#cinema bizzar

[itzmaztercom]

I fucking need more people to listen to cinema bizzare so i can talk of them with someone?? Plus their music is so amazing ! And i'm gonna try to learn more about the member

[itzmaztercom]

@btandy79

I came 2 party, you came 2 party..

[murakamijeva-muza]

[xxl0ser3vaxx]

i love cinema bizarre so fucking much theyre so good i want u jack strify

[pustelniczka]

[itzmaztercom]

Idk why but he remind me from Bill in the movie it..told me i'm not crazy, there something

[hellish-cruelty]

The first time I watched Blue velvet, I thought the director had to be crazy to make a film so bizarre. It was the first year of college and I had no idea who Lynch was or of his greatness. The next time, I traversed an even darker path that lead me to Mulholland drive and you can imagine what kind of impression that had on me. It was peculiar and it is in these peculiarities that my curiosity thrived. I dived full throttle into the Lynchian universe and soared like a phoenix from the ashes, only this phoenix was dark and white, bizzare and ordinary, blue and happy and unspeakably aged.

David Lynch was larger than life, a man with a unique vision of the world. A surrealist artist who understood the human condition in its true essence. He was excruciatingly honest in his portrayal of the bizarre and expressed the human psyche unabashedly. To the moon man, to the beautiful beautiful weirdo, cinema loves you to the moon and back. Rest in cinema. 🎥

[sansaorgana]

I hated the kiss because in the books the baron literally SAd Feyd so it felt horrible in the cinema because I had hoped they decided to erase that part fully. Also every time I saw the baron has the same effect as smoking a pack of cigarettes and it shortened my life span by 10 years

I'm not sure what SAd means but if I think correctly then yes, I understand why it could make people go uneasy. Although I didn't see it this way – in some cultures it's perfectly normal to kiss family members on the lips (I can't count how many times my uncles and aunts were doing that to me when I was a baby + until this day I wouldn't mind to peck my mum's lips 🤷🏻‍♀️). So to me the kiss itself doesn't have to mean they kept this backstory. But even if it does mean that it also makes absolutely sense to me because sometimes the victims (and I doubt Feyd was in therapy lol) develop this weird sort of attachment to their abusers (not only sexual, just overall).

Lmao the Baron 😂 makes me want to start going to the gym ngl 🤣🤣🤣

but because he is so horrendous looking... there's something even more magnetic about him. I don't mean in a way he's attractive but it's both ewww and wow. I love how they created him in the movie. I really wish the deleted scene with Lady Jessica was kept in the first part of the film (Rebecca was talking about it in an interview, maybe you know what I'm talking about... I believe she said it was her favourite scene and it had a sexual vibe, too. I have a feeling she's a freak like me lol I adore the disturbing and bizzare that make majority of people uncomfortable)

[itzmaztercom]

[itzmaztercom]

I want to be forever young

(i miss them(still love them though))

[lucysabitweird]

about me

name : lucinda (lulu or lucy)

im a girl lol

im in my teen years (15)

im british and live in britain

i dont have a sexuality label i just like whoever i like

music - tokio hotel . alex g . current joys . the weekend . billie elish . TOY . lana del rey . cinema bizzare . lil hero . she want revenge . david bowie . SyKo . the cure . new order . (many more)

interests - art, drawing, music, billie elish, my little pony , tokio hotel obviously and angelina jolie (many more)

i wanna start writing and editing but im mainly on here to like share random stuff and get no likes xoxo

clothing style - streetwear?? i wear similar clothes to tom but im probibaly a bit more emo, been told i remind people of billie elish (biggest flex)

i love talking to people and so like message me whenver no context needed

freaky af

tiktok - ilylxcy.lol

[hevansent]

Help your username "heavensent"😭🙌 that remind me of that one song from cinema bizzare

rock on 😝🧑🏻‍🎤🤘

[yandereloveraw]

🔮🎨 Atilly [Atisuto & I's fusion] board ^^ 🎨🔮

🔮 Pure Imagination [Cover] - Kathleen

🎨 My Obsession - Cinema Bizzare [To Pinkie]

🔮 Crystal - Stevie Nicks

🎨 I Put A Spell On You - Sylvia Black [To Pinkie]

🔮 Jealous Sea - Meg Myers [To Pinkie]

[In case you were curious, yes, Pinkie [Atisuto's wife] is the other lady in the board]

[All music and images belong to their creators]

[smilesrobotlover]

I've only seen the first Pirates of the Caribbean so I don't know too much about the franchise as a whole, but who's your favorite character(s)? Go ahead and ramble about them as much as you want :)

Oh man fhskbsksbsksbskbskb.

