#clearly not anything finished
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robo-dino-puppies · 1 year ago
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sooooooo... s2 of good omens is coming out soon and I’m hyped (but nervous! but also hyped!). I’ve stayed away from most promotional material so aside from knowing about some new characters I’m going in pretty blind.
I don't really consider myself a writer ... I've never posted anything anywhere, or really shared anything ever. I don’t read a ton of fanfic bc for whatever reason the stars have to align just right for me to be into it, and that doesn’t always happen even for my most beloved fandoms (like star wars - love Luke to bits, can’t stand to read practically anything about him. and yet I can read Rebels and Clone Wars-era fic just fine. idek). buuuuuuut after s1 of good omens I did devour several months of other peoples’ fic, and start (and never finish) a thing myself, and I kind of wanted to post the very rough first draft snippets I had for... posterity? I guess? or... as a push for me to try writing more? so. be warned if you click the readmore it’s gonna be a giant text post.
I feel a little sad that I never did more with it, and a little sad that now with s2 it will be firmly AU instead of... whatever you call canon-compliant things that continue on after canon has ended, but also excited because maybe s2 will spark more ideas, since I kind of ran out of inspiration and drive. anyway!
working title was Fire Above the Tideline, and it follows a surveillance demon (Kri) and a filing angel (Elstael) and what plans Heaven might have had after the failed apocalypse.
if you’re reading this (why? haha) snippets are separated by ‘--’s and some might make sense in sequence, but some others have big timeskips with no context.
--
Kriddar watches. Surveillance and intelligence are far too sophisticated words for Hell's work, she thinks, after a few years of doing it. She just... watches. Things, people, places. High-valued souls ready to stumble. It's not exciting work, particularly. She's never there when things go down, as the humans say, if the things in question ever do, in fact, go down. Her rank is unremarkable - not the lowest of the low, but whatever happens at the top is far beyond her paygrade. (Not, of course, that she's ever been paid.)
Watching Earth isn't considered a desirable position. She gets jeering laughter and sneers when she tells other demons her job (although to be fair, that’s a common reaction from other demons about anything). You had to be stuck on Earth, after all, and spend a lot of effort avoiding getting too noticed by the humans. But Kriddar finds she actually likes it. Earth has air that isn't stagnant, humid, and choking with bitter ash. It has climates that aren't sweltering or freezing. Even in crowded cities, which remind her of Hell quite a bit, people tend to respect as much of a personal bubble as they can. In Hell, her fellow demons go out of their way to purposefully elbow everyone they can in a crowded hall. There are a lot of humans, but Earth is quiet in a way Hell could never be.
After the Armageddon-that-didn't, Kriddar is afraid that she's going to be called back to the home office as upper management figures out what to do. But she hears nothing for three days until she she gets her new assignment out of a tinny smartphone speaker. The kid in possession of said smartphone is annoying the very limited good graces out of a whole car of New York subway riders with a loud video of another child who is opening a toy for the camera. The level of discontent and malice being directed at both kid and parent from the rest of the commuters is truly breathtaking (to use a human turn of phrase) and would probably fuel the bubbling sulfur pools Downstairs for several millennia to come.
"DEMON KRIDDAR." The video-kid's obnoxious, ear-shattering voice gets a definitely demonic undertone that no one can hear but her. "YOU ARE BEING REASSIGNED."
"Mm?" she says to her book. Although people talking to themselves are not exactly an uncommon sight on the train, it's enough to draw people's attention when she doesn't want it, so she concentrates a little harder on being unremarkable. She's told them time and time again not to call her in public, but do they listen? No, of course not.
Nothing to make her job easier.
"LONDON. WATCH THE DEMON CROWLEY. MONTHLY REPORTS."
"Mm-hm." She flips a page. Watching a demon is unusual, but if this is the same Crowley that was mixed up in the botched apocalypse it makes sense. She's heard some rumors.
"FIRST REPORT DUE BY MONTH’S END. DO YOU UNDERSTAND?"
"Mm-hm," she repeats, and casually closes her book. The video goes back to being the shrieking kid, who is now screaming with laughter, and the palpable fury in the car ratchets up another notch.
Kriddar sighs and twitches her fingers against the creased paperback cover of her book. The smartphone miraculously flashes and spits a cloud of acrid smoke. The kid drops it with a yelp, and then starts crying. The murderous miasma that had settled over everyone in the car slowly starts to dissipate. Wet snuffles and wailing aren't actually much better than the previous noise, in her demonic opinion, but at least she's fairly sure that now the humans aren't going to pull out a weapon and commit homicide. That would have necessitated police, who would have asked everyone questions, which would have meant delays. Kriddar wants none of those things.
Now that she has a new assignment, she's got a plane to catch.
--
London feels much the same as the last time she'd been there, although that had been forty years ago. Of course, it looks different. The cars, the buildings, the people... She hangs around in Heathrow for a bit, watching the humans bubble about in the messy, harried, angry soup of emotion that is any international airport. The clothing isn't all that different from New York, of course, so she leaves her appearance as-is and gets on a bus heading toward Soho.
She's got a slip of paper in her pocket with the demon Crowley's last known whereabouts. A bookshop, apparently. This makes her smile. Kriddar likes books. They give her plenty of plausible cover when she's sitting around waiting for something to happen. For a while, that's all she'd used them for. But then, out of the boredom visited upon her by a target who refused to do anything reportable for days on end, she'd actually tried reading them, and... well. Humans were fascinating. She's read books about what they think Hell is like (all inaccurate, on the whole, but some parts they'd imagined are startlingly worse than the reality), on Heaven (she can't remember Heaven enough to judge their accuracy, but she figures they'd done about as well as they had with Hell), on human history (shockingly inaccurate considering they were the ones who had lived it), and everything in between. She likes fiction the most - imaginary humans doing imaginary things. Sometimes imaginary not-humans. It's like they’d invented their own plane of existence, drawn in it ink and stuffed it into the space between fragile paper pages. Creation on par with the Almighty Herself, if Kriddar felt like being blasphemous (she did).
The bookshop is on a corner, painted brick-red, with light stone columns framing a wooden door. She walks up to read the sign in the window, reaching for the handle, and immediately pulls her fingers away and hisses. She takes a step back. Something is awful about the door - no, not awful. Good. It's radiating... the whole place is steeped in... in angelic energy. She scrubs her tongue against the roof of her mouth and makes a face. Well, no new books for her, then. Anything coming out of that shop would reek of goodness and light. Entirely off-putting.
"He's closed," someone on the street says.
Kriddar winces. The shock of the bookshop's aura must have made her don't-notice-me glamour slip. She slowly gathers it around herself again as she turns. "Oh?" she says mildly to the human.
"Yeah, been closed since Saturday, I think. Some people around here swear the place was on fire then, but... well, looks fine to me. He keeps daft hours anyway."
"I'll try later, then. Thanks," she says. Her glamour should take care of it, but it never hurts to be polite when interacting with the humans, if only because they're less likely to remember her that way. With a final metaphorical tug she secures the I'm-unremarkable compulsion around her and watches as the encounter dribbles out of the human’s mind like water squeezed from a sponge. He continues on down the street as if he'd never stopped.
She retreats from the shop and finds a place to settle in and watch, and to check the paper in her pocket again. No, she definitely has the right address. The thing is, she just can't understand how a demon could be inside such a place for any length of time. It would have her tearing her corporation’s hair out. Perhaps it's the right address, but Crowley is no longer there? As she hides herself behind a newspaper, she reaches out with senses honed by centuries of observing. And yes, there is unmistakably one demon inside that shop. As well as one angel.
--
Four days later she sees the door to the bookshop finally open into the bright late-summer morning. Two figures come down the steps: Crowley is easily recognizable from his description, so the other must be the angel she'd heard about. They're smiling, arm-in-arm, and positively joyous. They both circle a shiny, black, illegally-parked car, and Crowley opens the door for the angel before sliding into the driver's seat himself. The car rumbles to life; he drives away with an unlikely effervescent laugh and a speed that the other humans on the road don't appreciate.
It should turn her stomach.
But there's something about them that is intriguing, pulling at her mind much like an unexpected plot twist in a book. Despite the positively heavenly vibe of the bookshop, the angel hadn't been throwing off holiness and Grace like the few other angels she's had the misfortune of meeting during her stint on Earth. And Crowley - for all that people said he was Satan's favorite, that he's been working temptations and wreaking havoc among the humans since Eden - was more of a mild, mosquito-like buzz of evil rather than a maelstrom of it. She folds up the newspaper and taps her fingers against the soft crinkled pages before dropping it on the sidewalk.
Now that Kriddar has the sense of him, she can follow his energy across the city. It's (unfortunately) not as easy as how the humans plug an address into their clever handheld computers and have it spit out a flag on a virtual map, but it's far better than trying to find him by sight alone.
It takes her a while, but she finally ends up at a restaurant. Going inside is far too risky - it's hardly two tables across, no corners to surreptitiously peek around, not even a leafy ficus near the door to lurk behind. There's a window, but the odd pair isn't seated next to it. She grumbles to herself. Outside will have to do.
She walks up and down the sidewalk on the other side of the street to judge her options, picks a spot, and waits.
They're just visible inside the shop - two figures seated opposite each other, plates and cups on the table between them. The angel tends to gesture enthusiastically; Crowley, on the other hand, is nearly motionless, leaning toward him with his chin propped on his hand and an expression on his face she can only describe as besotted. Every once in a while she can see that he speaks and laughs, but the angel clearly carries most of the conversation. Over an hour later they finally emerge. Again smiling and happy, again Crowley opening the door for the angel. His hand lingers on the angel's shoulder as he settles into the car's leather seat. They share a look of such overpowering fondness that even across the street, Kriddar sneezes. And then he gets into the other side of the car and speeds away.
