adult who accepts domestic violence. (Fae_Faye and to a lesser extent Vrajitoarea) Sure, she took more points of the trio than of Draco, but as his only misdeed was being out of the Snake's lair past curfew, a simple detention would have suficed.

Point 3: "There’s no evidence that McGonagall knew what the students were going to do for detention. It’s possible Hagrid asked for them without telling her why but the fact that she accepted to send three 11 y.o. to Hagrid, at 11 o'clock at night, without even asking what he would be doing with them? That's... somehow even worse.

Besides, Filch was the one McGonagall assigned to take them to Hagrid, and Filch knew what they'd be doing. Do you think Hagrid told Filch, whom he couldn't stand, but not McGonagall? And Filch didn't tell her either, for whatever reason?

About the point deduction –Harry and Hermione not only got into trouble themselves, but also put Neville and Draco into trouble as well, and already Harry and Draco have been troublemakers (having fights at the Hall over the Remembrall, breaking the rule about flying, and maybe some more- I can’t remember right now), so she was probably trying to discourage them from doing such a thing ever again by giving such a harsh punishment, especially since the school just recently had an issue with a troll on the loose and attacking students. In any case, Neville also had 50 points deducted, and Harry, Hermione, and Neville all became the target of bullying because of it. It doesn't matter what they did, putting a target on three 11 y.o. children's backs is wrong in itself. That it happened just for breaking curfew, and in addition to the detention in the FF, just makes it worse. (Fae_Faye and Vrajitoarea, semiquoted 'cause Vrajitoarea assumed Ron was involved)

Point 4: "Heads of Houses (i.e. real-life Housemasters) are parental stand-ins, and they're supposed to watch out exactly for this kind of situation. Ginny was visibly unwell, and Percy noticed, but couldn't force her to talk about it. Ron was a 12 y.o. child, he had no responsibility.But, anyway most people at that time were distressed with the opening of the Chamber, even the teachers. Which isn't an excuse. Checking up on 11 y.o. children who have just been separated from their families, for the first time in their lives, is the Head of House's job. After a superficial inquiry, it would have become clear that Ginny was having serious issues, which should have prompted further investigation." (Fae_Faye and Vrajitoarea)

Point 5: None of his teachers did anything about it. And Ron himself makes the decision not to get one because he doesn't want to suffer a howler: "Write home for another one," Harry suggested as the wand let off a volley of bangs like a firecracker. "Oh, yeah, and get another Howler back," said Ron, stuffing the now hissing wand into his bag. " `It's your own fault your wand got snapped-'" (Fae_Faye)

Point 6: McGonagall has no way of knowing that they’re lying; all she knows is that three thick friends have had one of their own petrified and so are desperate to see their friend. This scene showcases her empathy and kindness despite usually coming off as a disciplinarian. Also, the Hospital Wing is on the first floor and at the time McGonagall catches them, Harry and Ron were on the second – I don’t think it reflects that badly on her that she allowed them to go unescorted just one flight of stairs down, especially since she was rather too emotional at that time to think rationally (when Harry and Ron leave, McGonagall is tearing up and blowing her nose).(Fae_Faye)

Point 7: All McGonagall knows is that a boy habitually known for forgetting and misplacing things wrote down every password of the Gryffindor Common Room in the last week and then lost it while a mass murderer was on the loose and trying to get into the Gryffindor Common Room. Neville endangered every Gryffindor classmate of his by losing that parchment, and could have been the cause for all their deaths if Sirius had turned out to be the psychotic mass murderer he was painted as (especially since at that time, Ron was screaming about Sirius standing over him holding a knife). Sure, there were security trolls there to protect him ( “Poor Neville was forced to wait outside the common room every night for somebody to let him in, while the security trolls leered unpleasantly at him.” ) But, setting aside the sheer mental and emotional trauma Neville was experiencing by being forced to wait outside, fearing for his life, and to humiliate himself in front of his classmates by begging to be let inside his own "home"... Sirius Black was believed to be an extremely skilled killer, who walking around the castle without being seen. The trolls were not even a small guarantee that Sirius couldn't endanger Neville.

All this, for Neville supposedly having lost something (so, not a voluntary action, but the consequence of him being naturally forgetful, and of the fact that Cadogan was inventing harder and harder punishments, to the point that other students complained).

And Neville is an extremely sensitive child, so a punishment that would have been terrible for anyone, would be excruciating for him. McGonagall, as his Head of House, should know that. It's also extremely poor pedagogy - by having him there, it's a constant reminder to everyone else that he supposedly endangered their lives, which would prompt bullying." (Fae_Faye and Vrajitoarea)

Point 8: "Bad news, Harry. I've just been to see Professor McGonagall about the Firebolt. She -- er -- got a bit shirty with me. Told m' I'd got my priorities wrong. Seemed to think I cared more about winning the Cup than I do about you staying alive. Just because I told her I didn't care if it threw you off, as long as you caught the Snitch first." Wood shook his head in disbelief. "Honestly, the way she was yelling at me... you'd think I'd said something terrible... then I asked her how much longer she was going to keep it. He screwed up his face and imitated Professor McGonagall's severe voice. 'As long as necessary, Wood'..."*When it comes down to it, she clearly cares for Harry’s safety more than winning the Cup. I also doubt that Harry would have been in any danger out on the Quidditch field, since it’s part of the school, a wide open space and shooting spells at a person flying in the air would be almost impossible" (Fae_Faye)... so yeah that point is null and void but it is the only póint so far that is null and void.

Point 9: " I must say I don’t like how you word some of your points. McGonagall didn’t “order” Moody; she told him there were alternatives to transfiguring a student as punishment, which includes seeing their Head of House - and Moody immediately says he’ll do that.McGonagall’s reaction to “Moody torturing Draco” is thus: she "shrieks", drops her books, untransfigures Draco and then she scolds Moody "weakly". It’s made clear that she’s extremely stunned by what happened, still ,she didn't even bother to ask the Draco, who was visibly in pain, if he was OK, instead letting him be dragged away by his torturer, who was still threatening him." (Fae_Faye and Vrajitoarea)

Yes,his fall would probably not be considered serious but it dosen't change the fact that she should have asked about his wellbeing regardless of that: a scraped knee is not serious but it can still be painfull.

