#college critical

[helleboresoul]

greatest rivalry in exandria

[frownyalfred]

“This fic would be better if—” babe this isn’t your high school English class and my fic isn’t assigned reading. it’s something a stranger wrote on the internet without an explicit request for constructive criticism or suggestions for improvement. you are not grading my smut fic on a rubric (I hope).

if you cannot consume writing without needing to criticize it, that’s a you problem. stop leaving me these kinds of comments — and if you DO: for god’s sake, please make sure you’re actually objectively correct about the criticism you’re leaving.

[autisticrosewilson]

While we're on the topic of De-aging AU's I wanna talk about Jason and Damian if Jason was 14 again real quick.

Do you guys think that Damian looks at this version of Jason, so different from the version he knows, nothing like the person he was told Jason was, and feels uncomfortably seen?

Damian was always told that Jason died because he was reckless, because he disobeyed orders, he was fired as Robin and he got himself killed. A cautionary tale, not a threat to his position. He dismisses Jason because Bruce does, because Dick does, because sometimes even Babs and Alfred do.

That's not the kid that he's looking at now. This Jason is happy, and smart, and full of love that has not yet soured into grief. He hangs on Bruce's every word, trains until his hands bleed and his body gives out to perfect the moves Bruce teaches him. He looks at Bruce with stars in his eyes and he calls him dad.

And Damian can't help but think, that this is the perfect Robin. The perfect son. And if Jason - sweet, loving, strong, Jason - can be fired, can die and have his room locked away and his pictures torn down, can have his last memory as Robin be as A Good Soldier, how could the rest of them ever compete? What could Damian do to stand a chance?

Jason will never grow out of the shadow of Robin, like the rest of them did. As long as Bruce, and Dick, and Babs, and Alfred look at him and see a dead kid who came back wrong, he will never get to be anything else. He will not get to be looked at through who he is now without the shadow of a dead boy looming over him.

And the worst part? Jason is exactly the same person he was back then. Bitter, sure, angry, justifiably, but he is still the boy with too much love in his heart and righteous fury festering in his gut. He is exactly the same boy who threw himself in front of an explosion to save his mother.

(The lines between the mother that betrayed him and the father that disgraced him are so very blurred. Fire or blade or crowbars or fists it does not matter. It ends the same way it always does because Jason Todd always dies, in every universe, in every timeline, Jason dies and crawls out only to be killed again and again and again.)

[tea-cat-arts]

Shen Yuan getting transported into pidw isn't "the system punishing him for being a lazy internet hater," but instead representative of "step 1 of the creative process: getting so mad at something you decide to go write your own fucking book" in this essay I will

[gorgynei]

chetney does his best to help imogen with math when theyre working together (at ihop) (graveyard shift warriors)

[g1ngerbeer]

a couple modern au perc'ahlia shitposts

[grayintogreen]

I’m so glad Grog is handling the divorce worse than the actual kids.

[marblerose-rue]

click for better quality!

requests from twitter ^_^

adderfang, goosefeather, dawnpelt

crowfeather, heathertail, frostpaw, sandynose

[jesncin]

Spirit World nitpick but I do think it matters. Xanthe always refers to John as "Constantine" as if they're contractually obligated to say his surname like it's his registered superhero name when it's just his name. Why can't they ever refer to him as "John"?

A really weird side effect to the superhero-ification of John Constantine and making his surname essentially his hero title is that in stories like this, it accidentally and definitely unintentionally enforces a racist and sexist dynamic to how you refer to other characters in the story. Cassandra Cain is called either "Batgirl" or "Cass", but never "Cain". Xanthe Zhou is called "Xanthe" but never "Zhou". In a story where Johnstantine is the token white guy, it's kinda weird that he's the only one consistently referred to by his surname.

It even continues into the Pride comic the two appeared in. I know it can be argued that Xanthe is referring to John this way because he's older, but it's not consistent with how they've referred to other Asian adult or elder characters in Spirit World. It also makes it harder to buy that John and Xanthe are friends when they're not even on a first name basis. Idk, I think it would be cute if Xanthe had familial honorifics for John in some way or a cultural nickname. Make it fun outside of calling John "old man" all the time. Where's the imagination.

