#civic complaints

[tozettastone]

Close reading is such an underrated skill.

I know it hasn't been really taught as a general skill in primary or secondary schools in many decades, and of course it shouldn't be the only tool in your toolbox. But the closest most kids (here, at least) ever come to close reading in high school is still a few weeks of looking at newspaper clippings for persuasive techniques and desultory attempts to ape them in essays.

But in real life I am frequently presented with art or media without much further context. It's on a book shelf. It's an ad. It's streaming on a service. It's in my YouTube recommendations. I don't know when I see these things who the creator is personally, or about the context in which they produced this thing. No idea!

So I see a lot of people saying online now, "How was I supposed to know [this creator] was a Bad Person when nobody told me?"

And my answer is: you do not have to know anything about a creator to engage with their work and recognise whether or not you think their ideas are quality ones. You can learn skills and put them in your critical thinking toolbox to do this for you. And close reading skills are one way to meaningfully engage with texts on that basis.

Unfortunately, you can get about a year into an actual literature degree before a gobsmacked professor will sit a whole class down, lean wearily on his desk and say, "Does any one of you know how to do a close reading? Do they not teach that in primary?"

No. No they don't! And unless they've started doing it again pretty recently, they haven't for decades.

[townpostin]

Ramjanam Nagar Colony in Jamshedpur Grapples with Severe Infrastructure Woes

25-year-old Kadma settlement faces drainage, road, and sanitation issues Ramjanamnagar, a growing colony in Kadma, struggles with inadequate infrastructure despite housing over 5,000 residents. JAMSHEDPUR – Ramjanam Nagar, a 25-year-old colony in Kadma, is facing severe infrastructure and civic challenges as its population continues to grow. The colony, home to over 5,000 residents in more than…

[myouicieloz]

Live my life

band!aespa x fan!reader

Synopsis: It’s been less than a year since the band Aespa was created. Karina, Minjeong, Giselle and Ningning travel all over the country with nothing but a few gigs, little money and much love for the music. They’re far from superstars, and they still don’t have a lot to offer, and there’s something they can’t quite grasp: why you, the band’s most faithful fan, follows them blindly.

Warnings: smut. lowk confusing… but it’s the aesthetic

Word count: 9.9k

Notes: I HAVE RETURNED FROM THE DEAD 😤😤 I was obsessed w the MV as soon as it was out so I wrote this work!! it ended up being too long (lol) so i decided to split it in 2. I SHALL NAWT VANISH ANYMORE PINKY PROMISE.

pt.1 | pt.2

—

“Do you think it’ll fit?” Ningning’s hesitation is easily explained by the amount of suitcases hanging from the small hood of the car. The four girls agreed to bring each a single backpack of clothes for themselves, so the instruments and sound equipment could also be transported.

Clearly, it was still too much.

“It has to.” Winter answers, her tiny frame reaching up as she tries to grab one of the big suitcases herself. With Ningning’s help, she manages to do it, and they both stare at the car, wondering about an adjustment that would work.

Just as both girls imagined how to rearrange the space, Giselle and Karina stepped down the house's stairs, frowning.

Karina, is, as always, not amused by the struggle placed in front of her, but Giselle scoffs, judging her bandmates for not having things ready yet. They were supposed to pack their stuff in the car while she and Karina prepared their snacks and made sure all the windows and doors were closed, so they’d find no surprises once they got back home from their trip. Now, they’d leave later than expected, which would result in them facing the road at night— which was exactly what they were avoiding.

This day was starting to piss her off.

“What are you doing?” Giselle crossed her arms against her chest, trying her best to not sound as irritated as she was. They all knew, though. The girls know each other too well.

“Playing Tetris.” Minjeong stared back at her, with a tone that was just as presumptuous. “What does it look like we’re doing, Gigi? The space is obviously too fucking small for all of our stuff.”

Karina takes a step further before Giselle is able to open her mouth and give her friend a petty response. Her clumsy hands rearranged the suitcases so fast the three girls barely registered her actions, closing the hood of the car in a quick motion so everything wouldn’t fall off.

“Mhm, you won’t be able to see much of what’s behind the car, Gigi, but I don’t think it can get any better than that.”

The girls simply stare, impressed by Karina’s skills.

“So… problem solved?” Ningning asks, and they all nod.

Without a word, the four girls enter the small car, squeezing themselves as they prepare for their small trip. It wasn’t uncommon for the band to spend hours stuck in Giselle’s stepfather’s old 2000 Civic, but the lack of space was always annoying, making them all feel packed in like sardines. However, the vehicle was the only option they had to make their way to nearby cities to perform, so they avoided making any complaints.

The band was just about an hour into their 4-hour drive when Giselle pulled over, cursing under her breath.

“Fuck.” She mutters, biting her nails as she looks at the line of cars being stopped by the police, just a few miles ahead. Her face was even paler than usual, which set the girls on alert mode immediately— out of the four of them, Giselle was the least likely to panic at any unusual situation.

As soon as her body tensed, the Uchinaga felt long, lithe hands on her neck, applying just the right amount of pressure to soothe her, filling her with reassurance. Karina’s, naturally. “What is it? What’s wrong?”

“Yeah, why did we stop?” Ningning adds to Karina’s question, just as curious.

Minjeong’s brows furrow and she adjusts her posture, trying to stare at the horizon in the same position Giselle was, from the passenger’s seat instead. As always, she’s quick to understand the situation. “They’re stopping the cars ahead, but it’s just their normal procedure. They’ll stop us, of course, since we’re young girls traveling by ourselves with a bunch of luggage, but we’ve got nothing to hide, so… keep going, unnie. It’s fine.”

Seconds went by before Giselle grunted, a tense atmosphere hanging in the air while she fidgeted her fingers. Only then, her answer came, barely in a murmur. “I don’t have a license.” She could only hope they hadn’t heard her.

Judging from the way her bandmates’ mouths opened in shock they all started to speak together, though, they did.

Such a selective hearing, huh. She always had to yell at them at least three times for someone to get up from the living room and do the dishes, whenever they were home.

“What the fuck, unnie?”

“Do you really drive us illegally? Girl, we go everywhere by car!”

“I can’t believe you’re so damn irresponsible, I fucking swe—“

Karina stops their banter by out-screaming the two younger girls, a few minutes after Giselle had shrieked down on her seat so much she could merge with it anytime. “Wait! Wait.” Three pairs of eyes stare at her, inquiring. The quietness was odd, but it didn’t last much anyway. “I thought you had your permit taken last month?”

It’s Giselle’s turn to roll her eyes, then. “I literally told you that I failed. Do you pay attention to anything I say?”

Despite the situation they found themselves in, Minjeong and Ningning couldn’t help but giggle. It wasn’t news that Karina’s got her head up in the clouds, but her innocence was always funny to the girls. Despite being the oldest, she’s just a big puppy, after all.

And she looks outraged, ears red from the thought of being fooled by Aeri.

“What? we even celebrated!” Her face comes to the realization, as Minjeong tries to hide her laughter with a fake coughing fit. Winter’s blonde hair blows effortlessly when she turns her head to the window, in an obvious attempt to escape Giselle’s piercing stare. “Oh! Was that why you were being such a jerk the entire night, at the club?”

Giselle ruffles her hair in frustration but nods anyway. “Yes, that was the reason. Thanks for reminding us of that wonderful day, Jiminnie.”

Ningning taps on Karina’s shoulder, in hopes of offering some comfort to the desolated girl. She whistles, then looks from Aeri to Minjeong as if hoping they’d pull a permit out of nowhere and start driving again. Once it’s clear none of them would provide any solution, she does so herself, lifting her hips to grab her phone from the back pocket of her jeans.

“I’ll call Y/n.” Is all she says, clicking on the red number with 13 missed calls on the screen. “She’ll do something about it.”

Karina’s even more outraged, then, staring at Ningning in disbelief. She tries to reach out for her friend’s phone, but the maknae pulls her hand away with a huff. “Why do you even have her number, anyway?”

Sure, you’d be at their presentation, even if it were at a nearby town, hours away from where they lived. Somehow, you always show up. The girls couldn’t even remember when it happened; all they know is that they played at Ningning’s cousin’s club once, and from then on there you were, accompanying them in every step. You took pictures, edited videos to upload on their YouTube channel, and even helped them get some gigs every once in a while. It’s difficult for the girls to understand the reason you spend so much time and effort with them— a broke, nugu band who’s been doing this for a little over a year, yet there you were. Their first and most faithful fan, ready to drop everything to help them with any situation, at any given time.

Just like now.

Nonetheless, they had agreed to keep you at an arm's distance, only so the lines wouldn’t get too blurry. With time, they got to know you better, and it was noticeable you were as spoiled, obsessive, and explosive as you were sweet and passionate about the things you liked.

Truth be told, you scared them a little.

“I thought we had agreed on not talking to the psycho anymore,” Minjeong commented, resting her head on the window.

Ningning pauses at that, muting herself on the phone for a moment before answering, straightforwardly. “Well, do you want to get there or not?”

Her honesty is harsh enough that Minjeong lifts her palms in surrender, while Karina and Giselle share a knowing look. Ning’s right, naturally —what matters is that they get to the club on time.

“Fine,” The blonde sighs, turning to point at Karina. “But you’ll have to handle that nightmare of a weirdo. Don’t let her freak out or anything, like she did last time.”

“Why do I always have to do it?” Karina pouts, rolling her eyes. “Come on! What the fuck.”

Giselle giggles, grateful that Karina can’t reach out to punch her as she nods. “I agree… it’s a leader’s duty.”

With her brows furrowed and her rosy lips, the oldest member of the band looks much like a doll, adorable in all of her mannerisms. Even when she scoffs, it doesn’t come out nearly as rude and intimidating as she intends it to be. She still looks like a painting, so pretty Ningning pokes her playfully, brushing the irritation out of Karina with her ticklish fingers. Once she’s left ticklish in her seat, Ningning drops her phone, done with her call.

“Y/n said she’ll be here soon.” She announces, and the girls hum faintly in response. It’s enough for her to giggle, reaching out for her bag in hopes of finding a snack. “Don’t be too excited, damn...”

“I just hope she doesn’t take long,” Giselle mutters, ignoring the glares she gets by being to blame for their current situation.

“Well, if someone had just passed their driving test, we wouldn’t—”

The Uchinaga turns to Winter so fast her neck makes a weird noise. “Shut the fuck up, Minjeong.” Her tone is full of mockery, which is dangerous. Giselle gets irritated easily, but it’s hard to get her mad. Whenever she does, though… None of the girls like that. “I don’t see you driving around either.”

