#collection of essays and interviews

[aneddoticamagazinestuff]

The End of Trust

New Post has been published on https://www.aneddoticamagazine.com/the-end-of-trust/

The End of Trust

EFF and McSweeney’s have teamed up to bring you The End of Trust (McSweeney’s 54). The first all-nonfiction McSweeney’s issue is a collection of essays and interviews focusing on issues related to technology, privacy, and surveillance.

The collection features writing by EFF’s team, including Executive Director Cindy Cohn, Education and Design Lead Soraya Okuda, Senior Investigative Researcher Dave Maass, Special Advisor Cory Doctorow, and board member Bruce Schneier.

Anthropologist Gabriella Coleman contemplates anonymity; Edward Snowden explains blockchain; journalist Julia Angwin and Pioneer Award-winning artist Trevor Paglen discuss the intersections of their work; Pioneer Award winner Malkia Cyril discusses the historical surveillance of black bodies; and Ken Montenegro and Hamid Khan of Stop LAPD Spying debate author and intelligence contractor Myke Cole on the question of whether there’s a way law enforcement can use surveillance responsibly.

The End of Trust is available to download and read right now under a Creative Commons BY-NC-ND license.

[libraryleopard]

Adult nonfiction essays on contemporary LGBTQ+ culture and issues

Specifically focuses in Britain, America, Turkey, Serbia, Berlin, and the Netherlands

Explores marriage equality, drag, gay bars, pride parades, and other similar topics

Accessible & thought-provoking

Lesbian author

[uwmspeccoll]

Cannupa Hanska Luger, New Myth, Future Technologies, 2021

Dana Claxton, Headdress-Jeneen, 2018

Teresa Baker, Hidatsa Red, 2022

Raven Chacon, For Zitkala Sa Series, 2019

Caroline Monnet, Echoes from a near future, 2022

Marie Watt, Skywalker/Skyscraper (Calling Sky World), 2021

Anna Tsouhlarakis, The Native Guide Project, 2019

Meryl McMaster, Harbourage for a Song, 2019

Marie Watt, Companion Species (Calling Back, Calling Forward), 2021

Staff Pick of the Week

An Indigenous Present proposes that a book can be a space for community engagement through the transcultural gathering of more than sixty contemporary Indigenous and Native artists. Published by BIG NDN Press and Delmonico Books in 2023, An Indigenous Present was conceived of and edited by Mississippi Choctaw and Cherokee artist Jeffrey Gibson (b. 1972) over the course of nearly two decades. 

In Gibson’s own words, “An Indigenous Present celebrates the work of visual artists, musicians, poets, choreographers, designers, filmmakers, performance artists, architects, collectives, and writers whose work offers fresh starting lines for Native and Indigenous art. But the book does not attempt comprehensiveness. Rather, those included here are makers I admire, have collaborated with or been inspired by, and who’ve challenged my thinking. . . . These artists and what they make will guide us to Indigenous futurities authored by us in unabashedly Indigenous ways.”  

An Indigenous Present features over 400 pages of color photographs, poetry, essays, and interviews resulting in a stunning visual experience for readers and a shift towards more inclusive art systems. The front cover art shown here is by Canadian artist Caroline Monnet entitled Indigenous Represent. 

View other posts from our Native American Literature Collection.

View more posts featuring Decorative Plates.

View other Staff Picks.

– Jenna, Special Collections Graduate Intern 

[probablyasocialecologist]

From the River to the Sea collects personal testimonies from within Gaza and the West Bank, along with essays and interviews that collectively provide crucial histories and analyses to help us understand how we got to the nightmarish present. They place Israel’s genocidal campaign within the longer history of settler colonialism in Palestine, and Hamas within the longer histories of Palestinian resistance and the so-called ‘peace process’. They explore the complex history of Palestine’s relationship to Jordan, Egypt, and the broader Middle East, the eruption of unprecedented anti-Zionist Jewish protest in the US, the alarming escalation in state repression of Palestine solidarity in Britain and Europe, and more. Taken together, the essays comprising this collection provide important grounding for the urgent discussions taking place across the Palestine solidarity movement.

[makingqueerhistory]

Freedom Is a Constant Struggle: Ferguson, Palestine, and the Foundations of a Movement

Angela Y Davis

In these newly collected essays, interviews, and speeches, world-renowned activist and scholar Angela Y. Davis illuminates the connections between struggles against state violence and oppression throughout history and around the world. Reflecting on the importance of black feminism, intersectionality, and prison abolitionism for today's struggles, Davis discusses the legacies of previous liberation struggles, from the Black Freedom Movement to the South African anti-Apartheid movement. She highlights connections and analyzes today's struggles against state terror, from Ferguson to Palestine. Facing a world of outrageous injustice, Davis challenges us to imagine and build the movement for human liberation. And in doing so, she reminds us that "Freedom is a constant struggle."

(Affiliate link above)

[ursacanid]

I generally encourage everyone to recycle and therians are no exception.

It is a beautiful experience to make something new out of what you already have. Cardboard, cans, soda tabs, plastic, boring and/or damaged clothes.

General tip: You can mix laundry softener and acrylic paint to make fabric paint. It may fade over several washes, but the paint keeps very well if placed in a container in the fridge.

I am starting a youtube channel called UrsaCanid where I will be giving tutorials on some of this list as well as video essays about therianthropy and hopefully therian interviews down the line.

Here are some ideas for ways to create joy out of junk:

1. Masks. Thin cadboard like from cereal boxes are perfect for masks and BirdyDogs has youtube tutorial on both feline and canine cardboard masks.

2. T-shirt yarn tails. Look up how to make t-shirt yarn and keep the strad thin. Then follow the typical yarn tail instructions minus brushing it out.

3. Claws. This can be made of either just cardboard or cardboard and metal from a soda can. Either method uses a good bit of hot glue. It is difficult to explain over text, but generally you make a ring out of cardboard for each of your fingers (marking which one is which) then you form the claw with your chosen other material. You then apply it and build it up with hotglue. Fingernail polish works really well for coloring them afterward. I will have a tutorial for this up soon.

4. Make your own kin plush out of t-shirt material and put something important or meaningful inside like at build a bear. You can then paint it or sew on buttons or random trinkets.

5. Paint. Your. Clothes.

6. Collect tiny junk like soda tabs, bread clasps, bottle caps, etc and make jewlery or a sensory jar. This is a particularly scavenger aimed activity.