I guess Jack Sparrow is my favorite character? Pretty obvious he carries the whole franchise on his back. I just find him so fascinating. A youtube channel youve def probably heard of called Cinema therapy talked about him and said that he either is a sociopath or is anti social (which doesn’t mean he’s just shy it really means that he’s a sociopath) and those terms have very negative connotations, but it’s not demonizing to Jack. And it’s so interesting to see a protagonist who does some good but is also like, the most annoying person on the planet djdsbskbssk. Someone actually responded to the video and said that Jack is not a sociopath he just puts on an act. Idk disagree with either, but I love seeing people dive into his character fr fr. Anyways I just love how insane he is. Like the things he does is just, crazy. And it only works because he is crazy. Like the third movie the guy is like “are you mad?” And he’s like “I hope so otherwise this might not work” or something and it’s so brilliant because it’s accurate to his character dhdkdbdk. He gets out of situations in the most bizzare ways and it truly makes him fun to watch. I just really like his character HDKSBSKSJSK. The fifth movie did him so dirty tho I’m still incredibly salty over it

[lcatala]

My top 6 movies discovered in 2023

I watched 52 new-to-me movies in 2023. Not nearly enough , as I could only find 6 movies that stood out sufficiently to be worthy of a personal top, in what was otherwise a pretty meh year — yes I'm a picky watcher — and yeah The Boy and The Heron didn't make the top, you can read the long rambling I wrote about it if you want to know why; I haven't watched Barbie, Oppenheimer or the Super Mario Bros. Movie, and haven't watched any Marvel-related movie since 2015.

6: Nimona (2023)

I didn't really expect to like the animated adaptation of N. D. Stevenson's comic, and I went in reluctantly, only because a lot of people who seemed trustworthy recommended it. Despite having some of the flaws I've come to expect in modern 3D animation, this was a very good surprise. You can read my detailed review here.

5: Suzume (2022)

The plot of Suzume stays very much within the bounds of the "modern artsy anime film", with a rather predictable 3+1 acts structure and an exploration of themes and human interactions which has some subtlety and nuance but overall stays very safe and on-the-surface. Nothing offensive, but nothing truly groundbreaking either.

But.

Suzume had, by far, the best animation of any movie I've seen this year. This movie is an absoluteely beautiful, every-frame-a-painting kind of deal. If I was to rank every animated I've ever seen solely by the quality of their animation, Suzume would easily be in the top 10.

4: Cape Fear (1962)

American cinema achieved maturity during the New Hollywood era that started in the late 1960s, marking a shift toward more naturalistic and more adult filmmaking and themes. But there were a few notable precursors before that.

The most famous of those is of course Psycho (altho tellingly, it was from a British director). But Cape Fear followed close behind, and is another example of an early 60s movie which you don't expect to be this dark and this raw, starring an absolutely get-under-your-skin-terrifying Robert Mitchum — if you thought he was creepy in The Night of the Hunter, you haven't seen nothing yet…

3: The Outwaters (2022)

This was the biggest surprise of the year, watched the same day it was recommended to me, having heard absolutely nothing about it before that (I didn't even know this movie existed). I got treated to a no-budget yet beautifully-shot found-footage horror movie — in fact the best found-footage movie I have ever seen, with a lot of attention put toward making the gimmick plausible, making the characters realistic and likeable, making this look like the kind of actual footage you'd find on a personal camera — while also having amazingly beautiful cinematography — all while slowly building up the tension.

Because that's just the first half.

Oh yeah, it's one of these horror movies in which you think you know where the story is going, and then second half just explodes in your face and becomes completely, utterly batshit insane. This is on par with Men (2022) for how weird and fucked up the climax is. Don't expect any kind of explanation or closure here, the second half of this movie turns into one of the most fucked up and bizzare horror movies you'll ever see.

2: Godzilla Minus One (2023)

Yeah so this one was a surprise late-year hit for everyone, not just me. First live-action Japanese Godzilla film in 7 years, with rather tempered expectations — we all knew that Shin Godzilla was an odd one out, that the average Japanese Godzilla movie is not like that, that we shouldn't expect this kind of quality on a regular basis.

Well we played ourselves.

This was incredibly well made as a blockbuster — Japanese cinema has completely caught up on American cinema, for a fraction of the budgets — one of the best Godzilla movies ever made from an action and visuals point of view, and a reminder that Godzilla, as a character, can also be scary, a terrifying incarnation of destruction and disaster.

