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IDW's Scott Dunbier is one of two recipients of the 2023 Clampett Humanitarian Award, which was presented during the 2023 Eisner Award ceremony. He received the award for spearheading a benefit anthology, titled Comics for Ukraine: Sunflower Seeds, raising $175,000 for Ukrainian refugees.
More details from the Comic-Con website:
Scott Dunbier spearheaded a crowdfunding campaign for Comics for Ukraine: Sunflower Seeds, an anthology that raised nearly $175,000, with all proceeds being donated to Ukrainian refugees, in partnership with Operation USA. The book’s contributors include Alex Ross, Arthur Adams, Bill Sienkiewicz, Walt Simonson, Jill Thompson, Howard Chaykin, Stan Sakai, Colleen Doran, Matt Wagner, Sergio Aragonés, Louise Simonson, June Brigman, and many more. Scott has been Special Projects Editor at IDW since 2008, where his award-winning publications have included the Artist’s Edition line of books.
#comics for ukraine#bob clampett#scott dunbier#eisner awards#sdcc 2023#comics for ukraine: sunflower seeds#alex ross#comics
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NEIL GAIMAN'S CHIVALRY WINS THE EISNER AWARD
Very happy to announce that NEIL GAIMAN'S CHIVALRY won the Eisner Award for Best Adaptation from Another Medium at last night's ceremony at San Diego Comic Con. Presenter was Batman producer Michael Uslan.
We're incredibly grateful and pleased, and no one is more surprised than I am.
This book is for all ages, it is gentle, it is a fairy story, it is about an old lady and a knight in shining armor, and the kind of King Arthur who lives in my dreams and not in blockbuster movies, and I am so grateful it has been so well-received.
I waited decades for this.
I cannot thank you all enough.
Neil Gaiman's Chivalry is based on an original short story by Neil Gaiman. Adapted and illustrated by me. Lettering by Todd Klein and me. Published by Dark Horse Comics. Editor Daniel Chabon.
Photo courtesy Bob Clampett Humanitarian Award winner Scott Dunbier.
#chivalry#neilgaiman#neil gaiman#dark horse comics#darkhorsecomics#king arthur#fantasy#sir galahad#todd klein
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TV Guide - September 7 - 13, 1963
Irene Ryan (born Irene Noblitt, Noblett, or Noblette; October 17, 1902 – April 26, 1973) Actress and comedienne who found success in vaudeville, radio, film, television, and Broadway. She is most widely known for her portrayal of Daisy May “Granny” Moses, mother-in-law of Buddy Ebsen’s character Jed Clampett on the long-running TV series The Beverly Hillbillies (1962–1971). She was nominated for Emmy Awards for Outstanding Lead Actress in a Comedy Series in 1963 and 1964 for the role. (Wikipedia)
Donna Douglas (born Doris Ione Smith; September 26, 1932 – January 1, 2015) Actress and singer, known for her role as Elly May Clampett on The Beverly Hillbillies (1962–1971). Following her acting career, Douglas became a real-estate agent, gospel singer, inspirational speaker, and author of books for children and adults. (Wikipedia)
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Lucy in Beverly Hills
Part 1 ~ The Cast
Although thematically the shows created by Lucille Ball were worlds apart from the down-home humor at the Clampett Mansion, there were artistic and creative commonalities that are worth discussing.
"The Beverly Hillbillies" ran from 1962 to 1971, while "The Lucy Show" ran from 1962 to 1968, both on CBS TV. Interiors were filmed at General Service Studios, where "I Love Lucy" began filming until it moved to larger quarters.
Like Jed Clampett, Lucy Carmichael and Lucy Carter are single parents, raising teenage girls, a popular trope of the 1960s and '70s.
The Desilu sitcoms "I Love Lucy," "Make Room for Daddy," "The Andy Griffith Show," and "Gomer Pyle USMC" are all related shows with characters in common much in the same way the Henning sitocms, "The Beverly Hillbillies," "Petticoat Junction" and "Green Acres" were related. Interestingly, "The Beverly Hillbillies" was mentioned during two episodes of "The Danny Thomas Show", in 1963 and 1964.
Jed Clampett's fortune is made from striking oil. In the 1960 Broadway musical, Lucille Ball played a wildcatter looking to find black gold. On "I Love Lucy," new neighbors the O'Briens move from Texas, where they made their fortune in oil. Soon the Ricardos and Mertzes have dreams of riches from Texas tea.
Animal trainers Frank and Juanita Inn worked on both shows, as well as on "Here's Lucy."
Both shows went from black and white to color in October 1965. Although "The Lucy Show" had filmed its second season in color (1963-1964), CBS declined to air it in color.
Editor Dann Cahn (1963 to 1964), was also an editor for "I Love Lucy" and many Desilu shows.
Shared Casting
Their “Beverly Hillbillies” characters are in parentheses, followed by their Lucycom / Desilu credits.
Irene Ryan (Granny) performed with Lucille Ball on a May 3, 1949 episode of "The Bob Hope Radio Show." In 1963, Ryan and Ball both appeared on CBS specials featuring their TV shows.
Buddy Ebsen (Jed Clampett) appeared in a 1958 episode of "The Westinghouse-Desilu Playhouse" introduced by Desi Arnaz. He appeared with Lucille Ball on several CBS specials and numerous award shows.