7. Put packaging that has your theriotype on it up as wall decorations. If it's plastic, sew it onto stuff like a patch.

8. Be resourceful. Nothing, and i mean NOTHING, has only one purpose.

Sploot wide, kick hide, take pride

-UrsaCanid

[life-of-an-asexual]

Asexual Non-Fiction

Ace: What Asexuality Reveals About Desire, Society, and the Meaning of Sex by Angela Chen

An engaging exploration of what it means to be asexual in a world that's obsessed with sexual attraction, and what we can all learn about desire and identity by using an ace lens to see the world. Through interviews, cultural criticism, and memoir, ACE invites all readers to consider big-picture issues through the lens of asexuality, because every place that sexuality touches our world, asexuality does too.

The Invisible Orientation: An Introduction to Asexuality by Julie Sondra Decker

In The Invisible Orientation, Julie Sondra Decker outlines what asexuality is, counters misconceptions, provides resources, and puts asexual people's experiences in context as they move through a very sexualized world. It includes information for asexual people to help understand their orientation and what it means for their relationships, as well as tips and facts for those who want to understand their asexual friends and loved ones.

How to Be Ace: A Memoir of Growing Up Asexual by Rebecca Burgess

In this brave, hilarious and empowering graphic memoir, we follow Rebecca as they navigate a culture obsessed with sex—from being bullied at school and trying to fit in with friends, to forcing themself into relationships and experiencing anxiety and OCD—before coming to understand and embrace their asexual identity.

A Quick & Easy Guide to Asexuality by Molly Mulldoon and Will Hernandez

Writer Molly Muldoon and cartoonist Will Hernandez, both in the ace community, are here to shed light on society’s misconceptions of asexuality and what being ace is really like. This book is for anyone who wants to learn about asexuality, and for Ace people themselves, to validate their experiences. Asexuality is a real identity and it’s time the world recognizes it. Here’s to being invisible no more! 

Asexualities: Feminist and Queer Perspectives edited by Karli June Cerankowski and Megan Milks

As the first book-length collection of critical essays ever produced on the topic of asexuality, this book serves as a foundational text in a growing field of study. It also aims to reshape the directions of feminist and queer studies, and to radically alter popular conceptions of sex and desire. Including units addressing theories of asexual orientation; the politics of asexuality; asexuality in media culture; masculinity and asexuality; health, disability, and medicalization; and asexual literary theory, Asexualities will be of interest to scholars and students in sexuality, gender, sociology, cultural studies, disability studies, and media culture.

Refusing Compulsory Sexuality: A Black Asexual Lens on Our Sex-Obsessed Culture by Sherronda J. Brown

In this exploration of what it means to be Black and asexual in America today, Sherronda J. Brown offers new perspectives on asexuality. She takes an incisive look at how anti-Blackness, white supremacy, patriarchy, heteronormativity, and capitalism enact harm against asexual people, contextualizing acephobia within a racial framework in the first book of its kind. A necessary and unapologetic reclamation, Refusing Compulsory Sexuality is smart, timely, and an essential read for asexuals, aromantics, queer readers, and anyone looking to better understand sexual politics in America.

I Am Ace: Advice on Living Your Best Asexual Life by Cody Daigle-Orians

Within these pages lie all the advice you need as a questioning ace teen. Tackling everything from what asexuality is, the asexual spectrum and tips on coming out, to intimacy, relationships, acephobia and finding joy, this guide will help you better understand your asexual identity alongside deeply relatable anecdotes drawn from Cody's personal experience. Whether you are ace, demi, gray-ace or not sure yet, this book will give you the courage and confidence to embrace your authentic self and live your best ace life.

Ace Voices: What it Means to Be Asexual, Aromantic, Demi or Grey-Ace by Eris Young

Drawing upon interviews with a wide range of people across the asexual spectrum, Eris Young is here to take you on an empowering, enriching journey through the rich multitudes of asexual life. With chapters spanning everything from dating, relationships and sex, to mental and emotional health, family, community and joy, the inspirational stories and personal experiences within these pages speak to aces living and loving in unique ways. Find support amongst the diverse narratives of aces sex-repulsed and sex-favourable, alongside voices exploring what it means to be black and ace, to be queer and ace, or ace and multi-partnered - and use it as a springboard for your own ace growth.

Asexual Erotics: Intimate Readings of Compulsory Sexuality by Ela Przybylo

Through a wide-ranging analysis of pivotal queer, feminist, and anti-racist movements; television and film; art and photography; and fiction, nonfiction, and theoretical texts, each chapter explores asexual erotics and demonstrates how asexuality has been vital to the formulation of intimate ways of knowing and being. Asexual Erotics assembles a compendium of asexual possibilities that speaks against the centralization of sex and sexuality, asking that we consider the ways in which compulsory sexuality is detrimental not only to asexual and nonsexual people but to all.

Ace Notes by Michele Kirichanskaya

As an ace or questioning person in an oh-so-allo world, you're probably in desperate need of a cheat sheet. Covering everything from coming out, explaining asexuality and understanding different types of attraction, to marriage, relationships, sex, consent, gatekeeping, religion, ace culture and more, this is the ultimate arsenal for whatever the allo world throws at you.

Ace and Aro Journeys: A Guide to Embracing Your Asexual or Aromantic Identity by The Ace and Aro Advocacy Project

Join the The Ace and Aro Advocacy Project (TAAAP) for a deep dive into the process of discovering and embracing your ace and aro identities. Empower yourself to explore the nuances of your identity, find and develop support networks, explore different kinds of partnership, come out to your communities and find real joy within. Combining a rigorous exploration of identity and sexuality models with hundreds of candid and poignant testimonials - this companion vouches for your personal truth, wherever you lie on the aspec spectrum.

Sounds Fake But Okay: An Asexual and Aromantic Perspective on Love, Relationships, Sex, and Pretty Much Anything Else by Sarah Costello and Kayla Kaszyca

Drawing on Sarah and Kayla's personal stories, and those of aspec friends all over the world, prepare to explore your microlabels, investigate different models of partnership, delve into the intersection of gender norms and compulsory sexuality and reconsider the meaning of sex - when allosexual attraction is out of the equation.

[fanhackers]

Hey you! Have you made friends or found community through fandom? We want to hear about your experience!

What is this?

This is a zine, or a DIY collection of your submissions! It’ll be a booklet that is made available for free online after it’s assembled. We also hope to print a limited number of physical copies for contributors, depending on how many contributors there are and our funding. I hope that this zine will serve as a useful archive for people who want to learn more about this topic and as a way for people to connect with each other and see their experiences reflected in a collection.

