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themagicians-girl · 4 years ago

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Sun Through The Houses

Sun in the 1st house:

People notice these individuals because they are leaders and exude confidence. They are unapologetically themselves at all times regardless of where they are or who they are around. It is easy for these individuals to gain respect for this reason. On the other hand, others can envy this and display jealousy or hatred for them. You can often find people with their sun in the first house on the stage whether that be in a leadership position in the workplace, at a theater, or in front of a camera. These people shine and they do so, usually, gracefully. These individuals hold themselves in a proud and dignified way, and expect those around them to do the same. They put much emphasis on their appearance. This does not necessarily mean their looks but mostly how the carry themselves. They will never show up in a wrinkled shirt or with smelly breath. They must appear presentable at all times, because they are opportunists and they want to be ready for anything. On the dark side, they must watch out for their egotistical and domineering tendencies.

Sun in the 2nd house:

These individuals strive for pleasure and comfort. They like to own nice things - whatever that means for them individually. Because of the need for possession these people can become workaholics. They may work long hours or strive to be very financially set. Actually, when these people are struggling financially expect them to become severely depressed. They cannot fathom living paycheck to paycheck, its their biggest fear. When these people aren’t at work you can often find them at a restaurant or hanging out at home, which, by the way, their home will be their safe space and very comfortable. They may struggle to leave the home, or with moving in general. These people grow very attached to their home base. They may move out of their parents home older than most, or, if the childhood was chaotic, leave as quickly as possible to find the security they are craving. Sun in the 2nd house people enjoy food A LOT. Cooking them a nice meal is the way to their heart. They are usually good cooks themselves. On the dark side, be mindful of your materialistic nature. It’s okay to believe in things that aren’t only tangible. You don’t need to work 24/7. Money comes and goes. Embrace change, and remember that nothing in the universe is solely ours. Father may have put a lot of emphasis on career growing up, also may have been overbearing and put a lot of pressure on the child.

Sun in the 3rd house:

These people love to learn and travel. They live for it. They are the types to buy a rundown bus, throw a mattress in it, and travel the country. They don’t care for materialistic possessions, they just wish to seek endless knowledge. Actually, they need to be mentally stimulated at all times. Which may cause mental anxiety at times because they do not know how to slow down, rest, and recharge. These people may be good at trivia, because they know a little about everything. If aspects are positive, will have a solid relationship with siblings. You can find these people listening to podcasts, at the library, reading, or watching documentaries. Most likely the podcasts though, because they like to be on the move. Expect these people to travel often. If they don’t have the means to travel, they will immerse themselves in travel any other way they can via; movies, events, stories, friends, etc. Could be excellent teachers if they can develop patience, something they struggle with. Skills to develop: dig deeper into your passions, not just surface level. Stick with hobbies and projects longer, see them through. How many unfinished projects do you have right now?

Sun in the 4th:

These people have an attachment to their family whether it be good or bad, its there and prevalent in their life. They are always pulled to the family, away or towards. If aspects were negative, they may have had an abusive father who stifled their growth or did not allow them to be who they truly wanted to be. If aspects were good, they probably have a very good relationship with the father. May really want children or at least, a solid family structure (family can mean anything). These people are nurturing, kind, and empathetic souls. They enjoy feeling embraced and cared for, and will make you feel the same. They are very proud of those they consider family and are protective of them. These individuals may work in settings where they serve others in one way or another. People trust them. Be mindful not to become possessive of those you hold closest to you, and if you’re struggling with the family, it’s okay to get help for that.

Sun in the 5th:

Some of the most creative people you will ever meet. They love the arts and creative adventures. They are most likely involved in art in some form, whether that be singing, modeling, painting, or photography. These individuals have what it takes to entice an audience, and they do all of the time. Many admirers. May struggle to chose a long term partner due to enjoying attention from many. Sun in the 5th house people have many friends and people will admire them. They are gregarious and full of life. They love to party and have a good time. They aren’t the type to spent much time alone. They’d prefer to be out adventuring or creating with others. Probably love children and children probably love them too. These people are very vocal, it’s hard to miss them. They may love makeup, and put a lot of effort into their looks. They can charm others. On the dark side, be weary of leading people on or being too full of yourself. Ask yourself, do you really like that person, or do you like the attention they are giving you? It’s okay to share the spotlight with others. You will find support when you give support.

Sun in the 6th:

These people throw themselves into work and serving others. They spent a majority of their time at work, and find it hard to take vacations or relax. May have an emphasis on nutrition or working out, may take those aspects of life too far and struggle with self-esteem. These individuals are often selfless and caring. They are excellent friends. They are practical rather than emotional in their approach to life. May have had a parent that was overbearing and expected them to be perfectionists which developed into anxiety and indecision in adulthood. Lack of trust for oneself. These people are good at tending to things. They are the type to find a stray animal and take it home and nurture it. They are fixers in all aspects of life. Should their chart have positive aspects to the sun, they will take good care of their physical and mental health and will inspire others to do the same. On the dark side, your career is not a personality trait. Develop skills and passions outside of work, or you will bore others crazy. It’s okay to relax and experience pleasure.

Sun in the 7th:

Expect these people to have a close circle of people very dear to them. They strive for interpersonal relationships. It makes them feel whole. Other people, make them feel whole. Which can teeter on negative or positive, depending how much independence the person has acquired. Regardless, these individuals know how to make connections. They may have many acquaintances. They strive for balance and harmony in life. They may work in fields where they act as a mediator of some sorts, such as counseling. When the Sun is in the 7th house of one on one relationships, these people will struggle to distinguish themselves between their own self and others. They must work hard to maintain boundaries for themselves or they will run themselves too thin. These people are empathetic, caring, and selfless. They will be the most support friend and lover. They are excellent communicators and can make two of the worst enemies find an understanding. They are respected for their diplomacy.

Sun in the 8th:

Regardless if the Sun is in an extroverted sign such as Leo or Gemini, people with 8th house Suns will appear quieter and more private. Much of their personality is hidden and they only show it to those they trust. These people may appear distant, without trying. They just feel hard to reach. These people enjoy what is hidden. They may have secret hobbies or passions. May have obsessive tendencies and struggle with depression. May live a double lifestyle. Dark humor. If aspects to the sun are negative, may have lost the father during childhood in someway. These people are excellent detectives. They love uncovering the mysteries around them, especially other peoples mysteries. You can’t hide anything from Sun in the 8th people, and if you do, they will feel betrayed and never trust you again. Trust is big for these people. May have few friends, but the friends they do have will last a lifetime. May dabble with the occult or darker aspects of life such as taboo, kink, witchcraft, etc. Dark sense of humor.

Sun in the 9th house:

These individuals put much emphasis on personal development. They want to endlessly search for knowledge and to become the best person they can be. They would prefer to be intelligent above anything else. These people make excellent teachers. They want to travel or live in foreign countries. Father may be of a vastly different nationality to mother or was born elsewhere. These individuals are interested in history, law, philosophy, and language. May speak multiple languages. May have friends that live all over the world. These people are expansive and want to adventure the world. They feel they must in order to fulfill their life purpose. They need independence and freedom from others. They enjoy mentally stimulating conversations. If they can learn something new from you, they will respect you.

Sun in the 10th house:

Individuals with their sun in the 10th house are easy to spot. They will be in a position of power or will be in the spotlight somehow. They strive to be in the public eye. They are leaders and want to live a life of fame. They want to be known and respected. They usually deserve the roles they achieve because they are hard workers. They have much to teach others regarding chasing success and dreams. Very rarely will you meet a Sun in the 10th person that isn’t chasing a dream of some sort. These individuals need to have goals to work towards. Complacency is not their friend. When they aren’t being productive they may become depressed. A struggle for people with their Suns in the 10th is that, although they want admiration, they struggle to have meaningful relationships with others. Relationships may rely on business partnerships rather than a true bond. Don’t abuse your power or sell your soul in search of it. Fame is nothing compared to genuine care and love. Balance.

Sun in the 11th:

People with their Sun in the 11th house have booked schedules for months in advance. They are always attending events, workshops, or traveling. They are involved in many organizations whether that be community outreach, clubs, committees, or social circles. They want to be surrounded by people and community. These individuals bring friends together and can introduce many people to one another. They feel most whole when they belong to a group. You can expect them to have many acquaintances and friends. On the downside, their romantic relationships may struggle because they want to spend all of their free time with friends. Must achieve independence from their groups. May be great planners and organizers. Eccentric and unique people. May struggle to understand who they are apart from others.

Sun in the 12th:

These individuals are sensitive idealists. They love animals and taking care of vulnerable people, because they feel vulnerable them self. These people often get stuck in a daydream or fantasy world. They can struggle to ground themselves in the present moment because of this. Psychic intuition. Escapist tendencies due to feeling like the world is too harsh. Must work to develop thicker skin. Usually extremely creative and artistic because they hide away so often into their own world. May be quieter individuals or introverted. They enjoy one on one interactions or smaller groups to a big crowd. May have very vivid dreams. Can easily read others emotions. May be prone to wearing rose colored glasses. Father may have been aloof or not in the childs life. Be mindful of substance abuse or manipulating others when you feel threatened.

As always, look at your chart as a whole.

Love,

Jaclyn

#sun in the 1st house #sun in the 12th house #sun in the 10th house #sun in the 9th house #sun in the 8th house #sun in the 2nd house #sun in the 4th house #sun in the 5th house #sun in the 6th house #sun in the 11th house #sun in the 3rd house #sun in the 7th house #astrology #westernastrology

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sapphosewrites · 3 years ago

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Some tropes I tend to write a lot

Julian and Garak get together

The Beast With Two Backs- Inspired by an idea from Kaelio: "changeling!julian submitted the paperwork to sisko for fucking an alien, specifically garak."

Nefarious Purposes- After being kidnapped by the Dominion and Section 31, Julian Bashir is nervous about going to medical conferences without protection. Luckily, Garak is willing to come along, although it turns out that Garak has his own ideas about what constitutes a threat.

Dinner at Club Inamorati- Agent Bashir is on a mission, but Garak has an issue with one of the program's requirements...

Growth- Julian and Garak grapple with their pasts and their feelings for each other at the end of the series.

Molten- When Julian had fantasized about being tied up in close proximity to Garak, in the subterranean lair of an evil supervillain with Commander Sisko's face was not what he had in mind.

Why Wait?- 5 times Julian Bashir wanted to kiss Elim Garak (and the one time that he did)

An Influx of Bashirs- An experiment goes awry, and the station is suddenly home to multiple Julian Bashirs from alternate realities. Garak is determined to enjoy the situation.

The Bet- Jadzia enlists Julian to help her win Quark's latest betting pool, by figuring out the real nature of Garak's history with Dukat. In the process, Julian gets rather more than he bargained for.

A Time to Back Off- Everyone is in close quarters on the Defiant, and tempers run hot. Julian thinks he's found the perfect solution for Garak's problem, and Garak thinks he's found the perfect revenge.

Lost in Translation- Five times the Universal Translator didn't work for Julian Bashir and Elim Garak (and one time it wasn't necessary)

Confess Nothing- Julian confronts Garak after realizing some things about how Cardassians flirt. Of course, getting a straight answer out of Garak is never easy.

Garak and Julian get together but realize they should have had a few more conversations first

Spies Seduce, Lovers Sleep, We Argue- Julian and Garak are very clear on one thing: they are going to sleep together. From there, unfortunately, things start to unravel when they have to negotiate cultural differences and Garak's past.

What Happens Next- After seeing Garak in lingerie, Julian has decided to move things back to his quarters and return the favor. A sequel to Xenobotanist's "The Teddy (Not Kukalaka)"

Yesterday Is Heavy- When Garak and Julian get closer, it's complicated by what Garak's body remembers.

We'll Be Counting Scars- Julian sees Garak shirtless for the first time. The reaction is not exactly what Garak was hoping for.

And now, Pour Some Sugar On Me- Julian enjoys sleeping with Garak and- unrelatedly- is happy to help him out financially when the tailor shop is struggling. However, Julian is surprised to learn that Garak has a very different understanding of their relationship. There's an old English term for it from Earth history- sugar daddy?

Garashir fairy tales:

Not all towers are stone- Julian and Garak discuss the story of Rapunzel.

East of the Sun, West of the Moon, and Somewhere on DS9- Julian and Garak argue about an old Earth folktale, and it might be an argument about something else.

Once Upon a Time- Garak relates more to human fairy tales than he would care to admit.

Garak gets hurt:

I'd Like to Give Up Now- After Tain's apparent death, Garak struggles with what comes next.

When All Kindness Has Gone- Garak tries to come to terms with exile.

Garak gets hurt but also gets comfort:

Learn to Love Again- Moments between Garak and Julian, after each time Garak watches Enabran Tain die

Especially the Lies- Something is going on with Garak, and no one knows what, except for possibly Julian Bashir.

The Mortifying Ordeal of Being Known- A weekly counseling appointment with Ezri Dax's most difficult patient, Garak.

How Long Has It Been?- Garak and Julian are captured by an unknown enemy. Told in snapshots of before, and during, and after, in no particular order.

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samwisethewitch · 4 years ago

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Pagan Paths: Feri

Feri (sometimes spelled Faery) is an American neopagan tradition. Like Traditional Wicca, Feri is an initiatory tradition but does not place any limitations on who can be initiated. Although the requirement for initiation makes this religion less easily accessible, Feri has had a huge influence on modern neopaganism, including influencing other (non-initiatory) traditions like Reclaiming. For that reason, I think it’s important that we discuss Feri as part of our ongoing exploration of modern paganism.

This post is not meant to be a complete introduction to Feri. Instead, my goal here is to give you a taste of what Feri practitioners believe and do, so you can decide for yourself if further research would be worth your time. In that spirit, I provide book recommendations at the end of this post.

History and Background

Feri was founded by Victor Anderson and his wife, Cora, in the United States in the 1960s. Like Gerald Gardner, Victor Anderson claimed not to have created his tradition, but to have been initiated into it and then later added to it. In Anderson’s case, he claimed to have been initiated into witchcraft by a faery when he was nine years old.

The Andersons called Feri “the Pictish Tradition” and claimed that it was originally the Craft of the “Little People” in Ireland and Scotland. Victor Anderson was also influenced by Vodou and Hawaiian indigenous spirituality, although his connections to these traditions (both of which are closed) is unclear. Some modern Feri practitioners have made efforts to distance their practice from these elements appropriated from closed cultures, but Feri remains a very eclectic tradition that encourages initiates to “use what works.” Because of this, no two Feri practices are exactly alike.

There is another, more mythologized account of the birth of Feri, shared by author and Feri warlock Storm Faerywolf in his book Betwixt & Between. (In this book, Faerywolf uses the spelling “Faery,” but he is a member of the tradition founded by the Andersons.) In this myth, a group of powerful spiritual beings known as the Watchers rebelled against a false god millennia ago and taught magic to mankind. These Watchers are the fae, and they intermarried with humans and are the origin of all magic traditions. As the story goes, it was one of these Watchers who initiated Victor Anderson into what would later become known as Feri.

Because Feri traces its origin back to these spiritual ancestors, initiation is an important part of the tradition. When someone is initiated, they are said to be made a part of this Feri lineage, similar to how newly baptized Christians are said to be made a part of Christ’s family. This means that, in order to truly practice Feri, you must find a Feri teacher to train and initiate you.

Over the decades since the Andersons founded their tradition, many different lineages of Feri have formed, each with their own unique approach. Some are more visible and more involved with the public, while others practice under strict secrecy. Many of the practices and beliefs that are common in modern Feri come from the Bloodrose lineage.

Core Beliefs and Values

In the words of Cora Anderson, “the Craft is about doing right by one another and loving everyone you see.” However, Feri does not have a universal moral code — there is no Feri equivalent to the Wiccan Rede. While love and kindness are highly valued, the Andersons did not differentiate between light and dark magic and encouraged their followers to use magic to defend themselves when necessary. (You may have noticed that, like in Wicca, magic is an integral part of Feri.)

The Feri Tradition teaches that every person has three souls, each with its own characteristics, strengths, and weaknesses. These souls have different names in different lineages, but Faerywolf identifies them as the talker (the “mental soul” associated with the ego/personality), the fetch (the “animal soul” associated with the subconscious and the primal mind), and the holy daemon or god soul (the part of the self that comes directly from God Herself and is able to commune with gods and spirits as equals). Much of the work of Feri revolves around aligning these three souls into a fully realized whole.

Another important part of Feri philosophy is embodied by the symbols of the Iron and Pearl Pentacles.

Iron is a grounding metal, and contemplating the Iron Pentacle keeps practitioners grounded in their astral travel. Feri initiates not only invoke the Iron Pentacle, but seek to embody it by moving through each point on the pentacle and addressing any blocks or hangups in the associated area of their lives. The five points are sex, pride, self, power, and passion. When all five of these points are in balance, we are able to confidently and effectively work our magic in the world. For example, we should not be afraid of sex, but we shouldn’t be obsessed with it either; we should take pride in our accomplishments, but shouldn’t be too full of ourselves; you get the idea. An initiate who fully embodies the Iron Pentacle is fully centered in their own divine power, as well as their physical body.

The Pearl Pentacle is the compliment to the Iron Pentacle. While the Iron Pentacle is personal, the Pearl Pentacle is transpersonal — it represents the qualities needed to form healthy relationships with others. Some Feri practitioners believe that each point on the Pearl Pentacle represents the “higher form” of one of the points of the Iron Pentacle. In the words of Victor Anderson, “when taken together, the Iron and the Pearl embody the divine union that is necessary to fully awaken the awareness of our divine natures.”

The points of the Pearl Pentacle are: love (defined as a genuine desire for union; can be said to be the higher form of sex), law (as in, the natural laws that govern our universe and our actions; can be said to be the higher form of pride), knowledge (learning from lived experience; can be said to be the higher form of self), power (also a point on the Iron Pentacle — here, it refers to our ability to share power with others), and wisdom (the balance between logic and emotion, head and heart; can be said to be the higher form of passion). The way these points are taught, and their relationship to the Iron Pentacle, may be different in different Feri lineages.

Feri practitioners believe that, by embodying the Iron and Pearl Pentacles, they can achieve a state known as the Black Heart of Innocence, which is defined as “sexual innocence.” It can also be thought of as the innocent, untainted state of small children and animals. This is the natural state of human beings, before we are conditioned to be ashamed or afraid of our sexual impulses.

This brings us to a final point of Feri philosophy: in Feri sex is sacred, as it was through a sexual act that God Herself created the universe. As Faerywolf puts it, “sex is a sacrament in our tradition.” That doesn’t mean that all Feri rituals have a sexual component, but some of them might. Mostly, the sacredness of sex requires Feri practitioners to live in a healthy relationship with their nature as sexual beings.

Important Deities and Spirits

The central deity in Feri is called Star Goddess or simply God Herself. She is the androgynous source of all life, “having within Her all principles, powers, and potencies of Nature.” (Quote from The Heart of the Initiate by Victor and Cora Andersons.) Star Goddess is not only the source of the others Gods, but the source of all life, including humans.

According to the Feri creation myth, in the beginning, Star Goddess was alone in the cosmic void, until she came upon a reflection of her own light. She was so enamored that she made love to her own reflection, and from this act of self-pleasure gave birth to all things.

Star Goddess often appears as a black-skinned woman whose skin is dotted with stars. In ritual, she is often represented with a large black candle.

Nimüe is an aspect of Star Goddess, a maiden who represents the Black Heart of Innocence. She rules over new life, growth, and potential.

