#comes DIRECTLY from this

[butchfalin]

the funniest meltdown ive ever had was in college when i got so overstimulated that i could Not speak, including over text. one of my friends was trying to talk me through it but i was solely using emojis because they were easier than trying to come up with words so he started using primarily emojis as well just to make things feel balanced. this was not the Most effective strategy... until. he tried to ask me "you okay?" but the way he chose to do that was by sending "👉🏼👌🏼❓" and i was so shocked by suddenly being asked if i was dtf that i was like WHAT???? WHAT DID YOU JUST SAY TO ME?????????? and thus was verbal again

[cardo-de-comer]

Sun is always the calm one. While the Moon has more fps, always moves and wants to gnaw on walls, pace around and destroy timelines, the Sun is the one who prevents the chaos, usually by doing nothing. Or at least that's how I see them.

[iheartfurrympreg]

The Harbinger Of Death

watch out gem and joel

close ups under cut and analysis in tags ->

[isjasz]

Remember, there is always a great big beautiful tomorrow.

[fonthoura]

Hc where Garak knows Julian is a liar, but he can't, for the life of him, know what he's lying about.

Like, he has this feeling, given to him by years of training and an observant eyes, that Julian is very purposefully unauthentic, and it seems that no one else notices.

He sees how Julian talks a lot and overshares, but never really says anything, to the point where his friends would have a hard time answering any question about him, like, for fucks sake, it took reading his file to get to know his date of birth because no one knew.

Jadzia thinks he has a brother, Miles is convinced he has a sister, and Garak is fairly sure he is an only child, the problem is, Julian doesn't talk about it. He talks too much and hardly says anything.

Garak also notices how he is always tense, as if holding back, like when he lets himself be punched when he clearly sees it coming, when he let's things break even though Garak is sure he could've caught them mid air, how he seems to calculate the perfect amount of clumsy in a day (once he even bumped into Garak and pretended to be distracted) and no one notices.

But Garak does, Garak knows he is lying about something, he feels it, specially when he looses on games and arguments, like he could not think of something else but Garak sees it in his eyes that he is hiding something.

And Garak constantly gets worried, despite his best knowledge, about him.

He knows how lonely it is, to keep yourself hidden from the world, to not let anyone know you, to hold the weight of a thousand secrets on his body, and constantly he sees this weight taking it's toll on the doctor.

Julian keeps people at arms length, he gets close on condition, he larps with Miles, discuss literature with Garak and converses with Jadzia, but keeps them all compartmentalized, always distant, even his crush on Jadzia being shallow, no real depth to it.

Julian seems skin deep and Garak knows how it feels and aches for him.

So he constantly tries to scratch the surface, aways tries to get Julian out of his lie made shell like Julian does to him, and he doesn't succeed, but he keeps trying.

Specially after he finds out that Julian had been gone for a month and not even him noticed it, he knows it's because no one would, because Julian keeps so much of himself hidden that you can't distinguish him from a fake.

And then, doctor Zimmermann shows up...

[eveningdawn222]

people who act like batman isn't "judge jury and executioner" because he doesn't kill people are like. genuinely so funny to me because. they're very obviously thinking of "executioner" as like. the stereotypical guy with axe who chops people heads off, and not, yknow, the literal definition of the idiom itself, which is about someone who has the ability to judge and then subsequently punish someone unilaterally. which is quite literally what batman does.

he has the ability to decide what is a "crime" to him, he is the one who decides whether people are guilty of those crimes, and he is the one who executes their punishment. the severity of the punishment doesn't matter - he is unaccountable to anyone else, and indeed is allowed to commit as many crimes as needed to reach his arbitrary ideal of "justice."

the ideal of batman is this: a man who is so fundamentally changed by an act of senseless violence that he takes it upon himself to fight back against the rot and corruption in the world. he does this not through political activism, not through ridding himself of his wealth in favor of a greater good, not through community outreach, but through an individualistic fantasy of being a hero.

and you'll say: charlie, but he does do that !!! he donates his money all the time, he funds social programs, hospitals, orphanages, gets people jobs -

and i will say this: so why don't things get better?

because here's the base of it. gotham, at its core, can't get better. no matter what bruce wayne does, there will always be more crime, more villains, more death, more people for batman to beat up in back alleys. because that's what sells.

