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#coming up with headcanons that are super plausible and in character etc
nururu · 1 year
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everyone's always wrong about characters and that's why I talk to myself on here in my own posts.
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titstraction · 1 year
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ok ok i'm sorry i didn't give you a chance to be a hater before. maybe this will be better... what's your opinion on fancasts? just in general, but also in terms of the popular ones (idek what the prevalent ones are except for timmy as regulus, but i know there are a few people tend to gravitate to for r/s as well..)
hahah but i loved to wax poetic about delicious food still <3
i wanna preface this by saying that once i was looking at andrew kung’s photography and i saw the Most beautiful man in the world and i thought This Is Sirius Black. hes name is Jullian Culas and i edited photos from his instagram for a moodboard from my fanfic ‘blue’ and i follow him to this day and am always awestruck by his beauty and headcanon him as sirius a little sometimes. i was also into tripp when goyp was big and it was a whole thing. (and i get ben barnes as dorian gray)
and i think sirius fancasts works for me because i write him as the Most beautiful man and hes always super attractive, outstandingly pretty etc in my fic which is also popular fanon. so its plausible that he looks like a celebrity/model.
when it comes to remus though - hes just a regular guy. hes ugly-hot. he has a fucked up nose and scars on his face. he uses 3-in-1 shampoo. ive written him with a disability. even with art, i think remus is harder to visually Get right - and no celebrities/models look like that. same with fat lily, fat lily is so dear to me but there are not a lot of celebrities/models that are fat red heads. celebrity/model beauty can be very restrictive and even boring, and i think its better and more sexy for characters to be ‘normal’, have pimples, scars, body fat, disabilities etc than to look like celebrities. i think gay fanfiction is at its best a little transgressive, and fancasts that enforce unrealistic beauty standards can be quite detrimental to than end (unless your character is the Most beautiful man)
theres also the question of flexibility, like i enjoy trying new things, personality wise and looks wise, in each different work (like sometimes remus is a twink and sometimes hes scary looking) and how do you do that with a strict fancast? my characters in my head as i write are Vague Shapes and Concepts and i dont think i could write remus if i imagined him as Andrew Garfield.
plus, Andrew Garfield’s too much of a Person everyone knows about Actor Spiderman Emma Stone’s boyfriend once Network gay for me to just… fit a whole remus lore in him.
as for timmy - my mom has a big fat crush on Timothee Chalamet and as such i can not imagine him as regulus black. thats my mom’s sugar baby thank you very much.
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loregoddess · 10 months
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2, 5, 8, and 20 for the fandom ask game?
2. a headcanon you weren't sure about at first but have come to like! This one's a hard one bc most of the time if I come across a headcanon that doesn't float my goats I just move on and don't give it much thought (it's clearly floating someone else's goats so no need to punch holes in it, we don't need any drowning goats), and then if the headcanon happens to haunt me anyhow I just kinda adopt it w/out too much fuss bc the person who wrote it was clearly on to something I didn't at first realize, but hmmm....
I guess at least for theories specifically, I remember coming across the "Majora's Mask might be a Twili artifact" theory on some forum like, a hundred million years ago, and I shelved the theory in my head almost immediately bc I was more into the idea that Termina was an actual alternate world in the LoZ universe bc alternate worlds are an established canon thing that Just Happens Sometimes. But when Hyrule Encyclopedia dropped the "actually Termina IS a world created by Majora's Mask that reflects the psyche of the wearer" I was like, okay wait hold up, that theory about Majora's Mask being a Twili artifact suddenly seems so, so much more plausible now, and I can explore that theory in a lot more depth for further theories about the Twili and the properties of Majora's Mask, and I've been happily rotating those theories in my head ever since (I know a lot of fans were really upset w/ the Encyclopedia making Termina a dream world canon, but man I was so stoked for it bc of that one little theory I had seen and dismissed so many years earlier).
5. something you see in fics a lot and love Alas I don't...read fics that often and wish to one day remedy that (I need to rediscover my general love of reading first, but I'll get there eventually), but from the fics I have read...I guess I really like seeing characters get to heal? Like, mostly I'm really into video games so I end up seeking out fanart/writing about the characters I love from games, and most of the games I enjoy understandably don't usually get into the "how do the characters deal with or recover from [insert traumatic event from game's story]" which like, fair, you can only do so much in the frame and limits of a game, I get it. But as a result when an author is like, "Actually hold up, we need to talk about this character and what happened to them a bit more" and like, it's an honest-to-goodness deep-dive into healing as a narrative in it's own right, I dunno, I just think that's really neat. I don't feel like I'm really good at writing that specific type of narrative either, which is part of why I respect writers who can/do write it so much.
8. you hope more people will come to appreciate ___ (a ship, a trope, an episode, etc) Probably like, "I'd live for you" as a trope/theme if that makes sense? Like, don't get me wrong I get the appeal of "I'd die for you" in stories, but I think there's a lot of potential power in "life can be hell, but you make me want to live, you've given me hope in life, and I am going to live"
(usual internet disclaimer: yes I know both these tropes/themes can be used for super unhealthy codependent relationships, no I'm not trying to advocate for making such types of relationships some sort of golden standard that we all should strive for, yes there is a way to write both of these and have the relationship still be healthy and stuff; I bring up "I'd live for you" bc "I'd die for you" stays dangerously close to the same territory as jokes about wanting to die arise as a form of suicidal ideation and--like replacing "die" in those types of jokes with something else can help improve overall mental health--I wonder if shifting "I'd die for you" to "I'd live for you" would have similar effects, but I'm no psychologist, this has been a disclaimer)
20. your very first fandom! Hmm, depends on how we're defining things. If it's just "being a fan of things and making up stuff about it w/ at least one other person" then probably Scooby-Doo? Me and my brother grew up watching the cartoons/movies and also had some dolls of the Mystery Gang when we were kids, and we used to make up some wild narrative-driven games making up our own monsters and mysteries for them to solve (unsurprisingly we're both storytellers of some sort as adults). But if we're defining "fandom" as more like, an actual community, then it'd be Legend of Zelda, since that's the first thing I ever made like, legit fanart for that I shared with others online.
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babynium · 3 years
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When watching encanto i was super excited to see the familial interactions between the characters, especially concerning nicknames, and i have some ideas and questions,,,
i'd like to preface this with two things:
1. I did no prior research, this is all speculation, head canon, personal experience, etc,, if anyone finds canon evidence please lemme know!! :D
2. I am Puerto Rican/ Cuban,, i got some half Colombian cousins who's family I've interacted with but overall this is based off of my personal experience (as mentioned above)
So first, i was curious what Pepa's kids call Julieta because in no way would i have been able to refer to my aunt by her first name. My family wasn't an "usted" family but there was still a level of respect with older family members. We see Mirabel call her aunt and uncle with their relative titles: "tía" (aunt) as in "Tía Pepa" and "tío" (uncle) for Tío Bruno, so i assume her cousins do the same. However, in my personal experience, every single member of my family, especially aunts and uncles, had a nickname we would refer them as after their relative title. While "Tía Julieta" or "Titi Julieta" (Titi being another common way to title an aunt) is plausible, as evidence by how my cousins normally refer to my mom, i like the idea of them having a nickname for her out of respect and convenience.
Now the name Julieta is a bit difficult for me to come up with a nickname for,, my actual name is similar but my nicknames among my family tend to lean more Western with a hard 'j' rather than the breathy 'h' sound J's normally take in Spanish, so "Titi Julie" is out of the question, especially considering the placement of the film and lack of contact with European cultures. Something like "Tía Leta" or even just "Titi" is possible. Although I'm inclined to believe an entirely different nickname not based on her actual name could be used, (in cases like "Tati" acting as a nickname only amongst family members or close friends) every adult in the Madrigal family calls her Julieta, meaning she doesn't have an alternate name people call her.
On the topic of nicknames, i wanted to briefly mention Pepa herself. While the name "Pepa" is definitely possible as her actual name, to me it sounds more like that family nickname phenomenon i mentioned earlier where everyone calls her that even though it's not her actual name, with some people like townsfolk probably not knowing her real name (evidence lended by my grandma who never goes by her real name and some people in her small town don't recognize her by her real name). Therefore, I'm leaning more towards "Pepa" being just a nickname everyone calls her. Now the nickname "Pepe" is commonly attributed to "José" so "Pepa" could be a nickname for something like "Josefina" or something similar, which i think is pretty neat.
One last thing about nicknames: I wish we got to see more of them in the movie. I know realistically having a bunch of different names for a large cast of characters is probably not the best idea for a stand alone movie, realistically, a tight-knit Hispanic family is bound to call everyone, especially children, by nicknames. I never call my cousins by their full names, and they don't call me by mine. My aunts and uncles don't either, usually falling back on titles like "niña" (young girl) when calling me, since i am the youngest female(like) person in almost any family gathering. We can see evidence of this happening when Pepa calls her young son "Toñito" , but I'm surprised no one else calls him that or another baby name like "niño" (young boy) or "hombresito" (little man)
Anyway, this is a super long post just on nicknames in the Madrigal family and i hope any of this makes sense or if others wanna share these headcanons with me ,, thanks
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hello-nichya-here · 3 years
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Why Ozula Makes Sense & Why It Should Be Canonized
Note: Massive Trigger Warning
Note: Yes, I already know's Nichya's opinion on Ozula. But I want to see her specific thoughts in regards to my post.
In a fan base filled with split opinions, two of the few universally held truths are that Ozai is a horrible parent and that Azula has a lot of issues. But there is a lack of consensus on whether Ozai even abused Azula and even more of a lack of consensus on the nature of his abuse if he did abuse her.
  And for the record, I personally believe that at bare minimum Ozai did emotionally abuse Azula (“Trust is for fools, fear is the only reliable way” did not come out of nowhere). Not to mention turning Azula into a child soldier is obviously abuse.
  But is what we see, or what is heavily implied, enough to explain everything about the Ozai-Azula relationship? 
  In other words, does the abuse we see, or is heavily implied, enough to explain why Azula was utterly loyal to Ozai to the point she would gleefully risk her life for him while he sat in a bunk, despite Azula being utterly pragmatic in the other aspects of her life? 
  Does it truly explain why Azula utterly broke after he left to burn the Earth Kingdom despite being made Fire Lord and becoming the presumptive heir to the Phoenix throne?
  Moreover, where did Azula learn to flirt and/or why does she come off as sexually charged with nearly everyone she encounters (ex. Ty Lee, Sokka, Zuko) when it is canon that she has no life experience outside of being a soldier or a princess in court?
  Other people have come up with headcanons and theories involving, among other things, historical context and meta-textual evidence to explain the questions that I brought up, but what if there was a more sinister answer to all of them?
  What if Ozula was a thing?
  Yes, I know, there is very little evidence or subtext to support this but I think that if it did occur in canon, it would not only explain a lot about Azula’s character and/or issues, but also shed some much needed light on the Ozai-Azula relationship and even Ozai himself. Especially since, despite all the extended universe material we have gotten in the decade plus since ATLA the show ended, we still don’t know that much about their relationship, or Ozai himself.
  So, what is my personal take on how a canon version of Ozula? 
  I think that Ozai sexually abused Azula in part to replace Ursa once he “had” to banish Ursa and also in part to prepare her to produce super powerful heirs like herself in addition to using as a tool to keep her under his thumb by making her more attached to him than before he started coming on to her.
  In regards to the first reason, Azula is a dead ringer for Ursa and most people would agree Ursa is one of the attractive women in the ATLA-verse. Thus, considering Ozai’s canonical entitlement issues, it must have been hard to no longer rape have sex with Ursa...that is unless he copulates with Ursa’s mini-me. 
  This ties into the second reason, which is the desire to produce more superpowered heirs. 
  Thanks to The Search, we know that Ozai married Ursa in order to fulfill a prophecy that said would have produced exceptionally powerful benders. And that prophecy was mostly proven right since Azula is the GOAT Firebender as of current canon and Zuko has surpassed, or is close to surpassing, his father while still in his late teens or very early twenties.   
  For most people, being the father to such prodigies would make them content in life, proud that they could call themselves father to such talented people. 
  But Ozai isn’t like most people for, as Ursa aptly put it, Ozai is a small man trying to appear bigger than he is, which is obviously proven by Ozai’s ambitions and desires over the years.
  It was not enough that he was a prince of the most powerful nation in the world, so he must become Fire Lord at all costs. And once he achieves that by ripping his family apart and traumatizing the remaining members was enough that he was Firelord? 
  No! He must become the Phoenix King and build his new empire on the ashes of The Earth Kingdom despite already having it under his rule. 
  And it was not enough that he had a cult of personality, for Ozai commissioned larger than life statues with his package being accentuated to the point of absurdity. 
  So is it crazy to believe that he believes that not only is he entitled to the most beautiful woman he knows of (and if he can’t have her then he’ll have the closest thing to her even if it is his own daughter) but the most powerful heirs he could possibly have? Especially considering Ozai is a narcissist who made Azula his golden child because of his daddy issues caused by being the unfavored son of Azulon. 
  In other words, would it have been out of character for Ozai to fuck "himself" aka the person he thinks he would have been if Azulon recognized his “superiority” over Iroh? Especially when he can make more prodigies like himself Azula?
  And in regards to the third reason, did you see how needy Azula was in regards to Ozai when they had their short little talk before Ozai crowned him as the Phoenix King?
  I think Ozai, more than anyone, realized that Azula would soon quickly surpass everyone who was not a fully realized Avatar and wanted to ensure that Azula wouldn’t do the pragmatic thing and off him once she realized that she didn’t need daddy anymore. Especially after he offered his own father and betrayed his brother to take the throne. 
  For if he was paranoid enough to banish Ursa for her ability to make that OP poison, what makes you think he never had similar paranoid thoughts about either of his children? Especially Azula considering how strongly she takes after him and how he has been molding her in his image and ideologies ever since it was apparent she was a prodigy?
  So by sleeping with her, and therefore bonding with her, he would ensure that Azula would have no motive to ever overthrow him. 
  And how would this work in practice? 
  The same way he praised her for her firebending and ruthlessness. He would likely tell that he needed her; that she was a much better (pseudo) Fire Lady than Ursa could ever be (the old nick site said Azula was renowned in court and it is plausible that she did the duties that Ursa would have done as Fire Lady); that it was one more thing that Zuko could never do better than Azula and more proof that she deserved to be his perfect tool by his side; etc.
  And for the most part I think that Azula “responded” really well to Ozai’s false praise by further latching on to him, convinced more than ever that Ozai does love her and would never leave her. Especially since Ursa is gone, Iroh and Zuko are both gone at this point due to Zuko’s banishment, and Mai and Ty Lee are also already gone, or going to leave soon, leaving Azula with only Ozai as the only family and/or friend who hasn’t “abandoned” her.
  Ok, so I know what you guys are going to ask next; “cool theory but how does it explain anything other than your sick fetish?”
  Well, I think canon Ozula would explain a lot of things about Azula’s and Ozai’s behavior that really isn’t explained by canon or is, currently, only lightly implied. 
  For example, why did Ozai never remarry or produce more heirs in the five years he ruled despite putting his real heir, Azula, in constant mortal danger and spending most of that time either disowning Zuko or hunting him down as a traitor? Especially considering that he was only able to ascend since his brother was a dumbass and only had one kid himself? Not to mention the fact that Ozai is likely has a very high sex drive (have you seen his body?) yet we never see any concubines in the palace.
  Well because he wanted to produce heirs with Azula and so waited until she was of age to marry her and then have his new heirs.  
  Why did Azula collapsed after being told to say behind despite getting the title she always desired, Ozai having a logical reason to leave her behind (people would try to invade the Fire Nation..which is what happened with Zuko and Katara), and Azula eventually getting to inherit the Phoenix Empire? 
  Well, Ozai leaving her behind shows that Ozai thinks all Azula is worth after her numerous failures is producing heirs, making Azula realize that his bedroom talk was all lies and that he never loved her, only saw her as a tool. Moreover, all his words about her being a better Fire Lady than Ursa are lies since they both ended up in the same spot in life; only existing as Ozai’s (unwilling) broodmares. 
  Why does Azula hate and hallucinate Ursa despite Ursa being by all accounts a loving mother? And why does Azula avoid and hate reflective surfaces? 
  Well, because Azula’s subconscious wishes that Ursa was there to protect her from the abuse and also subconsciously reckoning with the long buried knowledge that part of the reason why Ozai came onto her is because she looks like a clone of her very beautiful mother. 
  Moreover, it would explain why Azula thinks Ursa thought of Azula as a monster when Ursa never said anything like that or gave any indications of seeing Azula like that. 
  For Azula would likely think, subconsciously, why would my mother leave me with a monster unless I am a monster?
  It would also explain, partially, why Azula goes from someone who is a bully, but loves & plays with her bro at 8, to someone who smiles when Zuko is burned at 13. 
  This is because Azula would think that all Zuko has to do to be in Ozai’s good graces is be a good firebender, a ruthless leader, and follow Ozai commands perfectly & without any hesitation. 
  Yet Zuko can’t even do any of that while she, in addition to previous requirements, has to give her mind, body, and soul to Ozai.
  It would also explain why Azula is so frantically loyal to Ozai (and even loves him) even when it is obvious to everyone that Ozai only cares for himself (he literally groomed her); why someone could be so fucked up and go insane at the age of 14 (victims of child sex abuse end up suffering from mental illness thanks to their trauma; and also explain why Azula has such sexual mannerisms (ex. her interaction with Sokka on DoBs) and voice acting while also being the only main female character to constantly wear makeup that is quite similar to her mother’s (she is trying to appear much older than she is while also trying to “replace” her mother for her father’s sake and maybe even for her own sake as well).
  Finally, it would contextualize that infamous bedroom scene, or more generally the subtle incest vibe between her and Zuko, by explaining her behavior towards him as attempt to unnerve him and/or an attempt to pass on her abuse to another person (which is very common).
  So the next thing you guys are likely going to say,” Ok then. Maybe Ozula might explain a lot of things but how would you explain the fact that Azula has never shown any indication that her father touched her like that? Moreover, what would be the benefit of introducing such a dark topic into the franchise.”
  Well to the first question, Azula would never bring it up because of some combo of: it is shameful as hell, she doesn't think it is wrong because it is all she knows, she still loves Ozai deep down, and/or thinks it her fault just like it was Zuko's fault for getting burned by Ozai and banished for talking out in the war council and/or not fighting back at the Agni Kai.
  And as to the second question, well there would be a lot of benefits. 
  For example, imagine the lore/story potential we could get out of a canon Ozula, as outlined in the headcanon down below?
One of the reasons why the places like Yu Duo became quickly filled with mixed families was due to a mix of sex slaves and families selling their daughters to their wealthy colonziers. 
  Also the Fire Nation had an extensive sex trackiffing network to service wealthy nobles and the Firelord; Ozai was in charge of this network and was able to blackmail people like Mai's father into supporting him in court and eventually his regime, especially in the early days when it looked like Iroh might challenge Ozai. 
  The reason why Zhao kept getting promotions despite his incompetence was because he was the best at capturing girls/women to keep the supply running high and Ozai had to keep him happy or else Zhao would spill the beans. 
  The reason why Ukano supported the NOS despite Zuko offering him a job and most likely becoming his father-in-law is because he was part of the network and it was a matter of time before Zuko found out and exposed him. 
  Azula helped procure women for Ozai during the 3 years Zuko/Iroh were away and this is part of the reason why Ty Lee and Mai distanced themselves from her (they thought they were next even though Azula would never do that to them) & why they followed her despite loathing her until someone they cared about was going to die (they thought Azula would punish them by making them into sex slaves though Azula “cares” about them too much to ever do that to them). 
  Azula was also abused by Ozai in those 3 years as raping women and girls weren't enough for him anymore and needed a new kink, incest, especially since Azula looks like her mom, who is one of the most attractive women in ATLA and Ursa was long gone.
And even disregarding the lore potential, there is the potential (positive) real world impact a seriously written Ozula could have.
  For it one of the best things about the Avatar franchise is its ability to deal with complex & sensitive topics such as child & spousal abuse (The Fire Nation Royal Family; Yakone’s family; Toph’s family), abusive/toxic friendships (The Dangerous Ladies), sexism (S1 Sokka & Pakku), PTSD (Korra), genocide (Airbender genocide & Southern Water Bender Genocide), propaganda/brainwashing (The Fire Nation schools & the Dai Li), and imperialism (Post-Sozin to the start of FL Zuko’s reign Fire Nation) with the respect they deserve while making it palpable to kids. 
  And considering the post-MeToo world we live in, what better dark and taboo topic to tackle than sexual abuse?
