#clear focus

[gigivas]

1K GIGI Prompts Collections 'Monochrome Elegance: High Heel in White' 5832 Free 10 pages out of 1000 pages

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[absolutechaosss]

Was anyone going to tell me that the Boy and the Heron is only the international title. The original and real title is How Do You Live?, which is the title of pre existing book that is referenced in the film. More importantly it made me stop obsessing over what makes the heron a deuteragonist so essential his bond with Mahito is crucial to the title and instead look at the themes of progressing in life and over coming grief, something I consider to be a much more moving part of the film. Deeply upset that I was working off that title which feels much blander than How Do You Live. Help

[saltlakehardcoreflyers]

[ruporas]

opla inspired!

[poorly-drawn-mdzs]

Danse Macabre

[Commission]

[lesbianrobin]

ok so here is my pitch for my dream buddie catalyst:

eddie and maddie are trapped in some sort of likely-fatal time sensitive situation together (drowning related probably because it's Them) (have they overused it yes is it still thematically appropriate YES) where one person could potentially sacrifice themselves for the other to survive. i want eddie and maddie using their combined experience and ingenuity to survive together and discussing who should be prioritized which means they talk about parenthood and how they both feel they've failed their children by "running," how their lives have been so defined by trauma and they don't want to scar their children any further by leaving them again. of course they're doing everything they can to get out together, but as the situation deteriorates throughout the episode(s) (c'mon something like this could be at LEAST a two-parter) they can't help returning periodically to the world's most morbid debate.

i want buck and chim on the outside both going out of their goddamn minds. they know that eddie and maddie are stuck (wherever), know that they're probably alive, but aren't sure in what condition and if they'll stay that way. rescue operations begin as everybody walks on eggshells around buck and tries to comfort chim, who wants absolutely none of it. time is running out.

eddie says that he couldn't possibly let maddie sacrifice herself for him and look buck and chim in the eye afterwards. maddie says that she couldn't do that either. she says that at least jee-yun would still have her father, and eddie says that christopher would still have buck. maddie says that of course none of them would just abandon christopher if something were to happen to him but—

and eddie cuts her off and says it's in my will. if i die, christopher will have buck. buck will have christopher.

they just look at each other for a weighted moment. maddie makes a decision. she says ...i meant it, you know. that i couldn't let you die down here (wherever here is i don't KNOW okay i'm not here to think up convoluted emergencies i'm here for drama) and look my baby brother in the eye knowing that i could have changed it. eddie says i know, okay, but it's different, you're his sister, and maddie says, yeah, but you're his... and she pauses. and eddie says what? best friend? partner? that doesn't—

and maddie says you're his. eddie, you're his.

and eddie... i want to see something slot into place. i want to watch him understand as maddie spills everything she's been suspecting since the day that buck came out to her and maybe since before she and eddie even met. maddie says you know, when i first came to california, you were all he talked about? you're still all he talks about. you and christopher. you're his. i couldn't... eddie, you're out of your mind if you really don't think that losing you would break him just as much as losing me. he would forgive us both, because he's buck, but i couldn't... i'm no saint, eddie, i want to survive. i don't want my daughter to grow up without me. but i can't do that to him. i don't know if he'd survive it. even if he did, the guilt would eat me alive.

meanwhile. buck is barely holding on to his sanity as rescue efforts are underway and time is running out. chimney is keeping it together as best he can but there isn't much that he and buck can do. he can't let himself fall apart because buck is already a stiff breeze away from clawing his own skin off and somebody has to keep their cool. something goes wrong—suddenly, their short amount of time has gotten shorter, and they may only have enough of a window to get one out before it's too late for the other. buck, who has been ranting and arguing and screaming this whole time... is silent. he is silent, and he stares straight ahead at nothing in particular, and we know that no matter which way the scales tip, his soul will be destroyed all the same.

eddie regards maddie for a moment. grief, heartbreak, anger, all flicker over him, but what settles is determination. he says that neither of them are going to leave again. that they'll survive together, or not at all, or leave it to the universe to decide.

of course they make it out. by the skin of their teeth, they make it out, working together, clawing their way back to life and love and possibility. maddie makes it out first, and eddie sees buck as she falls into chim's waiting arms. he watches as buck sees his sister, and reaches out to take her hand with trembling fingers and white knuckles, but there is no relief, no happiness in his red-rimmed eyes. just a deep, unspeakable grief, until his eyes slide past maddie and meet eddie's.

finally: relief. and then he is in buck's arms, a perfect parallel to chim and maddie, and we see eddie's face over buck's shoulder, and we know. he is in love, and buck is in love, and eddie knows, and he sinks into his partner's embrace with joy and acceptance.

after that, who knows? maybe a grand confession. a moment of quiet understanding. a passionate post-rescue kiss. a chaste, tender kiss in some kitchen or other. maybe eddie panics later, or maybe he's found peace for once. maybe buck has realized something and he makes the first move. maybe it happens immediately. maybe it takes a while, takes discussions about how it'll affect work and christopher and whether it's worth risking all that they have for all that they want.

and maybe they'll ask whether it's even a risk at all.

[flashhwing]

people who view all of dragon age through a solas lens are wrong and bad. they should be like me and view all of dragon age through an anders lens

[stardustedknuckles]

It's looking like there's a growing divide between Campaign watchers and Tlovm watchers in terms of like. We're here for the characters. 12-episode seasons aren't. They can't be. I'm already making peace with everything we'll lose in the Mighty Nein show, and I know I will enjoy it for what it is but I also know that almost nothing that made the story so special will translate to the screen, because turning it into a show automatically means (in this day and age) that plot must be the number one priority. They've already come out and told us it's going to be different, the characters we know and love but new stories.