She puts down her book and stares after them. This is not, she thinks in bafflement, at all what she expected.
--
The sign on the bookshop's door has not been changed to open, but she can see movement inside the windows. It's not him, but the angel. He walks around the shop, talking, picking books off shelves and tables, then walking out of her view. A little while later, he repeats the process. This goes on for long enough to force her to choose a different spot if she wants to stay in the shadows.
Finally the doors open again.
"Just think of it this way," Crowley says, stepping out. "Now you actually have some books to sell."
"I've sold books before," the angel insists, coming to the door and watching Crowley saunter to the car.
"Mm," he says. He opens the driver's side and leans against the frame casually. "How many? One every decade? One every two decades?"
"Oh, hush," the angel says, and they both laugh.
Kriddar barely holds in the sneeze this time.
Crowley slides into the seat. "Be back before dinner."
"The Ritz?" The angel's eyes light up.
"Whatever you want, angel," he says, and drives off with another unbearably fond look.
She waits until the angel has gone back inside the shop and she can no longer see him in the windows before following the trail of Crowley's energy. It leads her to a block of expensive flats in Mayfair. The car is parked outside and he is nowhere in sight. It presents more of a challenge, snooping-wise, than the bookshop had. There's far less cover.
Eventually she decides to use the roof of a neighboring building. It's short work to miracle the locked lobby open and take the stairs to the top floor. Another miracle and she's through the door to the roof.
Crowley's flat is a penthouse, and she's got a great view of it from her new spot. She immediately sees motion through one of the windows, although she can't see him, exactly. There seems to be a great deal of vibrant green vegetation in the way. She settles into a seated position and props her chin on her hand.
--
The unexpected whump of seriously strong demonic wards materializing out of nowhere nearly knocks her sideways. For a panicked second she is sure he's spotted her and she's going to have a fight on her hands, and Kriddar is terrible at fighting.
But nothing comes, and when she gathers her courage to probe at the wards, she finds them neatly contained by the walls of the flat. She can no longer sense his presence behind them.
"Well fuck you too," she grumbles. First the assignment turns out weird - demon and angel, somehow involved in the failure of Armageddon, apparently best of... friends? - and now he has to go and make it difficult on top of that?
She climbs to her feet, feeling suddenly exposed without her supernatural senses being able to pinpoint him. The ward even seems to block her human vision though the windows, because they've turned both strangely flat and excessively reflective at the same time. It's enough to give her corporation a headache.
The roof is no longer a good vantage point, so she goes back down the stairs and reinforces her don't-notice-me enough that she hopes it will work even with on demons. There's a good view of his car through the lobby windows, so that's where she parks herself, doing away with any pretense of books or newspapers.
She can feel the second he leaves the flat and pops back up on her metaphysical radar. She holds perfectly still.
He doesn't even glance around as he saunters out of his building and climbs back into the car. A pedestrian has to dodge him before she loses sight of the car to traffic.
--
It's already getting easier to track him, now that she knows some likely places he'll go. She travels rather confidently back to the bookshop, pleased to see the car parked carelessly outside it, but she freezes as she gets closer. The same dark wards that he'd put up at the flat are here, too, as well as a shimmering angelic protection that floats outside the whole building, looking like a soap bubble if she stares into another dimension. She grumbles.
--
What Kriddar doesn't realize is that Heaven has sent another angel. It's just that they're as astonishingly good at their job as their previous colleagues have been bad at it.
The don't-notice-me around them is so intense that it takes her five whole days to, well. Notice. When she does, it's just the tiniest itch at the back of her brain. Like a toothache that your tongue couldn't leave alone, she imagines, if she'd ever have had a toothache. Her eyes keep wandering away from Crowley to a particular bench, then she scolds herself for getting distracted and looks back at Crowley. But then her brain says, hey, wait, there's something... and she looks back to the bench. It's nearly ten minutes of this before she sees the angel, sitting upright and still, and it's a minute more before her brain can comprehend that she's seen the same angel for four days in a row, but just not noticed them.
"Well, damn," she breathes to herself. She's never been aware of being on the receiving end of a misdirection before. It's unsettling and impressive at the same time.
She gets up and walks over to the bench. It's a risk, she supposes, but she's so curious. This angel is clearly different from the others.
--
[cw: uhhhhh violent “death” (discorporation) lol - nothing too graphic I think]
"Remove your hand from me," the angel says coldly.
Kriddar blinks and does so. Then she steps back onto the sidewalk and shrugs, palms up.
"Do not presume to touch an angel of the Lord," they say, and walk on.
Unfortunately, straight into the path of an oncoming red double-decker bus.
Tires screech, as do humans, and a fragile flesh-and-blood corporation goes flying. Kriddar slides her hands into her pockets and surveys the grisly scene with no small amount of amusement. The angel's corporation isn't getting back up, that's for sure. It gives a few wet, pained gasps before going limp as the humans scream and flutter about.
"Watch out," she says, with the mild air of someone commenting on the weather. "There's a bus."
The angel, floating ethereally above their former corporation, sends a blistering metaphysical glare in her direction.
"You might want to learn how traffic works," she suggests. "Otherwise you were doing great. Top notch, really. Much better than your colleagues." She gives a jaunty wave and picks her way through the stopped cars, around the vaguely human-shaped smear and the unhappy mortals, to the other side of the street. She can practically feel the glare on the back of her neck before she hears the whoosh of the angelic energy leaving the earthly plane of existence. She allows herself a laugh and continues on to the Soho bookshop.
Two days later they're in the park again, and so is a certain angel.
"That must have set a record, getting the paperwork for new corporation through so fast," she says, coming up behind the bench and dangling her arms over the back of it.
The angel doesn't respond for a few long minutes. Kriddar doesn't mind. She watches Crowley instead, noting the way he leans into Aziraphale's shoulder and how their fingers brush together as they toss peas to the ducks. Don't presume to touch an angel of the Lord, indeed.
"You were trying to warn me," the angel says.
Kriddar gives them a sideways glance. "I was."
"Why?"
"We were having a conversation, weren't we?" She shrugs. "Terrible way to go, anyway. Happened to me once, back when cars were newer and traffic wasn't so... regulated. By the way, you read up on that yet? Traffic?"
"I... yes." If she's not mistaken, the angel looks sheepish. "I believe I underestimated the dangers of this plane."
Kriddar laughs and leans closer. "Oooh, yes, lots of lovely ways to die here. Humans are very creative."
"It's amazing that they survive against such adversity."
"Suppose," she says.
They fall into silence, watching their respective targets. They finish with the peas and lounge against the fence for a while, watching the ducks. The sun floats lower, painting the pond with autumnal gold light. That's a sight you wouldn't get in Hell, she thinks. And probably not Heaven, either. Nothing holy about it, after all, just... Earthy.
"I like this one better, anyway," the angel says, apropos of nothing.
Kriddar blinks, and wonders if she’s missed the angel saying something before. "Sorry?"
"This corporation." They look down at themselves, stretching long fingers out above their knees, sticking their feet out too, as if to examine them. They're taller than the last time, obviously taller than Kriddar (most people are). Their features are less masculine, although not what she'd consider particularly feminine, either. Too strong a nose and too sharp of a jaw for that. Their skin is darker than Kriddar's, sort of a latte-ish color (Kriddar likes lattes, especially from a particular American chain of coffeeshops - there's a bitterness in them that's not entirely from the coffee that is a delight to her demonic tongue), and their hair is a dark brown halo of curls.
"Well, better try to stay out of traffic, then," she says.
For the first time, the angel cracks a smile. Just a tiny one, just a little lift of the corners of their mouth, but it sparks something inside Kriddar. Hell isn't the place to trade jokes. Derisive laughter, sure, but not friendly amusement. And that's what it feels like - friendly. It's a new feeling. She's surprised to find that she likes it.
"Do you like yours, ah, Kree- Kree..."
"Kree-dar," she enunciates. "My body?" She wiggles her fingers. "Sure, I guess. A bit short, but nice enough. It does its job."
"Kriddar, sorry. I'm Elstael." The angel holds out an elegant hand.
"Thought I wasn't supposed to touch you?"
The angel looks... embarrassed. "I apologize for that. I misjudged you."
She takes their hand and gives them a sharp smile. "You really didn't. I could've stopped you getting run over by the bus if I'd tried."
A flicker of uncertainty crosses their features, but they don't drop her hand for another second. "And I could have researched Earth more thoroughly and not assumed the worst of you. But here we are."
"You should assume the worst of me. I'm a demon."
The angel folds their hands on their lap. "I suppose that's true."
But they say it with another twist of their lips, like they're sharing a joke, and for some reason Kriddar doesn't feel like pushing the issue.
--
She thinks about the exchange later, staying out of the rain in dragonfly form as she watches Crowley's flat. The angel - Elstael - had unintentionally shortened her name, as if it were a nickname. She is... unused to the idea. If you got a nickname in Hell, it wouldn't be a nice one. Kriddar wasn't her original name, of course, but it was the only one she could remember. It had never felt right, not exactly, but it was what she had.
Except.
Except she had heard that after the fall, Crowley had been called Crawly, and he had chosen the name Crowley for himself some time later. "Flash bastard," they'd said, scornful. But just like that, he’d picked a new name, and kept it. And most demons called him Crowley now.
"Kreeeee," she says to herself. "Kri."
It sounds interesting. Fun. Different.
She thinks she'll keep it.
--
"Kriddar," the angel says the next time they see each other.