  Especially considering that most people aren’t really aware that most victims of sexual abuse where abused by someone close to them, that most people don’t seem to recognize when such grooming occurs or that it is a bad thing until it is too late (ex. Drake Bell, Kyle Massey, Drake (The Rapper), R. Kelly, etc.), and most victims don’t react to their abuse the way most people think they should (ex. Fight back or tell others). 
  Thus, couldn’t Ozula be used to educate people on the signs of such grooming and/or abuse and how to properly help such victims?
  I also think that seeing Azula overcome the effects of a canon Ozula could also provide healing for someone who played a pivotal role in bringing Azula to life: Grey DeLise.
  It was a shock for me to find out, but Grey DeLise has repeatedly said that she got abused by people her mother let into their home and that her mother did nothing despite obviously knowing what was going on. 
  Considering that DeLise heavily projects onto Azula (including Azula’s relationship with Ursa), has a history of sexualizing Azula (she explicitly said she voiced the bedroom scene with Zucest in mind), and went to really dark place to record Azula’s breakdown, is it crazy to say that DeLise had Ozula as her one of personal headcanons and that it affected her Azula performance?
  That is why, in combination with everything else I have said, I think Ozula has the potential to have a real impact how sexual abuse victims are treated and viewed.
  Imagine Ozai plotting to remove Ursa, Azulon, Iroh, and Zuko from the palace so he could "play" with Azula unimpeded after almost being caught several different times while also taking things to the next “level”? 
  Imagine the goading of Azulon/Ursa's banishment and Zuko's burning/banishment all part of this plot?
  Imagine Azula making inappropriate jokes about fathers breaking in their daughters to Mai & Ty Lee, causing them to be unnerved while Azula wonders what was wrong with her apt description of father-daughter relationships?
  Imagine Ozai spending the next three years molding Azula to not only be his perfect pet weapon but also his future consort once she is of age.?
  Imagine his anger when Azula comes home with her childhood friends and Zuko, cutting down on their alone time?
  Imagine his horror when he finds out that Azula non-ironically enjoys her time with them more than him despite the fact Ozai had groomed her from a young age to only love him? 
  Imagine his happiness when Zuko leaves and Mai and Ty Lee are later jailed, allowing him unlimited time with Azula again, despite the hardships Azula’s lapses in judgment regarding her friends & brother. Not to mention Ozai thinking that he once again gets to be the sole attention of Azula's affections? 
  Imagine Ozai finding out Azula non-ironically misses her brother and friends and so he leaves her behind during Sozin's Comet as punishment for her conflicted emotions & past failures?
  Imagine Ozai defeated coming home to see Azula chained, physically and mentally broken, screaming for her bitch of a mother. Only then realizing, for a fleeting moment, the damage he did to his daughter, only to go back to feeling rage at her humiliating loss & even more humiliating loss of sanity?
  Imagine Ozai patiently waiting to be reunited with his pet heir and once they meet in his jail cell, convincing Azula that they can be together again if Azula can get a hold of that accursed letter and kill Ursa, the only person who could possibly refute it?
  Imagine Ozai hearing that Azula failed in her mission due to being unable to kill her mother despite having Ursa literally in her hands, marking the first time Azula ever disobeyed him? Moreover, imagine his rage once he hears how she disowned him and basically dismantled from within an organization trying to reinstate him on the throne?
  Imagine Ozai confronting Ursa, Iroh, and Zuko once they find out about his abuse of Azula, thinking he has once again found a way to manipulate them? Only to find out that they are through with him for good and that they will help Azula heal from his abuse.
  Imagine Azula finally going through a healing arc, where with the help of well-trained healers and her mother (who she bonds with over both being victims of Ozai), she learns that what Ozai did to her was wrong, how healthy relationships actually work, & how her abuse never justified her abuse of others?
  Imagine Azula then undergoing an atonement arc, where, among other things, she becomes a leading advocate for mental health issues and sexual abuse victims, eventually working with Zuko & Aang to to create shelters & a proto-CPS in addition to radically changing the Fire Nations views on sex & consent?
  Imagine Azula eventually finding a loving partner and engaging in a mutually loving relationship, eventually having her own child who she raises in the exact opposite fashion that Ozai raised her while also being a loving aunt to Izumi?
  Imagine Ozai thinking that Azula will one day return to him, thinking that he has irreversibly molded her to need him the same way a baby needs its pacifier. Only for him to die never being visited by Azula again, who has long stopped caring for Ozai and hasn’t spared him a thought for a long time & will never do so again?
  Therefore, in sum, Ozula has the potential to do to victims of sexual abuse what the depiction of the Ozai-Zuko relationship, and Zuko eventually realizing his father is abusive & disowning, did for victims of abuse while also maybe giving DeLise some form of catharsis.
Thus, in the long list of bad things Ozai did (abuse his wife/son/daughter, kill his father/ruler, illegally urusp his bro, attempt a genocide of a continent, attempt to kill a 12 year old, turn Azula into a child solider/general, etc.) is molesting Azula the worst thing he could have done? 
  Or I am crazy with a need to go to a therapist for my many unresolved issues?
More Notes:
https://youtu.be/UjLzX1xPW1U?t=316
Grey: they're like 'why are you sexualizing everything?" because i do that in my whole life, my whole life is sexualized Olivia: same. that’s why Grey and I get along Grey: we've... got... abusive childhoods Olivia: uhhh Grey: uh... well I do Olivia: I don't, I just like sex! Grey: depending on who i'm doing it with... then yeah. Olivia: visibly uncomfortable Grey: I've not liked it a lot as much as I've liked it. Olivia: 0_0 Brad is like what... the hell.. is happening
Grey also talks about her abuse in an interview with Mental Illness Happy Hour where she details how her mother abandoned her to people she knew were raping her. And Grey has repeated her story in multiple interviews over the years.
----
Looooong-ass post ahead! You're not crazy, and there is subtext for Ozula... just like there is for Maizula, something I actually like but that I personally believe didn't happen - and if anyone reading this has not yet seen my first answer to why I don't think Ozai sexually abused Azula, I recommend you do so: https://hello-nichya-here.tumblr.com/post/650918965929000960/trigger-warning-i-know-you-talk-a-lot-about-how
While I see the merit of any good story, and I have read good stories that interpret Ozai and Azula's relationship as having involved sexual assault at some point, it is far more likely that in the actual canon (be it just in the show or also taking into account the comics) that simply neved happened, and I'll explain why.
About Ozai never remarrying
It would be very strange for Ozai to never try to have more heirs, and constantly endanger the ones he does have... until we remember that the only noble family in Avatar that has more than two kids is Ty Lee's, and that there are people like Kyoshi who literally over two centuries old when she died. Avatar is a very mature kid's show, but it is still a kid's show, with characters who control the elements and don't get a single scratch on them in situations that would severely injure or kill a normal human being, and the writers likely didn't want to add more characters to an already complicated, political plot like the Fire Nation Royal Family - which is why Iroh never remarried, Azulon's wife was already dead, there were no Lu Ten flashbacks, etc. If they went to such lengths to avoid creating too many characters, it makes sense that Zuko and Azula have no step-mother and no half-siblings in the show. Furthermore, the show clearly wanted to push Azula and Zuko's rivalry - adding another sibling would force their attention (and ours) to shift to said sibling, which is why Kiyi only was created in the comics that were focusing on the royal family, after Zuko became Fire Lord, and even then she is Ursa's daughter but not Ozai's, meaning Azula is still the only real "rival" Zuko has.
Ozai's supposed obsession with Ursa
Despite the radical change in the story of their marriage, I'd say that Ozai was NOT obsessed with Ursa, be it in the show where she consented to marry him, or in the comics where she kidnapped and raped. Princes were expected to marry and have heirs, and the war meant they'd need to have powerful heirs. He married Ursa (against her will or otherwise depending on the version of the story), had two kids with her (the standard in their universe), and encouraged said kids to be ruthless, punishing them when didn't meet his expectations (the Agni Kai and Zuko's banishment were cruel, but they were the type of behavior the Fire Nation rewarded). We need to remember that Ozai's only real problem with the hierarchy and expectations of his nation was when he had to see his brother be Fire Lord instead of him, because Ozai's only real obsession was the crown.
Yet he didn't kill his father until Ursa came up with a plan to do it so she could save Zuko, didn't kill Iroh, smiled in disdain when Zuko said he would help the Avatar defeat him, and constantly endangered Zuko and Azula despite having no other heirs. That behavior might seem strange, until you realize Ozai did truly respect the autority of Fire Lord at one point, but after he managed to steal the crown, he felt like he won absolutely everything - and to prove that he became the Phoenix King, showing he was above even that. He didn't need Ursa, Azula, or any other woman to give strong heirs, because Azula was already filling that role. There is no evidence he was obsessed with Ursa because he only married her because it was the norm (same logic applies to the possible sexual abuse she suffered - she was supposed to give her husband heirs, so Ozai forcing himself on her could easily just be him doing what was expected of him), and then once she was no longer needed and he would actually be in a more favorable position if she disappeared he CHOSE to banish her - the law said he had to punish her for killing Azulon, but the law also said he shouldn't have let her kill his father in the first place. And in the comics he threated to kill both their kids if she came back. If he was obsessed with her, he would have used their kid's lives to force her to stay and never say a word about what happened to his father. But didn't do that, because he didn't want Ursa around.
Could he be obsessed with Azula herself instead of thinking of her as a replacement for Ursa?
I personally don't think so, mostly because of his actions towards both his kids and because of the intentions the writers had. During The Beach, Ozai sends Azula away for a little while with Zuko, Mai and Ty Lee. On the meeting before the eclipse, he had Zuko at his right hand. On their last scene together, Ozai looks annoyed that Azula is around, stabs her in the back, lies to her face, and then leaves her. Finally, when he is last seen on screen, he doesn't ask Zuko what happened to her, if she is in prison, if she lost her bending too, if she is dead... nothing.
Ozai's behavior towards Azula is much more similar to his treatment of Zuko than most people realize. He shuts them both down when try to be anything other useful weapons - be it when they are showing "weakness", failing on their missions, trying to betray him, or trying to be equals to him. His reaction to Zuko's "All I ever wanted was for you to love me" was basically the same he had to Azula's "I thought we were going to do this together/This was my idea/I deserve to be by your side/You can't treat me like Zuko". He instantly told them both to shut the fuck up. He has no affection for them - for Azula - be it a normal one or a twisted one. They might as well not exist when they're not winning him battles.
On top of all that, comics!Ozai full on said he'd kill Zuko and Azula if Ursa didn't stay away, and considering how little regard he showed to anyone and how easy it would be for him to find a new wife if he had to, it is very clear he meant it. And a plot-line that was originally going to happen in book 3 but was cut (likely due to there not being enough time to explore it) had Ozai planning an arranged marriage for Azula - if he wanted her for himself, why was he more than ready to give her away to some rando the second she was old enough to marry?
Intention of the writers VS Intention of the actors
Assuming Grey did want there to have, at the very least, subtext for Ozula, we still run into a different problem: her intention goes against what is presented in canon. With something like Zucest or Tyzula, it is easier to make it work despite the pairings not being canon - they are meant to be complicated, unhealthy dynamics in which the characters involved have both negative and positive feelings for each other. So you could say Zuko and Azula were attracted to each other AND were still rivals. You could say Azula was in love with Ty Lee, and the feeling was mutual, but Ty Lee still chose to save Mai at the boiling rock regardless because it was the right thing to do for her friend.
With Ozula, however, it'd lead to a Zutara-esque situation (again, assuming Grey really did want that subtext to exist, since she didn't specify if that was what she meant when she said she went into a dark place while acting Azula's scenes in the finale). Dante Basco, aka Zuko, is the capitain of the Zutara ship, so any scene between Zuko and Katara gets at least a bit of subtext (and Zutara actually had full on ship-bait moments)... but the show also made it clear that the characters were NOT interested in each other like that, and they both ended up with different people. That means Zutara has some base for it, but it is still NOT CANON. Ozula is on even less solid ground since the overwhelming majority of the text activelly goes against it - again, Ozai seemed uniterested in both his wife and his daugheter, and activelly tried to distance himself from them.
How Azula flirts VS how she acts around Ozai
If we assume all of Azula's behaviors towards people like Zuko and Sokka was indeed intentional, we need to ask ourselves: was it really flirting or an attempt to unnerve them?
With that assumption in mind, I mostly see her actions towards Sokka as having been based on a display of power instead of flirting, but I can understand if people disagree. I fully believe she was attracted to Zuko and wanted both to intimidate him and flirt with him, and even discussed it at length on the link bellow (and offered another possible explanation of why she might not have been interested in Sokka after all) https://hello-nichya-here.tumblr.com/post/654197363889635328/zucest-is-it-really-flirting
When we take that behavior into account, regardless of motivation, and then compare it to her actually trying to flirt with Chan, we see that Azula has different styles of flirting, both of which are based on warpped perceptions of how normal interactions work - one having a predator/prey vibe with open ridicule, and the other with awkward/false flattery that is accidentally insulting and/or scary.
However, if we look at how she acts with Ozai, we see that she acts like a completely different person. She is very respectful and very distant - sort of how servants and guards act around her. That shows that despite her love for her father being actual canon (unlike any attraction she possibly felt for any character) their relationship is VERY formal. Azula doesn't take any liberties with her father, making it very unlikely that she learned her more "inapropriate" behaviors from him.
Azula's trauma
Azula was neglected by her mother and turned into a child soldier by her father. In Zuko Alone, we see Ursa spending a lot of time with Zuko but not with Azula, harshly reprimanding her without trying to understand her motives (like when she asked Zuko why he hurt the turtle-ducks), and even asking "What is wrong with that child?". Add in the over the top neglect she faced in the comics, the obvious guilt Azula was starting to feel for her actions in book 3, as well as the fact that a parent suddenly leaving like Ursa did can severely affect their child's mental health (which was likely to have been fragile in the first place considering Azula's more distressing behavior as a kid, as well as the psychological torment and hallucinations she dealt with in the finale) it makes perfect sense for Azula to believe her mother saw her as monster. Her claim that their mother liked Zuko more and her reaction to Mai's "I love Zuko more than I fear you" shows that her problems with her mother come believing she was not loved while her brother was - could she have also wanted Ursa to be there to protect her from sexual abuse? Sure. She could have simply wanted her mother to procted her from literally anything, or just be by her side and be proud of her.
This trauma also explains her freaking out as Ozai left her in the finale. She had recently lost Zuko, Ty Lee and Mai - the later of the three having accidentally touched an old, open wound of hers. Ozai was all she had left, and he turned his back on her after all she did for him. That was the last straw, and finally broke. You can add sexual assault or literally any kind of abuse to the story to explore a new theme/possibility, but it not existing in canon is not a plot-hole because the story works perfectly without it.
Imagine...
"Imagine Ozai killed Azulon and banished Ursa and Zuko so he could have Azula to himself, abused her, and then was mad when she brought Zuko home, with Mai and Ty Lee coming along"
I can imagine it. What I cannot is remember it. It can be a good, important, cathartic story, but is not the story we saw in the show. In the show we saw Ursa planning Azulon's death, not Ozai. We saw how his abuse was 99% purely psychological. We saw Ozai banish Zuko years after he supposedly got rid of the other two impediments of his abuse to Azula. We saw him not giving a damn about Mai and Ty Lee being around, welcoming Zuko home and rewarding him for "killing the Avatar", and then making Azula leave with them. And above all, we saw him shut Azula down the second she tried to have any kind of relationship with him that involved being anything more than a killing-machine.
Ozula can be an interesting plot, but said plot exists solely in theory and fanfics, not in the actual canon.
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the-ghost-king · 3 years
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Interestingly enough the fandom isn't always rational with their criticism. Take Percy and Rachel for instance. A perfectly healthy cute and functional relationship dynamic, but people really hated it because it got in the way of Percy/Annabeth.
I think it can also come down to the fact that not all situations are exactly equal if that makes sense. If you have a character dynamic in couple A, that often playfully bully of fight with eachother that's a different dynamic than relationship B, where one person has trauma resulting from bullying and the other parter behaves in roughly the same way as couple A do. In that case the behavior may be seen as inappropriate. Not that this example has anything to do with the ships at hand, but I think a long form meta examining the different paralleling issues from both relationships and their validity would be easier.
Also I haven't seen anything about about Nico/Will being called toxic. Yikes, what are people saying exactly, because I don't doubt a lot of people might be projecting unconcious bias.
Oh absolutely, I may seem young but I remember the Rachel vs Annabeth ship wars all too well... I do not want to go back 😅
The rest is under a read more though, I got a little carried away talking! Also this isn't my best post on the issue by far so please feel free to check out the tags I mention later on!
(AN: I use nblm alongside mlm in this post because some nblm individuals will consider their attraction to men as gay, or queer, while others will not and those individuals are often closely connected to mlm experiences and they also deserve to talk about their thoughts and feelings if they wish. I am aware nonbinary people are not a monolith and not all nonbinary people will categorize themselves or their attraction this way, it's up to nonbinary individuals reading this to determine where they fall on what)
As for Solangelo being toxic some of the conversations revolve around the ableist nature of the ship, this is definitely most obviously a dynamic in BoO, and it's a more than fair point about the ship I don't have anything negative to say there in the slightest!
(The above parallels with the idea that Will is introduced as a "healer character" for the "sad gay kid", which is a fair criticism as well but one that's often left rather one sided, because while that is true- if it's a way Nico likes being treated (watched closely for injuries and cared for) then it's not wrong, and in ToN Will is seen overstepping Nico's boundaries which causes a healthy argument about Will doing so and he stops, so if Nico doesn't tell Will "no" or some variation he's obviously not horribly uncomfortable with the situation, or from the way it would be interpreted alongside previous text, there's fair reason to think he likes it)
The thing with Solangelo I see often is "Nico is still processing trauma, and internalized homophobia and isn't ready for a relationship" which is a huge misunderstanding on how trauma and internalized homophobia work as a whole, because the experiences can be different for everyone. You can absolutely date someone while processing internalized homophobia, you may struggle with certain things but it is absolutely doable for some people. And trauma is such a varied thing, and it's not like he's solely relying on Will either, he is seeing Dionysus for therapy and getting the help he needs! Your life doesn't have to go on hold for therapy no matter how much trauma you are sorting through! (Not disclosing my medical history or anything but I have struggled with both things and my life didn't stop for me to deal with them, I made new friends, went on dates, etc- it is possible depending on the person so the very narrow view of "this is unhealthy" and "this is impossible" rubs me wrong when it's treated as fact over opinion, because it's an opinion).
There's also constant discussions about how fandom (in current) fetishizes both Nico and Will, which I, and other mlm and nblm have spoken our own thoughts on multiple times to be largely ignored by the biggest perpetrators of this "they're overly fetishized narrative". There's also fairly consistent discussion of how fandom treats Nico and reduces him to uwu small gay boy, which more often than not seems to mean "effeminate" rather than actually harmful stereotyping (yes queer men are allowed to be "girly" especially considering there is some canon text that could be interpreted with that meaning, if there wasn't a plausible way to determine canon that way I wouldn't care if people were going after others feminizing Nico a bit- but the issue is again, fact and feeling aren't the same and fandom seem to conflate the two rather often).
(Some of that ties into nonbinary Nico head canons which are common as of current, and that argument quickly becomes transphobic is people don't watch themselves... Even without bringing nonbinary Nico into the equation, headcanoning Nico as femme isn't bad or wrong, and to say otherwise becomes gender policing which is bad).
There's also this weird obsession with there being a "correct way" to ship mlm ships (specifically solangelo), which when considering it's not mlm or nblm saying those things, it becomes really uncomfortable. Especially because the wording of some posts is less "hey this is homophobic" and comes off more like people are more upset at seeing an mlm couple than at the fact that they're being shipped poorly.
All of this in combination with the constant, talking over of queer guys (specifically mlm and nblm) comes off really messed up, and yeah homophobic.
It's not something that can be pinned down to one specific thing but rather a series of smaller microagressions (which in sure most of are intended in good faith but are being filled with subconscious bias) that build up over time- which is why my concern is that solangelo is facing harsher criticism/different treatment that percabeth simply for being a queer ship.
I can't be 100% sure on that like I said, because that's something that is hard to gain tangible evidence for, or maybe even impossible :/
If there wasn't so many other small things going on alongside the harsher criticism of solangelo, I would honestly just ignore it... But the weird policing of "how to ship solangelo" while proclaiming it's "overly fetishized" all while speaking over a not insignificant number of mlm and nblm who have agreed with certain opinions, or taken time to write their own (+ some of the rhetoric that can be found on he blogs of people commonly expressing these opinions) is super uncomfortable and definitely homophobic... Even if they were treating the ship kind of weird, but treating the queer guys talking about it well and actually listening (because the current solangelo fandom probably has the highest proportion of queer guys in comparison to any other fandom I've been in with an mlm ship as of right now) I wouldn't be so bothered... But sadly that's not the case..