Nimüe may appear as a child or a young woman. She can be represented in ritual with flowers (especially pink or white flowers) or with a waxing crescent moon.

Mari is the Great Mother, Star Goddess as the embodiment of pure manifestation. She is associated with the earth, moon, sea, and sky — it is she who gives life and form to all things. The earth is said to be her body, and she is said to be “the spirit of every woman.”

Mari may appear a a pregnant woman. She can be represented in ritual with images of the earth, the moon, or of mothers.

The Hag, also known as the Crone, is the primal Dark Goddess and Queen of the Dead. She is the archetypal witch, but also a grandmother and wise woman. Some believe that it is to her we return when we die.

The Hag often appears as a wizened old woman. She can be represented in ritual with images of ravens and/or vultures, or with a silver sickle.

Star Goddess has two children and consorts, the Divine Twins. They are the personification of duality — light and dark, good and evil, spirit and matter, united in a balanced pair. They may appear as brother and sister, as two lovers of any combination of genders, or as mortal enemies.

The Twins may appear as the Scarlet Serpent and the Azure Dove, who represent the duality of fire/water and earth/air. In ritual, they are often represented with a matching set of candles, one red and one blue.

The Blue God, sometimes called the Peacock God, is born from the union of the Divine Twins — he contains within himself all duality and appears with a combination of male and female features. He is associated with the divine spark within all living things, including one of the three human souls, which Faerywolf calls the holy daemon. He is the god of opposites, and exists in a permanent liminal state. He contains within him both good and evil, beauty and darkness.

The Blue God may appear as a young, androgynous or hermaphroditic person with blue skin. In ritual, he is often represented with peacock feathers.

Krom, also known as the Horned God, is the god of fertility, light, and heat. He is sometimes described as the consort of the Goddess as Mari. He is God as father and lover and is overtly sexual in nature. He has solar associations, but is also the lord of the harvest.

Krom may appear as a man with the head of a stag, glowing with the sun’s warmth. He can be represented in ritual with images of stags, bulls, phalluses, or the sun.

The Arddu (pronounced “ar-THEE”) or the Dark God is described as the “crone aspect of the God.” He is the god of witches, the king of the dead, and the spirit of winter. It is said that when we die, we must confront the Arddu before we can return to the Hag.

The Arddu often appears as an old, androgynous man, with the head and legs of a goat and the wings of a bat. He can be represented in ritual with images of skulls and bones.

Deity in Feri is complex and fluid. All of the goddesses can be said to be different aspects of one Goddess, and all of the gods can be said to be different aspects of one God. Furthermore, all of the deities, both gods and goddesses, can be said to be extensions of Star Goddess. Victor Anderson believed that everything is connected and that the Gods exist within the Universe and the individual. As he said, “God is self, and self is God, and God is a person like myself.”

In addition to the deities, there are also spirits called Watchers and Guardians who play an important role in Feri. The Watchers are mysterious celestial entities, said to be the fathers of magic. Guardians are spirits associated with the elements, who are called on to guard the circle during ritual. Some Feri practitioners believe that the Guardians are Watchers, while others see them as two distinct groups of spirits.

Feri Practice

As stated earlier, much of the work of Feri involves embodying the Iron and Pearl Pentacle in order to return to the Black Heart of Innocence. This is done through ritual, meditation, ecstatic trance, art, energy work, and/or magic.

Feri is an ecstatic tradition, which means many of its rituals and practices revolve around achieving an ecstatic state. Ecstasy is sometimes defined as the state of being completely absorbed in the focus of your attention, and other times as the removal of the consciousness from normal functioning. In Feri, ecstasy is used as a tool for spiritual growth.

Astral travel also plays a role in Feri practice. A Feri practitioner may use trance states to leave their body and enter the spirit realm, where they can encounter the gods, Watchers, faeries, and other spirits firsthand. In some traditions, this travel forms the backbone of the practice.

Art and creative expression are other tools used for spiritual growth in Feri. Visual art and poetry in particular are often used to express spiritual concepts or to help the initiate process what they have learned. Victor Anderson was a known poet and published a collection of devotional poetry called Thorns of the Blood Rose — many later Feri practitioners have followed in his footsteps.

Feri is considered a magic tradition as well as a religion, and many Feri practitioners consider themselves witches or warlocks. Magic is seen as a way of directing the universal life energy that makes up all things, and is a natural extension of our divine power as each of us is a part of Star Goddess.

Like Wiccan rituals, Feri rituals sometimes begin with casting a circle and calling the quarters. However, Feri uses different language and gestures for the circle casting, with a greater focus on the earth and the circle as an extension of the Goddess’s body. While in Wicca, the circle is used for every ritual, in Feri it may only be used for some rites.

Further Reading

If you are interested in Feri, I recommend reading the book Betwixt & Between by Storm Faerywolf. This is an excellent introduction to the tradition, written by the founder of the BlueRose lineage. You may also be interested in reading the works of Victor and Cora Anderson — though Feri has changed a lot since it was founded, the Andersons’ teachings still lie at the core of the tradition.

Because Feri is an initiatory tradition, you can only go so far on study alone. Eventually, you will have to find a teacher to train and initiate you. Without this initiation, what you are doing is not, and cannot be, Feri. Thankfully, it is becoming ever easier to find online training, so you can walk the Feri path no matter where you live. The BlueRose lineage, which was founded by Storm Faerywolf, offers online training and initiation through The Mystic Dream Academy. Some other Feri teachers also have online offerings — look around on social media to see who is currently accepting students.

If you choose not to pursue initiation, you can still incorporate elements of Feri lore and philosophy into your practice, as long as you acknowledge that what you are doing is no longer Feri. In fact, many elements of Feri survive in other, related traditions such as Reclaiming, which we’ll discuss in the next installment of this series.

Resources:

The Heart of the Initiate by Victor and Cora Anderson

The Spiral Dance by Starhawk

Betwixt & Between by Storm Faerywolf

The official Feri Tradition website (feritradition.com)

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meraki-kintsukuroi · 4 years ago

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a star is dying, but the universe won't let it.

(or alternatively: you're burning out like a dying star but these hands that have loved you even long before will never let you go, even if it means getting burnt along.)

tags/warnings: hurt/comfort, light angst, soft fluff, references to depression and to the pandemic, and maybe probably a bit of child abuse it doesn't happen though its just mentioned, implied long-distance relationship, space, morbid, and colour metaphors, discussions about death and dying, shit writing and word vomit (bc im rusty as hell).

pairings : kindaichi yuutaro/reader (gn! reader & ambiguous relationship bc ytf not)

wc : 1, 755

a/n: dedicated to @haru-senji for being in the same situation as I and to all the other people who are as well, hang in there you guys, love you and please stay safe <3.

"Hey 'tarou are you up...?", Yuutarou hears you call out to him in the dark, breaking the silence in the night with your voice faint and small, almost lost against the loud howling wind of the dim sky.

He shifts, twisting his body to where you are, and in the dark--despite of it all--reaches for you when you don't pull or push him away and squeezes the hand you let him hold.

(Intimacy between skin has always been a line you jump in and out of and yuutaro wonders if there ever could be a day where he can hold you without you flinching or shrinking away, and without him saying that its okay despite the hurt in his heart or the deep open scars in yours.)

"Mm, yeah..?", he asks, voice a deep low rasp from the silence that had long been stretching between you, "What is it?"

There is a pregnant pause before you speak. It stretches long and wide much like the ones before and he can't help but be reminded of sea and the sky and he thinks that even in the vastness of it all with you besides him, your backs against the grass of some far away place, underneath all the darkness and twinkling nights, and far away from all uninvited eyes. He thinks that if you were to say anything here and now he would keep it lock in his chest until the day he died.

(Because happiness is limited in a world that is almost at its limit, only holding on to whatever thin silver lining there was to just not fall into the void of nothingness and cease to exist.)

"Do you know how a star is born?",

The ex-volleyball captain blinks once and then twice, and thinks of a grand king who he had served for three long years, of a boy turned king-enemy, to a friend that he had found once lost, of a gymnasium so big that it had to be the whole universe with how many stars, planets, and other celestial bodies there had been, but no matter how much he had thought of it, those astral objects that he had thought of was only at their prime and not at their beginning.

(Those people, those upperclassmen, those players, those rivals, his teammates, had been and always been stars--the moon, the sun, the planet--his universe.

He wonders how proud, those who have seen them at their very beginning feel? To see the rock with no fuel burn with utmost energy along with others who are just as bright as them.)

"No, I don't.", He says, a quiet thing and hears you hum, before feeling you twist and turn before finally settling again, not once letting his hand go as you did so.

(He does not comment on how closer you are to him now, afraid you'd pull away and distance yourself from him again.)

"How about when they die?", you ask him instead, and across the vast meadow he hears the crickets chirping this season's song "Do you know how they die?"

Yuutaro closes his eyes, and thinks of an explosion, of bright colours and a supernova exploding in the expanse of space, of the destruction that follows the grief that comes along with the loss of something as bright as a star.

He thinks of the king-prince-boy and how he had exploded into nothing but colours of red, black, and blue of the grand king who had burst out crying hues of green, grey, and teal, of a dark black empty gym with no bright light or palette in sight.

"They, uh, collapse i think...?" He says trailing off, trying to rack his left part of the brain of the lessons he hadn't slept in science class, "Yeah they do--And then they, they, uh... explode into supernovas? Yeah they explode into supernovas." He finishes unhappy but accepting all the same.

It's not like he was as blunt but smooth with his words just like his best-friend, not sweet like honey, or rough but straight to the point. He was still an awkward, tongue tied, and still fumbling idiot even after all this time. Even when he had hit a growth spurt or even after hitting a major milestone in his life, He was still the tall awkward boy people know who had just grown into an adults body to fit an adult's clothes.

You hum again, and he feels you inching closer, but not close enough to hold you the way he wants to--needs to--

(He pushes the greed--the fear of loosing you--letting go of you away. He can't, does not, will never be selfish, he can't allow it, not when he knows all too well what happens to you and the people around you, suffer through all too well.)

"Do you think we'll go out like that?", you ask him again, voice almost like a child afraid, "Like a supernova exploding in colours?"

He feels you shift again, and this time he thinks you're much closer to him than before and he thinks that you might be facing him this time too, he doesn't know it's too dark to see (but even so, even so, even so please come closer so I can hold you so--)

"Or do you think, we'll go out like a daisy crushed by the one who's supposed to take care of it?"

And something about that question, something about the way you say those words, makes his heart scream and mind twist in agony.

Because he thinks of the world, and how its marching to an unknown point and how much its scaring people. Thinks of you and your home that's only getting so much colder with each day passing. Thinks of himself and how he's just like a ghost wandering with a lover that's slowly collapsing--dying underneath the weight, of the pain of it all, that's too much for them to bear and not being able to do anything about it because-- "the only person who can save you is yourself, and you know that better than anyone else Yuutaro." His mother had once said.

And he knows, he knows, he knows, he goddamn knows, that things are getting worse for you--for him-and for everyone else, but he will fight God and his angels if it meant at least being able to carry some of the burden you had to carry all because the people who was suppose to do it but couldn't so you had to learn how to carry it all by yourself even after all this time.

Because Yuutaro with all his awkwardness and flaws had never been alone.

You however, have been painfully all by your lonesome.

And you meant to him that much to say the least.

"I don't know really." he murmurs truthfully, and squeezes your hand as an I'm sorry that i can't help you lift your pain that I was years too late to even try to do so and now you're hurting so much that you're almost at you're breaking point, and even if you don't know why or what, he still tries to.

Because he was just a ghost with no body or home wandering around this world, trying his darn best to find himself again for a lover that's slowly collapsing and loosing the brightness that they once were.

"Lots of people die in many ways you know?", He says not having one single clue about what's he saying but continues on because happiness is a fickle thing and is it selfish of him to hold your hand and keep you safe from the monsters that was supposed to love you for a bit much longer?

"We're not stars or flowers or anything,", He says with a finality he didn't know he had.

"We're people and we die when we die.", he goes on to say, and he thinks of an accident on the news, a tragedy in a script, and a genocide written on the history books, and thinks that for all the fire and hydrogen or whatever that makes up a star, planet, comet, or whatever. They were all still painfully human even on their last moments.

That they'd all bleed, cry, turn ugly, and at the end of it all die in more ways than one, because humanity is a fickle thing and they were no different.

That he was still human despite being a ghost of he once was, that you were still human even if you were a rotting corpse murdered by the monsters that were your own flesh and blood by the burdens and self-projections that they always had.

That the tyrant he had hated so much was just a boy underneath all the gore, grime, and blood, and that the grand king he had served underneath all the gold and silver and bronze was just human too.

They all were.

"But what if someone wants to go already and the people around them don't want them to...?" He hears you mutter softly, and he squeezes your hand again replying.

"Then don't.", He mutters tiredly just as much you are to the world, the monsters, and at yourself, "Live."

"Do you think we'll ever...", you trail off, and he knows from your tone that you must be struggling with what words to say so he squeezes your hand again because this is the only way you'll let him show his love for you other than his presence (because you're so, so, so scared and he is too, for you and for him as well.)

"Live again?"

Because he's a ghost of a star cluster once formed and you're a rotting corpse of a white dwarf floating in space with no way or direction to what home once was.

"I don't know really.." He says again, and crosses the gap between you deciding fuck it and presses his forehead against yours pushing on as he goes on, "But we'll cross the bridge when we get there all right?"

You don't pull away nor you push him away, instead you tense before relaxing again, and this time instead of him you're the one who squeezes his hand instead.

"Yeah we'll cross the bridge when we get there."

And in the dark--despite the dark, he thinks that maybe you're smiling in what it seems for a long while now, and he thinks that maybe, maybe he is too.

(And when morning comes maybe you both start trying to live again.)

#FROM THE CARCASSES OF LITERATURE;#haikyuu x reader #kindaichi yuutarou #kindaichi x reader #haikyuu reader insert #haikyuu angst #haikyuu fluff #haikyuu imagines #kindaichi fluff #kindaichi angst #kindaichi yūtarō #jkfhskfsdfh #pls dont let this flop #im actually pretty proud of this when i was wriing but like #posting this just gives me 100+ anxiety kadshadkja #kindaichi yutaro #haikyuu scenarios

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aesterea · 3 years ago

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are the guardians your ocs! they seem really cool can we learn more about them?

they are, and thank you!! also, aren’t mary’s edits @thewinedarksea just some of the most gorgeous things you’ve ever seen? i am so deeply and ecstatically honored she’s doing this series for me 💙💙💙

the Guardians belong to the mythology i created for the fantasy world in my main project, the Arcane Elements Cycle. they are definitively not gods, but they come pretty damn close. historically, they were extremely powerful magicians who ruled the world a few thousand years ago. they are generally referred to by their English names, but i’m going to provide their titles in the language of the AEC world as well. a quick overview of the history:

the Enchantress (aka Ereshezania, Queen of Gold, or just Ezania, Golden) was the greatest magician to ever have lived, and she lived for a very long time. she was a warrior queen who united the entire world of AEC into an Empire that endures to this day. to help maintain this place, she personally selected twelve special magicians and appointed them as Guardians over specific things— not places, but aspects of life and living. the Guardians were insanely powerful beings, both in terms of magical ability and what they had the freedom to do with those abilities. their reign is remembered as the golden age of this world, but it was as much a time of terror as it was a time of glory, and for that reason, it ended in copious amounts of bloodshed. the Guardians did not simply fall, they were destroyed. for that reason, a lot of their history has been lost and much confusion has arisen as to who the actual legitimate twelve were, what they did, what they were really like, etc. there are countless legends, but it’s become difficult to discern what is true. i really enjoy playing with that!

the Wishkeeper was definitely one of the original twelve (fun fact: she was the first one i created). her name in their language, Whitje, translates to Wish. she presided over the Garden of Wishes, supposedly hidden in the sky, where she tended to flowers representing the hopes and dreams of people on earth. it was her duty to determine when someone had earned their wish and how that wish should be granted, if at all. she was the closest thing Ezania had to a successor, and she is the most prominent figure of folk lore in the AEC world. people tend to talk about her as if she’s still around (“don’t let the Wishkeeper hear you!”, “Whitje herself couldn’t make me happier/bring me down”, etc.), though very few people actually believe that. she’s associated with duty, fate, responsibility, and wisdom.

Night and Day alternated watching over the world. their Ezni names translate simply to Night-Carrier and Light-Carrier. Night was a gentle figure, kind, compassionate, and steady. Day was selfish, fickle, and casually, carelessly cruel. he is trust, she is betrayal. he is privacy and mystery, she is fame and celebrity. he is promises and intimacy, she is frenzy and festivity. he is the secret-keeper, she exposes everything. he is the Guardian of dedication and things that endure, she is the Guardian of bright and fleeting joys. i wrote this piece about Day years ago and it’s still one of my favorite things i have ever done. in my head, Day is always laughing. always baring her teeth. Night is hopelessly in love with her.

Mischief was a terror of a sorcerer who delighted in preying upon Ezania’s lower enemies, hunting and capturing and killing, and whatever other kinds of fun he wanted to have with them in between. his Ezni name is something like Deathly Shadow. he’s fun, but i don't actually have much to say about him except in relation to his lover, Beauty.

Beauty is one of my favorites. she is commonly thought of as the Guardian of love and lovely things— romance and affection and attraction and friendship and charm, flowers and perfumes and whatnot— but this is a misinterpretation. her name in the Ezni language translates to Ravisher. in her time, she was known to be phenomenally cruel. “love and lovely things” were indeed within her jurisdiction, but they were side pieces to her true focus, the extremes of human experiences. the original Guardian Beauty had more to do with pleasure and pain, terror and devotion, fury and euphoria, every form of sensation, and every overwhelming emotion, all to the brink of madness.

Beauty and Mischief made… quite a pair, as I’m sure you can imagine. They were friends of Delusion, who is probably my actual favorite. his Ezni name is close to Misleader, but Delusion actually suits him quite well. he had this carnival-type thing where he would lure in specific targets and then put them through hell and back to teach them some important lessons and transform them into new, supposedly “better” versions of themselves. you know, break them down so they can rebuild, become something stronger or smarter or wiser. Delusion is the Guardian of madness and everything beyond it. he is associated with dreams and illusions, trickery and manipulation, but also fun and games and play, personal growth and self-discovery. (side note: this is one of Mary’s coolest edits, she put a ton of work into finding pictures and recoloring them to get that purple congruency, and i am in such awe)

Mirage was called Mirja, which is actually pretty close. Mirror may be slightly more accurate. she was a lifelong martyr, a little in love with her own destruction. a devotee, a worshipper, a willing victim to the others. she was probably not a true Guardian but rather a servant. i repeat that the Guardians were not gods, but her reverence of them was very religious. she believed she was serving humanity at large by serving them. she’s mainly associated with sacrifice and service, but also devotion and peace/patience in the midst of suffering. if Delusion represents a person’s breaking point, Mirage is the acceptance that comes after.

Deepwater (or, The Warning of the Deep) ruled the underwater world and was especially associated with the most dangerous places in the ocean. you know that feeling of dread and foreboding you get when learning about the horrors of the deep sea? that’s Deepwater. another name i’ve considered for her is Devastation. she was… not friendly. she would wreck ships that mildly annoyed her. she would just call it justice lol. The Drowned Princess was her captive lover, a young woman who called to her for help while drowning in her waters, and she answered by… not really saving her, but keeping her in a state of not-dead. Deepwater was extremely protective and possessive of her, and allowed her to visit land only once a year, and only a specific island where she was in the company of siren-like creatures ruled by Beauty.

there are many others, but we’ll end this with the Siren (i think this is one of the most beautiful moodboards i’ve ever seen). the Siren has existed in my head for a long, long time, but i only recently included her in the AEC world. she represents loss and grief (the water), and lostness, aloneness, and longing (singing), but also hope and imagination (stars). she is very, very dear to me.