Donna Douglas (Ellie Mae Clampett) performed in a 1960 episode of Desilu's helicopter series "Whirlybirds." She was seen with Lucille Ball on a 1963 CBS special "The Stars' Address".
Max Baer Jr. (Jethro Clampett) was seen with Lucille Ball on a 1963 CBS special "The Stars' Address".
Raymond Bailey (Millburn Drysdale) never acted opposite Lucille Ball, but was seen in episodes of Desilu's "The Whirlybirds," "The Untouchables," "The Ann Sothern Show" and "Westinghouse-Desilu Playhouse" introduced by Desi Arnaz.
The bankers of "The Lucy Show" (Theodore J. Mooney) and "The Beverly Hillbillies" (Millburn Drysdale) were remarkably similar: loud, quick-tempered, miserly, abusive to their secretaries, and willing to grovel and sacrifice their dignity to land a big account.
Stretch (Duke) the Clampett's lethargic bulldog, also played Thunderbolt on "Kiddie Parties, Inc." (1963) on "The Lucy Show." Stretch was one of Frank Inn's biggest stars.
Nancy Kulp (Miss Jane Hathaway) played the Cockney maid who teaches Lucy Ricardo ow to curtsy in "Lucy Meets the Queen" (1955). She also appeared in the Lucille Ball and Desi Arnaz film Forever Darling, again playing a maid. Kulp returned to Desilu for a 1959 special with Milton Berle and Lucille Ball and a 1962 episode of “The Lucy Show” where she played Navy Officer Jane Corey.
Miss Jane's relationship to Mr. Drysdale was not dissimilar to Lucy Carmichael's relationship to her banker boss, Mr. Mooney.
Bea Benadaret (Cousin Pearl Bodine) first starred with Lucille Ball on her radio series “My Favorite Husband” (1948-1951), primarily as best friend Iris Atterbury. Benadaret was Ball’s first choice to play Ethel Mertz on “I Love Lucy,” but she was already contracted to play Blanche Morton on “The George Burns and Gracie Allen Show”, another best friend character. Ball still managed to cast her as a one-off character, Miss Lewis, an elderly spinster, on season one of “I Love Lucy.”
Frank Wilcox (John Brewster) appeared with Lucille Ball in the films Her Husband’s Affairs (1947) and The Fuller Brush Girl (1950). He played Frank Spaulding, owner of the Connecticut house in "Lucy Wants To Move To The Country" (1957).
Elvia Allman (Elverna Bradshaw) was heard with Lucille Ball on “My Favorite Husband” before playing the strident Candy Factory Forewoman on “I Love Lucy.” Allman returned to the show as one of Minnie Finch’s neighbors in “Fan Magazine Interview” (1954) and prim magazine reporter Nancy Graham in “The Homecoming” (1955). She made two appearances on “The Lucy–Desi Comedy Hour“ - first as Ida Thompson, Westfield’s PTA director, then as Milton Berle’s private secretary. Allman would also be seen on two episodes of “The Lucy Show" as a customer in a department store and the manager of an employment agency. Allman’s final screen appearance with Lucille Ball reunited her with Bob Hope: “Bringing Back Vaudeville” in 1971. For Desilu, Allman was seen on “December Bride” (1954-59), and “The Ann Sothern Show” (1958).
Milton Frome (Lawrence Chapman) played Sam, who Lucy Ricardo tried to fix up with Dorothy, in “The Matchmaker” (1954). He played Milton Berle's agent in a "Lucy Saves Milton Berle" (1965). He also played a waiter in a 1972 episode of “Here’s Lucy” starring Donny Osmond.
Ray Kellogg (Gate Guard / Police Officer) played the barking Assistant Director (“Roll ‘em!”) in “Ricky’s Screen Test” (1954) and later appeared in “Bullfight Dance” (1955). He was seen on 7 episodes of “The Lucy Show” and two episodes of “Here’s Lucy.” In many of his appearances he played policemen or guards, just as he does here.
Charles Lane (Foster Phinney / Homer Bedloe / Billy Hacker) appeared in 7 films with Lucille Ball between 1933 and 1949. He was also heard on her radio show "My Favorite Husband". On "I Love Lucy," he played 4 characters and 2 more on "The Lucy-Desi Comedy Hour." He was cast as banker Barnsdahl on "The Lucy Show," but was released after 4 episodes so that Ball could hire Gale Gordon. He went from Desilu to Hooterville with his role of Homer Bedloe on "Petticoat Junction," which he also plays on "The Beverly Hillbillies".
Phil Silvers (Shifty Shafer aka Honest John) gave Lucille Ball a cameo on his show "Sergeant Bilko" in 1959. In 1963, Ball and Silvers performed the classic ‘Slowly I Turn’ sketch for “CBS Opening Night.” In December 1966, Silvers guest-starred as Oliver Kasten in “Lucy and the Efficiency Expert”. A year later Ball and Silvers both had bit parts in the film A Guide for the Married Man (1967).
