#chris peterson

[skullislandproductions]

In the 90s I had the opportunity to participate in “The Looney Tunes Spotlight Collection” for Goebel. I, along with Tim Cahill, initially provided sketches of famous Looney Tunes moments, to the sculptors, in this case the talented Chris Peterson. It was fun to see the figures develop into these 3D forms.

[davenportia]

lab rats, if it was not produced by disney, or at least not disney xd (maybe netflix or disney+) would have been a much better show. bryan and chris did a great job with what they had but unfortunately were working for disney. if you’re following my insta, you heard me talking about this on my story yesterday, but i’m going to try to type it all out here. trigger warning, trauma, abuse, and deaths. i will also do another warning right before the topic is brought up. here we go

time: i am aware that disney shows whether channel or xd only have a certain amount of time for table reads, filming, editing, and then airing. for a show especially like liv and maddie, they REALLY didn’t have time as dove had to film everything twice. disney episodes, unless a special episode, are usually between 24-30 minutes. but it’s so annoying how everything gets solved so fast. the laugh tracks (i am very used to them but i am aware that people find them annoying). it’s not very realistic that way. now to swiftly move to the next topic, scripts and reality

scripts and reality: even a show like fuller house on netflix, which also only had 24-30 minute episodes, had a more realities script. disney said “tweeter, twits, facegab, e-phone, madame googoo, vuuugle” because they’re cheap, fuller house would say “new kids on the block, facebook, nintendo, hamilton, pippin” ACTUALLY NAMES OF things. even outside of that, they talked like normal people would. in a disney show, something would go wrong, they would cut to commercial break, then come back and say “i can’t believe you ____! how are we going to fix this?!” NO ONE talks like that except for disney characters. whyyyy

characters:

adam; he was the token dumb character and honestly, not a nice person. i know that disney always has sassy characters but adam was just rude and didn’t have a filter. there should have been more to his character. maybe he would have had some sort of special interest like dez from austin and ally. dez was dumb but had his sweet moments and was a really good filmmaker and director. all adam seems to do is make fun of others and use his super strength. he should have been more useful outside of his bionics. had some sort of personality other than being dumb.

bree, trigger warning - drinking? ; bree, desperately wanting to be a normal teenager, would have gone crazy with partying. literally in the first episode, she said she was close to getting a curfew she was going to break. she wanted to be rebellious from the first episode. bree would have been one of those teens that either did not want to grow up or wanted to grow up too fast. she may have even been a bit of a rebel in school. not too bad, but like getting detention sometimes. once she grew out of that phase possibly, she would have had an identity crisis. and yes, i mean that kind. she was not straight. there’s no way. she should have struggled with her sexuality. maybe even a potential love interest that was a girl. i mean, considering she was the only girl besides tasha, there should have been some sort of identity issues with her.

chase; chase probably could have been explored the most. disclaimer, i promise i am not being biased by saying that; i just know him the best out of all the characters. chase is the smartest man in the world and in my opinion, was way too sane. katie from alexa and katie would get overwhelmed thinking about high school and college and would have panic attacks. chase was stressed out a lot and probably should have had panic attacks. and it pains me to say that because the last thing i want is for him to have mental health problems but it’s very realistic that he would have struggled with anxiety and panic attacks. additionally, i have seen a lot of people say this, i could see him being autistic. i don’t think he is, but if someone were to confirm it somehow, i would totally see it. i could see him being overstimulated and like how he jumps up and down when he’s excited? that could be him stimming. also, i’ve always wondered this, isn’t it painful to use his bionic eye? i feel like i would get headaches. and then all the apps he has? commando app (i will talk about spike momentarily), magnetism app, override app (no pressure??), internal hard drive, laser bow, molecular kinesis, super senses, levitation (which was only used once wtf), and obviously, super intelligence. think about how overwhelming that is, and they called him WEAK? bro was holding the team together. even if he weren’t autistic, he should have gotten overstimulated more.