(I'd also like to note out of my posts criticizing the current conversations happening around the issue my post saying "listen to mlm voices" got a lot more notes than some of the other ones, which I can't say is specifically anything, because like solangelo perhaps being treated unfairly to percabeth, I am willing to acknowledge there might not be an issue- but it's weird how often mlm and nblm's posts on "listen to us" will be uplifted but never any actual criticism... Just a thought)
I detail things a little closer and in more detail in some of my posts tagged #fandom homophobia, #mlm fetishism, and #gender policing in fandom, it's not a full or comprehensive list (I've only really started speaking up in the last month or so), and it is largely solangelo specific. However I am always interested in listening to the voices of other queer guys about the issues and hearing out their thoughts as well (people aren't a monolith and I'm interested in trying to be as nuanced as possible!) and I acknowledge that although I am mlm and am going to be a little better at recognizing issues and calling them out (although I like every person am not perfect of course)
So yeah! That's a bit of the current ongoings, again not a full comprehensive list, and definitely not my best explanation ever but I think the point gets across well enough? Definitely check out my other tags if you're interested in more, there's also definitely more posts I need to make on some of the things I've seen (maybe not all of them so solangelo fandom specific, and maybe some of them even more solangelo fandom specific) but it's rather slow work in progress!
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nevermindirah · 4 years
Text
Ok it's Jewish Booker o'clock, I can no longer stop myself, let's do this!
Why Jewish Booker? Dude was born in Marseilles in 1770, which happens to be a FASCINATING time and place in Jewish history, and it adds ridiculous layers to his character (without excusing a damn thing). Alternately just because I think he’s neat :)
Jewish Booker headcanons that make me happy:
not to be all "real Jews do X" but Jews fuck with candles hard. Book of Nile thrives on old/modern analog/digital giggles. Booker lighting Shabbat candles, lighting yarzeit (memorial) candles for his wife and sons (sob), lighting a menorah, lighting candles just because he's feeling emotional even though it's not chag (a holiday) or a yarzeit and Nile thinks he's trying to be sexy but he's really just in his feelings. just like. so many candles.
maybe Booker was the person who punched Richard Spencer at Trump's inauguration, just bringing back that time somebody punched a famous neonazi in the street and said neonazi has all but stopped appearing in public after a few rounds of public punching
were the Old Guard in Charlottesville in 2017? how many times has Booker the Blond Jew infiltrated North American white nationalist / Klan type activities and then stolen their weapons and/or killed them? likewise there's plenty of horrifying white nationalist shit happening across Europe this century, how many Pim Fortuyn types has he been involved in taking down? (I Am Of Course Not Endorsing Violence TM ;) ;) )
SINGING. Mattias Schoenaerts sings in Away From the Madding Crowd but it's church shit, sigh, anyway he has a nice voice. a lot of Jewish prayer is sung/chanted (depending on when/where you are and the gender rules of the community you're in) and there’s been a lot of innovation to Jewish singing in Booker’s lifetime, and I just want Nile to overhear him singing to himself on Friday afternoons
Nile Freeman was four years old when The Prince of Egypt came out, she grew up on that shit, she would want to introduce her new family to that shit. Please join me in picturing Booker, Nicky, Joe, and Andy all shouting "that's not how it happened!!" throughout this beautiful nightmare of a movie with lovely animation and songs but where white people voice most of the Egyptian and Jewish characters, because Booker Nicky and Joe's religious texts all frame the Exodus story a little differently and Andy was probably there when it happened (except for how it didn't actually happen it's an important story but it's just a story pls just let me giggle about Andy being super old)
Read below the cut for sad Jewish Booker headcanons, French Jewish history (mostly sad), context on antisemitism (enraging/sad), and all the way to the very end for a himbo joke.
Jewish Booker headcanons, I made myself sad edition:
he is a forger. who was alive. in 1939. visas. VISAS. V I S A S. how many of us did he save? how many more could he have saved if he didn't sleep that night? how heavily does that weigh?
how do we think he BECAME a forger? most likely he was doing what he needed to do to support his family, which gets extra poignant if he was also trying to help his people, forging documents as well as money even during his mortal life
Booker raised Catholic by crypto-Jews adds ANOTHER layer to the forgery thing, no shit he'd get good at falsifying paperwork and coming up with plausible cover stories
do we know how Booker made it back home after his first death in 1812? his route between the Russian Empire and Provence in 1812 would've been a patchwork of laws about Jews, in case starvation and frostbite weren't enough for him to have to deal with, he's blond and could maybe get away with pretending not to be Jewish if he had to, alternately maybe synagogues and yeshivot took him in on his way home
the structural and sometimes-interpersonal dynamics of antisemitism cause many individual Jews to experience feelings of teetering on the fence between a valued member of a not-exclusively-Jewish community and a scapegoat/outcast/problem. HOLY SHIT BOOKER. "what do you know of all these years alone" is the most Jewish loneliness-in-a-crowd shit I've ever heard. fear that we're not wanted, or only wanted so long as we're useful — that's something that basically all people struggle with under capitalism, but it's especially poignant for many Jews because of the particular way antisemitism operates. (NOTE this can tip from a legit Jewish Booker reading to woobification of the sad white man who couldn't possibly be held responsible for his own actions because he's so sad, which, NOPE. it's very understandable for him to feel left out and misunderstood and not as wanted, as the youngest and not part of an immortal couple and maybe Jewish, but NONE OF THIS excuses his betrayal.)
Crusaders murdered a lot of Jews on their way to the ~holy land~. how many of Booker's people did Nicky kill on his way to kill Joe's people? has Booker ever actually talked to either of them about it?
I read this really beautiful fic about Joe needing to circumcise himself after getting run over by a cart (ouch) — this is a hell of a thing for Joe and Booker to have in common
just generally Jewish Booker adds more layers to him and Joe so clearly being such close friends, ugh that look Joe gives him when they're leaving the bar at the end of the movie, and I very much do not mean this in a gross Arab-Israeli-conflict way because Joe is Amazigh not Arab and Booker is Jewish not Israeli (and also a lot of Jews are Arabs) (but most importantly there's no ~eternal conflict~ between Muslims and Jews) (more about OP Is Not A Zionist below)
like, the UK and France (and to a certain extent Italy) carved up the former Ottoman Empire after WWI; among other things, the UK took Palestine, and they could've worked on eradicating European antisemitism so Jews wouldn't have to leave but instead they used their control of Palestine to encourage Zionist emigration of Jews out of Europe, and France took what is now Iraq, which has some pretty direct implications for US military involvement in that country in Nile's lifetime; France colonized Tunisia in the late 19th century and still held it during the Vichy era which means Tunisian Jews were subject to Nazi anti-Jewish laws which is just layers upon layers of colonial racist Islamophobic and antisemitic nightmares for Joe and Booker to live through
to be crystal clear before anybody gets ooh Muslim-Jewish conflict up in here, antisemitism is an invention of European Christians that they imported to the places they colonized, the European colonial powers encouraged Zionism because it was easier for them to encourage Jews to leave Europe and set us up as middle agents between the colonial powers and the ~scary brown people~, the Ottoman Empire and other Muslim governments historically have had a second-class citizenship category for non-Muslims that rankles my American first amendment freedom of religion sensibility but was very much not targeting Jews specifically, and these two men who've lived for a long-ass time through many varieties of geopolitical awfulness (and alongside a certain unwashed Crusader who has since learned his lesson) would have Things To Say about how our current mainstream discourses frame these things
getting off my soapbox and back to this action movie I'm trying to talk about, the ANGST of Booker's exile, which is simultaneously a very valid decision for Andy Joe and Nicky to make, an extremely long time for Nile who is only 26 years old to be separated from the one person on the planet in a position to really understand the crisis she's going through, and holy shit expelling a Jew from your group when he's already been expelled from mortality and his family and being expelled from places and continually having to start over somewhere new is THE curse of surviving through antisemitism, OUCH MY FEELINGS
Some French Jewish history:
France, like basically all of Europe, periodically expelled its Jews, but Provence (where Marseilles is) wasn't legally part of France during the expulsions up through 1398 so Provence had a continuous active Jewish community; about 3,000 Iberian Jewish refugees ended up in Provence after the expulsions from Spain and Portugal in the 1490s
the 1498 expulsion of French Jews DID apply to Provence but many "converted" to Christianity and reestablished a Jewish community when enforcement of the expulsion chilled out (which was in the government's interest because they were really into taxing Jews at higher rates, so much so that they taxed "new Christians" at higher rates once they realized expelling Jews meant they wouldn't be around to overtax, ffs) — by the mid-18th century Provence had notable communities of Jews and crypto-Jews (forced converts and their descendants who still kept some Jewish practices in secret)
Booker would've been 21 when revolutionary France granted equal legal rights to Jews in 1791 — his mortal life and first century of immortality happens to line up almost perfectly with the timeline of legal emancipation of Jews across Europe
the American and French Revolutions happened pretty much concurrently and took different approaches to religious freedom that make Book of Nile with Jewish Booker and canon Christian Nile extra interesting — French emancipation, at least from my American sensibility, is about secularism and religion not "interfering" (hence French Islamophobic shittiness about banning hijabs), whereas American religious freedom is more of "the government can't stop me from trying to evangelize / religiously harass people at my school/workplace/etc" — to be clear I think both countries' approaches to religious "freedom" are hegemonic as shit and have devastating flaws, but they're different models that emerged at the same time in Booker's youth and Christianity is clearly a source of emotional support for Nile and there's so much to explore here
Napoleon tried to ~liberate~ the Jews of places he conquered for his dumbass French Empire, but liberation from ghettos came with strings attached (like banning us from some of the only jobs we'd been legally allowed to have for centuries, and liberating us for the stated purpose of getting us to assimilate and stop being Jews) and many places that were briefly part of the French Empire reinstated their antisemitic laws after Napoleon was gone, can you imagine being a French Jew forced to fight and die in Russian winter for that jackass and then have to trudge back through a dozen countries whose antisemitism was all riled up by French interference?
Some facts about antisemitism:
antisemitism operates differently than many other oppressions, it doesn't economically oppress the target group in the same way as antiblackness or misogyny or ableism etc — the purpose of antisemitism is to create a scapegoat to blame when European peasants are mad at the king / the church / the people actually in charge, and structural antisemitism encourages a system where some Jews become visibly successful so that those individuals and our whole community are easier to make into scapegoats
one of the historical roots of antisemitism is stuff in the Christian Bible about moneylending as sinful — Jews in medieval Europe were often barred from owning land and Christians barred from moneylending, so some Jews found work in finance and some of us became very visibly successful for working with money — a few individual Jews running a particular bank or finding success as jewelry dealers turns into "Jews control global financial systems" scapegoating — a more recent example of this is the participation of nonblack Jews in white flight and the role of Jewish landlords doing the visible dirty work of non-Jewish institutions in American antiblack housing discrimination, Nile grew up on the South Side of Chicago and would have seen some shit along these lines and might repeat hurtful ideas out of a lack of knowledge, here's Ta Nahesi Coates on some of these dynamics
Booker canonically being a forger (specifically of coins in the comics?) needs a little extra care to avoid antisemitic tropes about Jews and money, I will happily answer good-faith asks about this if you want to check on something for a fic/etc
antisemitism in the United States where I live in October 2020 isn't institutional in the sense of targeting Jews for police violence or anything like that. it IS systemic, however, for example in all the antisemitic conspiracy theories the Trump administration and several other Republicans peddle (ie QAnon), and in how the Trump administration points to support for Israel as if that means support for Jews (it doesn't, it's evangelical Christians who push the US government to support the Israeli government because they think Jews need to be in the ~holy land~ for Jesus to come back that's literally why the United States funds Israel at the level it does). antisemitism also gets weaponized to encourage white Jews (those of us of European descent, who in the United States are definitely white because the foundation of US racism is slavery and antiblackness as well as anti-indigenous genocide, maybe European Jews aren't included in whiteness everywhere but we definitely are where I live) to side with white supremacy instead of building solidarity with other marginalized people (ie a lot of mainstream Jewish groups shit on the Movement for Black Lives because of its solidarity with Palestinians)
the Nation of Islam has a major presence in Chicago and its leader Louis Farrakhan who lives in Chicago has long spread a variety of antisemitic as well as homophobic bullshit but there are genuine good reasons many Black people find meaning/support in the Nation of Islam and Nile would've grown up with that mess in the air around her, this is a good take from a Black Jew about the nuance of all that
the way the Old Guard comics draw Yusuf al Kaysani is HOLY SHIT ANTISEMITISM BATMAN I hate it please summarize the comics for me because I DO NOT WANT to look at that unnecessarily caricatured nose why the fuck did they do that human noses are beautiful there is absolutely no need to draw Joe like a Nazi would
Jews for Racial and Economic Justice is a local NYC group that recently developed a fantastic resource for understanding and fighting antisemitism (pdf) 11/10 strongly recommend
Zionism disclaimer: A lot of Jews feel strongly that we need a Jewish-majority country in order to be safe from antisemitism. I strongly disagree with this idea on its merits (Jews disagree about who is a Jew and making Jewish status a government/immigration matter means some of us are going to get left out; also non-Jews aren't fundamentally dangerous and separatism isn't going to end antisemitism) but I have a lot of empathy for the very valid fear that leads a lot of my people to Zionism. Whether I want a Jewish-majority country or not, what Israel has done and continues to do to Palestinians is a deal breaker. Emotions run very high on this subject — I spend a lot of my not-Tumblr life talking to other Jews about Zionism and I'd rather not have this Jewish Booker headcanons post become yet another place where fellow Jews yell at me in bad faith. Block me if you need to, you're not going to change my mind. Call me self-hating if you want, I know I love us.
Racism in fandom disclaimer: I feel weird about increasing the volume of meta about Booker in this fandom. Nile Freeman is the main character and deserves lots of attention and adoration from the fandom — and she deserves emotional support from as many friends and orgasms from as many partners as she wants. I think Jewish Booker makes her friendship and potential romantic relationship with him even more interesting, hence this post. Ship what you ship, but be aware of the racist impact of focusing your fandom activity on, for example, shipping two white men while ignoring awesome characters of color especially the canon man of color one of those white dudes has already been with for a millennium. Please and thanks don't use my post for shenanigans like sidelining Joe so you can ship Booker with Nicky.
Oh and a non-disclaimer fun fact, Matthias Schoenaerts was born in Antwerp which apparently has one of the largest Jewish communities still remaining in Europe?? ~Jewish Booker headcanons intensify~
In conclusion: Jewish Booker! Just because it's fun! It exponentially increases the angst of his mortal lifetime and it puts his first century of immortality smack in the middle of the most intense changes to Jewish life since the fall of the Second Temple (aforementioned emancipation, also founding of Reform Judaism, the Haskalah, Zionism, and then of course the Holocaust). It makes his relationships with Nile, Joe, and Nicky more interesting and potentially angstier and with more intense commonalities and tenderness about their differences. It's very common for Jews to not believe in God (this confuses the shit out of a lot of Christians) and this would probably have further endeared him to Andy.
One more thing: Booker as golem. (A golem is basically an earthenware robot of Jewish folklore.) He's tall and blond and the most Steve Rogers-looking of all of them and from the Himbeaux region of France. THE trope of Book of Nile is he will do WHATEVER Nile wants or needs him to do. I was today years old when I learned that Modern Hebrew speakers use golem figuratively to mean "mindless lunk" and I'm choosing to squint and read that as "hot kind and dumb as rocks" because it amuses me.
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panharmonium · 4 years
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you can be my ride or die: a staggeringly long essay about a deceptively short appearance
(aka, pan’s personal depository of notes about prince william of ealdor.)
now that my fic is long since done and posted, i can finally transfer this monster piece of meta out of my google docs and onto my blog, where it can serve as an unasked-for, absurdly detailed, beginning-to-end analysis of my obscure fave.
(whose line ‘yeah, and i’m prince william, of ealdor’ is still the funniest damn shit i’ve ever heard and also the most shocking burn arthur has ever received; i hope he thinks of it sometimes and remembers that humility is a virtue)
(the BRISTLING DISRESPECT!  the ZERO FUCKS GIVEN!  i love him!  please can someone else talk to arthur like this!  he needs it!)
disclaimer before we begin: i wrote this over a year ago, as a character check for myself during the very early stages of working on my fic.  i kept messily adding bits to it over the course of a couple weeks as i explored what i knew about this character and who i understood him to be, but at the time, i didn’t intend on posting it; it was just prep work for my own story-making.  it’s still essentially just a record of my train of thought as i pieced this character together - i’ve cleaned it up a bit now and added some recent links to make it more coherent, but it was never meant to be a posted essay, just a collection of notes for myself.  
be forewarned, it is more comprehensive than the things i’ve written about this character since, and it goes on for years.  if you are not interested in many, many pages of super heavy in-depth musings about a character who appeared in one episode, now is the time to scroll on by.  i promise i won’t mind in the slightest; i wrote this for my own purposes and don’t really expect people to read it - i’m posting it just to have it archived with the rest of my merlin stuff.
if you are interested in that sort of thing, however - hit the jump, and off we go!
i really love the episode where we meet will, though i’ve started to love it for new reasons since the first time i watched it.
the first time i watched season 1, 'the moment of truth’ was my favorite S1 episode overall, because it was the first time the Fab Four went off on an adventure together, and that was very exciting; and i also loved it because all the character stuff in that episode was so good; and i also loved it because look, all of us are suckers for that classic seven samurai plot, you know - i loved it in TCW, i loved it in the mandalorian, i loved it in merlin.  not gonna get bored of ‘simple farmers defend their homes with pitchforks’ anytime soon.  it is overall just a solid, self-contained plot with clear emotional arcs, and it sticks its landing well.  it’s a simple, strong story.
nowadays, though, i also love it because of will.
i. will whomst?
prince william of ealdor, that’s who!
will straddles a kind of weird place in canon, because he feels like a minor character to the audience but is very much not a minor character for merlin, who has known will much longer than the brief hour we get to spend with him and who has spent his entire life with will as his sole friend.
but, because will only appears once - let’s start with a round-up.  what do we actually know about him?
he’s a peasant farmer from ealdor, like merlin
his father was killed fighting for king cenred (as a foot soldier - these people are not wealthy enough or high-status enough to afford or be accepted into the knighthood)
his mother is either dead or absent
he’s painfully class conscious and doesn’t trust the nobility
he’s a “troublemaker” (the interpretation of which is...well, it’s left to the viewer’s discretion.  fandom seems to jump to ‘fun mischief and pranks,’ though i personally don’t get that vibe from this episode.  “troublemaker” in will’s case seems to mean more “doesn’t know how to keep his head down/can’t go along to get along to save his life.”  it means when he sees something that he thinks is Wrong, he absolutely will not shut up about it even when all his neighbors are sick of him and want him to just let it go.  it means he can’t stop rocking the boat even when rocking the boat makes everybody want to strangle him.)
he supplements his agricultural pursuits with carpentry.  you can see in his house big piles of hewn timber along one wall, as well as a grindstone and a shaving horse, and when he comes out of his house on two separate occasions he’s holding woodworking tools (mallet, chisel, etc)
he knows about merlin’s magic - for how long this has been the case, we’re not told.  it doesn’t feel like a new thing to me, but ultimately that’s guesswork.
he appears to have just one friend
that one friend is merlin
will loves merlin enough to die lying for him
merlin left will behind.
ii. it wasn’t what i wanted
so let’s talk about that.
merlin is asked “why did you leave?” twice in this episode, first by arthur and then by will.  he gives completely contradictory answers to the two of them, and it’s worth remembering, before examining both responses, that one answer is inherently more honest than the other, because merlin is only able to tell the whole truth to one of these people.
so when merlin talks to arthur, it goes like this:
“why did you leave?”
“things just...changed.”
“how?”
*silence*
“come on, stop pretending to be interesting and tell me.”
“i just didn’t fit in anymore.  i wanted to find somewhere I did.”
arthur has to drag this answer out of merlin, and it’s not because merlin doesn’t feel like sharing (i mean, come on, we know merlin; merlin wants to be in everybody’s business and he feeds off human connection like a starving man; he’d be thrilled that arthur was interested in his life) - the problem isn’t that he’s shy; it’s that he’s not exactly telling the truth and he’s trying to figure out how to do it in the least deceptive way possible.
i just didn’t fit in anymore.  i wanted to find somewhere i did.
that’s nice.  
it’s also a lie.  
it’s not a total lie, of course - there’s an element of it that becomes true, after merlin gets to camelot and realizes that working for arthur is “not totally horrible all the time” - that he sort of likes the excitement, and the newness, and being somewhere where nobody knows him and nobody will judge him - but that’s the reason he stays in camelot, not the reason he leaves ealdor.
by contrast, when will asks the question, merlin gives a completely different answer:
“why did you leave?”