Minjeong, who’d rather die than recognize she doesn’t excel at something, puts a hand on her chest with the comment. Her face is quickly filled with red and, in a minute, she’s defending herself as if she’s just received a 5-year sentence.

As much as their banter is entertaining, Ningning still clings onto Karina on the backseat, resting her head on her unnie’s shoulders.

“I do hope Y/n arrives soon.” She tells her friend, closing her eyes despite the noisy background.

Karina smiles, ruffling the maknae’s hair with tenderness as she relaxes beside the oldest. “Don’t worry, Ning. She will.”

If there’s something she’s sure of, is that you don’t play when it comes to their band. Be it for good or for worse.

—

“Hello, cuties.” You say, tapping your knuckles on the driver’s window to gather attention. It works: the girls all jump in their seats, cursing under their breaths as they try to gather themselves from the scare. “Your knight in shining armor has come! Hurry, hurry! You’re running late.”

It had been less than an hour since Ningning’s call, so there’s no way you could’ve reached them so quickly. None of them say those words out loud, of course— some questions are better left unanswered.

“Here comes the devil.” Minjeong mumbles. The smile she gives you is drenched in feigned politeness, yet yours is sincere, bluntly ignoring her grumpiness with a wave of your hand.

“Hi, Y/n.” Karina greets you as the four girls get out of the car. You hug each one of them energetically, clearly pleased to be urged to help.

It doesn’t even bother you that Giselle, Winter, and Ningning only mumble, not paying you much attention. If only, your happiness would take long to wear off.

Still swooning, you gesture to the van that’s parked beside their car where a handsome, baby-faced boy waves at the girls with ease.

“My brother won this van at a bet a few days ago, and fortunately, he lent it to us. It’s more fitting for a band anyway.” You gesture at their car, still explaining. “Gyu can take your stepdad’s car back to your house, Gigi. Don’t worry.”

They already know Beomgyu from the previous times he’s dropped you off at their rehearsals and shows, so it’s nothing new. Although Giselle doesn’t seem convinced about your idea, she reluctantly gives him the car keys anyway. There’s no other option; she can’t just leave the car on the road, even though giving it to a stranger makes her uneasy.

“Thank you, Beomgyu-ssi.” The girls bow at him, thankful for the extra space, to which he simply nods.

The girls are quick to transport the suitcases to the van, stretching their legs out as they sigh with contentment. It’s like they can finally breathe, now that they’re not cramped in a tiny space. Even Minjeong is smiling, her little banter with Giselle being long forgotten by now.

Giselle is in the passenger’s seat, this time, and she’s surprised to see how easy it is to talk to a happy Y/n. You laugh and gossip over other bands the girls come across sometimes, and you tell them the entire story of how Beomgyu actually got the van. Time flies by while you’re on the wheel, and soon enough the four girls find themselves at the back door of the club, fixing their instruments for the time they go on stage.

—

“Do you get all those insane takes with this old-ass camera?” Ning asks curiously, holding the straightener against her hair as she watches you record Winter, who’s busy tuning her bass and pretending you don’t exist.

“It’s vintage, unnie.” You correct her, zooming in on the blonde girl’s delicate hands and her precise movements against the cords. “It has amazing quality, still.” Because Ningning is still staring, clearly waiting for a more direct answer, you add, “Yes. Pretty Much. Hey Minjeongie, look at the camera so I can get a better shot of you.”

All Winter gives you is an irritated look as she scrunches her nose and shakes her head. The girls enjoy arriving early at their events so they’re able to gather a few minutes of quietude, strictly to relax and focus on not letting the nerves overcome their abilities to shine on stage. You know that— it’s something you’ve seen them do countless times before. You find it adorable how they’d just close their eyes and try to control their breaths, fingers tapping their thighs to ease the anxiety that always comes with the wait of going on stage. No matter how many times they perform, the thrill will always be the same.

Although you don’t mind interrupting Winter’s time of focusing at all. Seeing you won’t give in, Winter scoffs, dropping the bass onto her lap. “Be polite, Y/n. Say please.”

Her intentions are as obvious as daylight. She’s mocking you, defiant like the insufferable being she is. Out of the four girls, Minjeong is the most stubborn, and you’re much alike. She was the one you got into most arguments with, none of you backing down from the opportunity of being right.

Said banter is the reason you turn and adjust the camera focus to Ningning, instead of giving in to the blonde girl. Yizhuo looks pretty as always, smiling at you as you kneel to get a take of her from a better angle.

You’re immediately interrupted by the same girl who was irritated by your presence just seconds ago. In a blink, Winter’s hands go to your chin, forcing you to face her with an assertive grip. “No. Film me.” Her porcelain skin shines against her dark eyes, who pop out even more, making her intimidating aura stand out in the small room as she adds with an icy, commanding tone, “And have manners.”

God, you’d gladly take her down just to get rid of that cocky tone.

“Stare at the fucking camera so you can have some decent solo shots, Winter unnie.” Your reply comes immediately, tone dripping with venom, “Please.”

Winter’s face is so red you’re afraid she’s going to combust at any second. She never spares hurtful words during arguments, and you’re ready for her to give it all. Disaster is set to happen until Giselle pops her head backstage, looking for you. Her eyes disappear and her cheeks flare up as soon as she meets your face, breaking the tension with a smile once her presence unintentionally ends the small battle you were having with Winter.

“Y/n!” She calls, handing out her hand to help you stand up. “Could you come help us with the drums, please? The guys from the bar are trying, but they’re so damn useless… We need you.”

You look away and Winter’s grip on you fades, although her trimmed nails still scratch your jaw as she lets her hand fall to her sides and returns to the couch, tuning her bass as if she had never been interrupted.

“Sure, Gigi. Let’s go.” It’s impossible to not smile back, allowing yourself to be guided through the narrow stairs of the place until you arrive at the stage. You don’t bother saying goodbye to either Ningning or Winter, knowing you’re going back to them as soon as you’re done.

The two younger girls are left by themselves, in silence for the first time since you arrived to pick them up, hours ago. It’s unsettling yet peaceful; not uncomfortable by any means. They’ve known each other for too long by now, so being with each other is more than natural— it’s one’s absence that is unsettling.

After giving her hair a few finishing touches, Ningning turns to her bandmate, pulling the chair beside her as she gestures for Minjeong to sit. Its leather cover is torn and the comfort is long gone, but they don’t mind. They’ve performed in far more awful places anyway.

“Okay, I’m done! Be still while I do your makeup, now, unnie.” Minjeong does as told, closing her eyes while the maknae starts moisturizing her skin.

The silence has Winter’s mind replaying the previous banter nonstop. She tries to stay silent, but the memory of your petty smirk is enough to leave her fuming, pumping with rage.

“Can you believe her, Ning? That fucking bitch, ugh. She’s so insufferable.”

“Oh, definitely.” Ningning smiles, thankful Minjeong has her eyes closed. She lets out a small giggle, still focused on brushing the concealer through her friend’s face. “God forbid someone puts you in your place, right unnie?”

She nearly doesn’t escape the highlighter Minjeong throws in her direction, now laughing freely as she continues with her task.

—

Aespa is a band of many talents.

The girls all met during sophomore year of high school, all trapped in detention for the day (as much as Minjeong would rather die than admit she’s ever gotten detention in her life). Even though they differ in personalities, in a clear contrast of cultures, manners, and experiences — their differences somehow added to each other until there wasn’t something missing anymore. The feeling of longing and loneliness that had accompanied them for so many years had finally ceased. After that, the girls found themselves at peace: the world was finally silent, as long as they were together. No matter how chaotic it was, Karina, Minjeong, Giselle, and Ningning knew they’d like nothing else but to be together.

Luckily, they all shared two main passions: the love for music and the desire for attention, so being in a band together was something that happened rather naturally. The members all agreed, then, that Karina should be the leader. She was soft-spoken, calm, and had the experience in the industry the others lacked, from being a child model. It was the right decision: the oldest would do anything to protect her girls, and knew just the right people to ask for opportunities. They weren’t famous, nor did they make enough money to live off exclusively from the music, but it was enough, for now.

They had trouble understanding you, though. It was hard to grasp why on earth would they have someone so faithful, so committed to following their every move when they weren’t even famous? They didn’t have money, influence, or anything to offer you whatsoever. Yet you were always there, giving them your endless support without asking for anything in exchange. You could be a handful sometimes, sure, but still… your commitment was something that left the girls constantly wondering.

Because you’re special. The world will see this too, someday. is what you’d always answer, followed by a giggle and a wave of your hand, muttering about how it all wasn’t that big of a deal.

But as Giselle watches you help them relocate their instruments and set the tripods and cameras straight, she wonders if that’s truly it.

“Hey, Gigi.” You smile at her, looking down at the ground once you realize you’re the object of her piercing, focused gaze. “Are you and the other girls ready to go? Everything’s in order here.”

Now isn’t the time for that, though, Aeri reminds herself. As of now, the only thing she should focus on is her upcoming stage. Music is one of the many things she was strict with: she pushed herself to nothing but perfection, no matter where she was performing.

The other girls are quick to follow your call, grabbing their instruments and getting into their starter positions as they’ve done countless times before. They all adjust their mics to the perfect height until Karina is the only one left in the center, tapping hers to make sure she sounds loud and clear. Ningning’s hands fiddle with her drumsticks nervously, paddling along with her whole body— surely from the energy drinks she’s had minutes before, while Minjeong and Giselle stay each on one side of the stage, waiting for their leader’s cue.

Offering free tickets for those who arrived before 11 PM was a great strategy that many clubs implemented to fill up their spaces. And even though you’re well aware the girls are known enough to gather such a crowd without that stunt, you’re glad to have a full house staring at the small stage with expectation.

Karina waits until you’re done with your camera’s finishing touches up to speak, her voice echoing through the noise so easily that your hands stop adjusting the device’s focus to pay attention to her. With a smile so big her eyes grow small, her face is like a beacon, gathering all the focus to herself without the need for a spotlight.

“Goodnight! I’m Karina, and those are my bandmates: Minjeong, Giselle, and Ningning.” She points to each of her friends, who bow and wave excitedly, still waiting for her cue. “And we’re AESPA! We hope you like our music, we’ve worked hard on our songs! Please enjoy.”

With that, Ningning taps on her drumsticks, as they’ve done countless times before. Minjeong’s bass and Giselle’s guitar sync with Karina’s voice as soon as they start playing, the melody echoing through the place like physical particles. Music is more than just a part of their lives: it’s who they are, how they express themselves, what they breathe, and it’s easy to forget they’re at a shitty pub and not at a fancy festival. As long as their voices and instruments are harmonizing together, the girls get lost in their passion and nothing else matters.