#wow this got long lol i hope it was worth the wait!!#aec #aec: guardians #replies

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skullrock · 4 years ago

Text

the campers, chapter one - Steve x Reader

chapter one: the enemies

series summary:Steve gets a job as a camp counselor at Camp Know Where, intending on using the summer to discover himself. When things start to go wrong at camp, the only people that can help him are the Party, Hopper, and his mortal enemy - you. [Enemies to lovers, angst, fluff, hurt/comfort]

chapter summary: You and Steve unfortunately reunite for the first time in five years.

warnings: swearing!

word count: 1.6k

a/n: alright fellas, I am back with another longfic! this one is a summer camp au. this chap is mainly exposition but it’ll flesh out in the next chapter. hope you are ready to go on this ride w me!

===

Steve isn’t quite sure what he signed up for.

“Steve, you have to,” Dustin pleaded with him a month ago. “There aren’t enough counselors, and if there aren’t enough counselors, then there’s no camp.”

Steve rolled his eyes, bit his heart was sympathetic. “Why is that my problem?”

Dustin sighed, frustrated. “Because we’re best friends, and you’re supposed to help your friends when they need it.”

Steve rolled his eyes again as he contemplated the scenario. Steve had gone to camp when he was younger, but it was nothing like Camp Know Where. Steve’s parents had sent him off to a summer camp that some other Hawkins parents sent their kids to. Tommy H. had always gone, as well as some other boys Steve grew up with. He enjoyed his time there – it was always pleasant and fun. Just a boy doing boy things with his shitty friends. But Camp Know Where had a purpose. Steve didn’t know the first thing about science. Dustin said that could be used to his advantage - Steve wasn’t so sure.

“What’s in it for me?” Steve asked, unpeeling an orange as he leaned against the kitchen counter in his apartment.

“The camp is right on a lake,” Dustin began. “It’s a great spot for swimming and kayaking. You don’t know shit about science, so this is an opportunity to learn. And some of the camp counselors are babes.”

Steve snorted. “What are they, forty-five?”

“Uh, no? They’re your age?”

Steve’s brows shot up at the mention. “You’re saying there are babes I have a chance with there?”

“They’re apparently not your type, ya know, since you hate nerds.” Dustin shrugged his shoulders, but Steve was still very, very interested.

“Desperate times call for desperate measures.”

“And, anyway, you can lead the sports and adventures and hikes and stuff, if you don’t like science. And it’s a nice way to get away from Hawkins for a few months.”

Steve nodded thoughtfully. “Is it paid?”

“You get a stipend of two hundred a month.”

Steve nearly choked on his orange. “Two hundred dollars a month?!”

“And your food is paid for. So is your laundry and housing. It’s free.” Dustin grinned smugly at Steve, and Steve held his hand out.

“You got a deal,” he said. “I’ll do it.”

Steve went through a phone interview and Dustin wrote him a glowing recommendation. And here he is, a month later, driving towards Michigan with Dustin in the passenger seat and multiple suitcases in the back. Steve was required to come two weeks early to learn the ropes, while Dustin was allowed to come early because he was a designated Camp Leader, along with Suzie and some others.

“They call us the ‘Know Everythings’,” Dustin beams.

“Sounds like they’re trying to call you smartasses,” Steve responds, staring absentmindedly out the windshield. Dustin’s smile drops and Steve’s widens. “Don’t worry, Dusty-bun, your girlfriend likes it.”

Dustin slams himself back against the seat, looking out the window. “Should’ve never invited you.”

“Too late.”

Steve was excited beyond the nerves. He had needed some type of self-intervention and introspection after the last three years. He needed a way to mend the emotional scars that the Upside Down and Nancy had left. Dustin had said there were a lot of authors and poets who wrote about the healing power of nature. Steve’s not sure it’s legit, but it’s more hope than he’s had in a while. Robin had also insisted it would be good for Steve to get away from town and try to find himself. So Steve is going into it with an open mind, trying to fight his negative side with suffocating positivity.

You, on the other hand, knew exactly what you’d signed up for.

You had gone to camp when you were younger, too. Except you hated that camp with a passion. Each summer, you’d cry to your parents as June rolled around. You didn’t want to go back to that stupid, hot, ridiculous camp, where a certain group of boys made your life hell. But your parents insisted it was good for you, and they sent you until you were too old to go. In a way, they were right; the camp had taught you to stand up for yourself. It gave you the confidence and self-love a lot of people didn’t have. But you certainly wished you’d found all of that in a healthier way - not because boys would steal your clothes when you were swimming at night, leaving you to walk to your cabin naked.

So, you signed up to help out at Camp Know Where two years ago because you loved science and the outdoors, and you wanted to facilitate a healthy self-love journey for the campers. You wanted to help teach them how to be themselves, to love themselves, to stick up for themselves. And, truth be told, nerds need that kind of reassurance. You’re a nerd – you’d know.

You came to camp two weeks early to help train the new counselors. You didn’t get the list of names, but if you had, you would have run away as soon as your eyes landed on Steve Harrington.

It was, by all accounts, a beautiful June day. Not too hot, not too cool. The breeze rustled the leaves and the waves of the lake lapped the shoreline. Not a cloud in the bright blue expanse above the camp, which was buzzing with Camp Leaders and trainees. You stood at the entrance, helping direct people to the registration table. You were excited to see some of your favorites again – especially Suzie and Dustin. They’d been campers you bonded with last year, and you were ready to see them again.

Suzie came by first, adorably excited to see Dustin when he arrived. “He said he’s bringing a friend to help be a counselor, do you know them?”

“Oh, I have no clue,” you remark. “Do you know their name?”

“Steve, something? They’re pretty close.”

The name Steve had always left a bitter taste in your mouth, so you visibly cringe. Suzie’s brows furrow but you assure her you’re fine. It can’t be that Steve. There’s no way the Steve you knew at Camp Golden Rays was about to come here, to a nerd-infested camp, to help out with kids. No way.

You continue to greet campers and new counselors as they come. During a lull, you lean against the picket fence that lined the entrance, looking out at the parking lot. You see a nice BMW come into view – it’s not one you’d seen before. Must be someone new, you think, pushing yourself up off the fence to greet them.

The first person you notice is Dustin, easily recognizable despite the hat covering his curly hair. He’s taller than the last time you’d seen him – kids grow up so fast. You smile brightly, happy for him to finally arrive, but your smile plummets comically as you see the next person step out.

It’d been 5 years since you’d seen Steve Harrington, and his hair had grown out and his body had toned, but it was unquestionably him. Steve, that stupid, smug bastard. That idiotic jerk who used to smack your lunch tray and trip you. That moron who all the girls swooned over and excused countless times for shitty behavior.

Here he is, at Camp Know Where – a place you never thought you’d ever see him.

Of course, Steve doesn’t know who you are, at first. His concussions had clouded his memory, only remembering bits and pieces. It takes work for him to remember who people are, or what things happened. Most of his memories of Camp Golden Rays are intact, but he had severely repressed his shitty tween behavior. As he approaches, all he really thinks about is that Dustin was right, there were babes here.

“Y/N!” Dustin calls out, running awkwardly with his trunk to come hug you. You hug him, but your eyes stay on Steve, who beams at you as if he didn’t ruin your whole life.

“Look who it is.” Your voice is cold and monotonous.

Steve stops dead in his tracks, confusion twisting on his face. What now? he thinks. This isn’t the first time he’s forgotten who someone was. But then it hits him, and the realization nearly sweeps him off his feet. Regret, remorse, guilt, and anger rip through him as he remembers you. You, who he used to shove. You, who he used to laugh at. There’s still a part of him that feels that hatred for you, deep down, and he tries to shove it away.

“Jesus Christ,” he says under his breath, before loudly saying, “Hi, Y/N.”

Dustin’s brows knit together, and he looks between you two. He can assume that you both have a history. Steve probably stood you up or something. Slowly, he asks, “You two…?”

“Nice car,” you quip. “Daddy buy that for you?”

“Nice to see you, too,” Steve responds, dragging his feet towards you. There’s a lot of things he wants to say – that he’s sorry, that you look really good now, that he’s changed. But it all rests at the base of his throat. His mouth opens and closes a few times.

“Can someone please explain?” Dustin says.

“You’re friends with this asshat?” You ask Dustin, gesturing to Steve. “Like, actual friends with him?”

“Guilty,” Dustin says sheepishly. He’ll fill you in on Steve’s growth later. “Let’s go find Suzie, Steve.”

And despite your apprehension towards each other, you and Steve share the same thought – This is going to be a long summer.

===

taglist (join here!): @harringtown @heart-eye-harrington @rosecolouredboi @comedy-witch @lovesong-remastered

#steve harrington #steve harrington x you #steve harrington x reader #steve harrington fic #steve harrington au #stranger things fic #stranger things au #stranger things x reader #stranger things x you #the campers #working on a playlist!!!

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chibimyumi · 4 years ago

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I hope you're doing well

I have questions if you don't mind

Who do like Axel von Fersen in Marie Antoinette or Axel von Fersen in 1789 les amants de la bastille and also do you like Marie Antoinette in Marie Antoinette or in 1789 les amants de la bastille

Thank you for answering my questions

Dear Anon,

I am doing well, thank you very much! I hope you too.

Hmmm, as a quick answer I would say I prefer both Marie and Fersen from ‘Toho MA’, but the full answer is slightly more complicated.

Firstly, it is almost unfair to compare them to each other because in MA they are the main characters, whereas in 1789 they are main-support or secondary-mains at best.

Secondly, MA has a far bigger focus on the characters because that is what drives the plot, while the opposite is true for 1789, which mainly sells a spectacle. I myself am more fan of subtle and deep story-telling rather than spectacular shows, so the MA versions of Marie and Fersen are more to my liking.

Thirdly, the quality of the characters also depends greatly on the cast. My first view of MA is the A-cast, and therefore my impression of the characters is that they are incredibly well written. After comparison with other casts however, I started to wonder whether it was just the A-cast being too good, and the musical itself being ‘fine’. (In short; I’m not fully sure how much I’d ‘clearly’ have preferred MA Marie and Fersen were it not for A-cast. Click here for a comparison between the two casts written by my friend @wildandwhirlingwords)

But, I shall go into more detail for both characters why MA’s version appeals more to me - someone who enjoys character writing most.

🌹Marie Antoinette🌹

M.A. 2018

In my opinion Marie Antoinette is better in MA because you see her journey and her motivations. We all know that the historical Queen screwed up majorly, but in MA we see why, and in what ways she indeed had very little other choice from her own perspective. She was a flawed foreign woman in a time and place where flawed foreign women were hated most.

In the beginning of the musical the King comes tell Marie that she’d have to live more economically. Marie is clearly not very enthusiastic to hear that, but she also never protests. She just asks ‘why’ and then accepts the answer - albeit broodingly. More importantly however: we need to keep in mind that despite being called Madam Deficit, the historical Marie Antoinette was actually quite economical at first because the Austrian court where she comes from was way less extravagant than the French. It was after her marriage into French royalty that she became more extravagant, because she was criticised for “not being a proper royal” by the French. According to the court, the 14 year old Marie was “a peasant unworthy of becoming Queen.” When you’re that young and criticised by your entire new life, you do everything in your power to make sure you can actually have a life; you adapt. So when Marie was then suddenly told to stop ‘adapting and be a proper Queen worthy of the French”, we can see why more is at stake than “Karen needs to deal with only 10 dresses a week.”

Something else that adds depth to her character as opposed to her 1789 counterpart is that as the story progresses, Marie actually grows. She becomes more mature and more serious, and you see in her how all the events have a clear toll on her. From her own perspective, she really was trying very hard, but anything she tried was inadequate to improve the situation. What she didn’t know is that no matter how hard she tried, the situation was already un-salvageable before she was even born. The populace AND the court had already decided to hate her for being an unintelligent foreign woman from an enemy state, after all. This is an insight most historians nowadays agree on.

In a later scene where Margrid confronts Marie, she asks the Queen: “what makes you think you are better than us?” Marie confirms nor denies, but replies: “I am merely Queen as I was appointed by God.” When she adds: “All I know is duties, you are free,” there is also a clear sense she genuinely doesn’t know why she was appointed by God, but as she is now, all she can do is her best. She is still ignorant, which was a genuine problem about her. She does not know the hardships of not being from the top rank, allowing her say something as insensitive as: “at least you’re free.” But again, despite her ignorance, her feelings are sincere. From all the unfair expectations she was made to live up to from age 14, you really do see why ‘a life without duties’ seemed so much more appealing to her.

1789 - The Lovers of the Bastille

Marie in 1789 is more of a side-character, and the musical itself just is not very character/story driven as MA is. 1789 has the tendency to take the tropiest of tropes and stay on surface level with the characters. Ouki Kaname is an incredibly good actress and she tries her best; but she cannot do more than the script gives her to work with.

In this musical Marie is not portrayed in a very relatable or sympathetic light. She is extravagant because she has escapist fantasies, but we don’t really see what she’s escaping from. The sympathy from the audience is supposed to be drawn from the tragedy that she’s married to the King but is in love with Fersen. Oh, and she has a son but he’s mortally ill. Meanwhile however, you don’t see how her life is so bad she needs to escape... and you also don’t see Marie really being worried about her son than an occasional: “Oh Ill again? Sucks I guess. Gotta cry my eyes out on my lover’s lap, AHHH FERSEN 💗” It was not until her son had already died that Marie woke up, but the lack of portrayal of Marie’s perspective and the pacing really makes one legitimately wonder whether the child did not just die of Marie’s neglect. And about the forbidden love ...we’ve seen enough love triangles with star-crossed-lovers... I don’t know about you guys, but I am numbbbbb to this “problem”.

When Marie receives message from Olympe that she finally gets to meet her lover after a long separation at the Palais Royal, one of the first things she says is: “is that not the place where revolutionaries and prostitutes are gathered?” This immediately sets up an empathy-barrier between her and the common people. This Marie clearly views herself too good for people who do anything to get by; why would you care about her then? Because Marie’s story is not fleshed out you don’t see parts that can make you go: “oh, the revolutionaries really hate her for reasons beyond her control, she is in danger.” Or “she was raised by a puritan society, making her hate on sex-workers; that’s part of her character flaw.” Instead it’s just this Diva being quite judgemental.

Ouki was trying very hard to make the focus about her own safety, but with the script being what it is... she’s still a mostly unsympathetic character who is a martyr of forbidden love.

There is one scene where we see her take on a much more mature and responsible role. That was the first time I personally felt like Marie from 1789 is an actual human being with feelings and personal difficulties. But in great part this is Ouki’s acting... (the other cast didn’t do much for me). What is also important is that Marie was ‘humbled’ because her son died. Marie did not have much of a personal growth, and then she changes to a more sympathetic person because of an external factor just... feels less earned.

In the finale Marie appears again in her execution clothes, and the way Ouki appeared really felt like a punch in the gut. She sings “as a recompense for our griefs, people have learnt forgiveness.” However, the story skimped over the characters so much I was left to wonder: “who learned to forgive whom?” Do you think the people forgave you? Or was there somebody you hated but now learned to forgive? What was your grudge? Do you understand the angry mob’s grudge?

The finale of the musical treats like after the heroic sacrifice of the protagonist (Ronan) the oppressive monarchy was replaced by a good democracy, and a Reign of Terror will DEFINITELY not happen under Robespierre or something. But if you’ve had a BIT of European history you just know it’s a blatant lie. So the finale just feels too simplistic, and this simplistic feeling was in part presented by Marie’s very empty, lip-service-y line.

⚔️Hans Axel von Fersen⚔️

M.A. 2018

Fersen is a bit harder to compare which version is better, because honestly, depending on who plays Fersen in MA, Fersen is either the most generic Hollywood sweeping-lover-hero, or a diamond mine to excavate. In the same post linked above by my friend, she explains in detail the differences between TashiroFersen and FurukawaFersen. K-musical fans, don’t @ me, but from what I can tell, the Korean Fersens are also very... typical.

In this post I have discussed Furukawa’s Fersen in great detail, so I shall skip over these for this post. But to summarise, when portrayed by Furukawa at least, Fersen in MA is very nuanced and restrained. Even if we do not fully credit Furukawa however, then at the very least the script allows enough space and material for an actor to flesh him out so phenomenally well (I think Tashiro and some other actors just.... really missed out on the potential).

Fersen in MA incredibly memorable because the main atmosphere of the imminent doom awaiting everyone is carried by him in a way nobody else does. The moment Fersen enters you feel the tension that the musical wishes to tell. Fersen has seen revolutions, he’s seen the power of anger; he knows shit is going to hit the fan because he’s familiar with this trajectory.

Fersen has excellent self control because he knows how a lack thereof would hurt Marie’s reputation and escalate the growing chaos. You can see very clearly how Fersen does want the intimacy, but to him duty and the grander picture has priority. In all the small actions from Fersen you see how he is a savvy intellectual through and through. (More about reservation later).

In contrast to 1789, we also get to see so much more of Fersen in MA because he is the narrator and a main character. Throughout the musical he’s been trying to de-escalate the chaos and even though his plans were actually well thought-out, the problems were just simply too big for any one person to solve. When Fersen mourns Marie there is a clear sense that he is not really surprised, just really upset that things had to come so far. Instead of singing something accusatory to the angry and hungry people, he sings: “fate, why did you give her everything, only to show her hell in the end?” Fersen truly understands why the people were duly angry, but that not taking away his sorrow of losing Marie who he knows is a better person than people make her out to be.

Also in great contrast to 1789, the finale of MA is rather grim. It does not suggest hope or that all problems will eventually disappear. The story for these people have ended, but the problems and the world will continue to our days, and days far beyond ours. It gives a feeling that the world of MA is so extensive that we - the audience - are part of it. In the finale when we see Fersen again, he also stays in tune with this feeling. “How can the problems of the world be solved, what is true justice? We remain clueless” he sings, and the way he looks into the unknown distance is almost a reminder to us that nobody has reason to stop worrying and fight for justice.

1789 - the Lovers of the Bastille

Now if we were to compare MA’s Furu Fersen to 1789′s Fersen, we see a stark contrast between the two. Where Furusen was incredibly reserved and hyper aware of everything, 1789′s Fersen is just the over-romantic lover who had been pining for his love. For a moment Marie realises she probably should not be cheating on her husband and backs away. Fersen however, is the one to make further advances, actively pulling her back to his side.

When he embraces Marie you see how he is just dreaming and indulging, something Furusen would never do. Furusen might hug Marie, but not without sh*tting 50 colours. 1789′s Fersen is the sweeping Romeo that most of history makes him to be, and little more. But again, Fersen plays but a very small role in 1789, so it is also unfair to compare him to MA’s Fersen.

Regardless of whatever nuance might or might not be there however, it is also just quite hard to like this Fersen because he is ‘just another privileged aristocrat who is just needy’. When making out with Marie in Palais Royale they find out that Ronan fell asleep there drunk. Ronan simply complained that Marie was too loud and woke him, and Fersen immediately shuts him up, and then draws his sword at him for ‘speaking rudely’.