"In case of injury, you don't send the injured person to the "proper authorities", who will then send them to the hospital. Internal bleeding and ruptures are a thing.

About the pain, Draco might be slightly hurt by the ten-feet fall, but I doubt it's any more serious than a kid scraping their knee on the floor.

... repeatedly smashing someone into the floor isn't any more serious than a kid scraping their knee? Never mind the emotional trauma.

“I don’t think so!” roared Moody, pointing his wand at the ferret again—it flew ten feet into the air, fell with a smack to the floor, and then bounced upward once more. “I don’t like people who attack when their opponent’s back’s turned,” growled Moody as the ferret bounced higher and higher, squealing in pain. “Stinking, cowardly, scummy thing to do…” The ferret flew through the air, its legs and tail flailing helplessly. “Never—do—that—again—” said Moody, speaking each word as the ferret hit the stone floor and bounced upward again. [...] “Hello, Professor McGonagall,” said Moody calmly, bouncing the ferret still higher. [...] Draco Malfoy had reappeared, lying in a heap on the floor with his sleek blond hair all over his now brilliantly pink face. He got to his feet, wincing. [...] Malfoy, whose pale eyes were still watering with pain and humiliation, [weeks later] The Gryffindors roared with laughter. Malfoy flushed with anger, but apparently the memory of Moody’s punishment was still sufficiently painful to stop him from retorting.

It's made very clear that the experience was a truly traumatising one. (Vrajitoarea)

Point 10: "She scolds Neville for not being able to do a spell properly, and does so by mentioning the delegates. Neville has a history of endangering the class by melting his cauldrons (see PS, where the students have to climb on tables); Neville was supposed to have studied that particular potion over the summer; living in a magical household, he could have even practised brewing it (unlike a Muggle-born); Snape had also given them exact instructions as they were brewing; Snape is clearly frustrated with Neville's seeming intentional incompetence, and wants to make him learn - which is why he tells Neville he'll have to use the potion on Trevor - he tries to scare Neville into paying attention, because he thinks Neville can get better (not a good tactic for someone like Neville).

McGonagall, on the other hand, may belive in Neville ( as can be seen from the quote: You cannot pass an O.W.L.,” said Professor McGonagall grimly, “without serious application, practice, and study. I see no reason why everybody in this class should not achieve an O.W.L. in Transfiguration as long as they put in the work.” Neville made a sad little disbelieving noise. “Yes, you too, Longbottom,” said Professor McGonagall. “There’s nothing wrong with your work except lack of confidence." ) however, she never explains to him what he's doing wrong .

It's also mentioned that the only time she says something positive to Neville is in HBP, and then it's only because he was willing to die for Harry at the Ministry... which was actually the sort of reckless gesture that a teacher should not have been encouraging. If they had all stayed put, Sirius would have lived.

And, again, she was his Head of House - she was supposed to nurture him, help him gain self-confidence, not further undermine it.

She was often sharp with him, as she is with everybody. McGonagall holds all her students to high standards because she believes in them, and Peter probably didn’t meet those expectations often

(Fae_Faye and Vrajitoarea) Fae_Faye said and i agree that Minerva appears to not care what others think of her, but she knows that Neville does so her mentioning the delegates might have been done because she donse't want HIM to look bad in front of the foreign delegations.

Point 11: " There’s a difference. Harry is a student who can easily be punished by his professor for cheek and he is, after all, the person that the Ministry is trying to discredit as hard as they can. Though McGonagall’s job can be on the line, punishing her is a lot more difficult than with Harry, considering her stellar record of service in Hogwarts (thirty-nine years, wow). Their situations are nowhere near the same.

Point 12: "that is not what she said. Let’s see that quote, shall we? "Hero-worshipped Black and Potter,’ said Professor McGonagall. ‘Never quite in their league, talent-wise. I was often rather sharp with him. You can imagine how I – how I regret that now …’ She sounded as though she had a sudden head cold. ' She was often sharp with him, as she is with everybody. McGonagall holds all her students to high standards because she believes in them, and Peter probably didn’t meet those expectations often, , along with him being a troublemaker as part of the Marauders. She regrets her sharpness, as most people tend to regret their actions regarding a dead person, even if they were right in those actions." (Fae_Faye) and here we have the second null and void point.

Point 13: "She constantly tries. It’s not her fault that they are completely unwillingly to change and, no you can't use Lily's morals to imply James's. It's the sort of reasoning used to dismiss domestic abuse, for example - X can't possibly abuse Y, because Y is a good person who wouldn't stick with them/wouldn't tolerate a bad person.

Plenty of decent people are partnered with terrible ones.

Besides, in Y5, Lily downplayed James's actions, and even "almost smiled" at him tormenting Snape. JKR had also said she was already attracted to James, even while he was being the school bully. She wasn't a saint Sure, Plenty of people seemingly have a good relationship and marriage.

The Marauders, i.e. James's friends and accomplices, tell Harry, who is highly distressed, that his father's head "deflated a bit." Then admit that James lied to Lily (why would he, if he wasn't at fault), and continued hexing Snape behind her back (the idea that Snape was the initiator falls flat on its face, when Sirius admits James was the one to decide when the hexing would occur; similarly, if James had grown as a person, he could have just used the Map to avoid Snape).

James' maturity is, as far as I know, collaborated by every person who knew the two, except Snape, who is biased to hating James

It's not. Only Lupin and Sirius say James got better, and Sirius is the only person, throughout the books, to call James "a good person." Seriously.

Hadn’t people like Hagrid and Sirius told Harry how wonderful his father had been? (Yeah, well, look what Sirius was like himself, said a nagging voice inside Harry’s head… he was as bad, wasn’t he?)