What to submit:

We are looking for a blend of scholarly work, personal reflections, and generally thoughtful work. You can submit personal essays, academic papers, art, comics, interviews, oral histories, and more, as long as it can fit on the printed page! You could even submit a zine to include within a zine :) The medium/genre is not as important as the topic.

Brainstorming questions:

What makes fandom friendship special? How have your fandom communities changed over the years; have the ways people relate to each other changed? What can we learn from fandom friendships? 

Who am I?

I’m Lianne, and I’m assembling this zine with the support of Fanhackers. Some of my favorite people on the planet are people I met through fandom, so I love this topic :)

How to submit:

Email fanhackers@transformativeworks.org with your piece, how you’d like your name to appear in the zine, your pronouns, and a short bio (100 words maximum). If your piece is a written file, please make sure it is a .docx or .doc file. If it is an image, please send it as a PDF. 

If your work is not in English, we may be able to help translate it into English for you. Please reach out to our email (fanhackers@transformativeworks.org) to discuss this. 

Written works are limited to 8 letter sized pages (double spaced, 12pt font, 1 inch margins on an 8.5×11 default document page). This will come out to about 2,400 words in English prose. Going over a little is okay, but please try to keep your submission under the limit. 

Visual and multimedia works are limited to 8 pages. The size of the zine will be 8.5” (21.59cm) in height and 5.5” (13.97cm) width. 

Everyone here is a volunteer; this is not a paid opportunity.

When to submit:

Please send your submission by November 30, 2024. 

Any questions? Send us an ask on Tumblr or email fanhackers@transformativeworks.org!

[breeyn]

An essay rebutting the “bad writing” claims of s2 ofmd. Spoilers herein.

I’ll preface this with saying you’re obviously allowed to like and dislike whatever you want. I am in no way opposing that. And your reasons are your reasons. Have at. (Also - this is a collection of observations from the past few days, I’m not calling anyone out)

I AM going to rebut the idea that season two was poorly written and lost the spirit of what the show is about.

My favourite movie of all time is Empire Strikes Back. It’s been my favourite movie since I was four. I’m pretty sure it’s a fave of David Jenkins, too. He and Taika have made absolutely no attempt to hide their love of all things 80’s - Prince, the Princess Bride, Kate Bush, Star Wars, etc.

I have ancient video tapes (that I can’t play because who has a vcr) where Lucas is interviewed by Leonard Maltin? Malkin? I dunno. Who cares. Maltin asks him about the Star Wars (original trilogy) story arc. Lucas says “in act I, you introduce all the characters. In act II, you put them in a situation they can’t get out of, and in act III, they get out of it.”

That’s how it works. This is how stories and literary structures work.

Of course you’re not satisfied with season two. You’re not supposed to be.

The arguments I have read on why s2 loses the spirit of s1 is because no one heals. No one learns anything. No one moves forward properly. The person who makes the biggest move towards healing dies. The two main characters end the show doing the exact fucking thing they had promised themselves and each other they wouldn’t do. Our romantic lead still doesn’t understand his value or make any headway on addressing his tragic flaw. It makes no goddamn sense.

My gremlins in weird: it’s not supposed to. In Act 2, EVERYONE LOSES. This is how it goes.

I’ve read a lot of people saying “but this felt like a series finale, not a season finale.” We all know that outside politics play a part here, the strikes make everything precarious. I remember the last writers strike. It destroyed tv for fifteen years. Anyone remember Pushing Daisies? Some of y’all have never had your fave show cancelled with zero resolution for the characters and it shows.

Daddy J did us a kindness. He softened the blow of a tough season. After the brutal cliffhanger of s1, he gave us a little softness and hope. All those things you’re mad aren’t resolved? It’s because THE STORY ISN’T OVER.

No one on earth thinks “stuff all your trauma into a box and ignore it” is good advice. A way to actually live. This show did not have enough screen time to throw out dialogue for no reason. There was foreshadowing in s1 for s2, and there is foreshadowing for s3 in s2. This is a well-crafted story by very smart people who care very much for these characters. There is zero chance Frenchie explained the box in his head for no reason. The reason people have not resolved their trauma and growth is because they haven’t done it *yet*.

And friends - it’s not thinly veiled. They straight up fucking tell us what they’re doing.

Luke Skywalker spends the first two movies fucking up and desperately trying to prove himself and just generally being an idiot. Sound familiar? He ignores the lessons he is supposed to be learning to go off and do what he feels like doing, and loses fucking badly. At the end of Empire, Han is gone, Luke and Leia wave goodbye to the Falcon that has Lando and Chewy - the rest of their crew - aboard. Everyone has lost everything they care about. Vader is undefeated. Yoda is pissed. Nothing is resolved.

You see where I’m going?

If you think I’m stretching this too far, welp, when Ed tells Stede he loves him - the climax of the finale - Stede quotes Han fucking Solo. Like - *it’s right there*. The story structure. The reason everything is unresolved.

So yeah. They wave goodbye to their ship because they have wounds to heal (like Luke’s hand). The people aboard the ship have things to find. Ed and Stede have *not* learned their lesson about whims and how not to be like Anne and Mary. It’s not stupid that they’re doing the same thing, and it’s not pointless that we were shown Anne and Mary. It’s all relevant.

The resolution comes in Act 3. None of these people are done. The story is far, far from over. And just in case the studios want to be dicks about it, David Jenkins was lovely enough to not repeat my enduring heartbreak over Pushing Daisies.

Thank you, @davidjenks 🖤

[xzaddyzanakinx]

what do you think stalker!anis body count is?

i can’t work out if he’s had a “fuck everything that walks” phase or not

I’ve thought about this a lot actually, cause I’ve also had trouble deciding that lmao. I originally intended for stalker!ani to have BPD, but as he developed as a character I think antisocial personality disorder fits him much, much better. Both disorders experience hypersexuality.

In this essay I will…

Stalker!Anakin has never had a girlfriend before reader. Unfortunately he was painfully awkward and strange during his elementary school years:

Exhibit A: tying nettles together with worms (a beautiful bouquet if you ask me) and giving them to a girl he thought was pretty.

Exhibit B: staring and unapologetically eavesdropping on any conversation.

Exhibit C: starting conversations with “I am Anakin Skywalker, I am seven years old and I like to collect Hot Wheels. Do you like to collect Hot Wheels?” (Bc his therapist said he should try to be ‘relatable’ by finding people with similar interests. How is he expected to do that unless he systematically goes through his entire class list and initiates/interviews his classmates??)

Moving onto his middle school years were even worse bc he found out that girls are hot and hot girls make him horny. Everyone remembered him as the weird kid, told the other sixth graders and ruined his chances of winning people over with his new, carefully crafted personality/mask.