"Actually, it's Kri now," she says.
The angel raises their eyebrows. "Oh?"
"Yeah. You messed my name up the other day, but I like the way it sounded. So. Kri."
The angel presses their lips together and frowns. "Can you do that? Just... change your name?"
She shrugs. "Why not?"
Silence falls as the angel - Elstael, she figures she should call them, since they don't seem to be going anywhere - considers this. Crowley and Aziraphale share lunch at a cafe, their legs tangling under the little table. A cup of steaming coffee and a single plate with half a sandwich sits in front of the demon; there's a much wider spread in front of the angel - pasta, a salad, a few half-eaten appetizers. As she watches, Aziraphale offers some of the pasta to Crowley, who leans across the table to bite it off the fork. He licks his lips and smiles, says something, and Aziraphale smiles back.
She doesn't feel the urge to sneeze, anymore. Perhaps she's become immune.
"Do you understand this?" Elstael asks, after they're done with their meal.
"Understand what now?"
They wave a hand at the scene in front of them. "The whole... That."
"Nah," she says. "Not my job, anyway. I'm just supposed to watch and report."
"But..." They rub their fingers against their crisp dove-grey trousers. "Don't you wonder?"
She smirks. "Careful with wondering, your celestialness, that's dangerous for angels."
"I’m not entirely sure it is, though? If that," they gesture to the cafe, where Crowley is gazing nothing short of adoringly at Aziraphale, who is returning the gaze in kind, "isn't enough to cause him to Fall, I don't think that wondering about it is either."
They have a point, there. Crowley is her job, not the angel, but she has to admit she’s through about it. Why hasn't the angel Fallen? It must be a sin to... to do whatever they're doing. Angels and demons don't mix. They're like poles on a magnet, aren't they? They should push each other away. They shouldn't be able to touch.
Aziraphale slides his arm around through Crowley’s. For a fraction of a second, she thinks Crowley actually blushes, which shouldn't be possible for a demon, should it? Then he smiles easily, brightly, and they walk down the street.
Before they get too far away, she and Elstael rise from their bench and start to follow.
"I kept track of his file," they say out of nowhere.
"You know," Kri says, "you really need to work on your conversational rhythm."
"Sorry. Aziraphale's file, in Heaven. With all of the records we had on him. Centuries of travel records and photos. He shows up a lot."
"He shows up in his own file, does he? Shocking."
"No, I meant... the... the demon." They hesitate before saying quietly, "Crowley." As if his name will summon him.
Kri frowns and looks over. "'Shows up a lot' meaning...?"
"Frequently," Elstael says.
She makes a face and lets her head fall back in exasperation. Conversations with the angel are a bit like taking a tapestry apart thread by thread. Painstaking and excruciating, but she wants to know what will happen if she tugs at a strand, so she keeps on doing it.
"I meant," she says, with a patience that surprises even herself. "How. Frequently."
They look at her, hesitating, as if they've just realized that perhaps they shouldn't be sharing this information. She uses her experience with human interaction to look open, friendly, nonthreatening. To her surprise, it seems to work just as well on the angel, and they continue. "At first, not often. Then every few centuries. Then every few decades. Quite frequently, in this last millennium."
"Heaven knew this and didn't do anything?"
Very intriguingly, the angel looks uncomfortable. "Well, I was in charge of the file."
Pick, pick, pick. Kri pulls at the thread. "You mean, you knew, and didn't tell them?"
"I didn't know anything." Elstael sounds, if anything, regretful. "I didn't- he was just around. They were enemies, weren't they? They would meet sometimes. Er, in that capacity."
"But...?"
They don't answer right away, because their targets have stopped. There's a little food cart selling frozen desserts. Aziraphale orders, hands over the bits of plasticky paper the humans value so much. Takes ice creams from the vendor, passes one to Crowley.
"You ever had ice cream?" Kriddar asks.
"Of course not," they answer, immediately.
"Afraid it would tarnish the holiness of your ethereal person?" Kri thinks the pair has moved on enough, so she steps into the line. Elstael joins her.
"No, I've never eaten anything before. I told you this is the first time I've been to the physical plane."
"Oh." They wait, the angel looking over her head toward Crowley and Aziraphale, who have stopped to peer in some shop windows. "You want one, then?"
Elstael doesn't answer until she's next in line. "I suppose."
"Two vanillas, one plain, one with sprinkles," she orders, holding out some rather confused pound notes that had seconds before been unsuspecting scraps of paper in her pocket. "Loads of sprinkles."
Elstael eyes the money suspiciously, but says nothing. They take the plain cone in hesitating fingers and examine it as if looking for a hidden grenade.
"Either convince it not to melt or eat up quick," she says, taking a messy lick of her own and getting sprinkles on her face. Elstael looks satisfyingly horrified at her lack of manners.
They continue on down the street. It's hard to keep an eye on Crowley when she really wants to see the angel's reaction to ice cream, the first thing they'll ever have eaten.
Elstael takes a breath like they're bracing themselves for pain. Then, gingerly, stick their tongue out and touch the ice cream.
"It's cold!" they say, as if taking offense.
"Ice cream," Kri says, not holding in her laugh.
"Ah." They take a tiny bite off the top of it. "Hm." They swallow. "It's.. sweet."
"That's the point. It's dessert."
They're silent again for a while (Elstael may find it strange at first, but has no difficulty finishing the ice cream) as they pace behind Crowley and Aziraphale. The angel miracles their fingers clean and disposes of the wrapper neatly in a trash receptacle. Kri catches their eye and drops hers on the sidewalk.
"No!" they scold, and retrieve it with a glare. Kri grins and shrugs with her hands out, sticky fingers and all.
"Was it any good, then?" she asks.
"Don't litter," they say. "Yes, it was actually quite nice. Is all food like that?"
"Not at all. You got your sweet, your sour, savory, salty, spicy. Or any combination."
"How interesting."
"Yep, humans are fascinating. So back to the files," Kri says, unable to let it lie any longer. It's like a book she can't put down, fingers drawn to turning the pages until she finds out what happens. "You knew they'd been meeting, but...?"
"Ah. It just seemed - well, I was only a clerk, after all. I didn't have anything to do with collecting the information. No one asked. So I never brought it up." They pause again as their targets do. "I thought it was strange, though, an angel meeting a demon like that. I kept track, whenever I had to add anything to the file. And I suppose..."
Kri waits, the weft slipping out of the warp slowly, tortuously. Don't make me pull more, she thinks.
"I suppose I thought they were happy."
She quirks an eyebrow.
"I know it seems strange. They shouldn't be, should they? They’re opposites. But look at them." They gesture to the pair, standing at the base of the wide steps leading up to a museum. "They are happy, aren't they? Despite... everything."
"It appears so," she agrees.
"I didn't think it was wrong. And then after... well, what happened..."
"The failed apocalypse?" Kri supplies.
Elstael gives her a little sideways look. "Well, no. I mean after."
"What about after?"
The angel looks startled. "You don't know?"
This puts her ill at ease, that the angel knows something she doesn't. But she doesn't let that show. "I know what happened in Hell," she lies confidently.
"Well, I don't know about down there, but I heard Aziraphale was, er, escorted to Heaven to face his punishment, and he was able to stand in a hellfire inferno without it so much as singeing a hair out of place."
Kri feels a chill go down her spine. She had heard rumors to the same effect concerning Crowley, except with holy water, but she'd dismissed them as wild hyperbole. Demons couldn't survive holy water. And angels couldn't survive hellfire. Those were just facts.
But apparently they weren't. Not anymore.
"So that's why they want to keep an eye on him," Elstael finishes, not noticing her discomfort.
"Obviously," she says.
"But he hasn't done anything since then, has he? Neither of them have. They're just..." Here the angel sighs. It's a delicate, almost longing sigh, and it makes Kri's lip twitch in distaste. "Well, they're in love, aren't they?"
"Yeah, and my sinuses don't thank them for it." The two are going up the steps now, into the museum. She starts to follow them, but the angel stays put.
"Wait, won't they see us?"
Kri laughs. "They already know we're around. If they wanted their privacy, they should have tried harder to lose us. We know they can if they want to."
Still Elstael hesitates, so she shrugs. "I'm doing my job, featherbrains. See you later."
She leaves the angel at corner of the street and jogs up the steps.
--
The place is full of art. It is, in her opinion, staggeringly uninteresting. She would think that as a fellow demon Crowley would share said opinion, whatever company he was keeping these days, but he seems to be as engaged as Aziraphale. They trade quiet comments, laughing sometimes, silently observing at others. Some of Crowley's thoughts on the artists are properly unkind, which she approves of, but then sometimes Aziraphale agrees with him and adds his own biting, decidedly unangelic commentary as well, which is unsettling.
...stood in a hellfire inferno, they'd said. But Kri can feel the holy presence of him all the way across the exhibit hall. He's no fallen angel, and Crowley is still definitely a demon. The shiver revisits her spine and she thinks, the world really is different now, isn't it.
She loses them about halfway through the museum. Fair's fair, she decides, and starts to head back toward the entrance, when a hand clamps around the lapels of her jacket and throws her against a dimly lit wall. Her useless breath escapes her lungs in a squeak.
"You're following usssss," he hisses, and she presses herself back against the wall.
She's been trailing him for over a month now, and she's never been this close to him. She's seen him laugh, and make a ridiculous number of besotted faces at Aziraphale, and drink coffee and wine and eat ice cream and feed the ducks at the park. The only demonic thing she's really seen him do were the wards around his flat and the bookshop, and they weren't even nasty ones. The impression she had formed, given what she had observed, was that for being the Serpent of Eden he was seriously off his game, and therefore harmless.