“it wasn’t what I wanted.  mother was worried.  when she found out you knew - she was so angry.”
it wasn’t what I wanted.  
can we digest that for a moment?
merlin didn’t want to leave home.  
not that he isn’t enjoying himself in camelot now, of course - which he conveniently doesn’t mention in this conversation, because will is upset with him and merlin feels guilty that he’s been off enjoying his new life while will has been struggling at home alone - but at the point of departure, merlin didn’t want to go.  
his answer to arthur about finding a place where he belonged is certain-point-of-view bunk.  he didn’t just up and decide that he wanted to run off and find a place where he fit in better.  he didn’t leave because he wanted to escape a place he didn’t belong.  he didn’t set off in search of adventure and a new life.  it’s true that he didn’t feel like he fit in in ealdor, but that’s not what sent him packing.  he left because his mother found out that will knew about his magic, and she panicked and sent him away.  
iii. why did you leave
most fannish things i’ve encountered tend to interpret merlin’s departure in a much more generous light than i do, with merlin explaining to will that he’s leaving and will being unhappy about it but eventually understanding and kind of like...giving his blessing before merlin goes.  this is fine, of course, but it did surprise me, when i started dipping my toes into fandom, because i never interpreted events in this episode like that, and i don’t think it’s even a plausible read, not from the conversations we’re actually given.  the antipathy that accompanies merlin’s return doesn’t make sense under those circumstances, and moreover, from the way things actually unfold in this episode, we’re told, in order, the following three things:
1) the fact that will asks “why did you leave” tells us that he and merlin did not discuss it prior to the point of departure.  there’s no other reason for will to ask this question.  everything about will’s tone and body language in this scene indicates that he’s been stewing over this for a long time, that he doesn’t understand, that this is something profoundly difficult for him to address.  and while it might be nicer to think that merlin sat down and discussed things with will before leaving for camelot, that’s not the inference we’re being asked to make here.  
2) there is absolutely no way they wouldn’t have discussed it, if will had known that merlin was going to leave.  like - if your only friend in the world told you they were moving to another country tomorrow, there’s no way “why?” wouldn’t be the first question you asked.  there’s no way you wouldn’t have that discussion, at the most basic level, before separating.  it just wouldn’t happen.
3) so, given that information, the unfortunate, inescapable conclusion is this: will didn’t know merlin was going to leave.  merlin left without telling him.
everyone is free to continue to headcanon this in their own ways, of course.  but this is what we’re actually being told.
iv. we don’t want your kind round here
the fact that merlin vanishes without so much as a word to his best friend goes a long way towards explaining why merlin is so uncomfortable when he first sees will in the street.  
when they first encounter each other, merlin looks so apprehensive and wary, and the writers are playing it like ‘uh-oh, someone saw him use magic and now he’s nervous about it!!!’  but two seconds later, you realize that this can’t possibly be what’s causing merlin’s concern, because it’s made immediately clear that will already knows about merlin’s magic and isn’t going to say anything about it.  
merlin isn’t afraid of being outed, in this scene.  but he might, however, be afraid of the reception he’s going to get, given what we just discussed.
merlin just up and disappeared from home, and not so much as a letter since - we know will’s had a secondhand update, probably from hunith (“how’ve you been?!  i hear you’re skivvying for some prince”) but he very clearly hasn’t had any direct contact with merlin since before merlin left.  
merlin knows this was a big fuck-up.  he feels guilty.
(and to be clear - i think there is a lot to be said about just how merlin’s departure unfolded, and what stopped him from getting in touch.  it’s a complicated enough topic for its own piece, and it’s not quite within the scope of this essay, but suffice it to say for now that i don’t believe it stemmed from deliberate thoughtlessness or callousness on merlin’s part; it’s...deeper and more complicated than that.  honestly, i think merlin looks back on this as like...the first major mistake he ever made in his life, his...original sin, sort of.  and i don’t think he’s ever forgiven himself for it, either, but again, that’s a story for another day.)  the point here is that merlin didn’t necessarily want to cause harm, but he knew that’s what he was doing regardless - he knew that leaving without a word was the wrong thing to do.  and in this moment he feels rightfully guilty about all of it, and he’s afraid that his friend won’t welcome him home.
merlin’s moment of uncertainty is real, when will pretends to greet him with hostility.  merlin is afraid that will is angry with him for leaving him behind.
(and let’s not kid ourselves, will definitely is)
it’s a festering thing that keeps boiling to the surface as we progress through the episode.  it shows in the way will finally asks why did you leave, avoiding merlin’s eyes, the question laden with vulnerability.  it’s in the exchange “are you going to abandon them?”/“what, like you did?”  there’s real pain there, and confusion, lots of hurt feelings.
but.
despite all of that, will doesn’t freeze merlin out, when merlin comes riding back into town.  merlin is rightfully afraid that will might not want to see him, afraid that “we don’t want your kind round here” might be less of a joke than it ought to be.  and while all of the troubles that merlin is worried about are absolutely real and poised to cause friction later, the truth is that at that exact moment, when merlin comes walking up the road - none of it matters.  will has been nursing a collection of hurt feelings for months now, yeah, but in the immediate moment, when it comes down to it - he puts them aside.
they both do.  nerves, guilty thoughts, bruised feelings - they temporarily abandon all of that in favor of a momentary joy.  you can see how excited they are when they reunite.  how they start smiling at the same time.  how they laugh their way into that hug.  they’re so happy to see each other.
people get pretty worked up about ***That Time Arthur Finally Hugged Merlin!!!***, but i don’t know.  i think it matters to remember that merlin had people who knew how to hold him long before arthur was even a flicker of a shadow in merlin’s mind.
v. why are you being like this
so they reunite!
and then they fight. D:
but what really matters is how they fight, because even when they’re having an argument, they never let things escalate quite to the level of interpersonal nastiness, certainly never to the level of cruelty for cruelty’s sake - just a few hard truths and a pile of hurt feelings:
“i trust arthur with my life.”
“is that so?  so he knows your secret, then?”
...
“face it, merlin, you’re living a lie, just like you were here.  you’re arthur’s servant, nothing more.  otherwise you’d tell him the truth.”
the delivery in this scene is essential for understanding how these two interact with each other.  it’s so telling.  merlin and will are having an argument, and will is angry about everything we’ve already discussed, and on top of that, some prince is trying to round up a bunch of will’s neighbors for a fight that’s going to get a lot of people killed, and will sounds so sharp when he’s talking, up to and including the challenging “is that so?”  
but then when he sees that he’s touched a nerve there and merlin knows he’s right, his voice drops those edges and goes gentler, regretful, like - he and merlin aren’t all hunky-dory right now, but he’s not out to rub merlin’s face in it, either.  he’s not trying to “get back” at merlin for leaving him.  he’s not like...happy that merlin’s situation is shitty.  
vi.  if i broke it (would you quit?)
we mostly only see these two in a tense season.  they’re arguing with each other for almost the entire episode, and yet even in this at-odds state, there are little things that remind us of what they’re usually like - that they don’t want to be arguing, that this isn’t a natural at-rest state for them, that this isn’t what they’re used to.  they butt heads, but they keep swinging around back to each other, and trying again, and trying again, and trying again.  they never write each other off.  they keep trying to make it work.  
examples: merlin asking “why are you being like this?,” the implication being that will isn’t usually like this, that this isn’t how they usually act around each other.  the two of them together in the background of arthur’s pitiful training session, coming right off the tail-end of another argument and busying themselves with their own work, but still reflexively hanging in each other’s orbit.  merlin, even in the middle of a strained conversation, helping clean up the mess that the bandits made of will’s house, without asking or being asked, like it’s just the automatic, reflexive, natural thing to do.  merlin using will’s proper name when discussing him with other people, but always the diminutive when they’re talking to each other.  merlin following will every time will walks away; will doing the same when merlin’s the one who’s leaving.  that moment up in the hedgerow, with will’s embittered “you know why,” which sets them to arguing again, except instead of it pushing them apart, it pulls them closer together - will climbs right up into the hedge where merlin is standing so they can sit next to each other and talk.
like.  he’s angry!  but the instinct isn’t to storm away, it’s to get closer.
i love that so much.  i love how they’re starting to have another argument and merlin stands there and says “why are you being like this,” to which will, already upset, responds “you know why,” BUT -
but
will stalks up into that hedge and plops himself down right next to merlin, and merlin, without a moment’s hesitation, sits down beside him.
i love that.  they’re angry with each other, but their first instinct is still to close the distance.
i wonder, sometimes, how much of that is a function of them only having each other.  when you’re on the outs with someone, usually you can lean on your other friends, but what can they do?  it’s different when the person you usually seek out for comfort is the same person who’s pissing you off.  you don’t have anyone else to run to, so you can’t ever really storm off.  you have to learn how to hash things out.  you have to learn how to make it work.  you have to learn not to give up on each other.  
vii. she was so angry
the implied backstory for how merlin actually ended up in camelot is so painfully fascinating and, quite frankly, wrenching to think about, given how this episode eventually ends.
when will asks merlin why he left, merlin tells him, “it wasn’t what i wanted.  my mother was worried.  when she found out you knew - she was so angry.”  this is telling us that merlin’s departure for camelot was directly preceded by his mother discovering that will knew about merlin’s magic.  that is what ultimately prompted her to send merlin off to camelot.  of course there would have been other contributing factors - it’s evident that merlin’s situation in ealdor has always been precarious - but her immediate reason for sending him away was the fact that she found out that will knew about merlin’s magic, and she was angry and afraid to learn that merlin had been lying to her about something that put him at risk.
“i wouldn’t have told anyone.”
“i know you wouldn’t.”
but merlin’s mother didn’t believe that, or she wouldn’t listen to him when he tried to tell her, and she shipped him off to camelot anyway, despite the fact that camelot is arguably more dangerous for merlin than ealdor ever was.
the web of how this played out is such a tangled mess.  is it my fault, thinks will, before the episode even starts, desperately trying to figure out why merlin would abandon him like that.  it’s my fault, thinks merlin, at the end, knowing that if he had used his magic sooner, or come back alone, events would have unfolded differently.  it’s my fault, thinks hunith, realizing that the particular fear upon which she based merlin’s entire departure was utterly unfounded.
merlin doesn’t blame her for it, even though he has reason enough to be angry about it, by the end of this episode.  he understands that she was just trying to protect him.  but the truth of the matter is that she did make a mistake.  she was afraid for him, and she saw danger everywhere, and so she made a misjudgment.  
it’s the miniest of mini-arcs, but it’s there.  at the end of this episode, right after will drops the Big Damn Lie, merlin looks desperately around for the only other person in the room who understands, and the camera rests on hunith’s face for one lingering moment, as she realizes what’s happening.  when she’s exiting the house, there’s a shot where she pauses for a minute on her way out the door, staring back at her son's dying friend, who just offered himself up as a willing sacrifice to keep merlin’s secret safe.  
she and merlin are the only people in the room who understand the real import of that moment, the real meaning of that gesture.  they’re the only ones who know what’s happening, what it really means for will to say “i did it.”
hunith knows she misjudged that kid big-time.
viii. you can be my ride or die
so.  will.
why am i even interested in him?  what is it about this character that makes me want to write about him?
number one: i love him because he’s the only person we ever meet who cares exclusively about merlin.  
everyone else merlin has met up until this point is either a) as beholden to camelot and arthur as merlin is himself, or b) aware of merlin’s “destiny,” which isn’t necessarily a bad thing but does change the way people talk to him and treat him.  
it’s not that merlin doesn’t have people who care about him, but those relationships are not the same as the one he has with will.  merlin is obviously #1 in his mom’s life, of course - but, importantly, even hunith’s immediate reaction to merlin’s uncertainty at the end of 1.10 is to tell him that he has to go back to camelot, that arthur needs him, that he’s “the other side of a coin.”  this despite the fact that hunith has known arthur for all of five minutes and that merlin, in the moment where she talks to him, is in a lot of pain, and maybe it isn’t the most appropriate moment say, ‘hey, you absolutely must devote yourself to that guy i literally just watched lecture you about the evils of magic while attending your (supposedly magical) dead best friend’s funeral.’  
and when it comes to merlin’s camelot network, well - he’s #1 in gaius’s life, too, but gaius also is deeply concerned with the greater good, with the future emergence of albion, with what merlin is meant to become and do.  morgana and arthur - well, they don’t know merlin, first of all (really know him, all of him, the important bits) - they definitely like him well enough, and care about him in their way, but ultimately they’re royalty or pseudo-royalty and they have priorities that go beyond merlin, who, at the end of the day, is still a servant.  gwen comes the closest to being on merlin’s level, but she doesn’t know him-know him either, and as time goes on she gets more involved with the Crown, with arthur, and with the responsibilities all of that brings.  even merlin’s later friends all go on to have other missions - they absolutely all love him, but they all become knights, and they are as concerned about the well-being of the realm and the king as merlin is.  even merlin HIMSELF puts arthur’s life ahead of his own - he defines his worth by how well he can protect his prince.  
but will is the only person we ever meet who just cares about merlin - merlin the regular person, not the servant he pretends to be, or the legend he’s supposed to become.  not the fake, non-magical merlin facade (which is what almost everyone else needs merlin to be before they can condescend to be his friend) and not some destiny-laden figure out of prophecy, either.  will doesn’t know anything about destiny or prophecies.  he’s never needed to know about any of that stuff to care.  he’s always liked merlin.  just merlin.  just as he is.  
that matters.  all merlin ever does in this show is deny himself or be denied of the things every regular human being needs to thrive - love, acceptance, truth, safety.  he constantly puts or is forced to put other priorities ahead of his own interests, to a point where now, by season five, he’s spent years defending a regime that oppresses him, protecting kings who would execute him.  
will, in a display of true-to-character contrariness, upsets that entire narrative, because he does not care one whit about any of the things for which merlin is supposed to sacrifice his life.  will gives less than zero (count them: negative zero) fucks about arthur pendragon, and he doesn’t care about camelot, and he wouldn’t know what “albion” meant if he heard the word.  and it is refreshing - a blessed, beautiful, heartbreaking relief - to see one person in the world who only cares about merlin, for whom arthur pendragon, in comparison with merlin, isn’t the slightest bit important.  arthur isn’t even on the map.  he’s a non-entity.  he doesn’t exist.  
it’s a complete inversion of the way things are supposed to go, in this story.  you know how it goes - arthur is the once and future king, and merlin’s job is to usher in his reign.  "maybe that is its purpose,” gaius says, about merlin’s magic being meant to protect arthur, about merlin being born this way for that particular reason.  it’s merlin’s job to save arthur’s life.  it’s merlin’s job to teach arthur to be a better person, at his own expense.  it’s all for arthur.  i give my life for arthur’s.  his life is worth a hundred of mine.  what is the life of a servant compared with that of a prince?
will delivers the biggest fuck-you to that entire framework, because he doesn’t assess merlin’s worth based on what merlin can do for some random prince on the other side of the border.  merlin’s magic wasn’t purposed for anything, as far as will is concerned.  it doesn’t need to justify itself.  it just is.  it’s just who merlin is.  
and who merlin is has always been just fine.
ix. am i the only one wondering who the hell this is
for will, it’s people like arthur who need to justify themselves.  arthur with all of his power, arthur riding into little villages with his sword drawn, arthur and his bossing around and his “now, merlin!” conversation-interrupting.  will makes no allowances for wealth and couldn’t be less interested in royalty - his frame of reference isn’t you’re the once and future king and merlin exists to prop you up; it’s who the hell are you?  what gives you the right to be here?  what did you do to earn what you have?  
will, like gwaine after him, is acutely aware of the injustice of the reigning social system, and he’s not afraid to throw it in arthur’s face.  he knows that people like himself and merlin and all of their neighbors are unjustly disadvantaged from birth until death, and he knows they’re disadvantaged solely because the people at the top of the social chain are greedy lords who sow no seed but reap all the grain, who do no work but enjoy the greatest rewards, who steal from the people with impunity and call it divine entitlement.  will knows that he and merlin and all of their neighbors are considered no better than plow-beasts or war-fodder, and he knows that there is absolutely nothing they can do to stop the nobility from either taxing them into starvation or sending them off to die in a ditch - which makes him impossibly angry, and, unlike everybody else in his village, he’s not shy about saying so.
will is, at this point, literally the first non-villain to look at arthur and not immediately see some messianic pinnacle of human greatness - which is refreshing, to be honest, and fair enough besides!  he’s evaluating arthur from merlin’s side of things, after all, which nobody - including merlin - ever does, and while i love arthur as much as anybody - for the people’s hero that he could be, and for what he is, sometimes, if not frequently enough - the truth is that he’s not good for all of his people, not yet, and he’s not good for merlin, not the way things stand right now.  
will knows that.  he looks at arthur and sees a guy with a lot of power, who also happens to rule over the the least magic-friendly place in the five kingdoms, to whom merlin needs to lie in order to avoid the executioner’s block, and he sees merlin deluding himself into thinking that this supremely unequal, extremely unsafe situation counts as friendship.  
now, is will’s assessment of the situation a snap judgment based on personal encounters with an unjust social system and very limited knowledge of arthur as a person?  yes, definitely.  are there nuances to merlin and arthur’s relationship that he’s missing?  absolutely.
is he wrong?
not really.  and merlin knows it.
x. friends don’t lord it over one another!
i think about that line every damn episode.
over and over again, it comes back to me.  i hear it every time arthur gets On His Shit and invokes power he pretends not to have, every time i see more evidence of how this supposed “friendship” between him and merlin is inherently imbalanced.  it’s my favorite thing will says in all of 1.10, because it is so true and yet, most of the time, so unacknowledged as a dynamic.
we’re meant to love arthur and merlin together, and we do - i do; i do; when i see those moments that approach true mutual respect and care between them i am as swept up by the potential beauty of this friendship as anyone - but i still think about this line all the time.  it’s not right, the power dynamic between the two of them.  it’s not just about servants vs. royalty, though of course that’s a structural part of how it plays out.  it’s about the fact that, in a real friendship, one person can’t just whip out “you ever say anything like that again, and i swear you’ll join her in exile forever” to shut down a conversation and cow you into silence.  one person can’t just throw you in jail to spend a night “cooling off,” and they definitely can’t arrest you whenever someone levels a random accusation at you.  in a real friendship, it’s not one person who has all the power.  
but when it comes to arthur and merlin, that’s exactly what happens.  arthur gets to decide when he and merlin are and aren’t friends.  arthur gets to call merlin in or send him away.  arthur gets to make all the decisions about when to listen, when to ignore, when to trust, when to believe.  merlin can nudge, encourage, suggest, even defy, but ultimately, when you get right down to it, arthur is the king, and merlin is his servant, a dynamic which is compounded by the deadly particulars of merlin’s situation.  the relationship isn’t unequal solely because of a difference in social class, it’s unequal because arthur literally has the power of life and death over merlin.  arthur could (and would, as far as merlin knows) have merlin executed any day of the week, if he found out who merlin really was.  
that’s why when merlin tries to tell will that arthur is his friend, will snaps, “friends don’t lord it over one another!”  it’s not that you can’t care about someone who has more power than you, and it’s not that you can’t have some kind of relationship with them, but it is not real friendship if you think your “friend” will kill you when they find out who you really are.  it is not a real friendship if you have to pretend to be someone you’re not in order to preserve the relationship.  real friends don’t leverage impossible amounts of power to shut you up when you say something they don’t want to hear.  real friends don’t say things like “you’ll be a friend for life if you do [x thing]” to convince you to lie to their dad while they go out with a girl and thus get you clapped in the stocks three times in a row, and then turn around and show their appreciation by letting people raid and ransack your house multiple times, throwing you in jail at least twice, accusing (and once nearly executing!) your loyal long-serving mentor more than once - among innumerable other issues.  real friends aren’t “you’re my friend when i need you to be, but not when it’s inconvenient.”  they don’t have the kind of power to turn things on and off whenever they want.
i love that will is the only person who ever acknowledges this, across five seasons of this show.  i love that he spits it out immediately, without hesitation, the minute merlin tries to makes things sound better than they are.  i love that he says it unapologetically, to merlin’s face, because he says it for merlin’s sake, after all - the point of saying ‘friends don’t lord it over one another’ is to say ‘that guy doesn’t appreciate you the way you appreciate him/this isn’t reciprocal and he’s taking advantage of you/this isn’t the friendship you want it to be and i don’t like seeing you settle for this.’  will is that friend who watches you interact with someone and then later gets in your business like ‘EXCUSE ME!  I DO NOT LIKE HOW HE TALKS TO YOU!  I DON’T LIKE HOW HE TREATS YOU!'
will knows that merlin deserves better than arthur pendragon, even when merlin himself won’t concede that point.  merlin won’t advocate for himself, so will tries to do it for him.  merlin can try to convince himself that arthur is a real friend all he wants, but will knows what’s up.  he knows.  he knows where this is going, if merlin’s relationship with arthur is allowed to continue on exactly as-is.  will knows, from the very beginning, that this is a recipe for disaster.  