Hagrid only says, to James's orphan son, that James was brave. Which he was, of course. The best that McGonagall has to say about James, while looking back through rose-tinted glasses, is that James was brilliant… and the leader of a gang.

“He is his father over again—”

“In looks, perhaps, but his deepest nature is much more like his mother’s.

Considering Dumbledore usually reflects the authorial voice, there you go.

As for James's behaviour post-Hogwarts, JKR wrote two short stories that portray James as reckless, arrogant, mocking of Muggles, and responsible for the collapse of Lily's relationship with Petunia. Which I honestly find weird, considering she clearly intended for James to have become decent, yet never got around to actually writing it.

In any case, "toning down the bullying and the sexual assaulting" != "becoming a good person."

I don't blame McGonagall for the Marauders' behaviour itself, just for the complete lack of consequences. I find it hard to believe she didn't know about t.On the other hand, Draco was Snape’s student but he never managed to make him a better person bu that's because Draco was the subject of heavy indoctrination, and Snape had the mission of pretending he agreed with said indoctrination. Draco actually acts behind Snape's back a lot, like in PoA, when he's taunting the Trio behind Snape's back, while pretending to be very injured in front of him."

Holly shit that was long! and looking back i find it interesting that Pomona and Aurora Sinistra were the only one's not criticized by the original post (not couinting  Septima Vector and Bathsheda Babbling who we don't see teaching cause the books were written in Harry's perspective and he never took their subjects), perhaps because they were the one's that actually deseve the title of best teacher at Hogwarts.

[shyjusticewarrior]

Two things can be and are true at once.

Robin Jason was a sweet, kind kid who cared about victims. He also had righteous rage and violent tendencies towards those he thought deserved it.

Being Robin gave him magic and as Robin he shattered a man's collarbone with no remorse.

[caligvlasaqvarivm]

Why The Ending Sucks

Ok I figured it out. Hear me out:

The entire comic has a running theme best summed up as "who is controlling the narrative, and why are we listening to them?"

Hussie plays a caricaturized version of himself that he describes as "buffoonish" and "oafish". Caricature!Hussie is well-meaning, but a dumb idiot who's incredibly biased in favor of certain characters and in disfavor of others (the most obvious example being his "love" of Vriska, but there's also the way he constantly disparages Eridan). As a result, you have to be VERY SKEPTICAL and VERY CAREFUL when approaching Homestuck's narration, because even when the "best" narrator is at the helm, he's not 100% trustworthy and incapable of giving the readers an unbiased view of the story.

I say "best" because, importantly, Hussie isn't the story's only narrator. He and Doc Scratch explicitly fight over control of the story - Doc Scratch, the child abusing predator who engineered Alternia's fascist murder society, whose shaping of its history is explicitly described by character!Hussie as "fanfic". He is then killed by Lord English, who is described by Hussie as embodying the "toxically masculine" and by extension, the patriarchy, and Caliborn explicitly takes control of the story. John even grapples with Caliborn's version of events, calling out how sexist and misogynistic and shitty it is.

So if we're keeping score: control over the narrative is LITERALLY wrested away from Hussie (who was already struggling to be unbiased) by fascists, abusers, and the patriarchy. It's stressed multiple times that Caliborn/LE are responsible for literally everything that ever happens; the reason the Game Over timeline ends the way that it does is because the alpha timeline is, in essence, the narrative LE is telling: the forces of fascism get to claim the new universe, thereby propogating itself, while friendship dies and all hope is lost.

Who's in control of the narrative, and why are we listening to them?

There are other minor examples of this, too: Aranea is an exposition fairy, and she's biased as fuck and wrong ALL THE TIME about her own teammates. Karkat's explanations and rationalizations are constantly tinged with his own self-loathing and self-blame. Sollux and Meulin are both prophets as per their Mage class, but are both so bogged down by their own emotional issues that the futures they pick out are actively harmful. So on and so on. At nearly every turn, you have to interrogate who's telling the story, what their motivations are, and what they're overlooking or deliberately obfuscating.

So given that this theme is so prevalent, and so thoroughly weighted toward "well, actually, maybe you shouldn't take narration at face value and should interrogate it and come to your own conclusions," it would be Really Weird for the story to go "actually, you can totally trust the narrative now because everyone gets a happy ending".

So, I know that it makes me sound like a conspiracy theorist, but here's my genuine take on Homestuck's ending:

The ending is shitty on purpose because the viewer is intended to take it as a dare to refute the narration and make something better.

Why are we letting character!Hussie tell the story? He's a biased idiot. Why are we letting the various avatars of LE and Caliborn tell the story? They're fascist, misogynistic, predatory assholes.

And - because Homestuck is a story about life - why are we letting idiots, assholes, abusers, and creeps dictate the story of real life? The world is full of forces that would try to take control of the story and make everyone else play along, represented in microcosm within the text of Homestuck. We cannot let those forces win.

So please go out and do something kind and hopeful and loving in the world today. Thanks for reading.

[mythalism]

hmmm. thinking about how veilguard seems to subscribe more to the more traditional "video game as personal power fulfillment fantasy of heroism" than any other dragon age game, except perhaps origins, though origins does it more artfully.

[jubileemon]

There is a more symbolic reason behind Alastor's and Lucifer's mutual dislike between each other, in biblical lore the stag is meant to represent Christ while Lucifer is represented by the snake.

[vi-arcanes-left-biceps]

So I wanted to talk about Vi and Jinx...

I think one of the most beautiful things in Arcane re: the sisters is how reconnecting is, for both of them, only possible when they break out of their pre-conceived notions of each other that they've been dragging since childhood.

To reconnect with Jinx, S2 Vi has to acknowledge her as an independent adult and let go of the perception of a small vulnerable child that she needed to protect at all times. S2 Jinx, to reconnect with Vi, has to see her sister as someone vulnerable, both physically and emotionally, and not as this sort of always-strong, idealised protector.

Only when they break their childhood dynamic they are able to see each other as equal and find a common ground.

