#clara crofton

[mayhemchicken-artblog]

That's a lot of guys he has bit do they turn

Nah, the mechanism for Becoming A Vampire is a lot more complicated than that in Varney the Vampire, and in fact doesn't seem to be explicitly linked to getting bitten at all. The main component to becoming a vampire is having another vampire do a funny little ritual over your dead body. Being bitten isn't a prerequisite so long as your vibes are rancid enough.

[pupsmailbox]

STARTING WITH C

MASCULINE︰ cade. caden. caelan. caiden. cairo. cal. cale. caleb. caleb.. callahan. callan. callaway. callen. callum. calvin. cam. camden. camdyn. cameron. camilo. camron. cannon. carey. carl. carleton. carlos. carlton. carson. carter. cary. case. casey. cash. casimir. cason. casper. cassius. caulder. cavan. cayden. cayson. cecil. cedar. cedric. cesar. chace. chad. chadwick. chaim. chance. chandler. channing. charles. charley. charlie. charlton. chas. chase. chaz. chesley. chester. chet. chip. chris. christian. christie. christopher. chuck. chuckie. chucky. cillian. clair. clancy. clarence. clark. claud. claude. clay. clayton. clem. clement. cletis. cletus. cleve. cliff. clifford. clifton. clint. clinton. clive. clyde. cobie. cody. cohen. colbert. colby. cole. coleman. colin. collin. collins. collyn. colson. colt. colten. colter. colton. connell. conner. connor. conor. conrad. cooper. corbin. cordell. corey. cori. cornelius. cornell. corwin. cory. cosmo. coty. coy. craig. crawford. cree. creighton. crew. crispian. crispin. cristian. crofton. cruz. cullen. curran. curt. curtis. cuthbert. cy. cyan. cyril. cyrus.

FEMININE︰ cadence. caelie.���cailin. calanthe. calanthia. caleigh. cali. callie. calliope. cam. camellia. cameron. camila. camilla. camille. camryn. candace. candi. candice. candy. candyce. capri. cara. careen. carey. carina. caris. carissa. carla. carlisa. carlisle. carly. carlyn. carmel. carmella. carmen. carol. carolina. caroline. carolyn. carrie. carter. casey. cass. cassandra. cassidy. cassie. cat. cataleya. catalina. catharine. catherine. cathleen. cathryn. cecelia. cecilia. cecily. cedar. celandine. celeste. celestine. celia. celinda. celine. chalice. chana. chandler. chanel. chanelle. channing. chantal. chantel. chantelle. chanté. charisma. charissa. charisse. charity. charla. charlee. charleen. charleigh. charlene. charley. charli. charlie. charlotte. charmaine. charnette. chasity. chastity. chaya. chelle. chelsea. chelsey. chelsie. cher. cherette. cheri. cherice. cherie. cherilyn. cherise. cherish. cherry. cherryl. cheryl. chesley. chevonne. cheyanne. cheyenne. chloe. chloë. chrissie. chrissy. christa. christabel. christabella. christabelle. christal. christen. christi. christiana. christie. christina. christine. christobel. christy. chrysanta. chrystal. ciara. cicely. ciera. cierra. cinda. cindi. cindra. cindy. claire. clara. clare. clarette. claribel. clarice. clarinda. clarissa. clarity. claudia. clematis. clemence. clemency. clementine. cleo. clover. coleen. colene. colette. colleen. collins. collyn. connie. constance. cora.

NEUTRAL︰ cab. cable. cache. cade. caden. cadence. cai. cal. callahan. callaway. callout. calm. camari. cambrian. camdyn. cameron. camille. camp. campbell. camren. camryn. candle. candy. cannon. canyon. captain. captor. carcass. carousel. carry. carsen. carsyn. carter. cartier. cas. cascade. case. casey. cash. casino. casket. casper. caspian. cassidy. castle. casual. cat. catalogue. cavalry. cave. cavity. cay. caydence. caylen. cedar. celeb. cement. cemetery. century. chain. chainsaw. chandler. channing. chaos. char. charge. charity. charleston. charley. charlie. charly. charm. chase. chayce. checkers. cheer. chemical. cherish. chernobyl. cherry. chevelle. chevy. chiffon. chilly. chip. chirp. chop. chosen. chozen. chris. chrome. chrysalis. chrysanthemum. church. cider. cidney. cinder. cinnamon. city. cj. clarity. clarke. classic. clay. clear. clementine. cliché. click. cliff. cloak. clock. closure. cloud. clover. clownery. cob. cobalt. cobolt. cobra. cocoa. code. codin. colby. colt. comatose. combat. conley. control. cookie. cooper. copeland. copper. cor. coral. corbyn. corduroy. core. corvette. cory. cosmic. count. court. courtesy. courtney. cove. coven. covet. coy. coyote. cradle. crane. crank. crash. cree. crest. crew. crime. crimson. crisis. critter. croc. crosby. cross. crow. crown. cruise. crush. crystal. cupcake. curse. cyan. cyber. cylinder. cypress. cécile.

[companion-showdown]

Who is the best companion to get intoxicated with?