So when he asked his crush to the homecoming dance he bought real flowers (sans worms!!), and his mom helped him find a cute sign on Pinterest to copy… She refused the flowers and said “ew”, thinking there were prob bugs in it (she’d heard the gossip). Anakin unwrapped the flowers and shook them out to prove they were indeed wormless, made a joke and then the girl reconsidered her refusal and decided ‘hey maybe he’s not so bad, all kids are weird anyway so he’s probably fine now’.

Turns out he was in fact trying to be fine & normal. But ended up in a ‘Carrie at prom’ situation at the homecoming dance bc the guy who also liked Anakin’s date was there. Anakin ended up with a suspension and the other guy ended up with the girl.

Then the summer of 7th grade he wacked a grown man with a table.

That didn’t bode well for his highschool conquests of course! So he got his rocks off with the occasional use of the good ol’ ‘hide in the bushes with binoculars and hope Becky from Algebra changes in front of her window again’

Anakin got his first job at the Hot Topic when he was 17. This is where he tried out everything he’d learned over the years and he realized he was actually very decent at speaking to girls as long as he kept up his masked personality. Anakin stayed a virgin until a pretty girl with a nose ring (she worked at Claire’s, he was getting his ear pierced) complimented his Suicidal Tendencies t-shirt and he smooth talked his way into getting her in his car after his shift. Then… continued to do that for a while, strictly fucking. She thought it was strange that he never really wanted to talk before or after.

He was just trying to perfect his sex game and she was just a body. She wasn’t his dream gal, so she was perfect for making mistakes and learning from them. He didn’t have to worry about appearances or properly apologizing for accidentally not doing super great at something, he could just move on and keep going. After all, she was just a body to practice on.

Unfortunately for Anakin he had a brand new court appointed therapist at the time who didn’t think promiscuity was good for the healing and reconditioning process (it wasn’t).

So Anakin put a stop to fuckin’ the girl from Claire’s. He was very confused that she was so upset when he just completely ignored her. The next time they both worked, she waited at his truck like usual and he walked right past her and got in his truck, locked the door and backed out of the parking spot without waiting for her to move (she was fine just really mad).

Claire’s girl confronted him about it, thinking she’d done something to upset him and asked if that was his way of breaking up with her. Anakin’s like??? Break up?? We were never dating!!?? (This is how he found out that when you fuck someone weekly for over four months they will more than likely form an emotional attachment)

To avoid a repeat of that incident when he moved to the city for college (he dropped out obvi), he got a job as a bartender for the sole purpose of people watching for research and practicing being a normal dude. Being a normal dude includes learning how to pick up chicks, so I think he probably took a girl home once or twice a month just to keep sharp on his pretending and fucking skills so he’d be on his best game when he found the right girl.

So in conclusion, yes he did have a ‘fuck everything that walks’ phase. Just not for the sex. For research.

me reading the DSM-5 and diagnosing him. [im a doctor you can trust me]

Tag List:

@wickedtactics @tsugumiholic @kingdomhate @burnthecheshirewitch @exquisitcorpse @arzua10 @bby-imasociopath @depressed-kay @aliciaasky @naty-1001 @mrsmikaelsxn @bunnylovesani @ausskywalker @angelsadmired @chocolatepalacecloudhoagie @starkiller419 @hearts4mitski4 @lethargic @allhailbuckybarnes-blog @shadowhuntyi i @mortalheartache @fallinlovewithevil @sythethecarrot @chaoticantihero @vadersslut @luvvfromme @anakinsbaee @sweetcheesecakesblog @luvskywxlker r @angelsadmired @kaminokatie @anakin-pilled @graveyard-stray @chiaraanatra @jediavengers @zapernz @lunalitva @salted-snailz @queenofchaos99 @ellie-luvsfics @dazednstars141 @hopesworlld @lonaah @guiltycherries @syralix @doblasftcisco @demieyesore @hemmoxloser @ahano

[void-flesh]

🎤🎙Submissions Open! Are you a disabled musician? A fan? A nightlife or music industry worker? We want to hear from you! The struggle for accessibility is collective, let's stop trying to deal with these challenges in isolation, and celebrate together where we can. Open for pitches, essays, criticism, news and reviews, literary nonfiction, fiction, rants and raves, comics, and beyond. Don’t wonder if you’re “disabled enough”, if you have to think about your health beyond trying not to get kicked in the face in the pit, we want to hear from you.

**** The details: Payment starts at $10 and is dependent on length and sliding scale based on need. There is no fee to submit. 300-1000 words. Previously published works accepted. Writers will retain all rights to their work. Please credit Cripple Punk Mag as a first publication site as appropriate. Dm if you have a pitch you want to discuss or submit via the link in bio. Image ID: Black text graphic with yellow text with a star motif. Text reads: Submissions Open! Open for pitches, interviews and submissions from punks, musicians, fans, or anyone else working in live music who identify as disabled, chronically ill, or just unwell. Cripple Punk Mag is a zine about disability and accessibility in punk and DIY music. Reach out to @cripplepunkmag or the Submittable form linked in bio with submissions or ideas. Read Cripple Punk Mag On Substack

[aneddoticamagazinestuff]

The End of Trust

New Post has been published on https://www.aneddoticamagazine.com/the-end-of-trust/

The End of Trust

EFF and McSweeney’s have teamed up to bring you The End of Trust (McSweeney’s 54). The first all-nonfiction McSweeney’s issue is a collection of essays and interviews focusing on issues related to technology, privacy, and surveillance.

The collection features writing by EFF’s team, including Executive Director Cindy Cohn, Education and Design Lead Soraya Okuda, Senior Investigative Researcher Dave Maass, Special Advisor Cory Doctorow, and board member Bruce Schneier.

Anthropologist Gabriella Coleman contemplates anonymity; Edward Snowden explains blockchain; journalist Julia Angwin and Pioneer Award-winning artist Trevor Paglen discuss the intersections of their work; Pioneer Award winner Malkia Cyril discusses the historical surveillance of black bodies; and Ken Montenegro and Hamid Khan of Stop LAPD Spying debate author and intelligence contractor Myke Cole on the question of whether there’s a way law enforcement can use surveillance responsibly.

The End of Trust is available to download and read right now under a Creative Commons BY-NC-ND license.