She is hastily revising this opinion.
Back when she had first clocked him coming out of the bookshop, she had expected him to be a maelstrom of evil, but she'd thought he was more like a mosquito. Now, here, with one of his hands twisted in her jacket and the other planted by her head, slitted snake eyes just visible over the top of his sunglasses, he puts her more to mind of the fire in a forge - banked, but ready to be stoked to an inferno within seconds. She's not afraid of his rail-thin corporation, or even what he could do to her in a fight, but rather the concentrated, determined intensity of his occult aura. It's not vicious or hateful like some of the more powerful demons she's met, it doesn't make her want to cower like the one time she'd had to give a report to Lord Beelzebub, but he wasn't off his game, not in any way that mattered in a confrontation like this. If anyone were off their game, it was her. She doesn't think she's ever misjudged a target this badly.
Slowly, she raises her hands, empty and placating, and tries to keep her voice calm. "Just doing a job," she says.
Her honesty seems to surprise him. He narrows his eyes further. "Oh, that'ssss it, is it?"
"It is. Observe and report. That's all."
His poison-yellow gaze travels across her face. "Hm," he says, twisting his grip tighter. "And what if we don't want to be followed?"
She coughs. Bargaining has been a successful tactic for her in the past. "Discorporate me and they'll just send someone else. Maybe someone who won't back off if you give them the slip around exhibit hall C. Devil you know and all that."
His lips twitch. "Not a terrible offer," he says. "But you're asking me to trust a demon. That rarely works out, in my experience."
"I've got nothing against you. Or him," she adds. "This is a nice assignment. Nice city. Trust that I'm lazy and selfish." And scared out of my fucking wits right now, she doesn't say.
Gradually, the fingers on her jacket loosen, and he gives her a wry smirk. "You've got a point there."
She keeps her hands up even after he lets go.
"I doubt Downstairsss will be very happy if they hear I caught you." he says, pushing the sunglasses up his nose. "I'd keep your reports short and sweet."
"I'm not stupid," she says. "Told you I wanted to keep the job."
--
Elstael stops to read some advisory signs before descending onto the beach. Kri waits, because she knows if she doesn't that she'll be called back to hear what they're about and it's easier to get it all over with in one go.
"It's a marine protected area," the angel says after finishing one of them.
"Good for it," Kri says.
A group of young, brightly-clothed, slightly raucous people approach the stairs and stop at the top of them as they shuffle various belongings among themselves for some reason. A woman dressed rather more plainly comes up behind them and frowns that they're blocking the path. She's wearing an expression that would be a perfect textbook example of "local resident observes tourists and is Very Tired of it" had any language possessed a word for such a thing.
"No fires above the high tide line?" the angel reads. "What does that mean?"
Kri shrugs - she's not planning on starting any fires - but the woman answers them.
"There's not much sand here, usually," she says. "It's mostly rocks, and underneath the rocks there's driftwood, even though you can't see it. So if you start a fire where the high tide won't put it out and it starts the driftwood smoldering, you could catch the whole beach on fire."
"Oh!" Elstael looks distressed. "Has that actually happened?"
The woman nods. "Yeah, in the seventies, I think. Some teenagers started a big one down at the other end."
Elstael tries to look down at the beach, but the view is blocked by the cliff and the young people. "And where is the high tide line?"
"This time of year, it's right at the bottom of the rocks, on the sand. You can see where it leaves a line of seaweed and stuff. In the winter it's practically up to the base of the cliff." She frowns harder at the group, who have finally started their descent. "But hardly anyone visits in the winter."
"Bit wet for sightseers?" Kri asks. She's had assignments in this part of the world before, and remembers what the winters are like.
"A bit," the woman agrees.
"Thank you," Elstael says to her, and she gives them a mild smile and nod before disappearing down the stairs.
The angel takes a few moments to finish reading the fire sign. Kri waits for them to move before following.
The woman had been right about the amount of rocks. There are at least fifty feet of grey, round-tumbled stones in a messy slope down to the sand. They're mostly on the large side, some as big as a human head, and they both have to be careful to not turn their corporations' ankles on them.
It's windy closer to the ocean. Before too long Kri feels her skin getting salty-sticky and her hair tangling with itself. Still, the sun is just the right temperature and the constant hiss and crash of the waves is soothing. She takes a deep breath and lets it out slowly.
"What do you think?" she asks Elstael after a few beats of silence.
They turn their face into the wind. "I like it," they say. "It's very different from London, though."
"I'd say," Kri laughs. "Lots of places are different from London."
They turn bright, curious eyes to her. "Oh?"
"Well, yeah. Pretty much everywhere is different from everywhere else. Big cities tend to share some things, and small places do too, but everywhere is... unique."
"I didn't know." They start walking along the edge of the wet sand. "Heaven is more or less the same all over."
Hell isn't, Kri thinks. Hell is all sorts of uncomfortable differences - hot and cold, generally crowded but sometimes achingly desolate, dank, parching, filled with agonized screams or vicious whispers. It goes without saying that she tries not to think about it at all.
Instead, she points out a purple snail shell a little bit further on, and the angel inspects it curiously.
"This was an animal," they say, almost scandalized.
"Yeah. It was a snail." Kri points out the empty space inside the shell. "Not anymore."
"How sad," Elstael says, and they sound genuinely distressed about it.
"Circle of life, innit?" She shrugs. "You didn't kill it."
"I suppose," they say, bending to put the shell back on the ground.
"You can keep it," Kri says. "Take it as a souvenir. That's what people do at the beach."
The angel hesitates, the shell still pinched delicately between their fingers.
She chuckles at their indecision. "The snail isn't gonna want it back."
"It is beautiful," they say, straightening up.
Kri grins. They continue on down the beach, until they reach an outcropping of rock that stretches all the way into the water. There are tidepools there, and they inspect them for a while. A (living) relative of Elstael's shell leaves a squiggly trail in the sand in one, and intensely - almost neon - green anemones wave short tentacles in another. "Nice color," Kri compliments them. It's nothing compared to electric blue, but still a good effort.
As they peer closer at the other inhabitants of the rocks, the tide sweeps up unnoticed behind them and surges in around their ankles. They both yelp and leap away from the chilly water. Elstael looks around to see if their embarrassment was observed by anyone else, and Kri starts laughing. The angel joins in after a second.
Slowly, shaking waterlogged feet every few steps, they make their way to the sun-warmed rocks safely away from the waves. Kri sits and stretches her legs out in front of her, decides not to waste a miracle, and toes off her shoes to help them dry. Elstael copies her after a moment.
It's silly and simple and rather human, nothing either of them would have the chance to do in the course of their jobs, normally. But it's nice.
The sun sinks lower and paints the sky in fiery colors where it strains for the horizon. Above, the view into the firmament is all cool purples and blues, desaturated, soft. They are alone in the little corner of the beach, saltwater evaporating from their trousers and leaving behind crystals in the weave of the fabric and on their skin.
"The sign got me thinking of something," Elstael says, apropos of nothing, as per their usual.
"Marine protected area?" she asks, although she can't imagine what that would have to do with anything.
"No, no. About the fires."
Kri looks over at them. "What about the fires?"
The angel spreads their hands out, splaying their fingers across their knees. "The woman said the driftwood underneath the rocks, the stuff that you can't see, is the real danger."
Kri hums.
"It's sort of like us, isn't it?"
She blinks, frowns. "How so?"
"Ah, well..." They clear their throat. "Understand I'm not trying to insult you. But. You're not someone who's very important, er, Down There, are you?"
"I'll have you know that I'm quite insulted, Feathers." Kri makes a face of mock rage, and the angel laughs. "But yeah, I'd say that's fair."
"And I'm no one of import in Heaven. There are lots of other angels like me, just doing small jobs. Menial tasks, really. Are there lots of unimportant demons? Menial tasks in Hell?"
She blinks again, and thinks that she sees where this is going. "Yeah."
"And we were expected to fight, in the war with the Antichrist."
Kri remembers the sick feeling in her unnecessary stomach when she'd heard the call to arms, her travel orders to Meggido, and the guilty tsunami of relief she'd had when the whole thing had been called off. "Mm-hm."
"They need us to fight, even if they ignore us otherwise."
"I'd think so."
They reach down and crunch some salt out of their trousers. "But we don't want to."
"Not me," Kri whispers, almost afraid to say it aloud.
"Nor me." They lean their chin on their first, elbow propped on their knee. "We're already aflame with these ideas. So what if we catch some other unseen things on fire?"
Kri is silent for a long time, and Elstael lets her be. What they're saying... it's dangerous. More dangerous than what they've been doing, shirking their jobs and sending off half-fictional reports to their respective superiors. They're taking about rebellion, about revolution. About treason. Does the angel even know how dangerous that is? She glances over, sees the slight crease of skin at the edges of their eyes and between their brows. But of course they would.
"Would that... work?" Kri's voice is hushed, just audible over the susurration of the waves. "Are there angels who would, ah, catch fire?"
"There must be," they say firmly. "Look at me. And... him." They turn their head toward her, burnt-sugar eyes molten. "Aren't there demons who would? Look at you."
"And him," she echoes. She thinks of other demons in Hell, how she has never liked them. But now she wonders if that's by design. Hell is unpleasant, even for those who revel in its unpleasantness. It's really no surprise that its denizens aren't the best company. She'd be hard pressed to name someone who does actually enjoy their job, aside from the perhaps demons at the very top. She wonders what would happen if she showed them a little bit of Earth. A little mundanity, as a break from the exceptional torture that was the kingdom of the damned.
