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Vem aí o primeiro cinema autossustentável de São Paulo! O projeto econômico inovador da rede CINE A tem como foco a tecnologia e a preservação do meio ambiente, por meio da produção e utilização de energia limpa que abastecem suas dependências. O complexo será inaugurado no Continental Shopping com cinco salas de exibição e restaurante temático, garantindo uma experiência de outro mundo. #panteranegra #panteranegrawakandaparasempre #blackadam⚡️ #adaonegro #blackpanther #cine2 #blackpantherwakandaforever #portalresenhando #resenhandocinema (em Continental Shopping) https://www.instagram.com/p/ClFdtaKrjtT/?igshid=NGJjMDIxMWI=
#panteranegra#panteranegrawakandaparasempre#blackadam⚡️#adaonegro#blackpanther#cine2#blackpantherwakandaforever#portalresenhando#resenhandocinema
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リスボン物語 Chanter Cine2 No.46 東宝(株) 出版・商品事業室 監督=ヴィム・ヴェンダース/音楽:マドレデウス 他/出演=リュディガー・フォグラー、パトリック・ボーショー、マノエル・ド・オリヴェイラ、テレーザ・サルゲイロ ほか
#LISBON STORY#リスボン物語#Chanter Cine2#wim wenders#ヴィム・ヴェンダース#madredeus#Rudiger Vogler#Patrick Bauchau#manoel de oliveira#Teresa Salgueiro#anamon#古本屋あなもん#あなもん#映画パンフレット#movie pamphlet
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今宵フルーツ学び❗ #SONY #RX100M7 #PP6 #Cine2 (新砂自転車倶楽部) https://www.instagram.com/p/CXDpw46JNj6/?utm_medium=tumblr
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LEE DO HYUN — CINE2 (2020)
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Transsiberian Dream - 7.923 km from Beijing to Moscow from Dennis Schmelz on Vimeo.
Click here for the German version: vimeo.com/286490810
The Trans-Siberian Railway, another dream come true! The world's longest railway line starts from Moscow and runs 9,288 kilometers through seven time zones to Vladivostok. In May 2017 I was able to document this unique 16-day trip aboard the legendary Zarengold train together with my colleague Christopher Schmid. We traveled the route in the opposite direction and deviated a little from the original route (Trans-Mongolian Railway). Our journey took us along 7,923 km (nearly 5,000 miles) of rail from Beijing via Erlian, through the Gobi desert to Ulaanbaatar, on to Ulan-Ude, along Lake Baikal to Irkutsk, Novosibirsk, Yekaterinburg, Kazan and finally to Moscow. From the rickshaw ride through Beijing, a night in a Mongolian yurt, a bath in the five degrees Celsius cold Lake Baikal and the legendary vodka tasting aboard the Zarengold train - I sum up the highlights in my new short “TRANSSIBERIAN DREAM”. All aboard!
Camera: Dennis Schmelz & Christopher Schmid Edit: Jan Philip Roza, Leander Brandstädt & Dennis Schmelz Sound Design: Florian Gramelsberger & Leander Brandstädt Writer/Speaker: Claudina Hoff ter Heide Audio Mix: Florian Gramelsberger VFX: Jan Philip Roza & Christian Fleischer Title Design: Patrick Richter Grading: Dennis Schmelz
Blog: dennisschmelz.de/blog/119-transsiberiandream.html
Thanks to Lernidee Erlebnisreisen (lernidee.de / trains-and-cruises.com)
Music: Discover The Stars by Mark Petrie (ASCAP)
Video Gear: Phantom 4 Pro Drone: amzn.to/2yWCYTF Sony a7sII Camera: amzn.to/2DQpEEi Sony a6500 Camera: amzn.to/2zIR604 Zhiyun Crane Gimbal: amzn.to/2zcaB50
Sony Lenses: Sony 10-18 mm f/4: amzn.to/2yVcGkW Sony 35 mm f/1.8: amzn.to/2zRCLPL
Canon Lenses: Converter: amzn.to/2CkudW3 Canon EF 16-35mm 1:2,8L II: amzn.to/2k4oQ2N Canon EF 24-70mm f/2.8L II: amzn.to/2C62NAw Canon EF 70-200 mm f/2,8 L IS II: amzn.to/2BC3BMx Sigma 35 mm f/1.4 DG HSM: amzn.to/2sZUYLw
Filter: Gobe NDX Vario ND 49mm: amzn.to/2j25JbU B+W ND Vario 62mm: amzn.to/2zl3mqS
Post Production: Premiere CC Keyboard: amzn.to/2CJrfYb Lacie Thunderbolt HDD: amzn.to/2AZfPlK
LUT PACKAGE: Because of the massive feedback and a lot of questions how I graded my short "Transsiberian Dream", I decided to release some of the LUTs that I used for this project: dennisschmelz.de/downloads.html The LUTs work with all kind of cameras but your footage should be shot in a flat picture profile (not created for LOG) like Cine2 or Cine4 on Sony cameras or Technicolor Cinestyle on Canon. After purchase you will get a Zip file with 6 LUTs (cube and look files). You can import and adjust the LUTs with every common editing software (Adobe Premiere, Final Cut Pro, Da Vinci Resolve, etc.).