Even though they’re a new group— barely a year into the industry, original songs are not something that lack from their setlist. The public is screaming, the girls are jumping as they sing and dance along the rhythm and you try your best to capture their best angles, but the distraction in the form of a sin that is Karina prevents you from doing a good job. Her dark eyes glow in the dark, giving her an angelic aura as her strong voice reverberates through the place with ease, despite her shitty mic. It’s an impressive crowd they’re performing for, but she’s only staring at you. Preventing you to breathe or even move, afraid she’d lose her interest and look elsewhere.

No, you’d have none of that. Like all the girls, Karina was yours: you’d share her utter attention with no one.

So you stay at the front line, with your hands holding onto the camera as your head is held up in a frozen frame, looking at her.

You’d always look at her.

—

The afterparties are always one of the girls’ favorite events. The adrenaline rush is still present, giving them tons of energy to drink and party with strangers. They are constantly showered with compliments, being pampered, and indulged with all the attention they crave. It’s part of the reasons why they deal with music, obviously: Minjeong, Giselle, Ningning, and Karina. Because the desire to be seen and recognized for their music is a feeling they’ve been looking for ever since they can remember.

And that’s exactly what they were indulging in before hearing a loud crack from outside of the backstage room. The noise, followed by a bunch of ugly screams, startles the four girls, who exchange a quick, worried glance before storming down straight into the sideway alley.

“Damn.” Ningning whistles, covering her mouth with her hand to hide the smile coming from her lips. At her side, Minjeong and Karina are equally shocked and frozen at the scene unraveling in front of them.

People usually use the dark, space to smoke and get a break from the noisy, heated space of the club. Instead, the four girls find a huddle of girls so entwined with one another it’s hard to tell how many there are. Four, maybe five? Of them are vividly screaming, kicking, tugging, and pulling hairs. Despite the mess, the girls realize there’s one that keeps beating the shit out of them, which is impressive due to being gravely outnumbered.

As the commotion stops for seconds once the strangers become aware of the newer company, it’s easier to tell a specific head of honey hair apart from the others.

“You’ve got to be kidding me.” Minjeong’s murmur doesn’t come off nearly as disappointed as she intends to. If anything, she’s also holding back her laughter while you prove that one does not need that much muscles to win off a fight.

“Go Y/n!” Karina claps, cheering. None of the three girls make any move towards the scene, so Giselle turns her head towards them in disbelief.

The Japanese girl shrugs, quickly making her way onto the ground to break off the fight. She’s always been strong, and her time spent at the gym pays off as she grabs you by the waist and throws you over her shoulder, heading back to the backstage room as if you weigh nothing. Any attempts of resisting are useless, yet you don’t make Giselle’s job any easier— your kicking and screaming are now directed at her, hands curling into fists while you use your entire strength to hit her muscled back.

“Put me DOWN! I’m not done with those whores.” Your feverish voice is ignored by the four girls, who are used to your tantrums by now.

They know you’re naturally provocative, and never one to back down from a fight, even if you were in the wrong. And, somehow, you were good at it too: even if you left bruised and scratched, your opponents would somehow always turn out worse.

“Sorry ladies, we have some issues to deal with. If you excuse us.” As the group goes back inside, Ningning offers the poor beaten-up girls a calculated smile before closing the door on their faces. She doesn’t bother to check in on them— they’re strangers, after all.

You’re thrown onto the worn-out sofa with little care, suddenly staring at four serious faces. The funny atmosphere of the fight is long gone, so you cross your arms under your chest and grunt, face held high to put up with their judgmental looks.

This is their job, and they can’t have you causing trouble over anything. You’re associated with them by now, whether they like it or not. It’d be an awful occurrence.

“So, troublemaker, tell us.” Giselle is the first to speak, brushing the bangs out of her face. Even after carrying you for solid minutes, she still looks flawless, much different from your disheveled self. “What had you beating their asses out there?”

There’s a pout on your lips, and the defiant air in the room stirs up their nerves. It’s an annoying interruption of the fun they were having just now, and the alcohol makes it hard for them to stay patient.

Minjeong takes half a step forward, her hands messing up your hair even more. “Speak, Y/n. We have better things to do.”

She doesn’t coddle you, tone cold as it always was when directed towards you, but you don’t mind. If anything, you take pride in making her life a bit more difficult every time. You know they won’t give you their attention for much longer, though, which is why sigh deeply.

“I was defending your honor, you idiots!” You gesticulate towards the door, huffing. “Those whores were out there, talking about you, speaking the most vile things… I had to do something. You should be thanking me, and not look so pissed.” You roll your eyes, muttering the rest to yourself as you sink on the dirty couch. “You never acknowledge anything I do anyway.”

It had felt too hot inside, so you passed the backstage area to gather some fresh air at the alley when you encountered the group of girls. They were in love with the band, obviously, and were very vocal about the things they’d let the girls do to them: how their leather clothes were so tight and how hot they were… Hearing such things being said about your girls made your blood boil. They were yours, and no one else had the right to desire them like that. So you were quick to take action and make sure everyone knew who Giselle, Winter, Karina, and Ningning belonged to. As a matter of fact, It was a successful attempt: after the lesson you taught them, those girls would think twice before saying anything again.

Your gaslighting does little to the band; it’s easy to look further into your façade now that they know you. They don’t pity you in the slightest, well aware you’re one to be cautious around.

Karina smiles at your act. She can’t help it if the pout on your lips makes you so adorable, and your crossed arms are the reason your send nudes crop top rides up so your boobs are even more evident. “Which things, Y/n? What were they saying, exactly?”

“What they said doesn’t matter.” You huff, dismissing Karina’s question with a wave of your hand. “The important thing is that they’ve been dealt with, and your honor is intact. You’re welcome.”

The electronic music is loud, and it’s easy to feel the rhythm reverberating through the furniture, sending electric waves to your bones that rile you up even more. You’re energized, ready to go back to the crowd, drink, smoke, and stir up some trouble again.

Aeri must’ve been thinking the same thing since she merely shakes her head and leaves without a word. Ning is the next one to follow, proceeded by Minjeong, who rolls her eyes and points her finger right at your face.

“You’re such a menace, Y/n. Acting like an animal… you can’t behave at all.” You’re used to the disdain in her voice, so the only thing you do is mirror her snobbish stare as you watch her leave.

Unlike her bandmate, Karina’s eyes are kind— even though you’ve just messed up hard. You’re the only ones left in the room, you realize, as she holds out her hand to you. With her presence, the music ceases, and the only thing you can focus on is the sound of her heartbeat, and how her little chin mole goes up to match her smile, which is equally sweet.

Sweet, patient, and definitely too good for you: that’s Karina, a soul that should stay untouched, not yet ruined by the world and by other people.

Too bad that you’ve never been one to do the right thing.

You navigate towards her in a magnetic motion, taking her help so fast your bodies nearly crash once you get up from the couch. Instead of complaining or making fun of you for being so abrupt, Karina takes her free hand to your face, cupping your cheek before carefully wiping the dirt from your skin.

“Troublemaker.” She repeats Giselle’s words from earlier, although they sound almost reverent when said in her raspy voice, tired from the crazy routine they live with. “She’s a bit right, don’t you think?” The smirk on her lips is playful, and she toys with you. “You keep us on our toes, for sure. I guess someone has to.”

She doesn’t mind. If anything, Karina misses your presence when you’re gone— which is thankfully, a rare occasion. Sure, you’re stubborn, spoiled, and very annoying, but the band somehow needs you to keep their engines running. She knows the other girls feel the same way about you too, even if they’re good at not making it known.

Being with Karina feels right. She’s Aespa’s peace, their leader, and their oldest member. And, just like everybody that has ever met her, you long to be around the older girl.

“Let’s go back to the party, Jimin unnie.” You tell her, crossing your arms behind her neck. If there’s anything she’d want you to do, you would. Gladly. “I want to dance.”

She smiles back at you, looking at the half-open door before nodding. “As you wish, Y/n.”

—

Aespa’s hotel room for the night is precarious, to say the least. The wallpaper is peeling from the walls, the furniture is dusty— and the small dining table seems to barely handle your laptop and media equipment. The bed makes too many weird noises at the slightest movement, and the smell of mold is a bit unsettling for those with a decent sense of smell.

It’s Minjeong’s job to deal with their spending and to book their stays, whenever the band wanders off their hometown. Her father works as a treasurer at a well-established company and has taught her how to handle her own money from a young age. Sometimes, though, she tends to spend too little, given the fact that they still did not earn much with their performances, and the five girls would end up in situations like the current one. Not that they truly minded: they had two rooms to sleep in and breakfast by the morning, which was more than enough. They would handle the rest.

Karina, Giselle, Ningning, and Minjeong are all rockstars, it’s natural for them to thrive under attention. They live for it, and you love to record their pretty faces. Out of all the experiences of being with the girls, getting to take pictures and videos of their performances and looks— be it before, during, or after their shows. Editing might also be a pain and sometimes feel like a chore, but it was also something you enjoyed doing.

Besides, the praises and the proud, enamored look Giselle, Ningning, Karina, and Minjeong gave you whenever you updated something new to their channel and social media was something you looked forward to, naturally. In fact, you’re so focused on your task that you barely notice a sudden wave of hot breath on your shoulder.

“How far are you, yet?” Karina’s wet hair clings to your neck as you breathe in her post-bath scent, so refreshing. You’re unable to see her sulk behind you, but her whiny tone is enough for you to figure her feelings out before she adds, “Also, why am I the one with the least videos, Y/n?”

You don’t even stop your work to look at the vocalist, who stares at your laptop’s screen with expectation: the answer is obvious to anyone who has ever had the privilege of getting to know Aespa's leader."

“Because I’m always too busy looking at you to focus on anything else.” The words leave your mouth immediately, exposing facts. “But I’ll improve for next time if that’s what you wish.”

Doing anything after Karina opens her mouth is impossible. Her angelic voice and sharp moves draw all the attention to her immediately; one would be completely insane to not be mesmerized by her. By all of her.

“It is.” She nods, still so close you’re able to feel her body pressed against you through the chair’s cracks. Like a kitten, Karina purrs, finally breaking the tension between you by pressing small, wet kisses to your neck. “Y/n…”

You’re doomed. You’ve known that ever since she left the bathroom, with wet hair and red, swollen lips that did little to hide what she was up to while the shower was running.