And I love their dynamic in season 2 because despite all the bagage they have you can see how they are getting to see each other as their own persons, while also being silly af like only two siblings can be. It's very little time, but you can tell they are maturing together.

I think many 'arcane critical' Vi takes fail to understand this. They are trapped in S1 Vi's and Jinx's minds. They are still expecting them to conform to the unhealthy dynamic of protector and protected; and fail to see what Vi and Jinx see of each other in S2. Vi is no ideal protector nor a hero of the vulnerable: she's a flawed, young woman with tons of emotional bagage. Jinx is not an uwu baby who needs protection and is unable to do things for herself: she can very much protect herself, she's independent, a survivor, as well as deeply traumatised too.

And this is not subtext at all. Vi points out in the mines that Jinx hasn't needed her in a long time -she's realised her sister is more than capable of fending for herself. Jinx makes teasing observations of Vi's soft spots throughout S2: telling her she knows she's soft on Caitlyn during Act I finale, calling her a "sentimental excon" in act II... And she's seen her become an alcoholic due to all her unprocessed trauma and the situation after act I (and also makes a comment about that).

Their whole journey in S2 is about how they cannot, and do not, conform to the dynamic they acquired when they were children. They are two different persons now, and they are also mature enough to understand each other as multi-dimensional, as oppossed to their one-dimensional perceptions of each other as protector and protected that they had in S1 Act I and that dragged on S1 as a whole.

Criticising Vi's character for not going after Jinx after their last encounter is failing to understand many things, but mainly, it is a symtom of being trapped in the dynamic they had in episode 1, when most of the story of their relationship in the series is guided to tell us how this is not who they are, and these perceptions frozen in time are hurting both of them.

"Everyone in my life has changed" says Vi in S2 Act I finale. It is true: she's been locked in a jail cell, where all of the Lanes, her family, her friends... remained frozen in memory, and now she doesn't know who this people are. She's struggling with years and years of emptyness in which everyone she knows has grown and changed and she's been stuck -she's changed, too, but that's harder for her to see. She doesn't know who Jinx is, and until S1 finale she is unable to see this fact. Her behaviour in S2 Act I is, among other things, a backlash reaction to this realization, also a mistaken, unidimensional perception of her sister -not a perfect victim now, but a perfect perpetrator. Jinx also takes her time to get to see Vi for who she is now, but she's finally able to in S2. That doesn't mean they understand each other -quite far from it actually- but they are able to see and accept each other as complex people, with deep rooted bagage, part the same they were as children, part completely different.

Then it comes S2 ep8. Vi's fight with Caitlyn about Jinx demonstrates how Vi is now able to understand Jinx as a multidimensional character, see her complexity, her humanity, and argue she's different than they (both Caitlyn and Vi) thought she was. Jinx's conversation with Vi underscores how much Jinx recognises their dynamic has been hurting them both ("You're never going to give up on me") and how Vi has wishes and feelings of her own, even if she's repressing them to play her part as the big protector sis. These observations fuel Jinx's suicidal ideation, and Vi's incapability to give up her protector role, despite knowing Jinx doesn't need it anymore, gets her to have a breakdown. Neither know what this moment did to the other, because they still don't know each other that much. But they cannot save themselves without having had this conversation.

It's a perfect tragedy where a childish dynamic is entertwined with guilt, pain, and tons of trauma. It is a barbed wire that traps them both - it hurts when they are still, and it hurts more when they try to break free. Only with help they can disentangle themselves and one another; and that's where Cait and Ekko come in, too (and for Jinx, Isha and Sevika also did a part).

Anyway, I love me some doomed sisters dynamic.

[tonythr]

The Watcher's telescope view is a social commentary and here's why

Ok so let's set some things right first. City of Tears is amazing.

(Yes, Pale Court is also an amazing mod)

I've played Hollow Knight many times, and City of Tears is probably the one location I never get tired of. The scenery, the lore, the room layout, the music, the atmosphere - it's all perfect. It's the culmination of Halllownest's beauty, the peak of the game's art style, and the narrative's most essential location. City of Tears is the heart of Hollow Knight.

This game is a story about a Kingdom and its death, a tragedy of a society that was built on dreams of light but ultimately was consumed by the light so much that darkness became its only hope. And City of Tears stands at the center of this story. So it's fitting that the themes of corrupted dreams, society flaws, and dark hopes are what shape the lore and atmosphere of this beautiful, gorgeous location.

Did you ever notice that the tears of this Kingdom are dark despite them originating in a glowing blue lake, and the waters that flood the streets are almost as dark as the void in the Abyss? Do you ever think about how the vibrant blue color of the City is basically a culmination of how the color blue is presented in other locations (Howling Cliffs, Forgotten Crossroads, and later Royal Waterways being more of a remix of it), and how it's tied to the very essence of Hallownest (and how Resting Grounds, the location that contains Blue Lake and also uses a bright blue color, represent the very foundation of Hallownest's history, that being Seer's story about the Moth Tribe's betrayal that started the war between Pale King and the Radiance)? Do you feel like Soul Master basically represents the thunder and the lightning in this never-ending rain? Do you get it????

Anyway yeah, there are many things that can be said about City of Tears, and this is hopefully not the last time I make a post about it. What I want to talk about here is the City's society.

Basically, Monomon said it better than anyone could:

It's a very complicated topic. The narrative basically explores the inner mechanisms of a free mind, how its primary need is finding a purpose, and how its purpose turns out to be a constant need of... something. Anything. As long as there is something to want, a free mind will want it. As long as there is something to yearn for, something to enjoy, something to dream about, our minds are going to move in its direction, never wanting to stop. Because a stasis is worse than death. Because a world without dreams is an empty world.

But then again, isn't constant yearning another instance of, well, constance? If dreams never end but also never evolve, doesn't that create another kind of stasis?

Like I said, it's very complicated. Let's go back to what I was getting at in the first place. What I actually wanted to say is this:

Theese guys fucking fucked up as a society.