Because that's how this has to work. And I feel bad for campaign one lovers, because while it is certainly the easier of the two to translate to a big, overarching story, even though it's a more "traditional" high fantasy story with easier archetypal characters, the archetypes and the plot aren't what cemented most people's love for the campaign. So much of the love for critical role is stored in the interpersonal dynamics and the payoff that comes from hundreds of hours of tiny interactions that one day become cornerstones of development and even affect or dictate the plot.

There's no room for that. There's no room for Bard's Lament in a story that cannot afford to remove and replace a main character. A lot of tlovm is for people who have been here for all of campaign one. Most of it, however, isn't. It's for a new crowd. While CR may have creative control, you can bet your ass that there were months and years devoted to figuring out how to map a character-focused love of the show into a plot that hits the right beats to be viable in the show market.

And it worked. Tlovm has consistently high viewing numbers, and its popularity has brought and will continue to bring new people into the universe who have never interacted with CR previously. That's not a bad thing - imagine finishing your favorite show and discovering it has another FIVE HUNDRED HOURS of the equivalent of behind the scenes content. That's incredible for these newcomers. But man, it is in many ways a loss for us.

[contagious-watermelon]

lowkey i feel like the aro community focuses a lot of effort on trying to change people's opinions on us without wanting to actually do anything about the societal structures that prioritize romance and nuclear families

[ganondoodle]

(wip) totk rewritten botw2 edition

rough ideas for the reworked healing system- bottles+potions are back and must be used in real time, cooked meals are not storable but better than potions, different types of portable pots?

wasnt sure if the portable pot should have different effects or just have designs you can change, but decided to add a few different types for roughly different types of players without too many options that could overwhelm but still add some variety to any gameplay AND a more meaningful reward for bigger quests!

-my goal with this is avoid the pausing to spam apples into links mouth to heal problem, to readd some difficulty with more limited healing in general (bottles must be found or gained as a reward, usage in battle like in skyward sword via wheel menu and then used in real time) and adding more variety via the design of the pots, a neat new item since they are portable (set up a campfire, then option is added to add the pot for cooking), and make cooking a lil more interesting besides it spamming your inventory even more with healing stuff AND add some meaning to bottles and potions again bc imo they were one of the most useless things you could get when playing botw/totk- which is why cooked meals are not storable but with better effects, think of it like a bit more customizable and zeldafied elden ring mechanic with the usual heals and the one time physic buff

so if you got into a bossfight and lost it, you could set up a cooking spot before the arena to give yourself a temporary buff via a meal and restock your potions for in battle healing and/or effects depending on how many bottles you have, if you have trouble dealing damage for example you can use the firey pot to add some extra attack dmg (and yes it stacks if you do attack effect in the firey pot it adds extra attack damage, maybe even with a hidden bonus)

(got similar planned for the parasail .. like dif types with dif effects like faster gliding speed but more stamina usage- one used like koga does in aoc that lets you glide fully soundlessly ...)

(legend of zelda)

(also no NPC will give you a shitty cooked thing as a 'reward' anymore, if anything its a bottle that you can use like in the old games ..)

[trashno0dle]

constantly thinking abt this exhange on the plane in dofp

[devils-reign]

LOOK AT THEM ALL WITH THE PUPPPYYYY LOOK AT THEM OH MY GODDDD THIS IS GENUINELY THE CUTEST THING I’VE EVER SEEN

[winn-wynn]

Percy and Oliver is autism x adhd couple but I will argue that Percy has adhd while Oliver has autism

[ahsoka-in-a-hood]

@disney when will my Cody show starring Tem that begins where the Obi Wan show left off with Cody seeing the alerts and wanted pictures and realising he's alive and tracking him down while dealing with his own personal pathos and trauma which ends with the buddies on tatooine concept that was dropped from the obi wan show be announced i'm waiting

[spirited-splashes]

Click drawing for higher quality

Sequel to this

Inspired by @artsymeeshee (hope the tag won’t bother you!) recent comic where ford hugs Stan except i drew it in reverse, I love the Stangst twins—

Sketch and reference below:

[littlebigmouse]

No. Wait. Back up. You're telling me we could've gotten the perfect parallel to The Slap That Made Jinx, but it would've been Jinx slapping a loved one. Jinx lashing out in anger and not realizing she's pushing someone away the same way Vi pushed her. Or maybe realizing it later and just sitting with it, waiting for Ekko to turn out like her, but he doesn't, he keeps fighting, keeps smiling, keeps having friends so it was just Jinx that's broken, or maybe Ekko never needed her, and what does it mean that for the briefest moment, she was like Vi, acted like Vi, and it hurt a loved one but it also felt empowering, asserting Jinx, asserting herself.

And Ekko having to grapple with getting hurt, pushed away, after weeks of trying to get close to Silco after months of fighting for his life, and to see her again later, on the battle field, as his former best friend happily guns down his friends, his new family, as if to challenge him, as if he didn't lose back then in Silco's lair, as if Jinx needs to prove something. What does it mean for Ekko to emphasize with Vi later, who unwittingly did to Jinx what Jinx did to him?

No, I don't think the Dynasty's & Dystopia flashback makes up for that!