But somehow this also managed to be a powerful and well filmed drama — no lazy endless shot/reverse shot dialogues here, a lot effort is put into framing choices, blocking… — a movie that actually touches on difficult questions and goes against the message of many other war or action blockbusters.

When so many stories glorify the idea of sacrifying your life for a greater cause, here's one movie that says "hey maybe expecting people to sacrifice their life for your cause is actually pretty fucked up, and maybe it's actually better to choose to live for the sake of your loved ones than to die for the sake of your own pride". Yeah a Japanese movie is saying that, a Godzilla movie is saying that.

1: Skinamarink (2022)

So, speaking of low-budget independent horror, back in 2022 I had foolishly overlooked Skinamarink. I had vaguely heard that it was good, but no particular detail was mentioned that would have picked my interest, and the poster looked fairly generic, so I skipped it, even tho I should have been more intrigued — 2022 was already shaping up to be a really good year for horror films…

Skinamarink was a tough proposition from the get go, in the "experimental" kind of tough: an entire film made in the analog horror genre — usually short videos made to ressemble old media from the 80s and 90s, advertisements, warning messages, weather channels, documentaries and informercials, with a disturbing twist; a format usually made of short segments. Trying to tell a film-length story in that fashion is an entirely different exercise, but that's fine, I've sat thru Begotten (1989), I can do this.

Right away, this is not framed like a movie: it's more as if someone had negligently left an old camera on the floor — but this is not even found-footage, there is no camera in-story, we just happen to be seeing this world thru stolen, furtive points of view. The image is grainy, the sound is bad quality (subtitles are provided), the frames are often askew, you never even see the actors' faces. We get no narration, no exposition, just a succession of disjointed scenes that slowly form a story.

This shouldn't work. And for many people, this will not work. Most will turn this off not even 5 minutes in. But if you're among the exceptions, then howdy does it work. The format is not a gimmick at all — it's completely in service of the story. The grainy image, the low quality sound prey on your pattern recognition, never quite certain if something is there or not; the framing by a "forgotten" camera contributes to make the atmosphere hyper-real in its intimacy, yet alienating and uncanny.

The director of Skinamarink deals with one very specific topic: nightmares. Not the idea of nightmares, not the heightened nightmares of fiction, but the literal nightmares that real people have; he started by making short videos representing common nightmares that people would tell him about. When it came time to make a full-length feature film, he kept the same approach. Skinamarink doesn't really use any of the classic themes or structures of horror movies; it largely ignores that folklore and instead focuses on deep childhood fears, the kind of stuff your mind used to conjure up long ago and that you have forgotten but not erased from your brain.

If you manage to enter into this very peculiar format, this very unusual and seemingly disjointed way to tell a story, and if you identify with the kind of fear material the movie is drawing on, this is a truly scary experience. Not really in a jump scare or suspense way, more like a deeply haunting and unsettling atmosphere, a strong ambient uncanniness where things are almost normal but just broken enough to give you a constant feeling of unpleasantness, of wanting to run the hell out of here while being trapped, a sense of horrible lurking threat while having nothing concrete to fight against or protect yourself from.

Of course, this isn't exactly a fun experience. This is very, very intense, I'm talking Antichrist-levels of playing with your nerves, and the story, as simple as it is, is tragically harrowing and cruel — you're essentially watching two young children getting psychologically (and eventually physically) tortured by a sadistic, unseen entity for a hundred minutes.

It's hard to recommend, and yet recommendations is how this movie ended up grossing 2 millions on a 15k budget — promotion included ! Most people actually didn't like the movie, but those who liked it liked it so much they can't shut up about it (case in point!) It's one of those horror movies that completely break the boundaries of the genre and do something truly new and unique. It's what horror should be for: imagination gone wild, format-breaking fantasy, and realism thrown out of the window.

