#christmas future

[cornsword]

[pavl-art]

Bro what do you mean you “don’t see how this relates to me”

Like SCROOGE EVERY OTHER GHOST TALKED ABOUT YOU IN SOME WAY WHAT DO YOU MEAN 😭😭

[littlemagicalstardust]

Throwback to the ghosts in an old BTE episode Trent: Ghost of Christmas Past Chuck: Ghost of Christmas Present Orange: Ghost of Christmas Future

[twistedtummies2]

Top 12 Ghosts of Christmas Yet to Come

It’s funny how Christmas Eve sees us covering arguably the scariest and most unnerving of the Three Spirits of Christmas, at the end of our journey through some of the side players for Charles Dickens’ “A Christmas Carol.” The irony is almost hilarious. I speak, of course, of the Ghost of Christmas Yet to Come, a.k.a. The Ghost of Christmas Future. The Third Spirit is interesting in that he’s arguably the most well-remembered and exciting of the three ghosts: he’s the dark and brooding payoff on Scrooge’s journey, and getting through his section of the tale - the most gut-wrenching chapter of the entire story - is a challenge for the audience, especially for younger viewers or readers. While the black cloak the Ghost wears in the book symbolizes the shadow mystery of the future - emphasized by the fact the Spirit never speaks, and only the tiniest gestures and nuances give away any indication of its thoughts or feelings - it has never been lost on anyone that the visual representation very closely resembles the iconography of the Grim Reaper. What’s interesting about the Spirit of Christmas Yet to Come is that they have honestly changed the least out of all three Ghosts in how they’ve been visually represented over the years. While there have been some minor changes here and there, most versions of the character stick with the same visual basics of a dark figure in a black hooded robe, with only their hands - or even just one hand - visible. Yet, at the same time, along with Christmas Past, the Spirit of the Future is one that artistic people LOVE to toy with in various ways, from more simplistic to more wild concepts, which creates a sort of paradox. You can always tell which Spirit is meant to be the Future in every good take on the Carol, but it’s always fun to see the little additions and changes each rendition brings to the table. There’s not much more to say (fitting for a typically mute character), so let’s just jump right in: in honor of Christmas Eve (still ironically), these are My Top 12 Favorite Portryals of the Ghost of Christmas Yet to Come!

12. Charlie B. Barkin, from An All Dogs Christmas Carol. (Purely for the sheer INSANITY of this one. That, and the song he gets is catchy…yes, he sings. I told you it was insane.)

11. Czeslaw Konarski, from Scrooge (1951). (While simplicity can be used to great effect, I feel this one is a little TOO simple, hence why he takes a lower tier. But he’s still quite impactful.)

10. D’Arcy Corrigan, from A Christmas Carol (1938). (This version has such a great entrance, just for a start.)

9. Robert Hammond, from Scrooged. (Further proof this movie is basically “A Ghostbusters Christmas Carol.”)

8. Tim Potter, from A Christmas Carol (1999).

7. Paddy Stone, from Scrooge (1970).

6. Pete, from Mickey’s Christmas Carol.

5. The Version from Mr. Magoo’s Christmas Carol.

4. Jim Carrey, from A Christmas Carol (2009). (Really cool concept having the Spirit act as Scrooge's literal shadow. They did something like that many decades before in the 1935 version, but it's way better here.)

3. The Version from The Muppet Christmas Carol. (Puppeteered by Don Austen and Robert Tygner.)

2. The Version from A Christmas Carol (1971).

1. Michael Carter, from A Christmas Carol (1984). (I love the detail on how, as the sequence goes on, the ghost gets closer and closer to Scrooge, symbolically showing how his future is getting ever nearer.)

[meilia-stims]

Ghost of Christmas Yet To Come (Spirited) stimboard

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[a-not-so-sure-artist]

Happy (insert holiday in which you specifically celebrate) guys <3

[mk-wizard]

Scrooge: A Christmas Carol: How to do “child friendly” RIGHT

Hello, fans. I know we’re two months long overdue, but because of what has been going on in my life, I finally got around to watching Netlfix’s take on a beloved Christmas classic with a good feeling after seeing Netflix’s Pinocchio which was a masterpiece and keeping in mind that not too long ago, Netflix made another Christmas movie that the world fell in love with being Klaus. And you know what? I was absolutely NOT disappointed. In fact, I was very pleased and impressed. I will be the first to admit Scrooge: A Christmas Carol (which I will simply call Scrooge throughout this review) is not the most sophisticated adaptation of the book, but out of all the animated versions, this is the best and so far, the only adaptation that is child friendly the right way since Disney’s Mickey’s Christmas Carol. Just to give you an idea of how well done it was: I am an adult and I loved it. I’ll even go that extra mile by saying this film is criminally misjudged, underrated and was treated rather biasedly.

Be warned that there are spoilers ahead.

Number one, the animation style is CGI yet cartoony. Visually, out of all the animated adaptations of A Christmas Carol, Scrooge is the most beautiful visually and has the best animation. You can tell that a lot of love was put into art because each character is emotive, unique, alive and entertaining while the animation is as smooth as silk with perfect textures. Unlike most CGI that tries to be realistic and in doing so, winds up looking creepy, unnatural and ugly, Scrooge embraces that it is all fantasy lovingly, so the characters are designed to be whimsical which is absolutely perfect for the fantastical elements like the magical sequences, the three spirits and the ghost of Jacob Marley. Because of this, they stay with you.

