#come On people you are killing me here

[watery-melon-baller]

reading atla fics where zuko joins the squad in S1 and katara is the most distrusting of him even after sokka and aang trust zuko a la S3 is soooo infuriating like girl. did y'all forget the crystal caves where katara heard some of his Tragic Backstory™️ and IMMEDIATELY tried to help him out??? she only distrusts him so much in S3 so much because he went and backstabbed her after they had a fun bonding moment. you know who would be the most distrustful of zuko out of the 3? sokka. the disrespect.

[favroitecrime]

Palestinian freedom fighters breaking out of Gaza and reclaiming their occupied territories. They’ve taken over israeli tanks and have chased out the settlers that were on that land. They’ve launched rockets everywhere and the iron dome has failed to intercept. This is about to mark a momentous event in history.

From the river to the sea, Palestine will be free.

[marypsue]

Man, it's cool and all if you see a metaphor for marginalisation in the monstrous, and if you want the power fantasy of 'what if you could just eat anybody who threatened you/pissed you off'. Me too.

However, as soon as you start saying 'no, these monsters are a 1:1 on Specific Marginalised Group, and you have to treat them in the fiction like they are directly representative of real human members of the marginalised group', BUT you also, in the fiction, make them hurt/kill/eat humans? And then try to shame me, your audience, for noticing or engaging with the bit where they kill people, because you made them directly representative of a real-world marginalised group? You have lost me, and also, I think, the plot.

[luck-of-the-drawings]

EDYN TIDESTRIDER, CHALLENGER OF THE UNDERSEA, RIVAL OF THE DEEP. WHAT WOULD YOU DO IF YOUR BROTHER WAS CHOSEN TO BE A WEAPON OF THE GODS? HOW WILL YOU UNDO WHAT THEY HAVE DONE TO HIM?

[ruporas]

lonely

[ID: A limited palette of green and pink, Vashwood comic. The first page serves as a prologue. The first panel shows Vash speaking to someone off screen while Wolfwood is lingering behind him. A black arrow is drawn pointing at him. In the second panel, Vash is buying donuts in the distance while Wolfwood is once again in view, lingering. and the black arrow is drawn pointing at him. In the third panel, Vash is leaving a cubicle and turning towards his right with a slightly peeved expression. He sees Wolfwood, leaning against the cubicle, waiting for him, and with the black arrow drawn, pointing at him, implicating the consistent hovering of Wolfwood’s presence during Vash’s everyday. At the bottom of the page, they’re drawn out of panel with Vash turning to Wolfwood and saying with an irritated expression, “You’re really following me everywhere, huh?” Wolfwood responds, “What, you got a problem?” Vash responds without hesitation, “Yeah, kinda...”

The second page starts with a new day. In the first panel, Vash is seen alone, weighing apples in his hands at a mart, with crowds passing behind him. In the second panel, he turns to his right and starts to say, “Hey, Wolfwood...” In the third panel, he’s startled from seeing a stranger, whom he’d accidentally called out to when he was expecting to see Wolfwood. He says, “Oh, you’re not him. Sorry!” In the fourth panel, the stranger walks off and Vash muses, “Right, he said he had something to do today...”

The third page begins with a close up of Vash's miffed expression, the continuation of Vash's thoughts, "Now that he's not here, this is just like how I used to be, but... It feels lonely somehow. Oh well, I'll see him again tonight, like always." In the second panel, it shows Vash walking through the marketplace crowd, alone. In the third panel, the door panel is a close up of the door opening with a peek of Vash's head. He says, "Wolfwood!" In the fourth panel, Vash is holding a bag of food with a bright smile and says, "Are you hungry? I got you something to eat today!"

The fourth page begins with a shot of the room, two beds being highlighted, one of them being made properly with the blanket draped over the bed and the other with the blanket folded and pillow sitting on top of it. There's no sign of Wolfwood. The second panel shows Vash with a disappointed look as he thinks, "He's still not here?" The third panel shows Vash putting the bag of food on the table. Stapled to the paper bag is the receipt with a written note "For Wolfwood." Vash's thoughts continue "He does like to stay out so, I guess there's no reason to worry..." The fourth panel shows Vash sitting his bed somberly with his thoughts continued, "It's not any of my business anyway..."