Roy Roberts (John Cushing / Judge) appeared with Lucille Ball in Miss Grant Takes Richmond (1949). On “The Lucy Show” he first appeared as a Navy Admiral in “Lucy and the Submarine” before creating the role of Mr. Cheever, the president of Mr. Mooney’s bank, a recurring character he played through the end of the series. On “Here’s Lucy” he played the Superintendent of the Air Force Academy in season two’s two-part opener. He also played doctors in “Lucy and the Astronauts” (1971) and in "Lucy is N.G. as an R.N." (1973).
Shirley Mitchell (Opal Clampett) became friends with Lucille Ball in the late 1940s when she was featured in 4 episodes of “My Favorite Husband.” Mitchell reunited with Lucille Ball on “I Love Lucy” playing Marion Strong, member of the Wednesday Afternoon Fine Arts League. She also played Mae Belle Jennings on "Petticoat Junction."
Joi Lansing (Gladys Flatt) first worked with Lucille Ball on “I Love Lucy” in “Desert Island” (1956) and returned to play Miss Long Neck in "Lucy Wants a Career" (1959). She did an episode of Desilu's "The Untouchables" and appeared for Desi Arnaz on an episode of "The Mothers-in-Law".
Alan Reed Jr. (Sheldon Epps / Buddy) is probably best remembered as the voice of Fred Flintstone, acting opposite Bea Benadaret (Cousin Pearl). He was heard with Lucille Ball on "My Favorite Husband" (1949). In 1963 he played a café owner in “Lucy Visits the White House”. In 1967, he made an appearance on the Desi Arnaz series “The Mothers-in-Law”.
Most of the principal cast of "The Flintstones" (1960-1966) appeared on "The Beverly Hillbillies": Bea Benadaret (Betty), Alan Reed Jr. (Fred), and Mel Blanc (Barney) all appeared on the show. Jean Vander Pyl did not act on "The Beverly Hillbillies," but did appear on its sister show "Petticoat Junction" and voiced Maw on the cartoon "The Hillbilly Bears" (1966). All four also worked with Lucille Ball on radio and/or television. There was also an episode of "The Flintstones" titled "The Bedrock Hillbillies" (above) featuring animated characters named Granny and Jethro Hatrock with voice talent Howard Morris, John Stephenson, and June Foray, all of whom also worked with Lucille Ball.
Richard Deacon (Dr. Klinger / Mr. Brubaker) made two guest star appearances on Desilu's “December Bride” in 1956 in one of which he played Desi Arnaz’s butler. It’s not surprising that he was cast as Tallulah Bankhead’s butler Winslow in “The Celebrity Next Door,” a 1957 episode of “The Lucy-Desi Comedy Hour.” In 1963 he played Harvey Rittenhouse in the Ball / Hope film Critic’s Choice. In October 1964, Deacon and Lucille Ball both played themselves on “Bob Hope Presents The Chrysler Theatre: Have Girls, Will Travel”. He was employed again by Desi Sr. as a regular on “The Mothers-in-Law” (1968-69). He was seen on two episodes of "Here's Lucy."
Paul Winchell (Grandpa Winch) was just 40 years old when he donned old age make-up to play Grandpa Winch in "Home for Christmas" (S1;E13). Four years later he was aged again to play Doc Porter on a two-part episode of "The Lucy Show" set in a the small town of Bancroft.
Mary Wickes (Adaline Ashley) was one of Lucille Ball's best friends of screen. She appeared on "I Love Lucy," "The Lucy Show," and "Here's Lucy," in addition to many other TV specials alongside Ball. The 1967 episode of "The Beverly Hillbillies" Wickes appeared on was aired between two of her "Lucy Show" appearances and featured Gail Bonney, who was seen on "I Love Lucy" and "The Lucy Show."
Eddie Albert and Eva Gabor (Oliver and Lisa Douglas) ~ were visitors to Beverly Hills from Hooterville, but both stars were also favorites of Lucille Ball. Gabor appeared in two episodes of "Here's Lucy", one as herself, and Albert played himself in a 1973 episode. In 1950, he co-starred with Lucille Ball in The Fuller Brush Girl.
Star Casting
John Wayne made a cameo appearance on "The Beverly Hillbillies". When asked how he wanted to be paid, he is best remembered answering back with: "Give me a fifth of bourbon--that'll square it." Wayne appeared as himself on "I Love Lucy" (1955) and "The Lucy Show" (1966). His uncredited cameo on "The Indians Are Coming" (S5;E20) was aired in 1967.
Sammy Davis Jr. (Sergeant Patrick Muldoon) made two appearances on the series during November 1968 episodes set in NYC. Although he plays a character here (an Irish cop!), he played himself on "Here's Lucy" in September 1970. His first "Hillbillies" appearance also features Lucy's friend and co-star Phil Silvers as Shifty Shafer (aka Honest John), a recurring character that was seen in eight episodes.
Impressionist Rich Little played himself in the season nine opener of "The Beverly Hillbillies." Mr. Drysdale convinces him to impersonate President Richard Nixon over the telephone to fool Jed. Nixon was one of Little's most popular impressions. When he played himself on a 1971 episode of "Here's Lucy," Nixon wasn't mentioned, but he did do his impression of John Wayne (see above).