follow up- spike; i’m going to be incredibly contradictory here but just bare with me. what the fuck did spike even do? he just caused destruction and distress for chase. when chase was nervous, mad, or embarrassed, he came out, but only when the episode revolved around him. i understand davenport’s intentions: remove the flight part of fight or flight, but why did he make him so angry? and also, i think that’s a bit insulting to chase, as if saying he’s too weak to handle himself. ugh, the very little he did was just useless. i wish we had gotten more of him and that he had had a bigger role. he was written terribly and never came out when he really should have come out. leo’s jam, trent gets schooled, rise of the secret soldiers, bionic rebellion, space colony, and the attack episode are all examples of where spike could have come out because chase was embarrassed or upset. also chase clearly didn’t like spike being a part of him. why did davenport never realize this and remove him when not only does chase not like him but also, he was doing anything but help chase.

leo- trigger warning, mentions of divorce, abuse, possible death; did the writers forget the literal first scene of the show? his mom literally got remarried. what happened to leo’s dad? did they get a divorce. did leo’s dad die? was he abusive? was he not around? so many questions. and we know they were married because leo excitedly said “my 𝐧𝐞𝐰 dad is batman!” so it’s not like tasha and leo’s biological father had a baby but were never married. in ‘can i borrow the helicopter?’ leo confides in davenport about his crush on janelle and he told tasha, which leo was upset about, but he had the opportunity to be more upset than he was. maybe his old dad never would have done that. maybe he’s used to it so he wasn’t as upset but he never thought davenport would have done that to him. he also forgave him way too fast (again, fast-paced episodes😒). he also should’ve had a harder time adapting to gaining 3 siblings after being an only child his whole life. i mean, even chase - who already had a brother - had a hard time gaining even on sibling. other than familial life and possible trauma leo could have had, i don’t have much to say about the character. he was written pretty well and had some awesome lines

i’m going to make a part 2 so stay tuned!

[eatmarcus]

AHHHHHH AUGH AHHAHW UGH AGAYAHAHA HAUGH

[ourladyofomega]

[omegaplus]

# 4,281

Front Line Assembly: Flavour Of The Weak (1997)

It’s my first semester at community college when I decided to join The Compass, the Ammerman campus student newspaper. I always knew I had a knack for writing. That’s why I walked through those doors and into their office to propose writing reviews for them. What you see here was my first-ever music write-up. The previous summer I picked up Cleopatra’s Industrial Revolution: Second Edition and “Mindphaser” was my ticket to Front Line Assembly. No surprise there as it’s their best single. Leeb’s main project came off their industrial ‘rock’ phase as they introduced guitars in 1994′s Millennium and 1995′s Hard Wired. Rhys Fulber left temporarily, entering Chris Peterson and a return to electronics. I certainly remember that Flavour Of The Weak was bonkers upon first listen. Both Leeb and Peterson created something nefarious and wicked upon thousands and thousands of unyielding sounds and eight songs that’s always on the defensive. There’s plenty of upbeat attacks that’ll sound so nasty and does considerate numbers of damage when it’s time for invasion. Lord, has it been ages since I visited this and didn’t realize how ill this truly was until I stepped back to see the damage done.

Survive long enough and you’ll hear a short hidden surprise in “Bill-In-A-Box”.

[cod-with-boobs]

This compilation of Jordan B Peterson immediately reminded me of Will Wood but the amount of people who listen to enough litwtc to know Will’s unhealthy obsession with this man is too low for me to have found any common ground with people on instagram or tiktok so I’m posting it here in hopes that people will agree that ��yes, musician, bone freak, and podcast man will wood would find this video funny”

[dalekofchaos]

The complete lack of a black protagonist in Life is Strange is disappointing

We've got 5 games and not a single game has gotten a single black protagonist.

I do love the series, but even I can see  a problem. A complete lack of black characters in the franchise. 

Found these two great articles that delves into the problem

Link 1

Link 2

None of the main characters are black. None of the secondary characters are black and the only black characters they have are side characters or background characters.

Like there was no reason whatsoever why Rachel, Warren, Kate, Steph, Ryan, Cassidy, Finn, Jacob, Sarah Lee or Chris couldn't have been black. Hell, there is no reason why Max, Chloe or Rachel couldn’t have been black.(although personally I would've loved it if Rachel was Indigenous)

And the black characters we do have is really bad in terms of representation.

Wells, a drunk and crooked  principal.