First of all Fersen and Marie, if you’re gonna do a clandestine meeting, you CHECK your surroundings. Second of all, FERSEN Ò.Ó, this peasant is untrained and weaponless; you can’t just unleash your high-ranking martial arts at him with a shiny sword. This is EXACTLY the reason the revolution happened; the people were sick of the suppression of the powerless by the powerful. UGHUM. It truly is mind-blowing to consider how 1789 Fersen and MA Fersen are both...Fersens.

This Fersen is not very involved with the revolution from either side. He just proposes to help Marie and the King escape once, but got dismissed immediately. The following time we see him it is in the finale.

There he stands, a knight in shiny armour singing a really hopeful phrase to a relatively upbeat and hopeful music: “do not rely on force, but seek for hope and courage.” Here again unlike with MA’s Fersen, you don’t really feel like this Fersen has experienced anything. It was like he was an employed special guard, told by his boss there’s nothing he needed to do, his boss is dead, and oh wellll, moving on!

Conclusion

Because Marie and Fersen in MA are main characters whose stories are fleshed out, it really is very unfair to compare them to their 1789′s counterparts in a race of ‘who is better’. In the end of the day, 1789′s aim is to sell a spectacle, and it realllly is a phenomenal piece if you’re there for the spectacle. The choreography, songs, stage, everything is masterpiece-level. So if you’re there for the spectacle you get exactly what you went there for. The story and characters however... not so much. If one is more drawn to a direct, glittery spectacle with hands-down-amazing-songs however, they’d probably find Marie and Fersen from 1789 more enjoyable. If you’re into first and impressive impressions, the MA counterparts might demand a BIT too much attention and patience to get into.

Introduction and character analysis Fersen ‘MA’ 2018

Comparative commentary on MA Cast M and Cast A

#Marie Antoinette #Hans Axel von Fersen #Fersen #MA #1789 #comparative commentary #TOHO #musical #1789 les amants de la bastille

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collegeburnoutsuperstar · 4 years ago

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2021 Book Recommendations

Way back in March 2020, at the very start of quarantine I did a little quarantine-read book rec list. We are now in 2021 and we are still in quarantine, so here’s an updated book rec post to help you through a socially distanced winter break and holiday season.

Non-Fiction:

Zami: A New Spelling of My Name | Audre Lorde | Adult | Memoir | LGBTQ | Zami provides a detailed look into Lorde’s life growing up in the 30s, 40s, and 50s as a young, poor, lesbian, black woman. Discussion focuses primarily on racism, poverty, and sexuality. | Trigger/Content Warnings: rape, suicide\suicide attempts, death, racism, abortion, mentions of cancer, mentions of abuse, sex.

Redefining Realness | Janet Mock | Adult | Memoir | LGBTQ | “This powerful memoir follows Mock’s quest for identity, from an early, unwavering conviction about her gender to a turbulent adolescence in Honolulu that saw her transitioning during the tender years of high school, self-medicating with hormones at fifteen, and flying across the world alone for sex reassignment surgery at just eighteen. With unflinching honesty, Mock uses her own experiences to impart vital insight about the unique challenges and vulnerabilities of trans youth and brave girls like herself” (Goodreads). | Trigger/Content Warnings: underage prostitution, transphobia, bullying.

An Autobiography | Angela Y. Davis | Adult | Memoir | A story of racism, discrimination, imprisonment, and Communism; “the author, a political activist, reflects upon the people and incidents that have influenced her life and commitment to global liberation of the oppressed” (Goodreads). | Trigger/Content Warnings: racism, murder, violence, police brutality.

Before Night Falls | Reinaldo Arenas | Adult | Memoir | LGBTQ | “Cuban writer Reinaldo Arenas describes his poverty-stricken childhood in rural Cuba, his adolescence as a rebel fighting for Fidel Castro, and his life in revolutionary Cuba as a homosexual. Very quickly, the Castro government suppressed his writing and persecuted him for his homosexuality until he was final imprisoned” (Goodreads). | Trigger/Content Warnings: underage sexual experiences with other minors, statutory rape, bestiality, incest, graphic descriptions of sex, suicide attempts, mentions of suicide, mentions of AIDs, homophobia.

I Know Why the Caged Bird Sings | Maya Angelou | Adult | “Sent by their mother to live with their devout, self-sufficient grandmother in a small Southern town, Maya and her brother endure the ache of abandonment and the prejudice of the local ‘powhitetrash’. At eight years old and back at her mother’s side in St. Louis, Maya is attacked by a man many times her age-- and has to live with the consequences for a lifetime. Year later, in San Francisco, Maya learns that love for herself, the kindness of others, her own strong spirit, and the ideas of great authors will allow her to be free instead of imprisoned” (Goodreads).

Notes of a Native Son | James Baldwin | Adult | Essay Collection | “Written during the 1940s, when Baldwin was only in his twenties, the essays collected in Notes of a Native Son capture a view of black life and black thought at the dawn of the Civil Rights movement and as the movement slowly gained strength through the words of one of the most captivating essayists and foremost intellectuals of that era. Writing as an artist, activist, and social critic, Baldwin probes the complex condition of being black in America. With a keen eye, he examines everything from the significance of the protest novel to the motives and circumstances of the many black expatriates of the time” (Amazon).

Contemporary Fiction:

Alex in Wonderland | Simon James Green | Young Adult | Romance | LGBTQ | “ In the town of Newsands, painfully shy Alex is abandoned by his two best friends for the summer. But he unexpectedly lands a part-time job at Wonderland, a run-down amusement arcade on the seafront, where he gets to know the other teen misfits who work there. Alex starts to come out of his shell, and even starts to develop feelings for co-worker Ben... who, as Alex's bad luck would have it, has a girlfriend. Then as debtors close in on Wonderland and mysterious, threatening notes start to appear, Alex and his new friends take it on themselves to save their declining employer. But, like everything in Wonderland, nothing is quite what it seems” (Goodreads).

Red, White & Royal Blue | Casey McQuiston | New Adult | Romance | LGBTQ | First Son Alex Claremont-Diaz, son of United States President Ellen Claremont, finds himself back in the public eye after a confrontation with his nemesis, His Royal Highness Prince Henry, at a royal wedding. The only way to save American/British relations from crumbling: Create a fake friendship between Alex and Henry. But what happens when this fake friendship becomes something more? How will these two young men go down in history?

Fifty Shames of Earl Gray | Fanny Merkin | Adult | Parody/Humor | Very Heterosexual | “ Young, arrogant, tycoon Earl Grey seduces the naïve coed Anna Steal with his overpowering good looks and staggering amounts of money, but will she be able to get past his fifty shames, including shopping at Walmart on Saturdays, bondage with handcuffs, and his love of BDSM (Bards, Dragons, Sorcery, and Magick)? Or will his dark secrets and constant smirking drive her over the edge?” (Goodreads). | Trigger/Content Warnings: the is a parody of Fifty Shades of Grey...

Historical Fiction:

Water Music | T. Coraghessan Boyle | Adult | Adventure | “Set in the late eighteenth century, Water Music follows the wild adventures of Ned Rise, thief and whoremaster, and Mungo Park, a Scottish explorer, through London’s seamy gutters and Scotland’s scenic highlands to their grand meeting in the heart of darkest Africa. There they join forces and wend their hilarious way to the source of the Niger” (Goodreads).

The Island of the Day Before | Umberto Eco | Adult | Italian Literature | “After a violent storm in the South Pacific in the year 1643, Roberto della Griva finds himself shipwrecked-on a ship. Swept from the Amaryllis, he has managed to pull himself aboard the Daphne, anchored in the bay of a beautiful island. The ship is fully provisioned, he discovers, but the crew is missing. As Roberto explores the different cabinets in the hold, he remembers chapters from his youth: Ferrante, his imaginary evil brother; the siege of Casale, that meaningless chess move in the Thirty Years' War in which he lost his father and his illusions; and the lessons given him on Reasons of State, fencing, the writing of love letters, and blasphemy. In this fascinating, lyrical tale, Umberto Eco tells of a young dreamer searching for love and meaning; and of a most amazing old Jesuit who, with his clocks and maps, has plumbed the secrets of longitudes, the four moons of Jupiter, and the Flood” (Goodreads).

Brethren [Raised by Wolves series 1] | W. A. Hoffman | Adult | Adventure/Buccaneers | LGBTQ | “John Williams, the Viscount of Marsdale, libertine, duelist, dilettante, haphazard philanthropist and philosopher, is asked by his estranged father to start a plantation in Jamaica in 1667. He doesn’t realize that he is going to the right island for the wrong reasons until he meets buccaneers and learns he has for more in common with the wild Brethren of the Coast than he does with the nobility of Christendom. Still, he questions joining them and leaving his title and the plantation behind until her meets Gaston the Ghoul, a mysterious French buccaneer who is purportedly mad. He quickly decides that the freedom of buccaneer life [...] [is] better than anything he could ever inherit” (Goodreads). Trigger/Content Warnings: violence, mentions of rape, mentions of death, mentions of torture, mentions of abuse, mentions of incest, slavery, discussions of mental illness at a time when it is not really understood, descriptions of sex, alcohol use.

Captive Prince [The Captive Prince Trilogy 1] | C. S. Pacat | Adult | Historical-inspired Fiction | LGBTQ [more in later books] | Prince Damianos of Akielos finds himself captured and stripped of his true identity when someone close to the Prince makes a move for the throne. Part of the plot: ship the captured Prince to the enemy nation of Vere as a pleasure slave. In Vere, Damianos takes on a new identity, or else he would immediately be put to death by his new master, the Prince of Vere. Damianos quickly discovers that his capture and enslavement is not just an isolated incident, but is in fact part of a much larger plot that will drastically change the futures of both Akielos and Vere. | Trigger/Content Warnings: violence, torture, slavery/pleasure slaves [partially set within a culture that uses slaves], death, pedophilia, mentions of rape, descriptions of sex, suicide [in the second book]. DISCLAIMER: This trilogy has an enemies-to-lovers subplot, but it is in no way romanticizing slavery, rape, or violence. The romance subplot does not start until the characters undergo massive amounts of character growth and development.

11/22/63 | Stephen King | Adult | Time Travel | Thriller | Jake Epping, a thirty-five year old high school teacher English teacher and GED teacher from Maine embarks on a world-changing mission after a trip to the storeroom of his friend Al’s diner. Within the storeroom, Al has been hiding a secret, a secret that is objectively better than anything else that could’ve been hidden in a diner storeroom. Al has a portal to 1958. The mission: try to stop the Kennedy Assassination. Just remember, the current timeline may just be the best one. | Trigger/Content Warnings: death, violence, racism, domestic abuse, political assassination.

Adult Science Fiction & Fantasy:

The Rage of Dragons | Evan Winter | High Fantasy | “The Omehi people have been fighting an unwinnable fight for almost two hundred years. Their society has been billt around war and only war. The lucky ones are born gifted. One in every two thousand women has the power to call down dragons. One in every hundred men is able to magically transform himself into a bigger, stronger, faster killing machine. Everyone else is fodder, destined to fight and die in the endless war. Young, gift-less Tau knows all this, but he has a plan of escape. He is going to get himself injured, get out early, and settle down to marriage, children, and land. Only, he doesn’t get the chance. Those closest to him are brutally murdered and his grief swiftly turns to anger. Fixated on revenge, Tau dedicates himself to an unthinkable path. He’ll become the greatest swordsman to ever live, a man willing to die a hundred thousand times for the chance to kill the three who betrayed him” (Goodreads).

The Binding | Bridget Collins | Historical Fantasy | LGBTQ | While suffering from a mysterious illness, Emmett Farmer is sent away from his family to apprentice at a bookbinder’s workshop. But Emmett has been taught to hate books his whole life, they are dangerous and shameful. But under the instruction of the book binder, Emmett learns the secrets that books hold and uncovers a past that he didn’t even know he had. | Trigger/Content Warnings: homophobia, death, suicide, allusions to rape.

The House in the Cerulean Sea | T.J. Klune | Suitable for all ages | Urban Fantasy | LGBTQ | Don’t you wish you were here? Forty year old Linus Baker lives a lonesome, drear life. For seventeen years, Mr. Baker has worked as a case worker at the Department In Charge Of Magical Youth where he monitors the treatment of magical children in government-sanctioned orphanages. In a break from his usual routine, Mr. Baker is unexpectedly summoned by Extremely Upper Management and is assigned a highly classified and possibly dangerous case. He is sent to the Marsyas Island Orphanage where he meets the six dangerous children; a gnome, a sprite, a wyvern, a green blob, a were-Pomeranian, and the Antichrist, along with their caretaker Arthur Parnassus. At the the end of his stay, Mr. Baker must make a decision: Should he follow the rules, or protect a family?

Wolfsong [The Green Creak Series 1] | T.J. Klune | Paranormal/Shifter Romance | LGBTQ | “Ox was twelve when his daddy taught him a very valuable lesson. He said that Ox wasn’t worth anything and people would never understand him. Then he left. Ox was sixteen when he met a boy on the road, the boy who talked and talked and talked. Ox found out later the boy hadn’t spoken in almost two years before that day, and that the boy belonged to a family who had moved into the house at the end of the lane. Ox was seventeen when he found out they boy’s secret, and it painted the world around him in colors of red and orange and violet, of Alpha and Beta and Omega. Ox was twenty-three when murder can to town and tore a hole in his head and heart. The boy chased after the monster with revenge in his bloodred eyes, leaving Ox behind to pick up the pieces. It’s been three years since that fateful day-- and the boy is back. Except now he’s a man, and Ox can no longer ignore the song that howls between them” (Goodreads). | Trigger/Content Warnings: violence, death, age-gap romance.

The City of Dreaming Books | Walter Moers | German Fantasy | Absurd Fantasy | “Optimus Yarnspinner, a young writer, inherits from his beloved godfather an unpublished short story by an unknown author. His search for the author’s identity takes him to Bookholm-- the so-called City of Dreaming Books. On entering its streets, our hero feels as if he opened the door of a gigantic second-hand bookshop. His nostrils are assailed by clouds of book dust, the stimulating sent of ancient leather, and the tang of printer’s ink. Soon, though, Yarnspinner falls into the clutches of the city’s evil genius, Pfistomel Smyke, who treacherously maroons him in the labyrinthine catacombs underneath the city, where reading books can be genuinely dangerous” (Goodreads). | Trigger/Content Warnings: death, largely takes place in underground tunnels, illustrations can be unsettling.

Bored of the Rings: A Parody of J.R.R. Tolkien’s Lord of the Rings | The Harvard Lampoon, Henry N. Beard, Douglas C. Kenney | NOT AT ALL FOR CHILDREN | Parody/Humor | Adventure | “A quest, a war, a ring that would be grounds for calling any wedding off, a king without a kingdom, and a little, furry ‘hero’ named Frito, ready-- or maybe just forced by the wizard Goodgulf-- to undertake the one mission which can save Lower Middle Earth from enslavement by the evil Sorhed. Luscious Elfmaidens, a roller-skating dragon, ugly plants that can soul-kiss the unwary to death-- these are just some of the ingredients in the wildest, wackiest, most irreverent excursion into fantasy realms that anyone has ever dared to undertake” (Goodreads). | Trigger/Content Warnings: drug/alcohol use.

Dune | Frank Herbert | Science Fiction/Science Fantasy | “Set on the desert planet Arrakis, Dune is the story of the boy Paul Atreides, heir to a noble family tasked with ruling an inhospitable world where the only thing of value is the ‘spice’ melange, a drug capable of extending life and enhancing consciousness. Coveted across the known universe, melange is a prize worth killing for. When house Atreides is betrayed, the destruction of Paul’s family will set the boy on a journey toward a destiny greater than he could ever have imagined” (Goodreads). | Trigger/Content Warnings: death, drug use.

The Magicians [The Magicians Trilogy 1] | Lev Grossman | Urban/Portal Fantasy | “Quentin Coldwater is brilliant but miserable. A senior in high school, he’s still secretly preoccupied with a series of fantasy novels he read as a child, set in a magical land called Fillory. Imagine his surprise when he finds himself unexpectedly admitted to a very secret, very exclusive college of magic in upstate New York, where he receives a thorough and rigorous education in the craft of modern sorcery. He also discovers all the other things people learn in college: friendship, love, sex, booze, and boredom. Something is missing, though. Magic doesn’t bring Quentin the happiness and adventure he dreamed it would. After graduation he and his friends make a stunning discovery: Fillory is real. But the land of Quentin’s fantasies turns out to be much darker and more dangerous than he could have imagined. His childhood dream becomes a nightmare with a shocking truth at its heart” (Goodreads). | Trigger/Content Warnings: drug/alcohol abuse, depression, death, rape [in book 2].

Mo Dao Zu Shi | Mo Xiang Tong Xiu | Wuxia/Chinese Fantasy | LGBTQ | “As the grandmaster who founded demonic cultivation, Wei WuXian roamed the world in his wanton ways, hated by millions for the chaos he created. In the end, he was backstabbed by his dearest shidi and killed by powerful clans that combined to overpower him. He incarnates into the body of a lunatic who was abandoned by his clan and is later, unwillingly, taken away by a famous cultivator among the sects-- Lan WanJi, his archenemy. This marks the start of a thrilling yet hilarious journey of attacking monsters, solving mysteries, and raising children[...] Along the way, Wei WuXian slowly realizes that Lan WanJi, a seemingly haughty and indifferent poker-face, holds more feelings for Wei WuXian than he is letting on” (Goodreads). | Trigger/Content Warnings: suicide, death, murder, violence, incest, rape (I think), abuse, abusive families.

The Eye of the World [The Wheel of Time series 1] | Robert Jordan | Epic Fantasy | Adventure | “The Wheel of Time turns and Ages come and pass. What was, what will be, and what is, may yet fall under the Shadow. Let the Dragon ride again on the winds of time. The Wheel of Time Turns and Ages come and go, leaving memories that become legend. Legend fades to myth, and even myth is long forgotten when the Age that gave it birth returns again. In the Third Age, an Age of Prophecy, the World and Time themselves hang in the balance. What was, what will be, and what is, may yet fall under the Shadow. When The Two-Rivers is attacked by Trollocs-- a savage tribe of half-men, half-beasts-- five villagers flee that night into a world they barely imagined, with new dangers waiting in the shadows and in the light” (Goodreads). | Trigger/Content Warnings: death, violence.

The Lies of Locke Lamora [Gentleman Bastard Series 1] | Scott Lynch | Heist Fantasy | “An Orphan’s life is harsh-- and often short-- in the mysterious island city of Camorr. But young Locke Lamora dodges death and slavery, becoming a thief under the tutelage of a gifted con artist. As leader of the band of light-fingered brothers known as the Gentleman Bastards, Locke is soon infamous, fooling even the underworld’s most feared ruler. But in the shadows lurks someone still more ambitious and deadly. Faced with a bloody coup that threatens to destroy everyone and everything that holds meaning in his mercenary life, Locke vows to beat the enemy at his own brutal game-- or die trying” (Goodreads). | Trigger/Content Warnings: death, violence, torture.

The Name of the Wind [The Kingkiller Chronicle 1] | Patrick Rothfuss | Epic Fantasy | “My name is Kvothe. I have stolen princesses back from sleeping barrow kings. I burned down the town of Trebon. I have spent the night with Felurian and left with both my sanity and my life. I was expelled from the University at a younger age than most people are allowed in. I tread paths my moonlight that others fear to speak of during the day. I have talked to Gods, loved women, and written songs that make the minstrels weep. You may have heard of me” (The Name of the Wind). | Trigger/Content Warnings: death, violence, abuse, book three still doesn’t have a release date.