The fifth page starts with a close up his blank expression as he looks downwards, thinking, "Even if he left completely... That'd be understandable and better for him. I'll just travel alone again... like before... Huh?" The next panel shows Vash's composure break, tears welling up in his eyes suddenly, as he didn't expect to cry. He starts to sob, putting his hands to his face to quiet himself and wipe at his tears, as he says, "Ugh... Dammit... I miss h..." The last panel shows Vash leaning over into his hands, still crying, and in the back, the door swings wide open with a bam as Wolfwood walks through with the punisher swung behind him. He shouts, "SPIKEY! You in here?!"

The sixth page starts with Wolfwood confused, looking at Vash and Vash looks back, just as confused, with tears in his eyes and snot out of his nose. Wolfwood starts saying, "Ah? You..." No longer in panels, at the bottom of the page, Wolfwood takes the Punisher off of himself and starts to walk towards Vash, continuing with slight concern, "What's wrong with you? Did something happen?" Vash, hurriedly begins to wipe at his tears, denying immediately, "No! No, I'm fine! Nothing happened!"

The seventh page, Vash points towards the table, with a hand still wiping at his tears and he smiles as he says, "I uh got you food. On the table." Wolfwood looks towards to the table and responds, "Oh. I was getting hungry, thanks." He turns his head back to Vash immediately after with an uncertain expression, knowing the other wasn't responding to his concern, and says, "But, I know you're an idiot with this stuff, so I'm reminding you again. Don't brush it off if it's an issue, alright?"

The eight page, Vash's tears have dried and he looks to Wolfwood with a soft smile and responds, "Yeah. It's okay though..." A panel at the center shows a side view of Vash approaching Wolfwood. At the bottom of the page, with no panel, is a close up shot of Vash's hand, holding onto the edge of Wolfwood's jacket sleeve, as he says, "Because you're here now. Wolfwood."

The final page is a back shot of both of them standing next to each other, Wolfwood's head tilted slightly to the left, not fully believing Vash as he says, "That doesn't answer anything, Spikey." Vash responds, "There's no need to talk about it! You should enjoy your food. Let's have a drink too?" Wolfwood responds, "Tsk, tsk. Fine, yeah. I could use one." END ID]

[hazel2468]

"UWU op defends Israel UWU"-

Have I not made it clear enough what I think of the Israeli government? Have I not made it clear enough that what infuriates me the MOST about all of this shit going on is that neither government gives a damn and civilians will CONTINUE to die because Hamas and Netanyahu are cranking that war machine for their own benefit? Have I not made it clear that I think what the Israeli government is doing is fucking horrific, a war crime, murder, a violation of human rights?

Why do I even need to MAKE that clear? Why is it that you can talk about LITERALLY anything else, any other country, and people don't rush to fucking accuse you of personally supporting the government when you discuss the wrongs committed against a people, but the SECOND you're a Jew you have to justify your stance about Israel?

Why is it that I cannot even be angry about the slaughter of MY FUCKING PEOPLE. Innocents. Civilians. Fucking CHILDREN. The slaughter of the Palestinian people. Innocents. Civilians. FUCKING CHILDREN.

Without one of you absolute fucking monsters deciding to slap some shit on an unrelated post about how "uwu op defends an apartheid state just ignore that"? Do you have to make it part of EVERYTHING I do? Do you consider everything I put out there tainted somehow because I don't support your joy, your cheering, your unrestrained GLEE at the murder of Jews? Do I need to publish a fucking thesis on my stance on Israel, Palestine, and their respective governments like a fucking disclaimer any time I want to talk about myself, my oppression, my experience as a Jew, or a disabled person, or a queer person, because you fuckers cannot for five seconds be NORMAL about Jews?

To decide to slap something about Israel and Palestine on a post I made about MY oppression, about how people will oppress you no matter who you actually are- it all depends who they think you are. It's a bit ironic, isn't it? Doesn't QUITE fit, but it's funny that someone would read that post, agree with it, and then think "Ah yes, THIS is the place to put some tags about how OP, a Jew who has been reeling for the last couple of weeks about the violence, who has been checking on their Israeli friends every day to make sure they aren't fucking dead, who is dealing with vicious antisemitism from people who they thought were friends, who watched as the people claiming to be progressive supporters of human rights on this hellsite and others OVERWHELMINGLY reply to the murder of their people with good they deserved it fuck you, is CLEARLY a defender of an apartheid state and that makes them a bad person because something something I don't know what nuance tastes like and I am a bigoted ass."

I am TIRED.

[frankiebirds]

[thomas-the-goat-of-satan]

you're ugly when you act like that.