Karina’s long, purple-painted nails scratch your neck, forcing you to pay attention to her— as if you’d do anything else. You’re quick to comply, closing your laptop as you stand up and walk away from the oldest member, onto your backpack. Her confused brows are adorable, but the realization comes soon once she reckons the camera on your hands. By then, there’s a dirty smirk on both of your lips; you know she loves this as much as you do.

“Are you up for another show, doll?”

Karina nods, suddenly shy from all the dirty thoughts going through her head. Her skin throbs, and there’s a familiar sensation building up in her core from the anticipation.

After waiting for the camera to be well adjusted and centered in front of the bed, with the familiar red dot announcing the recording, she turns around, removing her robe with practiced ease. The silk fabric of her robe cascades from her back, exposing her milky skin in its most perfect form. She’s indeed like a doll; body still untouched, announcing it’s been a while since she’s had any fun, and her Venus dimples flare up with every step she takes towards the bed. Her curves are perfectly enhanced by her sensual walk— she knows so, grabbing her hair out of the way so you’re able to get a clear shot of her body.

You’re so lucky to even have the privilege of looking at her. Karina seems to think the same thing; her knowing smile turns malicious just as she sits on the bed, spreading her legs out for your delight. Playing around with her is almost a routine, by now: Karina needs something, someone to be her stress-relief, and you’re more than eager to help.

However, seeing her bare and so eager to welcome your touch was something you’d crave forever. No matter how many times it happened: you’d always be hungry for the slightest glimpse of her pretty pussy.

And it was no secret that Karina loved to show off, so you drink on her like you haven’t had a single drop of liquor in ages.

It had indeed been too long.

“How do I look, baby?” Her voice is soft, calm as she looks deep inside your eyes and taps on her pussy with two of her fingers. A small strand of wetness lingers between her fingers and her slit, and she takes her fingers forward to make a show for seconds longer. It’s only when the strand dissipates that Karina brings her fingers into her mouth, taking them in ever so naturally. You don’t even register the whine that comes from your lips once she releases them with a ‘bop’, right after licking them clean.

“Absolutely stunning.” Your answer comes in a heartbeat, which pleases her deeply. In a blink, you’re in front of her on the bed, although still careful to not cover up her frame for the camera. Not that you have to worry about that; Karina is well aware of her best angles. “As always.” You lick your lips, eager to have your mouth on her, licking every part of her body until she’s more than satisfied, coated with your saliva.

But you know better than to touch her without permission, so you simply wait, aware she needs more indulgence than merely a few words. You run your hands up and down her legs, ever so obedient, hoping she’ll allow you to touch her.

Instead, her fingers go up to her chest, groping her big, voluptuous breasts. She’s so evil— Karina knows how obsessed you are with her boobs, “You caused so much trouble today, Y/n… I shouldn’t let you touch me at all.”

Her feigned innocence only adds to your desire, dampening your pussy even more. Even though you’re burning up, you can’t help but be in awe by how much of a goddess she looks, and it takes everything in you to not just grab her by the ankles and suck on her clit until she was screaming and leaking white from her pussy. Still staring at you, Karina twists her nipples and moans, biting her lip as she breathes in deeply.

You’re already throbbing yourself, and she’s done nothing. That’s the amount of power she has over you.

“I’ve been bad.” You nod almost eagerly, ready to do whatever she commands you to if it means you’ll get to pleasure her. “Can I still have you, though? Promise to make you feel super good.”

At first look, Karina might be the most inviting one out of all of the girls, but you know better than to fall into her trap: just like her bandmates, the leader thrives on playing games, manipulating people, and fooling around. Thankfully to both you and her, you’re happy to indulge in all of her wishes. So you add, battling your lashes at her as you take off your clothes yourself, not bothering for a command on this matter. “I’ll do my best for unnie…”

Karina’s eyes darken at the sight of your naked body; it’s so empowering to know she’s just as affected by you, and she runs her fingers through your hair with practiced ease. Taking her silence as an encouragement, you lie down until your face is lined up with her soaked cunt, blowing warm, rapid breaths onto her sex.

She smiles, then, caressing your cheek before giving it a light tap. “Go get the strap, baby.” Your smile fades immediately, and you contemplate ignoring her words until she’s changed your mind before your cheek is met with more of Karina’s fingers, her touch stronger this time. “Now.”

You huff, muttering incoherences because she’s such a bitch, ruining all of your plans, but still do as told, grabbing the strap without much further fussing. With the toy in hands, you return to the edge of the bed, staring at her with a puzzled look on your face.

“Are you going to use it?” You ask, curious. Taking Karina’s cock was something you always looked forward to, and the sight of her pounding onto you was enough for your walls to clench, eager to welcome her.

Karina launches forward before you even finish your question, grabbing your thighs with practiced ease as her fingers brush your pussy. The surprise touch makes you let out a loud moan, which stirs up a laugh on the older girl.

“If only you’d behaved today… I had so many things planned for us to do.” Karina’s voice sounds almost regretful, making you kneel once again, “No, baby. Tonight’s only about me. Now suck.”

There’s little time for you to think her thoughts through. Your mind goes blank, and you open your mouth to give her a show this time, reversing the roles. Always eager to please, you gag on her cock. Saliva drips onto the sheets as she shoves it down your throat, but you don’t seem to care, emptying your mind to give her will over you to use you like a toy. She’s not sweet or slow by any means— Karina’s innocent smile, welcoming posture, and puppy-like personality make a good disguise for hiding how dirty she is. Part of her tells herself it’s wrong, and that’s why she tries to reject how much her body craves rougher actions, but the truth is that the hiding and the expectation also turn her on.

Those thoughts hover in your mind as you bob on her strap, looking at the leader through your lashes while you gather all your focus on giving your best for her. You try to look your best, and give your best for Aespa’s leader: she deserves nothing less, after all. It seems to be enough for Karina, who sighs at the sight of you staring from behind your lashes with your hair all over the place ever since her tangling hands went to your scalp, encouraging you to keep going for so long you’ve lost track of time.

“Beautiful. You look so beautiful like this, baby.” She murmurs with a low, sultry tone as she takes the strap from your mouth and seals your lips in a slow kiss. You’re starved for her; your boobs press together when you deepen the kiss, desperate for more. At this point you’re already soaked, leaving a deep, wet spot on the sheets— and your skin burns. “Don’t be rude. Say thank you.”

Such a tease, she is. You roll your eyes at her trying to rile you up, and she laughs. “Don’t even.” You mutter, rolling your eyes at her.

Karina’s hands go to your thighs, caressing your skin as she motions for you to get up once again. “You’re so stubborn.” She chants, adjusting the strap on you. Per her request, you lay back on the bed as soon as you’re done, somehow managing to sink under the shallow pillows.

There’s such a mean smirk dancing around her lips. Your cunt aches and it’s borderline painful; sweat covers your body and you’re nearly sure you’ll go insane if you don’t give her all the pleasure she’s worthy of very soon. All you want is to eat her out until she’s breathless, porcelain skin all marked begging for you to stop. Then, you’d lick her clean, making her cum so many times there’d be plenty of milk dripping from her hole for you to drink on. All yours. She’s all yours to tend to.

“Why don’t you just let me do it already…” You whine, drawing your head back when she grabs one of your nipples and twists— the friction feels so good it sends a hit of pleasure straight to your pussy.

Instead of indulging your needs, Karina laughs, and there’s a hidden mockery in her tone that only adds to your frustration. She comes close until her hips rest on your thighs, with the strap being the only thing that keeps a distance between you. Before you’re able to test her patience even more, she positions the dick on her entrance, slightly rocking back and forth so it hits deliciously against her clit.

“You can look.” She says, grabbing your shoulders to steady herself. “But you can’t touch. Understood, baby?”

Karina’s eyes, big and expressive, stare at you with feigned innocence as one of her hands caresses your jaw, lifting your face so you’d stare at her. Having her making such luscious sounds so close to you is like a death penalty. Karina’s mouth hangs slightly open, and you gulp whenever she aligns the fake dick with her entrance, giving you a serious look that makes it clear that she expects an answer to her command.

A huge bitch, she is. A hot, sexy, and huge bitch. It’s nearly impossible to stay still, but you can see the challenge in her eyes as soon as she cocks her head at you. Although her little act of defiance is silent, her intentions are as clear as day: she wants you to humiliate yourself: to beg for forgiveness so you’ll maybe get granted the privilege of touching her.

So you smile back, placing your hands on your hips and doing nothing else, even if you’re itching to run your tongue all over her body. “As you wish, unnie.”

Karina is so wet, of course she is— it’s not hard to leave her drenched. The dick slides in easily, and she takes her time with taking down its inches. Your grip on her hips turns slightly stronger at the sight of her looking so angelical, as her big, soft boobs are all in display to your face. That earns you a censoring look, and you move your hands with another eye-roll. There's nothing more you want but to touch her.

After a few breaths, Karina finds a steady pace, bouncing on your lap. The gushing sounds of her pussy that echo through the room are nearly pornographic, and you find yourself letting out desperate whimpers, too.

“So good.” She murmurs, lost in pleasure. Her grip on your shoulders tightens, and you feel her muscles tensing up.

You can’t help it— watching her pleasure herself is almost too much. Without much thinking, your fingers make their way to her clit, circling her hardened as you study her, testing out the waters. She lets out a gasp at the sensation, closing her eyes to enjoy the way her lower abdomen kept building up the tension. The tingling sensation increases with the rhythm of your strokes, along with her moves, and it doesn’t take much further for Karina to cum.

Just as always, Karina’s strong voice fills the room as she takes her head back, clenching her pussy once the waves of pleasure hit her with strong motions. Her entire body trembles, and she relies on you to keep her steady.

“You look the prettiest when you cum.” You tell her, after a few moments of silence.

The laugh she lets out is weak, more like a giggle as Karina sighs deeply, carelessly throwing herself on your side of the bed. She turns to you, then, so close your noses are nearly touching, disregarding your words as if you hadn’t said anything at all. “And you can’t ever behave, can you?”

You mirror her smirk, pecking her lips before shaking your head. “You like it that way, though.”

The two of you stay in a comfortable silence, one you don’t mind at all. The girls have had some busy, tiring weeks, and you know Karina needs rest. She’s tired—they all are, so the tension relief was well welcomed by the oldest girl. Despite being all sweaty and breathless, Karina is much less anxious now that you’ve helped her relax. She runs her fingers through your body, taking her time until she reaches your pussy. It delights her to feel how soaked you are: she’s aware of the amount of power she holds over you, and the fact that you’re gulping, still throbbing yourself, is something so empowering to her.