reoffending rates don't matter in gotham, prison reform doesn't matter in gotham, what actually causes crime doesn't matter in gotham because that doesn't sell books.

and so here it is; dc has unintentionally created a world where batman can't win, but can't be wrong, and where thousands of nameless, faceless, only-created-to-die civilians must be pushed into the meat grinder that is gotham, to fuel bruce wayne's angst and vindicate his constant, tireless, noble fight against the forces of evil.

and then: a new robin, who is poor and who's parents are dead or gone because of this cycle; who is happy go-lucky and hated by editors and fans for being robin, for not being dick grayson, for being poor.

and this robin is written, unintentionally or not, to be angry at the ways in which batman's (the narrative's) idea of justice is detached from its victims. bruce seems perfectly fine to allow countless unnamed women to be at risk from garzonas in his home country, yet robin is the one who is portrayed as irrational and violent.

this robin is not detached from gotham in the way bruce wayne is: this robin is a product of gotham.

(and here's the thing. you can't punch aids. you can't fight a disease with colorful fights and nifty gadgets. and how would robin dying from aids add to batman's story; it would call into question the systemic changes that haven't been made in gotham. how does a child get aids, in batman's city?)

so robin dies, and then bruce (the narrative) spends the next couple of decades blaming it on him. it is jason's fault; he was reckless, he just ran in, he thought it was all a game. if only bruce had seen what was coming, if only he could have known that jason wasn't rich enough or smart enough or liked enough to be robin.

batman gets a little more violent, a little more self destructive. he hurts people more and almost (!!) kills a couple guys. this is bad because it's self destructive and "not who he is." it is not bad because batman should not be able to just beat people up when he's angry.

and then he gets a shiny new robin - who is all the things jason "wasn't": rich and smart and rational and he doesn't put who batman is into question. batman and robin are partners, and jason is a grave and a cautionary tale, and (crucially here) never right.

the joker kills thousands and it doesn't matter because they were written to be killed.

batman beats up thousands and it doesn't matter because they were written to be criminals.

and then jason comes back, and nothing has changed. there is a batman and a (shiny! rich!) robin and the joker kills thousands. (because it sells)

and jason is angry - he has been left unavenged - his death has meant nothing, just as willis' had, just as catherine's had, just as gloria's had, just as -

thousands. ten of thousands. hundreds of thousands. written to be killed.

but one of them gets to come back.

and he is angry - not only at the joker, but at bruce (the narrative) - because why is the joker still alive (when thousands-)

here is the thing - jason todd is right. not because the death penalty is good, not because criminals deserve to die, not because of everything he says -

but because of what he calls into question. why is the joker alive?

because he sells books.

and dc has written a masterful character, through no fault of their own, because jason knows what is wrong, and he knows who is at fault - batman. (the narrative)

so the argument that bruce can't kill because he's not judge jury and executioner; the argument that jason is a cop or that jason is insane or that jason is in the wrong here; they hold no weight.

batman can't kill the joker because the joker sells comic books.

and jason can't kill the joker because the joker sells comic books.

so he will beg and plead and grovel - he will betray everything that is himself, he will forsake his family and his city and kill himself - just so that bruce (the narrative) will let the joker die.

he was condemned to death by an audience, and after he came back he has spent his whole life looking us in the eyes and screaming, asking, pleading; why is the joker still alive?

why are thousands, tens of thousands, hundreds of thousands (the number doesn't matter, see, because they're just a number. not people. not real.) why are we expendable for his story? why did i have to die just for nothing to change?

and the answer is money. and the answer is the batman can never be wrong. and the answer is shitty writing. and the answer is -

nothing jason can ever change.

which is the worst of it all. he is a victim with no power, and no one else in the world can see it. he is raging and crying and screaming at his father and his writers and you - and it doesn't matter. jason doesn't matter. and he knows it.