Trick [Foolish Kingdoms 1] | Natalia Jaster | Fantasy Romance | LGBTQ | “There is only one rule amongst his kind: A jester doesn’t lie. In the Kingdom of Spring, Poet is renowned. He’s young and pretty, a lover of men and women, he performs for the court, kisses like a scoundrel, and mocks with a silver tongue. Yet allow him this: It’s only the most cunning, most manipulative soul who can play the fool. For Poet guards a secret. One the Crown would shackle him for. One that he’ll risk everything to protect. Alas, it will take more than clever words to deceive Princess Briar. Convinced that he’s juggling lies as well as verse, this righteous nuisance of a girl is determined to expose him. But not all falsehoods are fiendish. Poet’s secret is delicate, binding the jester to the princess in an unlikely alliance, and kindling a breathless attraction, as alluring as it is forbidden” (Goodreads).

Do Androids Dream of Electric Sheep? | Philip K. Dick | Science Fiction | “It was January 2021, and Rick Deckard had a license to kill. Somewhere among the hordes of humans out there, lurked several rogue androids. Deckard’s assignment-- find them and then ‘retire’ them. Trouble was, the androids all looked exactly like humans, and they didn’t want to be found out” (Goodreads).

Young Adult Science-Fiction & Fantasy:

Cemetery Boys | Aiden Thomas | Urban Fantasy | Romance | LGBTQ | “Yadriel has summoned a ghost, and now he can't get rid of him. When his traditional Latinx family has problems accepting his true gender, Yadriel becomes determined to prove himself a real brujo. With the help of his cousin and best friend Maritza, he performs the ritual himself, and then sets out to find the ghost of his murdered cousin and set it free. However, the ghost he summons is actually Julian Diaz, the school's resident bad boy, and Julian is not about to go quietly into death. He's determined to find out what happened and tie off some loose ends before he leaves. Left with no choice, Yadriel agrees to help Julian, so that they can both get what they want. But the longer Yadriel spends with Julian, the less he wants to let him leave” (Goodreads). | Trigger/Content Warnings: transphobia, dead-naming.

In Other Lands | Sarah Rees Brennan | Urban/Portal Fantasy | LGBTQ | “The Borderlands aren’t like anywhere else. Don’t try to smuggle a phone or any other piece of technology over the wall that marks the Border—unless you enjoy a fireworks display in your backpack. (Ballpoint pens are okay.) There are elves, harpies, and—best of all as far as Elliot is concerned—mermaids. Elliot? Who’s Elliot? Elliot is thirteen years old. He’s smart and just a tiny bit obnoxious. Sometimes more than a tiny bit. When his class goes on a field trip and he can see a wall that no one else can see, he is given the chance to go to school in the Borderlands. It turns out that on the other side of the wall, classes involve a lot more weaponry and fitness training and fewer mermaids than he expected. On the other hand, there’s Serene-Heart-in-the-Chaos-of-Battle, an elven warrior who is more beautiful than anyone Elliot has ever seen, and then there’s her human friend Luke: sunny, blond, and annoyingly likeable. There are lots of interesting books. There’s even the chance Elliot might be able to change the world” (Goodreads).

The Fascinators | Andrew Eliopulos | Urban Fantasy | LGBTQ | “Living in a small town where magic is frowned upon, Sam needs his friends James and Delia—and their time together in their school's magic club—to see him through to graduation. But as soon as senior year starts, little cracks in their group begin to show. Sam may or may not be in love with James. Delia is growing more frustrated with their amateur magic club. And James reveals that he got mixed up with some sketchy magickers over the summer, putting a target on all their backs. With so many fault lines threatening to derail his hopes for the year, Sam is forced to face the fact that the very love of magic that brought his group together is now tearing them apart—and there are some problems that no amount of magic can fix” (Goodreads).

Things Not Seen | Andrew Clements | Science Fiction | Realistic Fiction | “Bobby Philips is an average fifteen-year-old boy. Until the morning he wakes up and can’t see himself in the mirror. Not blind, not dreaming. Bobby is just plain invisible. There doesn’t seem to be any rhyme or reason to Bobby’s new condition; even his dad the physicist can’t figure it out. For Bobby that means no school, no friends, no life. He’s a missing person. Then he meets Alicia. She’s blind, and Bobby can’t resist talking to her, trusting her. But people are starting to wonder where Bobby is. Bobby knows that his invisibility could have dangerous consequences for his family and that time is running out. He has to find out how to be seen again before it’s too late” (Goodreads). | Trigger/Content Warnings: Car accident.

Howl’s Moving Castle [Howl’s Moving Castle series 1] | Diana Wynne Jones | Fantasy | Portal Fantasy | Adventure | “Sophie has the great misfortune of being the eldest of three daughters, destined to fail miserably should she ever leave home to seek her fate. But when she unwittingly attracts the ire of the Witch of the Waste, Sophie finds herself under a horrid spell that transforms her into an old lady. Her only chance at breaking it lies in the ever-moving castle in the hills: the Wizard Howl’s castle. To untangle the enchantment, Sophie must handle the heartless Howl, strike a bargain with a fire demon, and meet the Witch of the Waste head-on. Along the way, she discovers that there’s far more to Howl --and herself-- than first meets the eye” (Goodreads).

Castle in the Air [Howl’s Moving Castle series 2] | Diana Wynne Jones | Fantasy | Adventure | “In which a humble young carpet merchant wins, then loses, the princess of his dreams. Far to the south of the land of Ingary, in the Sultanates of Rashpuht, there lived in the city of Zanzib a young and not very prosperous carpet dealer named Abdullah who loved to spend his time daydreaming. He was content with his life and his daydreams until, one day, a stranger sold him a magic carpet. That very night, the carpet flew him to an enchanted garden. There, he met and fell in love with the beauteous princess Flower-in-the-Night, only to have her snatched away, right under his very nose, by a wicked djinn. With only his magic carpet and his wits to help him, Abdullah sets off to rescue his princess” (Goodreads).

A Wizard of Earthsea [Earthsea Cycle 1] | Ursula K. Le Guin | Fantasy | “Ged, the greatest sorcerer in all Earthsea, was called Sparrowhawk in his reckless youth. Hungry for power and knowledge, Sparrowhawk tampered with long-held secrets and loosed a terrible shadow upon the world. This is the tale of his testing, how he mastered the mighty words of power, tamed an ancient dragon, and crossed death’s threshold to restore the balance” (Goodreads).

Middle-Grade/Children’s Fiction:

Island of the Aunts | Eva Ibbotson | Middle-Grade | Fantasy | Adventure | “When the kindly old aunts decide that they need help caring for creatures who live on their hidden island, they know that adults can’t be trusted. What they need are a few special children who can keep a secret-- a secret as big as a magical island. And what better way to get children who can keep really big secrets, than to kidnap them! (After all, some children just plain need to be kidnapped.)” (Goodreads).

Ruby Holler | Sharon Creech | Middle-Grade | Realistic Fiction | Adventure | “Brother and sister Dallas and Florida are the ‘trouble twins.’ In their short thirteen years, they’ve passed through countless foster homes, only to return to their dreary orphanage, Boxton Creek Home. Run by the Trepids, a greedy and strict couple, Boxton Creek seems impossible to escape. When Mr. Trepid informs the twins that they’ll be helping old Tiller and Sairy Morey go on separate adventures, Dallas and Florida are suspicious. As the twins adjust to the natural beauty of the outdoors, help the Tillers prepare for their adventures, and foil a robbery, their ultimate search for freedom leads them home to Ruby Holler” (Goodreads).

The Westing Game | Ellen Raskin | Middle-Grade | Realistic Fiction | Mystery | “A bizarre chain of events begins when sixteen unlikely people gather for the reading of Samuel W. Westing’s will. And though no one knows why the eccentric, game-loving millionaire has chosen a virtual stranger --and a possible murderer-- to inherit his vast fortune, one thing’s for sure: Sam Westing may be dead... but that won’t stop him for playing one last game!” (Goodreads).

Midnight for Charlie Bone [The Children of the Red King series 1] | Jenny Nimmo | Middle-Grade | Urban Fantasy | “Charlie Bone has a special gift-- he can hear people in photographs talking! The fabulous powers of the Red King were passed down through his descendants, after turning up quite unexpectedly, in someone who had no idea where they came from. This is what happened to Charlie Bone, and to some of the children he met behind the grim, gray walls of Bloor’s Academy. His scheming aunts decide to send him to Bloor’s Academy, a school for geniuses where he uses his gifts to discover the truth despite all the dangers that lie ahead” (Goodreads). | Trigger/Content Warnings: abusive family situations (mental and emotional), bullying, some parts can be creepy/spooky.

The Maze of Bones [The 39 Clues series 1 ] | Rick Riordan (the series is written by several different authors) | Middle-Grade | Mystery | Adventure | Action | “When their beloved aunt --matriarch of the world’s most powerful family-- dies, orphaned siblings Amy and Dan Cahill compete with less honorable Cahill descendants in a race around the world to find cryptic clues to a mysterious fortune” (Goodreads). Trigger/Content Warnings: Death, house fire, dead parents, abusive family.

The Doll People | Ann M. Martin | Middle-Grade | Fantasy | Adventure | “Annabelle Doll is 8 years old --and has been for over 100 years. Nothing much has changed in the dollhouse during that time, except for the fact that 45 years ago, Annabelle’s Auntie Sarah disappeared from the dollhouse without a trace. After all this time, restless Annabelle is becoming more and more curious about her aunt’s fate. And when she discovers Auntie Sarah’s old diary, she becomes positively driven. Her cautious family tries to discourage her, but Annabelle won’t be stopped, even though she risks Permanent Doll State, in which she could turn into a regular, nonliving doll. And when the ‘Real Pink Plastic’ Funcraft family moves in next door, the Doll family’s world is turned upside down --in more ways than one!” (Goodreads). | Content Waring: It’s living dolls, this is off-putting to many people.

Bud, Not Buddy | Christopher Paul Curtis | Middle-Grade | Historical Fiction | Realistic Fiction | “It’s 1936, in Flint Michigan. Times may be hard, and ten-year-old Bud may be a motherless boy on the run, but Bud’s got a few things going for him: He has his own suitcase full of special things. He’s the author of Bud Caldwell’s Rules and Things for Having a Funner Life and Making a Better Liar Out of Yourself. His momma never told him who his father was, but she left a clue: flyers advertising Herman E. Calloway and his famous band, the Dusky Devastators of the Depression!!!!!! Bud’s got an idea that those flyers will lead him to his father. Once he decides to hit the road and find this mystery man, nothing can stop him --not hunger, not fear, not vampires, not even Herman E. Calloway himself” (Goodreads).

The Thief Lord | Cornelia Funke | Middle-Grade | Fantasy | Adventure | Mystery | “Two orphaned children are on the run, hiding among the crumbling canals and misty alleyways of the city of Venice. Befriended by a gang of street children and their mysterious leader, the Thief Lord, they shelter in an old, disused cinema. On their trail is a bungling detective, obsessed with disguises and the health of his pet tortoises. But a greater threat to the boys’ new-found freedom is something from a forgotten past --a beautiful magical treasure with the power to spin time itself” (Goodreads).

Igraine the Brave | Cornelia Funke | Middle-Grade | Fantasy | Adventure | “Igraine dreams of being a famous knight like her great-grandfather, but castle life is boring. Until the nephew of the baroness-next-door plans to capture the castle for their singing spell books. At the moment of the siege, her parents mistakenly turn themselves into pigs. Aided by a Gentle Giant and a sorrowful Knight, Igraine must by brave, and save the day --and the books” (Goodreads).

Valley of the Dinosaurs [Magic Tree House series 1] | Mary Pope Osborne | Children’s Literature | Science Fiction (time travel) | “Eight-year-old Jack and his little sister, Annie, are playing in the woods during their summer holiday, when they find a mysterious tree house full of books. But these are no ordinary books... And this is no ordinary tree house... Jack and Annie get more than they had bargained for when Jack opens a book about dinosaurs and wishes he could see them for real. They end up in prehistoric times with Pteranodons, Triceratops and a huge Tyrannosaurus Rex! How will they get home again? The race is on!” (Goodreads).

Frindle | Andrew Clements | Middle-Grade | Realistic Fiction | “Is Nick Allen a troublemaker? He really just likes to liven things up at school --and he’s always had plenty of great ideas. When Nick learns some interesting information about how words are created, suddenly he’s got the inspiration for his best plan ever...the frindle. Who says a pen has to be called a pen? Why not call it a frindle? Things begin innocently enough as Nick gets his friends to use the new word. Then other people in town start saying frindle. Soon the school is in an uproar, and Nick has become a local hero. His teacher wants Nick to put an end to all this nonsense, but the funny this is frindle doesn’t belong to Nick anymore. The new word is spreading across the country, and there’s nothing Nick can do to stop it” (Goodreads).

Knights of the Kitchen Table [Time Warp Trio series 1] | Jon Scieszka | Children’s Literature | Fantasy | Time Travel | “Magician Uncle Joe’s birthday present entitle ‘The Book’ swirls green mist and grants pal Fred’s wish to ‘see knights and all that stuff for real’, sending Sir Joe the Magnificent, Sir Fred the Awesome, and Sir Same the Unusual to King Arthur’s castle opposing the Black Knight, grossly smelly giant Bleob, and fire-breathing leather-winged iron-clawed green dragon Smaug. Fred plays tag and wields a baseball bat. Sam cleverly politicks. Joseph, Arthur tricks with cards. But Merlin has ‘The Book’ to get home” (Goodreads).

Over Sea, Under Stone [The Dark Is Rising series 1] | Susan Cooper | Middle-Grade | Fantasy | Arthurian Inspired | “On holiday in Cornwall, the three Drew children discover an ancient map in the attic of the house that they are staying in. They know immediately that it is special. It is even more than that --the key to finding a grail, a source of power to fight the forces of evil known as the Dark. And in searching for it themselves, the Drews put their very lives in peril” (Goodreads).

Bunnicula: A Rabbit-Tale of Mystery [Bunnicula series 1] | Deborah Howe | Children’s Literature | Fantasy | Mystery | “BEWARE THE HARE! Is he or isn’t he a vampire? Before it’s too late, Harold the dog and Chester the cat must find out the truth about the newest pet in the Monroe household: a suspicious-looking bunny with unusual habits...and fangs!” (Goodreads).

Howliday Inn [Bunnicula series 2] | James Howe | Children’s Literature | Fantasy | Mystery | “Not a great place to visit, and you wouldn’t want to live there. The Monroes have gone on vacation, leaving Harold and Chester at Chateau Bow-Wow --not exactly a four-star hotel. On the animals’ very first night there, the silence is pierced by a peculiar wake-up call --an unearthly howl that makes Chester observe that the place should be called Howliday Inn. But the mysterious cries in the night (Chester is convinced there are werewolves afoot) are just the beginning of the frightening goings-on. Soon animals start disappearing, and there are whispers of murder. Is checkout time at Chateau Bow-Wow going to come earlier than Harold and Chester anticipated?” (Goodreads).

Peter Pan | J.M. Barrie | Children’s Literature | Fantasy | Adventure | “The mischievous boy who refuses to grow up, lands in the Darling’s proper middle-class home to look for his shadow. He befriends Wendy, John and Michael and teaches them to fly (with a little help from fairy dust). He and Tinker Bell whisk them off to Never-land where they encounter the Red Indians [Native Never-landers], the Little Lost Boys, pirates and the dastardly Captain Hook” (Goodreads). | Content Warnings: use of the terms “Red Indians” and “Indians” (and probably other racist terms, I can’t remember though).

Owl Moon | Jane Yolen | Picture Book | Realistic Fiction | “Late one winter night a little girl and her father go owling. The trees stand still as statues and the world is silent as a dream. Whoo-whoo-whoo, the father calls to the mysterious nighttime bird. But there is no answer. Wordlessly the two companions walk along, for when you go owling you don’t need words. You don’t need anything but hope. Sometimes there isn’t an owl, but sometimes there is” (Goodreads).

Kiana’s Iditarod | Shelley Gill | Picture Book | Fiction | Educational | “Kiana is no ordinary dog. Born and bred to race, she leads her team of huskies on a journey unlike any other. The Iditarod --known traditionally as Alaska’s ‘Last Great Race’-- spans 1,049 icy miles from Anchorage to Nome. From the treacherous terrain to the bitter, blowing winds, the trail is full of obstacles Kiana and her team must overcome in order to reach the finish line. Along the way, they encounter pacts of wild wolves, a mighty moose, and other dog-sled teams fighting for first place. Can Kiana summon the strength of her team and lead them to victory? Author Shelley Gill brings her firsthand experience as the fifth woman to complete the Iditarod race to this crackling adventure story” (Amazon).

#bookblr #books recs #book recommendations #covid-19 #self quarantine #social distancing #quarantine and read #reading #fantasy #lgbt books #memoirs

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booksbookssomemoviesandbooks · 4 years ago

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Book Recs

Hello! so for my first post, I'll recommend some books, so y'all can have a closer look at some fandoms I'll post about! enjoy!!

Harry Potter By J.K. Rowling is definitely an interesting, well-written series! there are 7 books however, and the books get bigger as the series progresses. It's sometimes difficult to know the exact order, so I'll list it below:

Harry Potter and the Philosopher's Stone (Harry Potter and the Sorcerer's Stone)

Harry Potter and the Chamber of Secrets

Harry Potter and the Prisoner of Azkaban

Harry Potter and the Goblet of Fire

Harry Potter and the Order of the Phoenix

Harry Potter and the Half-Blood Prince

Harry Potter and the Deathly Hallows

Although the movies are great, they don't include all the amazing details, as with all movies. A short summary:

Harry Potter, a young boy who’s being constantly abused by his uncle Vernon and aunt Petunia, gets a peculiar letter from the magical school of Hogwarts, where he spends most of his time, becoming his home.

Quotes:

“To the well-organized mind, death is but the next great adventure." ― Albus Dumbledore

“You’re just as sane as I am" - Luna Lovegood

“Mischief managed" - Fred and George Weasley

It is Important to know that j*r is a huge transphobe, along with other things, and is currently being erased by the fandom itself.

Percy Jackson and the Olympians, along with the other series by Rick Riordan, is a definite must-read. With each book, you can really notice the character developments and a lot more! There is loads of representation in this one, with lgbtqia+ characters, black characters, Muslim characters and more. It's very action-packed and addicting, sucking you into the magnificent world of Half-Bloods and Demigods within the first page. The first series consists of 5 books, in the following order:

Percy Jackson and the Lightning Thief

Percy Jackson and the Sea of Monsters

Percy Jackson and the Titan's Curse

Percy Jackson and the Battle of The Labyrinth

Percy Jackson and the Last Olympian

THE MOVIES ARE TRASH SO I DEFINITELY DO NOT RECOMMEND WATCHING THEM BEFORE READING THE BOOKS!!! There were many changes and the movies aren't nearly as good as the books. A short summary:

Percy Jackson, a 12 year-old who lives with his mother, Sally, and step-father, Gabe, attends the private boarding school Yancy Academy. While on a school trip, his teacher, Mrs. Dodds, turns into a fury and attacks him. This, in turn, triggers a series of other problems and adventures.