[sweetteainthesummerx]

THE LOVE LASTS SO LONG (13)

In which they visit Paris!

series masterlist

notes: let me know if you want to be added to the taglist and leave a comment! Enjoy :)

★・・・・★・・・・ ★・・・・★

alexandrasaintmleux posted on their story

caption: Louvre, pastries and Aubrey

olliebearman posted

olliebearman c'est la vie (the only French I know 😌)

liked by kimi.antonelli, aubreyyang and 701,694 others

user1 ARE WE GONNA TALK ABOUT SLIDE 3

-- olbreylovers YES THATS DEFINETLY HER THEYRE SOFT LAUNCHINGGG

scuderiaferrari stick to italian

-- user2 ADMIN!!

landonorris nice sunnies

-- olliebearman thanks their borrowed

-- aubreyyang pls return them I can't see 😔

-- olliebearman omw 🏃‍♂️

-- user3 not them flirting under landos comment

-- landonorris right this is so rude I demand compensation

-- aubreyyang we'll get you a magnet

-- landonorris DEAL

user5 they're in love in this essay I will

aubreyyang posted

aubreyyang are you happy to be in paris? 🇫🇷💋

liked by alexandrasaintmleux, olliebearman and 670,332 others

view all comments

dior.n.goodjohn OUI!!

-- aubreyyang miss u bae

aryansimhadri pls bring me back a t shirt too

-- aubreyyang will do

user1 THEYRE SHARING SUNGLASSES = THEYRE IN LOVEEE

alexandrasaintmleux mignon

-- aubreyyang je t'adore <3

aubreyyfanpagee I love how we have collectively decided that yes, they are dating

MESSAGES

ollie

r u still up 😊

aubrey

yep what's up

ollie

wanna come to my room and watch a movie?

aubrey

ive heard that line before

ollie

NOOO I would just like some cuddles and a Disney movie pls

aubrey

okay :)

let me shower and ill head over

ollie

see you in 20

Aubrey examined her outfit: a big Ferrari shirt given to her through PR, a pair of cotton shorts and white scrunch socks. 

She figured it hardly mattered; more and more everyday, she was sure that Ollie would think she was beautiful not matter what she wore. 

When she showed up at his door, he was very broad, damp and shirtless. 

Not to brag, but she was one of the biggest young names in Hollywood. She’d worked with male models and actors alike, but none of them managed to stir up a storm in the pit of her stomach like Ollie could. 

His sweatpants (grey) were slung low on his hips, and he had a towel in one hand. With a dopey grin, he swung her into his arms as she squealed. 

“Oliver, you’re getting water in my hair! I just blew dried it!”

“Yeah? Looks nice.” He told her, all wide innocent eyes as he dumped her on his bed. The big television had Cars 1 & 2 queued up already. 

“Nice,” she grinned as he settled in beside her, “very fitting.”

“I thought you’d appreciate my wittiness.” He shrugged modestly, and she poked his rib. 

“Watch the movie, Bearman.”

“Yes, ma’am.”

He casually flopped over onto her lap, laughing when she groaned at his weight. Aubrey slid her right leg under him, and he shifted so he was lying between her legs, still facing the TV with his head resting on her stomach. 

“How are you liking France?” He murmured, sliding a big hand up and down her calf.  Something low and hot bubbled in her stomach and only intensified when he dragged the tip of his nose over the sensitive skin of her thigh.

“I love it here. It’s so rare I get to practice my French now,” she carded her fingers through his soft brown hair, “how about you?”

“It’s…” he sighed contentedly, pushing up into her hand like a puppy dog, “it’s…really nice, doing touristy stuff. During race weekends we don’t get to.”

“Hmm. And there’s not much paparazzi around. In America, it’s so terrible. I just want to hide away in my apartment.”

“I’ll bet. Sometimes I forget that you’re super famous.” He admitted, stroking her ankle with his thumb.

“Sometimes I forget when I’m with you too.”

“I think that’s good. We’re just…two normal people.”

“Do you remember my Elle magazine interview?”

“How could I not?” He answered quietly, and she flushed. 

“I meant what I said you know. You and Charl and Alex and Lily…I’ve never got to be a teenager and this is really nice.”

“Me too. I mean this is pretty glamorous, but,” 

“It’s still better than just the cameras and the fame.” She concluded for him, suddenly feeling very sleepy.

“You’re better than any camera and all of the fame in the world, Yang.” He murmured.

Her fingers slid to his ear, fiddling with the soft his earlobe.

She wondered what they were. He was her best friend, no one could make her laugh or feel so much like he could. Being with his was easier than it had been with Mace or anyone else. He always told her what he was thinking.

"You are something special, Ollie Bearman."

Aubrey woke up to the sound of a Shakira song and a space heater pressed up against her. 

She realized, blinking the sleep out of her eyes, that the Shakira song was Charles’s ringtone and the space heater was one Ollie Bearman. 

She was tucked under the covers, her legs tangled with his much longer ones. Her face was pressed into his bicep, his forearms locked firmly around her waist. He looked so angelic, sleeping through Hips Don’t Lie. She sat up slowly, reaching for her phone. 

“Hello?” She asked blearily.

“Hello? That’s all you have to say for yourself? Alex and I are worried sick! Where are you?”

“Oh, shit. Sorry! I fell asleep in Ollie’s room,” she heard Alex yell on the other side of the line and Charles gasp, “no! Not like that. We watched a movie and knocked out, honest.” 

She felt like she’d been caught by her parents. 

“Aubrey?” Alex came onto the phone, “You will tell me everything later. Also can we please leave before lunch to shop? Charl owes me a bag. I told him you two would end up in a situation like this!”

“You guys bet about us?” Ollie lifted his head, squinting up at her. 

“No..?” The older woman tried, “Okay, yes. See you in an hour!”

“Wha..” He asked, voice deep from sleep. She bit her lip, no one should look that good waking up.

He pulled her back down, pressing his face into her hair. 

“We should get up,” she murmured, having no intention of moving for a while. 

“Sure.” He replied, burrowing them further into the sheets. 

aubberieyaang posted

aubberieyaang ARGH I CANT STOP SMILING HEHEHHE

liked by walkdontrun, aryannawhatrudoinghere and 15 others

view all comments

celine_diorr another fallen soldier :(

-- aubberieyaang HE TOLD ME IM BETTER THAN FAME

-- celine_diorr damn maybe hes kinda good to keep around if he can get us more paddock passes

-- chuck_bushes yo can I get in on that

walkdontrun EW THERE ARE CHILDREN ON THIS PAGE

-- aubberieyaang ...

liv_laugh_love maybe so american was actually about you guys all along

-- aubberieyaang still a banger tho

★・・・・★・・・・ ★・・・・★

Taglist: @callsignwidow @iloveyou3000morgan @honethatty12 @taygrls @destinyg237 @ilivbullyingjeongin @eiaaasamantha @1uvsptnik

© sweetteainthesummerx.tumblr. all rights reserved. unauthorized copying, translation, or claiming of my writing or any works as your own is strictly prohibited.