For licensing / usage please fill out the contact form: dennisschmelz.de/contact
© Dennis Schmelz | 2018
dennisschmelz.de instagram.com/dennisschmelz facebook.com/dennisschmelzfilm vimeo.com/dschmelz youtube.com/dennisschmelz
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とうとう福井の電気予報には⛄さんが(^^;) (Fukui, Fukui) https://www.instagram.com/p/CINE2s-HYvw/?igshid=308olszznozn
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10 Practical Tips For Making A Great Travel Video in 2021
When I started making travel videos five years ago, I had no experience or training within the movie industry . I used a compact camera to record and remember my epic solo trekking trip to the Himalayas.
Five years passed and 40 travel videos later, I finally had my videos featured on National Geographic, BBC and Vimeo. I even have miraculously found alittle niche audience that appreciates the video I originally created only for me.
So today, I'm getting to tell you about the items I've learned after five years of creating travel videos, mostly through trial and error, and share with you ten tips I'd wish to know before I start making travel videos. Techmong.com is offering the detailed guides and tips on vlogging and photography.
10 Practical Tips For Making A Great Travel Video
You can save this page on your Pinterest board for later. be happy to follow the BucketListly Blog forums and obtain the newest pin's directly from there also .
What quite travel videos should I make?
Travel videos are available many forms, from the standard "walk and talk" vlogging style to a more "street run-gun-shoot" style. it's important that you simply know what quite travel videos you would like to form before you begin filming. Personally, I prefer a more cinematic video, faster, more inspired, with little or no narration. you'll see the design of my travel videos here.
Find a purpose for your travel videos by asking yourself "who are the videos for" and "what quite feeling does one want your viewers to feel at the end? for instance , the goal of my travel videos is to inspire people to go to the country through beautiful and authentic visual interaction and to transfer the energy I received from the country through image and sound. My videos aren't meant to be informative, therefore the cinematic, fast-paced style is best suited to the aim of my video.
What camera equipment should I use?
I wont to use a more compact and lighter installation with the Sony Rx100M3 as a reference camera. this is often an honest start line for those that aren't conversant in basic camera settings like altitude, ISO and shutter speed.
The RX100 allows you to automate most processes while supplying you with the power to modify to manual at any time if you would like to.
I have since switched to a rather more advanced but lighter camera and am currently tilting the Sony a6500 mirrorless camera with a 16-70mm F4 Zeiss lens. The camera shoots in 6K, but reduced to a 4K format, which provides me sharper images than most traditional 4K formats.
The lens is additionally good for general use, with an angle wide enough for landscape, a zoom far enough to photograph people up close without them noticing, and it's compact for the type of range you get.
1. Watch plenty of travel videos
Most skills are best learned through good examples and travel cinema is not any different. once I started, I watched tons and plenty of travel videos hebdomadally until i used to be inspired enough to make my very own . i prefer to watch how travel videos work, what quite format they use, why they put this clip before the opposite one, why and the way they shot a particular frame, and from there i might leave , experiment, film and make my very own style.