this tournament was suggested anonymously

GRAND FINAL

Ace McShane vs Donna Noble

SEMI FINALS

Ace McShane vs Wilfred Mott

Jack Harkness vs Donna Noble

QUARTERFINALS

Ace McShane vs Jamie McCrimmon

Wilfred Mott vs Bill Potts

Jack Harkness vs Jo Grant

Donna Noble vs Iris Wildthyme

previous rounds under the cut

ROUND 4

Ace McShane vs K9

Ruby Sunday vs Jamie McCrimmon

Wilfred Mott vs Liz Shaw

Dan Lewis vs Bill Potts

Jack Harkness vs Irving Braxiatel

Madam Vastra vs Jo Grant

Donna Noble vs Missy

Iris Wildthyme vs The TARDIS

ROUND 3

Ace McShane vs River Song

Charley Pollard vs K9

Ruby Sunday vs Dodo Chaplet

Rose Tyler vs Jamie McCrimmon

Delgado!Master vs Wilfred Mott

Romana II vs Liz Shaw

Barbara Wright vs Dan Lewis

Frobisher vs Bill Potts

Jack Harkness vs Martha Jones

Polly Wright vs Irving Braxiatel

Madam Vastra vs Koschei

Sarah-Jane Smith vs Jo Grant

Donna Noble vs Bernice Summerfield

Clara Oswald vs Missy

Iris Wildthyme vs Romana I

The TARDIS vs Tegan Jovanka

ROUND 2

Day 2

Jack Harkness vs Liv Chenka

Martha Jones vs Alan Turing

Polly Wright vs Mel Bush

Chris Cwej vs Irving Braxiatel

Madam Vastra vs Jason Kane

Koschei vs McQueen!Master

Sarah-Jane Smith vs Narvin

Ruth Leonidus vs Jo Grant

Donna Noble vs Vislor Turlough

Bernice Summerfield vs Steven Taylor

Wolsey vs Clara Oswald

Clarence the Angel vs Missy

Iris Wildthyme vs Karra

Romana I vs Romana III

Compassion vs The TARDIS

Hebe Harrison vs Tegan Jovanka

Day 1

Ace McShane vs God the Computer

Evelyn Smythe vs River Song

Sabalom Glitz vs Charley Pollard

Miranda Who vs K9

Ruby Sunday vs Hex Schofield

Dodo Chaplet vs Panna

Vicki Pallister vs Rose Tyler

Peri Brown vs Jamie McCrimmon

Delgado!Master vs Fitz Kreiner

Wilfred Mott vs Leela

The Brigadier vs Romana II

Liz Shaw vs The Black Dalek Leader

Barbara Wright vs Nyssa

Lucie Miller vs Dan Lewis

Father Kreiner vs Frobisher

Amy Pond vs Bill Potts

ROUND 1

(too many links for the post to work but all matches under the tag intoxication: round 1)

Day 1

Ace McShane vs Adric

Tegan Jovanka vs Victoria Waterfield

Delgado!Master vs Aris

Jo Grant vs Sutekh

Jamie McCrimmon vs Kamelion

Barbara Wright vs Harry Sullivan

The Black Dalek Leader vs Mother Francesca

Irving Braxiatel vs Elspeth (Where Angels Fear)

Iris Wildthym vs Peter Summerfield

C'rizz vs God the Computer

Romana III vs Carmen Yeh

McQueen!Master vs Mr Crofton

Wolsey vs Sam Bishop

Jack Harkness vs Rory Williams

Bill Potts vs Mickey Smith

Donna Noble vs Ryan Sinclair

Day 2

K9 vs Grace Holloway

Sabalom Glitz vs Sara Kingdom

Polly Wright vs Mike Yates

The Brigadier vs Morbius

Panna vs Varsh

Vicki Pallister vs Karuna

Father Kreiner vs Cousin Anastasia

Alan Turing vs Captain Magenta

Compassion vs Jack McSpringheel

Evelyn Smythe vs Renée Thalia

Frobisher vs Sabbath Dei

Narvin vs Lola Denison

Ruby Sunday vs Ianto Jones

Missy vs Yasmin Khan

Madam Vastra vs Sally Sparrow

Dan Lewis vs Graham O'Brien

Day 3

Steven Taylor vs Ben Jackson

Sarah-Jane Smith vs Zoe Heriot

Leela vs Ian Chesterton

Soldeed vs Vislor Turlough

Tremas vs Peri Brown

Dodo Chaplet vs Duggan

Bernice Summerfield vs Pandora

Koschei vs Valarie Lockwood

Lucie Miller vs The War King

Charley Pollard vs Joseph (The Doomsday Manuscript)

Miranda Who vs Eliza

Chris Cwej vs Adrian Wall

Death's Head vs Hebe Harrison

Jane Austen vs Amy Pond

River Song vs Gwen Cooper

The TARDIS vs Beep the Meep

Day 4

Romana II vs Chang Lee

The Three Who Rule vs Liz Shaw

The Kandyman vs Nyssa

Sergeant Benton vs Karra

Mel Bush vs Susan Foreman

Romana I vs Erato

Jason Kane vs V.M.McCrimmon

Clarence the Angel vs Scarlette

Hex Schofield vs Cousin Justine

John (Another Girl, Another Planet) vs Liv Chenka

Ruth Leonidus vs D'Eon

Fitz Kreiner vs The Original Golden Dalek Emperor

Martha Jones vs Bannakaffalatta

Wilfred Mott vs Toshiko Sato

Rose Tyler vs Vincent van Gogh

Clara Oswald vs Nardole

links to previous tournaments

[mayhemchicken-varneyposting]

in Varney the Vampire, there is approximately 1 female lead per story setting, but discounting all the little vignettes there are 2 main ones (Clara Crofton and Flora Bannerworth). clara dies in her section, but flora lives, begging the question...

in dracula there is a cowboy and the female lead lives. in nosferatu there is no cowboy and the female lead dies. ergo, the existence of a cowboy is highly important for the survival of the female lead in a gothic vampire story.

[pellicano-sanguino]

In my Long Varney the Vampire Post, I mentioned the one and only time this character has been adapted properly; in the Greta Helsing - series by Vivian Shaw. I have just finished the third (and possibly last) book. I liked it, but I’m sad that my time with this new and improved version of Francis is over, and I was a bit disappointed that the rumors I heard about this book turned out to be false.

The two rumors that hyped up my expectations for this book were: 1. Carmilla was going to appear as a character and 2. Sir Francis Varney’s dark past would be made a plot point. When writing this book, Vivian Shaw mentioned on her site that she was re-reading Feast of Blood to better understand Varney’s backstory. Sadly, she used the Gutenberg project of the book, which only has about a third of it and never gets past the Bannerworth’s part of the story (screw the Bannerworths, they are boring as fuck). The most interesting parts are at the very end of the book, where sir Francis tells about how he became a vampire, it’s also at the very end where his depression starts to get to him, he attempts suicide, fails and for the only time in the book passes the curse of vampirism to someone else. I know it’s a long book and a rather difficult read just to get some background research done, but I was hoping Vivian Shaw could use the better material in the later chapters instead of the boring stuff.

Well, Carmilla isn’t in the book. While I am disappointed not to get one more adaptation of my favourite vampire, I’m fine with this. Dracula and Carmilla have had their fair share of adaptations. Letting lesser known blood drinkers like Varney and Ruthven a chance for a comeback is refreshing. It was just a little frustrating to keep reading chapter after chapter and expecting Carmilla to show up and she didn’t. I wish I had known ahead of time that this rumor was false.