Number two, the music is catchy and lively. I know that a lot of people deem the music as not being good, but I have to say it, folks, I couldn’t not disagree more. I think the music is absolutely wonderful and the performances feel like something out of Broadway. Just the opening number “I love Christmas” immediately draws you in and already gives you an idea of what kind film you’re going to be watching: it’s a film people made for fun and you’re having fun with them. Plus, the songs themselves are memorable and you will find yourself listening to them again and again. I mean, I can’t get over how sad yet beautiful “Later Never Comes” is and I even find myself rewatching this movie just to listen to the music. Now I know a lot of people out there do not have the same opinion as I do, but here is a case where I have to come to the film’s defense simply because you cannot fault it for being a musical since that’s what it is. Nobody complained when the Muppet Christmas Carol had people singing at random times. Heck, even things, animals and food would sing. I think it’s pretty unfair to say characters singing is out of place because no one does it real life when that is the point of the musical genre.

Number three, the characters are nuanced. While I cannot say these characters are an extreme departure from their original versions, I can definitely say that they are more multi-dimensional than most versions I have seen. Right off of the bat, we get a hint that Ebenezer is not just some old grumpy miser nor is he completely without heart considering he has a pet dog he takes good care of and a watch that is hinted to have emotional meaning. He does have a heart, but he hides it kind of like the Beast did in Disney’s Beauty and the Beast. Even his introduction song “Tell Me” is actually (and ironically) telling the audience that he is not happy and has his reasons for being so bitter. In most versions, he is just a big callous bully and his heart often feels like it was pulled out of nowhere. Instead, we catch glimpses of the old grump having one and we’re learning why he just puts up defenses in the form of cruelty. And it’s not just Ebenezer. His nephew Fred is nuanced too. For once, he is refreshingly shown to be much more aware of his actions rather than just being a cheery buffoon for the sake of contrasting his uncle. Fred is cheerful, kind and hopeful because he actively wants to be the best version of himself to honour his late mother, his uncle’s dear sister, and his uncle is all he has left on her side of the family, so he constantly reaches out to him. I also appreciate that unlike most versions, he doesn’t mock his uncle Ebenezer. He toasts him and even stood up for him which shows that he is also much more mature than he lets on.

Number four, the pacing is just right. A common problem I find in most adaptations of A Christmas Carol is that it tends to be too short or drag on for too long. I recall one version that was so long that is was actually a mini-series not a movie though in its defense, it was the exception. Anyway, Scrooge doesn’t feel like a drag or like it came and went at all. It has good pacing that will keep the attention of children and keep the adults entertained. It uses every single second that is necessary to tell a good story and get the main message across. Plus, it tells us several other ones that are food for thought like making use of your time and not taking your negative experiences for granted.

Number five, it respects the intelligence of the audience. You can tell that this film is meant to be enjoyed by children, but it doesn’t hold their hands nor does it shy away from being able to be serious. It doesn’t just play with the children. It educates them by having themes of death, sickness, regret, egoism and how severely our actions can impact those around us. I can tell you this now as a parent that I really happy to see kid’s medias like this make a comeback. The film is a lesson in how greed and callousness can literally kill. I mean, Ebenezer openly accepts that he has been a jerk who is not worthy of mercy, but asks to be spared because in doing so, Tim Cratchit who does deserve mercy gets spared too. THAT is what I find missing in a lot adaptations of Charles Dickens’ famous tale. Yes, Christmas should be appreciated, but the real point of the story is to see how destructive greed and ego can be. In other words, you could teach the same lesson using any holiday or special day which focuses on generosity and kindness. And when I say that out loud, it would be kind of fun if someone adapted A Christmas Carol with a twist where the holiday was not Christmas for a change yet still captured the same deep message, but I digress. The point is that Ebenezer does indeed stay true to honouring Christmas in his heart, but more importantly, he finally gets that he has been egotistical and cruel.

I give this movie an 9/10. It’s not perfect, but it sure is close to it as far as kid-friendly versions go. If you haven’t seen it, I suggest watching it. And if you have yet don’t think much of it, watch it again and this time, please take a really good look at it because I think you may have misjudged it. I know I have made that mistake too and it took taking a second look to see how wrong I was about something.

Have a great night, everyone. And stay safe.

[turnaboutfix]

An Ace Attorney Christmas Carol

[sunsetsands]

Season's Greason's to all who celeason's

[onebadnoodle]

merry christmas!

were you visited by three ghosts?

[puppetdaily]

The Ghost of Christmas Yet to Come from A Christmas Carol at Chichester Festival Theatre

[vaguegrant]

Christmas Future - Vic-20

"Are we listening to 'what if .hack did a Christmas album'?" - my wife

She's not wrong! But thankfully, Christmas Future is a more complex album than that. You know it's a good sign when halfway through a seven-track album, I find myself wishing it were twice as long!

These are mostly classic Christmas songs, but with real effort put into transforming them into a modern-but-retro synthwave sound. Too many such albums are basically just Christmas carols with a backbeat. Others have so heavily remixed and reworked those hymns and carols that they're no longer recognizable, or don't have a tone that feels at all appropriate for Christmas. Christmas Future dances between those traps, even while hitting all the different moods and tones that encompass the real complexity of our feelings about the holidays.

I'm personally fond of "Christmas Morning", but Crystal Rome's work on the most somber version of "Angels We Have Heard On High" is not to be missed. Still, give the whole thing a listen. If you want Christmas music you can unapologetically dance to, Christmas Future is exactly and delightfully that.

[valtsv]

the type of "christmas spirit" im bringing to the holiday

[itsdefinitely]

fucking transcendent

[vectorisheree]

The brightest star

[tinkerbitch69]

Ruby’s band in the new dw special just casually having a Transfemme lead singer just mmmm….

Yes!

Like sure she’s only a bit part and that kinda sucks but the fact she’s just there casually because RTD has the balls to depict a world where trans people can just exist casually, just…

Yes, yes, yes. More please. It means so much to just SEE people like myself on my favourite show you have no idea. I hope she becomes a regular supporting character.