Hedda Hopper played herself in "Hedda Hopper's Hollywood" (S3;E4) in 1964, an episode named after her newspaper column and television specials, one of which featured Lucille Ball. That same 1960 special featured Gloria Swanson, who did a cameo as herself in a 1966 episode titled "The Gloria Swanson Story" (S5;E12). Curiously, Hopper played herself in a 1955 episode of "I Love Lucy" titled "The Hedda Hopper Story." An episode of "The Lucy Show" titled "Lucy and the Lost Star" was intended for Swanson, but the lost star eventually cast was Joan Crawford.
Robert Cummings appeared as himself in "The Race for Queen" (S2;E19) playing the celebrity judge of the Queen of Beverly Hills beauty contest. He was known as Bob Collins on "The Bob Cummings Show" (aka "Love That Bob!"), which ran from 1955 to 1959. The same year it ended he played himself on a 1959 episode of "The Lucy-Desi Comedy Hour" set in Japan. He reprised the character of Bob Collins on a 1972 episode of "Here’s Lucy” (above) and returned the following season for another episode as a different Bob. His sitcom had featured many of the same actors as "The Beverly Hillbillies" and various Lucycoms, but especially Joi Lansing, Nancy Kulp, and Elvia Allman. Cummings' appearance on "Hillbillies" is primarily attributable to the fact that BH creator Paul Henning produced "The Bob Cummings Show"!
Other Common Cast Members
Jack Bannon, Wally Cox, Peter Leeds, Bobs Watson, Lyle Talbot, Doris Packer Eleanor Audley, Maurice Marsac, Leon Ames, Jesse White, George Barrows, Herb Vigran, Jean Willes, Norman Leavitt, Leon Belasco, Burt Mustin, Iris Adrian, Foster Brooks, Ted Eccles, Robert Foulk, Tristram Coffin, Byron Foulger, Gil Perkins, Hal Taggart, Robert Cummings, Natalie Schaffer, Mel Blanc, John McGiver, Don Rickles, John Carradine, Jacques Bergerac, Hans Conried, Murvyn Vye, Bernie Kopell, Barbara Morrison, Phil Arnold, Ellen Corby, Robert Carson, Barry Kelley, William Newell, Lurene Tuttle, Karen Norris, Hayden Rorke, Benny Rubin, Helen Kleeb, Bill Quinn, Frank J. Scannell, Irwin Charrone, Gail Bonney, Fritz Feld, Norma Varden, Murray Pollack, Jil Jarmyn, Olan Soule, John Gallaudet, George N. Niese, Dick Winslow, Tommy Farrell, Cliff Norton, Robert Osborne, Nestor Paiva, Larry J. Blake, Hans Moebus, Norman Stevans, Monty O'Grady, Steve Carruthers, and Bert Stevens.
~ Stay Tuned for Part 2 : Episodes ~
#The Beverly Hillbillies#Lucille Ball#The Lucy Show#I Love Lucy#Here's Lucy#TV#CBS#Frank Inn#Nancy Kulp#Bea Benadaret#Hedda Hopper#Rich Little#John Wayne#Sammy Davis Jr.#Eddie Albert#Eva Gabor#Mary WIckes#Paul Winchell#Richard Deacon#Alan Reed Jr.#Shirley Mitchell#Joi Lansing#Frank Wilcox#Elvia Allman#Phil Silvers#Ray Kellogg#Charles Lane#Roy Roberts#Donna Douglas#Irene Ryan
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Happy 80th Birthday Tweety!
“I Tawt I Taw a Puddy Tat!”........”I did! I did! I did saw a Putty Tat!“.
Happy Birthday to one of the most famous Looney Tunes/Merrie Melodies character, Tweety (or Tweety Pie), originally created by Bob Clampett and later taken over by the creator of Sylvester, Yosemite Sam and Porky Pig, Friz Freleng.
Originally named Orson and was left unnamed in his first appearance “A Tale of Two Kitties”, until Tweety’s second film, “Birdy and the Beast”.
Tweety’s voice and characteristics were modeled after a then well-known fictional radio character “Junior, the Mean Widdle Kid” by actor as Red Skelton.
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Clampett would go on to direct a couple more Tweety shorts until his depature. He originally planned to direct Tweety’s fourth cartoon, “Tweetie Pie”, but was taken over by Friz Freleng and won the Academy Award.
In a similar approach to Tex Avery, Clampett was more interested in one-shots (once stated, after a few Bugs Bunny cartoons, he became bored with the character), which may be the reason why he didn’t create as many characters as Jones, Freleng or even McKimson, aside from Tweety, there was also Beaky Buzzard.
Clampett’s original Tweety was intentionally sadistic while still maintaining his cutesy demeanor, whereas Freleng’s Tweety was later toned down significantly (very much like Jones did with Bugs and Daffy in the 1950s onward), making the character innocent, naïve and, for most of the part, unaware of the danger around, however, at least a few of Freleng’s Tweety short would include some of Clampett’s original characterstics, until Tweety’s sadistic nature was entirely gone.
Freleng’s Tweety’s designed him with even less exaggeration.
Freleng paired up Sylvester with Tweety, much to the disagreement with the cartoon directors’ new producer, Eddie Selzer, who protested that Sylvester and the unnamed woodpecker from 1945′s “Peck Your Troubles Away”, Freleng refused and, according to him, he angrily placed a paper-and-pencil to his producer’s desk and stormed out. Later, Selzer agreed to have Freleng make a Sylvester and Tweety cartoon short, the first one with them, as stated, won the Academy Award, and the rest is history!