[aeoris4lovers]

the quiet tragedy of verin being the one who never quite made it out.

for most of their lives, essek was the one who was entrenched in expectations, in the politics of their den. while verin was stationed far from the heart of the dynasty, ostensibly free from the eyes of his elders, essek was sitting beside their mother in court and speaking before the queen. and it made sense, because essek had always been better at all of it — the posturing, the sweet-talking, the ladder-climbing. his brother the black sleep was still his brother the prodigy; his brother the heretic was still his brother the shadowhand.

but then, essek meets new people and they get through to him and change him and make him softer, make him better (and why them? what is it about them, that they could do what verin never could?) and he runs. he gives up the title and the status and the power and leaves it all (leaves verin) behind.

suddenly, verin is the lone newsoul of den thelyss, the one with all eyes on him, with the expectations meant for two brothers falling squarely on his shoulders and only his in the absence of their other target. he is still the youngest of his den, the one they all watch and wait to be disappointed by, but there is no one to share that burden with anymore and all at once it becomes painfully clear that distance never really was freedom.

essek has a family, then — not a den but a family, with love and trust and care and warmth and all the things essek once called verin childish for craving — and a welcoming home to go to with someone who loves him waiting there and a garden in the front yard, and verin is left still fighting demons under the banner of a god (of a family, of a home) he only half-believes in.

and maybe they see each other more often then. maybe bazzoxan is remote enough that it’s safe for essek to visit in disguise. maybe essek’s friends come too and are kind enough to offer a taste of what essek has now and verin can almost believe it’s his too. maybe essek doesn’t even fight it anymore when verin insists on hugging him. but how much can that really fix? how much can it really change?

an unloved man leaves no one behind when he finally makes a better life for himself, but essek was never an unloved man. not really.

[aro-culture-is]

aro culture is getting really annoyed with the relationships unit in your sociology class because the whole thing is just 100% amatonormativity.

:\

if think your teacher, professor, and/or TAs might be interested in discussing the concept, I have some idea of bringing up the topic?

I'd personally say something like, "Hi, During our section in sociology around relationships, I couldn't help but think it would be interesting to discuss how a sociological theory called "amatonormativity" might relate to these lessons. I gathered a few sources from the professor who coined it, a thesis written on it, and a law review written about the connection between it and laws in the USA. There's some connections between its use in feminist thought and in queer theories, and I'd love to know your thoughts about it. I personally was thinking of when [specific statement] was said, and how I would apply this theory. I hope it's as interesting to you as it is to me."

Coiner's current webpage: https://elizabethbrake.com/amatonormativity/

Thesis: https://vc.bridgew.edu/honors_proj/330/ (click download in upper right hand corner for the PDF, depending on the individual it may be worth downloading and sending that rather than a link)

Law Review: https://uclawreview.org/2022/06/09/amatonormativity-in-the-law-an-introduction/

[willowbirds]

I don’t normally do doodles while the episode is going, but I am UNWELL RIGHT NOW!

[floral-ashes]

Hey Professor! What are some things someone should know before they go to law school?

You should know that law school is centrist-liberal brainwashing school, and prepare for it! The cultural mindset promoted by law school make you less radical, and it’s easy to fall into the trap if you’re not constantly vigilant about it.

I highly encourage anyone who goes to law school to read Mari Matsuda’s When the First Quail Calls: Multiple Consciousness as Jurisprudential Method and actively cultivate multiple consciousness so that you can learn the language and logic of legal practice without losing your radical and critical abilities. Few texts have had a greater influence on me, and it’s only 4 pages!

[nelliesnook]

Tips From a Recent English Graduate (That May Apply to Other Arts Degrees)

• If you can't understand a certain book/essay, find a summary first, and *then* read what you needed to originally. It'll (hopefully) make more sense!