When Vivian Shaw mentioned she was doing research for Varney’s backstory for the third book, I imagined that something from his past would be an important plotpoint. That he’d run into someone who recognized him (say, Clara Crofton, who has been revived by moonlight in this universe?) or something would happen that would draw attention to the horrible things he did, forcing him to face the fact that he can’t escape his past, can’t undo anything, can’t wash the blood from his hands. And, well, nothing like that really happens. 

Varney’s depression, the choking guilt that lies heavy on his heart, is still there. It was one of the reasons I so fell in love with the first book, how accurate this version of the reluctant vampire was to the original. But it’s all inside his head. No one else knows anything about his past and he will not speak about it to anyone. Everyone knows he’s done some ethically questionable stuff, but no one seems to care. Everyone is all too happy to be all “what’s in the past doesn’t matter.” Which, yes, I understand is a very touching and encouraging message to someone who is doing his best effort to change and become a genuinely good person. We should try to help people who regret the evil they’ve done and want to try to correct the mistakes they have made.

But Varney doesn’t do anything to repair the damage he’s done. Everyone he’s ever hurt has been long dead and gone, how convenient. This was why I was hoping for vampire Clara Crofton to make an appearance. This would have forced sir Francis to reveal to Greta at least one of his crimes (the killing and turning of Clara). And he would have had to face someone he’d hurt personally. He would need to confess his regret, to apologize and offer to do whatever he can to make up for what he did. And he would have to accept the possibility that Clara might not forgive him.

Whenever sir Francis looks back at his past, it’s all just vaguely hinting at things. Clara Crofton’s murder is the only bad memory specified. I wished he would have recalled his failed suicide attempt by drowning. It would have driven home the difference between his past self and current self - now he has something worth living for, friends and a budding romance, and a purpose in life as helping Greta with her work. Remembering that there was that lowest point where he wanted to die would have more clearly explained why memories of his past are such a sore spot, why they have a tendency to drive him into depression, why he will not speak of them.

Spoilers incoming: I liked the ending, where Varney is given the chance to drink the water of Lethe, forgetting all of his miserable past so he could begin his romance with Greta without any skeletons hiding in his closet (though he might have those literally, his mansion already has some screaming skulls...). And yet, Varney decides against it. His memories are painful, but he must take responsibility for what he’s done and since he can’t undo any of it, the least he can do is pay the penalty by carrying this burden and remember it all so that he will remember never to allow it happen again. Good for you, sir Francis, for not taking the easy way out. You may deserve a second chance, but that does not come at the expense of handwaving away your past crimes as if they never happened.

There were a couple parts that made me laugh. First is when Varney proposes to Greta, who is all “well, I guess Varney’s an old fashioned type and refuses to get intimate with me outside wedlock.” Pffft. No. Greta, no. You just don’t know his past. Proposing to women he hardly knows is one his bizarre habits (well, everybody needs a hobby). Dude is more thirsty for a legal wife than he is for blood. 

And then there was a scene where shit is mildly close to getting real, and Varney feels helpless because there’s absolutely nothing he can do, and in his despair he decides to pray. Of all things, he prays, for the first time in centuries. It’s all very intense and moving, such an emotional scene, when a monster bound for Hell doesn’t know what else to do but pray. It hit me hard in the feels. And then I turn the page and read how God himself answers the vampire’s prayer. And despite all the intense feels, I just burst out laughing. 

Good job, Vivian Shaw. I know I nitpick your work (I’m a vampire nerd, nitpicking vampire fiction is what I do) but I loved the ride and I’m very sad it’s over. I wish you’d write more books about these characters, but if this was it, thankyou for making one Varney fangirl very happy.

edit: Oh, and Ruthven turned out to be gay. Which I approve of.

[liberalcom-blog]

Fairies, Pookas, and Changelings: A Complete Guide to the Wild and Wicked Enchanted Realm

https://liber-al.com/?p=40422&wpwautoposter=1563952975 While it’s true that fairy folk love a good garden and take great pleasure in a tulip, there are dozens of beasties who fall under the fairy domain that are not quite as delightful as the quintessential flower fairy. This book is an exploration of the many things that go bump in the night near the fairy mound. Along with an exploration of folklore and historical literature, readers will delight in fairy tales that demonstrate everything from striking a bargain with a fairy to staving off changelings to laughing with the dwarves. Included are fairy tales and myths from Wales, Scotland, Ireland, and Scandinavia plus classic stories by Thomas Crofton Croker, Joseph Jacobs, Clara Stroebe, the Brothers Grimm, Hans Christian Andersen, Yei Theodora Ozaki, and others on goblins, trolls, gnomes, pookas, changelings, banshees, and more! Chapters include: A Fear of Little Men: Elves, Trolls, Leprechauns, Tree Spirits, Brownies, Coblyns, Dwarves, Goblins, Bonga, Trolls and Other Fairy Folk of Glen, Forests and Hearth The Hand That Rocks the Cradle: Changelings and Other Greedy Kidnappers of the Fairy Kingdom I’m Not Drunk, It’s Just My Pooka: Tales of the Trickster Fairy and Its Wild Counterpart Is That All There Is? Faries Who Give, or The Barter System Whoops, There It Is: How to Enter the Fairy Kingdom (or How Not To) If you think fairies are merely delicate beings who follow you about on gossamer wings, you are in for quite a shock: the kingdom of the fairy is one of vengeance, thievery, trickery, and wild creatures. Consider yourself warned!

[hollywoodages-blog]

Emmanuelle Vaugier Height Weight Measurements

New Post has been published on http://hollywoodages.com/emmanuelle-vaugier-height-weight-measurements/

Emmanuelle Vaugier Height Weight Measurements

Emmanuelle Vaugier Biography

Emmanuelle Frederique Vaugier born June 23, 1976 is a Canadian film and TV performer, and model. Vaugier has had repeating parts as Detective Jessica Angell on CSI: NY, Mia on Two and a Half Men, Dr. Helen Bryce on Smallville, FBI Special Agent Emma Barnes on Human Target, and as The Morrigan on Lost Girl. In include films, Vaugier has showed up nearby Michael Caine and Robert Duvall in Secondhand Lions. She showed up as Addison Corday in Saw II and IV, and had a supporting part in the Josh Hartnett film 40 Days and 40 Nights. Vaugier was conceived in Vancouver, British Columbia, the little girl of French foreigners. She experienced childhood in a Roman Catholic, French-talking family unit, and is familiar with French. She separates her chance between Los Angeles and Vancouver. She went to Crofton House School, a young ladies tuition based school, for a long time until the point when she exchanged to Magee Secondary School, which offers an adaptable scholastic program for proficient and pre-proficient understudy competitors, specialists and performers (SPARTS), throughout the previous two years of secondary school. She has a more established sibling, Jason Vaugier. Vaugier showed up as Addison in Saw II and Saw IV. In the Canadian film Unearthed, she played Annie, the sheriff of a little country forsake town. She showed up in the film 40 Days and 40 Nights, which featured Josh Hartnett. She had featuring parts in Suddenly Naked, in which she plays a Latin pop sensation; the TV-motion picture Mindstorm, a sci-fi spine chiller; and Ripper, a thrill ride about understudies who bafflingly vanish in the wake of selecting in a class about serial executioners. She stars likewise in the continuation of Mirrors, which is coordinated by Victor Garcia. Proverb magazine highlighted her on the front of the February 2006 issue in the United States. After three months, she landed spot #31 on their yearly Hot 100 rundown. See Emmanuelle Vaugier Height Weight & Dating History Below.