It makes her insides tingle all over again, asking for more.

“Jimin…” You whine again, opening your legs to give the girl better access to your entrance. You need her to touch you or else you’ll explode.

Two of her fingers enter your cunt before you can cry any further, hitting a fast pace without warning. The action is well welcomed, and you hold her wrist, motioning to go further. But Karina loves to make you frustrated; it’s almost as if she thrives on it: just like they made their way inside, her fingers are gone, and her mean smirk is back.

“You haven’t behaved at all today.” She repeats herself, laughing as she kisses your pout away. You bite her lip in response, which makes her pull your face away, although she’s still giggling. “You’ll get nothing tonight, baby. I’m sorry.”

You narrow your eyes at her, “You’re such a fucking liar! You’re not sorry at all!”

Karina turns her back to you, making a show of ignoring you as she grabs the covers just as a big yawn hits her. “Goodnight to you too, pretty. Sleep tight,” You roll your eyes, ready to give her a sneaky remark when she adds, “Oh, and don’t forget to turn off the camera. We don’t want you running out of battery or anything, do we?”

“You’re such a bitch.” Although you still get up and do as told, knowing she’s partially right.

Karina waits patiently for you to return to bed, with her small eyes and big smile. The sensuality and roughness from earlier have been replaced by her usual bubbly self, which you adore just as much. It has always been amusing to you how easily it is for her to just switch back and forth from the luscious, gorgeous woman she is to her puppy personality, and you adore her either way.

You hop into her arms, humming when she fills your neck with small, wet kisses.

“You have to behave, silly.” Is what she tells you, biting your skin gently. You’re one to bruise easily, you both know it as much. However, you say nothing, allowing her to do as she pleases. “Otherwise you won’t get a reward.”

“We’ll see about that.” You murmur, happy to get lost in her cuddles. “I sure need something after that torture session.”

Your words cause you to be pushed back, although you know Karina’s only joking.“Oh my God! Go to sleep, Y/n. Goodnight.”

“Ugh.” Is all you answer, closing your arms around her waist.

“Y/n.”

“Right, right.” You sigh, “Goodnight, cutie. Can I get a kiss?”

The hand that goes through your face is enough of an answer.

“Sleep. We’ll have a busy day tomorrow.” She commands.

And because it’s Karina, you obey. You’d always hail the band’s leader.

Your personal camgirl.

—

Breakfast has always been something you’d skip if you could. It’s a pain to wake up so early, and you need at least an hour to be somewhat presentable and another two until you can properly talk to anyone. However, the soon you leave this shitty hotel the better, so you resume sitting beside Giselle and Ningning while they talk excitedly. You chew on your bread with scrambled eggs with perhaps too much patience, still marveling at how composed they look despite running on 5 hours of sleep.

“So, we’ve got good news. Amazing news, actually. Like, the greatest news ever.” Ningning’s nearly jumping in her seat, her eyes darting from you, then Giselle, Minjeong, and finally to Karina multiple times in seconds. Yizhuo plays with her hands, nudging Karina while nearly dying of anxiety. “Unnie, would you please tell them? Go, go.”

The excitement in her tone captures enough of your attention; you, Giselle, and Minejong collectively sit up straighter, exchanging a confused look. The fact that they know as little as you do is comforting, and stirs up a nice, warm feeling of being included within your heart. The girls could be harsh and a little mean sometimes, naturally, but there are times when they’re also very sweet.

Karina laughs, pinching Ning’s cheeks. Even though Ningning pretends she despises it, you love to baby her and spoil her rotten.

“You can do it, Ning.” She encourages her baby girl to speak up, loving the smile that brightens up the maknae’s lips after the command. “Go ahead, tell them what we’re doing next.”

With her leader’s blessing, Ningning lets out a happy squeal and launches herself upwards. The upper half of her body hangs on the breakfast table as she looks around before whispering as if the topic is top-secret.

“So, this guy approached me after our show.” She stops abruptly at your reactions, waving her hands, “Hey, don’t make such faces! He wasn’t a weirdo or anything, I promise. Anyway, he came up and said he worked for AKT Music Ent. and that he liked our music and thought we had potential.” Ningning pauses, looking up to her leader for reassurance. Once Karina nods, giving her a knowing smile, she adds, “And then I told him to talk to Karina, of course, because she’s our leader and all… but basically, he invited us to compete at The Box, next month. Can you believe it?”

“You’re fucking with us.” Minjeong answers, in awe. She looks at Karina, with her mouth still slightly open in shock. “Please tell me you’re serious. That this isn’t a joke or anything.”

Karina has a proud look on her face as she nods. “It’s a thing. We’re doing it.”

“HELL YES!” Giselle screams, laughing loudly. She reaches out her arms and squeezes you and Ningning in a tight hug, her embrace so strong it’s borderline suffocating. Not that you mind— if anything, it fills you with warmth to be with them in their first big accomplishment. “WE’RE PLAYING IN THE BOX! OH MY FUCKING GOD. WE ARE AMAZING!”

Minjeong and Karina laugh at her reaction, just as happy from the news. Taking part in the event is an amazing opportunity for them: the mere thought of performing at the stage is enough to give them goosebumps, both of fear and excitement.

The Box is a week-long competition where the top 3 winners get a 2-year long contract, each signed with one of the Big 3 music companies of the country: SM, JYP or YG. It’s an elite program where successful bands have gained popularity and recognition, like SNSD. It’s set at a big, open area at the countryside and held much like a festival: the event has become more and more capitalized with every passing year. The companies make sure to hold a big show out of the entire thing, broadcasting the events that happen simultaneously 24/7— numerous interviews, commercials are shot by the participants to support the sponsors of the competition, which helps them to make their debut on national television. There are various foods, restaurants and parties being held at all times. It’s also a great opportunity for fans of nugu bands to personally interact with them, and actually super nice to meet other bands and artists. Besides the main goal, being at the event alone is a huge honor and opportunity for the band to grow as artists. They certainly won’t take for granted.

Minjeong claps excitedly. “We need to celebrate!”

“Absolutely.” Giselle agrees, looking in disgust at the men who kept sitting at the nearby tables even though it was still fairly early, and the Diner was still empty. “At home, though. Let’s get out of here, please.”

The five of you exchange a knowing look, collectively getting up at the same time as you grab your belongings and hurry to leave the shitty hotel. Your hearts are filled with pride, and you couldn’t be happier for them.

“You deserve this.” Is what you tell them, breaking the steady silence that reigned in the car. The girls look at you, all returning from dreamland.

Even though their only response is a faint hum, the satisfaction on their faces tells you they needed to hear that. “This is only a result of your hard work. All the hours of practice, the shitty-ass places you played at before, the No’s you’ve gotten… It’s going to work out, trust me.”

Karina’s arms go to your neck, in a gentle caress as she adds, looking at her bandmates. Her best friends. “Y/n is right. We got this.”

There’s nothing they can’t do, as long as they’re together.

[dontmeantobepoliticalbut]

A federal lawsuit filed Tuesday seeks the removal of a Confederate monument marked as “in appreciation of our faithful slaves” from outside of a North Carolina county courthouse.

The Concerned Citizens of Tyrrell County, a civic group focused on issues facing local Black residents, and several of its members filed the lawsuit against the county’s commissioners. The legal complaint argues that the monument constitutes racially discriminatory government speech in violation of the 14th Amendment’s equal protection clause.

Tyrrell County includes a few thousand residents in eastern North Carolina. The monument, which was erected on the courthouse grounds in 1902, features a Confederate soldier standing atop a pedestal, with one of the markings below mentioning “faithful slaves.” The lawsuit argues that the monument conveys a racist and offensive message that Black people who were enslaved in the county preferred slavery to freedom.

“The point of putting such a monument near the door of the Tyrrell County Courthouse was to remind Black people that the county’s institutions saw their rightful place as one of subservience and obedience, and to suggest to them that they could not and would not get justice in the courts,” the lawsuit argues.

The Associated Press contacted the Tyrrell County manager via email requesting a comment on the lawsuit.

North Carolina legislators enacted a law in 2015 that limits when an “object of remembrance” such as a military monument can be relocated. Still, the lawsuit says more than a dozen Confederate monuments have been taken down in North Carolina in the past five years, many due to votes by local officials.

Others were removed by force. In 2018, protesters tore down a Confederate statue known as “Silent Sam” at the University of North Carolina campus at Chapel Hill. Statues of soldiers from the North Carolina Confederate Monument on the old Capitol grounds in Raleigh came down in June 2020. Gov. Roy Cooper, citing public safety, directed that the remainder of the monument and two others on Capitol grounds be removed.

Confederate monuments in North Carolina, as elsewhere nationwide, were a frequent focal point for racial inequality protests in the late 2010s, and particularly in 2020 following the murder of George Floyd by a Minneapolis police officer.

The Concerned Citizens of Tyrrell County wrote that they have fought for the courthouse monument’s removal for years, from testifying at county commission meetings to advertising on billboards.

[youledmehere]

kinda annoying how people complain about the ending of towl just because their expectations or theories didn’t pan out how they wanted it to. and a majority of the ppl disappointed really were hoping michonne dies / sacrifices herself for rick’s survival or both of them die which makes zero sense anyway and would’ve made everything pointless. also because gimple made one comment saying he wants all the spin-offs to come together in some way people really latched onto that for dear life and thought that towl would be some starting point for that to happen even though it was wrapped for filming by then and was literally premiering. mind you it was always marketed as just being 6 episodes so i don’t know why people thought it would somehow lead to a grand fight with all the other characters. especially since daryl would’ve still been in france timeline wise so it’s not like that reunion would’ve happened either which is another big complaint i saw a lot.

and lets say rick and michonne didn’t blow up the frontliners or kill beale: portland would’ve fallen, kids kidnapped, millions dead and then what? they’re just supposed to let that happen? say it’s not their problem and try to go home anyways and pray the CRM doesn’t find their community? have rick go back to the civic republic and be stuck for even longer while michonne was supposed to go home and gather up whoever is left and march back to philadelphia with just guns and arrows i guess??? along with the commonwealth storm trooper wannabes? try and wage some kind of attack which would’ve been futile since the frontliners would’ve wiped them out even quicker than what happened in the finale resulting in no reunions for anybody and more dead characters?