--
Kri doesn't quite understand what's going on when she gets there. There's a whole lot of people frozen in place, shimmering darkly with a demonic compulsion over them, and a very heavenly aura pulsing somewhere ahead of her, behind one of the doors. She can hear voices, a familiar rhythm of back-and-forth bickering, although it's more strained than normal. Then, loudly, "Where did you get that?!" overlaid with "Oh, no!" and a second later, the sharp retort of a handgun.
"FUCK!" Crowley spits, loud and agonized, and the compulsion vanishes like smoke. The people around her start to move, confused, angry. "FUCKING shit shit shit bloody hell-"
A flash of an angelic miracle makes her flinch, and Crowley continues to swear.
"Where is the Virgin?" one of the people asks. There are quite a lot of them, and the tenor of their minds sets her on edge. They are feverish with belief, zealous. They start toward the doors as a mob.
She thinks of several things in the space of hardly a second: Elstael, gingerly tasting an ice-cream. A demon and angel, hand in hand on the seashore. The wide sky and the quietness of a meadow, a yellowing paperback open on her knees. The oppressive weight of an infernal pen, searing words into decades of endless reports. Fog on the Thames. Shave ice melting in the bright Hawaiian sun. We should go someday. I'll show you.
She snaps her fingers, and the mob freezes.
The gravity of controlling so many minds at once makes her knees buckle, and she braces her hands on her thighs to stay upright. It's staggering, the determined force of the humans' consciousnesses, and she sucks in an unnecessary breath through her teeth. Her forte is not influence and control, not like this. She's all about indirectness, about deflecting glances like rain bouncing off an umbrella and easing human suspicions with a unremarkable smile. This is direct. Aggressive. They're fighting her, and she can think of nothing to soothe them. She's out of her depth.
Please hurry, she thinks. Whatever you're doing, hurry.
Another angelic miracle, stronger than the last, tasting like petrichor in the air. The cry of a child. "You won't remember this," Aziraphale says kindly, softly, but his voice is exhausted. "You'll wake up and all will be well."
"C'mon, angel," Crowley says. He sounds even worse. "We gotta hurry."
They step out of the middle door. Aziraphale is cradling a bundle in one arm and trying to support Crowley with the other. Crowley is leaning heavily on him, one hand mangled and bloody clutched to his chest. They freeze when they see her.
"Go," she rasps. "Go, go!"
They don't need telling twice. They start moving again, weaving their way quickly but unsteadily through the frozen bodies. As they go by, Aziraphale says, "Thank you so much, my dear, thank you," and she feels as if something brushes her shoulder though there's nothing there to see. A wing, she realizes, breathing in the passing ethereal energy almost against her will, glowing warm like sunlight, smelling like lilac and clover and ferns and running water. She feels stronger, the burden of the human minds lighter, and she gapes in amazement as they rush out the door.
She holds the humans for as long as she can, backing out of the room around them in an awkward shuffle as she tries to concentrate on both the metaphysical task of keeping minds still and the physical one of not running into bodies. She makes it out, lets go of the control and uses a much simpler miracle to lock them in. Almost immediately they start rattling and banging on the door.
The air outside boils molten with righteous fury.
Behind her, there is the well-tuned growl of a sports car. A woman is driving, not young but striking, with dark hair and dark eyes. Aziraphale bundles Crowley into the passenger seat, and Kri meets the demon's stare behind his sunglasses.
I understand now, she thinks. I understand.
He rolls down the window. "Get outta here!"
She gives him a sharp nod. The sky is starting to roil with bruised clouds, pregnant with divine lighting, and Aziraphale pulls the back door shut behind him. The woman peels out, and Kri starts running in the opposite direction. She thinks she hears someone call "good luck!" before they're gone.
She runs as fast as she's ever run before, but she's still close enough to feel the crack of the sky splitting and Heavenly wrath pouring down to Earth.
What did I do? Oh God, what did we do?
She is running so blindly away from the furious angelic presence behind her that she doesn't notice the one in front of her. Except it's not furious, it's Elstael.
"Kri?" they say, gripping her arms to keep her upright. "Kri, what-"
She has a plan. The beginnings of a plan. Well, less of a plan and more of an idea. But it's something.
"Can you-" she gasps, "can you smite me without actually, you know, smiting me?"
"What?!"
"Just singe me a bit. Or lop off an arm or something? Without killing me? C'mon, c'mon, quick!"
"I- uh, think so, yes," they answer. "But-"
"Do it!"
Elstael stares. There are angry voices coming from the direction of the building, angel and human. Kri thrums with impatience and panic.
"I don't want to hurt you," they say.
"It's fine," she says. "It's fine. It'll work out out. Tell them you chased me and fought me. You nearly got me, but I got away, right?"
"I don't want to hurt-"
"I let you get hit by a bus, fair's only fair."
Still they hesitate.
Kri twists her arms so her hands are mirroring Elstael's, resting just below the angel's elbows. "Trust me, please," she says, and means it.
Slowly, finally, they nod. Kri steps back, steeling herself for whatever smiting feels like. She's not sure - never experienced it, quite obviously - but it has to hurt.
Elstael lets their hands fall out to their sides, palms up, and raises their eyes, a picture of angelic holiness. They start to glow.
"Begone, demon," they say, and reach out to wrap elegant fingers around Kri's bicep. The glow immediately vanishes, but they keep their hand there.
It burns, but not like Falling at all - a clean, sharp, perfect fire that bites into her skin, muscles, bones, slicing like a million razor-sharp papercuts through her mortal corporation all the way down to her demonic self, a wave of holy pain rippling out from the angel's hold on her. She hears herself scream and Elstael's grip tightens. The burn stops advancing, but it smolders, from shoulder to fingertips. A good sign, that, she thinks. If her fingertips hurt it means she's still got fingertips, right?
"-sorry, sorry, sorry-" she realizes Elstael is saying, repeating it like a mantra.
"-'s'fine," she slurs. "Great. 'S great. Good job. Now. Just." She pushes herself upright, shaky, but determined, and also determinedly not looking at her arm. "Just tell 'em you chased me, right? You w're tryin' to protect the... the... the thing, 'n we... fought. 'N we'll meet back up wh'n'ev'r this blows over, right? 'Kay?"
"Yes, okay," they say.
She forms her un-smited hand into a thumbs-up and tries to smile at the angel. She probably looks wretched, but Elstael gives a watery laugh and smiles back.
"See y'later," she says, and lets herself sink into the ground that cracks apart to swallow her up, lets herself fall back into Hell.
--
The pain gets easier, Downstairs. She doesn't truly need her corporation down there, and with all the infernal energy around, it's easier to heal. All that said, an angelic near-smiting is nothing to sneeze at. She's still letting her arm hang limp when she's called to give her report. It goes over about as well as can be expected.
"How was I to know they were trying to steal the new Messiah or whatever blessed stunt they were trying to pull off?" She glares, covering the lie with indignation. Rightful indignation. "No one gave me any new info! I was just following him! That was my job!"
"You got yourself noticed by an angel," Regish scolds.
"Kinda hard not to, they were bloody everywhere," she mutters.
"And you lost him."
"Well I'm sorry I couldn't pay closer attention while I was being smote," she says, snappish. She has a risky thought - one that could help her, but potentially endanger everyone else. They're going to have to put the baby somewhere - either that, or disappear, and she doesn't think they'll do that. There are any number of places they could go on Earth, or even off Earth, unlikely as that would be. She just hopes she doesn't guess right.
"I think I heard the angel say something about Siberia."
Regish raises his eyebrows. "Which angel?"
"Which do you think? Crowley's... pet." She gathers all the disgust she feels at her current surroundings and infuses it into that single word. It seems to work, because Regish gives her a look that could almost be called commiserating.
"Siberia? You sure?"
"I heard him say the word Siberia, I don't know what he meant by it," she says. "That's all I got. But I can track them down again. Just send me back up."
He eyes her skeptically. "You want to go back?"
"To do my job, yeah! We can't let 'em get away."
Her artifice seemed to have worked, because three days later, when her arm is no longer stinging with holy fire, they send her back up the escalator and into London.
--
She goes straight to the bookshop. It won't look suspicious if they're watching her - obviously Crowley spends time there, so she's safe claiming she's looking for clues. It's still warded, and the windows still opaque to her eyes, so she lurks very obviously outside it until the door finally opens.
Aziraphale stands there inside the wards, looking cautious.
"You didn't send it to Siberia, did you?" she asks, not glancing at him at all, trusting that with his powers he can hear her across the street. "I'm not asking where, you don't have to trust me, just, I told them to look in Siberia. So if you sent it there, sorry, you've got a problem."
"Not Siberia," he says very quietly.
Her shoulders slump in relief. "Good. Great. Okay." She starts to move on - she'll go to Crowley's flat next, then the cottage, then back to LA - but his voice freezes her in her tracks.
"Thank you again for what you did. Would you, ah," he turns for a moment, looks over his shoulder. "Would you be so kind as to come in?"
She glances around. It's unlikely Hell is watching her - she's given them no reason to doubt her work, as far as she can tell. Still, the invitation feels enormous.
"Crowley says it's clear," Aziraphale reassures her. "But hurry, please."
She crosses the street and walks up to the door.
The bookshop still feels eye-wateringly good, but it provides no barrier to her entry. The angelic ward passes over her like a blanketful of static electricity, all sparks and crackles, and the demonic one slows her steps for an instant like she's forcing her way through mud. But then she's through, and she can finally see the inside of the shop.