Emmanuelle Vaugier Personal Info.

Full Name: Emmanuelle Sophie Anne Chriqui

Nick Name: Emmanuelle

Family Members: Unknown (Father) Liliane (Mother) Serge Chriqui (Older Brother) Laurence Chriqui (Older Sister)

Education: Chriqui went to Unionville High School in Ontario and furthermore went to their show program.

Date of Birth: 23rd June, 1976

Birthplace: Vancouver, British Columbia, Canada

Zodiac Sign: Cancer

Religion: Roman Catholic

Ethnicity: White

Nationality: Canadian

Profession: Actress, Model, Singer, Songwriter

Measurements: 37-24-35 in or 94-61-89 cm

Bra Size: 34C

Height: 5′ 7″ (170 cm)

Weight: 110lbs (50 kg)

Eye Color: Hazel

Hair Color: Brown – Dark

Dress Size: 4

Shoe Size: 7

Boyfriend/Dating History: J.C. Chasez (2001-2002) – For couple of months from October 2001 to 2002, American artist J.C. Chasez and Chriqui dated each other. Jeremy Sisto (2002) – In 2002, American on-screen character, Jeremy Sisto met Chriqui out of the blue on the arrangement of 2003 film Wrong Turn in Ontario, Canada. They dated for couple of months in that prior year isolating. Clifton Collins Jr. (2006-Present) – Since 2006, she is dating another on-screen character, Clifton Collins Jr. He is almost 8 years her senior.

Known For: One Tree Hill + Smallville

Active Year: 1995 (present)

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Year Title 1998 Hysteria 1999 Shapeshifter 1999 The Fear: Resurrection 2000 My 5 Wives 2000 The Sculptress 2001 Mindstorm 2001 Wishmaster 3: Beyond the Gates of Hell 2001 Ripper 2001 Suddenly Naked 2002 40 Days and 40 Nights 2003 Secondhand Lions 2003 Water’s Edge 2005 House of the Dead 2 2005 Saw II 2007 Unearthed 2007 Saw IV 2008 Blonde and Blonder 2008 Bachelor Party 2: The Last Temptation 2008 Far Cry 2009 Dolan’s Cadillac 2010 Mirrors 2 2010 Hysteria 2010 A Nanny for Christmas 2011 Where the Road Meets the Sun 2011 French Immersion 2012 Stolen Child 2013 Absolute Deception 2013 Susie’s Hope 2014 Teen Lust 2014 Saul: The Journey to Damascus 2015 My Stepdaughter 2016 Destruction: Los Angeles

Television

Year Title 1995 A Family Divided 1995 Highlander: The Series 1996 Madison 1996 The Halfback of Notre Dame 1996 Home Song 1996 The Limbic Region 1997 Breaker High 1997 Police Academy: The Series 1997 Ninja Turtles: The Next Mutation 1998 First Wave 1998 Dead Man’s Gun 1998–99 The Outer Limits 1999 Viper 1999 Assault on Death Mountain 1999 Seven Days 2000 The Beach Boys: An American Family 2000 Higher Ground 2000 Level 9 2000 So Weird 2001 Largo Winch: The Heir 2001 Big Sound 2001 Return to Cabin by the Lake 2001 MythQuest 2002 Beyond Belief: Fact or Fiction 2002 Charmed 2002 My Guide to Becoming a Rock Star 2002 Just Cause 2002–03 Smallville 2003 The Handler 2004 Call Me: The Rise and Fall of Heidi Fleiss 2004 North Shore 2004 Veronica Mars 2004–05 One Tree Hill 2005 Cerberus 2005 Andromeda 2005 Love, Inc. 2005 Painkiller Jane 2005–15 Two and a Half Men 2006 Monk 2006 Veiled Truth (aka What Comes Around) 2006 Masters of Horror 2006–09 CSI: NY 2007 Supernatural 2007 Big Shots 2009 Reverse Angle 2010 A Trace of Danger 2010 Human Target 2010–11 Covert Affairs 2010 Hawaii Five-0 2010–15 Lost Girl 2011 R.L. Stine’s The Haunting Hour 2011 Killer Mountain 2012 It’s Christmas, Carol! 2013 The Mentalist 2013 Clara’s Deadly Secret 2013 Hidden Away 2015 My Stepdaughter 2015 Mistresses 2016 Love In Paradise 2016 Stranger in the House 2016 His Double Life 2016 Love in the Vineyard (Heart Felt) 2017 Rogue 2017 Washed Away

See Also: Alicia Keys Body Measurements

Search Terms: Emmanuelle Vaugier Height Weight

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[mayhemchicken-varneyposting]

Congratulations on making it through the whole thing! Ten days is some seriously impressive speed-reading. I can answer at least a few of your questions, as tumblr's resident Guy Who Has Made Varney The Vampire Their Whole Personality.

Most of them can be answered with "no, this thing was not planned in the slightest, and the author clearly never once went back to read anything he'd previously written". I do think he may have had a vague outline of where he wanted the story to go at the very beginning, just because there are a few lines hinting at Marchdale's betrayal that feel glaringly obvious on a reread. But he starts to lose the plot around the same time the Hungarian nobleman (or Floyd Dracula, as I call him) is introduced, and by the time we cut away to Anderbury he's definitely lost the plot.