Quotes:

“If my life is going to mean anything, I have to live it myself.” - Percy Jackson

“With great power, comes great need to nap. Wake me up later." - Nico Di Angelo

“Even strength has to bow down to wisdom sometimes." - Annabeth Chase

The Hunger Games by Suzanne Collins is one of my most recommended series! With everything it deals with, from the Capitol to the districts to the champions, the books are amazing!

Order:

The Hunger Games

Catching Fire

Mockingjay

Starring the movies is the amazing Jennifer Lawrence, but with all books, the movies have slight differences, although I definitely recommend watching them when you're done with the books.

A Short Summary:

In what was once North America, the Capitol of Panem maintains its hold on its 12 districts by forcing them each to select a boy and a girl, called Tributes, to compete in a nationally televised event called the Hunger Games. Every citizen must watch as the youths fight to the death until only one remains. District 12 Tribute Katniss Everdeen has little to rely on, other than her hunting skills and sharp instincts, in an arena where she must weigh survival against love.

(FILM SYNOPSIS)

Quotes:

"May the odds be ever in your favor." - Effie Trinket

"Fire is catching, and if we burn, you burn with us!" - Katniss Everdeen

“Hope is the only thing stronger than fear.” - President Snow

Divergent is another book with a huge fandom, and rightfully so. This book is amazing, and you honestly can't live without having read it!

Order:

Divergent

Insurgent

Allegiant

Surprisingly, I haven't watched the movies yet, but I hear that they aren’t that bad, so you should give them a go!

Summary:

In a world run by fictional classes known as factions, children who reach the age of 16 begin to choose which factions they wish to call home for the rest of their lives. Each faction comes with its own ups and downs, so it's definitely a hard choice, especially for someone as unique as Beatrice.

Quotes:

“Becoming fearless isn't the point. That's impossible. It's learning how to control your fear, and how to be free from it“ - Four

“We believe in ordinary acts of bravery, in the courage that drives one person to stand up for another.” - Dauntless Motto

"We are not the same. But we are, somehow, one." - Tris

You might have heard of this series, and it's really addictive, trust me! The Mortal Instruments is one of the most astonishing books I've ever read, and it's most definitely my go-to when recommending a book series!

Order:

City of Bones

City of Ashes

City of Glass

City of Fallen Angels

City of Lost Souls

City of Heavenly Fire

Again, (I know this is rather disappointing) I haven't watched the movies, but do check them out!

Summary:

Clary Fray's search for her missing mother leads her into an alternate New York called Downworld, filled with mysterious faeries, hard-partying warlocks, not-what-they-seem vampires, an army of werewolves, and the demons who want to destroy it all.

via: https://shadowhunters.com/shadowhunters-novels/the-mortal-instruments/#:~:text=Clary%20Fray's%20search%20for%20her,want%20to%20destroy%20it%20all.

Quotes:

“Heroes aren't always the ones who win. They're the ones who lose, sometimes. But they keep fighting, they keep coming back. They don't give up. That's what makes them heroes.” - Clary Fairchild

“If I cannot move Heaven, I will raise Hell.” - Sebastion Morgenstern

“The descent into Hell is easy.” - Motto of the Nephilim

Gay. What more needs to be said?

SADLY, there isn't a movie yet, but I think they're working on one, or sure though

Summary:

Set in a world in which a female Democrat from Texas wins the presidency in 2016, Red, White & Royal Blue chronicles the illicit romance between the president's son, Georgetown senior Alex Claremont-Diaz (Dad is a Mexican-American senator), and Prince Henry of Wales, his childhood nemesis.

Via: https://www.wsj.com/articles/red-white-royal-blue-book-summer-beach-read-11565285001#:~:text=Set%20in%20a%20world%20in,of%20Wales%2C%20his%20childhood%20nemesis.

Also, classic enemies-friends-lovers arc and honestly it's amazing

Quotes:

“As your mother, I can appreciate that maybe this isn’t your fault, but as the president, all I want is to have the CIA fake your death and ride the dead-kid sympathy into a second term.” - Ellen Claremont

" 'that’s because you can’t hear all the menacing gobbling.' 'Yes, famously the most sinister of all animal sounds, the gobble.' " - Harry and Alex

"History, huh? Bet we could make some." - Alex

I’m sure you've heard at least a little bit about this book. While not nearly as famous as ones mentioned above, it's still just as good, of not better. I'd say this book is one of my favorites, to be honest. It speaks about a lot of topics people usually find disturbing, and it makes me so happy that it's there, it's written, it's amazing. PTSD, coming out issues, abusive relationships and more, this book is truly awesome.

TRIGGER WARNING

Summary:

A young boy named Charlie usually dissociates, and pushes other people away. He’s afraid of beginning high school, until he meets two other students who show him how bizarre and amazing the world is.

Quotes:

“And in that moment, I swear we were infinite” - Charlie

“We accept the love we think we deserve” - Mr. Anderson

“You can't just sit there and put everybody's lives ahead of yours and think that counts as love" - Sam

This book is honestly pro-feminist and I think that's much more than enough

Summary:

Kaur explores the true impact of sexual abuse and harassment, as well as the difficulties of immigrating, being a female, and depression.

It's also a poem

TRIGGER WARNING

Quotes:

“what is stronger

than the human heart

which shatters over and over

and still lives”

“you do not just wake up and become the butterfly

- growth is a process”

“on the last day of love

my heart cracked inside my body"

This book isn't very well-known, which really sucks because I really love how it speaks about the consequences of WWII from the German point of view. And about the Germans who did not believe in Hitler's ways. It's also based on a real story, and it's so cool

Summary:

A nurse working in a nursing home meets a peculiar old lady who decides to tell her her story when she meets the nurse's younger son, Karl, who reminded her of her brother. Lizzie (the old lady) speaks about life in Dresden before the war, and even after it. She also tells them the story about the strange, magnificent elephant in her garden.

Quotes:

“That was the only way of keeping our hopes alive, by looking beyond all we were seeing around us, and the shadow of disaster that hung over us.” -

“I think I have always had a strong sense of justice, of fair play, of what is right and what is wrong.” -

“Our home should be an oasis of peace and harmony for us in a troubled world.” - Lizzie (Quoting Papi)

10.

This book is pro-blm and it's ahead of its time (by like 2 years but still).

Summary:

Sixteen-year-old Starr Carter moves between two worlds: the poor neighborhood where she lives and the fancy suburban prep school she attends. The uneasy balance between these worlds is shattered when Starr witnesses the fatal shooting of her childhood best friend Khalil at the hands of a police officer. via: https://socialjusticebooks.org/the-hate-u-give/#:~:text=Sixteen%2Dyear%2Dold%20Starr%20Carter,hands%20of%20a%20police%20officer.

Quotes:

“Sometimes you can do everything right and things will still go wrong. The key is to never stop doing right.” - Lisa

“Daddy once told me there’s a rage passed down to every black man from his ancestors, born the moment they couldn’t stop the slave masters from hurting their families. Daddy also said there’s nothing more dangerous than when that rage is activated.” - Starr

“Everybody wants to talk about how Khalil died,” I say. “But this isn’t about how Khalil died. It’s about the fact that he lived. His life mattered. Khalil lived!” I look at the cops again. “You hear me? Khalil lived!” - Starr

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hannidae · 5 years ago

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The Value of Forgiveness

Why Reylo is one of the most valuable elements of Star Wars Mythology

And why Disney should not let Reylo end with The Rise of Skywalker if it wants to take the moral high ground.

As an American, I’d like to suggest that Americans have a lot to learn from Rey and Ben. Forgiveness, hope, and redemption, while recognized as nice ideas, are so often not given the deference they deserve. Instead, we’re so much more focused on the pursuit of justice and power, which reflected in film leads to resolutions like Kylo Ren’s/Ben Solo’s death. Or, in real life, leads to paradigms like those present in American criminal justice.

We are doing an unarguably terrible job with criminal justice and reform. We are not forgiving or empathetic as a society. Our justice systems cling to our grudges and desire for punishment when nothing good can come of it. I can only hope that we can recognize our faults, learn, and grow--with a little help from film and story-telling.

As does all good mythology, Star Wars presents morals. The intentions in the sequel trilogy are *ahem* perhaps less thoughtfully crafted than the previous trilogies, but there’s still something to be learned. In TRoS specifically, moral guidance is best sought in critically analyzing the filmmaker’s choices and identifying the fallacies presented.

Enter Reylo, the age-old enemies-to-lovers archetype where a heroine and anti-hero restore justice and find happiness. TRoS did it, then killed Ben. Why? Because in the American mindset Ben did ‘horrible’ things, and he should recognize his failures and welcome his own death in order to preserve the ‘pure’ deserving soul, Rey. Criminals don’t deserve a redeemed life of happiness, according to the American creators.

I object.

Now, before I get into how wrong this is, here’s a shout out to all of the incredible works out there that have analyzed Reylo and all its glory and value. Here’s a wonderful masterpost by raven-maiden.

The impact of Reylo in analyzing criminal justice

Our current criminal justice system, at least within the American cultural setting where Star Wars has been developed, is a self-defeating, myopic mess.

There is the profit-driven corporatization of its structures that ignore best treatment practices opportunities for convicts within the system. There is the systemic discrimination that plagues fair treatment of both individuals and groups in the criminal justice and judicial systems from beginning to end. There is the unwillingness and/or lack of resources in our criminal justice system to address and improve the mental health concerns and socio-economic disadvantages of its prisoners and, as a result, cultivate reformed behaviors and improved opportunities among people who have committed crimes. There is also the hypocritical tendency of the criminal justice system to bolster the privileged and penalize the disadvantaged.

Regardless of a person’s place in society, our criminal justice system is focused almost entirely on punishment and removal of people within society who have been convicted of crimes. This doesn’t fix anything. It either maintains or worsens the causes that encourage people to commit crimes. Additionally, our criminal justice system does very little to promote actual justice in the forms of restorative justice. Generally, people who have committed crimes are not provided avenues that offer meaningful opportunities for reparation, or counseling to recognize and alleviate the social, economic, or physical issues that caused people to commit crimes in the first place. No one is born bad, or wants to be evil, except for perhaps psychopaths. And it’s clear that Ben/Kylo is not a psychopath, despite of and evidenced by the crimes he has committed.

The Problem with Shunning Reylo or shunning criminals

Those who are Anti-Reylo are generally concerned about abuse, imbalances of power, and toxic behavior and relationships, which they associate with Kylo. I get it. None of those things should ever be tolerated, much less promoted. All people, including Antis, can be assumed to condemn at least most criminal behavior, like Kylo’s. However, the hitch is when people are not willing to tolerate and accept individuals who commit crimes into their communities or relationships ever again—like permitting Kylo to repent, atone, and have a romantic relationship with Rey.

Here’s my issue, many people, for the most part, are sufficiently intolerant to be willing to forgive a person who has committed certain crimes. Clearly, some crimes are beyond redemption. In the spectrum of the severity of crimes, what role does a line in the sand have in story telling? Where does society draw that line? Typically, once crossed the criminal cannot be redeemed. In this way of thinking, reformed behavior, with or without atonement or restitution, would be not be sufficient for welcoming a person who has committed certain crimes back into a community. Like Kylo. Now, it’s not that there shouldn’t be a line. But sometimes we draw that line sooner than we should, and we’re not helping anyone (ourselves included) when we do if forgiveness is never an option.

Just Kylo’s association with the First Order, who as an organization murdered multiple world populations, is past the line for a lot of people. For some, it might be his order to kill the villagers at the beginning of The Force Awakens. Or kidnapping Rey and pushing into her mind during the interrogation scene. Or calling her ‘nothing’ on the Supremacy. Whichever.

I’m not going further into that because for my argument I don’t consider him to have crossed the line, and most Reylos don’t either. Here’s why, and why it matters.

First, Star Wars is mythology. It’s about a god Force and space wizards with laser swords. It teaches values and morals through fantasy and fictional dramatization. It is meant to serve as symbolic guidelines, not hard rules for interpersonal relationships in daily life.

Second, someone argues that Kylo Ren/Ben Solo has irrevocably crossed that line, there is very little to learn or gain from his attributes, his experiences, or his sacrifices. There should always be something to learn. Some *may* be willing to forgive Ben. That forgiveness would have qualifications for the redemption such as certain acts of restorative justice or a sacrifice. But empathy here is limited, if not lacking. And to function as a healthy society, we need lots of empathy.

Third, while Kylo’s representation in the trilogy films is less dimensional that in the extended comics and novelizations, one can not argue that he was abused, neglected, and manipulated into the circumstances of his portrayal. He also was never given an opportunity to truly explain his justification for his actions or the conditions that led to his choices.

Overall, I’m not interested in where that unredeemable line is for people who support his death, or what redemption might entail. It’s likely they would never be willing to support his reintegration into society/the light side or consider him an appropriate love interest for Rey. Thus, what matters about him only matters in how it reflects on the heroes to whom he is an enemy. That would make him a black hole. But he is an anti-hero, and an amazing opportunity for self-reflective growth. We all make mistakes; he is just an extreme example from whose mistakes we can learn from.

Why Rey’s forgiveness is a necessary component of functional criminal justice

I am interested in the value of forgiveness, and the role mythology has in teaching that value. I’m fascinated by Rey’s willingness to forgive Ben Solo, especially since he turns and supports her once he knows she would forgive and welcome him if he renounced the characteristics that make him a villain.

Society is never going to improve if we lock up our criminals and throw away the key. Or execute them.

Now, I’m not expertly qualified to summarize the fields of criminal psychology or criminology in relation to Kylo Ren. However, I do hope to take a stab at why his criminal behavior is relevant in a tale of forgiveness.

Crime is cyclical. There will always be more people committing more crimes, and people committing crimes over and over. Also, most people who commit crimes, if released, will not be persuaded by punishment alone to stop doing whatever they’re doing that is criminal. This is because, for the most part, people with a history of delinquency have already experienced enough suffering in some form to create the impression that criminal acts will help them avoid the suffering they fear. The most commonly imposed societal threats of repercussions to their behavior, such as imprisonment, would be less severe to them than the punishment though suffering they’re attempting to avoid.

Kylo was abandoned by his family and betrayed, almost murdered, by the Jedi. The supposed crime of associating with Snoke/the First Order initially provided him shelter from those who wronged him. Then, a means of recuperating the power he needed to survive. However, he continued to be abused, manipulated, and neglected. Thus, his crimes continued though which he sought escape of fear and suffering through the pursuit of power in order to provide the needs he was lacking.

The motivations that cause one to commit a crime are generally recognized as related to the absence of any of Maslow’s hierarchy of needs: physiological, safety, love/belonging, esteem, and self-actualization. Maslow, A.H. (1943). "A theory of human motivation". Psychological Review.

Maslow’s Pyramid

Kylo suffered from an absence of up to four of those five levels of the pyramid.

Now, society will never improve if we believe all criminals are evil and will always be evil unless we scare them into being good. People who commit criminal acts typically act through fear due to lack of a need. Threatening people into behaving well is not going to take their initial fear away; threats don’t provide missing needs. However, it may foster in delinquents a sense of desperate hopelessness, which would only cyclically perpetuate the conditions cultivating their criminality.

For most of the Star Wars Sequel Trilogy, no one criticizing Kylo’s esteemed role in the First Order is going to convince him to abandon the people who have welcomed, protected, and admired him in order to return to the ‘murderers, traitors, and thieves [Rey] calls friends.’ Not until Rey offers him a place by her side and an opportunity to make things right.

Trust, counseling, and pathways that allow people to meaningfully reenter society into a safe place through proof of intention by reparation, are the conditions through which criminals most effectively break out of the cycle.

We should be providing people who have committed a criminal act with:

1) the security of a route to acquiring their missing needs; 2) the confidence and recovery to be gained through restorative justice; and 3) a safe place to re-enter society. If we want delinquents to go from inclined to commit a crime, to not, then society must give people with criminal pasts a means to reform. To redemption.

That requires forgiveness.

Rey offered these things to Ben. She wasn’t willing to take him as he was in The Last Jedi as Kylo Ren. But she was willing to help him meet the needs he was missing: safety, love and belonging, esteem, and self-actualization. And if he turned, which provided him a pathway to meeting those needs when the dark side and First Order would not (despite his hopes), then she would take his hand. Ben’s hand.

Rey’s forgiveness of Kylo would provide a necessary step in the path to him becoming a better person. To reform. To become a hero that the galaxy desperately needed.

In the Rise of Skywalker, perhaps Rey didn’t need him to defeat the Emperor. She might have done it on her own. But she likely wouldn’t have survived if she did. And then the Jedi, the light side, peacekeepers who attempt to maintain balance in the world where the dark doesn’t over take the light, would have disappeared.

Ben’s turn, his choice to change, is what all people who have committed crimes should be permitted. But Rey’s forgiveness, and empathy before that, is a necessary part of Ben’s redemption. Why change criminal behavior, if it is somehow necessary to survive meaningfully, for nothing? Because it’s the right thing to do? That’s not how we work, fundamentally. We’re not angels.

It’s time to say it:

To err is human, to forgive, divine. -Alexander Pope

Rey’s compassion and empathy for Kylo, and her subsequent forgiveness, to me, is the most important thing to come out of Star Wars. Her willingness to respect and admire a person for who they are, despite a dichotomy, despite a criminal history, is a lesson we urgently need today.

Rey learned this herself, which is perhaps the best story telling choice in TRoS. After she stabbed then healed Ben on Ker Bir, she never again chose to engage in attack. She only saved what she loved. She never again used her lightsaber for assault, only deflection. With her potential for mercy, she convinced Kylo to turn. With only self-defense, she defeated the true threat to the Galaxy, the Emperor. The psychopath.

Retaliatory violence would have only made her become part of the cycle of evil. As our criminal justice system does.

Rey and Kylo teach us empathy. They teach us to be better.

Ancestral archetypes embodied through Reylo, and how they’re wasted

If Ben had lived to atone fully, apart from helping Rey free the galaxy of the true source of evil in fascist totalitarianism, Palpatine, he would have lived to cherish and reward Rey for her empathy through their relationship. The ‘dyad in the Force’ that connects Rey and Ben is related to the long-standing concept of dyads representing two parts of one soul, or soulmates that come together to protect humanity.

Dyads have been seen throughout the history of Western philosophy and literature and have played a role in archetypes as discussed by well-recognized voices including Carl Jung, Joseph Campbell, and Plato. These archetypes, dyads included, have been seen as ‘universal, archaic patterns and images that derive from the collective unconsciousness and are the physic counterpart of instinct.’ They serve to inform and instruct, to help us digest our psychologies and nurture our societies. We’ve seen this dyad in many forms, including that described by Carl Jung as the anima and the animus, and reflected around the world in various cultures and spiritualities including Adam and Eve, Yin and Yang, etc. Essentially, a dyad represents balance. Through Ben and Rey’s archetypal dyad, we can learn so much on why to reform our criminal justice system and mindset. And this is not a new thing.

Behold, Plato’s Androgyne.

"The man was originally the child of the Sun, and the man-woman of the Moon, which is made up of sun and earth, and they were all round and moved round and round like their parents. Terrible was their might and strength, and the thoughts of their hearts were great, and they dared to scale the heavens, and they made an attack on the Gods.”

Connecting this to Star Wars, as perhaps (we could only hope the writers considered, or through the pervasiveness of Jungian’s theories of archetypes we can assume was inadvertently manifested) we see representations as both Rey and the light side (or also the Sith due to her parentage being of the darkness/the Moon), and Kylo, as the dark side (but also of the Rebellion/Resistance due to his parentage). Either way, there’s so many ways to relate this. Regardless, Rey’s and Kylo’s ancestral battles are embodied through the balancing of the light and dark sides of the Force. "The Gods took council and Zeus discovered a way to humble their pride and improve their manners. They would continue to exist, but he cut them in two like a sorb-apple which is halved for pickling.”