[likmacuhylang]

Results of 2023 Year

January

Manga: "The Reason Why Raeliana Ended Up at th Duke's Mansion" by MIlcha |09| Manga: "Who Made Me a Princess" by Plutus |12| Book: "The Signal-Man" by Charles Dickens |13| Book: "New Pass" by Amelia Edwards |13| Cinema: "Amsterdam" by David Russel |14| Book: "The Portrait" by Margaret Oliphant |15| Anime: "JoJo Bizzare Adventure" by Naokatsu Tsuba |15| Book: "Fight with Shadow" by Carl Jung |16| Book: "Diagnosing of Dictators" by Carl Jung |16| Book: "Western Nationalism and Eastern Nationalism" by Benedict Anderson |22| ------------------------------------ 6 Books; 2 Manga; 1 Cinema; 1 Anime

Febrary

Manga: "Mutant wa Ningen no Kanojo to Kiss ga Shitai" by Giba-chan |01| Manga: "Ishuzoku Joshi ni ○○ Suru Hanashi" by Suimin |12| Book: "99 Stupid Questions about Art and More One" by Alina Nickonova |16| Manga: "Frau Faust" by Kore Yamazaki |18| Manga: "Secret Alliance" by Lero |18| Manga: "Yuusha Goikkou no Kaerimichi" by Ryouji Hirano |19| Anime: "Happy Sugar Life" by Nobuyoshi Nagayama |19| Manga:"Kyuuketsuki Marguerite to Kuenai Gokinjo" by Yuu Aikawa |24| Book: "Edgar Allan Poe. Burnt Life. Biography" by Peter Aykroyd |25| Manga: "Hanamachi Oni" by Hina Sakurada |26| Cinema: "2001: A Space Odyssey" by Stanley Kubrick |26| Cinema: "The Pale Blue Eye" by Scott Cooper |27| Cinema: "Menu" by Mark Mylod |27| ------------------------------------ 2 Books; 7 Manga; 3 Cinema; 0 Anime

March

Anime: "Darling in the FranXX" by Atsushi Nishigori |03| Manga: "Bara no Tame ni" by Akemi Yoshimura |03| Cinema: "Cowboy from Copenhagen" by Nicolas Winding Refn |04| Cinema: "Breakfast on Pluto" by Neil Jordan |05| Cinema: "Holy Spider" by Ali Abadasi |06| Cinema: "Youth" by Paolo Sorrentino |07| Manga: "I'm the Villainess, So I'm Taming the Final Boss" by Anko Yuzu |09| Manga: "Goodbye, Eri" by Tatsuki Fujimoto |15| Book: The Entire Collection of Prose by Edgar Allan Poe |21| Cinema: "i am thinking of ending this" by Charlie Kaufman |23| Cinema: "We Need Talk About Kevin" by Lynne Ramsay |24| Manga: "Beware the Villainess!" by Yeolmae |28| Cinema: "Phantom Thread" by Paul Thomas Anderson |29| ------------------------------------ 1 Books; 4 Manga; 7 Cinema; 0 Anime

April

Anime: "Konosuba" by Natsume Akatsuki, Kurone Mishima, Yuujirou Abe, Takaomi Kanasak |01| Anime: “Only Yesterday” by Isao Takahata |02| Manga: "My Lesbian Experience With Loneliness" by Kabi Nagata |02| Manga: "Koroshiya 1" by Hideo Yamamoto |03| Manga: "1" by Hideo Yamamoto |03| Book: “Tradition of Literary Gothic” by Bella Nacpock |08| Book: “Metamodernism. Historisity, Affect and Depth” by Robin van den Akker |10| Anime: "GTO" by Tooru Fujisawa, Noriyuki Abe |14| Book: “The Archetypes and the Collective Unconscious” by Carl Jung |16| Manga: "Hell’s Paradise: Jigokuraku" by Yuuji Kaku |18| Cinema: “All the Beauty and the Bloodshed” by Laura Poitras |24| Cinema: “New Old Play” be Qiu Jiongjiong |25| Book: "Octet" by David Foster Walllace |25| Cinema: “Benedetta” by Paul Verhoeven |27| Manga: "Cells at Work! CODE BLACK" by by Shigemitsu Harada, Akane Shimizu, Issei Hatsuyoshi |28| Manga: "The Villainess Needs Her Tyrant" by Ta-Hong Il |30| ------------------------------------ 4 bOOKS; 6 mANGA; 3 Cinema; 3 Anime