It's classic dystopian shit (or maybe I'm using the wrong word, but you get the point). Rich people are living in luxury while the rest are suffering. They're making gold a fucking religion and are seeing it as the only beauty in the world. The corrupt upper class are using heavy gatekeeping on the lower class.

Literally.

What's interesting is that, at first, we barely see any lower class bugs in the City. There's suspiciously few regular husks in this location, compared to how many rich guys are on the eastern side. But then we get to Soul Sanctum and it all starts to make sense.

There are no red cloaks in those corpse piles. Only the poor were killed for those experiments. It can't be a coincidence. It's straight-up elitism-based genocide (again, I don't know if I'm using the right terms, correct me if there's a better way to say that, but the point is clear).

Also, see how many streets are flooded on the western side in comparison to the eastern side.

Point is, the bugs that ruined the kingdom by always wanting more (what Monomon wrote about) are most likely theese rich ones. It's a very fitting thing for this dystopian narrative: neverending greed that leads to the downfall of a civilization.

There's a note in the Hunter's Journal that describes it in the best way possible:

For every location in the game, there is a place that functions as the center of its essence, its narrative heart, the culmination of its themes. For Queen's Gardens it's the White Lady's cocoon, for Greenpath it's the Lake of Unn, and for City of Tears (or at least its eastern part, the one with the upper class) it's the Watcher's Spire. The tallest building of the great capital. The home of (evidently) the most rich and influential bug of the City's high society. Literally the top of this social hierarchy.

He is also arguably the most mysterious dreamer out of all three. I mean, why does he have only one eye? What type of bug is he? How did he get this much power? Does he really have some kind of connection with the Collector? Is he a motherfucking fluke? Why does he seem to have an obsession with serving the King?

That last question is kinda answered by the cut content though.

That last sentence is kinda confusing. Is it regret? Is it humility? Is it pride in his sacrifice? In any case, here we see that Lurien actually knew that the Pale King was literally a god, and desired to worship him, like any other bug yearns to worship some kind of deity. So while other bugs of Hallownest worshiped PK because he was a monarch, albeit a godlike one (for all they knew he could be just an extraordinary bug, but a bug nonetheless), Lurien worshiped him as an actual god. And the intricacies of worshiping a god are one of the central themes of the game. From the moth tribe's betrayal of Radiance leading to the birth of the Infection to the Godseeker's shenanigans leading to the birth of the Shade Lord - the game makes multiple statements about gods, religious devotion and the semantics of divine power. Just that one idea that a god takes its power from the ones that worship it deserves its own post - heck, it deserves its own book.

So yeah, Lurien's devotion to the King is an important part of the story. He sure is an important character in this narrative. He also got a cool house. Being able to observe the entirety of the Hallownest's capital is badass.

But there's one thing I find odd about all that, and it's the moment we get to actually look through his legendary telescope.

Is it just me, or does this feel kinda... Underwhelming? Almost disappointing? I mean, don't get me wrong, I love this view, it's beautiful, and I would certainly love to be able to see something like this with my own eyes irl, but, looking at this picture, I can't help but wonder...

Did he actually see anything from up there?

In cut dialogue, Lurien talks about how he loves the City's streets, and his hidden lore tablet contains words about his love for bugkind, but... I see neither any streets on this image, nor any bugs (that are not vengeflies). Only spiked rooftops and rainy fog, clouding the view of the actual City.

And sure, the Spire has many windows and even had multiple watchers who were helping Lurien with overseeing the capital...

But his own spot was always this one.

His telescope was sealed in one place, letting him see only a small portion of the City and its life. Almost like his own worldview was stuck in one perspective.

Notice the wording here. It's not "The Seals must remain". It's "Bonds must remain". He's not thinking just about the Seals containing the Infection. He's thinking about the whole Kingdom needing to stay unchanged. His dream is the stasis that the Knight (and also Monomon, Hornet and, in a sense, even Radiance) want to end. The stasis that the Pale King wanted to create in order for his Kingdom (and therefore himself) to be eternal. The stasis that would allow for both Pale King and Lurien's worship of him to remain forever.

But there is always a cost to ascending higher than others, and it's that you can no longer see what's going on below or who's suffering down there. I think Lurien, sitting atop the tallest tower, was actually detached from the struggles of regular bugs. He and his Spire are the culmination of the City's upper class' ignorance towards the ones who were below them on the social hierarchy. A dreamer who dreamt of watching over the very heart of the holy civilization lived so high up he could no longer see his beloved world in its complicated, detailed entirety – and the tears of the stasis created by those like him only blinded him more.

All those flooded streets, those broken buildings, those empty halls, those starving bugs, those sealed doors - even though he watched over them, he couldn't see them.

I'm pretty sure Lurien didn't even know about the Soul Master's experiments, despite the fact that the Soul Sanctum was located right next to his Spire.

Or maybe he knew but chose to turn a blind eye to it (pun intended).

But it's kind of poetic, isn't it? It's the beauty of the tragedy of this game's characters. A Beast who had to surrender everything to the opposing civilization. A Teacher who could no longer teach. A Watcher who couldn't see the truth.

And all that makes me wonder... How much suffering could the Pale King see, standing on that platform at the top of the Abyss, facing away from the pit where his children died?

TL;DR: Lurien's point of view was too high up to actually see what was truly going on down there, both literally and metaphorically. His desire to worship the Pale King made him ignorant of the struggles of regular bugs. Similarly, the extreme elitism of the high society of Hallownest lead to ignorance, discrimination and greed, which ultimately caused the sprawl of the Infection. This side of Lurien's story might also parallel the Pale King's with his ignorance towards the discarded vessels.

TL;DR²: Eat the rich

[kazz-brekker]

so as far as i can tell re: house blackwood in the show, the blackwood boy who kills someone during rhaenyra's tour is samwell blackwood, who has become lord of the house by season 2. the blackwood involved in the posturing with brackens in episode 3 is called davos according to the subtitles, not benjicot. samwell blackwood is killed during the battle of the burning mill, and possibly so is davos…which DOES open up the possibility of bloody ben (samwell's son) and black aly (samwell's sister) being introduced as having to take over the blackwoods in the aftermath of the battle. we can but hope!