they planned a six episode story and obviously weren’t going to leave it on some kind of cliff hanger or have some mysterious after credit set up scene because they weren’t thinking of a season two at the time of writing, it ended with a family reunion like it was always going to. but even if there is something else in the future there could still be more story to tell and the civic republic can still be involved. people act like they killed off the whole military in one quick go when it was just the guys in the red uniforms who take out entire cities that died (i think around 2000+ soldiers). its still a big military operation it can span different locations, they talked about there being CRM agents in different communities that could be explored more. having different generals or sergeants with different ideologies can still be a thing. there’s also that estimate about there only being 14? years left of life on earth and the threat of millions of walkers at once so idk seems like there’s multiple storyline possibilities if they choose to continue

[for-yoongi0309]

[NOTICE] Update on Legal Proceedings Against Violation of Artist Rights

Hello. This is BIGHIT MUSIC. We wish to update you on the status of legal measures taken to protect BTS members against violation of their rights. We would like to clarify that the recent allegations of hoarding, concept plagiarism, and affiliations with Dahnworld or any religious cults are completely false. The company has decided that the recent movement spreading false rumors and information has become excessive, and announced previously that a separate law firm would be engaged to address these matters decisively. Thus, we have identified and compiled several posts containing misinformation aimed at defaming and slandering the artists, and filed the initial round of criminal complaint to law enforcement agencies today, on May 2. This compilation includes posts that were systematically uploaded then deleted, as well as posts from authors who have since deleted their accounts. We will persist in our legal proceedings through continuous monitoring and gathering of evidence. We uphold a zero-tolerance policy for filing civic and criminal complaints against individuals who attempt to tarnish the reputation of our artists by spreading malicious falsehoods. We will offer no leniency or settlements, ensuring that offenders are appropriately punished without exception. We extend our deepest apologies to the fans of BTS for the distress you have experienced in recent weeks. We are committed to taking all necessary actions to protect our artists' rights. Thank you for your unwavering love and support for BTS. Please send any reports of aforementioned cases of violation to BIGHIT MUSIC's legal hotline at protect@bighitmusic.co.kr. Thank you.

[feerz]

Ranking all the Jesuses from every version I've watched/listened to so far

without further ado let's get into it 🙌

Ian Gillan - 1970 Original concept album

The True Doer that you cannot outdo. The og who made this role what it is today. And since the og album was were I got my start and obsession with jcs, I have a huge fondness for him. There's just something so- so... about him. His vocals? Insane, fantastic, the golden standard. His Gethsemane is Everything. He raised the bar so high (literally lol) and made this role harder for everyone that came after him and I respect that. I also love his characterisation. He is a rockstar and he knows it. Adore this whiny ass messiah and his dramatics. 9/10

Ted Neeley - 1973 movie

Sad little mouse man. He's like some small rodent to me. His gethsemane is iconic, but beyond it I don't care to much about his Jesus. He's perfectly inoffensive, but I find him a bit boring. Poor guy also had the disadvantage of performing against Carl Anderson, who's too powerful and who commanded every scene he was in, outshining Jesus. Tedsus is not for me personally, but he's definitely not bad. 6/10

Camilo Sesto - Madrid 1975 album

I like him! He reminds me of Ian's Jesus but sadder (love to see it). Really good vocals. That 'POR QUE' ate. And his Gethsemane in general too. I don't have that much to say besides that, but Señor Sesto is really good in this role. 8/10

James Whitson - San Jose Civic Light Opera's 1990 production

Uhhhhhhh. Watched this in a discord watch party and for half of it we were thought this was Ted. It wasn't. Don't really know what to say, there wasn't anything really memorable or notable about him. Also has the disadvantage of being pared up with Carl Anderson, except it's even worse here. If Carl was anywhere near him, no chance I was paying attention to Jesus. Um... he chased Santa out of the Temple! That's something! 3/10

Steve Balsamo - 1996 London revival album

Steve Balsamo Jesus, my dearly beloved. How can you not love him. Just rewatch his Gethsemane for the 1000th time. His vocals are out of this world, man has organ pipes in place of vocal chords. Props to him for actually crying in gethsemane and still killing it. Absolutely fantastic. And his beautiful hair and those brown eyes really add to it. He's such a sad pathetic man, it's great. No complaints 10/10

Glenn Carter - 2000 movie

I'm shaking, please buy him brown contacts. I am a glensus hater, although I have to admit that during my second viewing I didn't dislike him as much. Easily my least favourite gethsemane (lmm excluded), except his delivery of "what you started, I didn't start it", that was surprisingly good. Again, I'm a hater but bonus points for the entertainment factor. 4/10

Paul Nolan - 2012 Broadway revival

BORING! Sorry your trouple doesn't save you from being so incredibly bland. It's like looking at a white wall that has just been painted over and you're watching it dry. Gethsemane is solid vocally, I like his interactions with others. But Jesus himself? No thanks. The staging of the crucifixion was so great, but then there he is with his mouth agape like a baby bird being fed and unconvincing "suffering". Also, no blood? 3/10

Ben Forster - 2012 UK Arena tour

THIS IS THE ONE. My roman empire. My most dear blorbo. He's been living in my head rent free for months. I love him so much. He's just so incredibly stressed out and angsty and pathetic and constantly on the verge of a complete mental breakdown. His gethsemane is my favourite. Just pretty much everything I could want from a performance of it. The way he curls up on the floor? The little moments when his voice breaks a bit from emotion?? The knee thing??? Great, fantastic, stunning, no notes. Also I adore his costuming, finally Jesus is given something more interesting. 11/10

John Legend - 2018 NBC

Hot take, but he's not nearly as bad as people make him out to be. He's just fine. I do enjoy his voice, Poor Jerusalem is especially good. Although I don't love his acting in the second act, but I really liked him in the first one. This Jesus just seems really nice and friendly and I love that. Gethsemane is solid vocally, even without the G5. Anyways he's not bad at all! 6/10

Andrew Latobesi - 2018 Villanova College

This was another wildcard from the watch party. Jesus didn't stand out much because we were all a bit distracted by Judi. And Mary. He was bland and the acting was not fantastic, but this is a high school prod, and for what it's worth he's not bad. Gethsemane was solid enough considering everything. The crucifixion surprisingly hit, good crying there. ??/10 since I don't think it would be fair to rank him against all those adult professional performers.

Jack Hopewell - 50th Anniversary North America tour

The only Jesus that made me cry while watching. He suffers real good (and looks very pretty while doing so). He's just so- so... I just wanted to wrap him up in a soft blanket and give him a kiss on the forehead and feed him soup. Tbh I think he's one of the best vocally too. His high note is my fav. Gethsemane in general is just great too. Love how much he's just some silly guy who then has to face the Horrors. He's just very cute :] 10/10

Jeangu Macrooy - 2024 Netherlands national tour

The most poor little meow meow Jesus ever. He's so pathetic it's great. Him smiling and being happy was also so cute. Really good vocals too, man killed those high notes. His gethsemane too... Jeangu Macrooy absolutely steels the show and it's fantastic and incredibly heartbreaking. Want to see his performance again so so badly. In the meantime everyone should check out a snippet of his performance 10/10

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[beardedmrbean]

Muslim pupils who expressed outrage after their teacher presented a Renaissance painting of nude women in class will be disciplined, France’s education minister has said.

A French teacher at the multicultural Jacques-Cartier college showed students the painting Diana and Actaeon by the Italian artist Giuseppe Cesari, which portrays a Greek mythology story in which the hunter Actaeon sees the goddess Diana and her nymphs bathing.

The work, which depicts a naked Diana and four female companions, is held at the Louvre museum in Paris.

Sophie Vénétitay, secretary general of the Snes-FSU secondary school teachers’ union, said: “During a French class, a colleague showed a 17th-century painting that showed naked women.”

“Some students averted their gaze, felt offended, said they were shocked,” said Ms Vénétitay, adding that “some also alleged the teacher made racist comments” during a class discussion.

A pupil’s parent sent an email to the school director saying that his son was prevented from speaking during that discussion and that he would file a complaint.

“We know well that methods like that can lead to a tragedy,” Ms Vénétitay told BFMTV news. “We saw it in the murder of Samuel Paty. Our colleagues feel threatened and in danger.” Teachers at the Issou school said that pupils admitted lying about events in their art class but that the damage had been done. “We’re dealing with vindictive parents who prefer to believe their children than us,” they said. Gabriel Attal, the education minister, visited the school in person on Monday and later said that a disciplinary procedure would be launched “against the students who are responsible for this situation and who have also admitted the facts”.

A team would also be deployed to the school to ensure it adhered to the “values of the republic”, he said.

Staff at the Jacques-Cartier middle school in Issou, west of Paris, refused to work on Monday, saying they feared for their safety given the recent murders of two teachers by jihadi terrorists.

Dominique Bernard was stabbed to death by a Muslim man in his school’s playground in the northern town of Arras in October.

In 2020 a civics teacher, Samuel Paty was stabbed and beheaded by a terrorist in Conflans-Sainte-Honorine, 12 miles from Issou, after he showed his pupils a caricature of Mohammed in a class on free speech.

In an email sent to parents on Friday, teachers said they were exercising their right to stay away from classrooms over the “particularly difficult situation” and “an increase in cases of violence” as their daily reality.

Deteriorating discipline at the school

The school’s head teacher recently asked the education ministry for more staff and resources to deal with deteriorating discipline at the school, saying that fights and death threats and threats of rape had become common among pupils.

“We feel we are clearly in danger. We are supported by our direct superiors but not from higher up. This is a real call for help,” said one teacher.

Last week a Paris court convicted six teenagers over their role in events that led to the beheading of Mr Paty, who was their teacher at the middle school in Conflans when he was killed by Abdoullakh Anzorov, an 18-year-old of Chechen origin.

In another sign of school-religion tensions, the state this week said it would withdraw funding for the country’s biggest state-subsidised Muslim high school. In its teaching of Muslim ethics, the Averroes school, in Lille, was found to be violating French republican values.

On Tuesday, Jordan Bardella, leader of the hard-Right National Rally party, warned that “freedom of expression is under threat in France from an all-conquering political Islam that is imposing on our society its laws, its way of life and its prohibitions”.

[sad-eyed-lady-of-the-paperbacks]

Here are some other misc. thoughts I had about chapter 2.