[lastoneout]

like I don't even know how to DESCRIBE how much that part of RxJ changed my brain chemistry like I am FERAL about the concept of one character who has been sacrificing everything she's ever wanted getting ready to at last sacrifice her very life because she believes it's the right thing to do no matter how desperately she doesn't want to

only for her love interest to show up and straight up say "I will not let you sacrifice the only thing you have left to give, the world has no right to ask that of you, not after everything you've already given up, and if you're so desperate to die anyway you'll just have to kill me too because I could never live with myself if I didn't try to stop you"

and then for said love interest to not back down even when the character replies "Fine, try to stop me then, I'll absolutely kill you if it means saving everyone" like OUGH I was NOT the same person after that I was when I went in

[choccy-milky]

modern AU seb and clora's first interaction 📘📗 (and by modern AU i actually mean super trope-filled high school romance set in the 80's/90's LOL)

[bananafire11]

On The Hunt

[kaissauce]

good thing the fandom's so self-sufficient so this isn't happening any time soon but when it does

[worfsbarmitzvah]

there’s such an attitude among ex-christian atheists that religions just spring up out of the void with no cultural context behind them. like ive heard people say shit like “those (((zionists))) think they own a piece of land bc their book of fairy tales told them so!!!” and they refuse to understand that no, we don’t belong there because of the torah, it’s in the torah because we belong there. because we’re from there. the torah (from a reform perspective) was written by ancient jews in and about the land that they were actively living on at the time. the torah contains instructions for agriculture because the people who lived in the land needed a way to teach their children how to care for it. it contains laws of jurisprudence because those are pretty important to have when you’re trying to run a society. same for the parts that talk about city planning. it contains our national origin story for the same reason that american schools teach kids about the boston tea party. it’s an extremely complex and fascinating text that is the furthest thing from just a “book of fairy tales”

[deimcs]

[VARRIC] Let's just try not to do that again. Bianca hates being turned on her friends.

[chotachica]

Favorite part of The Dead Boy Detectives for sure is Edwin pulling literally every single age appropriate male character he interacted with. The absolute cunt ever

[itsmespicaa]

"Whoops, so sorry. Where are the shears for the least expensive clothes? Looks like it's not this one."

[andorerso]

rebelcaptain + the hunger games au

When Jyn Erso was eight years old, her mother died and her father left to become a gamemaker for the Hunger Games. Adopted by Saw Gerrera, her mother's friend, she became Jyn Gerrera and was forbidden from ever revealing her true identity to anyone. Ten years later, it's Jyn's last reaping. Saw, the forgotten victor of the 32nd Hunger Games, had rejected every reward the Empire offered him, preferring to live as a recluse at the edge of the forest in District 12, as opposed to the luxury in the Victors' Village. It's been decades since anyone in the district even recalled that Saw was once a victor himself, but he had made sure to teach Jyn all he knew of self-defense and combat training. It's the only thing she has of him left since his passing two years ago. Now, Jyn just wants to get through her last reaping and survive. But when she hears the name of the young girl she trades with sometimes, Jyn doesn't hesitate to volunteer in her place. She has nothing to lose, except her life, and every reason to believe that with Saw's training, she has a chance at winning the games. A chance that 12-year-old Kerri Andor wouldn't have. Things get a little more complicated when Kerri's brother is picked as the other tribute. Jyn is good at surviving, but Cassian, with his quiet cunning and surprising talent with a bow and arrow, could be a threat. Not to mention that Jyn knows he's the sole provider for his young sister and aging mother; a family who needs him. Who may die without him. Nobody is waiting for Jyn back home. When their mentor's plan to make them seem like star-crossed lovers triples the attention and sponsors they receive, Jyn is forced to play along with the scheme and pretend she has feelings for Cassian. Worst of all? She's not sure where pretending ends and where genuine feelings begin. The gamemakers say they can both go home if they're the last two tributes standing, but Jyn knows better than to believe the pretty promises of the Empire. Soon, she'll have to make a choice. Will she do anything to survive? Or will she let Cassian Andor go home to his family - even at the cost of her own life?

[gossippool]

speaking of costume/makeup design i love that we go from wade wearing a toupee (at his own birthday party no less) as his way of trying to fit in in any way he can still control, to just him as himself!! which mirrors his character arc from needing to feel accepted or like he matters to other people to having self-acceptance and assurance in his own intrinsic worth <3

also *eye twitch* the white shirt representing rebirth and renewal. the cardigan representing comfort and homeliness as compared to a windbreaker reminiscent of a shield to block out the elements. both worn to keep warm but in different ways