[hopey-thinks]

Loyal to the nightmare of my choice- An analysis of Riven from Winx Club

I’m at a point in my life (not long before I turn 18) where it’s natural that I’d start yearning to revisit my childhood and look back on the things that made me happy as a kid. And recently, my feed has been showing me memes I forgot about from Winx Club, a show I was captivated by when I was younger, and it got me thinking. What better way is there to honor my childhood than rewatching some of the media I loved when I was a kid that I forgot about? While I initially started doing it for fun, to my surprise I started to realize about 7 episodes into the first season that there was a good amount of substance in it despite it being targeted towards a younger audience, particularly in the way that some of the characters’ backgrounds and fears motivate their behaviors. The following episodes only proved that further, and one character stood out to me in particular throughout the run time, that being Riven. 

In today’s analysis we’ll be focusing on how insecurity, sense of self, and standards around masculinity combine into his character and motivate his actions throughout the first half of season one. I’ll also discuss how Musa and Darcy impact his development and the subtext that may indicate that he’s queer coded (in the sense that this part of his arc is representative of the experience of a lot of young queer men). I’ll note that I’ll be referring to Sky and Brandon as the Prince and the Blond guy so there isn’t confusion about who I’m referring to since their names apparently switch later on for some reason. 

Already by the end of the fourth episode, Riven has a decent amount of characterization. He’s abrasive, sharp-tongued, and cocky, often instigating turmoil and arguments between the specialists (particularly the blond guy) with his snarky comments and arrogance. Right off the bat we see he’s competitive and prefers to handle situations on his own, having a difficult time acknowledging his faults and blaming others for his failure when they try to work with him. 

His apparent ego coupled with his stubborn independence and frustration with the idea of relying on others shows that his need to prove his strength is likely masking something deeper, that being an intense discomfort with vulnerability. Yet when the other specialists say they’ll kick him off the team if he refuses to cooperate with the Winx in the fourth episode, he chooses to stay with them anyways despite his pride, revealing that he does indeed desire human connection and isn’t as confident in his own abilities as he lets on.

What’s interesting is how his aggression, which is typically associated with masculinity, is contrasted with how he actually chooses to express himself (mainly through fashion, occasional dialogue, and mannerisms) in ways that would be considered feminine at the time the show was released. Wearing a crop top and saying things like “sweetie” to your bro are just some examples of things he does that were stereotypically feminine in 2004. This juxtaposition of his different attributes calls into question how his need to prove himself and inability to be vulnerable may not just be related to insecurity with his abilities, but also with his identity as a man.

 Because he’s unsure of how he fits into male gender roles, he overcompensates and tries to bury his lack of confidence in himself by attempting to be hypermasculine in other aspects. And of course, the consequence of this response is how it’s damaging to his relationships. In trying to mask his insecurity, he isn’t being true to himself and therefore struggles to have deeper, genuine connections.

His characterization is reinforced in multiple ways during the 7th episode, the episode that sort of lays the groundwork for the major conflict he encounters in the next two episodes and their unfortunate resolution by the 10th. He charges in alone to fight the Minotaur thingy and insults the blond guy when he says they should work together, again offended by the idea that he isn’t strong enough to defeat it alone. He speaks lowly of the women he’s at the party with and sets himself above them, dismissing Musa as “better than some of the others” there (if you think that might imply misogyny I want you to hold that thought). But most importantly, when he’s found by Darcy and the others she states that he has extremely strong negative energy. His perspective on masculinity is immature and unhealthy (I predict that it’s primarily been shaped by trauma from past experiences) for not just the people he’s surrounded by (which we’ll get deeper into shortly), but also his own psyche and self worth. As is the case for many teenage boys, it’s not surprising that this attitude is emotionally taxing and even physically exhausting for him to maintain.

This leads up to what I think is one of the most interesting scenes in the show yet as far as gender criticism goes. Riven, the blond guy, the prince, Stella and Bloom are all in the city for the magix equivalent of Mother’s Day. After Riven reveals that he and the other two are going to be participating in a race being held for the holiday, the prince teases him for not having anyone to cheer for him, insinuating that he can’t find a girl that’s into him. 

And he immediately becomes defensive at this comment, feeling his masculinity has been attacked/questioned since social structures put pressure on men to attract women as accessories to and proof of their masculinity. Because of this, he tries to affirm his manliness to himself and his friends through performative masculinity. He claims he can have any woman he wants and tries to make a bet with his friends where if he wins the race, he can pick any of the winx to go out with at the ball. And he picks Bloom. 

      This in and of itself is a VERY problematic assumption on so many levels. It not only is completely disrespectful to the blond guy who very obviously has feelings for Bloom, but it’s even more disrespectful to Bloom and the other winx who he’s treating as possessions, not even considering if they’re not into him. (Remember how I brought up misogyny earlier?) 

Thankfully, Bloom doesn’t take any shit from him. She calls him out on his deplorable behavior and reminds him that it’s her choice to decide who she wants to go out with, stating that regardless of the outcome of the race she doesn’t want anything to do with him. But he completely ignores this sentiment and takes the disrespect a step further by grabbing her chin and getting in her personal space, insisting that she’s just hiding her feelings for him. 

This violation is inherently degrading not just because she didn’t consent, but also because in doing so he shows he took none of what she said seriously. He acts as if his ego gives him the authority to decide what’s good for her regardless of how she feels about it, demonstrating a patronizing form of misogyny. Bloom rightfully decides that she’s had enough with his bullshit and slaps his hand away from her. She teaches him a lesson by using a spell to pour water over his head and tells him he needs to treat others with more respect. 

Now, the thing that the series does wrong with this is how it portrays Bloom as having “gone too far” once Riven is rightly embarrassed by the turn of events and ashamed of his behavior. She feels the need to apologize when she wasn’t in the wrong whatsoever, which is admittedly a very bad lesson to teach young girls. At least Stella interjects and comments that he had it coming, but the fact the show treats Bloom like she needs to make up for embarrassing him when he absolutely deserved it is problematic and frustrating. 