[addendum 2020: speaking from a post season-5 perspective...will understood where merlin and arthur were headed long before even we the audience did.]
xi. friends don’t lord it over one another [reprise]
you know what real friends do do for each other, though?
a) listen - even when they don’t like what the other person is saying
b) care - even when they’re angry
that’s it.  that’s what matters.  
we don’t need more than an hour of watching will and merlin onscreen together to see that this is how they interact with each other.  they’re arguing for most of this episode, and they’re both right, in different ways, but by the time they’ve had it out with one another, they both understand where their own arguments were wrong, too.  they listen to each other despite the fact that they’re angry, and despite the fact that they both have very strong feelings about their respective positions.  they care enough about each other to look past their personal injuries and accept where the other person is coming from.
merlin starts off this episode absolutely dead-set against using his magic to help ealdor, if there’s any chance arthur could find out about it.  but later, before he and will have even officially reconciled onscreen, we can already see that he’s been listening to what will’s been saying, that he’s come around to will’s way of thinking, because he tells his mother “if it comes down to a choice between revealing who i truly am and saving lives - that’s no choice at all,” hearkening back to will’s “are you telling me you’d rather keep your magic a secret for arthur’s sake than use it to protect your friends and family?”  and: “if arthur doesn’t accept me for who i am...well...then he’s not the friend i hoped he was” (you’re arthur’s servant, nothing more.  otherwise you’d tell him the truth.)  
merlin has been listening the whole time, even if he didn’t like what will was saying.
and the same goes for will, too.  he’s (understandably!) bitter about merlin’s situation, about the way merlin left, about the new life merlin built for himself while will was suffering in a confused limbo of abandonment at home - and will also obviously thinks the Farmers’ Resistance is a total disaster, a noble-spun farce that’s going to get good people killed - but even though he doesn’t trust the camelot contingent and couldn’t give fewer shits about prince arthur pendragon specifically, he trusts merlin.  he listens to merlin, even though they’ve been fighting.  he comes back because merlin keeps telling him it’s the right thing to do.
they both listen, even when it seems like they’re just arguing with each other.  and they both acknowledge where the other person was right, even when it means making themselves vulnerable.  will comes back to help his neighbors fight a battle against hopeless odds.  merlin exposes his magic to save people’s lives.  
they teach each other how to do the right thing.  they make each other brave.
xii. you just saved my life
let’s talk about being brave, then.
this kid jumps in front of a crossbow for a guy he doesn’t even like.
can we be clear about that?  will doesn’t even LIKE arthur.  he doesn’t particularly care about him.  he doesn’t accept him as the noble savior of all mankind.  he isn’t interested in defending the nobility, and he certainly hasn’t jumped on the camelot bandwagon.  just because he’s seen that arthur wasn’t planning on sending them all to their deaths without risking his own neck doesn’t mean will is suddenly going to start flying the pendragon crest from atop his house.
but he isn’t going to step back and let a coward shoot another man in the back, either.
arthur’s still a prince, yeah.  arthur’s still sitting at the tip-top of an unjust social system, benefitting from all kinds of privileges he didn’t earn.  arthur’s still a crappy friend to merlin.  heck, two seconds before that crossbow gets fired, arthur’s gone full-on inquisition-mode, interrogating merlin about sorcery, which, given that arthur can just go ahead and have merlin executed with a snap of his fingers, isn’t a great way to earn will’s respect or trust.  
but you know what?  when it comes down to it, will’s automatic, reflexive reaction upon seeing someone in immediate danger is to Get In The Way.  
it doesn’t matter that will doesn’t like arthur.  it doesn’t even matter that he actively dislikes arthur.  will doesn’t even think about it, he just moves.  instinctively.  automatically.  he isn’t going to let anyone standing right in front of him get murdered with their back turned, no matter how much he can’t stand them.  
let’s all take a second to remember and acknowledge something in arthur’s stead, since i’m not sure arthur will do it himself - arthur pendragon would have been dead right there if it weren’t for a dirt-poor peasant farmer from cenred’s kingdom who never had anything nice to say to a prince but still stepped between a pendragon and a crossbow in the name of doing the right thing.  without will, the story would have ended in season 1, episode 10.  albion itself owes its future existence to a young man with no surname who will never be acknowledged or recognized for anything he did, not for teaching the future king a lesson in humility, not for saving the prince’s life, and certainly not for the greatest and most noble move he ever made, because that gesture’s success is predicated upon its remaining a secret.  
this kid saves the entire World That Will Be.  the show would have ended before it ever really began, if not for our man prince william of ealdor.  
merlin knows that, and merlin never forgets it.  but i’m not so sure about everyone else.
xiii. yeah, don’t know what i was thinking
let’s talk about defiance.
this kid is dying, and he’s still full of piss and vinegar.  when arthur says, wide-eyed, “you’re a sorcerer,” will responds, “yeah.  what are you going to do, kill me?”  
what a power move.  what a thing to say.  
that’s not a question.  that is a no-fucks-given, shame-and-blame challenge.  
what are you going to do, kill me?  
merlin uses those exact same words during his confrontation with morgana in 3.02.  when he’s trapped - when he’s cornered and betrayed and angry - he reaches for the kind of defiance he once saw exercised on his own behalf, for a shameless bravery that burned itself into his brain.  for the kind of strength he wants to channel himself.
when it comes to holding your ground in front of the pendragon dynasty, merlin learned from the best.
xiv. and i’m prince william, of ealdor
let’s talk about names.
william: from wil (will or determination) and helm (protection, a helm)
hence the common translation of resolute protector.
which, given the events of 1.10, seems very fitting.
xv. i did it
let’s talk about lies.
because resolute protector rings even more powerfully true when it comes to merlin than it does for arthur.
at the time of this writing, i have four more episodes to watch before i’m done with season 5.  at this point, at the end of the show, merlin’s magic is still a secret.  merlin’s gotten involved in a lot of dangerous situations, risking his life in other ways, but the one danger he’s never had to really confront is the executioner’s block, because none of the pendragons know his secret.
and the reason none of the pendragons know his secret is thanks to our boy prince william of ealdor, who turns his own untimely death into a last-second rescue operation by telling the Biggest Damn Lie of his life and then doubling down on it when merlin tries to tell him no.
will is the one who secures merlin’s next five years of relative safety.  not from all of life’s dangers, of course; no one can do that - but when it comes to merlin’s greatest fear, the worst outcome, the prospect of being dragged out of his home in chains and murdered in front of an ogling crowd for just existing - will buys merlin’s escape from that fate with his life.  merlin remains hidden and unexposed to this very day because will died protecting his secret, because will lied to the prince of magic-hunting and invited upon himself all of the risk and scorn and danger and condemnation that a false confession like that entailed.
i honestly don’t know how to express clearly enough the enormity of that moment.  the momentousness of that gesture.  i called it a bold and tremendous lie in some other post somewhere, and i don’t know how else to capture what it was.  the thought of what it would mean, to be merlin, and to see someone throw themselves on the block for your sake, for your safety and your future and your freedom, when the rest of the world and every message you’ve ever absorbed says you don’t deserve to be safe, you don’t deserve to be free, you don’t deserve to exist.  
it is impossible to overstate how much that matters.  merlin carries that with him for the rest of his life.
xvi: i can’t fight you anymore (it’s you i’m fighting for)
let’s talk about love, okay?
this ep is called the moment of truth, right?  
so here are some truths about will.  in the time that we spend with him, we come to understand that he is the following:
a poor peasant kid with nothing to his name
a kid whose father is dead  
a kid whose mother is either dead or absent
a kid who “people are used to ignoring”
a kid who’s been making his own way through this backbreaking subsistence-farmer’s life with no grown-ups to hold him or help him or listen to him when he comes home at night
a kid who isn’t trusted to protect merlin’s secret, even by merlin’s own mother, whom will has known for his entire life
a kid whose only friend in the world fucked off to the country next door without a hint of warning or any indication that it was something that should matter to either one of them, making will think he misread the only meaningful relationship he’s ever had, because if merlin can just vanish to nowhere and not even bother to send a note, then either merlin wasn’t actually his friend to begin with or merlin was his friend at one time but doesn’t want to be anymore, both of which options are soul-crushing
a closed-off, heavily-armored, hurting kid who’s been unspeakably lonely for the past few months but also angry and ashamed at himself for feeling that way, because how stupid did he have to be, to think that he mattered to someone, that someone would ever want him or love him or need him or miss him, to think that this time would be different, that this time somebody wouldn’t leave him -
and even in this state - even in the midst of all this -
at the moment of truth, he still puts himself on the chopping block.  he still says, “you’ll have to go through me.”
he comes through for merlin.  of course he does.  the irony is bitter and beautiful - hunith sent merlin away precisely because she didn’t trust that merlin would be safe with will knowing about his magic, but in the end it’s will who gives up everything to keep merlin’s secret concealed.
not just to keep it concealed, even - to reverse merlin being outed.  merlin had already been exposed.  the deed was done!  the magic was seen!  it was all over - and then, miraculously, it wasn’t.  what will did was the only way merlin could ever have slipped safely back under the cover of secrecy.
will didn’t have to do that.  he didn’t have to lie about performing magic, and he didn’t have to save arthur, either.  it would have been better for will to let arthur die, in fact, and it would have been better for him to let merlin get caught, too, because ‘maybe then merlin would have to stay here with me’ - but will is so much better than petty revenge.  he’s so much better than anybody ever gives him credit for, merlin excepted.  
the fight will has with merlin doesn’t matter to him, in the end.  it was a complicated situation for both of them; will knows this.  if he weren’t dying now, he and merlin would have talked it out and made up - will knows that, too.  things could have gone a little smoother between them, maybe, and will still thinks going back to camelot is less than what merlin deserves, but it’s what merlin wants, and the mark of truly loving someone is when you want the best for them, even if it means you don’t get what you want for yourself.  so ultimately, when it comes down to it, the truth for will is this: he wants merlin to have a good life.  he wants merlin to be safe.  he wants merlin to be happy.  he wants merlin to be with him, too, but if he can’t have that, it’s no reason to withhold any of the other gifts he can bestow.  if one of those gifts is freedom, if one of those gifts is safety - it’s no choice at all.  
merlin is will’s one good thing.  merlin deserves everything will can give him, as far as will is concerned.
xvii. the only place worth being
this place has been boring without you.
what a thing to tell someone.
what a powerful thing to say to someone whose entire life up to this point has been a litany of ‘there’s something wrong with you,’ ‘you don’t belong here,’ ‘you’re cursed/broken/wrong/unnatural.’  what a dauntlessly loving thing to tell someone whose entire life has been the message ‘people like you deserve to die,’ over and over and over again.
what a singularly beautiful thing it is, for someone like merlin to hear ‘you are what makes this place worth living in.’
xviii: the only one worth seeing
likewise it’s good to see you again.
because it’s not just “it’s good to see you again;” it’s an acknowledgement that merlin is the last person will is ever going to see.  
and will is like, okay.
he’d rather be alive, yeah, but if he had choose - it’s good that it’s you.
xix: the only bed worth sleeping in (is the one right next to you)
the most devastating moment in this sequence, for me, is at the very end, when will confesses fear.
it doesn’t happen until everything else has been taken care of.  arthur’s been fooled, merlin’s been safely shuffled back under the cover of secrecy, everybody’s been taken in by the ruse and sent away, none the wiser  - all the necessary and important business has been dealt with.
only at the very, very end does will’s own predicament rear its ugly head.  only after everything else is done does he even allow himself to feel it.  he’s spent the rest of this sequence making jokes and roasting arthur and keeping it all together, but at the last second, when he falters, he comes undone for the only person he trusts, the only person who understands him, the only person in the world who gives a damn about him.  his defenses come down, in that last moment, for merlin - and it could ONLY be for merlin - when will says, “merlin, i’m scared.”
we don’t need anything else, to understand their relationship.  we’ve seen enough of will by now to recognize that he keeps the world at arm’s length, that even his walls have walls, that this is just not the sort of thing he would ever admit to.  confessions of pain?  acknowledging vulnerability?  never.  he’s not that kind of character.  we know he has a big heart - look at what he’s doing - but we also know he’s had a hard life.  he’s wrapped himself in layers upon layers of protection - snark and anger and deflection and sarcasm and still making jokes at the prince’s expense after being shot in the chest - nobody is allowed to see him open and undefended, never.
except merlin.
will is dying.  he is so young.  he has been so alone, for so much of his life, and he’s so young, and he’s dying.  he clutches for this lifeline like it’s the only thing he has, because it is the only thing he has - merlin is his only friend.  merlin is the person will loves best in the whole world.
merlin, i’m scared.
that is so unbelievably vulnerable.  that is so utterly naked.  that is totally defenseless, exposed, belly-up and barethroated under someone else’s burning gaze.
that is absolute trust.  will would never have said that in front of anyone else.  he would never have allowed anyone else to see him like that.
his confession is, like pretty much everything else he ever does, for merlin alone.
xx. your heart is on my sleeve
merlin, will keeps repeating.  merlin.
how much do you have to love someone, to make their name your last words?  how much do you have to care about someone, for that to be the only thing you can think to say, again and again, in your last terrified moments on this earth?
that’s a rhetorical question.  
i know how much.
xxi: i missed you too
i think, sometimes, about will, when i watch the later seasons of merlin, and about how he would feel if he could see what merlin’s life has turned into.
i sometimes wonder how he would feel, if he could see how merlin allows himself to be passed over, disbelieved, disrespected.  if he could see how merlin has started to define his worth in terms of how well he is able to protect Some Dude who doesn’t even know who merlin is, who keeps people like merlin trapped in the shadows of subjugation, hidden citizens in their own kingdom.  if will could see how merlin has laid his entire life down for other people’s enrichment, if he could see how little hope merlin now holds for his own happiness, if he could see the way merlin in S5 has given up on his own liberation -  
i don’t have to guess what will would say about it.  i know how he would feel.  if will could see merlin in season 5, his raging little heart would break.
i wish he were here to tell merlin exactly what he thought about it.  merlin does all this self-sacrificing for the sake of his “destiny”; whereas will would think that any destiny making merlin this miserable was a steaming pile of trash.  will would tell kilgharrah to get lost, and to take his questionable advice with him.  will would tell arthur to fuck off - he’s done it already, in slightly less explicit terms.  
does that mean i truly think merlin is supposed to abandon his mission and ditch camelot and run off to live his own life?  no.  merlin cares too much about making the world a better place to be truly happy with that kind of existence; he wants to change things for the common good; he wants to help the people he cares about.  but merlin, as he tries to fulfill his mission, is desperately missing will’s kind of support in his life.  merlin needs someone who is only here for him.  he needs someone who is going to get up in his face and remind him, “you matter.”  he needs someone to tell him, “you deserve better than this.”  he needs someone who isn’t afraid to tell destiny to fuck off, when telling destiny to fuck off is in merlin’s best interests.
merlin needs someone who is on his side.  
not camelot’s side.  not albion’s side.  not arthur’s side.  
HIS side.  merlin’s side.
xxii: he still is
the thing about will, then, for me, is this: i can’t minimize him.
i can’t do it.  i can’t diminish that part of merlin’s life.  
i don’t think it’s possible to overestimate his importance, frankly.  merlin, when we meet him, has only ever had two people in his life.  that is such an...unfathomable experience, for many of us.  just two people.  just two people to know you.  just two people to love you.  just two people, for your whole life.
will wasn’t just some friend.  will was half of merlin’s world.
fannish pursuits that i have seen...the things where will appears are already so limited, and of course that’s completely understandable - it’s not like he’s a main character, or even a side character, by any means; i totally get that.  but - so much of what i see is him serving solely as a set-up for merlin/arthur, or otherwise being shoved out of the way as soon as arthur shows up on the scene, or showing up only to be a receptacle for discussion about arthur and merlin’s developing relationship - even will and merlin’s own ship tag is 90% merlin/arthur fics.
and there’s nothing wrong with this, ultimately; everybody should continue to write exactly what they want and enjoy exactly what they want; that’s the fun of fandom.  i mention these things here only because for me, personally, the whole point of will’s character is that merlin’s life is bigger than just arthur.  the most important relationship merlin had for most of his life had zip-zero-nothing to do with arthur pendragon, and it still has zip-zero-nothing to do with arthur pendragon, after will is dead.  
you remember will’s funeral at the end of 1.10?  arthur has an entire conversation (a horrible one, fyi) with merlin, and merlin doesn’t look at him once.  he answers arthur’s questions because he has to, but his eyes never once leave the pyre in front of him - not while he’s listening, not while he’s talking, not once.  not ever.  arthur comes, arthur chastises, and arthur goes, all without being granted so much as a glance, because this isn’t about him.  this is none of his business.
the whole point of will is that it is possible for someone to love merlin and not give a tinker’s cuss about arthur pendragon.  the whole point of will is that having someone love merlin without caring about arthur pendragon is, in fact, a good thing.  merlin needs somebody like that in his life.  he struggles when he doesn’t have someone like this around to advocate for him.  just look at where he is in season 5 - look at what his life has become, when it’s been years since he had an in-the-know friend.
merlin suffers when he loses this kind of support.  it’s easy to say that will is never mentioned again after 1.10, but there are real reasons why merlin wouldn’t be willing to explicitly mention him, and the lack of explicit references doesn’t mean we can’t still see him, if we pay attention.  we see the immediate impact of his death in merlin’s attitude shift in 1.11.  we see him in 2.02, when merlin names his fake tournament knight sir william and spends the rest of the episode roasting arthur to within an inch of his life.  we see him in the season 3 opener, when morgana levels her sword at merlin and the first thing that pops out of merlin’s mouth is “what are you going to do, kill me?”  we see him in gwaine’s intro episode, when merlin immediately cleaves to this class-conscious ‘people get sick of me too quickly’ stranger whose father was killed fighting one of the king’s wars.  and his absence is felt, more generally (as is lancelot’s) in how quickly merlin’s life starts to spiral out of control once the only two honest friends he ever had are gone.  their loss doesn’t have to be explicitly referenced for us to understand that merlin, without that kind of support system, is faltering.  we see it happening with our own eyes.
[edit, post-viewing-of-S5-finale: and we see where it eventually leads, too.]  
so, once again, as i said - i can’t minimize this character.  i can’t overstate the positive impact of merlin having somebody who was here for him and only him, who affirmed merlin’s value independently of arthur pendragon’s fate, who knew and loved merlin without caring about a “destiny” that ultimately, in the end, turned out to be a cruel joke made at merlin’s expense.  
if will had lived, i’m not sure we would have ended up in quite so dark a place.  we might have landed in some other tight spot, sure, but i can tell you one thing for certain - will would not have sat quietly by and allowed merlin to throw his life away, not for camelot, not for arthur, and certainly not for a parade of empty promises.
xxiii: where you are, there i’ll be
the bottom line is this.
merlin spent the first two decades of his life with one friend.
one.  
loved by one friend.  
one.
merlin had his mother, who was there for him from the beginning, whose love was unconditional, who was an “of course.”
and he had will, who chose merlin, who kept choosing merlin even after merlin told him the Terrible, Horrible, No Good, Very Bad Secret.  will’s presence in merlin’s life is the only reason merlin grows up believing himself to be deserving of love from people who aren’t his own mother.  his presence in merlin’s life is the only reason merlin knows how to have and be a friend.  his presence in merlin’s life is the only reason merlin is who he is - a merlin who’d spent his entire life without a single friend would not have been the same confident, optimistic, gregarious person who later walked into camelot and told arthur pendragon, “i’d never have a friend who could be such an ass.”
will mattered.  we don’t talk about him much, because he only appeared in one episode, but it wasn’t “one episode” for merlin; it was closer to twenty years of companionship, of elbows in ribcages and smirks exchanged across the room and someone to natter on at, a person to sit next to and walk beside, in every season and all sorts of weather.
will chose merlin, and he kept right on choosing him, until he breathed his very last breath.  that is enough for me to love him, to feel grateful that he existed.  i don’t care how rough he is around the edges.  i don’t care that he hates arthur pendragon’s guts, that he has a big mouth, that he speaks out of turn, that he has no tact, that he can’t suffer fools, that he has a chip on his shoulder the size of a minor planetoid and wings it at people’s heads when the mood is on him.
he loved merlin.  actual, magical merlin; merlin as he truly is, merlin in all his gifted, unnatural, beautiful imperfection.  
that is a desperately rare thing.  that is worth celebrating.