Hayden, a stoner and member of the Vortex Club

Drew North, a bully jock who got in the drug trade

Charlotte, a likable character, but who's anger is consuming her and blaming others around her, tho I understand where she is coming from, but her characterization tends to be reminiscent of the unfortunate angry black woman stereotype. And just so happens to own a pot shop...

Ms Grant, Mikey, Penny, and Joey the Nurse seem to be the only positive black characters in the series.

And we still have not gotten a single black protagonist in the franchise.

I find it weird that we seemingly have little good black representation that isn't just associated with drugs.

Like I’m not trying to say DONTNOD, D9 or Square Enix are racist or anything, but I’m saying they need to do better when it comes to representation. 

We were robbed of a black main character for Life Is Strange and are instead getting a cash grab sequel with Max who might as well be a completely new character seeing as how they’re throwing away everything that Max experienced and learned and everything we loved from LIS 1 to make it.

But considering how the fandom treated Sean and Daniel and their story, I can only imagine the disgusting hate a black protagonist would get in an extremely white franchise.

[outtacontextlitwtc]

"I can fix him" -Chris, Jordan Peterson Won't Go To Therapy

.

[m0onshineart]

people seemed to like the lockets so I bare more gifts

[harrisonstories]

Happy belated 80th birthday to my favourite guitar player. <3

A sequel to this post.

George Harrison: You need Eric Clapton.

John Lennon: No, you need George Harrison.

"He showed me a lot of things on the guitar. George was a really great guitar player. He just didn't think he was. He told me that he almost quit one time because he couldn't play as well as Eric. He said that Eric just had this feel and touch. George really wanted to play like that and told me so, many times. But who wouldn't?" - Bobby Whitlock (Derek and the Dominoes)

“[George is] a great guitar player. When he strikes up on the slide there’s nobody better; his precision, his vibrato is perfect. But he always plays it down.” - Jeff Lynne (ELO, Traveling Wilburys)

"I had heard George's playing on the records, but I hadn't seen him play before I saw A Hard Day's Night. I picked up some tips from him, like playing the G-string up and down the neck for lead guitar because it gave more punch to the lead line. And of course he played the Rickenbacker 12-string and that was a big influence on me, but I even liked to watch his Gretsch playing. He did a lot of barre chords -- John and George used barre chords almost exclusively, whereas coming from the folk tradition I used lots of open chords. With The Searchers and The Seekers, you could hear some of that 12-string out there, but primarily it was The Beatles. I know George influenced us a lot." - Roger McGuinn (The Byrds)

“The innovations in guitar technology he brought to The Beatles were just amazing. He defined what we now know as this classic Rickenbacker 12-string sound. He laid the groundwork for me. And it’s utterly definitive. Nobody had used that volume-pedal technique before ‘I Need You’ […] But you can’t beat ‘Ticket To Ride’. It’s futuristic guitar, even before Hendrix came on the scene. It still sounds like a modern guitar part now." - Johnny Marr (The Smiths)

"I met George during the session Cream did for Badge, and I was very impressed with his playing [under the pseudonym L’Angelo Mysterioso]. I took it for granted that people like McCartney and Lennon were brilliant but didn’t really analyse it. But when you actually play with George you could see what an amazing guitar player he was, doing things that I hadn’t even thought of." - Jack Bruce (Cream)

"Me personally, I worshipped guitar players like George Harrison, who was this melodic part of the Beatles sound and he seemed like he served the song more than his own ego of how many notes per second he could play. I really appreciated that." - Vicki Peterson (The Bangles)

"I love George Harrison so much because [of] the way he would construct a little kind of solo within the song which would be part of the song. So from him I learned about melody […] George Harrison would create a little masterpiece in 8 bars in the middle of Hard Day's Night for example. It's a perfect example of that where he would do something that no other guitarist in the world would think of. He'd put this little lick in. It would have some little fast bits in it, and it would be so outside what you'd imagine the solo of that song to be. Later on I got to know George very well. We became very good friends at one time, and he could do things that no one else could do, and his slide playing was amazing because he used to have very strong Eastern influences from his days with Ravi Shankar and doing the meditation and everything. Just to be around someone like that you learn so much. He really was a giant in the music world for me, very sadly missed." - Gary Moore