He storms off and Darcy sees him, commenting that she likes his attitude and finds him physically attractive. The trix take note of this along with the bad state he’s in, deciding to use it to help them achieve their goal. And regardless of how I feel about it Bloom decides she wants to make it up to him, which they use to execute their plan. The trix take advantage of this by sending an imposter of Timmy to give her a helmet they can control to make him mess up the race to give to Riven before the race begins. Bloom ends up giving it to him but quickly realizes she made a mistake, but when she steps into the race to try and stop the witches she sadly falls hook line and sinker into their trap. They set it up to look like Bloom was the one who messed with his helmet while she interfered in the race, and Riven is left in a very vulnerable position emotionally. 

It’s deeper than him just being mad at Bloom in that moment because he thinks she made him lose. It’s a build up of the entire day. He feels like he was emasculated by his friends after part of his deep seated insecurity was named out loud and additionally is embarrassed by his failure in the race and to charm Bloom, reinforcing that insecurity. There’s only one thing on his mind right now, and that’s finding validation from someone. This makes him incredibly susceptible to Darcy’s manipulation.

She tricks him into thinking she saved him and goes to comfort him after the race, giving him what he craves in that moment that he feels his friends aren’t able to provide. He doesn’t believe Bloom and is frustrated that his friends aren’t immediately taking his side. And in what is a surprisingly real moment, he’s blinded by his ego and chooses to ditch the people who actually care about him, feeling betrayed. 

Musa and Darcy are also foils to each other, and Darcy herself is actually a pretty good example of how women can perpetuate the patriarchy if they believe they can become more powerful in some way by embracing it. While she does like Riven, her crush on him is only motivated by surface level attraction and not love, and ultimately is using him as just another way to get what she wants. The first thing she notes when she sees him in public isn’t anything about his actual personhood or a desire to get to know him better like Musa, but how essentially… she finds his attitude and body sexy. Darcy offers the shallow affirmation he wants on an egotistical level while Musa offers him a genuine acceptance for who he is despite his flaws, which is what he actually needs. And what’s sad about his choice is that Darcy is only feeding his ego to make him reliant on her affirmation because that’s what she needs to do to keep him under her thumb, whereas Musa and the others would’ve helped him find an actual stable sense of self worth. The kind that comes from within.

What’s even more depressing is that he throws that opportunity away completely in his shortsightedness. After Musa sees him with Darcy in the restaurant and the other trix get a gang of girls to literally jump her, she finds him while trying to escape and begs him for help. To which he smirks and says “why should I?” And I’m here to tell you why you fucking should Riven. That girl is someone who genuinely respects, admires, and cares about you beyond just what you can do for her, and she has been NOTHING but kind to you. She’s coming to you in a time of desperation, and regardless of how you feel about her friends, standing up for her is the right thing to do even if it could cause you to lose what you want out of Darcy. But he turns a blind eye to this reality, and not just because he wants the present gratification he gets from Darcy.  

Despite it being what he needs to do if he ever wants to grow, he feels like he could never allow himself to let his walls down because that would require him to be vulnerable with someone and expose his low self confidence. And so he abandons his friends, Musa, everyone that was genuinely supporting him, which will inevitably become self destructive. 

Riven is also a fascinating character in how his motivations and internal conflict are extremely similar to the experiences of a lot of young queer men both past and present, and I think that there’s a good possibility that this was intentional. While I don’t like to throw around the term “queer-coded” I think there’s a decent amount of evidence to support looking at his character through this lens.

 Being feminine as a man is stereotypically associated with queerness, and as I explained before a lot of the ways he chooses to present himself would’ve been considered feminine or unusual for a man at the very least at the time. Villains were frequently queer coded in the 90s and 2000s (that was the only socially acceptable way to have a queer character in your story), and while he isn’t a villain (even if he functions more as an antagonist later in the season, there’s a difference) he serves a more antagonistic role in the story. He’s often the shit starter for many conflicts and is also just mean to the other characters. 

As for his experiences, trying to push people away and engage in performative masculinity to cover up fear and insecurity around your identity and how your community would feel about it is rather common among young queer men. The pressure to conform to oppressive social systems like patriarchy is destructive to many of the people it’s supposed to empower as well as the victims, and I was pleasantly surprised to see this portrayed in an older show targeted at younger audiences, even if it wasn’t perfect. It’s something I’d like to see covered in more in stories because media is a powerful socializing agent that influences how we view ourselves and our place in the world from a very young age.

I’m excited (and a bit nervous) to see how Riven’s decisions affect him in the future and how his perception may change because of that. 

I may make a follow up meta to this at a later point in his arc if enough people are interested, so let me know if you enjoyed this! Thank you for your time <3. 

[valenteal]

At least in BEAST Akutagawa figures out and acknowledges that he’s a slave to his violent impulses and tries to become better. Even if it did take 4 volumes and four and a half years and his sister calling him evil. This man needs so much help and probably some medication but he’s not a lost cause.

[autistically-zoinked]

I'm currently obsessed with watching iwtv reactions rn and it sucks soooo bad when the reactors aren't freaks. "OMG Lestat and Louis are so toxic! Claudia is evil! Armand is literally Satan! Daniel is an asshole" like ughhh SHUT UPPPPP THAT'S THE POINT!

But I do have to say that it makes it 10× better when the reactor is a freak (affectionate). Like they understand that it's a gothic romance and love it! (I also love when they can dissect WHY the characters are behaving the way they do.)

[bidokja]

I was joking a while back that the actor they have playing KDJ for the orv movie was too handsome for him and a friend who's read orv was like "KDJ is actually secretly attractive!!" And I just felt my soul leave my body right then

SIGHS...

Okay. Buckle in. I'm gonna finally actually address and explain and theorize about this whole...thing.