Like there competitors, Tom & Jerry, Sylvester & Tweety became labeled as “one of the best duos in animation history”, and who can argue with that statement! These duos starred in some of the best shorts ever made!!!
#tweety#bob clameptt#friz freleng#birthday#a tale of two kitties#looney tunes#merrie melodies#model sheets#history#lobby cards#tweety80#tweety 80#80 years of tweety
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Explore Branson Golf Destination Courses Shine in ‘Golfweek’s Best’ Annual Rankings
Five cited for excellence in Missouri including the top four, three garner ‘Top 100 Public Course’ status
Golfweek recently announced two “Golfweek’s Best” lists (“Top Courses by State” and “Top 100 Public Access Courses”) and five courses in the Explore Branson golf destination garnered best-of recognition in them.
Nationally, Ozarks National (Bill Coore and Ben Crenshaw design), Buffalo Ridge (Tom Fazio and Johnny Morris), and Payne’s Valley (Tiger Woods) earned distinction in the “Top 100 Public Course” list, ranking nos. 51, 77, and 93, respectively.
For Missouri public courses, Golfweek course raters ranked Ozarks National No. 1 in the state, Buffalo Ridge No. 2, Branson Hills No. 3 (Chuck Smith/Bobby Clampett), Payne’s Valley No. 4, and LedgeStone No. 7 (Tom Clark).
The hundreds of members of Golfweek’s course-ratings panel continually evaluate courses and rate them based on 10 criteria on a points basis of 1 through 10. They also file a single, overall rating on each course. Those overall ratings are averaged to produce the final rankings.
“Golfweek bestowing this honor on us validates not only that our course is considered one of the finest, but also that the Branson golf destination is one of the best with five courses voted into the state’s top 10,” said Dan Davis, PGA, Branson Hills Golf Club, Director of Golf.
Branson’s five other courses are Top of the Rock (Jack Nicklaus), Mountain Top (Gary Player), Thousand Hills (Bob Cupp), The Pointe, and Holiday Hills. Top of the Rock and Mountain Top are award-winning par-3 courses, a welcome addition in golf trips where players tee up 18-holers in the morning, then add afternoon “short course” rounds. Thousand Hills has often earned “favorite course” status among area golfers, while The Pointe and Holiday Hills provide additional popular 18-hole playing options.
The two short courses and Ozarks National, Buffalo Ridge, and Payne’s Valley are amenities of Big Cedar Lodge.
All 10 courses in the destination are located near one another as well as hundreds of restaurants, lodging options, and after-golf attractions.
“Golfweek rating five of our 10 courses among the finest in the state and country is exciting; we hope it inspires people to visit our golf destination in the Branson Missouri Ozarks,” said Lynn Berry, Director of Communications, Explore Branson.
Branson is the No. 3 rated trending tourism destination in America according to Tripadvisor, a place where live entertainment theatres, lakes, museums, a world-famous theme park (Silver Dollar City), sports venues, outdoor adventures, and family friendly activities proliferate.
Tripadvisor, the world’s largest travel guidance platform named Branson’s Silver Dollar City the No. 1 theme park in the United States last week. Utilizing traveler reviews and ratings for experiences, tours, activities, and attractions on their site over a 12-month period (May 1, 2022 - April 30, 2023), as well as an additional editorial process, earned the theme park top status.
For more information about Branson and its golf destination, visit www.explorebranson.com/golf, Instagram (@ExploreBransonGolf) or Facebook (@BransonGolf).
Explore Branson Golf Courses
Ozarks National, 800.225.6343
Mountain Top, 800.225.6343
The Pointe, 417.334.4477
Thousand Hills, 800.487.0769, 417.334.4553
Buffalo Ridge, 800.225.6343
LedgeStone, 417.335.8187
Top of the Rock, 800.225.6343
Branson Hills, 417.337.2963
Payne’s Valley, 800.225.6343
Holiday Hills, 417.334.4838
About Explore Branson
Branson is a one-of-a-kind family vacation destination nestled in the lakeside beauty of the Ozark Mountains — and an incredible value — with dozens of live performance theatres, three pristine lakes, an international award-winning theme park, dozens of attractions and museums, a Historic Downtown district, a Town Center-style shopping complex, a full range of dining options, and a host of hotels, motels, resorts, RV parks, campgrounds, sports venues, and meeting and conference facilities. Branson is less than one day’s drive for one-third of America’s residents. With low-cost flights to Branson Airport (BKG www.flybranson.com) and nearby Springfield-Branson National Airport (SGF), it has never been easier to access Branson. Call 1-800-296-0463 for help planning your next vacation, convention or reunion. See more at: http://www.explorebranson.com
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Branson Golf Destination Courses Shine
Explore Branson Golf Destination Courses Shine in ‘Golfweek’s Best’ Annual Rankings Explore Branson's golf destination has earned high praise from Golfweek, with five of its courses being named "Golfweek's Best" in both the "Top Courses by State" and "Top 100 Public Access Courses" lists. This recognition underscores the exceptional quality and appeal of the Branson golf experience. On the national level, Ozarks National, created by Bill Coore and Ben Crenshaw, Buffalo Ridge by Tom Fazio and Johnny Morris, and Payne's Valley by Tiger Woods have all been listed in the "Top 100 Public Course" rankings, with positions of 51, 77, and 93, respectively. For Missouri public courses, Golfweek's course raters have ranked Ozarks National as the top public course in Missouri, with Buffalo Ridge coming in at No. 2 and Branson Hills (Chuck Smith/Bobby Clampett) at No. 3. Payne's Valley secured the impressive No. 4 spot, while LedgeStone, designed by Tom Clark, made it to the respectable No. 7 