Assuming the Gods and Zeus are expressed in the Force, here is where Rey and Kylo are separated from their families and tread their separate ways into the light and dark respectively. The same can be said for the Jedi and the Sith. "After the division, the two parts of man (the Androgyne), each desiring his other half, came together and throwing their arms around one another, entwined in mutual embraces, longing to grow into one; they were on the point of dying from hunger and self-neglect because they did not like to do anything apart; and when one of the halves died and the other survived, the survivor sought another mate, man or woman, as we call them--being the sections of entire men or women--and clung to that. “

Now, because it’s clear that Kylo and Rey are obvs meant to be together, I’m going to connect the Androgyne to the Sith and the Jedi. "They were being destroyed when Zeus, in pity of them, invented a new plan. He turned the parts of generation round to the front, for this had not always been their position, and they sowed the seed no longer as hitherto like grasshoppers, in the ground, but in one another; and after the transposition the male generated in the female in order that by mutual embraces of man and woman they might breed and the race might continue; or if man came to man they might be satisfied, and rest, and go their ways to the business of life: so ancient is the desire of one another which is implanted within us, reuniting our original nature, making one of two, and healing the state of man.

Here the Force is Zeus, and the “seed [that is the] male generated in the female” is the birth of Rey. And through ‘the mutual embraces of man and woman’ Rey and Kylo, turned Ben, they ‘breed and the race might continue…reuniting our original nature, making one of two, and healing the state of man.”

Plato. "The Symposium". Benjamin Jowet, trans., Great Books of the Western World

Thus, the value of Reylo.

Through recognition of: 1) the unintended flaws in our humanity need-based motivations for crime; 2) the cyclical nature of crime within our psychology and society; 3) the requirement for forgiveness, support, and acceptance to stop that cycle; 4) and the requirement for man and woman to come together to create new life;

we find that the pairing of our Heroine and our Anti-hero, and the forgiveness and compassion of Rey, serves to restore the balance and heal the wounds in our story.

However, the filmmaking choice to kill Ben, even if in self-sacrifice, is characteristic of society’s unwillingness to tolerate a criminal’s reintegration into society. Despite this, even I started out after the film thinking, “they couldn’t let Ben live. Not for Rey to reach her full potential as a Jedi. He’d drag her down.” Would that necessarily be the case? No. End of discussion.

Thus, Rey’s forgiveness and compassion are devalued and defeated with Ben’s death. There is no hope for those who have been neglected, manipulated, and abused into committing crimes, and our Heroine is left without her soulmate amidst a society that cannot relate to her. With our need for ostracism and retribution, despite the inherent suffering of our repentant villains, we only subtract from the light in society, not add to it. And we’re back where we started.

So. In conclusion, Rey and Ben’s story cannot stop here. Looking at you, DLF. Fix it.

#reylo #Reylo meta #Star Wars meta #bendemption #bring back ben solo #tros ending

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marta-bee · 4 years ago

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Mary, Mary, Quite Contrary

Sherlockians, I want to talk about Mary. Or not about Mary the character, because enough words have been spent on that topic and I’m nowhere near brave enough to wade into that one on a snowy Sunday afternoon, but rather on the way we as readers can (perhaps should) relate to her. At some level what follows is about this Tumblr post, where an anonymous commenter asked for “any fics where Mary’s not the bad guy” and noticed that a lot of the evil-Mary fanworks “gets a bit misogynistic in my opinion”; but I’m also using that as something of a springboard, and don’t mean this as a direct reply to that post. (Which is why I’m not replying in a reblog; please everyone go check out that post and comment on it as well.)

Anyway, let me start with two basic points that I hope are pretty noncontroversial.

Mary is an antagonist, at least some of the time.

Mary has at least some aspects of her character that are bad-making (more on what I mean by “bad-making” in a moment), or at least would be if she were a real person.

The devil’s in the details here, as it is with most things worth talking about, so let’s unpack that a bit.

(Long post is long, and so continued under the cut.)

When I say someone’s an antagonist, I’m not really making a value-judgment. I’m purposefully avoiding that word, “villain,” which calls to mind “villainous” as a description of their personality and character. An antagonist is just someone who plot-wise stands in opposition to the character. They’re wrapped up in the conflict our hero has to overcome.

Let’s take a pretty straightforward (and unrelated to our fandom, so hopefully less emotionally charged for a lot of us) example: the first “Hunger Games” book. Katniss is thrown into a gladiatorial fight to the death with twenty-three other teenagers. With the exception of Rue and (later in the games) Peeta, everyone else is an antagonist in relation to Katniss. She has to hope for their death and be prepared to kill them because their continued existence stands in the way of her surviving the games. Most are reduced to numbers with s knowing precious little about them – certainly not enough to think they deserve death. But they’re still antagonists because they’re obstacles the hero has to work past if she hopes to succeed.

Or take Draco Malfoy, in the early Harry Potter books. He’s a thoroughly unpleasant boy, spoiled and sniveling certainly, but I’d be hard-pressed to call him bad. His biggest defining characteristic is he stands up and tries to fight Harry; but often as not this comes down to inter-house squabbling and the only reason he and Harry are on opposite sides is how they were sorted. As we learn, given the way he was raised and the political situation he was raised in, it’s actually pretty admirable how on the periphery of the Death Eaters he stays. But he’s still the antagonist, he’s the one Harry has to outsmart or outperform or otherwise get around.

It's only natural we cheer when the antagonists fail. We’re primed to identify with the protagonist, after all, and their failure means the protagonist gets to win. Even if objectively know the antagonist doesn’t actually deserve to fail, well. That’s just kind of how stories work.

Getting back to Sherlock, I said it’s pretty noncontroversial that Mary’s an antagonist. So when I say that I don’t mean she’s evil, or even that she’s only an antagonist. But the woman shoots our star character in the chest. It’s her secrets and her very presence that drive Sherlock into exile (and drive Sherlock and John apart) for a second time, undoing whatever victory Sherlock achieved when he defeated Moriarty’s web. She’s certainly a problem to be addressed and worked past in HLV. In terms of canon and parallels with the Doyle stories, there’s quite a lot about her actions (particular in Leinster Gardens) that all but screams “Sebastian Moran.” Ergo: antagonist.

There’s also a quieter, more ordinary sense that I suspect will be more controversial but is worth talking about anyway. Like a lot of Sherlockians and Johnlockers, I’m a big fan of making space for John/Mary/Sherlock in happy OT3 land. I think Sherlock and John at least want some version of that in canon; maybe not romantically, but they like to imagine their being room in their lives for these different relationships to not be in conflict. But in BBC-canon that hope’s not really borne out. This deserves a full meta on its own, but briefly: when Mary observes that neither she nor Sherlock were “the first” (talking about Sholto), she situates them in competition for the same position in John’s life, rather than in distinct, complementary ones (which an OT3 seems to require); and when Sherlock notes at the end of TSOT episode that “we can’t all three dance,” he seems to come to a similar conclusion. I do love me some good Johnlockary fic, but I don’t think this is where the show was heading

At a more basic level, I’d actually argue it almost has to be this way with these three- at least if we’re to hold on to John and Sherlock being “the two of us against the world.” In the 1800s men and women had such different roles in society, a man would do very different things and relate in very different ways to his close (male) friends than he would to his (female) wife. So Watson could run off with Holmes and have adventure, then return home to Mary for the peaceful, even loving family life, without one really being in tension with the other. But by the twenty-first century those spheres aren’t nearly so different. Even if you don’t imagine them as lovers, it’s hard not to imagine a self-respecting woman today saying as Mary did in TAB, “I don’t mind you going; I mind you leaving me behind.” One of the biggest challenges for a modern Holmes adaptation (or indeed, for a modern consumer of the original Doyle stories) is how to balance Holmes’ and Watson’s private “intimate partnership” – however we understand that term – against (John) Watson’s marriage to Mary with all we moderns expect of that relationship in terms of emotional fidelity, equal partnership, shared future, etc.

Put more simply: Mary should throw a monkey-wrench in the mix; she should be something that must be accounted for and whose presence should affect how Holmes and Watson can interact. Not to mean her presence is incompatible with Holmes and Watson’s close and exclusive relationship, but at a minimum she’s a factor in need of an explanation. She can’t help but be antagonistic, at least to some interpretations of Holmes’s and (John) Watson’s relationship.

As I said, with antagonists, it’s only natural to cheer for the protagonists, which almost inevitably means rooting for the protagonists’ failure. At least we root for them being de-antagonized, converted into some other relationship to the main character. But if you’ve spent any time on AO3, you’ve probably come across fanfic focusing on the antagonists (*cough* Loki *cough**cough* Drary *hacks up a longue* Silm-fandom-this-one’s-for-you *cough*’s). We can be a thirsty bunch when it comes to our antagonists, for characters we by all rights should be primed to hate. And even at the level of primary-canon, one of the biggest ways the primary creator shows their emotional growth is by realizing their antagonists aren’t truly their enemy. Like most readers I had a tear in my eye as Cato suffered through the night, begging for death; and certainly I would have been outraged if Harry hadn’t saved Draco from the Room of Requirements in “Deathly Hallows.” Gollum’s treachery is explained and he is given his own completion; Darth Vader is spared by Luke and allowed to look on his son with his own eyes; and the Klingons, Cardassians, and Borg are given their own sort of redemption in Worf, Garak, and Seven of Nine.

All of which is to say: it’s understandable, even natural, why people would have a hard time rooting for the antagonist, but there’s a long history of fandom peoples steering into the curve on this one. So it’s also understandable, even natural, that people want to hear stories with them at the center, both new stories about them and also versions of the original canon narrative that don’t need them to wear the black hat all the time. Some folks want Mary, Sherlock, and John to all go crime-solving together. I personally think there’s sometimes a danger of turning an antagonist – especially one who is at least morally gray (and I promise we’re getting there) like Mary is – into a protagonist without wrestling with what turned them into an antagonist in the first place; so if you want to bring Mary back to the side of John and Sherlock you need to grapple with what pushed them into opposing roles in the first place, or else risk your plot feeling “cheap” and unearned. (In fairness, this warning could as easily be directed to Mofftiss as anyone in fandom!)

But at an absolute minimum, I think it’s pretty obvious that lots of fans want to imagine the antagonists as at the heart of their own stories, and lots of fan-creators have done a really good job of providing those stories. Just as a lot of fans will almost instinctively be drawn to hate them, well, if you want to go a different path you’re in good company.

Enough about protagonist/antagonist, which as I said is more about the role the character fills in the story than about their morality or character. This, for me at least, is where it really gets interesting.

Before we get started, though, I know a lot of people struggle against this idea of morality when it applies to fictional characters and fictional stories. They’ll point out (rightly) that just because they enjoy a non-con PWP doesn’t mean they approve of rape in real life; that their reading preferences come from a different place entirely than their moral judgments. But at the same time, a lot of people (equally rightly) struggle to enjoy stories that glorify things we don’t consider worth glorifying. It’s one thing to enjoy a story about Draco rejecting the Death Eaters, returning to mainstream wizarding society and joining the Aurors; quite another to imagine him dating Harry while he’s still walking around calling Hermione a mudblood.

Or getting back to the Sherlock fandom, a lot of people are most comfortable with stories with Mary’s the antagonist because she’s got a character history and just personality traits where, if we met someone like her in real-life, we’d consider her morally bad. Or on the flip slide, those fans who want a not-evil!Mary in their stories often like to imagine her as the kind of person we’d describe as good or redeemed or some such thing, if she were an actual person. Mary’s morality, at least the morality of a similar person operating in the real world (because --speaking as a former philosophy Ph.D. student who taught philosophical ethics for years-- let me tell you: talking about the morality of fictional constructs gets very messy, very quickly), seems to matter to a great number of fans. So let’s talk about that.

I said above I thought most people would agree, Mary had parts o her character that were bad-making. What I mean is there are aspects about her that tend to make a person bad, unless they’re explained by some other factor. I’ve got in mind something vaguely similar to W.D. Ross’s theories of prima facie duties (if any of you studied this in your Ethics 101 courses- you would have in mine). Basically, the idea is we have all these duties that apply to us, but they can seem to conflict, and we may decide (rightly) in any given situation that one or the other is the more important one for us to follow. The classic example is the duty to keep our promises and prevent suffering when we can. You can imagine situations where you can’t do both- for instance, if I promised to meet you for lunch and on my way to the restaurant came across a man who fell into a ditch and twisted his ankle along a deserted road, where it’s unlikely someone else would come upon him. If I stop to help him I’ll miss our lunch date and break my promise; and while I still have a duty to keep that promise, I think most people would agree it’s more important to stop and help the person. We’d all be hard-pressed to say if I helped the stranger, I’d failed at my duty to keep a promise; at least not in the same way as if I could have kept that promise and just chose not to. That’s Ross’s idea of prima facie duties: that we have all these general obligations on us, but which actually should govern our choices in any particular instance comes down to the details of that situation.

I think there’s something similar going on with Mary’s character. This is actually a good way to evaluate most of us morally, in my opinion, but it’s doubly useful when it comes to Mary because she’s simultaneously got so many troubling aspects about her that just demand some sort of justification, but at the same time, because Mofftiss really screwed the pooch here, we don’t really have the information we need to give a definitive answer. So it’s useful to say: here’s something about Mary that needs accounting for, even if we don’t have enough information to evaluate her definitively.

Let’s take Magnussen’s biggest accusation against her: “All those wet jobs.” Mary killed people on her own prerogative, and she left behind a lot of grieving relatives who would love their revenge – both a testament to the suffering she caused, and a real risk for John, the baby that will become Rosie, and everyone else in their orbit. But if that’s all there is to it, it’s not wholly dissimilar to John’s decision to shoot the cabbie. It may have been different, but we don’t have the information to know that; it feels different, but most because John was saving Sherlock (who we know), whereas if Mary was saving anyone, it’s not someone we the viewer have an emotional connection to. Still, to borrow a phrase from Ricky Ricardo, Mary, you’ve got some ‘splainin’ to do.

Or to take an even more serious charge, Mary shot Sherlock, was prepared to make John watch him die all over again and force him to go through that grief that so nearly destroyed him the first time around. Unforgiveable, yeah? The best shot at justification here is that Mary had somehow got herself cornered, so that shooting Sherlock was somehow an attempt to escape an even worse sitation. This really demands a full meta to dive in to, but very briefly, I think Mary never intended to kill Magnussen and was instead trying to intimidate him; meaning she couldn’t let Sherlock undercut her power, but equally she couldn’t leave Magnussen with the impression that John and Sherlock were somehow her partners; so shooting Sherlock was the best way to keep him from becoming a full target of Magnussen’s. If that’s the case, the whole showdown in Magnussen’s office becomes markedly similar to Sherlock’s decision to “kill” himself on the roof of St. Bart’s. Mary is willing to cause a lot of pain to avoid even greater destruction, but at the same time, the whole situation that compels this choice was fed by her limiting her options when she decided to intimidate Magnussen. Similar to how Sherlock, once he’s on the roof of St. Bart’s, has no better option than to fake his own death and leave John to grieve; but how he does have some degree of culpability for engaging Moriarty in the first place and egging on Moriarty’s destructive obsession with Sherlock.

My point isn’t that any of these parallels really hold up to scrutiny. Sherlock risked his own life in TRF (and John’s pain) while Mary was prepared to kill another. John was ready to kill “a bad man” to save our hero while whatever murders Mary committed were against unnamed people in undetermined circumstances, and narratively certainly don’t pull at or heart strings in the same way John’s heroic killing of Jefferson Hope does. But the point is, with Mary, so much of what a lot of fans object to involve these vaguely-told stories where whatever factors would excuse her actions just are left untold. What we can say definitively is “all those wet jobs” require justification. Mary’s willingness to shoot Sherlock require justification. These things are prima facie wrong (or bad-making, the kind of things that tend to make something bad in the absence of other explanations) and demand an accounting for.

I’m focusing on Mary’s violence more than what a lot of fans have identified as her abuse toward John. Partly, this is personal: I have my own experience with abusive relationships and don’t entirely trust my ability to parse similar dynamics in fiction; certainly I don’t want to tie that part of my past to public debate, and I’ve not worked out how to talk about Mary and John without over-personalizing it. But I will say, there’s a lot to be considered on that front as well, and people interested in thinking through Mary’s im/morality shouldn’t ignore it. As a starting point, inevity-johnlocked pointed to several of her old posts making the case that Mary was an emotional abuser. silentauroriamthereal’s fic “Rebuilding Rome” looks at a lot of these issues in a really powerful way if you’re looking for an exploration in fic form. I’ll just add, even if I thought Mary was justified and so “good” in some sense (and my internal compass is so screwed up, I’m not really qualified to tell at this point), the way she chose or had to lie about her past to John seems a particularly bad match for a man like him with his trust issues. So even if you think Mary is good, there’s a lot of justification for saying she’s still not good for him.

So what does this mean for reading fics involving a kinder, gentler Mary? First, I’d emphasize there’s no shame or judgment in reading what you want. Much as writers may choose to write about all kinds of things they’d disapprove of in real life, readers have that same freedom to scratch whatever readerly itch they like, with no need to defend that to anyone else. Kinktomato and all that. On the other hand, I know I personally enjoy stories more when I can lose myself in them, and – again, for me personally – it helps me do that if my values are at least compatible with what’s presented as praiseworthy. I don’t have to guard myself as I enter the story. So it’s definitely worth thinking about how comfortable you are with fiction that vilifies Mary or pardons her or something in between, because it may make it easier or harder to really immerse yourself in a fic.

Then again, maybe that’s just me. I am a rather persnickety chickadee with things like this.

I do know that many fandoms have an unfortunate history of coming down hard on the female competition to a popular slash ship. While I’m reluctant to apply “should”s to our consumption of fiction, I think there are genuine feminist concerns here. Not with thinking Mary’s bad/evil or even hating her, but hating her for the wrong. For me, it helps to imagine another character doing something similar, and think about why I would react differently if it was someone other than Mary doing the deed. Also to be aware of the details canon doesn’t answer decisively or answers different ways in different episodes.

(More than most characters, Mary does suffer from a really inconsistent characterization. I’ve often wondered if everything since HLV was Sherlock or whomever trying on different frameworks for her personality/psychology/what-have-you, to see which could account for what she did to him. First she’s a badass villain, then a Mycroftian operative, then a martyr, then a worldclass manipulator, and finally a sanctifier whose own personality was irrelevant, giving her imprimatur from beyond the grave. And that’s without throwing veteran/maths genius and happy homemaker into the bunch. Maybe the showrunners simply weren’t sure what they wanted to do with her. Whatever the situation, I do think we need to be careful about taking any one canon detail at face-value, especially with her.)

I’m also a little discomfited by this trend I’ve seen among Johnlockers, to write Mary as a monster as a way to lessen John’s pain at her… betrayal, I guess? Or just the loss at her death? I remember when a lot of fanfic authors back between S3 & S4 wrote about the baby being fake; or even after S4, as part of John’s “alibi” rather than a true detail. Or even just deciding the baby was David’s or some such. By itself, that could have been really interesting, but what I saw so often happening was people used that as a way to remove the complication of the baby. Or to let John skip the grief he’d feel if the baby wasn’t born healthy- for instance, if it didn’t exist, or died, or if Mary was killed or ran while she was still pregnant. The basic theme was if Mary didn’t deserve John’s pain, John didn’t have to hurt for so long or as deeply.