There are books stacked everywhere - on proper shelves, on tables, on the floor. The place is all warm browns and golds and creams, like a box full of chocolate truffles, the kind that have the hard shell and the white chocolate drizzle and bits of actual gold leaf to make them fancier. She thinks maybe she can smell cocoa over the sugary-musty perfume of old paper and faded leather covers. It's wonderful. These aren't her kind of books, but she loves it all the same.
Absorbed as she is by finally seeing the interior of the shop, it takes her a moment to realize there are other people inside. Elstael is standing by a little round table, and Kri doesn't even try to hide the smile that stretches her face when she sees them. The angel smiles back with so much relief that Kri can practically taste it in the dusty air. Crowley, of course, is there too, sprawled across a plush chair and eyeing her with caution, and some of the humans that she's seen in Tadfield - the witch and her companion, and the former Antichrist.
"Er, hi," she says.
Crowley gets out of the chair, unfolding like some terrifying articulated origami, and starts to stalk toward them. "You sure we should trust this one, angel?"
"Yes," Elstael says firmly as Aziraphale opens his mouth to answer. They lift their chin bravely when Crowley shifts his gaze toward them.
"Well, no offense," he says, eyes unreadable behind the sunglasses, "but you don't have all that much experience with demons, do you?"
"With her I do." Elstael swallows nervously at his increased scrutiny but keeps their head high. A warmth like hot coffee spreads through her, but unlike coffee it doesn't stop at her stomach. It gets all the way to the tips of her fingers, she swears, and she grins in what she expects is a rather stupid way. For the moment, she can't care.
"Crowley, you saw what she did to help us," Aziraphale says as Crowley comes up to them. She notices that one of his hands is wrapped in a bandage, and she remembers the sound of a shot, and the bloody mess he'd been holding to his chest.
"She could be working for them, still."
"'She's' right here," Kri says, perturbed. "And I'm not. Working for them, I mean."
"Well, er." The human man next to the witch raises his hand slightly, as if he's in school asking a question. The witch gives him a withering, but fond, look, and he drops the hand. "That is, no offense, but... isn't that what you'd say that if you were?"
He has a point. She shrugs. "Dunno what I can say to convince you."
"What's your reason?"
She blinks. It's Adam, the former Antichrist, who has spoken. "I'm sorry?"
He's sitting in a rolling desk chair like it's a throne, the afternoon light making his curly hair glow. The effect is unsettling. "Why do you want to help?"
"I..." She doesn't answer right away. He's staring at her with a haughty sort of intensity, and she can't look away from his eyes. She takes a breath before launching into it, not because she needs air but because it gives her another second to collect her thoughts and she's always thought it gives the following words a bit more gravity. "I spent most of my time Downstairs, after... after the Fall. And it was... fine. Not good, obviously, it was terrible, but... it was what I had, so it was fine. And then about fifteen hundred years ago, I get my job up here. And it's way better than fine, up here. There's... there's sky, and weather, sunsets, trees. Animals that don't drool acid, rivers that aren't sulfur. And the humans are so... they're just so clever, aren't they? Making all sorts of things. And writing stories. Good and bad. Wonderful and terrible. I just... I like it." She feels like that wasn't coherent enough, like she's made a rambling mess of it all. "Er. I don't want it all to go down - or up - in flames, Earth. It's... well. It’s nice. I guess it's selfish, but, y'know. Demon."
"But it is true, isn't it?" Aziraphale says. He beams at her, and she feels, shockingly, pleased that he's pleased, and then quite unfortunately he claps a hand to her shoulder - the same one that had started healing in Hell but wasn't quite done yet.
She nearly falls over. Pain shoots down her arm and she lets out a choked wheeze, the ability to vocalize apparently punched out of her along with the ability to stand. In a fraction of a second Elstael is beside her, holding her up, and Aziraphale is apologizing profusely, hands fluttering about like a pair of agitated birds.
"It's fffffffine," she breathes, only the rough shape of the words and none of the voice behind them. At least, she hopes that's what comes out of her mouth - she's not too sure. "Just... not quite... hhhhhealed yet."
"Oh dear," he says, now twisting his hands together. "My dear, I'm so sorry. Healed from what?"
She takes a moment to compose herself and tilts her head questioningly toward Elstael. "Y'... didn't tell 'em?"
Elstael shakes their head. With a start, Kri realizes their hands are clasped around hers, fingers interlaced, both of Elstael's surrounding her own despite her black nails that she is convincing very hard right now not to be chitinous claws. It's warm and soft and... Well. Nice.
"After what happened with the Messiah, when I found Kri running away. She told me to smite her, and to tell Heaven that we had fought, to keep my cover." They grip her hand a little tighter. "’Just singe me a little or lop off an arm without killing me,’ I think you said."
Kri shrugs her uninjured shoulder. "Worked, didn't it?" Thankfully her voice has returned.
"Oh my," Aziraphale says. "That was... very dangerous."
"Not half," Crowley says, sounding a bit impressed.
"I figured it would be better to keep up appearances. Hell would believe I'd been caught by an angel, and Heaven could commend Elstael for nearly getting a demon."
"And it was quite a good idea," Aziraphale says. He smiles at her, still apologetically. "If we're going to do this, it will be invaluable to have inside information. Especially since Crowley and I, er, no longer do."
--
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buttercupshands · 2 months ago
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I started drawing this next day after I finished Act 6
13 or so days and it's finished!
Main things are traditional and Loop's body was edited digitally after
Unedited it looks like this
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I've been torn on how to do Loop's body for the entirety of lining, also
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A bit sad the main lines are visible only as a wip, most of this thing is literally just a ton of sharp lines
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I think it's also my first day of drawing, Loop is just a sketch here (feat. my leg)
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I even finished the beans before it so they were a moral support, because if you let me things like this take a year
#fanart#my art#isat#isat fanart#in stars and time#isat loop#loop#traditional art#artists on tumblr#Phew#So anyway this was my way of figuring out my thoughts after finishing the game#I didn't even actually finish it with credits playing at that moment#This type of art is my therapy#And in a way literally how my personality works from big figures to small details of thinking about anything#It's really calming!#I won't tag paper figures but they're here#Like special guests#In any case the funniest thing was showing this to my English teacher and she was like 'wow this looks stressed' or something#Like she immediately looked at the lines and after I showed her my old Flowey drawing like this she was like#'oh it makes sense! This one looks calm but this one is clearly you not feeling good'#Because I was kinda#Like sitting there in the semi-park and feeling sick since morning before I started drawing this and slowly I got better#I already talked about this on my first 'big' isat thing - I needed to think a bit#And not think at the same time just literally letting myself sort stuff out#Like. I fell asleep at 6 am that day and woke up at 10 4 hours of sleep after playing full Act 5 and two hats stuff IS STRESSFUL#SUPER STRESSFUL! Like I felt like I was playing for 4 hours while sleeping#Anyway by the time I finished it aka today I'm feeling way better and I'm literally talking a walk right now#Touching grass as we speak#Anyway phew!#Now to that animatic that's plaguing my mind to draw it nowww
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greywoe · 10 months ago
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"The she-wolf laid into the squires with a tourney sword, scattering them all. The crannogman was bruised and bloodied, so she took him back to her lair to clean his cuts and bind them up with linen."
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hasarjunadoneanythingwrong · 7 months ago
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im finally reading mahoyo and wow they really threw him to the wolves huh
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peliginspeaks · 10 months ago
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Listen, I'm sorry to the people who draw Veils in torn/bloody robes because of the whole Vake thing but you're simply wrong. Do you think Veils would Ever go out like that. Do you think it doesn't have fifteen changes of clothes ready immediately, with options depending on the day and occasion, to climb into when it comes back from killing things. Of course it does. Veils is getting home, taking a shower in the Bazaar, putting on a new perfectly clean robe with accent panels and silk trim, and then dabbing 1 (one) tasteful bloodstain on the hem of it with a claw because it's arrogant and it thinks it can get away with it. What is a Veils if it's not serving cunt. Of course it is.
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fragilecapric0rnn · 1 year ago
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[series now cross-posted to ao3! stay tuned for more! ] Have been watching a lot FRIENDS lately bc its one of my and my gf's comfort shows and, of course, i cannot stop thinking about Stranger Things-ifying the hell out of it. the vision came to me SO CLEARLY [PART 2]
Sitting around the coffee shop that is basically a second home to the gang.
Nancy sits on the chair across from Argyle, one leg tucked under her, legal pad balancing on the arm, a pen being held between her pointer and middle finger, tapping incessantly on the pad. The other hand tucked into a fist and holding up her chin.
Argyle sits with his legs draped over the arm of the oversized chair, flipping through the latest Steven King book, one arm perched behind his head.
Jonathan has the NYT crossword in his lap, Robin peering over his shoulder, making him nervous.
A normal Saturday afternoon routine for the group of twentysomethings. The rain from outside softly hits the windows nearby, complimenting the soft chatter and gentle clanking of dishes.
But Robin can only seem to focus on Nancy's damn tapping.
"Nance?"
"Hm?"
"I'm gonna need you to stop tapping. I'm trying to beat Jonathan's puzzle."
"Just take it," he hands the paper over to her, annoyed.
"No! It's more fun when it feels like I'm beating you."
Jonathan looks over at Nancy, who is staring blankly at the wooden support beam a few feet away.
"What's going on Nance?"
"Nothing." Her pitch high, grabbing the rest of the groups attention, so much so that they all inch closer to her chair.
"Sounds like a whole lotta nothing," Argyle pulls a nearby chair up next to hers flipping it around and resting his forearms on the back of it.
Robin sits on the ground next to her and Jonathan takes a seat on the coffee table right in front of her.
"Fine!" She takes a look over her shoulder, toward the front door. "I have a date."