• If you're on a time crunch and you have a dense reading to do, read the abstract/introduction paragraph(s) + the concluding paragraphs. Authors will most likely have their key points outlined in these sections. Afterwards, you can go through the middle sections to pick out more concrete details.

• You probably won't be able to read every required text, and that's okay! I would skim a lot of my readings and make note of any sections that seemed particularly important (you learn to pick out the major details with practice). Also, if your professor seems to place more importance on a certain text than others, try to read that one more thoroughly.

• When it comes to essay writing, and you're required to choose between texts, brainstorm in bullet points key info from each text. Do this to identify the ones that a) have enough material for your argument and b) relate to your argument the most (they don't necessarily have to *back up* your argument; rather, they can serve as a counterpoint you can argue *against*). Making bullet points are a good way to ensure you're not stuck grasping for material later on in the writing process!

Hope these help! :)

[g1ngerbeer]

i named the whole au after this joke

[cringefaecompilation]

DORIAN STORM, ROBBIE DAYMOND, AND THE CRITICAL ROLE FANDOM

because some people don’t know how to act when a piece of collaborative media they like starts getting people of color to add to it. a good amount of this are things I’ve already discussed on my blog, so if you’ve been following me for a while, consider this a more polished version of my complaining. obvious content warnings for racism, with explicit focus on whitewashing, pinkwashing, and cultural assimilation.

quick note before we start: we’re talking about racism, not how annoying you think xyz white character is or how much you want to punt all xyz shippers into a fire. keep your comments focused on dorian himself; it feels counterproductive when conversations about the racism experienced by actors of color and the fictional characters they play snowballs into shitting on fictional white characters and completely ignoring the former.

with all that said, let’s begin.

if you’re reading this, there’s a strong possibility that you already know who dorian storm is, but just in case if you don’t, i’ll give you a quick rundown.

dorian storm is an air genasi bard from campaign 3 of critical role. he made his debut a few months before the third campaign official started in what was meant to be an anthology series on the channel: exandria unlimited. after eight episodes in that series, a short 14 episode run establishing the new campaign, and two more episodes in a sequel to the first anthology, dorian remained largely out of focus for the remainder of the campaign up until episode 92 whereupon he returned and rejoined his party for the third act climax.

while he’s generally beloved, most of his fans haven’t seen or acknowledged his debut, and have only watched the main series campaign. it’s a shame, given how little he’s given to do in the main campaign asides reconnect with his elder brother cyrus. most of his characterization is found in the anthologies and gets built upon when he comes back, so the fandom’s aversion to watching it means they’re missing out on a lot of what robbie’s established for dorian. the more i thought about this aversion, the more it hit me as to why people might be put off it. for such a beloved fandom character, most fans have completely forgotten that exandria unlimited was largely dorian’s story, with opal picking up the slack whenever he took a break from being in the spotlight. by comparison, fearne, orym, and dariax had minimal screentime and vaguer backstory setup. 

dorian and opal taking up the vast swath of story in makes sense for two reasons: robbie and aimee were completely new to the hobby! let the new guys have their fun instead of letting the professionals try to backseat drive the story! the second reason is that ashley johnson, liam o’brien, and matthew mercer are 100% going to return to critical role. it’s their jobs! so they can stand to fight over the same 15 minutes of screentime where aimee and robbie have their fun in the spotlight. even not-so-new kid anjali bhimani got a massive swath of her storyline and backstory established despite only appearing for half the first mini-series!

the same thing happened with calamity, where the plot was primarily moved by aabria and luis. sadly, lou did not get to add as much as them (or the rest of the cast imo) but brennan understood not to give marisha, travis, and sam special attention because they’re always there.

and if we’re talking about calamity, there’s another thing we’ve got to talk about. why is the pre-campaign three series that is predominantly played and dm’d by people of color, treated as more expendable than the pre-history avalir series despite involving three fandom-beloved characters and two fandom-beloved ships? how come people complained about an episode and a half being dm’d by aabria because “they weren’t warned ahead of time” but were fine with brennan taking over critical role for an entire month when there was equally zero “warning” for him to do so? and thinking harder, i suppose i came up with our thesis question.

do people even really like dorian?

