#comedy and tragedy masks

[j4unw3]

nails

[twintraps]

doodle based on the hc that tragedy masks hate possessing

[6sleft]

im thinking about tragedy maskeds,,,,,, inspired by this post :D some silly doodles below

mostly older ones though

[whimsicalcotton]

i'll be yours tonight / but don't hold me too tight

[electrafart]

ignore how i spelled chronos wrong lol

[fluffydice]

Lol I wonder if Kusuo lost that final little bit of self worth once he stopped the volcano. Like that was his whole life goal all those years. He didn’t even give himself time to think of a future beyond that. And once he stopped it, what was there left for him to do? He’d served his purpose.

I genuinely think losing his powers at his young age wasn’t really a good idea. All of his worth is conflated with his powers, both in his own mind and in others. Think of how excited Toritsuka and Kusuke were that he was getting them back, regardless of how anxious it made Kusuo. Accepting them as part of himself was a good step in the right direction, but he needs to learn how to acknowledge that he is a person who has value beyond what his powers can do. It’s something I think that can only come with age for him. He needs time to unlearn everything he’s grown up believing.

[finelythreadedsky]

there's such an incredible circular reasoning people use when talking about the 'three-actor rule' in greek tragedy. using the staging and casting as evidence for the rules of the tragic competition and the ruled of the tragic competition as evidence for the staging and casting. like, the limit of three actors was a fixed part of the contest and extras could not have any lines, and therefore the servant in the libation bearers does a quick change into pylades, proving that the limit of three actors was a fixed part of the contest and extras could not have any lines. OR, the convention of three actors was actually somewhat flexible and extras could occasionally have a few lines, and therefore the servant in the libation bearers and pylades are played by two different actors and the whole play has three full speaking actors plus one bit speaking actor, proving that the convention of three actors was actually somewhat flexible and extras could occasionally have a few lines.

[ilkkawhat]

to this winding road

[p2ii]

"all is hushed for the song of Orpheus..." my own take on udad!Orpheus, partially inspired by @/reegis's design (making him a sad goth boy is such a concept <3) and these images of ts/jl:

[razberrypuck]

I NEED everyone to understand that gangle's masks don't control her emotions. I need everyone to understand that she is literally masking her emotions and not having her comedy mask only limits her ability to do so. she's seemingly capable of feeling and expressing happiness without her comedy mask -- just like every other emotion -- she's just. not a very happy person.

[sensoryserenity]

3D Printed Comedy/Tragedy Mask | Ezequiel Skorepa on YouTube

[twintraps]

sketch of them... they been on the mind 💭

[romolossesit]

Doodles from today!

[lethalcontracts]

mask sketches. common tragedy and comedy. i will update it later as i add info and lore and... mayyyybe anatomical things c: heehoo.

[razs-archetype]

Warmth

[kharmii]

The kids are saying "Look everyone, it's black! Ingo-san! Have you been found yet?" Ingo is replying politely, "Thank you for always finding me." (They're playing hide and seek)

The kids are saying, "Departing for the village. Please drive safely." (As if imitating him) and they remark he is the only one who wears black so they will always find him in all the white snow. They say they will always find him no matter where he is, and Ingo replies it is reassuring.

Art credit: ハイイロ@haiiro25 Twitter.