[writteninkat]

Adoration's Abyss | Bakugou , Stalker Reader

synopsis: He was the untouchable star, and I was just another face in the crowd—until I wasn’t. What starts as admiration spirals into something far darker when love turns to obsession, and boundaries blur between devotion and delusion. You really are different from other girls… but at what cost?

w/c: idk i was hoping for 5k, i hope it reached

warnings: stalking

a/n: hey i wrote this while i was at the beach for five days. update on my life: been getting into poetry and essay writing again. finally had the balls to share my work with my friends and family lol

navigation

The moment I saw him, the world folded itself into something smaller, something manageable, as if the chaos of existence could be trimmed to fit within the orbit of his gaze. Katsuki Bakugou: a name that rippled through crowds like a thunderclap, his presence igniting every room he entered with the ferocity of a supernova. He wasn’t just an idol; he was a phenomenon, a living pyre burning too bright for ordinary mortals.

And yet, there I was. Just another face in the sea of adoration, clutching my ticket to the meet-and-greet like it was a lifeline to salvation.

“Hi, Katsuki! I loved you in—”

He cut me off, sharp as a blade but not unkind. “In Beyond the Blast?” His voice was rough, gravelly—a symphony of jagged edges.

I faltered. Did I seem too predictable? Too common? A sheep in the flock of screaming fans? My heart plummeted.

“Pouts are overrated,” I said, forcing a small smile, my voice softening into something calculatedly vulnerable. “I want to be different. Not just like…other girls. I loved you in the Eclipsed show, but also in Burning Hearts, Live Loud, Infrno's Edge...” I trailed off, naming a more obscure project, the kind only the most dedicated fans would know. I even threw in a few lines about a candid interview he once did, where he spoke about how sunsets reminded him of fleeting time.

His expression shifted—slightly, almost imperceptibly. But it was enough. The ghost of amusement danced on his lips, and he said, “Maybe you really are different from other girls.”

Inside, I was roaring. Victorious. Outside, I laughed softly, demurely. “Maybe.”

I am so much worse.

When I left the meet-and-greet, I told myself it was enough. To stand in his presence, to hear his voice aimed in my direction—wasn’t that already more than most could hope for? But hope is a greedy thing. It feeds on itself, growing hungrier with every indulgence.

That night, I couldn’t sleep. His voice lingered in my ears like a song on repeat, the low rasp of it curling around my thoughts. I replayed our brief exchange in my head, editing and polishing it, imagining what I could’ve said to make him linger just a second longer.

And then, of course, I opened the scrapbook.

It started innocently, as these things always do. A collection of concert photos, magazine clippings, interviews. But now, as I flipped through the pages, it felt insufficient. Two-dimensional. Katsuki wasn’t just a face on a page. He was a force, raw and untamed, and these flattened images could never capture him.

I needed more.

When I heard about his upcoming promotional event, I didn’t hesitate. The tickets were sold out within seconds, but I had connections—or rather, I made them. A fan forum moderator owed me a favor, and I cashed it in without a second thought.

The event was in a sleek, glass-paneled venue that gleamed under the city lights. I arrived early, blending seamlessly into the crowd. I wore my best dress—not flashy, but memorable. Just enough to catch his eye again.

This time, I didn’t bother with the front row. No, I wanted to watch from a distance, to see the full scope of his energy. He moved onstage like a storm contained within the fragile frame of a man. His voice electrified the room, his words sparking laughter and applause.

But every now and then, his gaze flickered over the crowd, scanning faces. Did he remember me? Did his eyes pause, even for a fraction of a second, on mine?

I convinced myself they did.

It was after the event, during the afterparty, that things began to change. I wasn’t supposed to be there, of course, but slipping past security was easier than I thought. People underestimate how much you can achieve when you’re polite, invisible, and just persistent enough to not raise alarms.

He was there, naturally—leaning against the bar, his posture relaxed but his eyes sharp. A few people approached him, but he brushed them off with a curt nod or a smirk that didn’t quite reach his eyes.

And then, somehow, I was beside him.

“Hey,” I said softly, almost shyly. “I’m surprised you’re not the center of attention.”

He looked at me, and for a second, I thought he might not remember. But then his expression shifted—a flicker of recognition, like a match striking against stone.

“You again,” he said.

From that moment on, it was as though I had been given permission. Not by him, of course, but by the universe. Surely this was fate, wasn’t it? To have crossed paths with him twice, in places swarming with thousands of people?

I began to learn things. Little things, at first—his preferred coffee shop, the route he took to the gym, the kind of music he played in his car when he thought no one was listening. These were harmless details, gathered with the precision of a collector adding rare gems to their trove.

But soon, harmless wasn’t enough.

The first time I followed him home, I told myself it was a mistake. I had been walking in the same direction, and it was pure coincidence that his apartment building loomed ahead of me. But then I did it again. And again.

His building was tall, sleek, and anonymous, but I found ways to breach its defenses. A delivery uniform, a borrowed ID badge—small deceptions that felt exhilarating in their simplicity.

I never crossed the final line. I never entered his apartment, though I knew exactly which door was his. Instead, I lingered in the shadows, content to imagine the life that unfolded within.

But imagination, like hope, is a hungry thing.

It’s funny, the way routine can warp into ritual. What began as occasional glimpses became a nightly pilgrimage. I knew his schedule better than my own. His habits—oh, how they fascinated me. The way he left his balcony door slightly ajar, as if inviting the wind—or something else. The flicker of his apartment light in the early hours, suggesting sleepless nights.

Once, I saw him standing there, silhouetted against the glow of his television, shirtless and utterly at ease. It felt intimate, watching him like that. Almost sacred.

He would never understand how much I admired him.

I started leaving small things behind. Harmless tokens—an autograph request slipped under his door, a pressed flower on his windowsill. Gifts that could be explained away if he ever noticed. They were never acknowledged, but that was fine. It wasn’t for him to notice. It was for me.

One night, he deviated from his routine. The precision of his life had always been a comfort to me—a series of movements I could predict and follow like a choreographed dance. But that night, he didn’t go home after his gym session.

Instead, he stopped at a convenience store, and I, foolishly emboldened by months of watching, followed him inside.

He was standing by the drink cooler, scanning the rows of energy drinks with a scowl. His hair was damp, his hoodie slung low over his face, and yet he was unmistakable.