position. Ozarks National is a golf experience that immerses players in the beauty of the Ozarks terrain. The Golfweek course-ratings panel, composed of hundreds of members, meticulously assesses golf courses utilizing ten distinct criteria and unequivocally assigns points ranging from 1 to 10. They also file a single overall rating on each course. Those overall ratings are averaged to produce the final rankings. Dan Davis, Director of Golf at Branson Hills Golf Club, confidently states that receiving the Golfweek honor solidifies their course as one of the best and cements Branson's status as a top golf destination in America, with five out of the top 10 ranked courses located in the area. Branson's five other courses are Top of the Rock (Jack Nicklaus), Mountain Top (Gary Player), Thousand Hills (Bob Cupp), The Pointe, and Holiday Hills. Top of the Rock and Mountain Top are award-winning par-3 courses, a welcome addition in golf trips where players tee up 18 holers in the morning, then add afternoon "short course" rounds. Thousand Hills has often earned "favorite course" status among area golfers, while The Pointe and Holiday Hills provide additional popular 18-hole playing options. The two short courses and Ozarks National, Buffalo Ridge, and Payne's Valley are amenities of Big Cedar Lodge. With 10 strategically located courses, this destination also offers an abundance of dining and lodging options. After a round of golf, visitors can indulge in a multitude of exciting attractions. Explore Branson's Director of Communications, Lynn Berry, confidently expressed her excitement over the recognition of their top-rated courses in both the state and the country. Berry hopes this tremendous achievement will inspire more individuals to visit their premium golf destination in the beautiful Branson, Missouri Ozarks. According to TripAdvisor, Branson is ranked America's third most popular destination. The region boasts an impressive array of attractions, including live entertainment theaters, museums, lakes, and the renowned theme park, Silver Dollar City., which was recently named the top theme park in the US by TripAdvisor. Additionally, it offers sports venues, outdoor adventures, and an abundance of family-friendly activities. For more information about Branson and its golf destination, visit explorebranson.com/golf Photos courtesy of Explore Branson Read the full article
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Around the Tubes
Some comic news and reviews from around the web to start the day #comics #comicbooks
It was new comic book day yesterday! What’d you all get? What’d you enjoy? Sound off in the comments below. While you think about that, here’s some comic news and reviews from around the web. The Beat – Annie Koyama to be presented with the Clampett Award – Well deserved. Kotaku – Becoming Batman Was A Coming Out Of Sorts For Legendary Voice Actor Kevin Conroy – A hero in many ways. Kotaku –…
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#anime expo#annie koyama#batman#clampett award#comic books#Comics#fox and hare#kevin conroy#mother panic: gotham a.d.#savage avengers
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well shit not quite THAT rapidly
#i have no idea how this got through. this has been eluding me for nearly a year now bc i only just paid attention to it then but she HAS to#be saying shit i genuinely can’t think of any alternative#i also love the (unintentional?) lazy eye#lt#we the animals squeak!#clampett#vid#award winning
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Winning
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Tulay Lotay via IG: @tulalotay
Comic-Con International just announced I’ll be one of the recipients of the Bob Clampett Humanitarian Award!!! @sdcc_2019 😭😭😭😭 From Newsarama- Lisa Wood (a.k.a. comics artist Tula Lotay), founded Thought Bubble in Leeds, England. Although the most visible aspect of Thought Bubble is a yearly comics festival, it conducts activities year-round. Activities include a young people’s comic book awards at select schools, special autism services, Rainbow Age LGBTQ reading group events, an annual anthology (distributed internationally by @imagecomics) whose profits go to a disadvantaged children’s charity, distribution of free graphic novels to libraries, a two-day academic conference, and more. Comic-Con International’s Humanitarian Award is presented in the name of famed animator Bob Clampett, who created the TV series Beany and Cecil, designed such popular characters as Porky Pig and Tweety Bird, and directed 84 classic Warner Brothers cartoons. Clampett was a regular guest a Comic-Con in the 1970s and early 1980s. After his death in 1984, the humanitarian award was created to honor those people in comics and the popular arts who have worked to help others.
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2020 Bob Clampett Humanitarian Award winners announced
The Hero Initiative, creators4comics, the Comicbook United Fund and Binc have been named the recipients of the 2020 Bob Clampett Humanitarian Award. Named for Beany and Cecil creator Bob Clampett, the award is given out annually as part of the Eisner Award ceremony each July.
The Hero Initiative received the award for its ongoing charity efforts; the organization has been helping comic creators in need for more than 20 years.
“Hero Initiative is honored to receive the Bob Clampett Humanitarian Award for 2020. Now more than ever, organizations such as Hero Initiative, which helps comic book creators in medical and financial need, are desperately needed,” Jim McLauchlin, on behalf of the Hero Initiative, said in a statement. “We continue to focus on this mission, and continually build for the future. Hero Initiative would not exist without the widespread support and assistance of creators, fans, and publishers all over the world. We share this award with them. We are grateful, humbled, and very appreciative of the recognition.”