Complicated grief is a thing, though, and for a lot of people, grieving the loss of someone who hurt them and aren’t “worth” their pain seem to suffer worse and for longer, particularly if they also have to grieve the lost opportunity to make their peace with the person while they were alive. This doesn’t mean fanfic writers or readers have to give us some kind of sanitized Mary; certainly she has the potential to be a true east wind of a character. But I do think there’s a tendency to prefer a more evil Mary because this lets the story move past her or spares John some suffering often won’t feel true. It also runs the risk of disrespecting the suffering of people impacted by these kinds of losses. So while I think this kind of characterization can be really interesting and compelling, it also takes a lot of skill and thoughtfulness to do it well. Here be dragons.

For me, though, the point isn’t to be proscriptive, to say Sherlock fic writers and readers need to limit themselves to a particular read of Mary. Her character has such potential to give birth to such a wide range of fic. As a viewer of the show I wish the writers and other creators had given us more of a sense of who she was because I think it really contributes to my frustration with not understanding the story they were trying to tell. But as a (kinda-sorta-someday-once-again) fic writer, it’s a true embarrassment of riches. The trick, for those of us concerned about Mary’s ethics were she a real person, is to be aware of the dangers of reading her character certain ways and to be cautious around them if we want to play with those interpretations.

#sherlock meta #mary morstan #marta blathers #johnlock meta

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ten-ten31 · 4 years ago

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Dear Yuletide Writer

Dear Yuletide Writer,

Thank you so much for writing for me! :) I can't tell you just how excited I am. This is my first Yuletide and I guess I'm super nervous, but also looking forward to it. :)

Please feel free to browse my ao3 (KitKaos) and/or tumblr to get an idea of what I stan, like, read or write. I hope I can give you some broad ideas and inspirations in this letter to help you plan. Do feel free to fall back on my general likes if the prompts don't do anything for you. Or just use the prompts, whatever works best for you. Oh, and should you, dear Yuletide Santa, want to write in German and not in English, then I'm definitely okay with that. I'm fluent in both, so whichever you feel more comfortable with. If there's something missing or if you have a question, you can reach out to me via the mods.

General likes: I'm a sucker for the old friends-to-lovers or even enemies-to-lovers (with all the drama of grudginly admitting that the other party maybe isn't all that terrible and all). Things I'll never get tired of include coffeeshop AUs, spy AUs, musical AUs, found families, fake dating, pining, crossdressing, drunken shenanigans, fish-out-of-water situations, pop culture references, etc. Just about any kind of scene you can sneak in there about cooking or eating food (also characters being picky about certains foods and other characters going to some lengths to accommodate that) will make me happy, too. I do have a thing for descriptions of food and expecially impressions of taste - and if you want to make it kinky: food play. ;) I also have a bit of a hand fetish - so descriptions of hands are always welcome. If you want to do it, I probably also won't say no to someone breaking the Fourth Wall, any kind of alternate history AU, crossovers of my fandoms, or even some lovely steampunk aesthetics.

Do Not Want: rape/dubcon/noncon, watersports, scat, humiliation, A/B/O, soulmates AU, vampire/werewolf AU, second-person pov, character bashing of any kind.

Fandoms

Just two more thing before I go into detail: 1. The prompts below are nothing more than ideas - feel free to ignore them if you have a better one. :) 2. Not all of the characters need to be used in every prompt; pick and choose as desired.

Dial H for Hero (DC Comics)

- Summer Pickens, Miguel Montez

The 2019 12-issue run is just pure love! There is worldbuilding galore, relatable characters, a wonderful coming-of-age and initiation plot, interdimensional shenanigans, the question how Joe Average could get addicted to sudden superpowers, and so much fun with the concept of Superhero Secret Origins. Summer is a wonderfully strong and caring female lead and Miguel is a self-conscious little oddball.

As for prompts: Seeing more of their Metropolis adventures or Red/Yellow/Blue/Black Dial transformations would definitely be a lot of fun. Also, there's this cute boy Miguel asks out in the comics and I would love to see that first date. And what about Summer? She definitely won't be reduced to sidekick!

Feel free to include any other ((teenage) superhero) cameos you feel like. Please do not pair up Summer and Miguel romantically - although I don't have any problems with a fake relationship fic for them. ;)

Where to find it: Your trusted comicbook supplier.

Masks: A New Generation (Roleplaying Game)

- any / worldbuilding

I only just disovered Masks as an RPG, and ever since I started playing, it's probably the most fun rping I've had in a long time. I love that playbooks are not by the type of power but the type of problem each teenager faces personally. Like, how do you juggle school, first love, being different in a way no one should know about, being different maybe in a way people will immediately see, adults telling you who to be, chores, and being part of a young superhero team that wants to make a name for themselves? It's hard. And the best sessions alternate between deep emotional connections, hilarious teenage drama and great action scenes.

As for prompts: I would love me some good worldbuilding - so maybe there is a reason the Scarlet Songbird is still around? What was Halcyon City like back in the days of the Golden-Age heroes? What has changed since then? How do especially the older generations view the naming conventions going around for new heroes? Is there a code to follow? Who in Halcyon City pays for all the damage to buildings and infrastructure caused by superhero-supervillain fights? What was it like back in the olden days for the Golden Age heroes as opposed to now? Are there cultural exchange programs with any of the alien races visiting from time to time? Give me a day in the life of an average Halcyon City citizen - they don't even have to be all that close to an epic fight or something. Just their way of coping with the daily madness of a huge city housing most of the world's superheroes. If you like something a little more character-specific: The one actual-play podcast that does it best in my opinion are the Theatre of the Mind Players with their "Future Shock" and "Past Tense" seasons of Masks. And I would love to read more about these characters. Have Sparrow and Figment finally get together. Give me a glimpse of how Horizon assembled his ersatz mom. What will Helix and Remix get up to?

Where to find it: The core rulebook is available from Magpie Games. The Theatre of the Mind Players’ Masks sessions can be found on Youtube.

Super Sons (Comics)

- Jonathan Samuel Kent, Damian Wayne

Super Sons is how I finally came to like and care for Damian Wayne - which, if you know me, is a major achievement! He is still a huge brat, don't get me wrong, but Jon's influence on him and the way he is confronted with certain issues he has... it's magical! It's wholesome! It's healing! They are both so fiercely protective of each other, and they both grow as characters from their experiences with each other.

As for prompts: So, dear Yuletide Santa, give me character growth and banter and friendship galore. I can see slumber parties at Wayne Manor or at the Kent farm. I can see them getting lost in space and time. I can see more adventures once they're at the same school. I can see a canon-divergence AU where Jon is finally admitted into the the Teen Titans at age 13 - how would that go? Or how about an Interrail Buddies AU?

If you want to write slashfic for them, I will not say no but would probably prefer to age them up a bit. I also most definitely don't mind any background appearances of any of their families.

Where to find it: Your trusted comicbook supplier.

Superman Returns (2006)

- any (Clark Kent, Lois Lane, Jimmy Olsen, Richard White)

I still love this movie a lot - not because it's particularly spectacular, but it treats the characters with love, it treats the legacy of the Reeve movies with love and it leaves SO MANY questions for fanfiction authors to answer. ;) I mean, I've been a Superman fan for a long time and I've discovered that I'm most comfortable with a Clark who wears a mask both as Clark Kent and as Superman, who isn't either of those two (and who is fallible). And whenever someone learns of his secret identity, they will see that he's so much more than either Clark or Superman. I know Lois is a fairly underdeveloped character in this movie, so I would love for her to be treated not just as a prize, especially since there were those years of her having to put her life back together after Supes just up and left.

As for prompts, I've always wondered about the different coping mechanisms (Lois turning bitter, Jimmy starting up daydrinking - WTF?!) and just how their day-to-day business changed without Clark and Supes there. Give me the Planet staff banding together to rescue Lois when she remembers just that second too late that there will be no superhero to save them (I also wouldn't mind any of the Bats helping out secretly, if that's up your alley). Give me Jimmy trying not to think too much and instead getting on Lois' nerves until he's rescued by Richard intervening. I am also an absolute sucker for continuation fics, so how do things settle down after what happens in the movie? I would love for some real Clark and Jimmy bonding moments, maybe even Jimmy finding out or having known all along and covered for Clark. I would love for some truce and real friendship blossoming between Clark and Richard, as they are both intelligent, compassionate, insightful men. If you want to include Jason anywhere, feel free to do that, as he makes for such a wonderful catalyst for disaster. Feel free to write gen or any canon pairings - I'm also okay with non-canon het/slash pairs (or threesomes) as long as they make sense in-universe. ;)

Where to find it: Sadly, the movie doesn’t seem to be streaming anywhere, but since it’s 14 years old now, you can buy it relatively cheap.

Young Justice (Comics)

- Tim Drake (but do feel free to have any of the other characters in the story, too)

No matter if you're into the old 1990s YJ comics, the companion comics to the cartoon show, or the new 2019/20 version of the comics - I love all of them! So much I don't even know where to begin... The snark! The lovable teenage stupidity! The friendship that goes above and beyond! My definite favourite is Tim, because he is such a bright, snarky, secretive, repressed little bird (the moment he takes off his domino mask to reveal a second one underneath? priceless)! I also love his deep friendship with the others because that's his found family. Yes, Batman is his mentor (even though Tim might understand B better than the other way round sometimes) and Dick is his older brother and idol (hero worship, anyone?), but Young Justice is where he wants to be himself and all of it.

As for prompts: Even though I did not put either Cassie or Cissie in my request as I want something Tim-centric, the dynamic with those two strong-willed girls is definitely something I would love to see explored more. Also how the dynamic with the bats is so very different than the Young Just Us dynamic. What's it like being the one without powers in a group of hormonal teenage superheroes? I also just realized that I would love to see more of Mister Sarcastic trolling the rest of the gang. Or how about: What if Tim had powers for one day? If you're into the 2019 comics, how about a 5+1 of Why Drake May Or May Not Be A Good Superhero Alias. If you want to include the rest of the gang, you're definitely more than welcome to. Tim and Kon's bickering and outright arguments in the beginning turning into such a solid friendship (or more) is something I can read about time and time again. Pretty much the same goes for Tim and Bart. Or how about some Wendy the Werewolf Stalker shenanigans? Why is having girls in your group a bad/good idea? How did Cassie's becoming the team's leader affect Tim's sense of self? Heck, if you feel like it, open up the love triangle Tim-Cassie-Kon since there's like a ton of history there. Oh, and anyway, why is Stephanie Brown never part of any of Tim's teams? Dear Yuletide Santa, do also feel free to include any of the other teens (I have a soft spot for Li'l Lobo/Slobo).

Where to find it: Your trusted comicbook supplier.

Overall, I’m sure I’ll love what you have for me, and I'm looking forward to reading it! <3

#yuletide 2020 #yuletide #dear yuletide writer #dyw #yulebuilding #cheftide #wrapping paper challenge 2020

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lizziestudieshistory · 5 years ago

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Books of 2020 - March

Enforced isolation made me read a lot... Here are the 10 books I read!

The Way of Kings - Brandon Sanderson (The Stormlight Archive #1) We all know I adore this series - I reread it every year after all. This time I read it to annotate the text and do a proper deep-dive into the world Sanderson is creating in preparation for Rythmn of War coming out later this year.

The Binding - Bridget Collins I still don’t know how I feel about Collins’ book. It’s a historical fiction novel with a subtle hint of magical realism through the concept of Binding - using some form of magic (I’m not entirely sure how) to turn real memories into books. This concept is what made me and my uni friends buddy read this novel in the first place; it sounds fascinating, especially to bookish people like we us! However, this book is not really about book binding - it’s a love story between Emmett Farmer and Lucian Darnay.

If I’m honest the part two, which covered the original courtship of Lucian and Emmett, was the most interesting section of the novel. I thought their relationship was a bit cringey (as befits teenagers) and incredibly sweet. The romance made the novel. But it wasn’t the book we signed up for. I was expecting a book about the secrets about Binding - maybe a bit of a thriller/mystery but with beautiful writing and an ethereal setting? I was definitely expecting more information about Binding. Instead we got a angsty romance, endless cutting and gluing of endpapers for books and ONE scene of Emmett book binding that didn’t tell us what the process actually is.

For what the book actually is, which is an angsty gay romance in a very subtly magical alternate ‘Victorian’ society, it’s a decent book. If I’d known this I probably would have read it and considered it a lovely cutesy read. However, it’s not the book I was sold and it left me disappointed. I’d recommend giving it a shot, but it’s not a book I would necessarily read again...

The Scarlet Pimpernel - Baroness Orcsy This was a ridiculous, over the top, and melodramatic classic adventure story. I had so much fun reading this! The Scarlet Pimpernel is a mysterious English aristocrat who, with his band of devoted fellow gentlement, travels to France during the height of the Revolution to rescue innocent French nobles from the guillotine. However, the French are at their wits end and Chauvelin blackmails the ‘cleverest woman in Europe’, darling of English society, and French wife of Sir Percy Blakeney, Lady Marguerite Blakeney, to find out the indentity of the Scarlet Pimpernel.

From there we go on a wonderfully melodramatic romp through 18th century England and France, and watch as Marguerite tries to save the Scarlet Pimpernel. It’s a silly, over the top, novel in a similar style to The Three Musketeers and The Count of Monte Cristo. I’d highly recommend it as an entry into classic literature - or just as a ridiculous fun story!

Reticence - Gail Carriger (The Custard Protocol #4) My last full length parasolverse novel was A LOT of fun. I adored Percy and Arsenic’s slightly cringey but incredibly sweet romance bloom, alongisde the exploration of the supernatural in Carriger’s version of 1890′s Japan. The Custard Protocol was my least favourite of Carriger’s three main series (plotwise at least) but Reticence was a beautiful homage to the entire parasolverse! I adored the cameos (or just the entire wedding scene, let’s face it!), silly humour, and Percy’s happy ending.

My small niggle with this novel was the plot. As with the rest of the Custard Protocol novels I felt the plot wasn’t spectacular. It was a bit thin on the ground, particularly in the first half... This series is about character, and I love all the characters, but I wanted a little bit more from all of the novels. I wanted to see a bit more of each country (and spend a little bit less time on the Spotted Custard whilst travelling through the grey...) Nevertheless, I think Reticence was the strongest of the four Custard novels and I really loved it. Carriger’s world is my comfort blanket, it makes me smile, and I adore the world she’s created - and for that I will be forever grateful to Miss Gail!

Poison or Protect - Gail Carriger (Delightfully Deadly Novellas #1) This novella was a lot darker than I was expecting from Carriger. The plot and on-screen action was just a silly and entertaining as I was expecting (Preshea goes to a house party to prevent the assassination of the Duke of Snodgrove, and stop his daughter marrying a gold digger, whilst falling in love with a dashing Scottish captain.) However, Preshea’s backstory was much darker than we usually see in the parasolverse, the only comparable one I can think of off the top of my head is Rodrigo’s abuse from the Templars! She suffered through years of abuse and neglect at the hands of her father and husbands, leaving her damaged and shying away from all relationships.

The actual romance in Poison or Protect left me a little but underwhelmed. Gavin was actually what I was expecting from Connal Maccon in the Parasol Protectorate, and I’m much more on board with his ‘gentle-giant’ style romance with Preshea. I’m personally not a huge fan of the stereotypical kilt-wearing, enormous Scottish bloke... Just not my thing...but good for Preshea if she likes that! I just wasn’t that invested.

Personally, I would have loved Preshea’s book to revolve a bit more on her relationships with women, not romantically (she has never read as bi or a lesbian) but platonically. In the Finishing School Preshea held herself aloof from the girls around her, never really having a proper friend or friendship group. Instead she was like a vampire queen surrounded by her hive - beautiful, deadly, and set above everyone around her. Preshea herself comments on it in the book! Because of this I would’ve really loved the novella to focus on Preshea learning to be friends with other women, not see them as enemies or competition, and maybe getting her man on the side. We did get this growth as a sub-plot with Lady Flo and Mis Pagril, but I think it was more important for Preshea with her Finishing School background and the abuse she suffered to find herself with other women before jumping into bed with husband number 5...

The Wilful Princess and the Piebald Prince - Robin Hobb (Realm of the Elderlings) This was a fun little novella that expanded the backstory of the Six Duchies and explained why the Witted and Wit magic are so feared in the Farseer and Tawny Man Trilogies. It’s not Hobb’s finest work, but it did flesh out the history of the Six Duchies a little bit more. The story isn’t incredibly important to the main series but I’d highly recommend for fans of Hobb’s Realm of the Elderlings and it’s best to read the tale either before of after the Tawny Man Trilogy.

Madame Bovary - Gustave Flaubert A disappointing classic. Madame Bovary is supposed to be selacious and scandelous. I found it tedious and irritating. Emma Bovary was one of the most uncompelling heroines I’ve read outside of Dickens - she was a selfish snob, with no redeeming characteristics for the reader to latch onto. She’s adored by her husband, but bored in her marraige because Charles is only a middle class, mediocre doctor... She is manipulated by the men around her (both lovers and the guy who lends her money, I can’t remember his name) but is also incredibly stupid in her decisions, particularly around money and her last fateful decision at the end of the book.

The language (both French and my English translation) was dry, and the pacing was off. Important parts of the novel went by in a whirl, but then there were long stretches where almost nothing happens. I’ve read similar novels that were much better with similar themes, plotlines, and much more interesting characters. I am glad I’ve read it but Madame Bovary is not a book I would read again, nor would I recommend it unless you want to cross it off your list of classics.

Winter’s Heart, Crossroads of Twilight, and Knife of Dreams - Robert Jordan (Wheel of Time #9, 10, 11) This post is incredibly long and I’ve spoken about this series at length already so I don’t really have any new criticisms to rasise. However I am slowly making my way through the rest of the Wheel of Time and I’ve now reached the end of the books solely written by Robert Jordan himself. Winter’s Heart and Crossroads of Twilight really were the height of the slump, however, I did manage to read through them both quite quickly with the amount of time I have at the moment. Both books were quite slow but had hugely important moments in them for the entire series.

Knife of Dreams was a return to form for Jordan before he died and we got the resolution to several tedious plotlines that had been running through the last few books (Perrin and Faile, Mat in Ebudar, Egwene travelling to the White Tower.) Personally, I loved Elayne’s struggle to claim the Lion Throne, however, this is one of the plotlines people tend to dislike and it had a particularly satisfying conclusion at the end of KoD. I’m incredibly excited to the series conclusion that I can see coming and I can’t wait to jump into the installments written by Brandon Sanderson in April!

Currently Reading

I’m still working through Fellowship and the Companion... It’s fallen by the wayside slightly but I am still working through it.

A Tale of Two Cities - Charles Dickens This is my buddy read book for March/April, but it’s also a reread for me (as we know from my turbulent relationship with this book from 2019) We have just finished Book 2 Chapter 5.

The Priory of the Orange Tree - Samantha Shannon I’m not a huge fan of this book so far, however, I don’t hate it. I think the plot and world building is quite shallow (circa. 200 pages in anway), and the writing makes me feel like I’m watching the characters through a glass screen. Hopefully it will pick up a bit, but at the moment I think it’s overrated. (I don’t think it’s helping I’ve been reading a lot of brilliant epic fantasy at the moment...)

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