In fact, I'm fairly confident that the story's direction was changed last-minute in between the conversation Varney has with Charles in the empty house, and the one he has with the Bannerworths after he takes shelter in their home. Floyd was GOING to be relevant, and Varney almost had yet another backstory in which - as far as I can figure - Floyd was going to turn out to be the gambler Varney and Marmaduke killed, and Varney's vampirism possibly was going to have been a result of that incident. (I swear I'm not pulling this out of my ass, I have quotes to back me up.) For whatever reason, though, the author pivoted instead to "Varney was never a vampire, he just got Frankensteined back from the dead by Chillingworth", and Floyd, now left with nothing to do, was tossed aside. Incidentally, the various conflicting accounts of Varney's past and Marmaduke's death create a time discrepancy in which Marmaduke died either a year ago or like 10-20 years ago, depending which account you're listening to.

Once you start paying attention the inconsistencies rack up like crazy. George Bannerworth disappears about 40 chapters in. At the end of the book, Mrs. Crofton goes from "alive and present in the narrative" to "has been dead for years" in the space of a few chapters.

As for why only one of Varney's dead victims becomes a vampire, it appears to be because he has to raise them from the dead on purpose, which is why we get the scene in there of Varney doing a funny little ritual on Clara's body.

I too would like to know more about the vampire group. How do they assemble? How do they determine who becomes a new vampire? Why do they all carry matching shovels?

Somehow I was expecting the final mob count to be higher than that.

“You don’t know these people, do you?” [Varney] asked Ruthven on the way up.

“Not as far as I’m aware,” said Ruthven. “It’s entirely possible they might have read that godawful Polidori book; in which case this will be extremely embarrassing.”

“Not as embarrassing as Varney the Vampyre, or The Feast of Blood,” said Varney drily. “Practically nothing is as embarrassing as that. Polidori at least wasn’t being paid by the word.”

—Dreadful Company, Vivian Shaw

Who's more out of their mind: James Malcolm Rymer, for writing 667,000 words of Varney the Vampire, or me for reading all of them in ten days?

I have no idea how to feel or to surmise what I've just experienced. On the one hand, Sir Francis Varney may now be my favorite vampire in literature, and whenever this book got me interested, it was sometimes one of the most fascinating vampire stories I've ever read.

I wasn't expecting such an early installment in the vampire fiction genre to be so sympathetic toward the vampire. I definitely was not expecting the vampire to eventually befriend his victims, or to refuse on multiple occasions to kill, or to try and help those he had terrorized as a form of repentance.

Granted, even when I was fully on board with the story, it still had a number of baffling elements. The romantic dialogue of this novel is so atrocious that it makes the Star Wars prequels look like one of Shakespeare's love stories in comparison. The comic relief duo of the admiral and his valet consisted of two jokes only (they speak in sailor slang and fight all the time) which were promptly pounded into the ground. At least six times in this book, possibly more, the narrative stopped so the author could write a chapter just consisting of transcribing what the characters were reading. Because he was getting paid by the word.

Despite all of this, I was fully on board up until Varney's would-be wedding as the Baron failed. After that, we got treated to multiple instances, each spanning several chapters, in which Varney would again pass himself off as some rich guy, try to marry a young woman, and then get exposed and run away. I'm guessing those chapters sold really well and that's why Rymer kept doing those stories? Or else he was just out of ideas. I don't see why those chapters would have sold especially well because they were short on vampire nonsense and chock full of wedding preparations and negotiations. I don't know much about the target audience for penny dreadfuls, but I would imagine they would care more about action than the services hired for a wedding breakfast.

And then once the endless marriages stopped, we got several more chapters of Varney biting a woman, getting caught, and running away. The story only picked back up in the last ten percent of the novel, when Rymer finally did something new by having one of Varney's victims become a vampire herself. Unfortunately, she got finished off pretty quickly and then the novel just ended.

(I am not complaining about the ending. The ending was a hell of a thing and gave me all sorts of emotions. But we could have had Varney's exploits with a newbie vamp instead of Failed Wedding Attempt 875)

Also, I'm assuming that Rymer did not plot this story out before he began? Varney's past changes constantly, sometimes within maybe thirty pages of the last backstory we were given. He's a deceased ancestor of the Bannerworths who took his life a hundred years ago! He's an executed highway robber, resurrected maybe a decade ago at most by a doctor's experiments, Frankenstein-style! He's been a vampire for 180 years and became one by murdering an innocent woman! He lived as mortal during the reign of Henry the Fourth! He lived as a mortal during the reign of Charles the First, and became a vampire after accidentally killing his son by striking him in anger!

If it were just Varney's past that was inconsistent, I'd say he was lying or had lived and died so many times that he genuinely forgot which death was the first one. But there are weird inconsistencies throughout the novel. What was up with the document Varney and Marchdale tried to force Charles to sign? Does Varney have a scar on his forehead or his cheek? Why did one girl who died of Varney become a vampire and the other one didn't? And most importantly to me, the hell was up with the Hungarian nobleman?

Why bother to introduce another vampire if it's going to lead to nothing but a red herring where the reader briefly thinks that the baron isn't Varney, and rather that Varney is the vampire that the baron killed?

Granted, roughly two thousand pages later, when a brood of vampires assemble to resurrect a new vampire, then probably the Hungarian nobleman comes back to speak a whole two sentences to Varney, about how they met at an inn once and also Varney used to hang with people named Bannerworth.

(I need to know more about this vampire group that assembles to resurrect vampire newbs. How does that work? Do they just sense them? Do they get pulled there by vampire power?)

And what was up with that time skip? Did we need to introduce Mr. Bevan as a sympathetic character when the entire Bannerworth family already were sympathetic to Varney?

I just don't know, man.

Also, Rymer hates Quakers. And Jewish people. And Catholics. And evangelicals. And organized religion in general. And Scots. And Americans, I think. Now, this is not at all rare for the time. Stoker and Wilde and many other of their contemporaries would also write their prejudices into their stories decades later. But they didn't write a book longer than War and Peace that had big stretches of nothing except weird diatribes of whatever they disliked.

Anyway.

Can I in good conscience recommend that anyone read this?

Not in its entirety. If someone wants to do an abridged version have at it I guess. Or read it in its entirety over the span of months instead of ten days like I did. My brain is going to explode.

The first half was good. The end stuff was good. I want to wrap Varney up in a number of blankets and feed him some of my blood. And thank God he's in the public domain, because he deserves better than an endless slog of miseries that quickly goes off the rails once he leaves the Bannerworths.