[opikiquu]

oc stuff HOORAY!

blood/gore under the cut

ignore me being insane to oren for like the 100th time. it wont happen again. i got it all out of my system i promise 🩵

[thewardenisonthecase]

btw tw for talking about abuse

I've seen a lot online about how the game never mentions Caterina's abuse of Lucanis while he was growing up (being beaten and starved, which is mentioned in the Wigmaker Job) and I think there's a small mention to it if you're a crow (when asked, he says it was torture training under the first talon and that he resented her for a long time)

And while I do think part of the reason why this isn't brought up is just due to how sanitized this game is when it comes to the crows, I think I do understand why in world wise it's not possible to just be like hey lucanis, fuck your grandma.

It's really hard, loving someone who hurts you. Because you know they're hurting you and yet, you still love them. It's even harder when they're family.

Because its not like Lucanis doesn't know that she hurt him. He says so himself - he hated her, he resented her, and althought I do think him 'justifying' it by saying that at least it prepared him for the life of a crow, at least he still admits that it happened.

But the thing is that despite all this shit, she's still his grandmother. And like, yes, blood shouldn't excuse justifing this behaviour, I feel like it's cultural. Idk how spain or italy works when it comes to family, but here in brazil, you'll hear so many stories of physical abuse happening in families, and its still a situation like Lucanis - i hate them, i resent them, i love them, they're my family.

It's a...complicated situation and I think Lucanis's situation is made worst by the fact that he only has two family members alive and that he cannot let go of.

She beat him, she starved him, he hated and resented her, and he was afraid of dissapointing her, even if in her eyes, i don't think he could. I mean, he comes back an abomination and she still tenderly says 'my poor boy' when you rescue her in the Villa.

All in all...it's tought and I think that it would not be Rook's place to suddenly make Lucanis want to kill his grandma bc he wouldn't. Sorting out those feelings is something he has to do himself, and i'l almost glad the game doesn't make rook do a therapy session with him to talk about it.

[daily-hanamura]

[winteriron-trash]

rdj the (whitewashed) electric boogaloo

This is a reminder to everyone who's excited about RDJ's casting as Doctor Doom that this casting is whitewashing. Victor Von Doom is a Romani character and has been a Romani character since his introduction in the 1960s. (Fantastic Four Annual #2 [1964]) Not only that, but his Roma identity and the persecution he and his family faced due to it is integral to his character, it is what forms his identity. (Books of Doom by Ed Brubaker) Even if on the off chance this casting is meant to not be Victor but instead be some variant of Tony or whomever else becoming Doctor Doom, it is damaging to the character to rob him of that important cultural background. Doctor Doom does not exist without that history. Fans have been pushing hard to cast Doom as a Romani actor for years, especially since the MCU has whitewashed other Romani characters. (Wanda, Pietro, etc) This casting is not a celebration moment, it's fucking heartbreaking that the MCU repeatedly ignores the important and nuanced cultural backstories of characters.

I know I can't change anybody's mind on whether or not you want to be excited about RDJ's return to the MCU. But I do think at the very least you should be mad that the MCU is baiting us all and destroying nuanced and interesting characters for the sake of self-referential easter eggs and nostalgia bait. Because that's what it is. Feel how you'd like to feel about RDJ's return, but personally, this is soul-sucking. I had such a deep love for the MCU as a teenager, it was obviously something incredibly formative to me, especially Tony Stark. This isn't recreating what I fell in love with the MCU for. This is turning a well-planned and artistic storyline of adaptations into cheap cash grabs and fan service. Because, I think we're past the point of being able to call the MCU an adaptation of anything. They can use existing characters' names and powers, but to say they're being properly adapted is laughable.

This is not an adaptation of Doctor Doom. This is RDJ the Electric Boogaloo because Marvel's fear of losing the interest of dedicated MCU fans overrides their willingness to tell stories that are genuine to the characters. I don't know what there is to be excited about that. The MCU has lost its authenticity and aside from a few projects, feels heartless. Every movie is a copy of a copy. This announcement isn't something celebratory, it feels like a death knell of a cinematic universe that's so desperate to cling to relevancy it's resorting to nostalgia for a character/actor who hasn't even been dead for a decade. We're not getting anything new, we're just rinsing and repeating the same song and dance.