I'm not gonna cite any exact chapters cause it's like 11:30 and I've got an 8 hour drive in the morning but I'll at least make an approximate reference to where certain things are mentioned. Also, this post is just my personal interpretation for a good bit of it, but it's an interpretation I feel very solid about, so do with that what you will. Moving on to the meat of things:

There is one (1) instance in the web novel that I know of which describes specific features of Kim Dokja (especially ones other people notice). This takes place when members of KimCom are trying to make Kim Dokja presentable to give his speech at the Industrial Complex (after it's been plopped down on Earth). This is when they start really paying attention and focusing on Kim Dokja's appearance since they're putting makeup on him; I still don't think they can interpret his whole face, but they can accurately pick out and retain more features than usual. If I remember correctly they reference him having long eyelashes, smooth skin, and soft hair. These features can be viewed as (stereotypically) attractive.

Certain parts of the fandom have taken this scene and run with it at a very surface level, without realizing (or without acknowledging at the very least) that this scene is not about how Kim Dokja looks. This is, in part, due to not realizing or acknowledging why Kim Dokja's face is "censored" in the first place, and what that censoring actually means. I think it's also possible that some people are assuming the censorship works like a physical phenomena rather than an altered perception.

I'll address that last point first. The censorship of Kim Dokja's features is not something as simple as a physical phenomena. It's not a bar or scribble or mosaic over his face. If that were true it'd be very obvious to anyone looking at him that his face is hidden. But his face is not hidden to people. They can look at him and see a face. If they concentrate on his eyes, they can see where he's looking. They know when he's frowning or grinning. They see a face loud and clear. But what face are they seeing? Because it's not really his, whatever they're seeing.

No one quite agrees on what he really looks like. And if they try and think about what he looks like, they can't recall. Or if they do, it's vague, or different each time. We notice these little details throughout the series. Basically, Kim Dokja's face is cognitively obscured. Something - likely the Fourth Wall, though I can't recall if this is ever stated outright - is interfering with everyone's ability to perceive him properly. This culminated in him feeling off to others; and since they don't even realize this is happening, they surmise that he is "ugly."

Moving on to the other point about what the censorship means: To be blunt, the censorship of his face is an allegory for his disconnect from the "story" (aka: real life, and the real people at his side). The lifting - however slight - of this censorship represents him becoming more and more a part of the "story" (aka: less disconnected from the life he is living and the people at his side). The censorship's existence and lifting can represent other things - like dissociation or depersonalization or, if you want to get really meta, the fact that he is all of our faces at once - but that's how I'd sum up the main premise of it. (The Fourth Wall is a larger part of the dissociation allegory, but that's for another post).

So you see, them noticing his individual features isn't about the features. It's not about the features! It doesn't matter at all which features got listed. Because they could describe any features whatsoever and it would not change the entire point of the scene. Because the point isn't what he looks like. The point is that they can truly and clearly see these features. For the first time. They are seeing parts of him for the first time. Re-read that sentence multiple times, literally and metaphorically. What does it mean to see someone as they are?

This is an extremely significant turning point dressed up as a dress-up scene.

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P.S. / Additionally, I'm of the opinion that Kim Dokja is not handsome, and he is not ugly. He is not pretty, and he is not ghastly. Not attractive, nor unattractive. Kim Dokja isn't any of these things. More importantly, Kim Dokja can't be any of these things. The entire point of Kim Dokja is that you cannot pick him out of a crowd; he is the crowd. He's a reader. He's the reader. Why does he need to be handsome? Why must he be pretty? Why is him being attractive necessary or relevant? He doesn't, he doesn't, it's not. He is someone deeply deeply loved and irreplaceable to those around him, and someone who cannot even begin to recognize or accept that unless it's through a love letter masquerading as a story he can read. He is the crowd, a reader, the reader. He's you, he's me. He's every single one of us.

[shyjusticewarrior]

[alistairkisser]

"can't you guys shut up and stop complaining about the announcements and just have fun" i am having fun. i like complaining

[24bughours]

Thinks about how a large chunk of Fiddleford's insanity is portrayed as him regressing into an unapologetically Southern farmhand

Thinks about how the town never bothered to notice the parts of him that mattered more, like his deep intelligence and suffering, because of how easy it was to assume he's just a crazy hillbilly

Thinks about how it took him returning to his previous "normal", the version of him that uses big words and fancy computers, for people to finally recognize him as a person with thoughts and ideas EVEN THOUGH HE CONSTANTLY BUILT IMPOSSIBLY COMPLEX ROBOTS BEFOREHAND

Thinks about how disgusting it is that society ingrains the idea that people with "lower intelligence" have no deep emotion/thoughts into us. Thinks about how Fiddleford evolved into one of the most nuanced characters in Gravity Falls despite the fact he was just supposed to be a one-off classist joke character. Thinks about how the origin of Fiddleford's character is a reflection of why it's so harmful for everyone involved to fall into these stereotypical lines of thought. Thinks abou

[jubileemon]

In most forms of media, the whole "my girlfriend/boyfriend has been keeping a secret and I'm angry" situation has the angered lover making "I don't think we should be together" or "we should break up if I can't trust you" statements.

Vaggie didn't even attempt to justify her secrecy to Charlie. In most situations like this in media, when a character would keep a big secret from their significant other, the secret keeper attempts to rationalize their deceit. However, Vaggie doesn't do that, or she might've done when they came home, but we didn't see it anyway. Either way, Vaggie understands the pain she caused Charlie and doesn't attempt to make an excuse for herself.

In this case, Charlie's expressing a very justified hurt that Vaggie couldn't trust her when Charlie knows that she has proven herself to be incredibly understanding and open as a partner, but at no point does she say that she's lost trust in Vaggie. And while Charlie gave Vaggie a cold stare earlier, she never made a comment about planning or wanting to break up with her. Even when she felt lied to, Charlie never thought of ending her romance with Vaggie. She still sends Vaggie to get them help from Carmilla, showing that in spite of everything, Vaggie will always be someone that Charlie trusts.