DORIAN/ROBBIE BASHING

edit: robbie pulled a pro gamer move and this section is now somewhat inaccurate. see here for an explanation.

since dorian’s vocal haters aren’t as numerous as his vocal fans, i’ll go through this part quickly.

i understand that any character can be grating to anyone for any reason, but some of their insults and insistences about dorian and robbie tend to get a bit loaded. we’re not racist! we just think robbie daymond is just uniquely annoying with crosstalk and his character’s backstory doesn’t mesh with the story the campaign is trying to tell! he’s not a real member of the group because he wasn’t there for all their important moments! he should just die offscreen so they’ll shut up about him already! the only reason people want him back is because they’re rabid liam o’brien fangirls that want him to kiss a man with tongue on-screen!

we’ll touch on that last bit later, but there’s always a weird pit in my stomach whenever someone insists that dorian doesn’t work with bell’s hells. the watsonian side of me wants to argue that a runaway/disguised noble is a perfectly common npc type. but the doylist side of me wonders if they think it’s because robbie does not fit in as a person with the cast of critical role because there’s just something too different about him. i wonder if you can tell what it is.

and this last one is more of a nitpick, but a few people joked about how robbie, christian, and utkarsh were all interchangeable or sound or look the same. don’t do that.

in full fairness, i don’t think it makes someone a racist automatically if they dislike a fictional person of color. after all, you can say “i think finn was underutilized in the star wars trilogy and had an unsatisfying character arc, so i cannot bring myself to like him” and still acknowledge that there was bigotry in the writer’s room that led to said poor character arc.

unfortunately, someone might agree with only the first part of your complaint and then add on that they fantasize about blowing up john boyega with their mind so that rey and kylo can have their perfect aryan babies in peace. not only that, but the insistence that a person of color having a minimal role compared to the white people in the story to explain why you can’t be a fan of them goes from explanation to excuse rapidly when you realize how many white background characters are given their own sub-fandoms built solely upon headcanons.

which leads us to our next point.

DOUBLE STANDARDS AND WHITEWASHING

this fandom seems to have a massive problem with headcanons, but it’s not for the reasons you’d think. they have to act as though the person is only making up headcanons to spite either the rest of the fanbase or the human actor themselves. i’ve no such compunctions about headcanons. give pike glasses! make laudna viet! say that caduceus is a cane user! but there comes a problem when you insist that your angsty trauma headcanons are more genuine than someone who has legitimately gone through the same in canon.

what do i mean by that? let’s pivot a bit to a comparison between two seemingly unrelated characters that made the rounds about a year ago: essek thelyss and bor’dor dog’son. don’t worry, this ties into dorian, i swear.

both men were jaded by religion and religious people in their lives and were led down dark paths when martinet ludinus da’leth entered their lives and attempted to sway them into his anti-god cult. bor’dor was fully sucked into the cogs of his killing machine and offed by bell’s hells, but essek fled into hiding after giving ludinus a holy item that belonged to his people, realizing too little too late the weight of his actions.

according to fandom, essek was manipulated emotionally into a bigoted movement and just needed to be deradicalized because he didn’t know what he was doing was wrong. the fictional man of color, bor’dor dog’son, as portrayed by the real-life man of color, utkarsh ambhukdar, for some reason is not given this grace at all. in fact, he’s been compared to delilah briarwood of all people because both of them were villainous sorcerers that felt slighted by someone, despite this comparison falling flat outside of the aesthetic where she is a broken bird crying out for her husband rather than a conniving unrepentant villain. or perhaps they see him as just as evil as her for harming and deceiving the white player characters.

it seems fandom is more comfortable with the illusion of a person of color as voiced by a white man, filtered through a fantasy species canonically discriminated against, and further filtered through headcanons, fanart, and fanfiction by their choice rather than having to interact with the indian man on screen staring back at them.

and if bor’dor is demonized for being a person of color, then dorian is liked for… being a person of color… that the fandom can pretend he isn’t because his skin is blue and not brown.