"Why are we whispering?" Argyle asks, also whispering.
"Because you know who could walk in any second."
"Why are we whispering and speaking in codes?" Jonathan asks, still whispering.
And as an act of divine timing, the front door to the coffee shop opens, and they all turn their heads to see a slightly damp Eddie shake his hair out and shed his leather jacket in one fell swoop. His face fixed in the same frown that's plagued his face for the last two weeks.
"Hey," the group says in unison, not moving a muscle from where they're still crowded around Nancy.
"What did I say about that tone," Eddie whines, flopping himself down on the couch that previously held Jon and Robin.
"How're you doing?" Robin asks, shifting her body, still sitting on the floor, toward him.
"All of her stuff is gone which means that all of my stuff is gone."
No one says a thing. Not even when the sound of a ceramic coffee cup shatters somewhere in the distance.
"Eddie?"
"What?"
"I don't mean to sound insensitive dude, but shouldn't you be a little less depressed considering... " Argyle trails off.
"Considering what?"
"Considering you're the one that left her?" Robin finishes the thought that everyone is having.
"I didn't leave her." He scoffs.
"No, but when you tell your long-term girlfriend about recently discovering that you're gay, one might see that as you being the one to end that relationship."
"We've been over this." He balls up his jacket and shoves his face into the wet leather. The group share a look, Nancy gesturing to Eddie's state as if to say this is why I'm not talking about the date.
He chucks the balled up jacket at Jonathan, who kicks his feet out in surprise as he catches it with his chest. Eddie's hands are now on either side of his face.
"The love was there! I could've loved her if..."
"If she was someone else?"
He deflates, lets his arms slump down and his shoulders do the same.
"Eddie, my friend, my pal, listen up." Argyle moves seats for the third time, now squeezing himself into the space between Eddie and the arm rest on the couch, draping his arm over his shoulders.
"You have just entered a whole new world, my man. So, you're gay? We're in New York City, so is everyone! Welcome home! All that love you were ready to give to Michelle? You get to hold onto that and give it to someone else. Someone who makes your heart sing."
"But I knew her just as long as I knew you guys." He whines, again, gesturing to Robin, Nancy and Jonathan. "It was easy. It was safe. How am I ever gonna find romance with someone? Where we have an established - I don't know - thing! A connection! A history! How?"
Eddie stares at them like he expects them to answer, forcing the rest of the group to share glances, let the air settle with Eddie's words.
The front door flies open just as a roaring thunder booms overhead, making for a dramatic entrance.
Robin's the first one to swivel her head toward the ruckus, the only one who has a perfect view of the person who burst into the shop.
A man dressed in a tux, drenched, like, just hopped out of a swimming pool drenched. Fighting with his bow tie with one hand and running his other hand through the unforgettable head of hair that sends Robin right back to Hawkins, Indiana. Back to the summer before her senior year.
Huh?
Unable to move a muscle in her body, she watches him clumsily go up to the counter and ask for her and Nancy, by name. The sound of her name sends her up to her feet and pushes her toward the man. An air of chaos surrounds him, drawing an offense amount of curiosity out of Robin as she finds her words.
"Steve Harrington?"
He turns around, his face lights up, and he does the weirdest thing.
He hugs her.
She remains stiff as he pulls back from the hug, hands still on either side of her arms.
They were buddies that summer scooping ice cream at the mall. Nothing crazy, or maybe even that memorable, but they started the summer as acquaintances at best and left as friends.
But then he left for college and she stayed and they never spoke again. A few run-ins here and there. But nothing substantial.
"I knew I'd find you here, I remembered that the last time I was in the city I ran into you guys and you're here!" He sounds drunk, but also like he drank a vat of espresso.
Clearly, it was substantial enough for him to come looking for her. Dressed in a tux soaking wet?
"And you're here, overdressed." She says, taking him in, unable to unscrew the confused look from her face.
Is that a boutonnières?
Oh no. Oh fuck.
"Steve?" Jonathan and Nancy say in unison as Robin brings him over to the couch.
Robin thinks Eddie might have summoned the ghost of hopeless high school crushes past, the way Eddie looks like he's just seen a ghost.
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uhhhhmanda · 3 months ago
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Jinjoo's fridge or Elijah's? You decide.
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icewindandboringhorror · 1 year ago
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... why he sit like this
#in this position his face is extremely 'cartoon cat' shaped.. like the perfectly round cheeks and little#rounded bump of a snout.. big round eyes. etc. stretched over the arm of a chair like a weirdo#cats#It's still Hot Evil Summer time and I have so much to do so am just aimlessly hopping between various projects but not actually#getting anything done. as usual. Also so so so so tired. I almost fell asleep in the middle of the floor like 3 times today lol#Trying to finish some costume photos and also another poll adventure thing. plus I do really want to do a sculpture sometime#I haven't finished one in a while. Hopefully my tiredness is nothing bad.#Maybe I'm anemic again so that's making me tired. Or maybe it's just a Listless phase. not that I'm ever really THAT productive considering#all of the health problems and etc. always holding me back. but still. I'm not usually 'sleep or just stare at a wall literally all day' ty#e unproductive.. at least not for multiple days in a row so. hmm... Sometimes especially in the summer though I will have periods of time#that are listless like that. I am under low level phyiscal stress for months at a time due to summer heat so I guess it makes sense#that would eventually take a toll. I just have SO MANY THINGS I WANT TO DO!!!!! AAUUGhhh#I also came up with a new idea for a game that is so so cool and I wish I could make it but I have to finish the other one first lol#which I will NEVER do. if I spend all day just sleepy unfocused barely able to do anything#I also really need to sell some clothes and sculptures because I'll probably have to buy a new computer soon so I need money. (plus still#recovering the costs of having to euthanize my other cat.. wehh) There's nothing clearly wrong with it right now but it's getting gradually#slower and there's more weird glitches happening randomly and idk.. just weird things that make me think 'hmm... bad.. possibly.'#ANYWAY... I just have so much to do that I both REALLY want or need to do - so it's perpetually frustrating that I just can't for whatever#reason like. Time is always mving forward. every day I waste is a wasted day. The year is already almost half over. I havent finished#any of the projects I wanted to .. and there's only more and more things to do each day. It's overwhelming and stinky#and thats not even considering having to do all of my tasks also with the background noise of economic inequality. everything increasingly#going into an even scarier political direction. active climate change crisis. pandemic that still exists and is insane to act otherwise. et#etc. HOW am I supposed to solo make two whole games . write 3 book series. finish sculptures. do costumes. make outfits. game videos. make#stable network of social connections. do my little side crafts. take care of myself and cats. pay rent. manage health issues. keep a routin#.try to make some sort of money. go to doctors appointments. handle regular maintenance like cleaning and cooking and self care#and buying new plates when old ones break or etc. make sure to do other things like backup my computer data regularly. do shopping lists.#take care of plants. pursue like 6 different academic interests. do the other side side projects I have for fun (like music or carving avoc#ado pits). eat in a healthy way thats okay for my Special Health Issue diet. exercise so i don't die early. etc. etc. etc. AND all while it#82F in my apartment all the time and I have tiny income and also need to move to another country/climate somehow??? lol......#ANYWAY.. ..very frustrated today over my chronic Tired Sleepy.. time for Cat Photos - which cure all of life's ailments lol
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umilily · 2 months ago
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look at him with his too long sleeves and too long pants. silly goose.
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saym0-0 · 4 months ago
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man outtakes really is 'the new terrans trigger older bots' ptsd: the episode' huh.
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clambuoyance · 1 year ago
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I’ve never been so obsessed with a character so bad that I literally can’t do anything else I’m like the squidward meme watching SpongeBob frolic outside the window stretching a hand out to all the pretty paintings and animations and comics I see in my head but being unable to feel any motivation for it . If only i could use the energy spent to create 20 kon doodles to sit down and concentrate on a single finished full piece I used to be able to make like 5 page comics what happened to me
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outeremissary · 10 months ago
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Oooh how about telling us a little about The Thousand Mile Fall? 👀
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Thank you Ash and @bearvanhelsing for asking!
I want to begin by apologizing- I suspect you were looking for Tristian, but this is the single BG3 thing that was on the list. Jay, idk where you stand on discourse game of the year, but Ash, I know that you're not a fan and have been working on distance. I'm placing the rest under a cut. You can read it or not read it. Either thing is fine with me.
As compensation: the one actual Kingmaker ask I got on this (sorry it's not a flashy one), or a PF2e one about Kasander/Asperia.
Still with me? Thank you, I appreciate it!! Let's see to what degree I'm willing to bare my soul before I get too embarrassed and awkwardly trail off.
Ah: DUrge spoiler warning. And content warning: DUrgetash (sorry)
So! The Thousand Mile Fall, something which was only just starting to go beyond planning (and originally planning for a comic) when my laptop committed die. I was really interested in the concept of the Dark Urge as a character who was always framed as having fallen from grace, and who had also fallen from a state of divinity. The liminal state excited me, and we all know how I feel about a horrible someone who's a horrible failure of an angel. Horrible failure of a demigod occupies a similar space. I think the nature of that failure- that fall- began to occupy me quite a bit, since I had a strong concept for Asperia from very, very early on in my playthrough (long before I knew anything besides the DUrge plot besides that they were a Bhaalspawn, even before I had become convinced Kasander and Asperia existed simultaneously) and at the heart of Asperia was someone who was infallible and convinced of their invincibility- maybe rightly so.