Both creators4comics and the Comicbook United Fund were recognized for their fundraising efforts during the early days of the COVID-19 crisis to raise money for comic book retailers through the nonprofit Book Industry Charitable Foundation, or Binc. Gwenda Bond, Kami Garcia and Sam Humphries co-founded creators4comics, while the Comicbook United Fund was started by the Oni-Lion Forge Publishing Group, DC Comics and Binc.
“The Binc Foundation is honored to accept Comic-Con’s Bob Clampett Humanitarian Award. On behalf of each of the comic retailers your support allowed us to help, we thank this comic community for valuing the care of one another in times of crisis. We are grateful to Oni-Lion Forge, Polarity, DC, and the Creators4Comics team, for their leadership and quick action at the beginning of the COVID-19 pandemic, when direct market retailers needed them most. Receiving this award on behalf of you, our donors, volunteers, and all those who have ever advocated for Binc and the Comicbook United Fund is a point of pride for us. The comic community’s embracement of the Binc Foundation has changed lives. With your continued support, we will be a place retailers can call for help for years to come. We are proud to share this recognition with all those who make this work possible,” said Pam French, Executive Director, Binc Foundation.
This year’s Will Eisner Comic Industry Awards Ceremony will go live at Comic-Con@Home on Friday, July 24 at 7 p.m. Pacific. Bob Clampett’s daughter, Ruth Clampett, will present the Bob Clampett Humanitarian Awards.
#comic books#Smash Pages#hero initiative#binc#creators4comics#comicbook united fund#eisner awards#bob clampett
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At the VOICE OF AMERICA, Comics for Ukraine: Sunflower Seeds is featured in a video segment. With work from more than 15 comics creators (including me, my short story is highlighted at the 47 second mark) all creators volunteered their services with all proceeds donated to Ukraine refugee relief via Operation USA.
With more than $100,000 raised prior to release and another $100,000 expected to be raised before the end of this year, editor Scott Dunbier received the 2023 Bob Clampett Humanitarian Award for his work on this project.
You may order it HERE.
It was an honor to contribute to this project.
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TV Guide - March 14 - 20, 1964
Buddy Ebsen (born Christian Ludolf Ebsen Jr., April 2, 1908 – July 6, 2003), also known as Frank “Buddy” Ebsen. Actor and dancer, whose career spanned seven decades. One of his most famous roles was as Jed Clampett in the CBS television sitcom The Beverly Hillbillies (1962–1971); afterwards he starred as the title character in the television detective drama Barnaby Jones (1973–1980). (Wikipedia)
Irene Ryan (born Irene Noblitt, Noblett, or Noblette; October 17, 1902 – April 26, 1973) Actress and comedienne who found success in vaudeville, radio, film, television, and Broadway. She is most widely known for her portrayal of Daisy May “Granny” Moses, mother-in-law of Buddy Ebsen’s character Jed Clampett on the long-running TV series The Beverly Hillbillies (1962–1971). She was nominated for Emmy Awards for Outstanding Lead Actress in a Comedy Series in 1963 and 1964 for the role. (Wikipedia)
Donna Douglas (born Doris Ione Smith; September 26, 1932 – January 1, 2015) Actress and singer, known for her role as Elly May Clampett on The Beverly Hillbillies (1962–1971). Following her acting career, Douglas became a real-estate agent, gospel singer, inspirational speaker, and author of books for children and adults. (Wikipedia)
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Ubbe Eert "Ub" Iwwerks was born on March 24, 1901. He was an American animator, cartoonist, character designer, inventor, and special effects technician, who designed Oswald the Lucky Rabbit and Mickey Mouse. Iwerks produced alongside Walt Disney and won numerous awards, including multiple Academy Awards.
Iwerks spent most of his career with Disney. The two met in 1919 while working for the Pesmen-Rubin Art Studio in Kansas City, and eventually started their own commercial art business together. Disney and Iwerks then found work as illustrators for the Kansas City Slide Newspaper Company (which was later named The Kansas City Film Ad Company). While working for the Kansas City Film Ad Company, Disney decided to take up work in animation, and Iwerks soon joined him.
He was responsible for the distinctive style of the earliest Disney animated cartoons, and was also responsible for designing Mickey Mouse. In 1922, when Disney began his Laugh-O-Gram cartoon series, Iwerks joined him as chief animator. The studio went bankrupt, however, and in 1923 Iwerks followed Disney's move to Los Angeles to work on a new series of cartoons known as “the Alice Comedies” which had live-action mixed with animation. After the end of this series, Disney asked Iwerks to design a character that became Oswald the Lucky Rabbit. The first cartoon Oswald starred in was animated entirely by Iwerks. Following the first cartoon, Oswald was redesigned on the insistence of Oswald's owner and the distributor of the cartoons, Universal Pictures. The production company at the time, Winkler Pictures, gave additional input on the character's design.