I get it. I love Tony Stark, his death destroyed me and I to this day, rue the ending he got in Endgame. It misunderstood his arc and it robbed him of a satisfying conclusion. But the solution to that isn't dragging the corpse out of the grave five years later to whitewash an existing character with rich and interesting nuance, just to forcibly tie his existence in the MCU to Tony. Whether he is a variant or not. Why would you want someone else's fave's legacy to be destroyed simply so your fave's legacy can go on? Hell, if we were really all so hellbent on the return of RDJ and/or Tony to the MCU, we have the multiverse for a reason. There were other ways to do it that didn't whitewash and ruin someone else. This just. Isn't something to be happy about.

[lord-squiggletits]

i know i’m late to the conversation—i just watched the movie this month—but i feel compelled to say this because i was genuinely shocked (still am) to see that the overwhelming takeaway for many viewers was the "d-16/megatron was right" bs. while it’s understandable to sympathize with his anger and grief, justifying his actions in the end or framing them as entirely right feels so deeply misguided. what surprised me even more was the tendency to shift the blame on orion/optimus, as though he was solely responsible for d-16’s downfall. it’s disheartening to see orion/optimus being villainized so much. his efforts to reason with d-16 came from a place of desperation and hope, as he tried to prevent the escalation of violence. at that point, d-16 had already begun to spiral into his unchecked rage, disregarding the safety of those around him. to see that nuance overlooked, with orion being faulted for a situation that was far beyond his control (the whole "don't be like sentinel" thing is often used to shit on op lol), is genuinely baffling.

while i love that the movie showed the tragedy of d-16’s arc and even empathize with his situation, painting his actions as justified—and vilifying orion/optimus in the process—feels like a misreading of the movie’s core message. sorry but i was so happy to see your post about the movie, it was tiring to see so many 'megatron was right about this and that' comments.

Oh man if you're new to this fandom, you really ought to know that this place is full of people who glorify terrorism and war in the name of "justified revolution" and it doesn't really matter what Dee/Megatron does or how horrible/over-the-top it is, he's oppressed or he's mentally ill or he's just plain upset which means that everything he does is justified and questioning him makes you evil.

It's so funny because I hoped for sure that a continuity where both OP and Megatron were working class individuals before the war would reduce this kind of shit take (compare to something like archivist/librarian OP and gladiator Megs in TFP or CBV, or cop OP and miner Megs in IDW1), but unfortunately this fandom literally still found a way to blame Orion for everything even though he suffered the exact same things Dee did..... and furthermore Orion literally was the rebel challenging the system compared to Dee who wanted to keep his head low and not cause trouble so honestly at this point I just think the fandom (and somehow new fans whose first exposure to TF is this movie) purely sides with Megatron on everything as either a knee-jerk reaction or some misguided attempt at being counterculture and intelligent.

People get sooooo mad when you tell them that unbridled rage and killing everyone who disagrees with you isn't a good social/political strategy, but then again this is a problem that is universal to humanity and not just the Transformers fandom. It's just a shame that so many people looked at a movie that blatantly spells out what the moral of the story is, and has all of the protagonists be working class oppressed people fighting against a tyrannical system, and their takeaway from it is still basically "fascism is okay if you're mad enough about it and if your friends try to stop you it's a sign that they're centrist liberals who think punching Nazis makes you as bad as a Nazi." It's childish black-and-white thinking masquerading as critical literary analysis.

And at this point people pretty much just don't give a shit about Orion/Optimus and will find a way to make him the villain no matter what the context is, no matter if he also has feelings or if he also deserves to be respected/listened to/validated as Megatron's long-time (possibly lifelong) friend. If ppl look at the way Dee treated Orion and their other friends and DON'T see what was concerning about that then there's really no saving them until they deradicalize a little and learn what usually happens when "kill all the bad people until society is a utopia" is implemented as a governing party's primary strategy.

[generalsmemories]

every time i see someone shit on the xianzhou story quest on twitter i die a little bit inside.

[jesuis-snips]

LIES: Palestine is murdering civilians.

TRUTH: Palestine is expelling occupiers.

LIES: Palestine is attacking Israel.

TRUTH: Palestine is standing upon its rights in its own lands.

LIES: Hamas is giving Israel reasons to attack them.

TRUTH: Israel has already been attacking Palestinians without a reason for years. Every resistance counts and weakens Israel.

LIES: Israel is the victim.

TRUTH: Israel is suffering for its sins for the innocent children they have killed.

[phantomsies]

literacy, empathy and nuance are dead fucking arts and there really is no coming back from it.