So, this story is set only a bit before the game and is meant to unpick the loss of that perfect favor- in my mind, the loss of Asperia's "godhood," something which is stolen twice. The second and definitive loss is of course to Orin in a singular act of violence, but Orin's path to victory was opened by the slow and insidious poison of having known Enver Gortash. In a "the bar is in hell" turn of things, their... acquaintanceship is the closest thing Asperia has ever experienced to a normal relationship and a normal life. And that glimpse of the other side is what unmakes her. It's always been crucial to Asperia's role in the system to be the one who loves being Bhaal's beloved child, who can reconcile anything with belonging, who buys in so fully that it is unthinkable to be less than a god and it is unthinkable to have desires besides those of a god. Others hold the questions, the fear, the other desires- Kasander and Bride especially- but Asperia wants nothing else in life, and Asperia believes with painful, self-destructive fervor.
Asperia has already been acquainted with Gortash for some good while here, the wheels turning in the scheme of the Absolute. This is the longest positive relationship of any kind Asperia has ever had outside of whatever pseudo-parental thing he has with Scleritas, and it has been wonderful: novel, collaborative, a meeting with someone who resembles an equal despite being a mere mortal. Asperia has begun to see other facets of the world through this, to see the ways the world of the living comes together for purposes besides inevitable execution. It's all an act of devotion, all furthering the will of Bhaal, all what Asperia desires and wants to do. But the further it's gone the more it's started to be fun for its own sake too, and a certain fascination with a frenemy has begun to blossom into dangerous fantasies.
Asperia doesn't fantasize. Asperia can't fantasize. Asperia is a god, and he only wants things which are real and deserved. Bhaal's favor is proof of that: Orin's ugly, messy desires make her a worse worshiper, and she's never had their divine father's love. Asperia is Bhaal's beloved. Asperia is defined by her distance from those mistakes. And so too is Asperia the perfect disciple, a being beyond sin. If something is what Asperia wants, then it must be acceptable.
And this is how Asperia begins to lose Bhaal's favor.
Asperia starts the story at a personal high and only rising- with the world at her fingertips and Bhaal's love behind her, she's preparing for the victory lap and has taken an extra prize in becoming more intimately involved with Gortash. But you can't have your cake and eat it too- this impossible personal high the seed of Asperia's ruin, already sown, takes root and begins to grow. Bhaal's perfect killing machine doesn't play house with Bane's Chosen. And there are more than enough people who fucking hate Asperia already and are ready to take note- as well as Gortash himself, so much older and colder than young, sheltered Asperia. There may be some genuine affection there in some form, but calculation and power take precedent, as does the enjoyment of solving this Bhaalspawn puzzle by picking her apart.
Over time the increasingly clear dissonance between the impossible misalignment- the first Asperia has ever experienced- between what they want and what Bhaal allows them to desire and have drives them to spiral into a state of exceptional vulnerability that ultimately allows Orin to usurp them. The escalating stress causes them to lose time more and more frequently, beyond what they can explain away to themself and make disappear, and they begin to doubt themself. To fear what is happening, and to develop their own doubts about Bhaal- things that should live elsewhere, things that cause other parts to bubble up in ways they notice. Asperia is straying and rivals like Orin can see it, is becoming less dependable and reluctant allies like Ketheric can see it, is becoming a less than perfect disciple and that butler shepherd of Bhaal can see it (not that every part was always perfect- Scleritas has always known that "Asperia" is more than just Asperia, and has long pitted Asperia against themself). And Asperia is vulnerable and open and easier and easier to see- and Gortash, who has solved the part of this puzzle Asperia refuses to see quite well, sees it all and drives the spiral deeper. Pulls Asperia closer, and begins to learn the others without letting Asperia know (this is a piece of how Kasander knows Gortash, has known Gortash before anything).
So y'know. It's all heading for inevitable tragedy, heartbreak, ruin, bad feelings, and a tadpole in the head, as well as a shitty asshole boyfriend conspiring with one's sister who has been waiting for ages for the change to REALLY wreck one's shit. Yikes! Feel like not enough was spent on the family drama and that's sold Orin short, but she's played a damn active hand through it all. Sacrificial Orin, always underestimated, always overlooked, always surviving.
I dunno how to conclude this and I feel like I probably talked too long (half just to remember things I can't access until the new laptop arrives and is set up). All in all, just a fun little project to play with while I continue to fail to finish the last teeny bit of the actual goddamn game (I'm the worst at wrapping up the last little dregs of things after I've cleaned up the most fun stuff).
TLDR: Asperia, main character of life, starts to Lose the Plot and gets written out of the story for a little while
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gotyouanyway · 7 months ago
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you're more experienced with gallifrey audios than me is it a bad idea to be horny for andred
depends on your definition of a bad idea i think it’s perfectly fine to be horny for andred you just have to be a little bit brave <3
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overly-verbose · 6 months ago
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I already knew that that was gonna be the case just overall due to the plans and drafting and the first proper writings
but oh bOi as I flesh it all out and slowly give it proper coherency I'm realising more and more that Part 8 is gonna be like, THE next proper 'SIkuna gives everyone
(and especially Satoru, but still kinda-sorta aside from Yuji which is incredibly ironic considering the episode(s) this continues to rewrite lol)
The Worst not-first impression ever' Part lmfao, a true spiritual successor to 'accidentally scares'/Part 3
Bro was trying for bronze in the spookiness olimpics to fuck stuff up a bit less yet still keep up the role properly, but he severely miscalculated the long jump and ended up crashing into the front-view camera at the end of the sandpit (poor guy may be getting a just-now-established platinum medal instead, much to his internal 'ahfuck') 😂💀
(Tbf the circumstances kinda forced him into some parts of it but like- lmFAO-)
.
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magentagalaxies · 6 months ago
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vent incoming:
got my grades back for my courses last semester and most of it was to be expected, mostly A's, maybe an A-, etc. but i honestly can't get over the fact that my independent study (the buddy cole documentary) was for some reason given a B. like sure getting a B isn't bad per se, I usually get at least one B every semester and i honestly don't really care about what my exact gpa is as long as i can graduate, but come on. this school put me through months of psychological torment over this project and didn't even have the nerve to give me a B+??? i'm still coping with the self-doubt they forced on me and this bullshit is not helping!!
#honestly it's kind of hilarious ngl. especially bc i also got my documentary work counted as an independent study the previous semester#and the previous semester even tho i barely worked on the doc itself#(mostly just planning and putting together the crowdfunding which was still a lot of work but like compare it to the past few months)#they were willing to give me an A (my school doesn't do A+ so this is the highest mark possible)#vs this semester. like i'll admit my final assignment was late and could have been more polished#but i was literally on tour in documentary-mode 24/7 for several weeks. i filmed an entire comedy special! i put together a live interview!#not to mention having to fucking negotiate with my own college censoring the footage they'd promised me of an event i put together#and play nice with a professor who literally outed me on twitter in an attempt to cancel one of my best friends#at this point the ''B'' feels more like a petty grudge than anything else#like ok we can't get away with *actually* fucking over jessamine's grades bc clearly ze did do the work. but let's just give zir a B#like i will admit the audio quality in my final isn't great. and i could have used more polished footage in some sections#but counterpoint: 100+ students were arrested at a protest while i was editing and i was having a mental breakdown#the fact that i finished *anything* is goddamn impressive especially after they essentially conditioned me to hate myself any time i was#working on a project i loved!!!#due to the aforementioned student arrests my college did put out an option where we could change any letter grade this semester to pass/fai#so anything passing wouldn't impact our gpa if we didn't want it to. so i could just change the B to a ''pass''#but really what's the point. ''B'' is still a good grade and my GPA is fine (3.65 on a 4.0 grading scale. 2.0 is required to graduate)#it just sucks that after what i went through last semester i feel like nobody takes it seriously#i was reminiscing earlier about how it's honestly kind of funny how after that professor outed me on twitter#i was at the hotel with scott like an hour later sobbing and having an existential crisis about my relationship to gender#and scott was so supportive but also awkwardly being like#''i know i should offer the crying child a tissue but where the fuck are the tissues in this room what do i do''#and he just handed me a full-on towel instead like oh my god he was trying his best but also so clearly out of his depth#but of course i then had to remember how when i told that story to a different professor to be like ''this is how much scott cares about me#this guy called me fucking UNPROFESSIONAL for crying in front of the subject of my documentary?????????#like yeah maybe so but how DARE you call me unprofessional when a different professor tweeted my full name and gender without my consent#in an attempt to fucking cancel one of my friends for ''misgendering'' me for using pronouns i'm fine with him using!!!#i don't think i'm ever going to be able to forgive my college and i don't know how i'll be able to get through one more semester#that experience genuinely changed things about my psychology that i'm not proud of and i need to work through#so if i have to miss a goddamn kids in the hall event because i have class this november i am going to set something on fire
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moonshine-nightlight · 8 months ago
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Hii
I read Nothings Wrong With Dale a bit ago and I loved it :) I had some down time right now and the part where Dale 'revealed himself' to Sana came into my mind and that whole part of the story where Dale just didn't know that Sana knew is so ridiculous and funny for me. I'm pretty sure I commented on ao3 but I thought you should know that your work is living rent free in my mind
hi!
i've been deep in my work sink hole, trying to make it through the Busy Times, but i'm getting some breathing room (hope that doesn't jinx it lol) and so i can finally thinking about answering some asks and comments i've been hoarding
the whole reveal scene was planned from the start (i hav the text message receipts to my friend to prove it lmao) and i was so excited and worried about how everyone would receive it so i'm always so so thrilled when people talk about how much they enjoyed it!
it 100% lived rent free in my head for years and continues to do so. one of the greatest things about being a writer is that i can inflict such things on everyone else :D
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