In spring 1928, Disney was removed from the Oswald series, and much of his staff was hired away to Winkler Pictures. He promised to never again work with a character he did not own. Disney asked Iwerks, who stayed on, to start drawing up new character ideas. Iwerks tried sketches of frogs, dogs, and cats, but none of these appealed to Disney. A female cow and male horse were created at this time by Iwerks, but were also rejected. They later turned up as Clarabelle Cow and Horace Horsecollar. Ub Iwerks eventually got inspiration from an old drawing. In 1925, Hugh Harman drew some sketches of mice around a photograph of Walt Disney. Then, on a train ride back from a failed business meeting, Walt Disney came up with the original sketch for the character that was eventually called Mickey Mouse. Afterward, Disney took the sketch to Iwerks. In turn, he drew a more clean-cut and refined version of Mickey, but one that still followed the original sketch.
The first few Mickey Mouse and Silly Symphonies cartoons were animated almost entirely by Iwerks, including Steamboat Willie, The Skeleton Dance and The Haunted House. However, as Iwerks began to draw more and more cartoons on a daily basis, he chafed under Disney's dictatorial rule. Iwerks also felt he wasn't getting the credit he deserved for drawing all of Disney's successful cartoons. Eventually, Iwerks and Disney had a falling out; their friendship and working partnership were severed in January 1930. According to an unconfirmed account, a child approached Disney and Iwerks at a party and asked for a picture of Mickey to be drawn on a napkin, to which Disney handed the pen and paper to Iwerks and stated, "Draw it." Iwerks became furious and threw the pen and paper, storming out. Iwerks accepted a contract with Disney competitor Pat Powers to leave Disney and start an animation studio under his own name. His last Mickey Mouse cartoon was The Cactus Kid. (Powers and Disney had an earlier falling-out over Disney's use of the Powers Cinephone sound-on-film system—actually copied by Powers from DeForest Phonofilm without credit—in early Disney cartoons.)
The Iwerks Studio opened in 1930. Financial backers led by Pat Powers suspected that Iwerks was responsible for much of Disney's early success. However, while animation for a time suffered at Disney from Iwerks' departure, it soon rebounded as Disney brought in talented new young animators.
Despite a contract with MGM to distribute his cartoons, and the introduction of a new character named “Flip the Frog”, and later “Willie Whopper”, the Iwerks Studio was never a major commercial success and failed to rival either Disney or Fleischer Studios. Newly hired animator Fred Kopietz recommended that Iwerks employ a friend from Chouinard Art School, Chuck Jones, who was hired and put to work as a cel washer. The Flip and Willie cartoons were later distributed on the home-movie market by Official Films in the 1940s. From 1933 to 1936, he produced a series of shorts (independently distributed, not part of the MGM deal) in Cinecolor, named ComiColor Cartoons. The ComiColor series mostly focused on fairy tales with no continuing character or star. Later in the 1940s, this series received home-movie distribution by Castle Films. Cinecolor produced the 16 mm prints for Castle Films with red emulsion on one side and blue emulsion on the other. Later in the 1970s Blackhawk Films released these for home use, but this time using conventional Eastmancolor film stock. They are now in the public domain and are available on VHS and DVD. He also experimented with stop-motion animation in combination with the multiplane camera, and made a short called The Toy Parade, which was never released in public. In 1936, backers withdrew financial support from the Iwerks Studio, and it folded soon after.
In 1937, Leon Schlesinger Productions contracted Iwerks to produce four Looney Tunes shorts starring Porky Pig and Gabby Goat. Iwerks directed the first two shorts, while former Schlesinger animator Robert Clampett was promoted to director and helmed the other two shorts before he and his unit returned to the main Schlesinger lot. Iwerks then did contract work for Screen Gems (then Columbia Pictures' cartoon division) where he was the director of several of the Color Rhapsodies shorts before returning to work for Disney in 1940.
After his return to the Disney studio, Iwerks mainly worked on developing special visual effects. He is credited as developing the processes for combining live-action and animation used in Song of the South (1946), as well as the xerographic process adapted for cel animation. He also worked at WED Enterprises, now Walt Disney Imagineering, helping to develop many Disney theme park attractions during the 1960s. Iwerks did special effects work outside the studio as well, including his Academy Award nominated achievement for Alfred Hitchcock's The Birds (1963).
Iwerks' most famous work outside creating and animating Mickey Mouse was Flip the Frog from his own studio. According to Chuck Jones, who worked for him, "He was the first, if not the first, to give his characters depth and roundness. But he had no concept of humor; he simply wasn't a funny guy."
Iwerks was born in Kansas City, Missouri. His father, Eert Ubbe Iwwerks, was born in the village of Uttum in East Frisia (northwest Germany, today part of the municipality of Krummhörn) and immigrated to the United States in 1869. He is the father of Disney Legend Don Iwerks and grandfather of documentary film producer Leslie Iwerks.
Daily inspiration. Discover more photos at http://justforbooks.tumblr.com
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Original Virgil Ross illustration of Bugs Bunny and Marvin Martian Illustration (Warner Brothers, c. 1990). "Golden Age" animator Virgil Ross spent many years with Warner Brothers during his long career as an animator, working closely with legendary directors Chuck Jones, Tex Avery, Bob Clampett, Friz Freleng, and others, with several of his shorts earning Academy Awards. He also worked at Filmation, Hanna-Barbera, DePatie-Freleng (on Pink Panther cartoons), and others.
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