dorian is literally a person of color with his blue skin and hair, but he’s still also an actual person of color because of his player. compare him to sam nightingale and katja cleaver, despite having powder blue skin and olive-green skin and being fantasy creatures (triton and orc), they wasted no time in telling brennan lee mulligan that there would be no “carmelinda” nonsense; they were a black transfeminine woman and an indian woman just the same as them.

and if you’re going to say, “okay but assuming a person of color has to play a character that’s the same race/ethnicity as they are makes you the real bigot!”

again, must i refer to sam nightingale and katja cleaver. they made the active decision to depict their characters the same as themselves. they consented to it. this was not some sort of shallow corporate-driven plot to force two women of color into portraying diverse characters to capitalize off their identities.

and likewise, the same can be said for robbie and dorian. robbie daymond identifies as multiracial and is part apache. that’s straight from his twitter, so it’s very easily accessible to anybody that would be curious.

so going back to critical role, dorian comes from a nomadic people who keep mostly to themselves and provide wisdom to its diasporic people that come to them for guidance. they’re extremely secretive and even more so distrustful of outsiders, resorting to violence as a last-ditch effort to ensure their secrecy. they can’t risk anything about their people or their culture falling into the wrong hands and warn their children to be wary of the outside world. dorian and his brother reject being called princes a lot of times, and cyrus only picks it up because he likes the sound of it!

if you aren’t from the united states of america you might not know (and even if you are, you still might not know) apache tribes are known for being nomadic. being diasporic and wary of outside forces attempting to harm one's culture only further bolsters the coding. dorian’s backstory appears to be robbie attempting to reconnect with his culture, and good on him! but for some reason, the fandom hasn’t picked up on that. look, i love fanart that emphasizes robbie’s culture, but the number of times i’ve seen people reblog/retweet it without a second thought and then go back to ignoring the exact same cultural coding in canon is… something else.

if vandran can somehow have an accent (and fjord can mimic it) from the southern united states of america off the coast of a continent based on eastern europe, if byroden is somehow comparable with the real-life city of laredo, texas despite being smack dab in the middle of a continent based on western europe, if the air ashari’s culture is a weird mishmash of samoan, irish celtic, and pan-east asian (by way of avatar the last airbender) cultures, then i don’t think it’s an unreasonable thought that the silken squall would not have to be a one-to-one recreation to be coded as such, laurel crowns be damned.

this lack of attention to this detail in fandom is a bit strange, as usually every other (usually male) character has their backstories and everything that their players intended for them memorized to a t by the fandom. it’s almost a running gag at this point where if someone makes a headcanon that bends canon the slightest millimeter and begins to gain traction, you’ll have someone more popular than them instantly vagueing “crazy entitled fans” who “think they know better than canon”. so what makes robbie’s unstated intentions for dorian (outside his affection for his friends and possible romantic crushes) completely fly under the radar? doesn’t anybody think that’s weird? does he need to say out loud that dorian is coded as native so people will realize it?

but even this erasure isn’t the worst of bigotry with his character, that’s saved for the next part.

STEREOTYPES

the irony of dorian’s backstory being whitewashed but his role in fandom still heavily conforming to racist stereotypes about native americans is not lost on me. it’s like there’s a veil keeping them from fully realizing it, but it’s thin enough for them to latch onto unconscious prejudices. there are a lot of caricatures of native americans in media, both within and outside of north america, but only two of them apply to dorian’s treatment in fandom. the magical indian and the noble savage.

the magical indian, much like the magical negro and the magical asian, is nothing more than a paragon of perfection that exists only to prop up the white characters. they give sage advice and mentorship, but have little to no aspirations of their own or even a life outside their relationship with their white protégé. they may die heroically to spur the white characters into action and mourn how kind and perfect they were.

the noble savage gives similar bolstering to the white characters, but carries even worse implications. at the very least the former is seen as something resembling a person, deified and lacking all depth as they may be. the noble savage is treated like an entirely alien species, and a violent and dangerous one at that. he is handsome, in an exotic, othered way, but violent and unable to be reasoned with and only ever sated for a time. despite being “one of the good ones” he still needs to be “civilized” completely out of his culture or murdered to avoid tainting white culture.