May

Book: “Tell me a sto…” by Una Hurt |02| Manga: "The Villainess's Maker" by Jeongu, I-Su Seol |02| Book: “Lectures on aesthetics” by Georg Hegel |05| Book: “In the Shadow of the Silent Majorities” by Jean Baudrillard |06| Anime: "Cowboy Bibop" by Hajime Yatate, Shinichirou Watanabe, Shinichirou Watanabe, Akira Toba |14| Anime: "Cowboy Bebop: The Movie - Knockin' on Heaven's Door" by Hajime Yatate, Shinichirou Watanabe, Toshihiro Kawamoto, Kimitoshi Yamane |14| Cinema: "The Whale" by Darren Aronofsk |15| Cinema: "Lamb" by Vladimar Johannsson |16| mANGA: "Love Advice from the Great Duke of Hell" by Unfins |17| Cinema: "Bones and All" by Luca Guadagino |18| Cinema: "Alcarras" by Carla Simon |19| Cinema: "Everything, Everywhere All at Once" by Daniel Scheinert, Daniel Kwan |20| Manga: "The Villain's Savior" by Myeong Rang, Zetson, Seur-A Yeon |22| Cinema: "The Hateful Eight" by Quentin Tarantino |26| Book: “Chrysanthemum and Sward. Models of Japan culture” by Ruth Benedict |27| Book: "A Perfect Day for Bananafish" by J.D. Salinger |29| Book: "A Haunted Monastety" by Rober van Gulik |30| Manga: "When the Villainess is in Love" by HJ, Gwi-Jo Seo |31| ------------------------------------ 7 Books; 4 Manga; 6 Cinema; 2 Anime

June

Manga: "Croa Chimera" by Kairi Sorano |02| Cinema: "Django Unchained" by Quentin Tarantino |02| Cinema: "Interstellar" by Cristopher Nolan |04| Cinema: "The Naked Gun 2½: The Smell of Fear" by David Zucker |07| Manga: "Coffin Jackson" by Chongtak |08| Manga: "Babelheim no Shounin" by Shouichi Furumi |08| Book: "Seven Night" by Jorge Luis Borges |09| Book: "Watch Cinema" by Jean-Marie Gustave Le Clézio |14| Cinema: "Call of the Night" by Kotoyama, Tomoyuki Itamura |18| Cinema: "Crows are White" by Ashen Nadeem |18| ------------------------------------ 2 Books; 3 Manga; 5 Cinema

Jule

Manga: "Scroll if You Dare" compilation webtoons |08| Manga: "Hell is Other People" by Yong-Ki Kim |08| Cinema: "Dreams" by Akira Kurosawa |09| Manga: "The Witch and Her Zombie Son" by Sinyura |09| Book: "Metaphysics" by Aristotle |24| ------------------------------------ 1 Book; 3 Manga; 1 Cinema

August

Cinema: "Master Gardener" by Paul Schrader |03| Manga: "Nude Model" by Tsubasa Yamaguchi |09| Book: "The Silence of the White City" by Eva García Sáenz de Urturi |10| Anime: "Akudama Drive" by Tomohisa Taguchi |12| Manga: "Miageru to Kimi wa" by Makoto Kobori |16| Anime: "Elfen Lied" by Mamoru Kanbe |17| Manga: "Shingeki no Kyojin" by Hajime Isayama |24| Manga: "Final Girl" by You Kokikuji |24| Manga: "Itoshi no Living Dead" by AidaIro |25| Manga: "Adolte and Adarte" by AidaIro |25| ------------------------------------ 1 Book; 6 Manga; 1 Cinema; 2 Anime

September

Manga: "Vanilla Jingai x Jingai Yuri Anthology" |04| Manga: "Cinnamon Jingai x Ningen Yuri Anthology" |04| Anime: "Neon Genesis Evangelion" by Hideaki Anno |07| Cinema: "Murder on the Orient Express" by Sidney Lumet |08| Cinema: "Men" by Alex Garland |09| Manga: "Neko no Otera no Chion-san" by Makoto Ojiro |10| Cinema: "Amélie" by Jean-Pierre Jeunet |10| Book: "Why I Am Not a Christian and Other Essays on Religion and Related Subjects" by Bertrand Russell |11| Cinema: "Crimes of the Future" by David Cronenberg |11| Cinema: "The Scent of Green Papaya" by Tran Anh Hung |16| Anime: "Inu-Oh" by Hideo Furukawa, Taiyou Matsumoto, Masaaki Yuasa, Fuuga Yamashiro |17| Anime: "The Duke of Death and His Maid S1" by Inoue, Yoshinobu Yamakawa |27| ------------------------------------ 1 Book; 4 Manga; 6 Cinema; 2 Anime