I wasn’t supposed to get this close. Not yet.

But he turned, and suddenly we were face to face.

“Oh,” I said, startled into breaking the sacred silence between us. “Hi. Fancy seeing you here.”

His eyes narrowed. “Do I know you?”

My heart thrummed like a caged bird. Did he recognize me from the meet-and-greet? From the afterparty? Did he know I’d been watching him all this time?

“I’m a fan,” I said quickly, keeping my voice light, casual. “We’ve met before, at your event. Twice, actually.”

His gaze lingered on me, sharp and assessing, and for a moment, I thought I saw suspicion flicker across his face.

“Right,” he said finally, brushing past me with the kind of indifference that only he could make seem regal.

But as he left the store, I caught a glimpse of something in his expression—something that wasn’t indifference at all.

After that encounter, I couldn’t stop imagining what he thought of me. Did I stand out to him? Did he wonder about me the way I wondered about him? The thought was intoxicating.

I found myself becoming bolder. My nightly visits turned into longer stays. I started leaving notes with no name, no context—just fragments of thoughts I thought he might find poetic.

“The stars envy your light.”

“Even storms pause to admire you.”

“You are the reason the sun rises.”

Each one felt like a confession. A prayer.

But then one night, the notes disappeared. When I crept back to his door the following evening, there was nothing waiting for me. No sign that he had read them, or even seen them.

Had he thrown them away? Or worse—had someone else taken them before he could?

The thought burned like acid.

The line between admiration and possession is thinner than most realize. I crossed it without even noticing.

I started taking photos—not of him directly, but of the spaces he occupied. His balcony, his car parked in the same spot every night, the shadow of his figure through the curtains. My phone became a shrine, each image a sacred offering.

But it wasn’t enough.

One night, when I was sure he wasn’t home, I found myself standing at his door. My hand trembled as I reached for the handle, testing it. Locked, of course. But locks are just puzzles waiting to be solved.

I didn’t go inside—not yet. But I stood there, breathing in the faint scent that lingered in the hallway. It felt like standing on the edge of a cliff, the abyss yawning beneath me, daring me to jump.

The day it all unraveled was unremarkable. A sunny afternoon, ordinary in every way—until I saw him again.

This time, he wasn’t alone.

She was tall, elegant, with a laugh that rang out like silver bells. She touched his arm as they walked, her presence so seamless beside him that it made my chest ache.

The world tilted, sharp and unforgiving.

How dare she? Didn’t she know? He wasn’t hers to touch, to smile at, to laugh with.

He was mine.

I followed them, of course. Through the crowded streets, past the bustling cafes and shops, until they arrived at a small restaurant. They sat by the window, their faces illuminated by the golden light of the setting sun.

I stood outside, watching, my reflection in the glass overlapping with theirs.

For the first time, I allowed myself to hate him. Not just her—him. For being so blind, so careless, so utterly indifferent to the devotion I had poured into him.

You’re supposed to be mine.

The thought felt foreign, even to me. But once it took root, it spread like wildfire.

That night, I found myself back at his apartment building. The familiar routine should have soothed me, but it didn’t. My heart was pounding, each beat a war drum, as I stared up at his window.

The light was on. He was home.

But I wasn’t standing there just to watch anymore. I wasn’t there to leave notes or flowers or to bask in the glow of his existence. No, this time, I had crossed the threshold.

I waited in the shadows until the lobby door opened. A tenant stepped out, their face buried in their phone, oblivious to my presence as I slipped inside. The elevator doors gleamed like a portal to another world.

His floor was silent. The kind of silence that feels alive, pulsing with expectation. My footsteps were soft, my breath shallow, as I approached his door.

The lockpick trembled in my hand, but I’d practiced this moment a hundred times in my mind. The faint click was both satisfying and terrifying.

And then I was inside.

It was everything I had imagined and nothing like it at all.

The apartment was minimalist, almost sterile, with only a few personal touches—a jacket draped over a chair, an empty mug on the counter. The air smelled faintly of him, a mix of cologne and something darker, more primal.

I moved slowly, reverently, like a pilgrim in a holy place. My fingers traced the edge of the kitchen counter, the back of the sofa, the spine of a book on the coffee table.

And then I saw it.

A framed photograph on the bookshelf. It was him, of course, but not alone. She was there, too—the woman from the restaurant, her head tilted against his shoulder, her smile soft and radiant.

Something inside me snapped.

The sound of the front door opening shattered the silence.

I froze, the photo still in my hand, as his voice echoed through the apartment.

“Yeah, I’m home,” he said, his tone clipped, probably on the phone. “I’ll call you back.”

The click of the call ending was deafening.

And then he saw me.

For a moment, neither of us moved. His expression was a kaleidoscope of emotions—shock, anger, disbelief.

“What the—?” he started, but the words died in his throat as his eyes dropped to the photo in my hand.

“I just wanted to understand,” I said softly, my voice trembling. “Why her? Why not me?”

His jaw tightened, his hands curling into fists at his sides. “Who the hell are you? How did you get in here?”

I stepped closer, the photo still clutched against my chest like a shield. “I’m the one who’s been there for you. Watching, supporting, loving you when no one else understood.”

His face darkened, the anger in his eyes hardening into something sharper, colder. “You need to leave. Now.”

But I didn’t move.

“You don’t see it, do you?” I whispered. “How perfect we could be. How much I’ve given up for you. She doesn’t know you like I do. She’ll never understand you the way I do.”

His voice dropped, low and dangerous. “Get. Out.”

But I wasn’t afraid—not of him, not of anything. Not anymore.

“I’m not leaving,” I said, my voice steady now. “Not until you see me.”

The argument escalated quickly. His anger clashed with my desperation, the two of us locked in a battle neither could win. He tried to push past me, to call for help, but I grabbed his arm.

“Don’t,” I said, my voice breaking. “Don’t do this to me.”

He wrenched free, his movements sharp and unforgiving. “You’re insane.”

The word hit me like a physical blow.

Insane.

After everything I’d done for him, everything I’d sacrificed, that was what he thought of me?

I don’t remember much after that. The emotions—rage, heartbreak, betrayal—all blurred together in a red haze. I remember the sound of something shattering, the photo frame hitting the floor. I remember his voice, shouting, but the words were lost in the chaos.

And then, silence.

When I came back to myself, I was standing in the middle of the room, my chest heaving, my hands trembling. He was gone—whether he had fled or whether I had…

I couldn’t let myself think about it.

The apartment felt different now. The air was heavier, the shadows deeper. I looked down at the shattered photo frame, the glass shards glinting like tiny stars.