Final mob count: 11

Final failed vampire wedding count: 4

I should have kept track of all the times Varney died and/or got shot, but I forgot

Three stars

[mayhemchicken-varneyposting]

cinematic parallelsss

(context)

[mayhemchicken-varneyposting]

Aside from Varney/Charles, are there any other relationships (romantic, qpr, platonic, other) that you think have potential for expanding into something interesting?

Ohhhh this ask is pure catnip to me. Thank you for sending this in I'm going to be thinking about this so hard.

I've already talked some about the grifter4grifter potential that is Varney and Margaret Meredith, but that's a silly example and I have more serious ones.

Varney/Marmaduke. I have canon evidence of this one. I'm in the process of exploring it in Man of the House, which is stalled at the moment while I figure out where on Earth the plot of it is going, but once I do then so help me God I WILL write that tragic toxic vampire yaoi.

Henry/Varney. I think this one is almost completely one-sided; it adds something to Henry's character as a guy who is just the MOST out of his depth anyone has ever been if he also develops a crush on the vampire harassing his family. And Varney finds it incredibly entertaining; he eggs it on, fans that little flame just to see how big it can get. I've written fic about this too, it's Chapter 1 of Varney the Vampire Bites Everybody.

Whatever the hell is going on between Varney and Floyd. There's almost not enough of it to even speculate. They're cordial to one another in the vampire council scene, but then in Anderbury Floyd attempts to sucker up to Varney for money and Varney murders him. I need to know more. Were they ever friends. Do they hate each other. What is their deal.

For the lesbians out there Flora interacts with exactly one (1) female character who isn't her mother, and it's Helen Richardson from Anderbury. They become friends. I'm afraid I can't tell you more than this because literally the entire relationship happens offscreen in a sort of epilogue to the Anderbury section, and then both of them vanish from the narrative and are never seen again.

...Sorry lesbians. This book is terrible with female characters. It's fine we'll just break free of the bounds of time (linear time is already not a thing in Varney the Vampire) and introduce her to Clara Crofton, who also has no personality but we don't CARE we don't CARE we're chucking the author out a window and boarding it up behind him. They can awkwardly bond about having their lives ruined by the same disaster man while Charles nurses Ringwood back to health in the background from his latest head injury.

How did I forget about VARNEY/BEVAN mein gott. Those old men need to fuck. Or at least tenderly kiss. Varney. Take a leaf out of Clarimonde's book and SEDUCE! THAT! PRIEST!

I'm not done yet. Putting more of these under a cut since they've got big spoilers for the Varney summaries

Varney and Marchdale. Whatever they've got going on could be fascinating. (I say "could be" because in practice Marchdale is a cartoon villain and Varney is a different kind of cartoon villain, and their relationship has zero depth.) I've expanded on their whole Deal a bit in blood, sweat, and tears (god I've referenced so many of my own fics in this post. I guess that's not surprising, most of the relationships I'm interested in are ones I've written about) where I have Marchdale In It For The Immortality and Varney playing along with him because he'll wade through fire for anyone who learns about the vampirism and still treats him like a person.

On that note, Mrs. Bannerworth and the chaotic triangle of men in her life. Listen to me. Mrs. B married Marmaduke, but Marchdale courted Mrs. B when they were younger, and they were close enough that he moved into her house when Marmaduke died. Then a Goddamn Vampire arrives on the scene, menaces them for a while, and then Marchdale betrays her family for the Goddamn Vampire. To the point of attempting to kill her daughter's fiance. AND THEN. SHE LEARNS. THE GODDAMN VAMPIRE WAS FRIENDS WITH HER HUSBAND BACK IN THE DAY. they maybe fucked you can't prove they didn't. And now the Goddamn Vampire is friends with them, so really Marchdale betrayed them and died for nothing. What a goddamn STEW. Genuinely Mrs. B might have the most interesting perspective on the events of the story of any character in it, and James Misogyny Rymer makes her little more than set dressing. I'm going to raise him from the dead so I can re-kill him.

[mayhemchicken-varneyposting]

itching for good comparative literature posting between varney and dracula

You've come to the right place, my friend.

The Corn Will Never Ripen: Contrasting Themes of Fear, Knowledge, and Secret-Keeping in Dracula and Varney the Vampire

"It was the doubt as to the reality of the whole thing that knocked me over. I felt impotent, and in the dark, and distrustful. But, now that I know, I am not afraid, even of the Count."

-- Jonathan Harker, Dracula

"...but at all events one thing is evident, that the parson thought it good sound policy, and it was, to endeavour to nip the thing in the head, and by ascribing it to a dream, put it down as a subject of speculation in the place."

-- Varney the Vampire

(Spoilers ahead for both books)

Fear is a powerful force in Dracula. Count Dracula wields fear as a weapon, using it as an iron hammer to flatten the peasants who live in his shadow or a knife to twist in the hearts of his victims. He delights in terror and the suffering that comes from it, and uses fear as a tool to manipulate people and to turn them against one another. In Dracula, the antidote to fear is knowledge: Jonathan Harker is rejuvenated by Van Helsing's confirmation that his experiences were real, Van Helsing's study of folklore provides the key tools needed to defeat their vampiric foe, and Mina Harker's compilation of journals, articles, letters, and other documents detailing the nature and movements of the Count proves, ultimately, to be the crucial weapon in the fight against Dracula.

Fear, too, is a powerful force in Varney the Vampire. Sir Francis Varney also wields fear to his advantage; however, it quickly proves to be volatile beyond his control, and he finds himself repeatedly harried and pursued by the mobs his presence has whipped up. The fears of the populace are an engine of destruction that churns up everything in its path, desecrating corpses, burning buildings, and on one occasion even murdering a man on the suspicion that he might be a vampire. In Varney the Vampire, the proposed antidote to fear is ignorance, as knowledge of the truth only breeds and increases the destructive power of fear; however, try as they may, the protagonists almost never succeed in concealing the truth from the people who would hurt or be hurt by its knowledge. Flora and Clara do not believe the doctors who tell them their horrible experiences are a mere dream, Flora and George independently arrive at the idea of vampires despite attempts from the others to keep them in the dark, and ultimately no one is ever able to prevent the formation of the book's most formidable villain, The Mob.

Much ink has been spilled about the way that Dracula reflects the many anxieties of the Victorian era; and certainly, fear is omnipresent in its pages. Yet the novel Dracula is not afraid of the dark, placing a much greater focus on the power of love and kindness, the importance of communication, and ultimately the triumph of good over evil. From the compassion of Romanian peasants and Hungarian nuns to the strong bonds of friendship shared between the main cast, Dracula brims over with optimism and hope for humanity, despite the inescapable prejudices of the text.

