#cinema bizzar

[itzmaztercom]

I fucking need more people to listen to cinema bizzare so i can talk of them with someone?? Plus their music is so amazing ! And i'm gonna try to learn more about the member

[itzmaztercom]

@btandy79

I came 2 party, you came 2 party..

[murakamijeva-muza]

[v0xsab0de]

i love cinema bizarre so fucking much theyre so good i want u jack strify

[itzmaztercom2]

I know very well that nothing matches in my room but I don't care tbh

[itzmaztercom]

Idk why but he remind me from Bill in the movie it..told me i'm not crazy, there something

[pustelniczka]

[sansaorgana]

I hated the kiss because in the books the baron literally SAd Feyd so it felt horrible in the cinema because I had hoped they decided to erase that part fully. Also every time I saw the baron has the same effect as smoking a pack of cigarettes and it shortened my life span by 10 years

I'm not sure what SAd means but if I think correctly then yes, I understand why it could make people go uneasy. Although I didn't see it this way – in some cultures it's perfectly normal to kiss family members on the lips (I can't count how many times my uncles and aunts were doing that to me when I was a baby + until this day I wouldn't mind to peck my mum's lips 🤷🏻‍♀️). So to me the kiss itself doesn't have to mean they kept this backstory. But even if it does mean that it also makes absolutely sense to me because sometimes the victims (and I doubt Feyd was in therapy lol) develop this weird sort of attachment to their abusers (not only sexual, just overall).

Lmao the Baron 😂 makes me want to start going to the gym ngl 🤣🤣🤣

but because he is so horrendous looking... there's something even more magnetic about him. I don't mean in a way he's attractive but it's both ewww and wow. I love how they created him in the movie. I really wish the deleted scene with Lady Jessica was kept in the first part of the film (Rebecca was talking about it in an interview, maybe you know what I'm talking about... I believe she said it was her favourite scene and it had a sexual vibe, too. I have a feeling she's a freak like me lol I adore the disturbing and bizzare that make majority of people uncomfortable)

[itzmaztercom]

[itzmaztercom]

I want to be forever young

(i miss them(still love them though))

[hevansent]

Help your username "heavensent"😭🙌 that remind me of that one song from cinema bizzare

rock on 😝🧑🏻‍🎤🤘

[yandereloveraw]

🔮🎨 Atilly [Atisuto & I's fusion] board ^^ 🎨🔮

🔮 Pure Imagination [Cover] - Kathleen

🎨 My Obsession - Cinema Bizzare [To Pinkie]

🔮 Crystal - Stevie Nicks

🎨 I Put A Spell On You - Sylvia Black [To Pinkie]

🔮 Jealous Sea - Meg Myers [To Pinkie]

[In case you were curious, yes, Pinkie [Atisuto's wife] is the other lady in the board]

[All music and images belong to their creators]

[itzmaztercom]

@sassymax2000 🎉

how could anyone NOT love him?

@itzmaztercom

[smilesrobotlover]

I've only seen the first Pirates of the Caribbean so I don't know too much about the franchise as a whole, but who's your favorite character(s)? Go ahead and ramble about them as much as you want :)

Oh man fhskbsksbsksbskbskb.

I guess Jack Sparrow is my favorite character? Pretty obvious he carries the whole franchise on his back. I just find him so fascinating. A youtube channel youve def probably heard of called Cinema therapy talked about him and said that he either is a sociopath or is anti social (which doesn’t mean he’s just shy it really means that he’s a sociopath) and those terms have very negative connotations, but it’s not demonizing to Jack. And it’s so interesting to see a protagonist who does some good but is also like, the most annoying person on the planet djdsbskbssk. Someone actually responded to the video and said that Jack is not a sociopath he just puts on an act. Idk disagree with either, but I love seeing people dive into his character fr fr. Anyways I just love how insane he is. Like the things he does is just, crazy. And it only works because he is crazy. Like the third movie the guy is like “are you mad?” And he’s like “I hope so otherwise this might not work” or something and it’s so brilliant because it’s accurate to his character dhdkdbdk. He gets out of situations in the most bizzare ways and it truly makes him fun to watch. I just really like his character HDKSBSKSJSK. The fifth movie did him so dirty tho I’m still incredibly salty over it

[lcatala]

My top 6 movies discovered in 2023

I watched 52 new-to-me movies in 2023. Not nearly enough , as I could only find 6 movies that stood out sufficiently to be worthy of a personal top, in what was otherwise a pretty meh year — yes I'm a picky watcher — and yeah The Boy and The Heron didn't make the top, you can read the long rambling I wrote about it if you want to know why; I haven't watched Barbie, Oppenheimer or the Super Mario Bros. Movie, and haven't watched any Marvel-related movie since 2015.

6: Nimona (2023)

I didn't really expect to like the animated adaptation of N. D. Stevenson's comic, and I went in reluctantly, only because a lot of people who seemed trustworthy recommended it. Despite having some of the flaws I've come to expect in modern 3D animation, this was a very good surprise. You can read my detailed review here.

5: Suzume (2022)

The plot of Suzume stays very much within the bounds of the "modern artsy anime film", with a rather predictable 3+1 acts structure and an exploration of themes and human interactions which has some subtlety and nuance but overall stays very safe and on-the-surface. Nothing offensive, but nothing truly groundbreaking either.

But.

Suzume had, by far, the best animation of any movie I've seen this year. This movie is an absoluteely beautiful, every-frame-a-painting kind of deal. If I was to rank every animated I've ever seen solely by the quality of their animation, Suzume would easily be in the top 10.

4: Cape Fear (1962)

American cinema achieved maturity during the New Hollywood era that started in the late 1960s, marking a shift toward more naturalistic and more adult filmmaking and themes. But there were a few notable precursors before that.