October

Cinema: "Death Proof" by Quentin Tarantino |05| Cinema: "Jackie Brown" by Quentin Tarantino |05| Cinema: "Once Upon a Time… in Hollywood" by Quentin Tarantino |07| Cinema: "American Psyho" by Marry Harron |08| Cinema: "Fight Club" by David Fincher |08| Cinema: "Leon" by Luc Besson |09| Cinema: "Lost in Translation" by Sofia Coppola |11| CinemaL: "Autumn Sonata" by Ingmar Bergman |12| Cinema: "Mona Lisa and the Blood Moon" by Ana Lily Amirpour |14| Cinema: "El Conde" by Pablo Lorrain |14| Cinema: "Asteroid City" by Wes Anderson |15| Cinema: "Mona Lisa" by Neil Jordan |20| Book: "The Master of Petersburg" by John Maxwell Coetzee |26| Anime: "Serial Experiments Lain" |31| ------------------------------------ 1 Book; 12 Cinema; 1 Anime

November

Book: "Not After Midnight" by Daphne du Maurier |11| Book: "My Lost City" by Francis Scott Key Fitzgerald |11| Cinema: "The Killer" by David Fincher |11| Manga: "Mariage busines" by KEN |16| Anime: "GOLDEN BOY" by Tatsuya Egawa |17| Book: "Men Without Women" by Ernest Hemingway |17| Manga: "Monster and the Beast" by Renji |19| Manga: "Shinonome Tantei Ibun Roku" by John Tarachine |19| Manga: "Bird Collector" by Kang Se Ah |20| Cinema: "Kurosawa’S Way" by Catherine Cadou |22| Book: "Modern Nihilism. Chronicle" by Costantino Esposito |26| Cinema: "Triangle of Sadness" by Ruben Östlund |27| Cinema: "Past Lives" by Celine Song |27| Cinema: "Rapito" by Marco Bellocchio |29| Anime: "Angel's Egg" by Mamoru Oshii, Yoshitaka Amano |29| Cinema: "A Haunting in Venice" by Kenneth Branagh |30| ------------------------------------ 4 Books; 4 Manga; 6 Cinema; 2 Anime

December

Book: "The Lake" by Banana Yoshimoto in English |05| Book: "Aesthetics. Textbook for universities" by Victor Bychkov |10| Cinema: "The Holdovers" by Alexander Payne |15| Cinema: "Chinatown" by Roman Polanski |15| Manga: "Pandora Hearts" by MOCHIZUKI Jun |19| Book: "This Is Water" by David Foster Wallace |20| Book: "May '68 Did Not Take Place" by Gilles Deleuze |22| Book: "Citrons from Sicily" by Luigi Pirandello |22| Book: "Six Characters in Search of an Author" by Luigi Pirandello |23| Cinema: "May December" by Todd Hayness |24| Manga: "The Wife I Loved Dearly" by Touryuumon Takeda |25| Manga: "Our Torsos Align: Human x Monster Love" by Ryou Sumiyoshi |25| Cinema: "The Taking of Pelham One Two Three" by Joseph Sargent |25| Manga: "Red Riding Hood's Wolf Apprentice" by Sayaka Mogi |26| Manga: "Tatsuki Fujimoto Before Chainsaw Man: 17-21" by Tatsuki Fujimoto |26| Manga: "Tatsuki Fujimoto Before Chainsaw Man: 22-26" by Tatsuki Fujimoto |27| Manga: "Just Listen to the Song" by Tatsuki Fujimoto |27| Manga: "Look Back" by Tatsuki Fujimoto |27| Manga: "Tetteleposan" by Tatsuki Fujimoto |27| Manga: "Imomushi" by Suehiro Maruo |27| Book: "Trilogy" by Jon Fosse |28| Manga: "The King and the Paladin" by Rin-Bi Lee |29| Cinema: "Seven Weeks" by Nobuhiko Obayashi |30| Manga: "Stargazing Dog" by Takashi Murakami |31| Manga: "Star Protector Dog" by Takashi Murakami |31| Manga: "Emergency Rations & Bountiful Feasts" by Nagabe |31| Cinema: "Between Revolutions" by Vlad Petry |31| ------------------------------------ 7 Books; 14 Manga; 6 Cinema

Top the Best Books of Year: 1. "The Lake" by Banana Yoshimoto in English 2. "Not After Midnight" by Daphne du Maurier 3. "The Master of Petersburg" by John Maxwell Coetzee Top the Best Manga of Year: 1. "Frau Faust" by Kore Yamazaki 2. "Bara no Tame ni" by Akemi Yoshimura 3. "The Witch and Her Zombie Son" by Sinyura Top the Best Cinema of Year: 1. “New Old Play” be Qiu Jiongjiong 2. "2001: A Space Odyssey" by Stanley Kubrick 3. "Between Revolutions" by Vlad Petry Top the Best Anime of Year: 1. "Cowboy Bibop" 2. "Serial Experiments Lain" 3. "Call of the Night"