(Even though I’m technically using Pevear & Volokhonsky for this read-along, I really do gravitate to McDuff’s wording, so unless otherwise indicated that’s what I’ll be quoting from here)

I love McDuff’s rendering of the chapter title, “He Gets the First Son Off His Hands”—not even “his first son,” just “the first son.” Pevear & Volokhonsky do it pretty good too: “The First Son Sent Packing.” But I just like the—I don’t know, passivity in McDuff. He just gets him off his hands

The fact that Fyodor was simultaneously “making everyone’s lives a misery with his tears and complaints” and “turning his house into a den of depravity” is so interesting. One is tempted to find his tears insincere, but there’s that quote from the first chapter: “Both versions may very well be true—that is, that he rejoiced at his release and wept for her who released him, all at the same time. In most cases, people, even wicked people, are far more naive and simple-hearted than one generally assumes. And so are we.” (P&V) While the narrator assures us that there was no love on either side of the marriage, and that he appeared not to have been physically attracted to her despite her beauty, exactly what it is that he did feel for Adelaida Ivanovna, and what he felt at the time of her desertion and then at her death, might be more complicated than we’re ever going to understand.

“…the three-year-old Mitya was taken into the care of Grigory, the faithful manservant of the house, and had the latter not tended to him there might well have been no one to change the little boy’s wretched shirt.” For some reason that little detail is so heartbreaking. Thinking about how grubby a little toddler’s shirt gets, and that no one would have changed it if not for Grigory. The specificity of that detail really paints a picture of the neglect.

Interesting how the Miusovs intervened to save Adelaida’s property from Fyodor, but when it came to saving her child? Not a peep from them at first. Not that that seems to have been deliberate, just worth noting perhaps.

The fact that even if Fyodor did remember him, he still would have sent him to the izba with Grigory because a little 3yo would really cramp his style when he’s trying to have, to borrow a phrase from @an-inhabitant-of-carcosa “one man frat parties”

Pyotr Alexandrovich Miusov is such a Character. We all know him. He’s just dying for any opportunity to tell you that he almost participated in the 1848 Paris barricades. That “almost” is “one of the most gratifying memories of his youth.”

Miusov engaged in a drawn-out and probably frivolous property dispute with the neighbouring monastery because he feels it’s his civic duty. But like @confessionofanardentheart pointed out, he also owned 1,000 serfs until they were freed.

Miusov used to fancy his cousin but it clearly wasn’t requited (and this would have been the late 1830s so he wouldn’t have even been able to wow her with his almost being an insurgent in 1848) and this is partly why he wants to assume responsibility for baby Mitya

He shows up all indignant at Fyodor and declares that he himself will undertake the upbringing and education of the little boy. And Fyodor decides that even though he already looks like the Worst Dad, it would be hilarious actually to concoct this whole bit wherein he is learning for the very first time that he even has a son.

(The narrator is correct in saying that the tendency of Fyodor Pavlovich to pretend and act out these absurd rôles, even in ways that actively make him look worse, is common in a lot of people. We’ve all definitely know this guy as well.)

The fact that Miusov was so indignant at Fyodor for abandoning and forgetting the child…and then proceeded to do just that

Baby Mitya being passed from home to home like a foster kid. No wonder he didn’t finish highschool and led such a disorderly existence. The fact that the narrator can’t even be bothered to fully recount all the homes he went through

Despite having been taken away from his father, Mitya inherits Fyodor’s penchant for drinking and chasing after skirts, but it seems without any of his financial shrewdness.

It’s absolutely diabolical that Fyodor is possibly enriching himself further off of Adelaida’s estate despite her family’s earlier interference. And he’s willing to bamboozle his own son to do it.

We learn so much about Dmitri as others perceive him here. All of it is accurate, but as to whether there’s more to him beneath this irresponsible and easily-duped exterior, we’ll have to wait and see

That second to last line gives a definite sense of foreboding and impending doom! One of Dostoevsky’s influences was gothic literature, and he is very good at building and sustaining a sense of looming threat. The sense of a catastrophe hanging over this crumbling family is very gothic.

[sgiandubh]

Where on Earth is Carmen Sandiego? The London Edition

My sophisticated endeavor of this long, free afternoon (hint: two fingers cut of each archer's hand) was interrupted by a PSA from C, for a very good cause:

Wee disclosure: I have spent my childhood in airports, courtesy of madame Mère's senior, then top level career in airline business. Rhinoair and its kind are a shame to this hard-working, formidably staffed global industry. They are scammers and profiteers, who killed the magic of airline travel - for magic and glamorous it was, once upon a time, before these dreadful low-cost rogues turned it into a boring and somewhat degrading affair. And don't even get me started on their borderline competition infringement ticketing and pricing policies. It would be tedious and very long to explain, but it is the sad reality.

Anyways, enthusiastic kudos to C for pointing out Rhinoair's disingenuous ageist attitude with such immediate vigor. And of course, a heartfelt fuck you to the company for such a condescending, heartless and cretinous communiqué. I was not expecting less from her and I applaud the civic gesture. Feisty, battling C is my favorite, always, and one of her most endearing traits, for it takes the courage of the heart to stand up against stupidity and abuse.

On the other hand, if you think she astutely geotagged herself via this post, you may want to think twice, since you probably did not bother to look for context. Her twitter reaction is related to a communiqué triggered by a very specific, very recent article from the Daily Fail - oops -, dealing with a customer complaint involving an elderly couple flying last Friday from STN to EGC:

Therefore, it proves absolutely nothing conclusive about her current whereabouts.

When she/they will want to be seen or heard of, we'll know. Calling all stations: this is not one of those situations. This is simply a daughter thinking, with good reason, that the same could happen to her own mom, if she were foolish enough not to fly BA or Aer Lingus (which I think she does, if only for convenience and way better service).

It's just Summer of Innuendo gathering speed, nothing more. Ship on. :)

Back to my sophisticated, but hopefully interesting next stop.

[icarusredwings]

Idk how I bagged this baddie Im literally just audhd.

Things ive said to my wife pt. 1

She is a shrimp. Her poster is terrible.

Thanks barbie. Im actually infodump ken. My job is infodump.

I have zero complaints about this fate.

✨️They yearn for the odyssey civic scene ✨️

[anotherhumaninthisworld]

Is there direct evidence that Courtois destroyed and/or falsified most of Robespierre's documents on purpose? Like, was he ordered to do it? Did he do that on his own?

Out of the approximately 200 Piéces justificatives included in Rapport fait au nom de la Commission chargée de l’examen des papiers trouvées chez Robespierre et ses complices (1795) roughly 75 were written either to or by Robespierre. I’ve been able to confirm the existence of the text in fac-simile for at least 62 of these, mostly by checking other sources like Correspondance de Maximilien et Augustin Robespierre (1926) and seeing if they, when citing a letter originally published by Courtois, could also link to any archived material alongside it. Said correspondence had Courtois’ report as the only source for only two of its letters (1, 2), none of which came off as particulary fabricated at least in my eyes. For the remaining approximately 125 documents not dealing with Robespierre I’ve so far been able to validate 14. This does however not mean I suspect the remaining ones to have been fabricated, only that I lack the sources to check up on them as well. While this is far from a complete study (I’m a bit surprised there doesn’t seem to exist any professional work critically looking over the full report, considering there are suspicions there might have been some foul play) it so far speaks against the theory of Courtois & co having forged and/or falsified a considerable amount of the papers. So far, I’ve also not found any historian voicing their concern that a certain document from the report may be a fabrication.

However, this is not to say Courtois & co didn’t make any alterations to the otherwise authentic material when publishing it in order to tweak the story in the way they wanted it portrayed. One such alteration regards the accusing letter Charlotte Robespierre wrote to her younger brother on July 6 1794, and where Courtois when transcribing the text chose to leave out the header ”Robespierre the younger” along with all references to their shared house on rue Saint-Florentin, to make it look like the letter was really adressed to Maximilien (in her memoirs, Charlotte would insist Courtois had also inserted embellished sentences into the letter, something which on the other hand wasn’t true). Another is regarding a letter from Antoine Buissart to Robespierre dated February 2 1794, which, when comparing Courtois’ version with the fac-simile, shows that the former cut out the first half of the letter when publishing it, for it to look like it only contained complaints. In yet another letter from July 19 1792 one Janegon writes to Robespierre that he is deserving of a civic crown. When publishing this letter, Courtois, according to J.M Thompson, left out both the date and the word ”civic” to make it sound like Robespierre was being offered a royal crown during his time in power. Thompson similarily writes that, when handling spy reports from Guérin, head of a CPS espionnage department, Courtois either replaced the word ”citizens” with ”citizen” or deleted it entirely to make it seem like these reports were adressed not to the entire committee but Robespierre only. These are all examples of alterations I’ve been able to find thus far and I wouldn’t be surprised if there exists even more.

As for if Courtois actually destroyed any of Robespierre’s papers, it should be admitted that, in 1828, there was still enough untouched ones for it to be published a three volume work titled Papiers inédits trouvés chez Robespierre, Saint-Just, Payan, etc, supprimés ou omis par Courtois (ironically, Correspondance de Maximilien and Augustin Robespierre had a harder time providing archived sources for letters originally included in this work than it had with letters originally published in Courtois’ report). To give the word to J.M Thompson again:

It was not until the publication of Papiers inédits trouvés chez Robespierre, Saint-Just, etc., supprimés ou omis par Courtois (Paris, 1828) that it was generally realized how dishonestly Courtois had done his work. A comparison of the two versions shows that, out of the first bundle (liasse) of 10 papers Courtois printed eight, out of the second (56) 17, out of the third (49) 42 — most of these were anonymous letters of flattery or abuse, equally useful for his argument; out of the fourth (62) 11 — here he omits the military mission of Saint-Just and Lebas; out of the fifth (35) 25 — including a number of letters from spies; out of the sixth (34) 24 — spies again; out of the seventh (46) 14; out of the eighth (30) 12; and all of the ninth, viz. 15. Thus, out of a total of 377 documents, Courtois only printed 153; and these were chosen so as to give colour to the rhetorical indictment of Robespierre with which his Rapport began. Not only so: in more than one instance he altered the text of his documents to Robespierre’s disadvantage.

This at least shows us that Courtois, after finishing his report, didn’t just go ahead and throw away all the papers he’d chosen not to include in it. This is further proven by the article Les livres de Robespierre au 10 thermidor (1992) by Fabienne Ratineau, where we learn that on August 1 1795, around 220 books confiscated from Robespierre’s room after thermidor were sent to the national Dépôt littéraire to be documented (the list is published by Ratineau and has been translated into English here). Finally, La saisie des papiers du conventionnel Courtois 1816 (1891) (which I unfortunately haven’t been able to find online but which might shed more light on the activities of the subject of study) shows that Courtois at the time of his death in 1816 still possessed works originally belonging to Robespierre, among which were a bible (that has since gone missing) and 22 letters.

None of this does however disprove the idea that Courtois destroyed documents when first picking through them. If so, arguably only he and the rest of his commission knew about it, and the only way for us to do so would be if any of them came clear later in life. Such confessions I have however not been able to find.