I picked up the photo, carefully tucking it into my pocket.

It wasn’t over. Not yet.

Katsuki would understand eventually. He had to.

After all, no one loved him like I did.

The room is cold, sterile. The kind of cold that seeps into your bones, reminding you that you’re somewhere you don’t belong. A single light hangs overhead, casting harsh shadows on the walls, and the mirror on the far side reflects nothing but my own weary face.

Well, not just my face.

I know he’s there, standing on the other side. Watching me. Listening.

The officer across from me clears his throat, his expression caught somewhere between pity and disgust. “You’ve said enough. We’ve got everything we need.”

But I’m not finished. Not yet.

“You don’t understand,” I say, my voice soft but steady. “It’s not what you think.”

He sighs, flipping through the file in front of him. I catch glimpses of photos—my notes, my gifts, his shattered photo frame. Evidence, they’d called it. Proof of my “obsession.”

“Help me understand, then,” he says, leaning forward, his tone patronizing. “Because right now, it looks like you broke into Katsuki Bakugou’s apartment and—”

“I didn’t break in,” I interrupt, my voice rising just enough to startle him. “I let myself in. He left the door open for me. He knew I was coming.”

The officer’s brows knit together in disbelief. “And why would he do that?”

I smile, leaning back in my chair, feeling the faintest flicker of triumph. “Because he needed to see me. To finally realize who I am.”

The officer shakes his head, muttering something under his breath before standing. “You’re delusional.”

The voices outside the interrogation room are muffled, but I can still hear fragments of their conversation.

“She’s nuts. Every detail she remembers—it’s like she’s been living his life alongside him.”

“Obsessed, more like. Did you see the journal we confiscated? She knows what time he brushes his teeth, for crying out loud.”

Someone else laughs nervously. “Poor guy. No wonder he’s freaked out. She’s on a whole other level.”

But then I hear his voice—low, gravelly, and unmistakable.

“She’s different.”

The laughter stops.

“What do you mean?” another officer asks cautiously.

There’s a pause, and I imagine him standing there, arms crossed, that signature scowl on his face.

“I’ve had fans follow me before,” he says, his tone unreadable. “They scream, they cry, they cross boundaries. But this one… she’s worse.”

His voice drops lower, and I lean forward, straining to hear.

“She’s worse because she actually got under my skin.”

The officer returns to the room, his expression stony. “This is over. You’re being transferred soon.”

But I barely hear him. My eyes are on the mirror, on the faint outline of movement behind it. I know he’s still there. Watching. Listening.

“I’m not sorry,” I say, directing my words to him, not the officer. “I’d do it all again. For you.”

The officer exhales sharply, shaking his head as he gathers his papers. “You’re a real piece of work.”

He leaves, and for a moment, it’s just me and the silence.

And then the door opens again.

I feel him before I see him. The weight of his presence, the intensity of his gaze—it’s unmistakable. He doesn’t sit, doesn’t speak. He just stands there, arms crossed, his crimson eyes burning into me like fire.

“You really are different,” he says finally, his voice low and sharp.

I smile, the kind of smile that comes from knowing you’ve won something no one else ever could.

“That’s what I’ve been trying to tell you,” I whisper.

He doesn’t reply. His jaw tightens, and for the first time, I see something in his eyes that wasn’t there before. Not anger. Not fear.

Something darker.

Something that looks an awful lot like acknowledgment.

End.

a/n: another reminder to never stalk people. i didn't write this to romanticize stalking, however, this idea's been weighing in my head and i knew i needed to write it down somewhere. here is somewhere. k bye.

[traincoded]

Sports and Politics reading list

(all can be found for free/libgen links)

The ‘Ungrateful Athlete’: Anti-Black, Anti-Labor Currents in Sports Media: Podcast episode from Citations Needed about the coverage of sportspersons in the United States. Interviews professor Amira Rose Davis.

Revolt of the Black Athlete, by Harry Edwards. Remember that fist raised in protest by Tommie Smith and John Carlos at the 1968 Olympics? Sociologist and activist Harry Edwards was the architect of the Olympic Project for Human Rights, which led to the Black Power Salute and called for an Olympics boycott.

Loving Sports When They Don't Love You Back: Dilemmas of the Modern Fan by Jessica Luther and Kavitha Davidson is a set of essays about what complicates sports fandom in modern sports by two journalists.

Beyond a Boundary by CLR James is a history and memoir of cricket in the West Indies and colonial legacies. James is a Trinidadian Marxist best known for writing The Black Jacobins.

Soccer in the Sun and Shadow by Eduardo Galeanos is a rebellious history of football through an anti imperialist lens. Galeanos is better known for his book Open Veins of Latin American.

Anyone but England: Cricket, Race and Class by Mike Marquesse: A Jewish American takes a look at cricket’s storied history when it comes to race and class, with particular focus on apartheid South Africa.

Marxism, Cultural Studies and Sports is a collection of essays in the Routledge Critical Studies in Sports series. Of interest is Chapter 7 on black Marxism and the politics of sport. Chapter 8 overviews theories of sporting celebrity, class and black feminism in context of the Williams sisters.

A Woman's Game: The Rise, Fall, and Rise Again of Women's Football by Suzy Wrack is a history of english women's football. If you've heard that women's football was banned by the FA in reaction to its encroaching on the popularity of the men's game, this is a good place to start abt that history to the present day.

[idk-bruh-20]

Irondad fic ideas #148

You know those homework assignments where you have to interview someone in your family and then write an essay about their responses? Fic where Peter's class is told to interview their dad / a father figure in their life. 

Peter decides to interview Tony. But, he doesn't want his class to accuse him of lying, and he definitely doesn't want Tony to know what the assignment is about. 

So for Tony, Peter makes it seem like the assignment is just to interview anyone. Then, he carefully chooses questions to ask that are domestic and personal enough to avoid any mention of superheroes, celebrities, or so on. The few details that do slip through he just leaves out of his final essay.

For the class problem, Peter solves it by referring to Tony in the essay exclusively as "dad"

Unfortunately for Peter, the teacher then announces a part 2 to the assignment. Right after collecting the essays, the teacher says they will now need to bring the people they interviewed to school for their presentations

Peter has pretty much decided to not even mention it to Tony and just say his dad is busy. But then Flash has to open his big mouth. 

He accuses Peter of just making his assignment up, loudly reminding the class that he's an orphan. Peter clarifies that this father figure thing is a new development, but now the teacher looks suspicious

Peter is going to have to ask Tony to come to his school. And he's going to have to explain why the class will be full of kids and their fathers