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ahkaraii · 4 years
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Belatedly answered ask responses
Thank you for anyone who has sent me stuff!! I LOVE reading them and I’m so sorry I’m awful at replying, but know that I love each and every one. Here’s my attempt to answer a whole lot :D
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@doki-dream​ Thank you so much for enjoying my DBZ comics!! DBZ was my earliest “fandom”, as it were, from over twenty years ago, and it was so, so special to me as a wee child. I think it’s obvious how heavily I project onto Gohan, haha! But now that I’m an adult, it’s really fun to weave in all these ideas I had as a kiddo into a more seamless interpretation that works with the existing canon. I hope you continue to enjoy my interpretations  <3
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@half-devil-in-red-leather​ Thank you so much for sticking around with me for so long!!  :D :D DMC still has a very dear place in my heart, and always will. As for Trunks and Gohan  -- they were my favourite characters, too!! Gohan moreso than Trunks in my case, but I’m awfully fond of all iterations of my purple-haired boy, and someday I’ll get around to drawing all of my Mirai!Trunks headcanons :) Trunks and Goten are fascinating to me as well, because they’re a Unit, yanno? In canon they were rarely seen without the other, and so their development as people is undoubtedly tied together, too. The differences between Mirai!Trunks and main-timeline!Trunks is FASCINATING, and speaks a lot to what are “core” characteristics of Trunks and what are things he’s adapted from his close peers over the years. Anyway, I love Trunks and Goten and Gotenks and rest assured I’ll be posting a lot more about them in the future.
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@vejigante​ Unfortunately I still haven’t watched Dragon Ball Super beyond the two movies (Battle of Gods and Broly) so I’m preeetty much out of the loop as to who these guys are. Maybe someday :0
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@katerchip​ :D :D :D =happy=
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@yusuke96universe​ I don’t exactly take suggestions, mostly because I kinda draw whatever I feel like in any given moment, and drawing something based on someone else’s idea or suggestion is almost always stressful (”what if they don’t like my take” “what if I drew something they find gross” “what if what if what if” etc), but I can safely say I, uhhh, actually don’t know much about Tien??? I’ve skim read the original Dragon Ball manga, but I never watched the original Dragon Ball anime, so Tien is one of those side characters I don’t have a very good grasp on, or, frankly, much interest in. Maybe someday!
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@shika-boom​ Fugaku and Shikaku were not friends, per say, but they were always peripherally aware of each other. They’re both clan heirs, for one, so you gotta know who’s who. Shikaku has always been a nosy nin who collects secrets, while Fugaku’s shameful secrets have always been painfully on display, so it’s not like they didn’t butt heads now and again growing up. I talk a little more about the topic here (x).
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@darkblades75​ Thank you!! You can read the manga online here (x).
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@hydrabellwolf​ Raditz is an interesting character I’m still getting a handle of, in my own interpretation, but I think he essentially has little to no attachment to his birth family and as a kid he probably thought Goku was pampered trash because Gine kept his pod at home. I don’t think Raditz ever made the connection that Gine sent Goku out to save him from the massacre, so I don’t think Raditz realized Gine “spared” Goku and didn’t think about him (Raditz).
Afterward, he only ever remembers Goku might still exist when he realizes he needs someone he can ally with against Nappa and Vegeta (after establishing he’s Alpha Dog, hence him stealing Gohan and talk-posturing at Goku instead of properly fighting from the start), so it’s not so much familial piety as it is convenience because he’s outnumbered and outgunned and outbullied by the only couple other Saiyan survivors.
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@wardstoneus That’s a story for another day, and details I probably won’t get super into because I’ve learned my lesson about delving into unnecessarily dark themes in an ambiguously exploitative way. But, yeah, I have lots of Thoughts about Raditz’s distinctive hairline and how that looks more like Vegeta than it does Bardock, and how exactly that could’ve gone about.
It was not a consensual thing :/ Gine had a rough life, and not just because she was weak and also not very Saiyan like. Bardock married her to protect her after she was pregnant, and he got demoted to low class because of it. (That’s how I explain to myself how Bardock was apparently super fucking strong and yet inexplicably deemed low class).
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@loyaltykask​ Tbh the only other Sakumo ship I find mildly interesting is Sakumo/Tsunade (you can kinda tell why I drew them together in the Five comic in the first place xDD), but, naturally, my take on Sakumo and the Sakumo that gets shipped with Orochimaru in fandom are very different characters with very different pasts that made them that way :’D So if I separate my take and just take fanon Sakumo as it is, there’s lots of interesting fics with him and Orochimaru and such. I don’t tend to read them though, because Orochomaru is never in character (as I interpret him, anyway), and that can be tiring XD
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@pretty-rage-machine​ Thank you!!! I’m sorry (not sorry) that I jump around fandoms so much, my creative brain is stupid and it latches onto new things every 2-6 months without control and I’ve learned to just go with the flow, it allows me to create faster and better works if I let myself explore whatever topic has captured my interest at any given moment instead of forcing it to stick to one thing. Luckily, I am not a professional artist; if you are, don’t do this xDDD Maintaining discipline and motivation beyond personal whim is important in any job!!
That being said, yay!! I’m glad you like my stuff regardless of how much knowledge you have of the canon I’m messing with. Hearing my characterizations are grounded and relatable makes me happy <3<3
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@poly-hebdo​ Thank you!!! :D :D Once again, I apologize for jumping fandoms like the attention deficit fella I am, but I’m glad you’re still digging my works regardless of the fandom!
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@jkl-fff​ Ahh thank you, friend!! (Side note reply: I watched DBZ:A yeeears ago, and I have to rewatch it again STAT because I actually have gotten mentioned by MasakoX (voice of gohan and goku in DBZA) a couple of times now, once in one of his videos and twice on his twitter feed, so I’m like HOLY SHIIIIT!!!! because that’s some Senpai-Noticed-Me shit and eeeeeeek).
It may be obvious by now but I HEAVILY project onto Gohan, he was basically my mental self-insert as a wee lad, so my characterization of him is heavily tinged by that selfish nostalgia; part of the reason I’ve been drawing these comics is to seamlessly integrate that mental image of Gohan I have living in my brain to the actual existing canon, to make him a plausible version of Gohan that can exist between the pages. From that, a fascinating little narrative has been born and I’ve been having fun detailing out the characters that exist around the Gohan I’ve created :D Thank you for enjoying my hot take on it!!
And YES LAWD I am all for bisexual Gohan, he and Dende were totally a cute first romance thing as teenagers, though naturally it had to come to an end as they moved on with their lives -- Dende to proper ascetic Godhood, and Gohan to a more normal human highschool life. Maybe someday I’ll get into the nuanced complexities of that, though I probably won’t post it to twitter, where the audience there seems to crave more canon straight stuff than any wistful doomed gay sideplots (that seems more a Tumblr thing). Ahhhh so many ideas, so little time XDD
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Text
General RP style and preferences
Repost, don’t reblog. Bold what applies. Strikethrough what does not. Elaborate on any points you’d like with a *
Please be honest, we all want to find the people who work best with how we RP. ____
Types of RP / How I do threads
| I don’t I just do whatever is on my dash when I’m online | Mainly asks | I do little short things mostly | I do my threads on discord | Long running threads that slowly build upon the muses |
Plotting Preferences
| Wing it | Get a general idea ooc and then run with it & plot further if need be | Long expansive thought out story arcs* |
Type of threads I do / Prefer
| Oneliners only* | Whatever dash shenanigans I’m online for | Para or Mulit para | Literal Novels |
Reply Speed for Threads & Consistency & Keeping threads
| I lose threads all the time & don’t usually get back to them | I tend to lose threads but please tell me if I have and I’ll reply!* | I drop threads pretty easily | I’m really slow but I WILL get back to you | I reply on a schedule/queue (specify if you’d like) | I usually reply within a week | I reply every day* | I reply almost instantly* |
Romantic or sexual ships
| I don’t do these ships (specify reason if you would like) | I’m not against them happening but it is not the main point of my blog | All ships will have to be super slow burn & discussed a lot OOC, super chemistry based (ok, not all ships but I do like some sort of build up rather than instant romance unless it’s a pre-established relationship) | I love doing ships, HMU I probably already ship it just ask! | I ship really quickly* | I autoship or ship within a few interactions* | I mainly RP for the cute ship fluff or smut* |
Smut
| I do NOT do smut at all (specify reason if you’d like) | I’m very selective about it | I only do it on a separate (blog/discord/specify here) | I mainly only do asks relating to nsfw headcanons on Sundays* | I write it a medium amount* | I write it all the time and love to |
Active hours [PST]
| Mornings 8-10 | Midday 11-1 | Afternoon 2-5 | Evenings 6-8 | Night 9-12 | Ungodly hours of the day 1-onwards* |
Activity Schedule
| SUPER slow and sporadic, like once a month or so | Slow and sporadic week long gaps between activity | Bi-weeklyish activity | Weekly activity (specify if there’s a certain time you have school/work/etc. off that you are most active) | Daily activity | I’m online nearly all the time* |
Starters
| I don’t do starter calls | I want to do starter calls but often don’t have time | I do selective calls (if we’ve discussed something or we have an idea we wanna run with) | I don’t do calls, but always fee free to ask me for one! | I do starter calls rarely/regularly/often* |
AUs
| I don’t do AUs | My blog is an AU but outside of that I don’t do them | I sometimes do them but only with a lot of plotting | I have a couple of AUs already feel free to request them! | I have AUs coming out of my ears please interact with them! | I love making AUs HMU to plot if you think of one! | There are some AUs I won’t do (At least not without some convincing. I would list them but honestly it would be easier for me just to let you know if it’s a yes or no for me when you ask me about it directly.) |
Crossovers
| I don’t do crossovers (specify if you want) | I’m selective with crossovers (I can be convinced if I know and like the fandom crossing over, but it would have to be discussed first. My brain wants things to make sense and it has to be plausible in my head, as well as something I am already familiar with before I’ll even consider it.) | I love crossovers! |
Elaboration Points
* - I can do intensive plotting, but I prefer to remain flexible, so any plotting done, be it in depth or just quick overview, is never set in stone. My characters have minds of their own and sometimes they don’t stick to the plan. I find that the quality of my writing is better when I just go with the flow of things and don’t get too invested in making things work just perfectly. It’s also more fun for me when there is some spontaneity in role playing. I am a pantser (write things by the seat of my pants) at heart and that has always worked best for me and been where I thrive. That doesn’t mean I’m against plotting, just know that I consider plotting to be bouncing around potential ideas, not planning out every perfect detail. 
* - One liners are harder for me because I tend to get wordy and like to elaborate. I still have fun with them sometimes if it’s just a quick little fun thing, but for more serious threads, I need more meat to the writing. 
* - I have a thread tracker but sometimes things still get lost. It doesn’t happen often, but I can’t keep it from happening every now and then. I will never drop a thread without telling you, so if it’s been a hot minute since I’ve replied, just remind me (maybe send a link if I need it) and I will get to it. 
* - I try to do at least some replies every day. It doesn’t always happen, but I do try.
* - Sometimes I can get to a reply pretty quickly if I’m on a roll, not always tho. This is luck of the draw. 
* - Just because I see the chemistry right away doesn’t mean I like the characters to see it just as fast. I like some build up to make it realistic and find that falling in love instantly tends to just be puppy love or crushes, it’s not actual romance and it’s a bit childish in my opinion, to be perfectly honest. Give me at least a little bit of time for my muse(s) to get comfortable with yours.
* - That being said, sometimes the chemistry is just really strong and happens fast. If circumstances are right, I might just go for it head first if it happens naturally. This is entirely dependent on how our muses get along tho.
* - I love cute ship fluff and smutt and will definitely RP a lot of it, but that’s not the whole point and it’s not my only focus. I also really love other sorts of relationship dynamics, including friends, family, and even enemies. 
* - Sinday asks are open to anyone, but writing out actual smut in threads is something I have to be comfortable with both my writing partner and the ship. It’s difficult for me to just throw my muse(s) into porn without plot. I like a pre-established relationship first and some context.
* - Smut is actually something I am very new to writing. I’ve been told I’m fairly decent at it, but I’m still learning my style with writing sexually explicit content. I’ve been trying to write more of it lately just to help me with developing those skills, but again, it is not the main focus of my RP blogs. I’m not against it, but it is by no means a requirement. 
* - Honestly, there is no schedule. I just write whenever I have the time and motivation for it. Often times I end up replying to threads when it’s super late at night or early in the morning before dawn, but really, who knows when I’ll be around.
* - A lot of the time I only lurk. I try to get on tumblr every day, but sometimes my activity is just liking things other people have posted. My mental health doesn’t always allow me to do more than that in a day, but I do try my best to post at least something every day, even if it’s small and useless.
* - Still getting the hang of open starters and don’t have time to make very many. But I’m always open for RP meme starters, both sending and receiving. And I am slowly working on getting more open starters written.
Tagged by: @detective-with-one-arm via the dash
Tagging: everyone
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cinnamonzor · 5 years
Text
BrattyShipping Headcanons Pt. 5
Previous Posts: Part 1 | Part 2 | Part 3 | Part 4
Teen Years
- After returning from the Isle of Armor, Victor opts to keep his hair at its newly grown-out length. This decision is partially influenced by it giving him a new comfort device for his anxiety and partially because he quickly discovers he loves Bede playing with it when it’s loose.
- Bede also enjoys it more than they’d wish to admit to anyone but Victor. Their brain temporarily short-circuited at how good the new style looked on him when they first saw it. If the prior notes didn’t convince Victor to keep it grown-out, Bede’s flustered reaction most certainly succeeded.
- Bede is SUPER touch-starved. Against most people’s expectations, they revel in Victor’s naturally cuddly behavior, accepting hugs and snuggles whenever possible. However, neither of them are particular fans of PDA, still preferring to keep their relationship on a need-to-know basis (i.e. their friends, family, Pokemon, and pretty much every significant character from the game).
- Opal’s one problem with Victor is his general lack of style, as all he really looks for in clothing is comfort. She takes several opportunities to insist he accessorize and/or throw some more pink into his outfit. Bede eventually decides enough is enough and gives him a necklace with a pink, berry-shaped charm on it to appease her (and if they enjoyed watching Victor’s face light up, so be it).
- Victor’s heard enough of Opal’s unsolicited fashion advice to figure out his significant other’s ulterior motive, but loves the gesture anyway. He attempts to find an accessory-related gift for Bede as well, settling on a cozy scarf with a little Hattenna logo on the end. They now wear it as part of both their casual outfit and gym uniform.
- While Victor’s social anxiety and tendency to overthink still act up from time to time, he’s still fairly secure in their relationship. They don’t openly admit to it, but Bede is actually the most insecure in that regard. Their past mistakes and the numerous fans Victor has meld with their abandonment issues and leave them frequently worrying Victor will leave them just like everyone else.
- Bede begins to slowly integrate into the friend group formed by the Postwick Trio and Marnie. They’re still reasonably wary of Gloria, but they grow to tolerate each other. They find themselves on much better terms with Hop and never really had any problems with Marnie in the first place. Victor still regularly finds himself mediating, though it’s not much worse than when it was just the original three.
- It takes some digging, but Victor manages to find out when Bede’s birthday is (personal headcanon: August 13). They’ve never bothered to celebrate it since before they arrived at the orphanage and have mostly just written it off ever since. Since birthdays have always been fairly significant in Victor’s family (a trait he himself retains), he takes it upon himself to ensure Bede enjoys theirs from then on as well (usually with an outing or meal and a thoughtful gift as the basis).
- Bede finds out about the twins’ birthday (personal headcanon: February 27) through Gloria insisting they arrive in Postwick to celebrate. She admits she’s not the hugest fan of having them over at a party that’s half for her, but she recognizes her brother is head-over-heels for them at that point and how much it’d mean to him if they came. She makes it particularly clear that their attendance is not optional.
- Their first major fight since their relationship begins is spurred by Victor’s concerns that Bede is still holding him at arm’s length after over a year together (rarely expressing themselves beyond surface value, waiting for Victor to reach out more often than doing so themselves, etc). Bede attempts to play it off as being due to their busy schedule as a gym leader, but Victor sees through it fairly easily. He mostly just tries to accept it, but it leaves him feeling particularly dejected and things are fairly awkward for a bit afterward.
- After a couple weeks (and, of course, some “guidance” from Hatterene), Bede admits to holding Victor at arm’s length and starts to open up a bit about their trust and abandonment issues. Victor also apologizes for prying too much and reminds Bede that he’ll always be willing to listen when they need it.
- Bede ends up taking Victor to the post-season League banquet as their plus-one when both are around sixteen or seventeen. The media assumes he came as his sister’s (who is still very much the Champion) and that Bede invites Opal as theirs. In truth, her invitation never ceased to be issued even after she retired.
- Everyone else who is invited is well aware at this point. Raihan, Nessa, Leon, and Sonia end up debating the plausibility of their blatantly contrasting personalities working well together. Piers doesn’t bother to join in, but silently agrees with Nessa and Leon based on the stuff he’s heard about their dynamic from Marnie.
- Victor’s favorite part of the event is the amazing catering and relatively low-attention atmosphere. Bede’s favorite part is how amazing Victor looks in a suit.
- Bede and Gloria end up facing each other in the League Finals that year. When Victor goes to congratulate them afterward, the three are mobbed by press and he starts having a panic attack. Both his sister and significant other go into “angry protective mode” and attempt to angrily tell off the paparazzi.
- Gloria tries to lead the press away while Bede gets Victor into the locker room to calm down. They haven’t actually seen him in such a state since the opening ceremony of their League challenge (and even then it wasn’t this bad), mostly since he’d figured out methods to cope with his crowd-induced anxiety and misophonia by the time it would have acted up around them. They have no idea what to do for the most part, but their presence manages to help ground Victor enough to employ the calming techniques he’s had to learn over time.
- On their way out, Bede is still pissed at the paparazzi for rendering their boyfriend in such a state. Taking advantage of Hatterene’s particular skill-set, they covertly send her out to inflict them all with migraines in spite. Gloria notices from across the crowd; her respect for Bede doubles that day.
- By the time both finish growing, Victor is a couple inches taller than Bede. Their hair makes it seem closer than it actually is, but it’s still not the most drastic height difference.
- Bede eventually figures out how to incorporate their puffer coat into their gym uniform. But before that happens, they return to their locker room one day to find Victor waiting for them while bundled in it. They nearly have a cuteness-induced aneurysm.
- It’s around age seventeen when Bede learns that being nonbinary is a thing and immediately clicks with it. When they come out to Victor, he spends a full day researching gender-neutral terms to refer to them by online. He’s wary of calling them his “partner” in fear of it sounding too serious, but Bede personally approves of the term themselves.
- After growing incredibly accustomed to Victor making food for them, Bede attempts to surprise him by trying their own hand at cooking. While they have much less experience, he adores the thought they put into it and informs them that it’s surprisingly good for a first try. He offers to teach them some tricks he learned and cooking together ends up being a favorite activity of theirs from then on.
- Bede accidentally left the Vengeance Board up the first time Victor saw their room later that day. It was at that point when they realized how potentially creepy having a bunch of mementos of their boyfriend tacked to a corkboard labelled “vengeance” looked, but Victor thought it was adorable and took a picture (with a few playful snarks thrown in, of course).
- That was also the first instance of them sharing an actual bed (instead of the couch that one time), falling asleep cuddled in each others arms. They groggily bid each other good morning when they wake up, only for Opal to throw in a “good morning” of her own from her chair next to them. Just like the first instance, there was some screaming involved (and a couple empty threats on Bede’s part).
- Bede isn’t prone to using cutesy nicknames, while Victor’s nicknames for them are “Love” and “Sprite.” Hop once jokingly used the second one after seeing it as their contact name in Victor’s Rotom Phone. It took three whole minutes to fish him out of the river.
- Upon nearing his goal for gaining funds and cooking experience, Victor ultimately plans to open his restaurant in Ballonlea. The quaint, whimsical nature of the town makes it an ideal location for both his desired atmosphere and projected business (since large crowds are less likely in a smaller town, but the sights and gym challenge will attract enough customers).