Finally, if Courtois & co were explicately ordered to destroy or falsify papers by the Convention is yet another question I’m afraid I have to give an anticlimactic answer to, since I have yet to find any decree outlining the details of the mission given to their commission, nor the minute for the Convention session when said commission was founded… (I tried looking at Histoire parlamentaire de la révolution française… but so far no luck…)

[townpostin]

Jamshedpur Residents Get Digital Access to Civic Grievance System

Public Grievance Management System streamlines municipal complaint process Jharkhand’s urban areas benefit from multi-channel platform for registering and resolving civic issues, enhancing citizen engagement in local governance. JAMSHEDPUR – Residents of Jamshedpur and surrounding urban areas can now register civic complaints and suggestions from home through the Public Grievance Management…

[handeaux]

Overwhelmed By Advertising? The Battle For Cincinnati Consumers Has Raged For More Than A Century

Depending on the source, it is estimated that each American is confronted by 6,000 to 10,000 advertising messages every single day. That immersive media onslaught swelled as we started carrying little video screens around wherever we go, but invasive and obnoxious marketing has bothered Cincinnatians for much more than a century.

For example, on 20 July 1871, a correspondent for the Cincinnati Times related an enjoyable voyage he had undertaken down the Ohio River. After praising the service of his riverboat’s staff, the remarkable scenery along the river, the picturesque little town he floated by, the writer registered one complaint, about a cliff near the town of Hanging Rock:

“High up on the face of this wall of white sandstone, hundreds of feet beyond the reach of a scaling ladder, I noticed a patent medicine advertisement. It was penciled there by a man let down with ropes from above, and the letters are large enough to be read from the deck of a steamer two miles distant. I was sorry to see this defacement. It is bad enough that all the fences throughout the land should be made to lie for patent medicines without debasing the hill-sides with such marking. I suppose that when the ‘chemical affinity necessary to be the motor of some immense flying machine’ shall be discovered, some enterprising patent medicine man will be plastering the face of the moon with some of his ‘wonderful remedies.’”

If only the poor man knew what lay ahead! Even in the 1870s, almost every vertical surface in Cincinnati was slathered with posters, placards and bills advertising shows at the local theaters, patent medicines and political candidates. Cincinnati was the center of the bill-posting world. For one thing, Cincinnati was among the top printing cities of the United States, with the mighty Strobridge Lithographing Company dominating the poster industry.

Also, Billboard magazine was headquartered here in Cincinnati. What we now think of as a music magazine, Billboard was founded in Cincinnati as a trade publication for men who posted “bills” on walls. From its first issue in 1894, Billboard covered the entertainment industry, such as circuses, fairs and burlesque shows, and also created a mail service for travelling entertainers. Initially it covered the advertising and bill-posting trade and was known as Billboard Advertising.

Far from inspiring civic pride, advertising rankled Cincinnati residents as they witnessed visual pollution encrusting the region’s hillsides. Leading the opposition was the Municipal Art Society – a sort of ad-hoc predecessor to today’s Urban Design Review Board. The opening shot was fired 24 August 1896 when the Enquirer reported:

“A matter that will undoubtedly be of interest to the business men is the fact that war has been declared by the Cincinnati Municipal Art Society against advertising signs on fences along the car routes and drives of the city. The art society maintains that these signs mar the beauty of the city, especially in the case of landscape scenes on the hills and in the suburbs, and that they are offensive to the public taste.”

The Society was persistent. It took five years but the Cincinnati Post reported [24 November 1901] that the Baldwin Piano Company had demolished 200 feet of billboards erected on company property along Gilbert Avenue. The Post described this as the “first result” of the Society’s campaign.

The Municipal Art Society was soon joined by some strange bedfellows. The Cincinnati Business Men’s Club, among whose members were certainly a number of advertisers who employed billboards to disseminate their messages, created its own Municipal Art Committee to lobby for restrictions on outdoor advertising. On 1 June 1907, the committee circulated a postcard illustrated with a photo of signage clogging the view from the Grand Central Depot, with the sarcastic caption, “A Nice Welcome To Cincinnati.”

As early as 1895, the city chased the Fountain saloon’s advertising off Fountain Square, but appears not to have drafted a comprehensive law about outdoor advertising until 1909 when, as part of a broader safety ordinance, the city adopted limitations on the size of billboards, their placement near thoroughfares and the materials to be used in their construction.

While the city pondered how to encourage commerce while maintaining attractive views, the entire billboard industry was gaining momentum through a Cincinnati entrepreneur named Philip Morton. Before Morton, “bill boards” were basically fences on which bill posters slapped printed advertisements glued up with a flour-water paste. Morton took outdoor advertising to a new level, according to Jay Gilbert, who has researched his influence on marketing [Cincinnati Magazine September 2016]:

“By 1898 he’d become the Steve Jobs of roadside blight. Doing business as Ph. Morton, Phil was an early pioneer of putting ads into free-standing frames called ‘bill-boards’ and plunking them down everywhere. Eventually every railroad route and motorway in America had its view ruined by a Ph. Morton billboard.”

Even the powerhouse Morton found himself in the city’s crosshairs. Parks Superintendent John W. Rodgers, according to the Enquirer [20 September 1907], exasperated by Morton’s billboards blocking the view of Inwood Park, erupted.

“Park Superintendent Rodgers yesterday tore down over 12,000 feet of big billboards that stretched along for a distance south of Hollister street, facing Vine street, in front of Inwood Park. The billboards were 12 feet high, about 1,000 feet long and contained the advertisements of leading firms of the city, and were illuminated at night with electric lights. They had been at that place for years.”

All of those billboards were leased by Philip Morton who, as coincidence would have it, dropped off a check to pay the lease while workmen were busily engaged demolishing his thousand feet of signage. This was the Boss Cox era in Cincinnati where the right hand was very often ignorant of the left hand’s activity. And so it was, while the Park Superintendent was demolishing billboards on Vine Street, the Board of Public Service pondered a lease for billboards along Gilbert Avenue. That’s right – the same Gilbert Avenue divested of billboards just six years earlier.

A common theme of cartoon artists at that time was the eventual coverage of all available exterior surfaces with advertising signs and slogans. In response, Cincinnati Post cartoonist Elmer Andrews Bushnell sketched City Hall wrapped from sidewalk to parapet in advertising while George Barnsdale Cox and his minion, August “Garry” Herrmann, happily apply more posters and Mayor Julius Fleischmann hides behind a billboard.

The battle raged for decades. Photographs from 1927 show dozens of billboards crowding the hillside over the Brighton overpass to Central Parkway and the Enquirer [24 March 1929] begged for relief because billboards and other unsightly structures had a negative effect on property values:

“What of the gaudy billboard that intrudes itself into a residential district, the sign which girds the tree or telephone pole, the roadside ‘shack’ which is made more ugly with bizarre advertisements? Do they affect values?”

A century later, we hardly notice billboards anymore. We’re too busy texting while we drive.

[mariacallous]

Despite Bosnia and Herzegovina’s progress towards European Union accession, Bosnian Serb authorities continue to “actively subvert” the state, peace overseer Christian Schmidt said in his latest update to the UN secretary general, citing in particular “unprecedented pressure” on the judiciary.

The leaked 40-page report is the sixth submitted by Schmidt, a German politician, since his appointment in August 2021 to oversee the country’s adherence to the peace deal that ended its 1992-95 war. The five others made similar complaints about authorities under Bosnian Serb strongman Milorad Dodik in the predominantly Serb-populated Republika Srpska entity.

Their threat to “paralyse” state authorities, he wrote, “is a threat to the functionality of the State and its ability to carry out its responsibilities”.

Dodik repeated the threat most recently last month in response to a German and Rwandan draft United Nations resolution that would declare July 11 an international day of remembrance for the 1995 Srebrenica genocide, a characterisation the Republika Srpska disputes.  

In March, the European Union gave the green light to the start of accession negotiations with Bosnia, a major milestone in the country’s recovery from war and integration with the bloc. But even against such a backdrop, the pressure on the state from the Republika Srpska continued.

“Besides promoting the abolishment of the BiH Court and the BiH Prosecutor’s Office, the RS ruling coalition undermines the BiH Constitutional Court as the guardian of the constitutional and legal order of BiH,” wrote Schmidt, whose official title is High Representative.

“If pursued, these actions could lead to a de facto if not a de jure dissolution of the State of BiH, which is what RS President Milorad Dodik continuously advocates. This would be a scenario with grave consequences.”

Historical revisionism

Schmidt noted that, during the reporting period from mid-October 2023 to mid-April 2024,  the ruling coalition in the Republika Srpska continued to organise rallies on the administrative line between Republika Srpska and the mainly Bosniak and Croat Federation entity under the banner, ‘The Border Exists’. 

“Besides promoting the idea of secession, these rallies create a divisive environment prone to security incidents,” Schmidt wrote in the report, which BIRN has seen. 

He also warned of efforts by Republika Srpska authorities to limit civic action and suppress political dissent via intimidation and punishment.

Dodik and the Republika Srpska government do not recognise Schmidt as High Representative, citing the abstention of Russia and China when his appointment was voted on in the UN Security Council; the report noted their continued “inflammatory rhetoric and actions” aimed at undermining his office.

The report also cited further regression in how the past is addressed as well as a rise in ethno-nationalistic historical revisionism, denial of genocide and war crimes and the glorification of war criminals. 

Such trends go hand in hand with broader declines in “democracy, human rights, and the rule of law, leading to increased mistrust and polarisation within society”, Schmidt wrote.

He cited deteriorating inter-community relations in Srebrenica over the previous two years, as well as incidents targeting returnees. 

The report should come before the UN Security Council on May 15. 

[youledmehere]

"They wanted it to fail even before it aired" EXACTLY!!!

The complaints about the way Richonne reunited being unrealistic were particularly funny when you think about Glenn randomly saving Rick and also being apart of the group his wife was in.

yeah it’s almost as if, things need to happen for there to be story! a crazy new concept i guess. time after time ppl found each other again during the main show despite the circumstances and there wasn’t some huge outcry. suddenly channeling cinemasins for every little detail is ridiculous and boring. the civic republic was located in philadelphia it’s not like he was in another country, she followed clues and was in the general vicinity. it’s not like they made it so she purposely brought down the helicopter either because she knew rick was on there. neither had a clue that’s what made it a surprise and why both of them were shocked to see one another again. but i bet if a certain archer was in michonne’s place and helped bring down a helicopter to see rick again it would’ve been “epic” or “badass” instead of unrealistic 🤫