By contrast, the outlook of Varney the Vampire is bleak. Futility is a recurring theme, from the cartoonish bumbling of the main characters to the tragic character of Varney himself, trapped in an endless cycle of death and undeath. The lesson of Varney is that it is the duty of the enlightened intellectual to shield the frail minds of his lessers from truths which are too horrible for them to bear. Confronted by evidence of vampires, the woman and the emotional man will succumb to horror and despair, while the uneducated peasantry will quickly exaggerate the truth by way of rumor and gossip, eventually turning to mindless and destructive mob violence. Clearly, neither of these things are desirable to Rymer's imagined intellectual; yet the message of the text, over and over again, is that protecting these "lesser minds" is a task doomed to failure. Try as you might, you cannot keep the vampire out of peoples' heads, and the intellectual man is doomed to have his reasoned arguments drowned out by the riotous outcries of the mob.

It is impossible to separate Varney the Vampire's views on fear and knowledge from the author's sexism and classism. While Bram Stoker hammers in the lesson to his protagonists that ignorance benefits no one with the climactic attack of October 3rd, James Malcolm Rymer strongly holds that knowledge of the truth ought to be the domain of educated men and no one else. Women must be kept in the dark. The poor and uneducated must be kept in the dark. Men who are too emotional, and thus feminine, must be kept in the dark. None but the most manly and educated intellectuals are equipped to handle the truth of vampires, even when that truth far more directly concerns the very people that are being excluded from knowledge of it. Lying and gaslighting are acceptable and even virtuous when put to this purpose.

Some of this patriarchal attitude is present in Dracula, especially as regards the treatment of Lucy and her mother, but Bram Stoker appears to be mostly against the concept, as his heroes pay dearly for it with Mina later. Though his handling of it falls rather short of 21st century standards, Stoker attempts to show the value in cooperation between people of all kinds. The Romanian peasants do all they can to protect Jonathan Harker from Dracula; the nuns in Budapest take him in and care for him; Van Helsing and Quincey, both (admittedly Western) foreigners, are essential members of the effort to defeat Dracula; Renfield has a heroic turn after being shown kindness by Mina, and dies fighting Dracula with his bare hands; Mina, a woman, leads the team and plays a crucial role in Dracula's defeat. Even with Victorian prejudice rearing its ugly head, often glaringly, throughout the text, the contrast between Stoker's worldview and Rymer's is stark.

As a final note, I'd like to compare the portrayal of gender and emotion in Dracula and Varney the Vampire. Emotion in the Victorian era, as I've alluded to elsewhere in this post, was gendered. More specifically, emotion was feminine. Men were expected to control their emotions; women, being seen as weaker, were not given the same expectations of stoicism, although it was still considered impolite for a woman to display strong emotions in public. (This is what the drawing room, actually a withdrawing room, was for.) With this in mind...

Wow, the characters in Dracula cry a lot. Jonathan cries in despair during his captivity, Arthur will cry on anyone's shoulder, Van Helsing has his King Laugh moment, and even the normally stoic Seward breaks down into his phonograph at one point. Fear and trauma are not belittled, and grief is allowed room to breathe. Alongside all this emotion, we see the strict gender roles of Victorian society broken down in other ways too. Jonathan takes comfort in femininity during his confinement in Castle Dracula, imagining himself in the position of medieval ladies writing letters and comparing himself to Scheherazade; later, he holds onto Mina's arm while they walk, the opposite of Victorian custom. Mina studies shorthand and practices her typing in anticipation of working alongside Jonathan, crossing the strict male/female division of Victorian society between the working and domestic spheres. Van Helsing describes her as having "a woman's heart and a man's brain", and after learning his lesson about patriarchal sexism and keeping secrets, follows her lead in the hunt for Dracula. Stoker yearns for a kinder and less regimented world than the one he lives in, and in Dracula he writes that world.

Rymer, on the other hand, fears the degradation of the regimented world, and writes in Varney a cautionary tale of the dangers of Too Much Emotion, demonstrated most starkly in the final vignette of his sprawling epic. When Clara Crofton is murdered by Varney, her father is deeply affected by grief at losing his daughter; and though other characters, chiefly Flagship Manly Intellectual Dr. North, attempt to chastise him out of expressing that grief, they ultimately fail and he is driven to madness. Clara's fiance, Ringwood, is also stricken by the loss. When he discovers Clara has risen as a vampire, he chases after her, begging to join her in undeath; but while this sentiment in Dracula is portrayed as the ultimate expression of love and devotion, in Varney it is portrayed as silly and irrational, and Ringwood, too, ultimately faces material consequences for his emotional outburst: he is attacked by Varney and knocked unconscious.

In Dracula, emotional connection and communication are embraced, and the bonds forged by this type of connection are instrumental to overcoming fear and defeating evil. In Varney the Vampire, grief is dangerous, love is foolish, and fear is a greater and more pervasive evil than any monster that lurks in the shadows.

[mayhemchicken-varneyposting]

Context on the latest comics?

all the clara comics i've posted (including the earlier ones with floyd) are part of an au concept i've been developing with @thegoatsongs, one where both clara and varney survive their canon deaths and clara has to learn how to be a vampire. the latest set of comics center around clara tracking down varney, who is somewhere in naples recovering from the volcano, in order to confront him and convince him to teach her about the whole vampire thing. bevan is there as her escort. clara, knowing varney primarily as "guy who murdered her", was not expecting him to be so...mopey.

detailed outline of this au under the cut for anyone who's interested

so, as i've touched on in other posts, clara crofton's short-lived career as a vampire is kind of disappointing. she gets no speaking lines, no real autonomy, and her sole victim is a random village girl rymer made up on the spot, which to me is criminal misuse of the tools HE GAVE HIMSELF to work with, because clara has a younger sister. everything is lined up for an emotionally devastating clara arc that actually treats her like a character. all we have to do is revive her and varney from their canon deaths and keep the narrative rolling past chapter 237.

so. clara stumbles home one night, soaked to the skin and covered in mud and her own blood, disoriented and with no memory of what happened to her as a vampire. at this point, clara isn't aware she's died, nor that she's a vampire. she's cold and hungry and scared and confused, and she's positive something dreadful has happened to her to leave her in this state, but she doesn't know what it is.