- After showing Gloria, their mom, and Hop his notes to assure them he thought everything through, he brings up the idea to Bede. They’re caught off-guard at first, but after thinking it through with Opal’s help, they inform Victor that they want to help with the preparations when their schedule allows and move in above the restaurant with him when its ready.
Still not done! Like hell I’m missing out on writing the domestic fluff!
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polar-stars · 4 years
Note
Shigeo Eizan, Erina, Eizan Etsuya, Chigeo, Kimiko and Hayama for the character thing please?
Ohh, I didn’t think anyone would ask for my own characters but ;v; !!! Sure !
Shigeo
general opinion: fall in a hole and die | don’t like them | eh | they’re fine I guess | like them! | love them | actual love of my life [Shigeo is a character I’m really proud of haha ; 7 ; But I’m glad he’s actually well-received. I can only repeat, that I did not expect that]
hotness level: get away from me | meh | neutral | theoretically hot but not my type | pretty hot | gorgeous! | 10/10 would bang [Honestly, I feel a bit weird over commenting on the looks of my OCs ahdhd but, I gotta admit Shigeo is much of my type...but I mean, apparently I’m not alone on that? dshdfjFGJ So many have complimented Shigeo’s appearance now and I’m screaming. Y’all are making his ego grow.]
hogwarts house: gryffindor | S L Y T H E R I N, Shigeo’s a full-fledged snake...what do u think? | ravenclaw | hufflepuff 
best quality: I said it once already, but I would actually say his loyalty is his best quality. Now, the number of people that Shigeo is loyal to is extremely slim but...well, it is a very strong loyalty. It’s just, again, it’s only few who earn that loyalty.
worst quality:  lol. I could name numerous things in that regard. But as I also said once already, I guess his most fatal flaw is that he swallows up his fears, his trauma and a lot of other things in himself and never works through it. 
ship them with:  ShigeChi >; Chieko had multiple ship-options at a certain point, but Shigeo’s only ship options always Chieko and welp ahdh The moment I started fleshing Shigeo out more, their dynamic grew more and more onto me and she also sneaked her way into his character-arc so. 
brotp them with: There’s Moe & Kiyoko, who are really close friends of his and I really love their relationships. But I also gotta bring up Suzume here. Suzume’s and Shigeo’s relationship makes me so happy, despite it not being exactly friendly ahdhd. It’s a lot of fun to think of their banter and interactions to me. Also well, Umino & Yamada deserve their mention as well, so here they go ahdh.
needs to stay away from: Ai Kabutoyama. Pls, don’t ship them. 
misc. thoughts: If “Shokugeki no Kimiko” was animated and had it’s own soundtrack, Shigeo deserves to be having a jazzy theme for himself. 
Erina
general opinion: fall in a hole and die | don’t like them | eh | they’re fine I guess | like them! | love them | actual love of my life  
hotness level: get away from me | meh | neutral | theoretically hot but not my type | pretty hot | gorgeous! | 10/10 would bang 
hogwarts house: gryffindor | slytherin | ravenclaw | hufflepuff 
best quality: I really love how much of a Boss Bitch Erina really is, she steps into a place and she owns it and she knows it. But at the same time, her social awkwardness and also obvious care for Hisako, the PSD later on etc. also make her a cutie at the same time.
worst quality: This is really more on Tsukuda’s part, but I do not like how she’s written in BLUE Arc at all, and how she honestly keeps pushing Soma away while he goes out of his way for her multiple times...
ship them with:  Soma is my favorite choice for her
brotp them with: Hisako !!
needs to stay away from: HER DAD. AND ASAHI. AND HER MOM MAYBE- IDK, give her a better family. 
misc. thoughts: Takumi said in his match against her that if she’d be on the Elite Council “She’d be the zero seat”. And honestly, I kinda found myself wishing for Tsukuda just having run with that instead. Just establish a new seat extra for Erina because she’s that good. It still sounds kinda dumb yes, but not as dumb as making her actual headmistress. With 16. What also bothers me about her being headmistress is that it’s a very busy job, I’d imagine....Let Erina be a normal teen, could you? She was already robbed off a childhood, geez. 
Eizan
general opinion: fall in a hole and die | don’t like them | eh | they’re fine I guess | like them! | love them | actual love of my life  [ Or more of: An Angry Opposum, I found in the trash and that I decided to adopt]
hotness level: get away from me | meh | neutral | theoretically hot but not my type | pretty hot [without bangs] | gorgeous! | 10/10 would bang [wiTH BANGS]
hogwarts house: gryffindor | slytherin [...duh] | ravenclaw | hufflepuff 
best quality: Eizan is SO entertaining to me, you all have no idea. He’s so god-damn funny at times and I’m just ahdhd I love him. Meep, he’s intelligent and tactical and I like that in characters? I wish, we could have seen more of him being smart instead of having him being blinded more and more by rage and vengeance ;v; 
worst quality:  Lmao, do you want a list? His obsession for money? His unscrupulousness? His disregard of fucking...decency?? ahdh I could go on.
ship them with:  //takes out megaphone// nENE KINOKUNI, LADIES AND GENTS. In my eyes, he legit seems to hold some sort-off respect for her and I hold the headcanon that Eizan is actually crushing on her a little ver since middle school. Come on, I do think it’s plausible that he’d find himself attracted to a person like Nene: She’s smart, she’s no pushover, she murders people with just a glance, her hair is green. One of the meanings attributed to the color green is actually...finances, profit, banks, moNEY- 
brotp them with: The few interactions Eizan had with Somei legit cracked me up so...hdhd yeah, Somei. But also...Momo, being real. And of course, Isshiki & Kuga. Can’t forget them.
needs to stay away from: PSD, lol. I’d say Azami, but honestly Eizan seems to handle Azami fine? Azami just shows up at his work and is like: “What u doing owo?” and Eizan replies with “Are you bored or something????” like ahdhd WOW
misc. thoughts: Honestly...Is it plausible to assume that Eizan and Nene actually had a Shokugeki?...A Shokugeki which he won? I mean, somehow he had to earn that seat above her’s......right? (Would have been nice, if Tsukuda could have explained the new Elite 10 Ranking or show what got them there but nOPE)
Chieko
general opinion: fall in a hole and die | don’t like them | eh | they’re fine I guess | like them! | love them | actual love of my life [She’s the first fanchild I ever made. I love her so much]
hotness level: get away from me | meh | neutral | theoretically hot but not my type | pretty hot | gorgeous! | 10/10 would bang [It would break my heart to say anything else...She has insecurities]
hogwarts house: gryffindor | slytherin | ravenclaw | hufflepuff 
best quality: I do love Chieko for how feisty she can be. The girl will mouth off multiple times to one of the most dangerous people at her school and I think it’s neat. 
worst quality: She does take longer to make her moves at times though, sometimes she’s just too careful and overthinking instead of stepping into battle. 
ship them with: Shigeo Eizan. Both of them succeed mainly through intellect, booth in cooking and other areas of life. It’s kind off natural, that they’d get eventually interested in each other. 
brotp them with: Yasu, Hideyoshi & Daisuke mainly, but the rest of PSD as well.
needs to stay away from: Shigeo, according to Yasu.  I don’t know as of right now honestly ahdh
misc. thoughts: Funfact, but her wearing a hairband once she’s a 2nd Year is kinda inspired by Disney’s Cinderella haha 
Kimiko
general opinion: fall in a hole and die | don’t like them | eh | they’re fine I guess | like them! | love them | actual love of my life 
hotness level: get away from me | meh | neutral | theoretically hot but not my type | pretty hot | gorgeous! | 10/10 would bang 
hogwarts house: gryffindor | slytherin | ravenclaw | hufflepuff 
best quality: Kimiko is brave and also most definitely an actor!! And as someone, who’s neither of those, I always admire these qualities ahdh. 
worst quality: Kimiko pretends that she can’t feel feelings like sadness for a good chunk of the story. She plasters a wide smile on her face, even if she’s really not okay and that’s not a good thing...I’m saying this from very strong personal experience.
ship them with: Hiroshi! It was a thing for me from the beginning on!
brotp them with: Mika and later on Kaori, mainly.
needs to stay away from: her brother, okay no ahdhd but well, the nasty part of her family she does not know too well to begin with I’d say
misc. thoughts: I’d LOVE to draw Kimiko more, you gotta believe me on that but her hair is super exhausting to draw ahdhd I love your twin tails Kimi, but they’re suffering. 
Hayama
general opinion: fall in a hole and die | don’t like them | eh | they’re fine I guess | like them! | love them | actual love of my life  
hotness level: get away from me | meh | neutral | theoretically hot but not my type | pretty hot | gorgeous! | 10/10 would bang 
hogwarts house: gryffindor | slytherin(?) | ravenclaw | hufflepuff [I can also picture him win Ravenclaw]
best quality: I kind off love how he’s the straight man in every group of friends he’s in? Someone give the poor man a break ahdhd. But I also really love how determined and ambitious he is, it’s inspiring to see (Which is why I kind off hate, that his shown that he refused to go to BLUE, because he didn’t feel strong enough? Idk, I feel the Akira I met in the Autumn Election wouldn’t have passed out on such a chance)
worst quality: not.....Not a big fan of the Central!Hayama/Soma-Shokugeki being real. I did not really enjoy his performance during that ; 7 ; But that’s just how I personally feel ;v; I don’t really dislike the idea of him joining Central, I just think it could have been done better
ship them with: Hisako!
brotp them with: Alice and Ryo of course 😤!!
needs to stay away from: Azami, haha. (Also...Not into shipping him romantically with Jun. At all. It does kinda creep me out, ngl since I do see her as a sort-off mother-figure in his life...)
misc. thoughts: It’s kinda crime, how he basically triggered the bit of Character development Hisako had, yet they never truly interacted with each other again afterwards ever again?? Like...Why? Why would you do something like this?
HISAKO AND HAYAMA REMATCH, SOMEONE GIVE IT TO ME
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NSFW A-Z: Robert Plant
I saw this done first by @xx-kurt-cocaine--xx . I loved your responses! It looked like a lot of fun, and I absolutely knew I had to offer my 2 cents on my lion bae. ☺️ I figured it would also be a good exercise to get me thinking about different conversations/scenarios I could write for my Robert fics. I enjoyed doing this a lot. Great idea you had! 👌🏽❤️
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Aftercare(what they’re like after sex)
*I think it's going to depend on the kind of sex. I think he'd be tender and doting after a romantic romp, or something rough: snuggling, flirting, soft voice conversation. But I could see him being energized and dragging a partner off on some sort of fun adventure after a quickie, a big ball of energy, all laughs, totally invigorated and totally capable of getting his partner to go along with whatever's on his mind.
Body part (their favorite body part of theirs and their partners)
*Robert is clearly very proud of little Robert Anthony and his two lemony friends. And his chest. And his hair. And his legs, with those little red shorts. Everything that he likes to show off is what he likes best.
*On a partner, I think he's going to like whatever her best asset is. I don't think he's exclusively a leg man, breast man, etc. I think women are like beautiful snowflakes to him, and he judges each one on her own merits.
Cum (anything to do with cum…basically I’m a disgusting person)
*I think he's down if the woman's down. Wherever she's comfortable with him releasing on her.
*As far as a woman squirting, our boy loves him some custard pie, in all of its stages of consumption. 😈
Dirty secret (Pretty self-explanatory, a dirty secret of theirs)
*I think Robert would enjoy being dominated by a woman. I don't think he'd be ashamed of it, but I think it would be something he'd keep between himself and the woman.
*I think younger Robert, say, before the 90s, would not say no to a romp with an older woman.
Experience (How experienced are they? Do they know what they’re doing?)
*Robert was The Sex™ in the 70s. He has a PhD in sexology without ever cracking open a book. There's a reason why there's a lyric in one of his 90s songs says "your body's talking, I swear I've heard it all before."
Favorite Position (This goes without saying)
*I think he likes all the positions. I think he'd enjoy any positon that enables him to assert dominence, show strength, or sex someone deeply. But I think he also enjoys woman on top positions--I think he relishes being under the spell of a strong woman from time to time. I think it's going to depend on his mood which position(s) he chooses for play.
Goofy (Are they more serious in the moment, or are they humorous, etc)
*Goofy during sex? I think it's possible, if he was with someone that he cared about and was in a silly mood, but I think under normal circumstances he'd be intense or passionate or tender, or some combination of those things.
Hair (How well groomed are they, does the carpet match the drapes, etc)
*The older Robert gets, the better his hair on his head is maintained, and certainly his facial hair nowadays. He is not one for manscaping below the neck. We know that Robert's hair is some sort of reddish medium-brown, and the hair on his head has traveled to a lot of places on the color spectrum. The carpet and drapes are frequently out of sync color-wise.
Intimacy (How are they during the moment, romantic aspect…)
*I think Robert craves Intimacy, closeness, touch, PDAs, etc. I think he can get deeply intimate anytime, anywhere. He is generally not afraid to be vulnerable, and he is capable of achieving intimacy in many ways. I once called him an hourly serial monogamist, because I feel like he's able to make deep connections quickly, with anyone, and I think he can bring that level of passion and intensity to any physical dalliance if he wants to. I'm sure he's had anonymous, impersonal sex, but I think forging a connection--no matter how short-lived--is something he enjoys as much as the physical activity.
Jack Off (Masturbation headcanon)
*Robert has a virtually unlimited supply of partners, but I think there were times when he pleasured himself. Like, I could see a morning orgasm being like a cup of coffee for him if he happened to be by himself. And we know poor Bonzo was subjected to a pre-Zeppelin incident. 😬
Kink (One or more of their kinks)
*I think exhibitionism and voyeurism would be normal. I also think light dom/sub stuff--Robert giving or receiving.
Location (Favourite places to do the do)
*Uh, wherever the mood strikes. Really. 😈 But I do think he would enjoy being outdoors. I fantasize about him being nude on his property. 🥰🥰🥰 I also love the idea of pool sex or shower sex.
Motivation (What turns them on, gets them going)
*An emotionally/intellectually willing partner who strikes his fancy. I think he would enjoy someone with whom he can have some flirtatious mental sparring. I think he enjoys being physically seductive, but I think he would highly value someone who builds attraction and tension with words. From a physical standpoint, I think he's more attracted to women who don't try too hard, natural beauties, women with quiet confidence. We know he has a type, but I think he could be captivated by just about any woman, if the vibes are right.
NO (Something they wouldn’t do, turn-offs)
*Animals or anything that is excessively harmful. He's a lover, not a punisher. I think narrow-minded women would also be a turn-off. Definitely narrow-minded or prudish sexually, but also narrow-minded in non-sexual ways. I feel like he'd be less likely to engage someone whose worldview is limited/exclusive/negative.
Oral (Preference in giving or receiving, skill, etc)
*Loves giving and receiving. A lot.
*Very good at giving; he adjusts his approach to whatever is turning on an individual woman. He's not going to stop until she's a complete, trembling, wet mess of nerves. And he might just keep going after that, to take her to new heights of pleasure, as much as to turn himself on by turning her on.
*When it comes to receiving, I think he would really enjoy losing himself in the woman's actions. I think he would immensely enjoy being deep throated, but I don't think he's going to expect every woman to be able to do it. I think he'd be most likely to let the woman lead the action, until he closes in on his climax. Then, he might be more likely to more forcefully hold her head in place or try to control her action.
Pace (Are they fast and rough? Slow and sensual? etc.)
*I like to think he's slow and sensual and then builds up to fast and rough, although I think that would change with mood/context. I'm sure he'd go for just the fast and rough immediately after a concert. And just slow and sensual would be appealing when he returns home after a tour.
Quickie (Their opinions on quickies rather than proper sex, how often, etc.)
*I think they'd be fairly common during a tour and less common at home. I think he'd place value on quickies for concert logistics and/or to "let off steam" immediately after a concert, or when curiosity about a new partner gets the best of him.
Risk (Are they game to experiment, do they take risks, etc.)
*Certainly up to the risks of public sex. Up to the risk of physically changing positions. Up to sleeping with the partner of someone he knows? I don't think we can rule that out. 👀😒🤫 I don't think seducing a woman in the first place, putting himself out there, is any kind of risk that would stress him out. I do think he would be less likely to engage a risky person--a criminal or someone else who functions outside of positive society norms--he's not one for drama or bad vibes.
Stamina (How many rounds can they go for, how long do they last…)
*How many do you want? How many do you need? He's your man, unless he's super extra intoxicated or in an emotional funk.
Toy (Do they own toys? Do they use them? On a partner or themselves?)
*I'm sure he's used toys, but I don't think it's a regular occurrence. I think he'd be most likely to use toys from time to time with someone with whom he has a serious relationship, to spice things up here and there.
Unfair (How much they like to tease)
*Robert is an evil, teasing bastard when he wants to be. Teasing with words, teasing with touch and kisses, with dat Plantaconda… Again, I think it strokes his ego but also stokes the enjoyment of his partner. It's not for the sake of asserting control or anything just what he thinks is best for everyone's pleasure.
Volume (How loud they are, what sounds they make)
*LOUD unless he has laryngitis or something. 😂😂😂 Although I think older Robert wouldn't feel the need to be a loud to express his enjoyment. I think he would LOVE for his partner to be loud.
*As far as sounds, choose from the menu of the LZ discography. 😉😈😁
Wild Card (Get a random headcanon for the character of your choice)
*I like to think Robert at least made out with a guy at least once in the 70s. We know he kissed Peter Grant, Michael Des Barres, Phil Collins… Why not? A lot of men experimented then, and I think it's plausible that Robert did, too.
X-Ray (Let’s see what’s going on in those pants)
*Don't need an X-Ray for that. You can see it from aerial shot photos. You can damn near see it from outer space. I can't see the big E on the eye chart well without glasses, but I know I could make out that Legendary Ample Manhood™ without difficulty if someone snatched my glasses. 🤷🏽‍♀️😉
Yearning (How high is their sex drive?
*Very high. Well above average. He's gonna want it. He's gonna get it. And he won't have to beg.
ZZZ (How quickly they fall asleep afterward)
*I think he'd trail off pretty quickly. I think he'd put a lot of energy into it and it would eventually wear him out after a few times. I think he probably was also just generally tired in the 70s, after the drugs and adrenaline of performing wore off.
What do you all think?
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sterlingun · 5 years
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Character: ― Nicholas ‘Nik’ Sterling Faceclaim: ― Theo James Age/Pronouns: ― 33 | he/him Occupation:  ― Lycan Alpha Hometown/District: ― born in Downtown, Houston / lives in Upper Springs, Houston
HEADCANONS
Though there’s no real blood relation between Nik and the old Alpha, over the years spent with the Lycans he’s grown to admire the man and regard him as a father figure he desperately lacked all these years. With the old Alpha growing weaker day after day, eaten away by the illness, Nik is terrified of the thought of losing him too, he still considers him his compass and most trusted adviser.
He still hasn’t given up on searching for his sister - even though the odds are against him, he believes he owes it to her to never stop trying, whether he finds her dead or alive. It’s the only remaining loose end from his youth, when his father was still there to wreak havoc on their lives. 
His brother used to show him card tricks when they were kids, and when he joined the Lycans - he left behind a worn deck of playing cards that Nik is still very attached to. It’s the only physical memory he has of his brother. After that, especially when he was on the run he focused a lot of his efforts on card tricks and learning to cheat his way to a win. It was a way to make money when he was on the run, and you can still see him absentmindedly playing with cards to this day, especially when he’s thinking about something, or something is bothering him. 
He wears black leather gloves a lot, and it’s very rare to see him without them - probably only closest to him have seen him without them. When he was a young boy his father would make him and Ethan hold a scorching hot iron bar to ‘test their durability’. It’s not a fond memory for Nik, and neither are the scars. Besides, he’s worn them so much they’re pretty much a part of his image these days. 
If you’re even remotely familiar with the way he walks, you’ll know he has a very specific gait. He tries to compensate for it, make it seem languid and aloof, but it’s still visible, especially on a bad day. This is the result of the first time he tried to kill his father, when the old bastard left him with torn ligaments and a broken patella. 
He’s got a thing for fast, expensive cars and has a garage by the house filled with whatever he’s passionate about currently. Do not start talking about them, because he won’t ever stop - you’ve been warned. He’s quiet usually, but oh boy this topic is a black hole. 
A bit of pyromaniac, if he can set it on fire and has a reason to - he will. And he prefers matches over lighters when it comes to lighting his cigarettes. He won’t ever admit it, but it’s got a lot to do with how he ended his father’s life. 