"George’s guitar playing was just perfect. In those days we didn’t jam and get to the middle of a song and just play any old thing (laughs); we would have rehearsals and you’d kind of figure out what the part would be so from then on, when you played that song, that was the solo. He was that sort of guitar player and I learned that and I really liked that ‘cause that’s what I was thinking most of the time." - John Fogerty (Creedence Clearwater Revival)

"To see George Harrison there [on the Ed Sullivan Show], standing off to the side, looking down at his guitar while he played his licks -- to my impressionable mind it defined what a lead guitarist was. I knew right then what I wanted to do with my life: I wanted to be like the guy in the middle -- the guy looking down at his guitar and playing all the little fills and solos. Harrison taught me about short solos and hooks, and what a hook is. All those mid-Sixties Beatles tracks -- whether it was 'Day Tripper' or 'Ticket to Ride' or whatever -- they all start with a guitar lick that you wait to come around again in the chorus. That’s where I learned to do that." - Elliot Easton (The Cars)

“His chords were sometimes more a cluster of notes that, to my ears, are beautifully dissonant. The turnaround lick over the last chord in the chorus of the Beatles’ ‘Help’ functions on many levels. It’s such an innovative use of the open G and B strings ringing out, while a minor 3rd shape chromatically descends below it.” - Brian Bell (Weezer)

"I modeled myself after George Harrison a lot in the early days; solos you could sing along with. To this day, that's my approach, and I teach it as a guide at IMA's Rock 'n Roll Girl's Camps." - June Millington (Fanny)

“George was responsible for perhaps the most romantic guitar solo of all time when he recorded Something. It’s arguably among the most gorgeous and expressive solos in any song.” - Nancy Wilson (Heart)

“The solo [from the album version of Let It Be] -- the way his lick comes in after the keyboard breakdown strikes the perfect emotion and uplift for the track. I’ve ripped it off a million times, and will probably rip it off a million more before I’m through. The tone is perfectly gritty but without a safety net and mixed way on top of the tune, warts and all. Love it.” - Chris Shiflett (Foo Fighters)

"I was into Harrison. He's an amazing guitar player. Songwriter too." - Jim Root (Slipknot)

“I feel like the music world mostly thinks of George Harrison as the phenomenal songwriter that he was, but I think he’s really underrated as a tone innovator. I remember reading a GW article [January 2014] about I’m Only Sleeping and how George got this crazy tone by writing the solo, learning it backward and then recording it with the tape running back to front, resulting in the initial solo he had written with this insane, surreal effect. It’s so interesting to think about what that process would have been like, getting those tones in a completely analog studio setting.” - Nita Strauss

“As a guitarist, I've always loved George Harrison. I've never been a fan of the rock'n'roll style, or the solos, etc. I like simple things. When Harrison does a solo, it doesn't sound like a solo, it's just his part, it's never a show of virtuosity. I don't like sham.” - Alex Scally (Beach House)

“The mix [in Savoy Truffle] is all about a trip to the dentist’s office. The guitar tone -- most likely run through a fuzz pedal -- sounds like a drill. The bending, stabbing notes during the lyrics, ‘But you’ll have to get them all pulled out’ really gets the image of a dentist’s drill across vividly. I borrowed those bending, stabbing notes from him and have no intention of returning them anytime soon. The phrasing is total Harrison -- even with the fuzz, you can tell it’s him. He does have that ‘George Harrison sound’ as well, but to identify a guitar player with phrasing is rare.” - Joey Santiago (Pixies)

“Till There Was You shows George’s vast range of playing in 1963. He has lovely phrasing, uses diminished notes –- and there’s a fantastic use of the Gretsch tremolo arm before a fabulous run into the middle eight. [GW Editor’s note: Although he used a nylon-string guitar on the studio recording, Harrison often performed the song with an electric guitar.] To my young ears, this was masterful guitar playing." - Bernie Marsden (Whitesnake)

“No one changed the face of guitar more than George, in my opinion.” - Steve Lukather (Toto)