her father, upon seeing her, pronounces that A Miracle Has Occurred! his daughter is alive and well! (he is in DEEP denial. clara's death and undeath did a number on his mental state.)

her family takes her inside, get her cleaned up and dressed and give her a hot meal. under the recommendation of dr. north, world champion of gaslighting, they don't tell her about the whole vampire episode. better to put that whole thing behind them as a bad dream. as sir george keeps insisting, she's clearly alive and well now...right?

she's not well. later that night, she throws up her meal. this quickly becomes a pattern--she can't keep any food down. dr. north puts her on increasingly more restricted diets in an attempt to find some way to keep her fed, but her health continues to decline. her temperature drops, her pulse grows slow and erratic, and she gradually becomes weaker and weaker.

and then one night, clara awakens to the full moon shining through her bedroom window, and a raging hunger, or perhaps thirst, inside her. what happens next, she doesn't entirely remember. she only knows that when she comes to, her hunger is gone, and she feels better than she has in weeks...standing over her sister's bed, with blood on her hands and face. her sister, emma, is bleeding from her neck.

there is no more hiding the truth from clara. her brothers tell her everything, while dr. north sees to emma's injury. no one here knows very much about vampires, so the question hangs over all their heads like an axe: what will happen to emma? will she die? will she turn?

And Then Clara Is Summoned To A Vampire Council. the vampires have caught wind of varney's death and are seeking to expand their ranks in his absence, so they're having another exhumation. clara takes the opportunity to try to learn a few things about Being A Vampire by asking them questions, but none of them are very helpful. several of them, who don't know much about varney other than "he's really old and infamous", express doubt that he could actually be finally dead. fearing what will happen when she next grows hungry, clara decides to take a risk and travel to naples in search of varney, hoping he will give her answers.

she opts to travel with mr. bevan since he managed to have something of a rapport with varney before he died. she's still terrified of varney and hopes having bevan there will decrease the chances of Something Bad Happening. assuming varney survived, that is.

this brings us to the latest round of comics, in which clara finally tracks down varney's temporary residence in naples, steeling herself to come face to face with her killer--only to find him having Depression Time on the floor.

the guilt over clara's death was already eating him alive before she turned up in person. he's not taking this meeting well. eventually he does pull himself together enough to answer her questions, and turns out to be much more helpful than the other vampires.

[mayhemchicken-varneyposting]

Does Flora have bite marks or have they faded?

Previously someone said to Holland that now that she's been bitten, if Flora marries and has children with him eventually, she's going to eat them (I assume if she dies early?). Does that become relevant about vampires?

Flora had bite marks but they were very small; the story makes no mention of them ever leaving scars behind.

Varney will give Flora some vampire lore in a later chapter which clarifies that she is not in danger of turning; it's always possible that he's bullshitting her, of course, but I think it's intended by the author to be an actual lore drop. According to him, Flora would need to be bitten many times, until the attacks eventually killed her, in order to become a vampire - similar to what Dracula does to Lucy.

The lore eventually settled on much later in the story is that vampires must be raised from the dead by other vampires, making it impossible for one to turn from an incidental bite. Additionally, it doesn't seem that most vampires were ever bitten in the first place; male vampires are all wicked men cursed with vampirism after death as punishment for their evil deeds, since men getting bitten is unthinkable in this story.

Vampires preying on their family/children never comes up for real. Varney's implied relation to the Bannerworth family is eventually dropped, and Clara Crofton's only victim is unrelated to her. Clara's victim, as well as a couple of Varney's, are under 18, but young children don't seem to be a prime vampire target, either.

[mayhemchicken-varneyposting]

Speaking of relationships I've seen some of your art of Clara Crofton with Francis Varney around, and I remember in the Greta Helsing series that has Varney as a main character that has a scene reminiscing about his greatest crime that he wishes he was dead about. So it's spoilers and going beyond canon but most of the relationships here have to, but how do you see their relationship with both of them being denied death and forced to confront With It All?

Ooh. Oh boy I have a lot of thoughts about that. They have so much in common and could do so much bonding about it if not for the uh. The uh. Yeah.

They have so many complex feelings about each other. Varney is completely consumed with guilt about every part of Clara's situation, to the point of blaming himself for things that aren't technically his fault. He will gladly kneel for Clara to swing the axe at his neck, except Clara doesn't actually want to do that. I think for a long time Clara really doesn't know how to feel about him. It's almost easier when she doesn't know him and can assume he's just a heartless monster; things get more complicated when she actually meets him. Should she forgive him? Can she forgive him? Does he even want her forgiveness? (No.)

But she knows nothing about being a vampire. She's afraid of him, but first and foremost she's afraid of herself, now, afraid of what she might do and who she might hurt. And Varney now has a chance to ease some of her troubles for once, rather than add to them--he's been a vampire for hundreds of years. He, in all likelihood, had to figure out a lot of things by himself, through trial and error and a lot of deaths by mob. He could spare her all of that, and give her a half-decent shot at happiness, even. All he has to do is bear being in a room with her for long enough to have the conversation.

Actually hold that thought I just remembered I have a half-completed PMV about this topic. Followup post incoming.

(Edit: Followup post here.)

[mayhemchicken-varneyposting]

In Strange Practice when Varney was introduced, the exposition was very angst filled but it made me perk up also because... Past victim? This crime haunting him above all? Female vampire "crying out for retribution"?? Him unable to move on from this?

Not only the fact of his unholy nature, but the terrible deeds he had done, cried out for retribution. Any one of them would damn him to the fiery pits, but one in particular cried out for vengeance: the episode in his existence he could hardly call it life he most regretted; the turning of Clara Crofton. Of all the foul, indefensible, destructive, unforgivable acts he had perpetrated on the world during his various sojourns in it, none could be worse than the sin of changing a human being into a damned, parasitic horror such as himself. To doom her to an eternity of pain and loathing, to take away the last sweet gift any human could receive, the gift of absolution – no, Varney could not forgive himself for that, and would not try. Redemption was beyond him.

I kept waiting for their meeting but alas! This reads like SUCH a build up for confrontation.

i'm so glad there's an author out there who Gets varney. (while also purposefully throwing out everything about ruthven, which polidori honestly deserves.)

it would be fantastic if strange practice used clara as a character, though. she's so criminally underutilized in varney the vampire, she deserves a chance to shine

[mayhemchicken-varneyposting]

Maybe Miss Clara should Bite her doctor

Absolutely.