Vimeo Travel may be a excellent spot to seek out top quality travel videos which will inspire you and you'll learn from. The community is sort of active, and that they usually list the fabric they used and therefore the story behind the video. Watch a number of these videos, choose the one you wish best and learn from them.
I've also made an inventory of the foremost inspiring travel videos of all time if you would like to urge some examples.
2. Prepare the camera settings before your trip
One of the last belongings you want to try to to is to vary your camera profile during the trip. this is able to create tons of unnecessary headaches, especially once you are within the editing cabin correcting colors. Before your trip, attempt to determine which settings are best for you and set them as defaults for all modes. Avoid changing settings that would affect your sequences to make sure consistency within the footage you get.
For my Sony a6500, I even have set both memory buttons to 4K, 25 fps with image profile 6 (Cine2, Cinema Color Mode) for general footage and 1080p, 120 fps with an equivalent image profile for movie respectively, so I can easily switch from one mode to the opposite counting on the sort of footage i would like to urge at the time. Take the time to undertake out your camera, find the proper settings and stick with them for the entire trip.
3. Shoot smart
Filming the maximum amount as possible is great advice because once you get home to edit, you'll wish you had more material to figure with, but there is a fine line between filming enough and going over the sting . do not forget to enjoy the country itself and to remind yourself from time to time why you're travelling within the first place.
What I often do is spend a block of your time shooting videos when the sunshine is at its peak, which is typically early within the morning or at sunset. That way, i buy the foremost beautiful images I can get from that place, and that i still have an entire day to explore and luxuriate in the experience.
4. Submit a story
It's not easy and that i myself have had difficulties repeatedly because travel is spontaneous and unplanned, and telling an excellent story requires careful research and planning.
If you do not have the budget and time to seem for a location, find a story and dictate the actors, you'll need to cope with the chaos and spontaneity that comes with travel and that is why it is so important to possess your camera ready in the least times and film the maximum amount as you'll .
To create a story out of chaos, you would like enough material to attach the purpose and find a beginning, middle and end. for instance , after a visit , i might open all my footage and undergo it one by one, trying to seek out a thread that would be woven into a story.
It doesn't need to be Spielberg quality, just find a free story that matches well together with your images and therefore the country. That way, your viewers will stay engaged long enough to observe your videos until the top .
A good example is my video "Daydreams within the Philippines", which I shot spontaneously and unexpectedly, but I managed to seek out a story that engaged the viewers.
The video started in Manila, a buzzing capital of the Philippines, where the video shows a lady sitting during a jeepney closing her eyes, then she goes through all the footage of my adventure within the country, all of which is coherently intertwined throughout the video until the top , when the lady opened her eyes and realized that she was dreaming, hence the name.
5. Know the country better, know yourself less
Too often lately , travel videos tend to specialise in the filmmakers and therefore the greatness of their lives. Travel videos are alleged to tell a story a few place, highlighting landscapes, people, food, etc. and not function a platform to point out your life.
Film fewer videos of all the parties you've organized during a country and more videos of the local people, architecture, history, and weave all of them together to inform a singular and captivating story which will inspire people to follow in your footsteps and do an equivalent .
6. Diversify your shots
As mentioned earlier, travel videos don't have the posh of getting an adequate structure and a captivating story to take care of public interest. it's therefore important that you simply experiment and diversify the way you shoot the videos so as to stay your audience until the top .
Try panning left, right, up, down, filming at high speed or on a moving vehicle, filming with worm eyes, slow shots or from different angles. one among my favorite techniques, which i exploit tons when I'm during a church in Europe, is to wrap the strap of my camera around my neck, tilt the camera upwards and slowly rotate my body to capture a fluid movement of all the gorgeous ceilings of cathedrals and churches.
7. Creating movement
One difference between travel photography and travel videography is that the majority of the gorgeous architecture you discover while traveling are often beautifully captured with a photograph , but when it involves video, due to the shortage of movement, you will not be ready to capture the thrill and energy of the place like photography does. you'll need to create your own movement and there are some ways to try to to this.