“He gives [Dig a Pony] space where it’s needed and doesn’t clutter the sound or detract from the lead vocal. This is definitely something we could all learn from him. His choice of notes adds a sense of melancholy to the song, lifting it above what could otherwise have been a bit of a throw-away number. Lennon would later refer to the song as ‘garbage,’ but for me, Harrison’s class makes it an underrated gem. Watching the footage, we get an insight into George’s excellent technique throughout the song; expertly switching between flat-picking, hybrid picking and straight finger picking to accent the lead lines and add texture to his parts. There’s a great shot where you can see him with his pick palmed while playing with his fingers, followed by a quick adjustment of the volume and tone controls, before swiftly returning the pick for some flatpicking. It’s skillfully done and impressive to watch.” - Kevin Starrs (Uncle Acid and the Deadbeats)

“I mean he was one of the first guys to really play melodic slide because most guys that play, they want to play blues, you know? Which is great, but George from My Sweet Lord on, he would play really melodic. I love the way he played, and he was really kind to me. He was very supportive, and he told me several times that he liked the way I played slide too, so I’m greatly indebted to George.” - Mike Campbell (Tom Petty and the Heartbreakers)

'My impression of George when I first met him was that he wasn’t really extremely confident, didn’t understand what all the fuss was about and felt like maybe people were mistaking him, or making a mistake, or seeing something that wasn’t there. That was the feeling I got from him. Everyone was into hot licks, but he didn’t have any. So I feel he didn’t have a glimpse of how really wonderful a musician he was…He was very conscious that he couldn’t read music and that he couldn’t play searing solos off the top of his head. What he could do was worth more to me. He was a beautiful musician, extremely musical. The 'Moonlight Sonata' is a very simple thing to play on the piano, but it’s beautiful. And beauty is not about technique." - David Bromberg

[scenesandscreens]

Dungeons & Dragons: Honor Among Thieves (2023)

Directed by Jonathan Goldstein & John Francis Daley, Cinematography - Barry Peterson

"...how everyone thinks we can solve any problem with magic. There are limits! This isn't some bedtime story; this is the real world!"

[eatmarcus]

Hehahhwjejsh

[the-count-and-the-raven]

I got so clickbaited

[glaobobotalrynn]

Ayo shoutout to fairytale retellings that are written for actual preteens/young teens, here are some of my favorites;

Note note: These ones specifically are all appropriate for young audiences, say a hyperlexic little girl with ADHD who had The Hunger Games given to her in 3rd grade because her teacher couldn't keep up with her thirst for pages (just a nonspecific lil example :D) so if you're a parent or teacher reading this post I hope this helps!

Land of Stories by Chris Colfer- of course. What's not to love? I mean I lost a little steam in the last book (there's six) but heyyyy the first one can be read alone and then if you want more lore you can keep going if you wanna.

East by Edith Pattou- Ok fine, our main girl is giving a little bit of not-like-other-girls (Purple eyes? really?) but it's such a fun fucking reread, I feel like some of my superstitious things are validated when I do read it. East of the Sun and West of the Moon hasn't been retold to death so this is awesome.

Twice Upon a Time; Rapunzel, the One with All the Hair by Wendy Mass- Mouthful of a title but I STILL think back to this one all the time and laugh. It's short, it's cute, it's funny, they make the prince and Rapunzel into more normal kids, this one is a great light read. The other ones in the series are probably just as good.

Oh yeah forgot to mention these other books are THICK.

Just Ella by Margaret Peterson Haddix- I've been rereading this one since I was small and I still notice new things every time I read it. I'm so mad I marked up my copy because I have a gorgeous one from before they ruined the cover with modern art. If you look it up, I have the one where it's like half peeled back to show Ella as a peasant. Also a skinny book.

Ever After High's book series, mostly written by Shannon Hale- Did y'all know EAH had books when we were younger? Hale is one of my favorite authors, I ate these UP once I got my hands on all of them. Princess Academy was one of my favorites as a kid so finding these when I was like 11-12 was GREAT. They're long enough to keep me busy and super engaging. Ya gotta know- Briar's my favorite character in the books. Closely followed by Cedar.

Hale's Rapunzel's Revenge is SUPER good too. Graphic Novel. I'm a very huge Hale fan.

I can't think of any others right now but if I do I'll reblog and tack them on!

[letthatzlewin]

i bought jordan peterson's book a year ago and when i realised it lately, i was like,, is that a litwtc reference?????

[mrbopst]

The Alter Natives. Summer 1987. Median on Belvedere between Cary & Canal Richmond, Virginia. Photo by Naomi Peterson.