Watches are his thing. Majorly. You walk into his closet and there’s an entire section dedicated just to expensive, limited-edition Omegas and Patek Philippes and Piagets and god knows what. He thinks it adds to the whole look, plus to be honest - he’s a nerd about this stuff. Also another topic where you do not want to get him started. 
Likes to read a lot. Even if he had no formal education, you can strike up a conversation with him about pretty much anything from philosophy to literature to technology. I think he kind of values knowledge a lot, and it’s his biggest regret he had no chances to actually study and learn about something. 
His biggest vices are whiskey and cigarettes. You can always see him with one or the other, or both - depends on the situation. 
He has a set of two expensive silver guns that were given to him by the old Alpha and he will protect these things with his life. The story goes that Nik’s mom gave these to the old Alpha for their 10th anniversary, but the old man wanted Nik to have them and to remember that even though she made some bad choices, she did love Nik too. 
He’s got a tattoo on his back that says ‘Death before dishonor’ and on his chest a tattoo mimicking a scar from tiger’s claws hides a bullet wound he’d received fighting his father. There’s some small silvery scars on his back, he’s had them since childhood and isn’t too keen on discussing them. 
100% blames himself for losing his sister and the death of his girlfriend, he can’t be reasoned with when it comes to these topics, and even though he won’t admit it - he still has nightmares about both, as well as the death of his brother .You could probably classify him as a chronic insomniac, but try convincing him of that...  
WANTED CONNECTIONS
The Sister - She’s someone he’s lost a long time ago, and he never quite forgave himself for letting their father take her away. He’s spent the years since she’s been gone actively searching for her, either himself or through other means. I feel like he thinks of her as this pure thing from his childhood, untainted by their father because she was kept protected by their mother from young age. I think it’s a complicated relationship, because long ago he probably resented her for being their mother’s first choice while he was left behind, but there’s too much love there to truly ever allow himself to feel that. He wants to find her, but he’s terrified of what life has done to her innocence and well-being, and even more terrified that she’s died along the way because he wasn’t capable of finding her.
The Brother/Sister in Arms - Someone he connected with when he first joined the Lycans. It could either be someone who was suspicious of him at first, or someone who accepted him right away. I think it would make an interesting dynamic either way. Because it was tough for him at first, he was used to being alone and completely incapable of trusting anyone, a bit too familiar with violence given his age, had connections to the Reapers (even though he was obviously against them) etc. So he either butted heads with this person at first or he was trying to shoo them away because they attempted to reach out to him. But now he appreciates that they stuck around through thick and thin and they’re one of those rare people he’d trust with his life. Either male or female I think it could work either way I’d just be super excited to see this happen!
The Ex-brother/sister-in-law - Okay this is something I would love to see happen. Nik blames himself majorly for his late girlfriend’s death, because he pulled her into this life and refused to let go because he’d found someone he felt safe with for the first time. Now this could go either way - this person could be angry and resentful because they blame him for what happened to their sister, or they could be like 'she wouldn’t have listened even if you told her to leave’ because they know how stubborn she was and how much she cared about him, so there was nothing to be done and it was just a tragic story. Anyway this is my shit, there’s angst either way and I’m ready for it.
The Friend from Before - Someone he met and ran with for a certain period of time after he escaped Houston and before he came back and joined the Lycans. I think it opens up a lot of doors - like this person could now be back in town, or they’ve been here for a while, maybe they’re a Reaper (ooh drama), or unaffiliated, or want to join the Lycans, idk the possibilities are endless! I’m just excited about someone who knew him from before, I think that would make for an interesting dynamic to expore esp if there’s angst and someone left someone behind…
The Ex - Okay just like the one before, I’m leaving this pretty open to interpretation. It can be as casual or as angsty as we wish, we’ll just figure it out. I mean that journalist girl he fell in love with was his more serious thing, but he’s not that young I’m sure there’s been a lot of people along the way. It could be his crippling issues that got in the way, or both of them had crippling issues (entirely plausible tbh), they might have been too explosive for each other, or he wanted to protect them… It could be someone like the Friend from Before, so like during that time period (which would be super interesting actually!), or someone from Lycan he’s on bad terms with, or good terms? Honestly, sky’s the limit I just love exploring different dynamics and also heartbreak and also why people don’t end up working together.
The Mentor/Mentees - Ok the old Alpha was his mentor, but tbh I would like to see someone played who took him under his wing back then, like showing him the ropes, teaching him things, practicing with him, building him as a person etc. I just dig that okay? I dig it the other way around too though, so if anyone is willing to be his mentee and go through that stuff, I'm so there for it. Because he sees himself in a lot of the troubled people so he’s always there for it, even through it’s sometimes tough love. We can always work out the dynamics so that it fits both characters, but I would just love to see it happen. I think it brings out the protective/caring side in Nik.
More, more, more!! - I might add things on as I go, but honestly if you have an idea for a connection (does’t have to be one of the above) please feel free to reach out! We’ll work it out and tbh nothing’s set in stone.
THE STORY
He was born in Downtown, Houston - dirt poor trailer park kid who was still too young to be bitter and resentful about the cards he’d been dealt. His father was a petty criminal, hell-bent on trying to impress the Reapers, just as he was hell bent on spending what little money they had on gambling, or beating them and their mother. All in all - his childhood was a bleak series of weeks and months and years, spent alongside his older brother and a younger sister. 
Their father tried to groom Ethan and Nik for the life of crime, wanting to introduce them to the Reapers from a young age. But as soon as those two were capable of thinking for themselves, they realised most of it was just senseless violence and a promise of a life of subservience. They played along to an extent (training-wise) but generally rebelled against him even if they’d earn a beating after that. 
Eventually their mother disappeared, taking their sister along with her. As it would turn out, with Lycans on the rise she saw an opportunity and ran. Nik guesses she thought her ex-husband had already asserted too much influence over Ethan and Nik so they were left behind. There were stories that the Alpha took an interest in her, which sent their father pretty much further over the edge so next few years would be hell for the brothers. 
Nik and Ethan were each other’s stone during those formative years, but eventually their mother reached out to Ethan offering him a way out, leaving Nik behind once again. It was first of many brutal hits to come that Nik would have to learn to deal with.
Enraged by the fact she took his firstborn, Nik’s father tracked down their sister, and as retaliation, took her away from her mother and the Lycans. Nik saw her only briefly, exchanging barely a few words before she was sold off to god knows where. Seeing what his father was truly capable of doing, Nik escaped Houston, his mind set on finding and saving his sister. 
He’d spend the next few years bouncing around, erasing his traces along the way as he perfected his skills and looked for his sister - using his rage and determination as a driving force. 
Things would come to a halt though, when the news of his brother’s death reached him somehow. Apparently, their father had no problem driving a knife through his son’s heart the first chance he got. Broken and in disbelief, Nik flew back to Houston. 
He laid low for a while, before finally feeling prepared enough to strike down his father. That didn’t go down as well as he’d hoped, considering his Reaper friends got involved - but Nik was content enough with the damage he’d done. This was his first try after all. 
This was a catalyst for the Lycans’ Alpha to reach out to Nik - it seemed that out of the bunch, he was the only one left, and he was borderline insane with rage and hatred he harboured against his father and the Reapers. Which was exactly the kind of thing that was of interest for Alpha. 
He’d spend his late teenage years and early adulthood with the Lycans, being trained as one of their own, rising through the ranks, being subtly groomed by the alpha. He’d meet a girl in those years, a stubborn reporter he would fall madly in love with, and he’d probably tell you those were his ‘happy’ years. 
But his father wasn’t done yet - he eventually had Nik’s girlfriend beaten to a pulp, left do die in a dark, damp alley so that all Nik could do in the end, was say goodbye to her by the hospital bed and then go out to seek his revenge. 
It seriously messed him up, but he also seemed completely unable to rest until he tracked his father down and set fire to the house he was staying in. A cruel way to go, considering he knew of his father’s fear of fire - but Nik was long past caring. 
The rest was history. The Alpha continued to groom him to eventually become his successor but their time would be cut short by an illness that started tormenting the old man. A vote was cast, and though Nik got the majority - he didn’t get all the votes like the Alpha had hoped. Main concern among the deciding betas was Nik’s age - they were of the opinion that he was too young to take on such a responsibility. 
Though slightly reluctant, after the old Alpha abdicated about a year ago - Nik rose to the occasion and took his place as the new Alpha, and has been working out just what kind of leader he’s meant to be for the past year. 
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retrauxpunk · 5 years
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sv 6.03
i have just finished this episode. under the cut you will find my intensely spoiler-filled thoughts.
HOLY FUCKING SHIIIIIIIIIITTTTTTTTT
oh my GODDDD
i saw this episode was titled Hooli Smokes! which is hilarious and adorable but i was kind of like ‘ehh i don’t ... like i really don’t care about the fate of gavin/hooli’ so i didn’t really think about it but now i’ve just watched it and OH MY GOD IT’S A FANTASTIC TITLE
I HAVE SO MANY THOUGHTS AND FEELINGS HOLY FUCKING CHRIST ON A CREAM-CHEESE CRACKER
I SWEAR TO GOD IT TOOK ME LIKE 45 MINUTES TO WATCH THIS EPISODE BECAUSE THERE WERE SO MANY MOMENTS I WANTED TO PAUSE TO UNDERSTAND WHAT EXACTLY WAS GOING ON (because i’m a stickler / occasionally slow hahaha) IT WAS SO INTENSE
oh my lord
i’m gonna
try to do this in chronological order. okay. okay. so.
i’m super glad that richard didn’t sell to maximo because, you know, he’s a vile human being on a massive scale and is responsible for massive human rights abuses and so on, i don’t need to justify this!!
speaking of which i’m a liiittle bit disappointed that (in descending order) dinesh, gilfoyle, and monica (mostly dinesh) weren’t that on board with richard’s decision not to sell..... ............but whatevs it makes sense, it’s a billion dollars lmao fair enough money corrupts etc etc
so at this point richard’s fucked and this is such an intense episode it felt like the intensity of the first couple seasons, like, s2 for example, when there was so much going on all the time and i LOVE IT
jared trying to turn himself into the cops for assaulting richard? wow i. um. yeah look i found that a little touching. ngl. i find it interesting that he ... idk, is he doing it to punish himself or because he thinks he’s a danger to richard? i’m not sure. either way it’s a bit weird. but totally in keeping with jared’s character at this point, i feel.
JIAN-YANG’S MYSTERIOUS ILLEGAL OPERATION LMAO
it always makes me pleased when they don’t bother translating the foreign languages and it also makes me pleased when i can perfectly understand the bit they didn’t translate ;) 
i mean you can probably guess what he said to all the other chinese people but in case you’re curious it’s this: “come out, come out. the police have left, get back to work. come out. everyone come out, quickly quickly quickly! motherfucker...”
I LOVED the scene of richard and gavin chatting on the bench! it was just fun! also i did recognise the part where you think gavin’s gonna accept richard’s offer but actually he just says ‘fuck no’ from the season trailer and that’s why i don’t fully enjoy trailers because THEY GIVE STUFF AWAY! thankfully the only thing left from the trailer that i can remember is, IIRC, not something that gives away anything particularly suspenseful. hurray.
love the kombucha comment lmao
that scene with dinesh and gilfoyle chatting about karma just seemed a bit unncessary and not that funny, like, not funny enough to keep in?? but then it became clear at least why they had the interaction with wajeed, bc he came back later...
the phone call with jared! ... JARED’S EMOJI LMAO they were so hilariously fucking awkward of course i love them
THE PHONE CALL where he tells richard that gavin swooped in and bought gwart’s company when he heard she had good tech... YOU GO JARED. i mean. yeah he’s being a dick in this. but considering the buddy fucker thing and richard still not actually fucking apologising lmao (i know he has a lot on his plate! but come the fuck on, he had the chance!!) i .. don’t feel that bad for richard. and it’s like, this is the umpteenth time that richard has accidentally (via carelessness) screwed something over and all the other times jared’s not said a single bad thing about him (even with hoolicon, he objected to what they were doing, there was no attack on richard personally) ... so it makes sense and is totally understandable that it all came out now.
honestly i felt a bit vindicated by jared telling richard off, i mean, he deserved it. he did know that gavin’s a monster. and him getting called buddy fucker after relentlessly calling jared that after he was told/asked not to ... yeah.
LOOK i’m still not condoning jared breaking down a door and shooting him with a bb gun! because holy shit that’s fucking nuts.
but the buddy fucker thing? yeah look i don’t feel too bad for richard here.
FINDING OUT THEY CAN BUY HOOLI HOLY FUCKING SHIT I FUCKING LOVED THIS STORYLINE SO FUCKING MUCH OH MY GOD
MONICA GESTURING WORDLESSLY OUT THE WINDOW AND THEN WE SEE JARED IN SUNGLASSES PURPOSELY MARCHING INTO PIED PIPER LIKE A MOTHERFUCKING B.A.M.F. HOLY SMOKES
hooli smokes teehee
ALKSDJFLKSDFJLKGD i LOVE that he came up with this ingenious way to save pied piper and speaking of which i know jared says it’s not for pied piper, it’s for gwart so she can be free again -- i wonder how much of that is true? i ........... look i don’t buy that he truly didn’t do it AT ALL for pied piper. i think jared tells himself and maybe truly believes he did it solely for gwart but i think really he did it at least PARTLY for pied piper and richard. right??? that’s what i think.
oh my god jared keeping the sunglasses on presumably bc he can’t bear to make eye contact with richard in case he breaks down?? emotionally breaking down into sads, or flying into a mad rage? both are sad as fuck. or is it just because he’s so mad he doesn’t want to look him directly in the eye? also ouch.
THE DECISION TO BUY HOOLI WHILE GAVIN’S DOING HIS TRIATHLON HAHAH MOTHERFUCKER I LOVE IT it’s dirty as hell but you know what? i don’t care because gavin’s a fucking asshole like, even just looking at how he tried to sue piped piper, just from that i would ... like... i wouldn’t judge richard for fucking him over. and that’s just ONE thing he’s done! there’s also when he tried to steal pied piper at the end of season 5, and the fact that he’s a verbally abusive asshole, etc. etc.
FUCK THE FUCKER
but yeah oh my it was so evil but because it was pied piper doing it to gavin ........ it was very enjoyable. deliciously so.
oh man i feel bad for wajeed getting fucked over by dinesh. i........... sure hope dinesh makes it up to him somehow. i don’t think canonically that’s gonna happen (definitely not on screen!) but my headcanon is that at some point down the line maybe, when pied piper is successful and healthy again, dinesh pays wajeed back all the money he fucked him out of and wajeed forgives him eventually ................ yeah
didn’t expect to care this much about wajeed!
of course gavin would fake the triathlon. of course.
E-SIGNATURES! PAPER CONTRACTS! that’s why the e-signature thing was mentioned in 6.02!! at least i hope that’s why, i hope they’re not gonna do a thing later on when someone disastrously accidentally signs something ... or at least i hope it doesn’t cause irresolvable-by-series-end consequences lmao
HAHAH OMG THE RACE!! I LOVED IT!!!!!
how technologically plausible is it that gilfoyle hacked into the watches? from my hilariously unqualified opinion ... i think it seems okay. more plausible than some of the other stuff this show’s had at least. so it’s nice seeing something that doesn’t require as much suspension of disbelief.
GOD IT WAS SO TENSE WHEN THE DUDE WAS READING THE CONTRACTS
god I LOVED monica’s line ‘you’re really gonna let a woman tell you what to do?’ GENIUS ABSOLUTELY FUCKING GENIUS SHE IS AMAZING YAAAAS and it was such a short scene with such an efficient laugh, no BS, etc. LOVED IT
WHEN HE WAS READING THE CONTRACTS. MOTHER FUCKER. I was sitting here literally with my hands clasped over my mouth because it was SO. TENSE.
gavin bursting in! oh nooo! 
but the time already elapsing!! YES!!
JARED ANNOUNCING IT AND SMILING FOR THE FIRST TIME ALL EPISODE HOLY SHIT
AND RICHARD SEEING HIM SMILING AND SMILING BACK!! given his speech at the end, i’m pretty confident in saying he was partly smiling for pied piper and PARTLY BECAUSE HE SAW JARED SMILING AND WAS PLEASED TO SHARE JUST A SCRAP OF CAMARADERIE WITH HIM AGAIN!!!!!!! FUCK!!!
AND THE WAY JARED QUICKLY UNSMILES!! FUCK FUCK FUCK!
i thought maybe what would happen is that gavin’s speech about being terrible would make the guy even more sure he’d sell to pied piper
then dinesh’s speech made me be like ...........uhhhhhh........
(omg fuck dinesh amirite!! what a clown!)
(A TRULY TERRIBLE MAN)
(AMAZING)
(tERRIBLE)
and when the guy said ‘i don’t want to be in business with any of you’ for a moment i just panicked and thought he wouldn’t sign?
BUT HE DID HURRAYYYYY
THEY BOUGHT HOOLI!
I’M SO FUCKING HAPPY !!!!!
i swear to god there was one moment in that after gavin and the guy had left, when everyone was happy, richard turned to jared and I SWEAR for a SINGLE SPLIT SECOND i LEGITIMATELY thought they would kiss!! because fuck these two have been played SO HARD as potential romantic counterparts!! fuCK THIS!!!!
and then the speech!
FINALLY!
RICHARD TRIES TO MAKE UP FOR BEING A DICK
APOLOGISES
YES
GOOD
and he didn’t say anything fucked up either! was nice about gwart, offered jared and gwart office space in pied piper (didn’t even try to get jared back! has accepted jared going to gwart!)
(btw i feel iffy about jared’s seemingly ironclad devotion to gwart. seems a bit BS to throw away years with richard to be with this person he doesn’t know. and to talk about loyalty. i don’t like it. seems to me like gwart is his REBOUND. SUCH. A. REBOUND. he’s using her as a substitute richard, using her as an excuse to keep stonewalling richard, as a distraction from his PAIN involving richard........... yeah that’s what it look slike to me)
IT WAS GOOD
HE SAID HE MISSED HIM
FUCK YEAH
FUCK FUCK FUCK
YOU KNOW HOW HARD IT IS FOR IDIOTS LIKE RICHARD (and a lot of men probably due to society) TO SAY THAT HE MISSES SOMEONE? not that he deserves congrats for this, but GOD IT WAS SATISFYING. AND MADE ME MELT A BIT.
AND JARED’S SINGLE FUCKING TEAR AS HE LIES THROUGH HIS FUCKING TEETH AND SAYS HE DOESN’T CARE OH MY GOD SLAY ME
JUST RUN A FLUTE-SHAPED SWORD THROUGH MY FUCKING HEART OH MY GOD
THERE BETTER BE A GOOD PAYOFF FOR THEM I SWEAR OH MY GOD
I’M SO FUCKING HYPE THIS WAS SUCH A FANTASTIC EPISODE I LOVED IT
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darkwarriorproject · 5 years
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Hi there! Quick question, I'm on a little J&D binge and I noticed in another post you said that you don't believe in the Ottsel/Precursor reveal.. tbh that always pissed me off a little so I'd love to know what your take/headcanon is on it!
the in-universe/canon-compliant explanation: there was a brief exchange during the ‘reveal’ scene where one of the ottsels is like ‘yes of course we're all-powerful precursor gods’ and another replies ‘wait we are??’ which (imo) suggests that they're fakers– especially taken alongside the fact that the ‘reveal’ came completely out of nowhere and was never so much as hinted at in the previous games (none of the precursor robots/statues/idols look remotely like an ottsel, and we see actual living ‘dark maker’ enemies who are supposed to be corrupted precursors and who also look nothing like ottsels– even though Daxter became an ottsel after falling into dark eco, which pretty soundly contradicts the idea that ottsels are ‘normal’ precursors).
there's just..... no actual canon Proof that ottsels = precursors. they claimed to be, and happened to have access to some fancy tech (which can be easily found in the ruins all over the world, and the human characters have also been shown using salvaged precursor items, so the use of tech itself means nothing here). but yeah, not all characters are reliable sources of accurate information, and I find it far more plausible that the ottsels just straight up lied.
from a meta standpoint: the development & production of jak3 were super rushed, and while the writing has a few good moments there's also a ton of weird out-of-nowhere elements that were obviously just thrown in without any forethought (see also: Keira's non-presence, Ashelin being turned into the booty prize instead, the failure to include a scene where Jak actually decides to go back to Haven after specifically saying he doesn't want to, etc). and when it comes to the ottsels in particular, ND had a vested interest in wanting to keep Dax as an ottsel at that point (he's their main ‘mascot’ character) so the whole ottsel/precursor reveal just feels like a sloppy attempt to retroactively justify all of that, since it clearly wasn't planned from the start of the series.
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