You'll attempt to create your own movement with an easy camera movement like panning, use the time-lapse to bring an otherwise static building or landscape to life, or film something that's already moving like children playing, pigeons flying or people dancing.
One of my favorite techniques is Hyperlapse (a moving time-lapse). Most tutorials will teach you ways to try to to it with a tripod, but nobody has the time for that, so what I've done is I take each picture by hand and move with my feet. I then compiled the photos into a video and stabilized it in Adobe Premiere Pro. If you're interested, you'll find out how to try to to it yourself by watching this tutorial on Youtube.
8. Get close-ups of the local population
Nothing can arouse more human emotion than having someone staring intensely at your camera. We humans interact with one another a day . We love, we laugh, we cry out for one another and that we can use that in our travel videos to bring out a robust emotion in your audience.
For example, in my video about Russia, i used to be filming an area and she or he noticed me and stared at me and therefore the camera intensely. The more intense the music becomes, the more intense the audience is, because they start to understand that the lady is basically watching them.
When you travel, if you've got the chance to urge to understand an area , ask to film it for your film and let the camera run albeit you say you've got the shot. I even have found that the relief reaction after filming is that the most genuine.
9. Connect your shots during a meaningful way
This is probably one among the foremost difficult and time-consuming parts of editing a travel video. Most travel videos appear as if a bunch of random clips put along side no purpose or story behind them, which is ok , but if you would like to make an excellent travel video and stand out from the remainder , you would like to concentrate to how the clips are connected.
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SONY A6300 CINEMATIC | FOOTAGE 4k PP5 Cine2 Color Grading
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5 CINEMATIC LUT FOR ANY CAMERA 4892546
5 CINEMATIC LUT FOR ANY CAMERA 4892546 TemplateShared
These LUTs work perfect with the following Cameras: Sony A7III, Sony A7S, Sony a6300, Sony a6500, Sony a6600 S-Log2 or Cine2/Cine4 Canon EOS R, Canon...
5 CINEMATIC LUT FOR ANY CAMERA 4892546 Template Shared
source https://templateshared.com/5-cinematic-lut-for-any-camera-4892546/
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オルランド Chanter Cine2 No.35 東宝 出版・商品事業室 監督:サリー・ポッター/出演:ティルダ・スウィントン、シャルロット・ヴァランドレイ ほか
#orlando#オルランド#chanter cine2#sally potter#サリー・ポッター#tilda swinton#ティルダ・スウィントン#charlotte valandrey#シャルロット・ヴァランドレイ#anamon#古本屋あなもん#あなもん#映画パンフレット#movie pamphlet
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December 29, 2018 Trying to get back into making videos. Shot in SLog2 and Cine2; practice on grading them. Walked from 110th St. through Central Park to Lincoln Sq. Aquaman was so much fun. #centralpark #midtownmanhattan #manhattan #nyc #newyorkcity #night #nightphotography #mobilephotography #moreontheway https://www.instagram.com/p/BsBmcAwBGn4/?utm_source=ig_tumblr_share&igshid=1etifza3bcdrs
#centralpark#midtownmanhattan#manhattan#nyc#newyorkcity#night#nightphotography#mobilephotography#moreontheway
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暗殺のオペラ Chanter Cine2 №23 ベルナルド・ベルトルッチ:監督、<伝奇集>より「裏切り者と英雄のテーマ」ホルヘ・ルイス・ボルヘス:原作 40P 1991年9月28日 東宝・出版事業室:発行、フランス映画社:発行権者
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So I'm checking out Cine2 for it's capability to uphold highlights very well, and I must say the results are very impressive. This was shot using the Sigma 18-35 along with false color for monitoring exposure. #setlife #colorcorrection #cinematography #sony #music #filmisnotdead #djironin #videography #smallhd #film #photographer #smallhd501 #movies #vscocam #cine #bokeh #color #zeiss #sonya6500 #cinematography
#bokeh#sony#film#photographer#cine#vscocam#cinematography#setlife#music#sonya6500#zeiss#smallhd#movies#videography#color#djironin#colorcorrection#smallhd501#filmisnotdead
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Cine2 (Taken with Cinemagram)
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Lee Min Jung
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