obviously nothing in this fandom gets that bad, but the parallels are there. prior to dorian’s return, the vast majority of fan content that detailed his return made him into the de facto therapist for bell’s hells. because obviously dorian wasn’t going through anything himself with the solstice, magic backfiring, and opal being corrupted! he’d be happy to be nothing more than a shoulder to cry on without any traumas or tribulations of his own to worry about! they all got solved and dealt with offscreen, honest. and after his return, people who were either on the fence about him or disliked him entirely began to come around once he positively interacted with and bonded with the other white characters they liked.

the complaint of “i dislike that dorian is never allowed to exist outside of his friends” gets misinterpreted as “it’s out of character for dorian to care so much about his friends” either by well-meaning or willful ignorance, but at the end of the day, it’s ignorance either way. this would be different if he was an npc, but he has hours of content that doesn’t focus solely on his relationships with other people. yes, it is a massive part of his characterization that he will do anything for his loved ones, but why are we focusing on them and not him?

then again, maybe fandom shouldn’t focus on other parts of his backstory.

any mention of the silken squall that isn’t reskinning it to be a generic fantasy keep tends to make it a living hell. sure, the bits and pieces we’ve heard from it make it extremely clear they’re unhealthily secretive, strict, and a bit full of themselves, but it’s not as if they’re evil aristocrats that kick puppies for fun. the tale of a young man that’s going against tradition is hardly one that belongs to a single culture, but i’ve found people find it the most digestible when they strip it of all nuances. it’s the “no, dad, i’m my own man! individualism for life, baby!” power fantasy everyone’s always dreamed of where you can up and leave a situation and leave everything you’ve ever known behind.

so the silken squall is just homophobic, transphobic, and fantasy racist. dorian should completely abandon it and all its ways to go off gallivanting with the hells in perpetuity, which is the correct option. never mind that matt himself said that lgbtphobia in exandria is not the same or is far less common than it is in our world. never mind that in the previous campaign there was a massive story hook about prejudice and xenophobia that humans enacted on species they viewed as “monsters”. because why should the silken squall be anything more than a hive of bigotry and cruelty with no grey areas? everyone knows every flying city in exandria was pure evil and should be nuked from orbit! it’s true, brennan lee mulligan told me so!

i suppose i was wrong for expecting better. if two disney films meant to sell dolls to little girls that more or less looked directly into the camera and said “sometimes people do bad stuff because they were hurt real bad in the past, but that doesn’t make them bad people! racism is still gross!” could both get misinterpreted with zero nuance as being about an abusive matriarch forcing her family into impossible perfection, then i should’ve figured that people would do the same with a piece of adult media.

SHIPPING CONTENT

let’s finally get this out of the way. there is a very intentional reason i’ve been dancing around the subject of shipping with dorian.

i do not have anything against dorym as a ship. i do think that they like each other! they’ve got a lot of really sweet moments together! they just have a lot of personal things they have to work through to get there.

to say that it’s forced, or they’re “trying too hard” to make it seem like they’re about to confess their mutual love, or has had zero buildup can feel at times like a “gotcha” to mock its fans for being pushy. they’re both clearly trying to get back into the swing of things now that robbie’s returned and they can move forward with developing their relationship. i wouldn’t be surprised if it’ll be like late game beauyasha, which had a similar problem with not having a lot of content for it due to one member of the ship being absent from the table because scheduling despite being beloved by fandom until we got into the mid-100s.

that all being said, there is a tendency for dorian to be treated poorly in the ship by the shippers. all my complaints about it hinge solely on the fans. now, i don’t think all dorym fans are like this; i would be making the same complaints if dorian/laudna, dorian/imogen, fearne/dorian, doomstorm, or greystorm shippers did this as well. but since dorym is the most popular out of all of them, i will be discussing it primarily.