The most famous of those is of course Psycho (altho tellingly, it was from a British director). But Cape Fear followed close behind, and is another example of an early 60s movie which you don't expect to be this dark and this raw, starring an absolutely get-under-your-skin-terrifying Robert Mitchum — if you thought he was creepy in The Night of the Hunter, you haven't seen nothing yet…

3: The Outwaters (2022)

This was the biggest surprise of the year, watched the same day it was recommended to me, having heard absolutely nothing about it before that (I didn't even know this movie existed). I got treated to a no-budget yet beautifully-shot found-footage horror movie — in fact the best found-footage movie I have ever seen, with a lot of attention put toward making the gimmick plausible, making the characters realistic and likeable, making this look like the kind of actual footage you'd find on a personal camera — while also having amazingly beautiful cinematography — all while slowly building up the tension.

Because that's just the first half.

Oh yeah, it's one of these horror movies in which you think you know where the story is going, and then second half just explodes in your face and becomes completely, utterly batshit insane. This is on par with Men (2022) for how weird and fucked up the climax is. Don't expect any kind of explanation or closure here, the second half of this movie turns into one of the most fucked up and bizzare horror movies you'll ever see.

2: Godzilla Minus One (2023)

Yeah so this one was a surprise late-year hit for everyone, not just me. First live-action Japanese Godzilla film in 7 years, with rather tempered expectations — we all knew that Shin Godzilla was an odd one out, that the average Japanese Godzilla movie is not like that, that we shouldn't expect this kind of quality on a regular basis.

Well we played ourselves.

This was incredibly well made as a blockbuster — Japanese cinema has completely caught up on American cinema, for a fraction of the budgets — one of the best Godzilla movies ever made from an action and visuals point of view, and a reminder that Godzilla, as a character, can also be scary, a terrifying incarnation of destruction and disaster.

But somehow this also managed to be a powerful and well filmed drama — no lazy endless shot/reverse shot dialogues here, a lot effort is put into framing choices, blocking… — a movie that actually touches on difficult questions and goes against the message of many other war or action blockbusters.

When so many stories glorify the idea of sacrifying your life for a greater cause, here's one movie that says "hey maybe expecting people to sacrifice their life for your cause is actually pretty fucked up, and maybe it's actually better to choose to live for the sake of your loved ones than to die for the sake of your own pride". Yeah a Japanese movie is saying that, a Godzilla movie is saying that.

1: Skinamarink (2022)

So, speaking of low-budget independent horror, back in 2022 I had foolishly overlooked Skinamarink. I had vaguely heard that it was good, but no particular detail was mentioned that would have picked my interest, and the poster looked fairly generic, so I skipped it, even tho I should have been more intrigued — 2022 was already shaping up to be a really good year for horror films…

Skinamarink was a tough proposition from the get go, in the "experimental" kind of tough: an entire film made in the analog horror genre — usually short videos made to ressemble old media from the 80s and 90s, advertisements, warning messages, weather channels, documentaries and informercials, with a disturbing twist; a format usually made of short segments. Trying to tell a film-length story in that fashion is an entirely different exercise, but that's fine, I've sat thru Begotten (1989), I can do this.

Right away, this is not framed like a movie: it's more as if someone had negligently left an old camera on the floor — but this is not even found-footage, there is no camera in-story, we just happen to be seeing this world thru stolen, furtive points of view. The image is grainy, the sound is bad quality (subtitles are provided), the frames are often askew, you never even see the actors' faces. We get no narration, no exposition, just a succession of disjointed scenes that slowly form a story.

This shouldn't work. And for many people, this will not work. Most will turn this off not even 5 minutes in. But if you're among the exceptions, then howdy does it work. The format is not a gimmick at all — it's completely in service of the story. The grainy image, the low quality sound prey on your pattern recognition, never quite certain if something is there or not; the framing by a "forgotten" camera contributes to make the atmosphere hyper-real in its intimacy, yet alienating and uncanny.

The director of Skinamarink deals with one very specific topic: nightmares. Not the idea of nightmares, not the heightened nightmares of fiction, but the literal nightmares that real people have; he started by making short videos representing common nightmares that people would tell him about. When it came time to make a full-length feature film, he kept the same approach. Skinamarink doesn't really use any of the classic themes or structures of horror movies; it largely ignores that folklore and instead focuses on deep childhood fears, the kind of stuff your mind used to conjure up long ago and that you have forgotten but not erased from your brain.

If you manage to enter into this very peculiar format, this very unusual and seemingly disjointed way to tell a story, and if you identify with the kind of fear material the movie is drawing on, this is a truly scary experience. Not really in a jump scare or suspense way, more like a deeply haunting and unsettling atmosphere, a strong ambient uncanniness where things are almost normal but just broken enough to give you a constant feeling of unpleasantness, of wanting to run the hell out of here while being trapped, a sense of horrible lurking threat while having nothing concrete to fight against or protect yourself from.

Of course, this isn't exactly a fun experience. This is very, very intense, I'm talking Antichrist-levels of playing with your nerves, and the story, as simple as it is, is tragically harrowing and cruel — you're essentially watching two young children getting psychologically (and eventually physically) tortured by a sadistic, unseen entity for a hundred minutes.

It's hard to recommend, and yet recommendations is how this movie ended up grossing 2 millions on a 15k budget — promotion included ! Most people actually didn't like the movie, but those who liked it liked it so much they can't shut up about it (case in point!) It's one of those horror movies that completely break the boundaries of the genre and do something truly new and unique. It's what horror should be for: imagination gone wild, format-breaking fantasy, and realism thrown out of the window.

[stcantarella]

because the state of modern english cinema is so dismal i thought id watch a hindi movie in theatres with my friends and that was. also bad. so bizzare that it turned around to being funny though