small mercies that dorian’s coding is largely ignored because that means nobody's making pocahontas aus with the dorym ship. (and if they are, please don’t tell me. we know its racist. you don’t need to show it to me to confirm that it is, indeed, racist. i don’t frequent ao3 for a reason). even without that, dorym still falls victim to the ship dynamic of the delicate white person and the strong person of color.

i’m already uncomfortable with how orym’s trauma is viewed by a vast majority of the fandom, but adding in the “dorian has no feelings outside his own and is only a machine to deposit in trauma coins until sex comes out” situation i described earlier, it gets bad really quick. often times dorian’s whole worldview is warped to focus only on orym and orym’s feelings. he certainly trusts and looks to him as a leader, but the constant insistence that orym is the only thing that matters in his life, orym is the only person he would trust unconditionally, orym is the only one he would ever truly be in love with, he must be the one to fix orym’s trauma and make him whole with no work from orym’s side at all and orym orym orym orym orym-

yeah it’s bad.

and now we come to braius doomseed, the newest bull on the block. sam riegel introduced his new character as an over-comedic flirt who went after everybody with a pulse... and laudna! provided you’re able to take a joke, a lot of people had fun cracking remarks about how braius confirmed that bell’s hells were just another basement away from having a real orgy instead of a fake. but then there were those who did not like the joke, and by that i mean, people who genuinely wished death upon sam, braius and the shippers ironic and genuine for daring to get in the way of dorym. because dorian is orym’s man, not braius’ man!

do i really need to say why it’s wrong to say or imply a white person owns a person of color? do you need an explanation for that? it’s bad! very bad!

i must reiterate: i don’t think every single dorym shipper acts like this or has never spoken out about this trend. i follow a good number of people that like the ship and a lot of them have no problem with shipping them with other people and treating them as their own characters on equal footing. it’s okay to like the ship and it’s okay to not like the ship.

or if you don’t like the ship, you could always make nazi jokes.

would you believe that this post actually made me want to make this one? there is a score of perfectly good reasons to dislike dorym as a ship as stated previously, but you made a joke about how a white guy is getting denied of his rightful claim to a relationship by a native guy? i take it back, maybe people do need things explained to them. you certainly don’t see laura/marisha pc shippers speak about aabria or erika this way.

speaking of, that makes for a terrific segue!

imodna tends to be bashed by both ashrym and dorym shippers in equal measures, partially due to misogyny and lesbophobia usually rampant in m/m shipping spaces, and partially because people still have lingering wounds from entitled beaujes shippers from campaign two. i think it’s safe to assume that a vast swath of the holdover from campaign two abandoned ship (heh) following episode 34, as that’s when i remember seeing a lot of angry imodna shippers complaining about how orym should have died instead of laudna and ragequitting the campaign. but what does this have to do with dorian, you ask?

well, i haven’t seen any fanfiction or aus where dorian is laudna’s abusive boyfriend that imogen must save with her sapphic mind powers (again, if it does exist, keep that shit to yourself because we know it’s racist) but i have seen some imodna fans utterly despise orym and anything that has to do with him. and if they hate anything that has to do with him, that includes dorian.

most of the “dorian is a useless character that doesn’t need to exist/only exists for crazy fangirls/should die offscreen” comments as stated all the way back there come from imodna shippers sniping back at a lot of the people being crappy about their ship. or in fanfic/fanart they’ll overemphasize his snottier or selfish aspects or make him out to be an impulsive dimwit as a “joke.” long story short, they aim at the white guy and dorian gets gored with the shrapnel.

SO NOW WHAT?

i think it’s pretty obvious where to go from here. do better. watch exandria unlimited and exandria unlimited kymal! acknowledge the story that robbie is trying to tell.  be respectful and ask questions if people are willing to give answers. and if you don’t find dorian enjoyable or interesting as a character, think about why you don’t and ask yourself if you’d extend that same indifference to a white character. it’s not that hard to simply say that a ship or a character just isn’t your thing without being bigoted about it!

hopefully this post helped people see things they may have overlooked in their analyses of dorian and thanks to @bam-monsterhospital, @fear-ne and a bunch of anons for adding their input!